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If you can eat with mates or friends or family, I mean, it's such a brilliant thing isn't it? If you feel really rubbish and you have a nice bit of food it makes you feel good, you know?
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Jamie Oliver
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Preheat the oven to full whack.
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Jamie Oliver (Jamie's Food Revolution: Rediscover How to Cook Simple, Delicious, Affordable Meals)
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More recently, Labour MP Dawn Butler took umbrage at a new brand of ‘jerk rice’ that had been marketed by television chef Jamie Oliver. ‘Your jerk rice is not ok,’ Butler tweeted. ‘This appropriation from Jamaica needs to stop.’ For me, angry tweets addressed to celebrity chefs are what being a Member of Parliament is all about.
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Titania McGrath (Woke: A Guide to Social Justice)
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A sampler of England's hottest 'chefs' would include a mostly hairless young blond lad named Jamie Oliver, who is referred to as the Naked Chef. As best as I can comprehend, he's a really rich guy who pretends he scoots around on a Vespa, hangs out in some East End cold-water flat, and cooks green curry for his 'mates'. He's a TV chef, so few actually eat his food. I've never seen him naked. I believe the 'Naked' refers to his 'simple, straightforward, unadorned' food; though I gather that a great number of matronly housewives would like to believe otherwise. Every time I watch his show, I want to go back in time and bully him at school.
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Anthony Bourdain (A Cook's Tour: Global Adventures in Extreme Cuisines)
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Just tell me it's porn and not just you hanging out with Jamie Oliver on an average Friday...
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Jean Koning (Quotes and Thoughts)
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That’s not all that hard,” I tell him. “Crack some eggs, fry up some bacon. Boom. Everyone’s fucking Jamie Oliver.
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Karina Halle (Before I Ever Met You)
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Jamie guessed he wasn’t sure if calling it a homeless shelter when it was filled with homeless people was somehow offensive. He’d had two complaints lodged against him in the last twelve months alone for the use of ‘inappropriate’ language. Roper was a fossil, stuck in a by-gone age, struggling to stay afloat. He of course wouldn’t have this problem if he bothered to read any of the sensitivity emails HR pinged out. But he didn’t. And now he was on his final warning. Jamie left him to flounder and scanned the crowd and the room for anything amiss. People were watching them. But not maliciously. Mostly out of a lack of anything else to do. They’d been there overnight by the look of it. Places like this popped up all over the city to let them stay inside on cold nights. The problem was finding a space that would house them. ‘No, not the owner,’ Mary said, sighing. ‘I just rent the space from the council. The ceiling is asbestos, and they can’t use it for anything, won’t get it replaced.’ She shrugged her shoulders so high that they touched the earrings. ‘But these people don’t mind. We’re not eating the stuff, so…’ She laughed a little. Jamie thought it sounded sad. It sort of was. The council wouldn’t let children play in there, wouldn’t let groups rent it, but they were happy to take payment and let the homeless in. It was safe enough for them. She pushed her teeth together and started studying the faded posters on the walls that encouraged conversations about domestic abuse, about drug addiction. From when this place was used. They looked like they were at least a decade old, maybe two. Bits of tape clung to the paint around them, scraps of coloured paper frozen in time, preserving images of long-past birthday parties. There was a meagre stage behind the coffee dispenser, and to the right, a door led into another room. ‘Do you know this boy?’ Roper asked, holding up his phone, showing Mary a photo of Oliver Hammond taken that morning. The officers who arrived on scene had taken it and attached it to the central case file. Roper was just accessing it from there. It showed Oliver’s face at an angle, greyed and bloated from the water. ‘My God,’ Mary said, throwing a weathered hand to her mouth. It wasn’t easy for people who weren’t exposed to death regularly to stomach seeing something like that. ‘Ms Cartwright,’ Roper said, leaning a little to his left to look in her eyes as she turned away. ‘Can you identify this person? I know it’s hard—’ ‘Oliver — Ollie, he preferred. Hammond, I think. I can check my files…’ She turned and pointed towards the back room Jamie had spotted. ‘If you want—’ Roper put the phone away.
