Jamaica Quotes

We've searched our database for all the quotes and captions related to Jamaica. Here they are! All 100 of them:

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Friendship is a simple thing, and yet complicated; friendship is on the surface, something natural, something taken for granted, and yet underneath one could find worlds.
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Jamaica Kincaid
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There's something to be said about a slightly plump personβ€”you have just enough of too much.
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Jamaica Kincaid
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A thing is mighty big when time and distance cannot shrink it.
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Zora Neale Hurston (Tell My Horse: Voodoo and Life in Haiti and Jamaica)
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Because I want to; because I must; because now and forever more this is where I belong to be.
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Daphne du Maurier (Jamaica Inn)
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My mum always said if you can’t say something nice, say something memorable.
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Samantha Young (Before Jamaica Lane (On Dublin Street, #3))
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You're not ready to hear this yet," he concluded. "But I do need you to know that I'm going to fight for you. I'm not making the mistake of walking away from you again. The only man in you future is me, Liv. The only kids in your future are mine.
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Samantha Young (Before Jamaica Lane (On Dublin Street, #3))
β€œ
Am I the only creature with a vagina who thinks that weddings are ridiculous? I'm going to elope. Just me, my hubby, and a minister on a beach in Jamaica.
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Megan McCafferty (Sloppy Firsts (Jessica Darling, #1))
β€œ
You'll end up living a lonely life if you're waiting around for perfect.
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Samantha Young (Before Jamaica Lane (On Dublin Street, #3))
β€œ
How can such a coward teach someone to be brave?
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Samantha Young (Before Jamaica Lane (On Dublin Street, #3))
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I regard the Klan, the Anglo-Saxon clubs and White American societies, as far as the Negro is concerned, as better friends of the race than all other groups of hypocritical whites put together.
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Marcus Garvey
β€œ
I’m going to let you keep that smug look on your face. You earned it.
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Samantha Young (Before Jamaica Lane (On Dublin Street, #3))
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Dead men tell no tales, Mary.
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Daphne du Maurier (Jamaica Inn)
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I didn't just want Nate to love me. I wanted him to love me the way I loved him. The kind of love that's so big it would last beyond a lifetime.
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Samantha Young (Before Jamaica Lane (On Dublin Street, #3))
β€œ
It’s a manwhore miracle
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Samantha Young (Before Jamaica Lane (On Dublin Street, #3))
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No matter how happy I had been in the past I do not long for it. The present is always the moment for which I love.
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Jamaica Kincaid (The Autobiography of My Mother)
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I wish that I could love someone so much that I would die from it.
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Jamaica Kincaid (Lucy)
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I never meant to fall in love with you. But I did. I felt it the first night I made love to you. I tried to walk away then because I've never felt so lost and yet so fucking found as I felt that night looking into your eyes as I moved inside you.
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Samantha Young (Before Jamaica Lane (On Dublin Street, #3))
β€œ
You taught me to be brave again, Nate.' I swiped at the tears, my heart catching painfully as his eyes seared into mine. 'How can such a coward teach someone to be brave?
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Samantha Young (Before Jamaica Lane (On Dublin Street, #3))
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Jamaica never gets worse or better, it just finds new ways to stay the same.
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Marlon James (A Brief History of Seven Killings)
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That was the moment he got the idea he possessed me in a certain way, and that was the moment I grew tired of him.
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Jamaica Kincaid (Lucy)
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I was a new person then, I knew things I had not known before, I knew things that you can know only if you have been through what I had just been through.
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Jamaica Kincaid (The Autobiography of My Mother)
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Let’s start with how you don’t feel sexually attractive.” I gulped. β€œAll right.” β€œAre you fucking kidding me?
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Samantha Young (Before Jamaica Lane (On Dublin Street, #3))
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By the power of Phil Collins, I rebuke you!” she said. β€œBy the power of Phil Collins, who knows that you coming back to me is against all odds, in his name I command you to leave this servant of Genesis alone... By the power of The Thorn Birds - she cried - by the sacred strength of My Sweet Audrina and Forever... By the power of lost retainers and Jamaica and bad cornrows and fireflies and Madonna, by all these things I rebuke you
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Grady Hendrix
β€œ
The inevitable is no less a shock just because it is inevitable.
