Hats Off To Soldiers Quotes

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The History Teacher Trying to protect his students' innocence he told them the Ice Age was really just the Chilly Age, a period of a million years when everyone had to wear sweaters. And the Stone Age became the Gravel Age, named after the long driveways of the time. The Spanish Inquisition was nothing more than an outbreak of questions such as "How far is it from here to Madrid?" "What do you call the matador's hat?" The War of the Roses took place in a garden, and the Enola Gay dropped one tiny atom on Japan. The children would leave his classroom for the playground to torment the weak and the smart, mussing up their hair and breaking their glasses, while he gathered up his notes and walked home past flower beds and white picket fences, wondering if they would believe that soldiers in the Boer War told long, rambling stories designed to make the enemy nod off.
Billy Collins (Questions About Angels)
Fall behind me States! A man before all—myself, typical, before all. Give me the pay I have served for, Give me to sing the songs of the great Idea, take all the rest, I have loved the earth, sun, animals, I have despised riches, I have given aims to every one that ask'd, stood up for the stupid and crazy, devoted my income and labor to others, Hated tyrants, argued not concerning God, had patience and indulgence toward the people, taken off my hat to nothing known or unknown, Gone freely with powerful uneducated persons and with the young, and with the mothers of families, Read these leaves to myself in the open air, tried them by trees, stars, rivers, Dismiss'd whatever insulted my own soul or defiled my body, Claim'd nothing to myself which I have not carefully claim'd for others on the same terms, Sped to the camps, and comrades found and accepted from every State, (Upon this breast has many a dying soldier lean'd to breathe his last, This arm, this hand, this voice, have nourish'd, rais'd, restored, To life recalling many a prostrate form;) I am willing to wait to be understood by the growth of the taste of myself, Rejecting none, permitting all. (Say O Mother, have I not to your thought been faithful? Have I not through life kept you and yours before me?)
Walt Whitman (Leaves of Grass)
From the woods that surrounded the burgh came a mass of men. Some rode, others ran. All carried weapons, mainly axes or spears. A few wore mail shirts and cloaks, but most just leather aketons. Among them were a handful of men clad in the short tunics favoured by Highlanders. These men were bare from thigh to foot, an alarming sight to Ormesby, who had only heard rumour of these wild men of the north. As they came, they roared a multitude of battle cries. Ormesby caught one name in the din, issuing from a group of mailed riders who followed a burly man on a finely caparisoned horse. ‘For Douglas!’ they howled. ‘For Douglas!’ Below, the townsfolk were scattering. The English soldiers had formed a tight knot outside the hall, blades drawn, but even as Ormesby watched, the forlorn group of beggars he had seen threw off their ragged skins and furs, revealing thickly muscled warriors. They fell upon the soldiers with savage cries, daggers thrusting. Footsteps sounded on the hall stairs. The door burst open and two soldiers appeared. ‘We must go, sir!’ The clerks and officials were already hastening across the chamber. Donald was running with them. Ormesby remained rooted. ‘Who are they?’ he demanded, his voice high as he turned back to the window, seeing the horde rushing into the town. His eyes fixed on a giant of a man running, almost loping in the front lines. Taller than all those around him, agile in the stride, he wore a simple dark blue tunic and wide-brimmed kettle hat. The other men seemed to be running in unruly formation around him. But it was the blade in the man’s hands that Ormesby’s eyes were drawn to. He had never seen such a sword, so broad and long the giant had to grasp it in both hands as he came. Another name now became audible in the roar of the mob. ‘Wallace! Wallace!
Robyn Young (Insurrection (The Insurrection Trilogy, #1))
The defenders retreated, but in good order. A musket flamed and a ball shattered a marine’s collar bone, spinning him around. The soldiers screamed terrible battle-cries as they began their grim job of clearing the defenders off the parapet with quick professional close-quarter work. Gamble trod on a fallen ramrod and his boots crunched on burnt wadding. The French reached steps and began descending into the bastion. 'Bayonets!' Powell bellowed. 'I want bayonets!' 'Charge the bastards!' Gamble screamed, blinking another man's blood from his eyes. There was no drum to beat the order, but the marines and seamen surged forward. 'Tirez!' The French had been waiting, and their muskets jerked a handful of attackers backwards. Their officer, dressed in a patched brown coat, was horrified to see the savage looking men advance unperturbed by the musketry. His men were mostly conscripts and they had fired too high. Now they had only steel bayonets with which to defend themselves. 'Get in close, boys!' Powell ordered. 'A Shawnee Indian named Blue Jacket once told me that a naked woman stirs a man's blood, but a naked blade stirs his soul. So go in with the steel. Lunge! Recover! Stance!' 'Charge!' Gamble turned the order into a long, guttural yell of defiance. Those redcoats and seamen, with loaded weapons discharged them at the press of the defenders, and a man in the front rank went down with a dark hole in his forehead. Gamble saw the officer aim a pistol at him. A wounded Frenchman, half-crawling, tried to stab with his sabre-briquet, but Gamble kicked him in the head. He dashed forward, sword held low. The officer pulled the trigger, the weapon tugged the man's arm to his right, and the ball buzzed past Gamble's mangled ear as he jumped down into the gap made by the marines charge. A French corporal wearing a straw hat drove his bayonet at Gamble's belly, but he dodged to one side and rammed his bar-hilt into the man's dark eyes. 'Lunge! Recover! Stance!