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Morgan Greene (Bare Skin (DS Jamie Johansson, #1))
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SAUSAGE PAPPARDELLE FENNEL SEEDS, CHIANTI, GARLIC, TOMATO & PARSLEY SERVES 1 | TOTAL 14 MINUTES 4½ oz fresh lasagne sheets 1 clove of garlic ½ a bunch of Italian parsley (½ oz) 1 pork or veggie sausage 1 teaspoon fennel seeds Chianti or other Italian red wine ¾ cup passata (strained tomatoes) Parmesan cheese, for grating Boil the kettle. Cut the lasagne sheets lengthways into 1¼-inch strips to make pappardelle. Peel and finely slice the garlic. Finely chop the top leafy half of the parsley, then the stalks, keeping them separate. Put an 11-inch frying pan on a high heat. Once hot, put a little drizzle of olive oil into the pan, then squeeze the sausagemeat out of the skin into the pan, breaking it up with your spoon (if using a veggie sausage, crumble or slice). Fry and stir for 2 minutes, then add the garlic, parsley stalks and fennel seeds. Once lightly golden, add a good splash of red wine, let it cook away, then add the passata and scatter the pasta into the pan. Carefully pour in enough boiling kettle water to just cover the pasta – about 1¼ cups. Let it bubble away for 4 minutes, or until the pasta has absorbed most of the water and you’ve got a nice rich sauce, stirring regularly and loosening with an extra splash of water, if needed. Turn the heat off, stir in the parsley leaves, then season to perfection. Finish with a grating of Parmesan and a kiss of extra virgin olive oil, if you like.
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Jamie Oliver (One: Simple One-Pan Wonders [American Measurements])
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The British public first fell in love with Jamie Oliver’s authentic, down-to-earth personality in the late ‘90s when he was featured in a documentary on the River Café. Jamie became a household name because of his energetic and infectious way of inspiring people to believe that anyone can cook and eat well. In his TV shows and cookery books and on his website, he made the concept of cooking good food practical and accessible to anyone. When Jamie Oliver opened a new restaurant in Perth, it naturally caused a bit of a buzz. High-profile personalities and big brands create an air of expectation. Brands like Jamie Oliver are talked about not just because of their fame and instant recognition, but because they have meaning attached to them. And people associate Jamie with simplicity, inclusiveness, energy, and creativity. If you’re one of the first people to have the experience of eating at the new Jamie’s Italian, then you’ve instantly got a story that you can share with your friends. The stories we tell to others (and to ourselves) are the reason that people were prepared to queue halfway down the street when Jamie’s Italian opened the doors to its Perth restaurant in March of 2013. As with pre-iPhone launch lines at the Apple store, the reaction of customers frames the scarcity of the experience. When you know there’s a three-month wait for a dinner booking (there is, although 50% of the restaurant is reserved for walk-ins), it feels like a win to be one of the few to have a booking. The reaction of other people makes the story better in the eyes of prospective diners. The hype and the scarcity just heighten the anticipation of the experience. People don’t go just for the food; they go for the story they can tell. Jamie told the UK press that 30,000 napkins are stolen from branches of his restaurant every month. Customers were also stealing expensive toilet flush handles until Jamie had them welded on. The loss of the linen and toilet fittings might impact Jamie’s profits, but it also helps to create the myth of the brand. QUESTIONS FOR YOU How would you like customers to react to your brand?
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Bernadette Jiwa (The Fortune Cookie Principle: The 20 Keys to a Great Brand Story and Why Your Business Needs One)
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Just tell me it's porn and not just you hanging out with Jamie Oliver on an average Friday...
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Jean Koning
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It’s okay. I’ve got this,” the blonde said breathlessly, taking hold of Rory’s arm and wedging herself in between Jamie and his brother. Without wasting any time, she wrapped herself around Rory, climbing him like a tree and pressing their heads together. “Come back to me,” she whispered against his panting mouth. “Your brother is okay. He’s fine. We’re all fine. Please, you can’t get taken away from me.” Rory shook his head, the worst of the blaze dying in his eyes. “Olive,” he said on an exhale a shudder passing through him. “Olive.” “I know. You can control the anger. I believe in you.” Rory buried his face in Olive’s throat and let her continue to whisper private words into his ear.
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Tessa Bailey (The Beach Kingdom Bundle: The Complete Series)
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But every day brought enlivening moments and laughter. One day a BBC crew appeared, driving down to the beach in a big black Range Rover. Everyone kept their heads down and pretended to be very busy as Hazel did the required. She showed the presenter Neil Oliver some prize finds, such as a polished Bronze Age pendant, but the producer wanted a retake. 'Can you emote more?' she asked Hazel. Then they went away.
