James Brown Quotes

We've searched our database for all the quotes and captions related to James Brown. Here they are! All 100 of them:

I took a bite of cookie and chewed. “Hmmm,” I said, trying not to spit crumbs. “Clear vanilla notes, too-sweet chocolate chips, distinct flavor of brown sugar. A decent cookie, not spectacular. Still, a good-hearted cookie, not pretentious.” I turned to Fang. “What say you?” “It’s fine.” Some people just don’t have what it takes to appreciate a cookie.
James Patterson (The Angel Experiment (Maximum Ride, #1))
So there you have it, the extent of my charms: brown hair and eyes like unbarfed chocolate. I'm a lucky girl." -Max
James Patterson (Max (Maximum Ride, #5))
It’s not a question of whether you will hurt, or of how much you will hurt; it’s a question of what you will do, and how well you will do it, while pain has her wanton way with you.
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
I imagine one of the reasons people cling to their hates so stubbornly is because they sense, once hate is gone, they will be forced to deal with pain. —JAMES A. BALDWIN
Brené Brown (Braving the Wilderness: The Quest for True Belonging and the Courage to Stand Alone)
It takes energy to get angry. It eats you up inside. I can't waste my energy like that and expect to get ahead. When they left, it took everything I had in me just to survive. Now I have to stay focused. I've just gotta take care of it myself' Joe Rantz
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
All were merged into one smoothly working machine; they were, in fact, a poem of motion, a symphony of swinging blades.
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
I love you, i love your smile your snarl your grin, your face when your sleeping.I love your hair streaming behind you as we fly, with the sunlight making it shine, if it doesn't have too much mud or blood in it, I love seeing your wings spreading out, white and brown and tan and speckled, and the tiny downy feathers right at the top of your shoulders. I love your eyes, whether they're cold or calculating or suspicious or laughing or warm, like when you look at me.
James Patterson
It doesn’t matter how many times you get knocked down,” he told his daughter, Marilynn. “What matters is how many times you get up.
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
The ability to yield, to bend, to give way, to accommodate, he said, was sometimes a source of strength in men as well as in wood, so long as it was helmed by inner resolve and by principle.
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
Love loves to love love. Nurse loves the new chemist. Constable 14A loves Mary Kelly. Gerty MacDowell loves the boy that has the bicycle. M. B. loves a fair gentlema. Li Chi Han lovey up kissy Cha Pu Chow. Jumbo, the elephant, loves Alice, the elephant. Old Mr Verschole with the ear trumpet loves old Mrs VErschoyle with the turnedin eye. The man in the brown macintosh loves a lady who is dead. His Majesty the King loves Her Majesty the Queen. Mrs Norman W. Tupper loves officer Taylor. You love a certain person. And this person loves that other person because everybody loves somebody but God loves everybody.
James Joyce (Ulysses)
It is hard to make that boat go as fast as you want to. The enemy, of course, is resistance of the water, as you have to displace the amount of water equal to the weight of men and equipment, but that very water is what supports you and that very enemy is your friend. So is life: the very problems you must overcome also support you and make you stronger in overcoming them. —George Yeoman Pocock
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
Most of the time when I have met artists who have meant a lot to me, the experience has been well above expectation. People like Iggy, Lou Reed, Jerry Lee Lewis, Black Sabbath, Nick Cave, Hubert Selby Jr, Billy Gibbons, Al Pacino, John Lee Hooker, James Brown, Johnny Cash etc. have been really great to me. What strikes me is most of the time, the bigger the celeb/legend, the more polite and cool they are. It's the insecure ones who treat you like they're doing you a favor by shaking your hand.
Henry Rollins
Perhaps the seeds of redemption lay not just in perseverance, hard work, and rugged individualism. Perhaps they lay in something more fundamental—the simple notion of everyone pitching in and pulling together.
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
Harmony, balance, and rhythm. They’re the three things that stay with you your whole life. Without them civilization is out of whack. And that’s why an oarsman, when he goes out in life, he can fight it, he can handle life. That’s what he gets from rowing.
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
What mattered more than how hard a man rowed was how well everything he did in the boat harmonized with what the other fellows were doing. And a man couldn’t harmonize with his crewmates unless he opened his heart to them. He had to care about his crew.
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
Sure, I can make a boat,” he said, and then added, quoting the poet Joyce Kilmer, “‘But only God can make a tree.
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
I do not know if these hands will become Malcolm’s—raised and fisted or Martin’s—open and asking or James’s—curled around a pen. I do not know if these hands will be Rosa’s or Ruby’s gently gloved and fiercely folded calmly in a lap, on a desk, around a book, ready to change the world . . .
Jacqueline Woodson (Brown Girl Dreaming)
The wood...taught us about survival, about overcoming difficulty, about prevailing over adversity, but it also taught us something about the underlying reason for surviving in the first place. Something about infinite beauty, about undying grace, about things larger and greater than ourselves. About the reasons we were all here.
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
Physiologists, in fact, have calculated that rowing a two-thousand-meter race—the Olympic standard—takes the same physiological toll as playing two basketball games back-to-back. And it exacts that toll in about six minutes.
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
And there I was, pretty as heck, brown eyes, a few freckles, fashion challenged, and a bad attitude. Max II.
James Patterson (Saving the World and Other Extreme Sports (Maximum Ride, #3))
Rowing is perhaps the toughest of sports. Once the race starts, there are no time-outs, no substitutions. It calls upon the limits of human endurance. The coach must therefore impart the secrets of the special kind of endurance that comes from mind, heart, and body. —George Yeoman Pocock
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
It’s a great art, is rowing. It’s the finest art there is. It’s a symphony of motion. And when you’re rowing well, why it’s nearing perfection. And when you near perfection, you’re touching the Divine. It touches the you of yous. Which is your soul.