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Jamaica Kincaid (The Autobiography of My Mother)
β€œ
Upstairs in my bed, where it had all started, I slowly made love to Nate, promising him with every inch of me, that the β€˜after’ we’d found together … well … it was forever.
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Samantha Young (Before Jamaica Lane (On Dublin Street, #3))
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I want to be someone's big love, Dad. I think I deserve to have the man I love love me back just as much.
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Samantha Young (Before Jamaica Lane (On Dublin Street, #3))
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No one,” I whispered, my lips trembling with the emotion, β€œhas ever made me feel like the person I’ve always wanted to be until you. You make me feel beautiful, Nate. All the way through. No one else has ever given me that. No one.” β€œI’m glad,” he murmured against my mouth. β€œNot just because you deserve to feel that way … but because it makes you mine.
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Samantha Young (Before Jamaica Lane (On Dublin Street, #3))
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It occurred to me that more than loss, it was the longing that hurt the most.
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Samantha Young (Before Jamaica Lane (On Dublin Street, #3))
β€œ
Why is a picture of something real eventually more exciting than the thing itself?
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Jamaica Kincaid (Lucy)
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He stole horses' you'll say to yourself, 'and he didn't care for women; and but for my pride I'd have been with him now.
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Daphne du Maurier (Jamaica Inn)
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Liv's perfect. She deserves perfect. She won't be settling for anything else.
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Samantha Young (Before Jamaica Lane (On Dublin Street, #3))
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You okay?’ Nate asked warily. My fingers shook with the hangover as I leaned across my sink. β€˜I look like the Bride of Frankenstein with a massive hangover.’ β€˜I’d be hungover too if I’d just had to fuck Frankenstein.
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Samantha Young (Before Jamaica Lane (On Dublin Street, #3))
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No, Mary had no illusions about romance. Falling in love was a pretty name for it, that was all.
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Daphne du Maurier (Jamaica Inn)
β€œ
I miss our Would You Rather conversations and your hilarious answers. I miss your laugh. I miss the way I feel when I make you laugh. Like I just won something really important. I miss just sitting with you in perfect, silent understanding. I miss the way you never judge anyone. It’s such a rare find, Liv. And I miss watching how kind you are with everyone. I miss being able to call you and talk to you about random shit and important shit. I miss my best friend. I miss you. I love you.
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Samantha Young (Before Jamaica Lane (On Dublin Street, #3))
β€œ
I understood that I was inventing myself, and that I was doing this more in the way of a painter than in the way of a scientist. I could not count on precision or calculation; I could only count on intuition.
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Jamaica Kincaid (Lucy)
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The past is a room full of baggage and rubbish and sometimes things that are of use, but if they are of real use, I have kept them.
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Jamaica Kincaid (The Autobiography of My Mother)
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And, though there should be a world of difference between the smile of a man and the bared fangs of a wolf, with Joss Merlyn they were one and the same.
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Daphne du Maurier (Jamaica Inn)
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...yet a memory cannot be trusted, for so much of the experience of the past is determined by the experience of the present.
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Jamaica Kincaid (The Autobiography of My Mother)
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Tomorrow, we fuck.
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Samantha Young (Before Jamaica Lane (On Dublin Street, #3))
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He lacked tenderness; he was rude; and he had more than a streak of cruelty in him; he was a thief and a liar. He stood for everything she feared and hated and despised; but she knew she could love him... This was no choice made with the mind.
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Daphne du Maurier
β€œ
If you were just some woman in a bar, I’d pick you out from all the others, take you home, and fuck you so hard you wouldn’t be able to walk straight in the morning.” I gulped. In fact, I think I might have had a little mini-orgasm.
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Samantha Young (Before Jamaica Lane (On Dublin Street, #3))
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Okay, we’ll take it step by step. Strip to your underwear.” A shiver went through me at his demand, but I found myself replying, β€œYou could ask nicely, you know.” His lips twitched. β€œOlivia, sweetheart, would you please strip down to your underwear for me?
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Samantha Young (Before Jamaica Lane (On Dublin Street, #3))
β€œ
You’re not ready to hear this yet,” he concluded. β€œBut I do need you to know that I’m going to fight for you. I’m not making the mistake of walking away from you again. The only man in your future is me, Liv. The only kids in your future are mine.
