Jamaica Inn Quotes

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Because I want to; because I must; because now and forever more this is where I belong to be.
Daphne du Maurier (Jamaica Inn)
Dead men tell no tales, Mary.
Daphne du Maurier (Jamaica Inn)
He stole horses' you'll say to yourself, 'and he didn't care for women; and but for my pride I'd have been with him now.
Daphne du Maurier (Jamaica Inn)
No, Mary had no illusions about romance. Falling in love was a pretty name for it, that was all.
Daphne du Maurier (Jamaica Inn)
And, though there should be a world of difference between the smile of a man and the bared fangs of a wolf, with Joss Merlyn they were one and the same.
Daphne du Maurier (Jamaica Inn)
He lacked tenderness; he was rude; and he had more than a streak of cruelty in him; he was a thief and a liar. He stood for everything she feared and hated and despised; but she knew she could love him... This was no choice made with the mind.
Daphne du Maurier
If there’s one thing that makes a man sick, it’s to have his ale poured out of an ugly hand.
Daphne du Maurier (Jamaica Inn)
She realized for the first time that aversion and attraction ran side by side; that the boundary-line was thin between them.
Daphne du Maurier (Jamaica Inn)
I don't want to love like a woman or feel like a woman, Mr Davey; there's pain that way, and suffering, and misery that can last a lifetime. I didn't bargain for this; I don't want it.
Daphne du Maurier (Jamaica Inn)
He took her face in his hands and kissed it, and she saw that he was laughing. "When you're an old maid in mittens down at Helford, you'll remember that," he said, "and it will have to last you to the end of your days. 'He stole horses,' you'll say to yourself, 'and he didn't care for women; and but for my pride I'd have been with him now.
Daphne du Maurier (Jamaica Inn)
Roads? Who spoke of roads? We go by the moor and the hills, and tread granite and heather as the Druids did before us.
Daphne du Maurier (Jamaica Inn)
And so to read is, in truth, to be in the constant act of creation. The old lady on the bus with her Orwell, the businessman on the Tube with Patricia Cornwell, the teenager roaring through Capote -- they are not engaged in idle pleasure. Their heads are on fire. Their hearts are flooding. With a book, you are the landscape, the sets, the snow, the hero, the kiss -- you are the mathematical calculation that plots the trajectory of the blazing, crashing zeppelin. You -- pale, punchable reader -- are terraforming whole worlds in your head, which will remain with you until the day you die. These books are as much a part of you as your guts and your bone. And when your guts fail and your bones break, Narnia, or Jamaica Inn, or Gormenghast will still be there; as pin-sharp and bright as the day you first imagined them -- hiding under the bedclothes, sitting on the bus. Exhausted, on a rainy day, weeping over the death of someone you never met, and who was nothing more than words until you transfused them with your time, and your love, and the imagination you constantly dismiss as "just being a bit of a bookworm.
Caitlin Moran
Why are you sitting here beside me, then?' 'Because I want to; because I must; because now and forever more this is where I belong to be.
Daphne du Maurier (Jamaica Inn)
She laughed because she must, and because he made her;
Daphne du Maurier (Jamaica Inn)
Jem was safe from her, and he would ride away with a song on his lips and a laugh at her expense, forgetful of her, and of his brother, and of God; while she dragged through the years, sullen and bitter, the stain of silence marking her, coming in the end to ridicule as a soured spinster who had been kissed once in her life and could not forget it.
Daphne du Maurier (Jamaica Inn)
That's never been my life, nor ever will." "Why not? You'll wed a farmer one day, or small tradesman, and live respectably among your neighbours. Don't tell them you lived once at Jamaica Inn, and had love made to you by a horse-thief. They'd shut their doors against you. Good-bye, and here's prosperity to you.
Daphne du Maurier (Jamaica Inn)
If death came now, he would be an ally; existence was not a thing she welcomed anymore. Life had been crushed from her anyway, and the body lying on the bed did not belong to her. She had no wish to live
Daphne du Maurier (Jamaica Inn)
existence itself is a long enough journey, without adding to the burden
Daphne du Maurier (Jamaica Inn)
No, Mary had no illusions about romance. Falling in love was a pretty name for it, that was all. Jem Merlyn was a man, and she was a woman, and whether it was his hands or his skin or his smile she did not know, but something inside her responded to him, and the very thought of him was an irritant and a stimulant at the same time. It nagged at her and would not let her be.
Daphne du Maurier (Jamaica Inn)
There's a home for you here at North Hill, you know that, and my wife joins me in begging you to stay. Plenty to do, you know, plenty to do. There are flowers to be cut for the house, and letters to write, and the children to scold.
Daphne du Maurier (Jamaica Inn)
Oh, I don’t know,” he said carelessly. “Put you in a fine gown and a pair of high-heeled shoes, and stick a comb in your hair, I daresay you’d pass for a lady even in a big place like Exeter.” “I’m meant to be flattered by that, I suppose,” said Mary, “but, thanking you very much, I’d rather wear my old clothes and look like myself.