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
Death was the rule, life the exception. Life was at best a transitory dream, set in a universe that was entirely indifferent to his fate.
Daniel James Brown (The Indifferent Stars Above: The Harrowing Saga of the Donner Party)
I know a lot of famous people didn't do well at school, like James Brown; he dropped out in fifth grade to be an entertainer, I respect that... but that's not going to be me. I'm not going to be able to do anything but work as hard as possible all the time and compete with everyone I know all the time to make it.
Ned Vizzini (It's Kind of a Funny Story)
They were now representatives of something much larger than themselves - a way of life, a shared set of values. Liberty was perhaps the most fundamental of those values. But the things that held them together - trust in each other, mutual respsect, humility, fair play, watching out for one another - those were also part of what America meant to all of them.
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
Dear Max - You looked so beautiful today. I'm going to remember what you looked like forever. ... And I hope you remember me the same way - clean, ha-ha. I'm glad our last time together was happy. But I'm leaving tonight, leaving the flock, and this time it's for good. I don't know if I'll ever see any of you again. The thing is, Max, that everyone is a little bit right. Added up all together, it makes this one big right. Dylan's a little bit right about how my being here might be putting the rest of you in danger. The threat might have been just about Dr. Hans, but we don't know that for sure. Angel is a little bit right about how splitting up the flock will help all of us survive. And the rest of the flock is a little bit right about how when you and I are together, we're focused on each other - we can't help it. The thing is, Maximum, I love you. I can't help but be focused on you when we're together. If you're in the room, I want to be next to you. If you're gone, I think about you. You're the one who I want to talk to. In a fight, I want you at my back. When we're together, the sun is shining. When we're apart, everything is in shades of gray. I hope you'll forgive me someday for turning our worlds into shades of gray - at least for a while. ... You're not at your best when you're focused on me. I mean, you're at your best Maxness, but not your best leaderness. I mostly need Maxness. The flock mostly needs leaderness. And Angel, if you're listening to this, it ain't you, sweetie. Not yet. ... At least for a couple more years, the flock needs a leader to survive, no matter how capable everyone thinks he or she is. The truth is that they do need a leader, and the truth is that you are the best leader. It's one of the things I love about you. But the more I thought about it, the more sure I got that this is the right thing to do. Maybe not for you, or for me, but for all of us together, our flock. Please don't try to find me. This is the hardest thing I've ever done in my life, besides wearing that suit today, and seeing you again will only make it harder. You'd ask me to come back, and I would, because I can't say no to you. But all the same problems would still be there, and I'd end up leaving again, and then we'd have to go through this all over again. Please make us only go through this once. ... I love you. I love your smile, your snarl, your grin, your face when you're sleeping. I love your hair streaming out behind you as we fly, with the sunlight making it shine, if it doesn't have too much mud or blood in it. I love seeing your wings spreading out, white and brown and tan and speckled, and the tiny, downy feathers right at the top of your shoulders. I love your eyes, whether they're cold or calculating or suspicious or laughing or warm, like when you look at me. ... You're the best warrior I know, the best leader. You're the most comforting mom we've ever had. You're the biggest goofball, the worst driver, and a truly lousy cook. You've kept us safe and provided for us, in good times and bad. You're my best friend, my first and only love, and the most beautiful girl I've ever seen, with wings or without. ... Tell you what, sweetie: If in twenty years we haven't expired yet, and the world is still more or less in one piece, I'll meet you at the top of that cliff where we first met the hawks and learned to fly with them. You know the one. Twenty years from today, if I'm alive, I'll be there, waiting for you. You can bet on it. Good-bye, my love. Fang P.S. Tell everyone I sure will miss them
James Patterson
I don't know karate, but I know ka-razy!
James Brown
If you simply kept your eyes open, it seemed, you just might find something valuable in the most unlikely of places. The trick was to recognize a good thing when you saw it, no matter how odd or worthless it might at first appear, no matter who else might just walk away and leave it behind.
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
I'm a big believer in first impressions," he finally said. "Tell me what your first thought was when Jason walked into the courtroom." Taylor took a sip of her drink and grinned. This one was easy. "I vowed to hate him forever." Jeremy's brown eyes twinkled at this. "That's exactly what I said nineteen years ago, five minutes after he first walked into our dorm room.
Julie James (Just the Sexiest Man Alive)
Tommy moved on. "Lash, your people have been oppressed for hundreds of years. It's time to strike back. Look, you don't have your MBA yet - they haven't completely juiced you of your usefulness yet. Would Martin Luther King back down from this challenge? Malcolm X? James Brown? Don't you have a dream? Don't you feel good, like you knew that you would, now?
Christopher Moore (Bloodsucking Fiends (A Love Story, #1))
It was when he tried to talk about 'the boat' that his words began to falter and tears welled up in his eyes...Finally, watching Joe struggle for composure over and over, I realized that 'the boat' was something more than just the shell or its crew. To Joe, it encompassed but transcended both - it was something mysterious and almost beyond definition. It was a shared experience - a singular thing that had unfolded in a golden sliver of time long gone, when nine good-hearted young men strove together, pulled together as one, gave everything they had for one another, bound together forever by pride and respect and love. Joe was crying, at least in part, for the loss of that vanished moment but much more, I think, for the sheer beauty of it.
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
The challenges they had faced together had taught them humility—the need to subsume their individual egos for the sake of the boat as a whole—and humility was the common gateway through which they were able now to come together and begin to do what they had not been able to do before. •
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
Standing there, watching them, it occurred to me that when Hitler watched Joe and the boys fight their way back from the rear of the field to sweep ahead of Italy and Germany seventy-five years ago, he saw, but did not recognize, heralds of his doom. He could not have known that one day hundreds of thousands of boys just like them, boys who shared their essential natures—decent and unassuming, not privileged or favored by anything in particular, just loyal, committed, and perseverant—would return to Germany dressed in olive drab, hunting him down.