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Kathleen Jamie (Surfacing)
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Three Best Ways to Start a Speech The third best way to start a speech is by using an ‘imagine’ scenario. ‘Imagine a big explosion as you climb up 3000 ft. Imagine a plane full of smoke. Imagine an engine going clack, clack, clack. It sounds scary. Well, I had a unique seat that day. I was sitting on 1D.’ This is how Ric Elias started his TED talk—‘3 Things I Learned While My Plane Crashed’1—on the Hudson river landing. This true story was captured in an award-winning film, Sully, starring Tom Hanks. The second is to start with a statistic or factoid that shocks. Jamie Oliver, a British celebrity chef, restauranteur and activist who promotes healthy eating among children, started his TED Talk—‘Teach Every Child about Food’2—with ‘Sadly, in the next eighteen minutes when I do our chat, four Americans that are alive will be dead through the food that they eat.’ Given that the audience here was mainly American, there is no way that it didn’t get their attention. The absolutely best way to start a speech—no points for guessing—is with a story, one that is inextricably linked with the topic you are speaking on. ‘I was only four years old when I saw my mother load a washing machine for the very first time in her life. That was a great day for her. My mother and father had been saving money for years to be able to buy that machine
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Indranil Chakraborty (Stories at Work: Unlock the Secret to Business Storytelling)
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filling the form in. She held up the photo and matched it with the wall, a tired, thinlooking girl looking out at her. It was set to the right of Oliver’s. They could have had them taken at the same time. She’d ask Mary. Grace had said she had only been with Oliver — or at least that’s what the answers suggested. She’d have to ask her to make sure. It wasn’t unknown for homeless people to get into disagreements over love. When you’ve got nothing much to lose, the law doesn’t come into play when you’re asking yourself if you’re prepared to kill for someone. Grace also admitted to being a regular heroin user and agreed to have an examination. She also said she didn’t have any diseases as far as she knew. She was the same age, too. Eighteen. Had they known each other before they’d become homeless? She’d have to find Grace to know the truth. She went back to Oliver’s file and checked the date next to his signature. It said the seventh of September. Just under two months ago. Jamie leafed to the next and only other page in the file. It was another shabbily photocopied sheet. Mary must have been doing them on her printer-scanner at home, creating them on her computer. She really did care. The sheet displayed a pixelated outline of the human body — no doubt an image pulled off the web and then stretched out to fill a page. The resolution was too low to keep any sort of detail, but the shape still came through okay. It was a human with their arms out, feet apart. At the top of the page, in Comic Sans, ‘Examination Sheet’ was written as the title. In appropriately illegible handwriting for a doctor, notes had been jotted around the body. Parts had been circled with lines being drawn to the corresponding note. She read words like ‘graze’ and ‘lesion’. ‘Rash’ cropped up a few times. But there didn’t look to be anything sinister going on. The crooks of the elbows, as well as the ankles, were all circled several times but nothing was written at the sides. Those areas didn’t need explaining, though underneath, as if encapsulating the entire exam were the words ‘No signs of infection’. So he’d been relatively careful, then. Clean needles, at least. Under that, there was a little paragraph recommending a general blood panel, but overall, Oliver seemed to be in decent health. Nothing had been prescribed, it seemed. She checked Grace’s and found it to be much the same, complete with triple circles around the elbows and ankles. Though her genital area had also been circled and the word ‘Rash’ had been written. At the bottom, a prescription had been written for azithromycin. Jamie clicked her teeth together, rummaging in her brain for the name. Was it a gonorrhoea medication or chlamydia? She knew it was for an STD, she just couldn’t remember which. But that meant that where she’d put down ‘1’ for number of
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Morgan Greene (Bare Skin (DS Jamie Johansson, #1))
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The information was far from comprehensive. Inside the file was a polaroid that looked like it had been taken exactly from where Jamie was sitting. She held it up and matched the outline of the door in front of her to the picture in her hand. In the middle of it was Oliver Hammond. He looked dishevelled and gaunt. Hungry was the word that came to mind. His skin looked colourless and there were grazes and scabs hanging from his cheeks. The heroin scratch. That’s what her dad used to call it. When addicts pawed at their faces. His hair was matted and his eyes sunken, but there was no mistaking him. Jamie pulled the photo out from under the paperclip and went through the rest of the file. There was a roughly photocopied form that looked like it had been put together in a spreadsheet. It had been filled in by hand. Jamie closed her eyes and recalled the handwriting on the sign outside. It was different. Oliver must have filled it in himself. It gave his name, date of birth, emergency contact, and blood type. Though there was nothing filled in under address. It also had two check-boxes under the words ‘Naloxone Allergy?’, and he’d checked ‘no’. Naloxone was used to treat heroin overdoses. There were also questions — ‘How long has it been since you maintained a permanent residence?’, ‘Do your family know where you are?’. He’d written ‘A year’ and ‘No’ for those two. Then came the personal questions. ‘What is your sexual orientation?’, ‘Are you sexually active?’, ‘How many sexual partners have you had in the last 12 months?’, ‘Have you been recently checked for sexually transmitted diseases?’, ‘Have you been diagnosed with any transmittable diseases?’, ‘Are they bloodborne?’. He’d written ‘Straight’, ‘Yes’, ‘1’, ‘No’, ‘No’, and ‘No’. So he’d only been with one girl, and he hadn’t caught anything.