Daphne du Maurier (Jamaica Inn)
a silence on the tors that belonged to another age; an age that is past and vanished as though it had never been, an age when man did not exist, but pagan footsteps trod upon the hills. And there was a stillness in the air, and a stranger, older peace, that was not the peace of God.
Daphne du Maurier (Jamaica Inn)
Jamaica Inn stands today, hospitable and kindly, a temperance house on the twenty-mile road between Bodmin and Launceston. In the following story of adventure I have pictured it as it might have been over a hundred and twenty years ago; and although existing place-names figure in the pages, the characters and events described are entirely imaginary. Daphne du Maurier Bodinnick-by-Fowey October 1935
Daphne du Maurier (Jamaica Inn)
For the sake of your bright eyes, Jem Merlyn.
Daphne du Maurier (Jamaica Inn)
I like the look of you and the feel of you, and that's enough for any man. It ought to be enough for a woman too.
Daphne du Maurier (Jamaica Inn)
You’re a good girl,” he said. “I’m fond of you, Mary; you’ve got sense, and you’ve got pluck; you’d make a good companion to a man. They ought to have made you a boy.
Daphne du Maurier (Jamaica Inn)
the little happy trivialities of a normal happy life: gossip with the neighbours, and church on Sundays, and driving into market once a week; fruitpicking, and harvest-time.
Daphne du Maurier (Jamaica Inn)
She sat with her chin cupped in her hands, her eyes fixed on the window splashed with mud and rain, hoping with a sort of desperate interest that some ray of light would break the heavy blanket of sky, and but a momentary trace of that lost blue heaven that had mantled Helford yesterday shine for an instant as a forerunner of fortune.
Daphne du Maurier (Jamaica Inn)
She put the steaming mutton down in front and he smacked his lips 'they taught you something where you came from, anyway,' he said. 'I always say there's two things women ought to do by instinct, and cookin's one of 'em.
Daphne du Maurier (Jamaica Inn)
I will tell you how I sought refuge from myself in Christianity and found it to be built upon hatred and jealousy, and greed—all the man-made attributes of civilization, while the old pagan barbarism was naked and clean.
Daphne du Maurier (Jamaica Inn)
However grim and hateful was this new country, however barren and untilled, with Jamaica Inn standing alone upon the hill as a buffer to the four winds, there was a challenge in the air that spurred Mary Yellan to adventure. It stung her, bringing color to her cheeks and a sparkle to her eyes; it played with her hair, blowing it about her face; and as she breathed deep she drew it through her nostrils and into her lungs, more quenching and sweeter than a draft of cider.
Daphne du Maurier (Jamaica Inn)
Men and women were like the animals on the farm at Helford, she supposed; there was a common law of attraction for all living things, some similarity of skin or touch, and they would go to one another. This was no choice made with the mind.
Daphne du Maurier (Jamaica Inn)
And so to read is, in truth, to be in the constant act of creation. The old lady on the bus with her Orwell, the businessman on the Tube with Patricia Cornwell, the teenager roaring through Capote -- they are not engaged in idle pleasure. Their heads are on fire. Their hearts are flooding. With a book, you are the landscape, the sets, the snow, the hero, the kiss -- you are the mathematical calculation the plots the trajectory of the blazing, crashing zeppelin. You -- pale, punchable reader -- are terraforming whole worlds in your head, which will remain with you until the day you die. These books are as much a part of you as your guts and your bone. And when your guts fail and your bones break, Narnia, or Jamaica Inn, or Gormenghast will still be there; as pin-sharp and bright as the day you first imagined them -- hiding under the bedclothes, sitting on the bus. Exhausted, on a rainy day, weeping over the death of someone you never met, and who was nothing more than words until you transformed them with your time, and your love, and the imagination you constantly dismiss as "just being a bit of a bookworm.
Caitlin Moran (Moranifesto)
Trust you? Good God, of course I trust you. It's you who won't trust me, you damned little fool.'" He laughed silently, and bent down to her, putting his arms round her, and he kissed her then as he had kissed her in Launceston, but deliberately now, with anger and exasperation. "Play your own game by yourself, then, and leave me to play mine," he told her. 'If you must be a boy, I can't stop you, but for the sake of your face, which I have kissed, and shall kiss again, keep away from danger.
Daphne du Maurier (Jamaica Inn)
She sat huddled in her corner, swaying from side to side as the coach was shaken, and it seemed to her that never before had she known there was malevolence in solitude.
Daphne du Maurier (Jamaica Inn)
She was a woman, and for no reason in heaven or earth she loved him. He had kissed her, and she was bound to him for ever.