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
We have got some very big problems confronting us and let us not make any mistake about it, human history in the future is fraught with tragedy ... It's only through people making a stand against that tragedy and being doggedly optimistic that we are going to win through. If you look at the plight of the human race it could well tip you into despair, so you have to be very strong.
Bob Brown
Harmony, balance, and rhythm. They’re the three things that stay with you your whole life. Without them civilization is out of whack. And that’s why an oarsman, when he goes out in life, he can fight it, he can handle life. That’s what he gets from rowing. —George Yeoman Pocock
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
The brutal afternoon workouts left him exhausted and sore but feeling cleansed, as if someone had scrubbed out his soul with a stiff wire brush.
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
It was Frankie Lymon all over again," Marvin said. "Only this kid had mastered James Brown's moves. Michael was like Stevie. From the very beginning, he worried me.
David Ritz (Divided Soul: The Life Of Marvin Gaye)
To appreciate beauty is to experience humility—to recognize that something larger and more powerful than oneself is at work in the environment. And humility, it turns out, is key to recognizing that in order to survive, you must adapt yourself to the environment, that it won't adapt to your needs.
Daniel James Brown (The Indifferent Stars Above: The Harrowing Saga of a Donner Party Bride)
It reminds us that as ordinary as we might be, we can, if we choose, take the harder road, walk forth bravely under the indifferent stars. We can hazard the ravages of chance. We can choose to endure what seems unendurable, and thereby open up the possibility of prevailing. We can awaken to the world as it is, and, seeing it with eyes wide open, we can nevertheless embrace hope rather than despair.
Daniel James Brown (The Indifferent Stars Above: The Harrowing Saga of the Donner Party)
The only time you don’t find a four-leaf clover,” he liked to say, “is when you stop looking for one.
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
Good crews are good blends of personalities: someone to lead the charge, someone to hold something in reserve; someone to pick a fight, someone to make peace; someone to think things through, someone to charge ahead without thinking.
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
He suggested that Joe think of a well-rowed race as a symphony, and himself as just one player in the orchestra. If one fellow in an orchestra was playing out of tune, or playing at a different tempo, the whole piece would naturally be ruined. That’s the way it was with rowing. What mattered more than how hard a man rowed was how well everything he did in the boat harmonized with what the other fellows were doing.
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
To defeat an adversary who was your equal, maybe even your superior, it wasn’t necessarily enough just to give your all from start to finish. You had to master your opponent mentally. When the critical moment in a close race was upon you, you had to know something he did not—that down in your core you still had something in reserve, something you had not yet shown, something that once revealed would make him doubt himself, make him falter just when it counted the most. Like so much in life, crew was partly about confidence, partly about knowing your own heart.
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
In a sport like this—hard work, not much glory, but still popular in every century—well, there must be some beauty which ordinary men can’t see, but extraordinary men do. —George Yeoman Pocock
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
for him the craft of building a boat was like religion. It wasn’t enough to master the technical details of it. You had to give yourself up to it spiritually; you had to surrender yourself absolutely to it. When you were done and walked away from the boat, you had to feel that you had left a piece of yourself behind in it forever, a bit of your heart.
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
Payton grinned. “You must be Chase.” As she extended her hand in introduction, she took the opportunity to give him a more thorough once-over. He had dark wavy hair and warm brown eyes. Very Pat-rick Dempsey/McDreamy-esque. Good build, not terribly tall, maybe only five-ten-ish, but since Payton measured in at exactly five-three and one-third inch, she could work with this
Julie James (Practice Makes Perfect)
Flea, you can't quit," I pleaded. "I'm going tо be the James Brown of the eighties.
Anthony Kiedis (Scar Tissue)
The expression on James' face was priceless. "The pizza man wants to meet me?
Sue Brown (Final Admission)
Those people obviously don't know who I think I am.
Fred Wesley Jr.
But it occurred to me that any one of the sixteen-wheelers racing by on the interstate could have carried all of the Donner Party over the crest of the mountains in about seven minutes. I
Daniel James Brown (The Indifferent Stars Above: The Harrowing Saga of the Donner Party)
The trick would be to find which few of them had the potential for raw power, the nearly superhuman stamina, the indomitable willpower, and the intellectual capacity necessary to master the details of technique. And which of them, coupled improbably with all those other qualities, had the most important one: the ability to disregard his own ambitions, to throw his ego over the gunwales, to leave it swirling in the wake of his shell, and to pull, not just for himself, not just for glory, but for the other boys in the boat.
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
Every one of them had come from humble origins or been humbled by the ravages of the hard times in which they had grown up. Each in his own way, they had all learned that nothing could be taken for granted in life, that for all their strength and good looks and youth, forces were at work in the world that were greater than they.
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
I was just as black as I had been the day that I was born. Therefore, when I faced a congregation, it began to take all the strength I had not to stammer, not to curse, not to tell them to throw away their Bibles and get off their knees and go home and organize, for example, a rent strike. When I watched all the children, their copper, brown, and beige faces staring up at me as I taught Sunday school, I felt that I was committing a crime in talking about the gentle Jesus, in telling them to reconcile themselves to their misery on earth in order to gain the crown of eternal life. Were only Negroes to gain this crown? Was Heaven, then, to be merely another ghetto?