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Samantha Young (Before Jamaica Lane (On Dublin Street, #3))
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For isn't it odd that the only language I have in which to speak of this crime is the language of the criminal who committed the crime?
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Jamaica Kincaid (A Small Place)
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Something settiled inside me, something heavy and hard. It stayed there, and i could not think of one thing to make it go away. I thought, So this must be living, this must be the beginning of the time people later refer to as 'years ago, when I was young'.
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Jamaica Kincaid
β€œ
What I don't write is as important as what I write.
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Jamaica Kincaid (Generations of Women: In Their Own Words)
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If there’s one thing that makes a man sick, it’s to have his ale poured out of an ugly hand.
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Daphne du Maurier (Jamaica Inn)
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Of course his life could be found in the pages of a book; I had just begun to notice that the lives of men always are.
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Jamaica Kincaid (Lucy)
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She realized for the first time that aversion and attraction ran side by side; that the boundary-line was thin between them.
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Daphne du Maurier (Jamaica Inn)
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What would you prefer? Life in a maximum-security prison or trapped in Jurassic Park?" "Do I have a social standing in this prison?" "No. You're just an average Joe." "Then I guess I have to go with Jurassic Park." "Why?" "Well, I'll have constant fresh air, for a start, and also if I'm going to be anyone's prey, I'm going to be the prey of an animal that's acting out of instinct rather than psychopathy... You?" "If you're in Jurassic Park, I'm in Jurassic Park.
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Samantha Young (Before Jamaica Lane (On Dublin Street, #3))
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I believed in all the things written within me, I’d just somehow along the way stopped believing in my book jacket.
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Samantha Young (Before Jamaica Lane (On Dublin Street, #3))
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That the world I was in could be soft, lovely, and nourishing was more than I could bear, and so I stood there and wept, for I didn't want to love one more thing that could make my heart break into a million little pieces at my feet.
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Jamaica Kincaid (Lucy)
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I did not care about being a virgin and had long been looking forward to the day when I could rid myself of that status, but when I saw how much it mattered to him to be the first boy I had been with, I could not five him such a hold over me.
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Jamaica Kincaid (Lucy)
β€œ
That would make it the fifth time since I'd started working at the university that I'd thrown someone out of one of those rooms for inappropriate behavior. And they say a library is a boring place to work.
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Samantha Young (Before Jamaica Lane (On Dublin Street, #3))
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It is sad that unless you are born a god, your life,from its very beginning, is a mystery to you.
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Jamaica Kincaid (The Autobiography of My Mother)
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Nate, your commitment phobia is showing again." He turned to me in mock horror. "Where?" He patted his cheeks anxiously. "Get it off me.
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Samantha Young (Before Jamaica Lane (On Dublin Street, #3))
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Gods always behave like the people who make them.
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Zora Neale Hurston (Tell My Horse: Voodoo and Life in Haiti and Jamaica)
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I don't want to love like a woman or feel like a woman, Mr Davey; there's pain that way, and suffering, and misery that can last a lifetime. I didn't bargain for this; I don't want it.
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Daphne du Maurier (Jamaica Inn)
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You are not an ugly person all the time; you are not an ugly person ordinarily; you are not an ugly person day to day. From day to day, you are a nice person. From day to day, all the people who are supposed to love you on the whole do. From day to day, as you walk down a busy street in the large and modern and prosperous city in which you work and lie, dismayed and puzzled at how alone you can feel in this crowd, how awful it is to go unnoticed, how awful it is to go unloved, even as you are surrounded by more people than you could possibly get to know in a lifetime that lasted for millennia and then out of the corner of your eye you see someone looking at you and absolute pleasure is written all over the person's face, and then you realize that you are not as revolting a presence as you think you are. And so, ordinarily, you are a nice person, an attractive person, a person capable of drawing to yourself the affection of other people, a person at home in your own skin: a person at home in your own house, with its nice backyard, at home on your street, your church, in community activities, your job, at home with your family, your relatives, your friends - you are a whole person.