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Morgan Greene (Bare Skin (DS Jamie Johansson, #1))
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Do you feel well in yourself currently?’. He answered ‘No’. ‘Are you using any substances regularly. If so, what?’. ‘Yes’ was written, though it looked shaky. She could imagine him sitting there in front of Mary, reaching that question, and then looking up, afraid to admit it. She’d seen it before. Too many times. The word ‘Heroin’ was written quickly, as if admitting it was hard and he needed to get it over with. ‘Do you want to receive support with the aim to become a non-user?’ The word ‘Yes’ was written there. Jamie looked over the questions again. Non-permanent residence. Non-user. Those were terms that people who knew how to deal with the homeless used so that they didn’t embarrass them. It was giving the answers without saying I’ve been homeless for this long, or yes, I want help getting clean. Mary knew what she was doing. At the bottom of the page, there was one final question. ‘Would you like to have a free health check-up by a qualified medical practitioner at this shelter?’ He had written ‘Yes’, and then signed the declaration underneath that said he understood that if he was carrying drugs or under the influence when he arrived that he would be turned away, and that if he appeared to be a danger to himself or others the proper authorities would be called and this information could be provided to them with his permission. She wondered if he’d read that before he signed. No one ever read the terms and conditions. Jamie sat back and tried to picture Oliver sitting there, and the circumstances that led him to the shelter. She opened Grace’s file quickly and scanned down the same form to her answers for diseases and sexual partners. She’s written the same answers as Oliver.
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Morgan Greene (Bare Skin (DS Jamie Johansson, #1))
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sexual partners, she was either lying, or she’d had it for over a year. But Oliver’s chart didn’t show any symptoms and he hadn’t been prescribed. Jamie mulled it over in her head then acted on a hunch, pulling open the top right-hand drawer. Inside was a wholesale box of condoms. She stared at it for a second. At least they were using protection. She wondered how many Mary gave out a week. Maybe there had been a third person in their relationship. A scorned ex-boyfriend who didn’t like Oliver? He obviously didn’t know about the rash — or hadn’t noticed. Grace was keeping it from him. Had he found out, confronted Grace’s other boyfriend? Or maybe the other way around. Surprised by the guy? Taken? Tied up and threatened? She had a feeling that the person hadn’t meant to kill him. If you’re going to kill someone, you don’t take their shoes and then dump them in a river. He’d either fallen in accidentally, or he’d jumped. Either way, if there wasn’t an ex — or not ex boyfriend — he was going to be someone Jamie wanted to speak to. She held Grace’s picture up, looking past the matted hair and sunken eyes. She was young, pretty. She’d have a lot of attention out there on the streets. Jamie closed the drawer and looked at the file again, searching for a name. She wanted to speak to the doctor. The signature just looked like a wavy line. She’d ask Mary. The chair squeaked as she pushed back from the desk and stood up, keeping the files in hand. Her watch told her it was nearly nine-thirty. Her stomach told her it was time for breakfast. Back in the main room, some of the people had cleared out, venturing back into the city. Looking for some way to get by. Roper was still talking to Mary, who appeared to be in the middle of a speech about how these people needed more help than anyone was prepared to give, and that Oliver wouldn’t been the last. Jamie stepped around her, piqued. ‘Why do you say that?’ ‘Oh,’ she said, seeing Jamie. ‘Because people don’t want to help them and they let them hurt themselves and each other without paying them any mind.’ She narrowed her eyes. ‘Each other? Did someone have a problem with Oliver?’ ‘What?’ Mary looked sheepish all of a sudden, as if she’d dropped someone in something. ‘No, no — nothing like that. Not as far as I know, anyway,’ she added quickly. ‘Look, I just want you to find who did this — but for you to know that things are different with them. They don’t act the same — don’t believe in the same things, you know?’ She kept her voice low now. Jamie nodded. She’d worked the streets long enough to know what Mary meant. She’d seen more than she could have ever imagined. Seen people do crazy things. Things that people with something to lose would never think to do. ‘Mrs Cartwright,’ she said after a second. ‘Grace Melver. She was friends with Oliver?’ ‘Grace?’ Mary’s eyes lit up a little and then tilted down in sadness. ‘What a sweet girl. She’ll be devastated. She’s been back every day to check whether Oliver has turned up. She’s been going out of her mind. Poor girl.’ ‘What was the nature of their relationship?’ Roper held his phone a little higher so the microphone could pick them up more easily. Mary thought for a second, aware of the recording. She chose her words carefully. ‘They were together, I suppose. As much as two people in their situation could be. They looked out for each other. Loved each other.’ ‘Did Grace have any other boyfriends?’ ‘No, no. She was sweet. She loved Oliver.’ ‘She was a heroin user, right?’ Mary looked like her face was about to droop and slip right off her head. ‘Horrible stuff. Though they
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Morgan Greene (Bare Skin (DS Jamie Johansson, #1))
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Whack.’ He made a pulling motion as if he had pliers in his hand. Usually, she just let him talk. Jamie found it was better not to say anything unless you needed to. But this time, she did need to. Because Roper was wrong. ‘I don’t think so,’ she said. ‘Look at this.’ Roper screwed up his face and peered down, not leaning in. ‘Looks like ripped out fingernails to me.’ ‘If they were ripped out there’d be less damage here, to the cuticle.’ ‘The skin?’ ‘Yeah, Roper, the skin. See the way it’s split? Pushed back and flattened? Means the nails were lifted off from the tip, not pulled.’ He raised an eyebrow incredulously. ‘Your dad teach you that one?’ She gritted her teeth and let the annoyance welling in her dissipate. Every time she spotted something he didn’t he made a crack like that. She expected it considering who her father was — but it was getting old now. She’d been with the Met nearly ten years, and her father had been dead for fourteen. But she still couldn’t get away from it. Jörgen Johansson was one of the most decorated detectives in Swedish history, with more convictions than any other police officer, and she didn’t know if she’d ever outlive it. The worst part of all was that he did teach her that. Along with most of the other things she knew about detective work. Jamie didn’t have a conventional upbringing. It was case files and crime scene photos, not dolls and bicycles. She released Oliver’s fingers, her eyes settling on the ring — scratched and scored — and stood up. ‘We’ll wait for the forensics report.’ ‘Not going to tell us anything we don’t already know. Heroin in the bloodstream, river-water in the lungs.