James Baldwin (The Fire Next Time)
James Brown went to the pearly gates and met St. Peter who took him to a room where Jerry Garcia was playing and Jimi Hendricks and Jim Morrison and Janis Joplin. James Brown says, “I was worried maybe I was going to hell, but I guess not.” Jerry Garcia says “You think this is heaven?” Just then Lawrence Welk walked in and says “All right, one more time. ‘The Anniversary Waltz.’ And a one and a two and a one, two, three…
Garrison Keillor (A Prairie Home Companion Pretty Good Joke Book)
Immediately after the race, even as he sat gasping for air in the Husky Clipper while it drifted down the Langer See beyond the finish line, an expansive sense of calm had enveloped him. In the last desperate few hundred meters of the race, in the searing pain and bewildering noise of that final furious sprint, there had come a singular moment when Joe realized with startling clarity that there was nothing more he could do to win the race, beyond what he was already doing. Except for one thing. He could finally abandon all doubt, trust absolutely without reservation that he and the boy in front of him and the boys behind him would all do precisely what they needed to do at precisely the instant they needed to do it. He had known in that instant that there could be no hesitation, no shred of indecision. He had had no choice but to throw himself into each stroke as if he were throwing himself off of a cliff into a void, with unquestioned faith that the others would be there to save him
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
Not all of Anthony’s officers, however, were eager or even willing to join Chivington’s well-planned massacre. Captain Silas Soule, Lieutenant Joseph Cramer, and Lieutenant James Connor protested that an attack on Black Kettle’s peaceful camp would violate the pledge of safety given the Indians by both Wynkoop and Anthony, “that it would be murder in every sense of the word,” and any officer participating would dishonor the uniform of the Army.
Dee Brown (Bury My Heart at Wounded Knee: An Indian History of the American West)
and what appears to be every graphic memoir ever written – Jeffrey Brown, Craig Thompson, Alison Bechdel, James Kochalka, Lucy Knisley, and tons of others I’ve never seen before.
Stephanie Perkins (Isla and the Happily Ever After)
So is life: the very problems you must overcome also support you and make you stronger in overcoming them. —George Yeoman Pocock
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
the most efficient breathing rhythm occurred when both the length of respirations and total breaths per minute were locked in to a spooky symmetry: 5.5-second inhales followed by 5.5-second exhales, which works out almost exactly to 5.5 breaths a minute. This was the same pattern of the rosary. The results were profound, even when practiced for just five to ten minutes a day. “I have seen patients transformed by adopting regular breathing practices,” said Brown.
James Nestor (Breath: The New Science of a Lost Art)
Now it came as a searing revelation that his father had not felt safe enough to live by that same simple proposition, that he had kept his heritage hidden painfully away, a secret to be ashamed of, even in America, even from his own beloved son.
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
You will eat no fried meats,” he began abruptly. “You will eat no pastries, but you will eat plenty of vegetables. You will eat good, substantial, wholesome food—the kind of food your mother makes. You will go to bed at ten o’clock and arise punctually at seven o’clock. You will not smoke or drink or chew. And you will follow this regimen all year round, for as long as you row for me. A man cannot abuse his body for six months and then expect to row the other six months. He must be a total abstainer all year.
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
I love you. I love your smile, your snarl, your grin, your face when you’re sleeping. I love your hair streaming out behind you as we fly, with the sunlight making it shine, if it doesn’t have too much mud or blood in it. I love seeing your wings spreading out, white and brown and tan and speckled, and the tiny, downy feathers right at the top of your shoulders. I love your eyes, whether they’re cold or calculating or suspicious or laughing or warm, like when you look at me. You’re the best warrior I know, the best leader. You’re the most comforting mom we’ve ever had. You’re the biggest goof ball, the worst driver, and a tr uly lousy cook. You’ve kept us safe and provided for us, in good times and bad. You’re my best friend, my first and only love, and the most beautiful girl I’ve ever seen, with wings or without.
James Patterson (Fang (Maximum Ride, #6))
When all is said and done I think the story tells us that hope is the heroes domain, not the fools. Because we dare to hope, even when doing so might undo us. We leave the worlds we create behind us, swirling in our wakes, eternal and effervescent with the beauty of our aspirations.
Daniel James Brown (The Indifferent Stars Above: The Harrowing Saga of a Donner Party Bride)
Pain, that was not yet the pain of love, fretted his heart. Silently, in a dream she had come to him after her death, her wasted body within its loose brown graveclothes giving off an odour of wax and rosewood, her breath, that had bent upon him, mute, reproachful, a faint odour of wetted ashes.
James Joyce (James Joyce: Collection of All Complete Classics Works)
We all start out thinking that there is such a thing as perfection and that there's something wrong with us if we settle for less. First we won't eat the food with the brown spots. Then we hate ourselves because we have our own brown spots—pimples or ears that are too big or legs that are too skinny.
James Howe (The Watcher)
James Brown hid everything, and in the game of instant information he lost big-time, because the information machine turns a truth into a lie and a lie into the truth, transforms superstitions and stereotypes into fact with such ease and fluidity that after a while you get to believing as I do, that the media is not a reflection of the American culture but rather is teaching it. As long as James Brown was selling records he let that craziness run. He didn't care. The media worked in his favor and helped fuel his success. But it killed his public reputation and once the success was gone once the head disappeared, the body followed.
James McBride (Kill 'Em and Leave: Searching for James Brown and the American Soul)
Everyone named in our history made a positive contribution (except John Brown, as the next chapter shows). Or as Frances FitzGerald put it when she analyzed textbooks in 1979, “In all history, there is no known case of anyone’s creating a problem for anyone else.
James W. Loewen (Lies My Teacher Told Me: Everything Your American History Textbook Got Wrong)
She knew that this silent, motionless portal opened into the street; if the sidelights had not been filled with green paper, she might have looked out on the little brown stoop and the well-worn brick pavement. But she had no wish to look out, for this would have interfered with her theory that there was a strange, unseen place on the other side--a place which became, to the child’s imagination, according to its different moods, a region of delight or terror.