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Jamaica Kincaid (A Small Place)
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And so to read is, in truth, to be in the constant act of creation. The old lady on the bus with her Orwell, the businessman on the Tube with Patricia Cornwell, the teenager roaring through Capote -- they are not engaged in idle pleasure. Their heads are on fire. Their hearts are flooding. With a book, you are the landscape, the sets, the snow, the hero, the kiss -- you are the mathematical calculation that plots the trajectory of the blazing, crashing zeppelin. You -- pale, punchable reader -- are terraforming whole worlds in your head, which will remain with you until the day you die. These books are as much a part of you as your guts and your bone. And when your guts fail and your bones break, Narnia, or Jamaica Inn, or Gormenghast will still be there; as pin-sharp and bright as the day you first imagined them -- hiding under the bedclothes, sitting on the bus. Exhausted, on a rainy day, weeping over the death of someone you never met, and who was nothing more than words until you transfused them with your time, and your love, and the imagination you constantly dismiss as "just being a bit of a bookworm.
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Caitlin Moran
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He took her face in his hands and kissed it, and she saw that he was laughing. "When you're an old maid in mittens down at Helford, you'll remember that," he said, "and it will have to last you to the end of your days. 'He stole horses,' you'll say to yourself, 'and he didn't care for women; and but for my pride I'd have been with him now.
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Daphne du Maurier (Jamaica Inn)
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Roads? Who spoke of roads? We go by the moor and the hills, and tread granite and heather as the Druids did before us.
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Daphne du Maurier (Jamaica Inn)
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That the native does not like the tourist is not hard to explain. For every native of every place is a potential tourist, and every tourist is a native of somewhere. Every native everywhere lives a life of overwhelming and crushing banality and boredom and desperation and depression, and every deed, good and bad, is an attempt to forget this. Every native would like to find a way out, every native would like a rest, every native would like a tour. But some nativesβ€”most natives in the worldβ€”cannot go anywhere. They are too poor. They are too poor to go anywhere. They are too poor to escape the reality of their lives; and they are too poor to live properly in the place they live, which is the very place you, the tourist, want to goβ€”so when the natives see you, the tourist, they envy you, they envy your ability to leave your own banality and boredom, they envy your ability to turn their own banality and boredom into a source of pleasure for yourself.
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Jamaica Kincaid (A Small Place)
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"Mom, Arnie Welsh keeps calling me a geek. He says it like it's a bad thing. Is being a geek a bad thing?" "Of course not, Soda Pop. And don't listen to labels. They don't matter." "What are labels?" "It's an imaginery sticker people slap on you with the word they think you are written on it. It doesn't matter who they think you are. It matters who you think you are." "I think I might be a geek." She laughed. "Then you be a geek. Just be whatever makes you happy, Soda Pop, and I'll be happy too.
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Samantha Young (Before Jamaica Lane (On Dublin Street, #3))
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Everybody knew that men have no morals, that they do not know how to behave, that they do not know how to treat other people. It was why men like laws so much; it was why they had to invent such things-they need a guide. When they are not sure what to do, they consult this guide. If the guide gives them advice they don't like, they change the guide.
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Jamaica Kincaid (Lucy)
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Lucy, a girl's name for Lucifer. That my mother would have found me devil-like did not surprise me, for I often thought of her as god-like, and are not the children of gods devils? I did not grow to like the name Lucy-I would have much preferred to be called Lucifer outright-but whenever I saw my name I always reached out to give it a strong embrace.
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Jamaica Kincaid (Lucy)
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One day I was living silently in a personal hell, without anyone to tell what I felt, without even knowing that the feelings I had were possible to have; and then one day I was not living like that at all. I had begun to see the past like this: there is a line; you can draw it yourself, or sometimes it gets drawn for you; either way, there it is, your past, a collection of people you used to be and things you used to do. Your past is the person you no longer are, the situations you are no longer in.
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Jamaica Kincaid
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Like father like son, like mother like daughter!
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Jamaica Kincaid (Annie John)
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When people say you’re charming you’re in deep trouble.
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Jamaica Kincaid
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But there was no use pretending: I was not the sort of person who counted blessings; I was the sort of person for whom there could never be enough blessings.
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Jamaica Kincaid (Lucy)
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Just because I’ve been gone from this country for most of my life doesn’t mean I understand it any less. When I was fifteen I left Jamaica. I knew that I was a lesbian then and, because of what I looked like, I was an out lesbian. It was hard for me. It was hard for the thirteen years I was in England, for various reasons, and it’s going to be difficult here as well. I don’t anticipate anything being easy. But I’d rather suffer the chance of someone accosting me for being a dyke than suffer the emotional violence I’d do to myself if I wasn’t honest about who I am.