David Cook (Heart of Oak (The Soldier Chronicles, #2))
I turn to see what she’s looking at, and it’s a red convertible Mustang driving down our street, top down--with John McClaren at the wheel. My jaw drops at the sight of him. He is in full uniform: tan dress shirt with tan tie, tan slacks, tan belt and hat. His hair is parted to the side. He looks dashing, like a real soldier. He grins at me and waves. “Whoa,” I breathe. “Whoa is right,” Ms. Rothschild says, googly-eyed beside me. Daddy and his Ken Burns DVD are forgotten; we are all staring at John in this uniform, in this car. It’s like I dreamed him up. He parks the car in front of the house, and all of us rush up to it. “Whose car is this?” Kitty demands. “It’s my dad’s,” John says. “I borrowed it. I had to promise to park really far away from any other car, though, so I hope your shoes are comfortable, Lara Jean--” He breaks off and looks me up and down. “Wow. You look amazing.” He gestures at my cinnamon bun. “I mean, your hair looks so…real.” “It is real!” I touch it gingerly, I’m suddenly feeling self-conscious about my cinnamon-bun head and red lipstick. “I know--I mean, it looks authentic.” “So do you,” I say. “Can I sit in it?” Kitty butts in, her hand on the passenger-side door. “Sure,” John says. He climbs out of the car. “But don’t you want to get in the driver’s seat?” Kitty nods quickly. Ms. Rothschild gets in too, and Daddy takes a picture of them together. Kitty poses with one arm casually draped over the steering wheel. John and I stand off to the side, and I ask him, “Where did you ever get that uniform?” “I ordered it off of eBay.” He frowns. “Am I wearing the hat right? Do you think it’s too small for my head?” “No way. I think it looks exactly the way it’s supposed to look.” I’m touched that he went to the trouble of ordering a uniform for this. I can’t think of many boys who would do that. “Stormy is going to flip out when she sees you.” He studies my face. “What about you? Do you like it?” I flush. “I do. I think you look…super.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
Thump. Thump thump. Thump thump thump. “What the…?” one of the soldiers said. The limbs of Glass Eyes clomped down around them. Arms chopped off at the shoulder joint, legs ending at the top of the thigh, hands and feet and torsos, all with a spaghetti of wires and lab-grown veins spilling from holes where no holes should have been. From the direction the card soldiers had expected their death to come, the silhouette of a Wonderlander appeared out of the smoke—a Wonderlander they would have recognized anywhere. The hat, the dramatic swing of the coat, the spinning blades on his wrists: Hatter Madigan.
Frank Beddor (Seeing Redd (The Looking Glass Wars, #2))
She knelt and began gathering up the dirty cups, plates, and silverware she’d dropped with the tray. The movements of her hands were quick and jerky, but she went still when she saw a pair of scuffed black boots come to a stop directly in front of her, and her temper swelled anew. These rascals had been harassing her with their exuberant mischief all morning, and she was through turning the other cheek. She rose slowly to her feet and sighed as she felt the pins in her once-tidy hair give way, sending the silver-gold tresses tumbling down over her shoulders. Crows of amusement rose all around her as she set her hands on her hips and raised her chin. The eyes that gazed down at her were just the color of maple sugar and shadowed by the brim of a dusty blue field hat banded in gold braid. A gloved hand reached up to remove the hat, revealing a thatch of golden-brown hair. “On behalf of the United States Army, ma’am,” a deep voice said with barely contained amusement, “I’d like to apologize for these men.” Lily reminded herself that the soldiers from nearby Fort Deveraux kept the hotel dining room in business, and that without them she wouldn’t have a job. Nevertheless, she was near the end of her patience. “They would seem to be boys,” she answered pointedly, “rather than men.” The barb brought a chorus of howls, whistles, and cries of mock despair. The man looking down at Lily—a major, judging by his insignia—grinned rather insolently, showing teeth as white as the keys on a new piano. “They’ve been on patrol for two weeks, ma’am,” he explained with elaborate cordiality, apparently choosing to ignore her comment on their collective bad manners. Something about the curve of his lips made Lily feel as though the room had done a half spin. She reached out to steady herself by gripping the back of a chair. “I fail to see how that gives them the right to behave like circus gorillas.” The major’s grin intensified, half blinding Lily. “Of course, you’re right,” he said. Every word that came out of his mouth was congenial. So why did she feel that he was making fun of her? Lily found herself looking at the button-down panel on the front of his shirt and wondering about the chest beneath it. Was it as broad and muscled as it appeared, covered in a downy mass of maple hair? With a toss of her head she shook off the unwelcome thought and knelt to finish gathering the crockery.