Henry James (The Portrait of a Lady)
So it went. Bob was increasingly cynical, leery, uneasy; Jesse was increasingly cavalier, merry, moody, fey, unpredictable. If his gross anatomy suggested a strong smith in his twenties, his actual physical constitution was that of a man who was incrementally dying. He was sick with rheums and aches and lung congestions, he tilted against chairs and counters and walls, in cold weather he limped with a cane. He coughed incessantly when lying down, his clever mind was often in conflict, insomnia stained his eye sockets like soot, he seemed in a state of mourning. He counteracted the smell of neglected teeth with licorice and candies, he browned his graying hair with dye, he camouflaged his depressions and derangements with masquerades of extreme cordiality, courtesy, and good will toward others.
Ron Hansen (The Assassination of Jesse James by the Coward Robert Ford)
They emblazoned the cotton with the words “California Republic.” Above that they drew a star and what they intended to be the figure of a grizzly bear. Then they ran the flag up the pole. The Mexican Californians who had gathered around, suddenly foreigners in their own land, looked up, pondered it silently, and wondered why the Americans had chosen a pig as the symbol of their ascension to power. The
Daniel James Brown (The Indifferent Stars Above: The Harrowing Saga of the Donner Party)
Sheep!” Angel cried, catching sight of some fluffy brown wool. “Anne is quite the animal lover,” Fang said to me as we followed Angel. “Horses, sheep, goats. Chickens. Pigs.” “Yeah,” I said. “I wonder who’s for dinner?” He flashed one of his rare smiles at me, and it was like the sun coming out. I felt my cheeks get hot and strode on ahead.
James Patterson (School's Out - Forever (Maximum Ride, #2))
The wood, Pocock murmured, taught us about survival, about overcoming difficulty, about prevailing over adversity, but it also taught us something about the underlying reason for surviving in the first place. Something about infinite beauty, about undying grace, about things larger and greater than ourselves. About the reasons we were all here.
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
But as a kid, I preferred the black side, and often wished that Mommy had sent me to black schools like my friends. Instead I was stuck at that white school, P.S. 138, with white classmates who were convinced I could dance like James Brown. They constantly badgered me to do the “James Brown” for them, a squiggling of the feet made famous by the “Godfather of Soul” himself, who back in the sixties was bigger than life. I tried to explain to them that I couldn’t dance. I have always been one of the worst dancers that God has ever put upon this earth.
James McBride (The Color of Water)
Wait a minute, hold up. Stop everything. His name is Barry -" i started. "-Derry?" Mimi finished. We collapsed on the floor howling amid chopsticks and soy packets. "Silence, whores, silence. Besides, Reynolds, you dated a guy named James motherfucking Brown," Sophia snapped back.
Alice Clayton (Rusty Nailed (Cocktail, #2))
Pocock paused and stepped back from the frame of the shell and put his hands on his hips, carefully studying the work he had so far done. He said for him the craft of building a boat was like religion. It wasn’t enough to master the technical details of it. You had to give yourself up to it spiritually; you had to surrender yourself absolutely to it. When you were done and walked away from the boat, you had to feel that you had left a piece of yourself behind in it forever, a bit of your heart. He turned to Joe. “Rowing,” he said, “is like that. And a lot of life is like that too, the parts that really matter anyway. Do you know what I mean, Joe?
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
To appreciate beauty is to experience humility—to recognize that something larger and more powerful than oneself is at work in the environment. And humility, it turns out, is key to recognizing that in order to survive, you must adapt yourself to the environment, that it won’t adapt to your needs.
Daniel James Brown (The Indifferent Stars Above: The Harrowing Saga of the Donner Party)
Rowing is, in a number of ways, a sport of fundamental paradoxes. For one thing, an eight-oared racing shell—powered by unusually large and physically powerful men or women—is commanded, controlled, and directed by the smallest and least powerful person in the boat. The coxswain (nowadays often a female even in an otherwise male crew) must have the force of character to look men or women twice his or her size in the face, bark orders at them, and be confident that the leviathans will respond instantly and unquestioningly to those orders. It is perhaps the most incongruous relationship in sports.
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
It wasn’t just the rowing but his crewmates that he had to give himself up to, even if it meant getting his feelings hurt. Pocock paused and looked up at Joe. “If you don’t like some fellow in the boat, Joe, you have to learn to like him. It has to matter to you whether he wins the race, not just whether you do.
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
I'm beginning to think,' she said, 'that growing means learning more and more about anguish. That poison becomes your diet-- you drink a little of it everyday. Once you've seen it, you can't stop seeing it-- that's the trouble. And it can, it can' -- she passed her hand wearily over her brown again-- 'drive you mad.
James Baldwin (Another Country)
Neither is necessarily a better or more valuable oarsman than the other; both the long arms and the strong back are assets to the boat. But if they are to row well together, each of these oarsmen must adjust to the needs and capabilities of the other. Each must be prepared to compromise something in the way of optimizing his stroke for the overall benefit of the boat...Only in this way can the capabilities that come with diversity...be turned to advantage rather than disadvantage. p179
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
I just don’t understand why you don’t get angry.” Joe continued to stare ahead through the windshield. “It takes energy to get angry. It eats you up inside. I can’t waste my energy like that and expect to get ahead. When they left, it took everything I had in me just to survive. Now I have to stay focused. I’ve just gotta take care of it myself.