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Morgan Greene (Bare Skin (DS Jamie Johansson, #1))
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listening back to the audio-clip anyway, and put her headphones straight in. She was in even less of a mood for small-talk than normal. As Roper’s voice spoke in her ears, asking Mary if she’d seen or heard anyone arguing with or threatening Oliver Hammond, she took a bite out a bagel she’d topped with light cream cheese. Someone had taken and eaten the two slices of smoked salmon she’d left in the fridge. She didn’t have energy to find out who. Jamie chewed thoughtfully, glad of the noise in her ears to drown the world out. She’d become good at tuning out Roper’s east-London rasp by now. It was practically white noise. She was thinking about Oliver Hammond. His parents’ number was written down in front of her. She was working up to calling them to follow-up. It was nearly midday and they’d already been informed of his death and told that a detective would be calling to speak to them. She’d listened to the recording of the conversation. His father had
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Morgan Greene (Bare Skin (DS Jamie Johansson, #1))
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She opened the case file and attached an audio clip, hitting the background record button. She still had the doctor’s number in her call log and dialled it. It rang for a while and then went to voicemail. ‘You’ve reached Elliot Day, I can’t get to the phone just now, but if you’d like to leave a message, I’ll return your call as soon as I can. Thank you.’ The voice told her he was well-brought-up. South-England native. But she couldn’t place where. ‘Hi,’ she said after the beep. ‘This is Detective Sergeant Jamie Johansson. I’d like to speak to you regarding your work at the homeless shelter in Enfield. It’s in accordance with an active investigation. If you could call me back at your earliest convenience, that would be great. Thank you.’ She hung up and sighed, stopped the recording, and then went back to the case file, finding the number for Oliver’s parents. She hit record again, copied it and called them immediately, not wanting to put it off any longer. After three rings, a tired voice answered. ‘Hello?’ ‘Mr Hammond?’ ‘Yes?’ ‘This is Detective Sergeant Jamie Johansson with the London Metropolitan Police. I understand that one of my colleagues informed you that I might be getting in touch?’ There was silence for a second and then she heard him swallow. ‘That’s right… But I don’t know what I can tell you,’ he said quietly. It sounded like he was moving from room to room, cupping the phone to his mouth. Maybe he didn’t want Oliver’s mum to hear. ‘Any information you provide could be very useful. Do you mind if I ask you a few questions?’ ‘Sure,’ he said, his voice small. ‘Would it be okay if I recorded this conversation?’ ‘Yes,’ he said, almost absently. Jamie hated asking it — it never had a positive impact on the conversations that came after. Made them stunted, reserved. But she had to ask.
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Morgan Greene (Bare Skin (DS Jamie Johansson, #1))
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Have you had any recent contact with Oliver?’ She started quickly. ‘Did he reach out to you, to tell you he was in trouble, or—’ ‘We hadn’t heard from him in months…’ He swallowed again, fighting the catch in his throat. ‘The last time we… the last time I spoke to him, he asked me for… God… money.’ Jamie didn’t press him. It was best to just to let people speak sometimes. ‘He wouldn’t tell me what for, but… but we knew that he was… you know… using that stuff…’ Acceptance was hard. He went on. ‘We knew he was. We had a call from the hospital — he’d been admitted for an overdose. That was when we confronted him, and — since, he just… We didn’t know where he was, or…’ His voice was barely a whisper, the words near incoherent. She thought he meant back when Oliver had first started using. But she didn’t interrupt. ‘That was why he left, you know? We thought that… I thought that giving him an ultimatum would… would… make him see, you know?’ She set her jaw, trying to keep perspective. She’d been through this herself. Felt this herself. ‘I know.’ She felt like saying ultimatums don’t work on addicts — they never do. But it’s not your fault for trying. It’s what everyone does. It makes sense to us. But addicts think differently. Their logic works differently. ‘We barely heard from him after he left. Once he turned up at Maggie’s work — you know? Asking for money. Thought that if I wasn’t there… Of course she gave him some — told him to come home for dinner. But that night we had a call from you — the police, I mean — saying that he’d been found… And… Uh… I’m sorry —’ ‘Take your time,’ Jamie said softly. ‘It’s okay.’ ‘So we said that we wouldn’t, you know, help him any more — give him anything else. But that
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Morgan Greene (Bare Skin (DS Jamie Johansson, #1))
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could always come home? He wasn’t himself, I don’t think — the uh, the…’ He couldn’t say the word. Heroin. ‘It changed him. We hadn’t heard from him for a long time. We didn’t know if he was alive, or… And now…’ He pulled the phone from his ear and started sobbing in the background, the audio muffled as he put his hand over the mouthpiece. ‘Mr Hammond?’ she asked, forcing the words over the lump in her throat. ‘Mr Hammond?’ He brought the phone back. ‘I’m here, sorry. Sorry, it’s… Sorry.’ ‘That’s alright. Can you tell me when Oliver first started using? Who with, maybe? Did he have any friends, or?’ ‘No, I don’t know. He was always independent, you know? Going to meet friends in the city, and… He had a girlfriend, but we didn’t know who. He wouldn’t tell us. Thought we wouldn’t approve, or… or… I don’t know.’ Grace came to mind. ‘How long ago was this?’ ‘August last year, maybe? Before it all started to, uh…’ ‘That’s great,’ Jamie said, her free hand clenched tightly into a fist. ‘I’m sorry to have bothered you. Would it be alright if I gave you a call tomorrow? Or if you’d prefer, I could come to—’ ‘No, no, that’s fine. You can call… I’ll be in work, but… I’ll call you back when I can.’ Jesus. He was going back to work the next day? He didn’t even think about it. Like missing a few days hadn’t even entered the realm of the possible. ‘Okay. Thank you,’ she said. Apologising for it all was bad practice. Even though she wanted to. ‘Goodbye,’ he said. She left it at that and hung up, letting him process. She had enough to start piecing together a timeline. And an idea of what had happened. At least at the start.