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Fiona Zedde (Bliss)
β€œ
Do you play video games, Liv?’ he asked congenially. β€˜Uh, yes.’ β€˜Well, stop cleaning up the dishes and come play with us,’ he teased. I chuckled. β€˜Are you asking me on a playdate?’ As soon as the words were out of my mouth, I regretted them. I wasn’t being flirty. I didn’t know how to be flirty! That was just my sense of humor, and now this guy was going to think I was coming on – Nate laughed, cutting me off. β€˜Only because you got the Star Trek reference. Otherwise, girls aren’t allowed to play with us. They’re icky.’ Deadpan, I crossed my arms over my chest. β€˜Well, boys are icky too.’ He grinned huge. β€˜Ain’t that the truth.
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Samantha Young (Before Jamaica Lane (On Dublin Street, #3))
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The space between the idea of something and its reality is always wide and deep and dark. The longer they are kept apartβ€”idea of thing, reality of thingβ€”the wider the width, the deeper the depth, the thicker and darker the darkness.
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Jamaica Kincaid (The Best American Essays 1995)
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[Unhappiness] comes to you. You come into the world screaming. You cry when you're born because your lungs expand. You breathe. I think that's really kind of significant. You come into the world crying, and it's a sign that you're alive.
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Jamaica Kincaid
β€œ
Of course, I now see that good behaviour is the proper posture of the weak, of children.
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Jamaica Kincaid (A Small Place)
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Life changes us second by second.
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Samantha Young (Before Jamaica Lane (On Dublin Street, #3))
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Who you are is a mystery no one can answer, not even you.
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Jamaica Kincaid (The Autobiography of My Mother)
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Why are you sitting here beside me, then?' 'Because I want to; because I must; because now and forever more this is where I belong to be.
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Daphne du Maurier (Jamaica Inn)
β€œ
Anger engulfed me and I ripped my hand away from him. β€˜You left me,’ I growled. β€˜You treated me no better than one of your random hookups, and suddenly because you’ve decided that no, wait, you do love me, I'm to come running back?’ I stood up, my chair clattering behind me with the force of the movement. β€˜Your words are nice in the moment. But at the end of the day it means fuck all. I don’t trust you with your own feelings, Nate. Why the hell would I trust you with mine?
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Samantha Young (Before Jamaica Lane (On Dublin Street, #3))
β€œ
Isn't it the most blissful thing in the world to be away from everything you have ever known--to be so far away that you don't even know yourself anymore and you're not sure you ever want to come back to all of the things you're a part of?
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Jamaica Kincaid (Lucy)
β€œ
this is how you smile to someone you don't like too much; this is how you smile to someone you don't like at all; this is how you smile to someone you like completely; this is how you set a table for tea; this is how you set a table for dinner; this is how you set a table for dinner with an important guest; this is how you set a table for lunch; this is how you set a table for breakfast; this is how to behave in the presence of men who don't know you very well, and this way they won't recognize immediately the slut I have warned you against becoming;
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Jamaica Kincaid (At the Bottom of the River)
β€œ
Jem was safe from her, and he would ride away with a song on his lips and a laugh at her expense, forgetful of her, and of his brother, and of God; while she dragged through the years, sullen and bitter, the stain of silence marking her, coming in the end to ridicule as a soured spinster who had been kissed once in her life and could not forget it.
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Daphne du Maurier (Jamaica Inn)
β€œ
And the places she turns up in Jamaica are all the more curious. I remember being at sound-system dances and hearing everyone from Bob Marley Kenny Rogers (yes, Kenny Rogers) to Sade to Yellowman to Beenie Man being blasted at top volume while the crowd danced and drank up a storm. But once the selector (DJ in American parlance) began to play a Celine Dion song, the crowd went buck wild and some people started firing shots in the air.... I also remember always hearing Celine Dion blasting at high volume whenever I passed through volatile and dangerous neighborhoods, so much that it became a cue to me to walk, run or drive faster if I was ever in a neighborhood I didn't know and heard Celine Dion mawking over the airwaves.