Linda Lael Miller (Lily and the Major (Orphan Train, #1))
He might have mocked himself if he hadn’t been tired of always mocking at what others took seriously. It was easier to mock, of course, but other people refrained, and not always because they lacked the imagination or sense of humor required to mock. Sometimes they refrained because they dared to long for something that was not easily grasped, something that might slip away if one did not pay it the proper respect—prayerful respect, the sort that moved one to remove one’s hat by the side of a grave, or to bow one’s head to soldiers marching off to war, even while damning the fat MPs that sent them to die. Life was not all for mockery. Nor was laughter. But it was harder to spot the prayerful moments when they called for laughter instead of tears. Tears spelled an end. Laughter could spell a beginning.
Meredith Duran (Wicked Becomes You)
He was walking over toward the West Side, aimlessly at first, and then at times with the longing to do something to save those mistaken men from themselves forming itself into a purpose. Was not that what she meant when she bewailed her woman's helplessness? She must have wished him to try if he, being a man, could not do something; or if she did not, still he would try, and if she heard of it she would recall what she had said and would be glad he had understood her so. Thinking of her pleasure in what he was going to do, he forgot almost what it was; but when he came to a street-car track he remembered it, and looked up and down to see if there were any turbulent gathering of men whom he might mingle with and help to keep from violence. He saw none anywhere; and then suddenly, as if at the same moment, for in his exalted mood all events had a dream-like simultaneity, he stood at the corner of an avenue, and in the middle of it, a little way off, was a street-car, and around the car a tumult of shouting, cursing, struggling men. The driver was lashing his horses forward, and a policeman was at their heads, with the conductor, pulling them; stones, clubs, brickbats hailed upon the car, the horses, the men trying to move them. The mob closed upon them in a body, and then a patrol-wagon whirled up from the other side, and a squad of policemen leaped out and began to club the rioters. Conrad could see how they struck them under the rims of their hats; the blows on their skulls sounded as if they had fallen on stone; the rioters ran in all directions. One of the officers rushed up toward the corner where Conrad stood, and then he saw at his side a tall, old man, with a long, white beard, who was calling out at the policemen: "Ah, yes! Glup the strikerss—gif it to them! Why don't you co and glup the bresidents that insoalt your lawss, and gick your Boart of Arpidration out-of-toors? Glup the strikerss—they cot no friendts! They cot no money to pribe you, to dreat you!" The officer lifted his club, and the old man threw his left arm up to shield his head. Conrad recognized Lindau, and now he saw the empty sleeve dangle in the air over the stump of his wrist. He heard a shot in that turmoil beside the car, and something seemed to strike him in the breast. He was going to say to the policeman: "Don't strike him! He's an old soldier! You see he has no hand!" but he could not speak, he could not move his tongue. The policeman stood there; he saw his face: it was not bad, not cruel; it was like the face of a statue, fixed, perdurable—a mere image of irresponsible and involuntary authority. Then Conrad fell forward, pierced through the heart by that shot fired from the car. March heard the shot as he scrambled out of his car, and at the same moment he saw Lindau drop under the club of the policeman, who left him where he fell and joined the rest of the squad in pursuing the rioters. The fighting round the car in the avenue ceased; the driver whipped his horses into a gallop, and the place was left empty. March would have liked to run; he thought how his wife had implored him to keep away from the rioting; but he could not have left Lindau lying there if he would. Something stronger than his will drew him to the spot, and there he saw Conrad, dead beside the old man.