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Morgan Greene (Bare Skin (DS Jamie Johansson, #1))
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been long, greasy, and pulled back into a low ponytail. The words Mary had used were ‘cute asymmetrical bob’, and Jamie thought that probably meant she’d cut it for her. Damn, she really did care. No one that looked even remotely like Grace showed up, though. And after all the soup was finished, the crowd began to dissipate. ‘I don’t know what to say,’ Mary said. ‘She’s usually here for lunch.’ Roper smacked his lips. ‘Who knows. Word gets around sometimes. Maybe she heard about the vic—’ He cut himself off. ‘About Oliver.’ Mary nodded, like she concurred. ‘Mrs Cartwright,’ Jamie said, ‘do you know where Grace sleeps? Does she have a usual spot, or do you know if anyone might know how we can get hold of her?’ Mary thought for a second. ‘There’s a bridge that runs across an old overground line — not far from here. I know that a lot of our patrons make themselves a space there. I don’t know if that’s where she sleeps, but…’ She looked around, and seeing a guy in his late twenties with a tattered beanie hat pulled down to his eyebrows sitting on one of the chairs, polishing off a bowl of soup, lifted her hand and called out to him. ‘Reggie?’ He looked up, the fur lining the hood of his jacket all clumped together and dirty. ‘Hmm?’ he said, looking scared all of a sudden. Jamie smiled at him, but the fear of getting questioned by two police detectives couldn’t be dispelled that easily. Mary beckoned him over and he approached cautiously. ‘Reggie — you’ve got a space down on the old overground line, right? Under the bridge?’ He looked at Roper and Jamie, as though admitting it was going to get him in trouble.
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Morgan Greene (Bare Skin (DS Jamie Johansson, #1))
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Roper was sulking. He didn’t like this case and it was getting worse for him by the minute. They had no solid leads and the one person they needed to speak to the most hadn’t been seen since before Oliver’s body was found. With what they knew so far, there was a good chance that someone else was involved in their relationship, and when you factored in the drugs, the azithromycin, and what Reggie had said about their supposedly new tent, things were starting to get muddy. They needed to speak to Grace and find out exactly what was going on, and they needed to do it fast. The longer time went on, the less likely they were to find a fresh lead. The longer there was for evidence to get destroyed or misplaced. The longer there was for people to shore up their stories. The longer there was for people to forget exactly what had happened. Time was getting thin, and their investigation was hanging on the testimony of a heroin-addicted teenager who may or may not be missing herself. It’s what Jamie’s father would have called a shit-clap. The image was explanatory enough. They kept a good pace through the streets, opting to walk rather than drive, retracing the route that Ollie and Grace would have taken every day to get to the shelter. They caught up with and passed several nomads trekking back from lunch towards their nests, but none of them were Grace, or prepared to tell them whether Grace was there. Maybe they didn’t know, or maybe they just didn’t want to help. The homeless and the police had a frosty relationship to put it mildly. Putting it more succinctly, neither liked the other.