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Carl Wilson (Let's Talk About Love: A Journey to the End of Taste)
β€œ
I fail to see where it would have been more uplifting for them to have been inside a church listening to a man urging them to 'contemplate the sufferings of our Lord,' which is just another way of punishing one's self for nothing. It is very much better for them to climb the rocks in their bare clean feet and meet Him face to face in their search for the eternal in beauty.
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”
Zora Neale Hurston (Tell My Horse: Voodoo and Life in Haiti and Jamaica)
β€œ
Witch Baby wanted to ask Ping how to find her Jah-Love angel. She knew Raphael was not him, even though Raphael had the right eyes and smile and name. She knew how he looked--the angel in her dream--but she didn't know how to find him. Should she roller-skate through the streets in the evenings when the streetlights flicker on? Should she stow away to Jamaica on a cruise ship and search for him in the rain forests and along the beaches? Would he come to her? Was he waiting, dreaming of her in the same way she waited and dreamed?
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Francesca Lia Block (Witch Baby (Weetzie Bat, #2))
β€œ
Among the beliefs I held about the world was that being beautiful should not matter to a woman, because it was one of those things that would go away-- your beauty would go away,and there wouldn't be anything you could do to bring it back.
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Jamaica Kincaid (Lucy)
β€œ
Do you know why people like me are shy about being capitalists? Well, its because we, for as long as we have known you, were capital, like bales of cotton and sacks of sugar, and you were commanding, cruel capitalists, and the memory of this so strong, the experience so recent, that we can't quite bring ourselves to embrace this idea that you think so much of. As for hat we were like before we met you, I no longer care. No periods of time over which my ancestors held sway, no documentation of complex civilisations, is any comfort to me. Even if I really came from people who were living like monkeys in trees, it was better to be that than what happened to me, what I became after I met you.
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Jamaica Kincaid (A Small Place)
β€œ
Once you cease to be a master, once you throw off your master's yoke, you are no longer human rubbish, you are a human being, and all the things that adds up to. So, too, with the slaves. Once they are no longer slaves, once they are free, they are no longer noble and exalted; they are just human beings.
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Jamaica Kincaid (A Small Place)
β€œ
I tutted. β€œThat’s cold, Nate.” β€œHey—” He pointed his finger at me. β€œI’m not a complete shit. I realized later that night that it was a stupid bloody idea and I felt awful.” β€œFelt awful?” Nathan harrumphed. β€œYou cried your eyes out.” I pinched my lips together to keep from laughing. Nate scowled. β€œManly tears. Manly tears of regret.” Young, Samantha (2014-01-07). Before Jamaica Lane (On Dublin Street Book 3) (Kindle Locations 2913-2916). Penguin Publishing Group. Kindle Edition.
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Samantha Young (Before Jamaica Lane (On Dublin Street, #3))
β€œ
I had been a girl of whom certain things were expected, none of them too bad: a career as a nurse, for example; a sense of duty to my parents; obedience to the law and worship of convention. But in one year of being away from home, that girl had gone out of existence.
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”
Jamaica Kincaid
β€œ
But some natives--most natives in the world--cannot go anywhere. They are too poor. They are too poor to go anywhere. They are too poor to escape the reality of their lives; and they are too poor to live properly in the place where they live, which is the very place you, the tourist, want to go--so when the natives see you, the tourist, they envy you, they envy your ability to leave your own banality and boredom, they enjoy your ability to turn their own banality and boredom into a source of pleasure for yourself.
”
”
Jamaica Kincaid (A Small Place)
β€œ
And my difficulties were these: I found each plant, each new turn in the road, each new turn in the weather, from cold to hot and then back again, each new set of boulders so absorbing, so new, and the newness so absorbing, and I was so in need of an explanation for each thing, that I was often in tears, troubling myself with questions, such as what am I and what is the thing in front of me.
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Jamaica Kincaid (Among Flowers: A Walk in the Himalaya (National Geographic Directions))
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I took the sleeper out of Glasgow, and as the smelly old train bumped out of Central Station and across the Jamaica Street Bridge, I stared out at the orange halogen streetlamps reflected in the black water of the river Clyde. I gazed at the crumbling Victorian buildings that would soon be sandblasted and renovated into yuppie hutches. I watched the revelers and rascals traverse the shiny wet streets. I thought of the thrill and danger of my youth and the fear and frustration of my adult life thus far. I thought of the failure of my marriage and my failures as a man. I saw all this through my reflection in the nighttime window. Down the tracks I went, hardly aware that I was going further south with every passing second.