William Dean Howells (A Hazard of New Fortunes (Modern Library Classics))
Scarlett …” The alarming voice of Nickolas sounded from behind her. This girl was looking for her own execution. As much as he dreaded admitting it they had lost. The rebellion failed many and young people sacrificed their lives for this failure. Scarlett was a victim he was not willing to sacrifice. She only turned to him without saying a word. Her gaze was invincible. He saw literal flames burning in her blue eyes. He recognized the emotion immediately. Scarlett’s eyes were burning with rage! Was he seeing things, or were these actual flames? “It’s time for this bastard to pay for being such a treacherous ass!” she spoke. With every word, it was as if the fire in her eyes whirled around her pupils like a vortex. She felt her whole body start to burn. The blood in her veins was boiling like never before. Smoke began to emerge from her skin. It hurt her, she felt as if her whole body had set itself on fire. The pain could not be compared to the first time it happened with her palms. She was fighting the urge to scream as loud as she could, but could not afford even the slightest distraction. Nickolas’s life, as well as Chris’, depended on her. The men around her looked stunned at what was happening. Pratcher realized that nothing had played with his sanity when the soldiers, along with Hammerdell, took a step back after the girl’s body had begun emitting smoke. It was all very real indeed. What the hell was going on? “Get away from her! She will set herself on fire!” Christopher grabbed the man’s shoulders and pulled him back. He knew what was going to happen. He had seen Scarlett burn her palms, but never her whole body. He was afraid for her! The telekinesis with the jeep was a step away from killing her, and with that burning, her death could be inevitable. There was not enough energy in her body to escape without consequences. Scarlett did not stop focusing on her anger. She had to maintain it if she wanted to achieve the desired result. The pain was taking over her, she felt exhausted and gave out smoke. Her eyes did not go down from Hammerdell. At first, her hands were ablaze, and fire spread all over her body as if it had been covered with gas. Her clothes became ash. Scarlett remained naked under the tongues of the red flames. She fell to her knees on the pebble track - the fire swirled, and the pain was growing even more intolerable. “Shoot!” The mayor screamed in a voice full of fear. He had never seen such a thing. What was that hat girl? Definitely not an ordinary person! Seconds before they pulled the trigger, the guns jumped off from the hands of the soldiers all by themselves. A cone of fire separated from Scarlett and flew towards them, enclosing them in a perfect circle. She sacrificed her last drop of strength to create a fiery dome above them, which trapped her enemies and became a lid from which they could not get away. They burned alive with the last shrieking screams of panic, fear, and despair. It was over. Hammerdell had earned his merit. Now, the rebels could finally rest easy. In pain and exhaustion, she left herself get swallowed by the darkness.
I. G. Lilith
When she stepped out into the cool spring evening Major Halliday was waiting for her. He tilted his hat. “Evening, Miss Chalmers,” he said. Lily glowered at him. “What do you want?” The major smiled that insolent, melting smile of his. He had bathed, Lily noticed, and his uniform was fresh. He hesitated for a moment, then said, “I’d like to walk you home. It’s dark, after all, and a town full of soldiers is no place for a woman alone.” Lily squared her slender shoulders. “My rooming house is nearby,” she said in dismissal. “So I don’t need an escort, thank you.” It was as though she hadn’t spoken. Major Halliday fell into step beside her, settling his hat on his head with a practiced motion of one hand. “Where did you live before you came here?” he asked. Lily sighed. The man was over six feet tall, and he probably weighed twice what she did. There would be no getting rid of him if he didn’t want to go. “Nebraska,” she replied, quickening her pace. The major frowned. “That’s a long way off. Do you have family in Tylerville?” An old grief sounded inside Lily like a far-off bell as she thought of her lost sisters. Maybe, despite all her prayers and her letter-writing and her traveling from place to place, she’d never find them. She shook her head. “No family.” “Anywhere?” the major pressed. Lily glanced at him. “I have an adopted brother living in Spokane,” she answered. She wouldn’t tell him about Emma and Caroline; that would be like baring a freshly bandaged wound. “Why are you so curious about me, Major?” He smiled. “My name is Caleb,” he corrected, ignoring her question. “That’s more than I care to know,” Lily replied haughtily, and he laughed at that. “I suppose it is. May I call you Lily?” “No, you may not. I’m to be ‘Miss Chalmers,’ if you must address me at all.” He laughed again, and the sound was warm and richly masculine. “You’ve got all the warm congeniality of a porcupine, Miss Chalmers.” “Thank you.
Linda Lael Miller (Lily and the Major (Orphan Train, #1))