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Morgan Greene (Bare Skin (DS Jamie Johansson, #1))
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going to get their guard up. We need to be smart about this.’ He turned his back to the tents as if he couldn’t bear to look at them anymore and stared into the sky. ‘Then what do you suggest?’ Jamie thought for a second. ‘I’d bet that most of them are holding drugs or a weapon of some kind. And they definitely don’t want a team of uniformed officers and dogs down here.’ ‘So we offer them a choice?’ Roper didn’t seem enthused by the idea. ‘Let me talk to them.’ She wasn’t really asking, and turned back before Roper could say anything else. She cleared her throat, choosing the right tone. ‘We know that Grace Melver sleeps down here. We just want to ask her a few questions. We don’t know which tent is hers, so we’re going to need you to help us out, alright?’ She looked back and forth, but the shelters were unmoving, all the inhabitants waiting behind their doors, not daring to even breathe. ‘This can go one of two ways — either someone tells us where Grace is and which tent is hers, or we’re going to get a whole team of officers down here with sniffer dogs and vans and we’re going to search every last one of these tents until we find what we’re looking for.’ She let that sink in. ‘I don’t want to spend my entire afternoon watching them confiscate your stuff and put you in handcuffs, so what’s it going to be? You help us out, and we’ll be out of here in minutes. If you don’t…’ Roper came up behind her and planted his feet, folding his arms and sucking his teeth. Jamie could feel her heart beating under her jacket, a sense of nervousness creeping up her spine, that from the impenetrable wall of tarps someone was just going to lurch out at them with a knife. She had the unshakeable feeling that Oliver Hammond had escaped a cruel fate he was never meant to. That his body was never meant to be found. And a clue as to why that was lay somewhere just inside the fortress of tents.
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Morgan Greene (Bare Skin (DS Jamie Johansson, #1))
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She sighed and sniffed the air. The smell of dirty water hung thickly in it. They were supposed to be running a clean-up initiative. Whether they had and failed, or they’d succeeded and it had grown filthy again she wasn’t sure. Either way, she wasn’t fancying a swim. ‘Johansson,’ Roper called from the tent, beckoning her over, the report from the uniformed officer already in his hand. ‘Come on.’ She approached and he held the edge of the door-flap open for her so she could pass inside. It was eight feet by eight feet, and the translucent material made everything bright with daylight.
The kid in front of them could have been no more than eighteen or nineteen. He was skinny and had thick curly brown hair. His skin was blued from the cold and had the distinctly greyish look of someone who did more drugs than ate food. He was lying on his back on the bank, eyes closed, hands bound together on his stomach. His clothes were enough to tell them that he was homeless. It was charity shop mix and match. A pair of jeans that were two sizes too big, tied tight around pronounced hip bones with a shoelace. He was wearing a t-shirt with the cookie monster on it that looked as old as he was. But that was it. He had no jacket despite the time of year and no socks or shoes. Jamie crouched down, pulling a pair of latex gloves from her jacket pocket. She had a box of them in the car. ‘We got an ID?’ she asked, not looking up. She knew Roper wouldn’t get down next to her. He didn’t have the stamina for it for one, and with his hangover the smell would make him puke. He’d leave the close inspection to her. ‘Uh, yeah. He matches the description of a missing person’s — Oliver Hammond. Eighteen years old. No positive ID yet though. No picture on file.’ ‘Eighteen,’ Jamie mumbled, looking over him more closely. ‘Jesus.’ ‘Yup.’ Roper sighed. ‘Probably scored, got high, took a little stroll, fell in the river… And here we are.’ ‘Did he zip-tie his hands together before or after shooting up?’ She side-eyed him as he scrolled through something on his phone. She hoped it was the missing person’s report, but thought it was more likely to be one of the daily news items his phone prepared for him. ‘I’m just testing you,’ he said absently. ‘What else d’you see?’ Jamie pursed her lips. No one seemed to care when homeless people turned up dead. There’d been eight this month alone in the city — two of which had been floaters like this. She’d checked it out waiting at some traffic lights. There were more than a hundred and forty homeless missing persons reported in the last six months in London. Most cases were never closed. She grimaced at the thought and went back to her inspection. Oliver’s wrists were rubbed raw from the zip-tie, but that looked self-inflicted. She craned her neck to see his arms. His elbows were grazed and rubbed raw, and the insides were tracked out, like Roper had said. He wasn’t new to the needle. She didn’t need to check his ankles and toes to know that they’d be the same. She lingered on his fingers, honing in on the ones with missing nails. ‘Ripped out,’ Roper said, watching as she lifted and straightened his fingers, careful not to disturb anything before the SOCOs showed up to take their photographs. In a perfect world the body would have stayed in situ in the water, but these things couldn’t be helped. She inspected the middle and the index fingers on the right hand — the nails were completely gone. ‘Torture,’ Roper added to the silence. ‘Probably over the heroin. You know, where’s my money?
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Morgan Greene (Bare Skin (DS Jamie Johansson, #1))