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As women, we are the protagonists of our own personal novels. We are called upon to be the heroines of our own lives, not supporting characters.
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Erin Blakemore (The Heroine's Bookshelf: Life Lessons, from Jane Austen to Laura Ingalls Wilder)
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I am here to posit that it's exactly in these moments of struggle and stress that we need books the most. There's something in the pause to read that's soothing in and of itself. A moment with a book is basic self-care, the kind of skill you pass along to your children as you would a security blanket or a churchgoing habit.
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Erin Blakemore (The Heroine's Bookshelf: Life Lessons, from Jane Austen to Laura Ingalls Wilder)
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In times of struggle, there are as many reasons not to read as there are to breathe. Don’t you have bigger things to do? Reading, let alone re-reading, is the terrain of milquetoasts and mopey spinsters. At life’s ugliest junctures the very act of opening a book can smack of cowardly escapism. Who chooses to read when there’s work to be done?
Call me a coward if you will, but when the line between duty and sanity blurs, you can usually find me curled up with a battered book, reading as if my mental health depended on it. And it does, for inside the books I love I find food, respite, escape, and perspective.
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Erin Blakemore (The Heroine's Bookshelf: Life Lessons, from Jane Austen to Laura Ingalls Wilder)
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All books are hyggelig, but classics written by authors such as Jane Austen, Charlotte Bronte, Leo Tolstoy, and Charles Dickens have a special place on the bookshelf. At the right age, your kids may also love to cuddle up with you in the hyggekrog and have you read to them. Probably not Tolstoy.
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Meik Wiking (The Little Book of Hygge: The Danish Way to Live Well)
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Any heroine worth reading about will one day find herself on the moors of a devastating personal crisis. For the most part, we must traverse them alone.
Chapter 10 Steadfastness Jane Eyre
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Erin Blakemore (The Heroine's Bookshelf: Life Lessons, from Jane Austen to Laura Ingalls Wilder)
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When we focus on people and life instead of material possessions and mere wants, there's not much room for emotional hand-wringing. Instead, there's more space to weigh what we value in our lives and to acknowledge what really counts. Chapter 9 Simplicity Laura Ingalls in The Long Winter
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Erin Blakemore (The Heroine's Bookshelf: Life Lessons, from Jane Austen to Laura Ingalls Wilder)
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Two hundred years ago, the mothers of the books we take for granted were lumped together in the same lowly category as factory workers, governesses, and prostitutes. A respectable woman didn't write, she took care of her household: if she were rich, she oversaw a staff of servants and entertained for a living; if she were poor, she carried out endless labors punctuated by births and deaths. Jane Austen had to publish her books anonymously at a time when women were lucky to be taught to read.
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Erin Blakemore (The Heroine's Bookshelf: Life Lessons, from Jane Austen to Laura Ingalls Wilder)
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Persuasion by Jane Austen: "But when pain is over, the remembrance of it often becomes a pleasure." Do you believe this, Tenleigh? – KB I leaned back on the library bookshelf and put my pen to my lips, considering. Finally, I wrote: I think that when enough time has passed, when you've survived that which you didn't imagine you could, there's a dignity in that. Something you can own. A pride in knowing the pain made you stronger. The pain made you fight to succeed. Someday, when I'm living my dreams, I'm going to think of all the things that broke my heart and I'm going to be thankful for them. – TF
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Mia Sheridan (Kyland)
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He turned toward the bookshelf, his back to her, saying nothing. He held out one hand and she gave him the Eliot to shelve. His voice was rough. “‘Our words have wings, but fly not where we would.’”
Caroline stepped back into her heels. “I always thought she stole that line from Homer. He was all about the ‘winged words’ in the Odyssey, and then Eliot comes along with that line and everyone falls all over it.”
Brooks seemed to be examining the shelf again. “I thought you liked George Eliot.”
“I do. I think she was brilliant. But what does that line mean, anyway? Is it about influence? Writing? Distance?” She shrugged, wishing he would step away from the books and turn around.
“Maybe it means that sometimes what we say doesn’t come across the way we mean it to.” He finally turned, his lips tilted up a bit at the corners. “I always liked ‘nothing is so good as it seems beforehand.’ I think that’s the perfect Eliot quote for the moment we head off to a garden party.
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Mary Jane Hathaway (Emma, Mr. Knightley, and Chili-Slaw Dogs (Jane Austen Takes the South, #2))
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. . . the critics who shaped our modern idea of the novel in English so frequently dismissed women writers that the systematic excising has a name. It’s called the Great Forgetting. Only Austen survived that period . . .
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Rebecca Romney (Jane Austen's Bookshelf: A Rare Book Collector's Quest to Find the Women Writers Who Shaped a Legend)