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
And he came to understand how those almost mystical bonds of trust and affection, if nurtured correctly, might lift a crew above the ordinary sphere, transport it to a place where nine boys somehow became one thing - a thing that could not quite be defined, a thing that was so in tune with the water and the earth and the sky above that, as they rowed, effort was replaced by ecstasy. It was a rare thing, a sacred thing, a thing devoutly to be hoped for. p 48
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
The Los Angeles Air Pollution Control Board is established in 1946 in an effort to discover the cause of the brown cloud hanging over the city and decide how to combat and disperse it. In 1949, after intense lobbying from both the automobile and oil industries, and against the recommendations and position of the Los Angeles Air Pollution Control Board, the public rail system, which at one time was the largest in the world, and still serves a majority of the city's population, is decommissioned and torn out. It is replaced by a small fleet of buses.
James Frey (Bright Shiny Morning)
We are far from liking London well enough till we like its defects: the dense darkness of much of its winter, the soot on the chimney-pots and everywhere else, the early lamplight, the brown blur of the houses, the splashing of hansoms in Oxford Street or the Strand on December afternoons. There is still something that recalls to me the enchantment of children—the anticipation of Christmas, the delight of a holiday walk—in the way the shop-fronts shine into the fog. It makes each of them seem a little world of light and warmth, and I can still waste time in looking at them with dirty Bloomsbury on one side and dirtier Soho on the other.
Henry James (English Hours)
The lights came up as Dylan Raddeck walked nonchalantly into the room. As expected he stopped, staring at his killer … Eyes fixed on her target, Bast hesitated as James Heron appeared behind him. For a fraction of a second too long, she wavered, unable to decide her target, then she snarled, and fired a series of the needles at Radeck, seeing them strike exactly at her aiming point. The only problem was that he didn’t go down. Nor did Heron. Instead they stepped nimbly aside and an armoured figure behind them got off an accurate shot. It wasn’t a killing shot. It was intended to disable and disarm her—Mr Brown was specific, he wanted her alive. Unfortunately the prosthetics she wore to disguise her anatomy absorbed most of the paralysing agent. She screamed in frustration as she went down. With an effort, she turned her needle projector on herself, and fired.
Patrick G. Cox (First into the Fray (Harry Heron #1.5))
Good crews are good blends of personalities: someone to lead the charge, someone to hold something in reserve; someone to pick a fight, someone to make peace; someone to think things through, someone to charge ahead without thinking. Somehow all this must mesh. That’s the steepest challenge. Even after the right mixture is found, each man or woman in the boat must recognize his or her place in the fabric of the crew, accept it, and accept the others as they are. It is an exquisite thing when it all comes together in just the right way. The intense bonding and the sense of exhilaration that results from it are what many oarsmen row for, far more than for trophies or accolades. But it takes young men or women of extraordinary character as well as extraordinary physical ability to pull it off.
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
Aghast at their predicament, Parrado fell to his knees in the snow and took in a staggering realization. Death was the rule, life the exception. Life was at best a transitory dream, set in a universe that was entirely indifferent to his fate. Whether to cling to that fragile dream, Parrado realized then and there, was up to him as it is up to all of us, moment by moment. Whether to embrace what we are all thrust into, squealing with astonishment and rage, or to fall back into the comfortable, dark, quiet realm of the insentient. Nando Parrado decided to fight for the dream. Charles Stanton, it appears, after all his heroic efforts to aid his fellow travelers, had chosen to slip back into the darkness.
Daniel James Brown (The Indifferent Stars Above: The Harrowing Saga of the Donner Party)
The common denominator in all these conditions—whether in the lungs, the muscles, or the bones—is overwhelming pain. And that is perhaps the first and most fundamental thing that all novice oarsmen must learn about competitive rowing in the upper echelons of the sport: that pain is part and parcel of the deal. It’s not a question of whether you will hurt, or of how much you will hurt; it’s a question of what you will do, and how well you will do it, while pain has her wanton way with you.
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
I may be drunk by morning but that will not do any good. I shall take the train to Paris anyway. The train will be the same, the people, struggling for comfort and, even, dignity on the straight-backed, wooden, third-class seats will be the same, and I will be the same. We will ride through the same changing countryside northward, leaving behind the olive trees and the sea and all of the glory of the stormy southern sky, into the mist and rain of Paris. Someone will offer to share a sandwich with me, someone will offer me a sip of wine, someone will ask me for a match. People will be roaming the corridors outside, looking out of windows, looking in at us. At each stop, recruits in their baggy brown uniforms and colored hats will open the compartment door to ask Complet? We will all nod Yes, like conspirators, smiling faintly at each other as they continue through the train. Two or three of them will end up before our compartment door, shouting at each other in their heavy, ribald voices, smoking their dreadful army cigarettes. There will be a girl sitting opposite me who will wonder why I have not been flirting with her, who will be set on edge by the presence of the recruits. It will all be the same, only I will be stiller.
James Baldwin (Giovanni’s Room)
My birth certificate says: Female Negro Mother: Mary Anne Irby, 22, Negro Father: Jack Austin Woodson, 25, Negro In Birmingham, Alabama, Martin Luther King Jr. is planning a march on Washington, where John F. Kennedy is president. In Harlem, Malcolm X is standing on a soapbox talking about a revolution. Outside the window of University Hospital, snow is slowly falling. So much already covers this vast Ohio ground. In Montgomery, only seven years have passed since Rosa Parks refused to give up her seat on a city bus. I am born brown-skinned, black-haired and wide-eyed. I am born Negro here and Colored there and somewhere else, the Freedom Singers have linked arms, their protests rising into song: Deep in my heart, I do believe that we shall overcome someday. and somewhere else, James Baldwin is writing about injustice, each novel, each essay, changing the world. I do not yet know who I’ll be what I’ll say how I’ll say it . . . Not even three years have passed since a brown girl named Ruby Bridges walked into an all-white school. Armed guards surrounded her while hundreds of white people spat and called her names. She was six years old. I do not know if I’ll be strong like Ruby. I do not know what the world will look like when I am finally able to walk, speak, write . . . Another Buckeye! the nurse says to my mother. Already, I am being named for this place. Ohio. The Buckeye State. My fingers curl into fists, automatically This is the way, my mother said, of every baby’s hand. I do not know if these hands will become Malcolm’s—raised and fisted or Martin’s—open and asking or James’s—curled around a pen. I do not know if these hands will be Rosa’s or Ruby’s gently gloved and fiercely folded calmly in a lap, on a desk, around a book, ready to change the world . . .