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Craig Ferguson (American on Purpose: The Improbable Adventures of an Unlikely Patriot)
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No, Mary had no illusions about romance. Falling in love was a pretty name for it, that was all. Jem Merlyn was a man, and she was a woman, and whether it was his hands or his skin or his smile she did not know, but something inside her responded to him, and the very thought of him was an irritant and a stimulant at the same time. It nagged at her and would not let her be.
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Daphne du Maurier (Jamaica Inn)
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...be sure to wash every day, even if it is with your own spit; don't squat down to play marblesβ€”you are not a boy, you know; don't pick people's flowersβ€”you might catch something; don't throw stones at blackbirds, because it might not be a blackbird at all; this is how to make a bread pudding; this is how to make doukona; this is how to make pepper pot; this is how to make a good medicine for a cold; this is how to make a good medicine to throw away a child before it even becomes a child; this is how to catch a fish; this is how to throw back a fish you don't like, and that way something bad won't fall on you; this is how to bully a man; this is how a man bullies you; this is how to love a man; and if this doesn't work there are other ways, and if they don't work don't feel too bad about giving up; this is how to spit up in the air if you feel like it, and this is how to move quick so that it doesn't fall on you; this is how to make ends meet; always squeeze bread to make sure it's fresh; but what if the baker won't let me feel the bread?; you mean to say that after all you are really going to be the kind of woman who the baker won't let near the bread?
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Jamaica Kincaid
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Oh, I don’t know,” he said carelessly. β€œPut you in a fine gown and a pair of high-heeled shoes, and stick a comb in your hair, I daresay you’d pass for a lady even in a big place like Exeter.” β€œI’m meant to be flattered by that, I suppose,” said Mary, β€œbut, thanking you very much, I’d rather wear my old clothes and look like myself.
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Daphne du Maurier (Jamaica Inn)
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Mathias shrugged. After all, a criminal lawyer is not concerned with facts. He is concerned with probabilities. It is the novelist who is concerned with facts, whose job it is to say what a particular man did do on a particular occasion: the lawyer does not, cannot be expected to go further than show what the ordinary man would be most likely to do under presumed circumstances.
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Richard Hughes (A High Wind in Jamaica)
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Have you ever wondered to yourself why it is that all people like me seem to have learned from you is how to imprison and murder each other, how to govern badly, and how to take the wealth of our country and place it in Swiss bank accounts? Have you ever wondered why it is that all we seem to have learned from you is how to corrupt our societies and how to be tyrants? You will have to accept that this is mostly your fault
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Jamaica Kincaid (A Small Place)
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My unhappiness was something deep inside me, and when i closed my eyes i could even see it. it sat somehwere - maybe in my belly, maybe in my heart; i could not exactly tell - and it took the shape of a small black ball, all wrapped up in cobwebs. i would look at it and look at it until i had burned the cobwebs away, and then i would see that the ball was no bigger than a thimble, even though it weighed worlds. at that moment, just when i saw its size and felt its weight, i was beyond feeling sorry for myself, which is to say i was beyond tears. i could only just sit and look at myself, feeling like the oldest person who had ever lived and who had not learned a single thing.
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Jamaica Kincaid (Annie John)
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Observing any human being from infancy, seeing someone come into existence, like a new flower in bud, each petal first tightly furled around another, and then the natural loosening and unfurling, the opening into a bloom, the life of that bloom, must be something wonderful to behold; to see experience collect in the eyes, around the corners of the mouth, the weighing down of the brow, the heaviness in heart and soul, the thick gathering around the waist, the breasts, the slowing down of footsteps not from old age but only with the caution of life-all this is something so wonderful to observe, so wonderful to behold; the pleasure for the observer, the beholder, is an invisible current between the two, observed and observer, beheld and beholder, and I believe that no life is complete, no life is really whole, without this invisible current, which is in many ways a definition of love.
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Jamaica Kincaid (The Autobiography of My Mother)