Jacqueline Woodson (Brown Girl Dreaming)
From the moment he stepped in the shell that afternoon, he felt at home. He liked the boys.He didn't know Gordy Adam and Don Hume well, but both made a point of welcoming him. His oldest most reliable shell house friend, Roger Morris, sitting up front in the bow, gave a wave and a shout, Hey Joe I see you finally found the right boat!" His buddies from Grand Coulee Chuck Day and Johnie White were sitting up front too. As he strapped in his shoes and began to lace up, Stub McMillin, his face alight said, This boat is going to fly now boys." Shorty Hunt slapped him on the back and whispered, I got your back Joe!
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
There is a unique bond between the land and the people in the Crescent City. Everyone here came from somewhere else, the muddy brown current of life prying them loose from their homeland and sweeping them downstream, bumping and scraping, until they got caught by the horseshoe bend that is New Orleans. Not so much as a single pebble ‘came’ from New Orleans, any more than any of the people did. Every grain of sand, every rock, every drip of brown mud, and every single person walking, living and loving in the city is a refugee from somewhere else. But they made something unique, the people and the land, when they came together in that cohesive, magnetic, magical spot; this sediment of society made something that is not French, not Spanish, and incontrovertibly not American.
James Caskey (The Haunted History of New Orleans: Ghosts of the French Quarter)
Reading two pages apiece of seven books every night, eh? I was young. You bowed to yourself in the mirror, stepping forward to applause earnestly, striking face. Hurray for the Goddamned idiot! Hray! No-one saw: tell no-one. Books you were going to write with letters for titles. Have you read his F? O yes, but I prefer Q. Yes, but W is wonderful. O yes, W. Remember your epiphanies written on green oval leaves, deeply deep, copies to be sent if you died to all the great libraries of the world, including Alexandria? Someone was to read them there after a few thousand years, a mahamanvantara. Pico della Mirandola like. Ay, very like a whale. When one reads these strange pages of one long gone one feels that one is at one with one who once ... The grainy sand had gone from under his feet. His boots trod again a damp crackling mast, razorshells, squeaking pebbles, that on the unnumbered pebbles beats, wood sieved by the shipworm, lost Armada. Unwholesome sandflats waited to suck his treading soles, breathing upward sewage breath, a pocket of seaweed smouldered in seafire under a midden of man's ashes. He coasted them, walking warily. A porterbottle stood up, stogged to its waist, in the cakey sand dough. A sentinel: isle of dreadful thirst. Broken hoops on the shore; at the land a maze of dark cunning nets; farther away chalkscrawled backdoors and on the higher beach a dryingline with two crucified shirts. Ringsend: wigwams of brown steersmen and master mariners. Human shells. He halted. I have passed the way to aunt Sara's. Am I not going there? Seems not.
James Joyce
The Greek is even more explicitly against the hyper-grace interpretation, since the word confess in the Greek speaks of continuous, present action as opposed to a one-time act. (Any first-year Greek student would know this.) As one commentary explained: 1:9 “confess” This is a compound Greek term from “to speak” and “the same.” Believers continue to agree with God that they have violated His holiness (cf. Rom. 3:23). It is PRESENT TENSE, which implies ongoing action. Confession implies (1) a specific naming of sins (v. 9); (2) a public admitting of sins (cf. Matt. 10:32; James 5:16; and (3) a turning from specific sins (cf. Matt. 3:6; Mark 1:5; Acts 19:18;
Michael L. Brown (Hyper-Grace: Exposing the Dangers of the Modern Grace Message)
The boys in the Clipper had been winnowed down by punishing competition, and in the winnowing a kind of common character had issued forth: they were all skilled, they were all tough, they were all fiercely determined, but they were also all good-hearted. Every one of them had come from humble origins or been humbled by the ravages of the hard times in which they had grown up. Each in his own way, they had all learned that nothing could be taken for granted in life, that for all their strength and good looks and youth, forces were at work in the world that were greater than they. The challenges they had faced together had taught them humility—the need to subsume their individual egos for the sake of the boat as a whole—and humility was the common gateway through which they were able now to come together and begin to do what they had not been able to do before.
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
My sweet naughty girl I got your hot letter tonight and have been trying to picture you frigging your cunt in the closet. How do you do it? Do you stand against the wall with your hand tickling up under your clothes or do you squat down on the hole with your skirts up and your hand hard at work in through the slit of your drawers? Does it give you the horn now to shit? I wonder how you can do it. Do you come in the act of shitting or do you frig yourself off first and then shit? It must be a fearfully lecherous thing to see a girl with her clothes up frigging furiously at her cunt, to see her pretty white drawers pulled open behind and her bum sticking out and a fat brown thing stuck half-way out of her hole. You say you will shit your drawers, dear, and let me fuck you then. I would like to hear you shit them, dear, first and then fuck you. Some night when we are somewhere in the dark and talking dirty and you feel your shite ready to fall put your arms round my neck in shame and shit it down softly. The sound will madden me and when I pull up your dress.
James Joyce
But the greatest paradox of the sport has to do with the psychological makeup of the people who pull the oars. Great oarsmen and oarswomen are necessarily made of conflicting stuff—of oil and water, fire and earth. On the one hand, they must possess enormous self-confidence, strong egos, and titanic willpower. They must be almost immune to frustration. Nobody who does not believe deeply in himself or herself—in his or her ability to endure hardship and to prevail over adversity—is likely even to attempt something as audacious as competitive rowing at the highest levels. The sport offers so many opportunities for suffering and so few opportunities for glory that only the most tenaciously self-reliant and self-motivated are likely to succeed at it. And yet, at the same time—and this is key—no other sport demands and rewards the complete abandonment of the self the way that rowing does. Great crews may have men or women of exceptional talent or strength; they may have outstanding coxswains or stroke oars or bowmen; but they have no stars. The team effort—the perfectly synchronized flow of muscle, oars, boat, and water; the single, whole, unified, and beautiful symphony that a crew in motion becomes—is all that matters. Not the individual, not the self.
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
When I watched all the children, their copper, brown, and beige faces staring up at me as I taught Sunday school, I felt that I was committing a crime in talking about the gentle Jesus, in telling them to reconcile themselves to their misery on earth in order to gain the crown of eternal life. Were only Negroes to gain this crown? Was Heaven, then, to be merely another ghetto? Perhaps I might have been able to reconcile myself even to this if I had been able to believe that there was any loving-kindness to be found in the haven I represented. But I had been in the pulpit too long and I had seen too many monstrous things. I don’t refer merely to the glaring fact that the minister eventually acquires houses and Cadillacs while the faithful continue to scrub floors and drop their dimes and quarters and dollars into the plate. I really mean that there was no love in the church. It was a mask for hatred and self-hatred and despair. The transfiguring power of the Holy Ghost ended when the service ended, and salvation stopped at the church door.
James Baldwin (The Fire Next Time)
I sit in the center row of the SUV, fuming on the way back to the hotel. “Can I offer you a bit of advice, Prince Nicholas?” Tommy asks. I may have been mumbling out loud. “Shut up, Tommy,” Logan says from the driver’s seat... “It’s all right.” I meet Tommy’s light brown eyes in the rearview mirror, where he sits behind me. “Offer away.” He scratches his head. “I think the lass was embarrassed.” “Embarrassed?” “Aye. It’s like my younger sister, Janey. She’s a good-looking girl, but one day she had a zit on her forehead that was so big it made her look like a dickicorn. And she was walking—” James, in the front passenger seat, reads my mind. “What the fuck is a dickicorn?” “It’s an expression,” Tommy explains. James angles around to look at Tommy, his blue eyes crinkled. “An expression for what?” “For…someone with something big coming out o’ their forehead that looks like a cock.” “Wouldn’t it be a unicock, then?” James wonders. “For Christ’s sake,” Logan cuts in. “Would you forget about the fuckin’ unicorn or dickicock or whatever the hell it is—” “It doesn’t make any sense!” James argues. “—and let Tommy finish his story? We’re never gonna hear the end at this rate.” James throws up his hands, grumbling. “Fine. But it still doesn’t make any sense.” For the record, my semantic vote goes to unidick
Emma Chase (Royally Screwed (Royally, #1))
All Summer in a Day” by Ray Bradbury Because of Winn-Dixie by Kate DiCamillo Big Nate series by Lincoln Peirce The Black Cauldron (The Chronicles of Prydain) by Lloyd Alexander The Book Thief  by Markus Zusak Brian’s Hunt by Gary Paulsen Brian’s Winter by Gary Paulsen Brown Girl Dreaming by Jacqueline Woodson Bud, Not Buddy by Christopher Paul Curtis The Call of the Wild by Jack London The Cat in the Hat by Dr. Seuss Charlotte’s Web by E. B. White The Chronicles of Narnia series by C. S. Lewis Diary of a Wimpy Kid series by Jeff Kinney Fahrenheit 451 by Ray Bradbury The Giver by Lois Lowry Goodnight Moon by Margaret Wise Brown Harry Potter series by J. K. Rowling Hatchet by Gary Paulsen The High King (The Chronicles of Prydain) by Lloyd Alexander The Hobbit by J. R. R. Tolkien Holes by Louis Sachar The Hunger Games by Suzanne Collins I Am LeBron James by Grace Norwich I Am Stephen Curry by Jon Fishman Island of the Blue Dolphins by Scott O’Dell Johnny Tremain by Esther Hoskins Forbes Julie of the Wolves by Jean Craighead George Kidnapped by Robert Louis Stevenson LeBron’s Dream Team: How Five Friends Made History by LeBron James and Buzz Bissinger The Lightning Thief  (Percy Jackson and the Olympians) by Rick Riordan A Long Walk to Water by Linda Sue Park The Merry Adventures of Robin Hood by Howard Pyle Number the Stars by Lois Lowry The Outsiders by S. E. Hinton The River by Gary Paulsen The Sailor Dog by Margaret Wise Brown Sarah, Plain and Tall by Patricia MacLachlan Shiloh by Phyllis Reynolds Naylor “A Sound of Thunder” by Ray Bradbury Star Wars Expanded Universe novels (written by many authors) Star Wars series (written by many authors) The Swiss Family Robinson by Johann D. Wyss Tales from a Not-So-Graceful Ice Princess (Dork Diaries) by Rachel Renée Russell Tales of a Fourth Grade Nothing by Judy Blume “The Tell-Tale Heart” by Edgar Allan Poe Treasure Island by Robert Louis Stevenson Tuck Everlasting by Natalie Babbitt Under the Blood-Red Sun by Graham Salisbury The Very Hungry Caterpillar by Eric Carle When You Reach Me by Rebecca Stead A Wrinkle in Time by Madeleine L’Engle
Andrew Clements (The Losers Club)