Daphne du Maurier (Jamaica Inn)
A girl can't live alone, Mary, without she goes queer in the head, or comes to evil. It's either one or the other.
Daphne du Maurier (Jamaica Inn)
In November, Foy Quiller-Couch and I went on another riding expedition, this time to Bodmin moors, putting up at the wayside hostelry, Jamaica Inn.
Daphne du Maurier (Myself When Young)
The wild shouting, the laughter, and the singing with which they had fortified themselves for the journey would have been a relief, however loathsome; but this deadly quietude was sinister.
Daphne du Maurier (Jamaica Inn)
I thought to find it in the Christian Church, but the dogma sickened me, and the whole foundation is built upon a fairy-tale. Christ Himself is a figurehead, a puppet thing created by man himself.
Daphne du Maurier (Jamaica Inn)
The man looked at her curiously. “Jamaica Inn?” he said. “What would you be doing at Jamaica Inn? That’s no place for a girl. You must have made a mistake, surely.” He stared at her hard, not believing her.
Daphne du Maurier (Jamaica Inn)
She wondered if this was how a ship felt when the security of harbor was left behind. No vessel could feel more desolate than she did, not even if the wind thundered in the rigging and the sea licked her decks.
Daphne du Maurier (Jamaica Inn)
There was something strangely peaceful about the house, something very rare and difficult to define. It was like a house in an old tale, discovered by the hero one evening in midsummer. In the tale there would be strands of ivy clustering the walls, and barring the entrance and the house itself would have slept for a thousand years.
Daphne du Maurier (Jamaica Inn)
He stood for everything she feared and hated and despised; but she knew she could love him. Nature cared nothing for prejudice. Men and women were like the animals on the farm at Helford, she supposed; there was a common law of attraction for all living things, some similarity of skin or touch, and they would go to one another. This was no choice made with the mind. Animals did not reason, neither did the birds in the air. Mary was no hypocrite; she was bred to the soil, and she had lived too long with birds and beasts, had watched them mate. and bear their young, and die. There was precious little romance in nature, and she would not look for it in her own life.
Daphne du Maurier (Jamaica Inn)
They jogged along in silence, Jem playing with the thong of the whip, and Mary aware of his hands beside her. She glanced down at them out of the tail of her eye, and she saw they were long and slim; they had the same strength, the same grace, as his brother's. These attracted her; the others repelled her. She realised for the first time that aversion and attraction ran side by side; that the boundary line was thin between them. The thought was an unpleasant one, and she shrank from it. Supposing this had been Joss beside her ten, twenty years ago? She shuttered the comparison at the back of her mind, fearing the picture it conjured. She knew now why she hated her uncle.
Daphne du Maurier (Jamaica Inn)
Horror is a woman’s genre, and it has been all the way back to the oldest horror novel still widely read today: Frankenstein by Mary Shelley, daughter of pioneering feminist author Mary Wollstonecraft. Ann Radcliffe’s gothic novels (The Mysteries of Udolpho, The Italian) made her the highest-paid writer of the late eighteenth century. In the nineteenth century, Mary Elizabeth Braddon and Charlotte Riddell were book-writing machines, turning out sensation novels and ghost stories by the pound. Edith Wharton wrote ghost stories before becoming a novelist of manners, and Vernon Lee (real name Violet Paget) wrote elegant tales of the uncanny that rival anything by Henry James. Three of Daphne du Maurier’s stories became Hitchcock films (Jamaica Inn, Rebecca, The Birds), and Shirley Jackson’s singular horror novel The Haunting of Hill House made her one of the highest-regarded American writers of the twentieth century.
Grady Hendrix (Paperbacks from Hell: The Twisted History of '70s and '80s Horror Fiction)
Mary shook her head. ‘I’ve only seen the evil,’ she said; ‘I’ve only seen the suffering there’s been, and the cruelty, and the pain. When my uncle came to Jamaica Inn he must have cast his shadow over the good things, and they died.
Daphne du Maurier (Jamaica Inn)
Women think differently to men; they travel separate paths. That's why I have no liking for them; they make for trouble and confusion. It was pleasure enough to take you to Launceston, Mary, but when it comes to life and death, like my business now, God knows I wish you a hundred miles away, or sitting primly, your sewing in your lap, in a trim parlour somewhere, where you belong to be." "That's never been my life, nor ever will." "Why not? You'll wed a farmer one day, or small tradesman, and live respectably among your neighbours. Don't tell them you lived once at Jamaica Inn, and had love made to you by a horse-thief. They'd shut their doors against you. Good-bye, and here's prosperity to you.
Daphne du Maurier (Jamaica Inn)
Supposing you are caught in Launceston with Mr. Bassat’s pony? You would look a fool then, wouldn’t you? And so would I, if they clapped me into prison alongside of you.” “No one’s going to catch me; not yet awhile, anyway. Take a risk, Mary; don’t you like excitement, that you’re so careful of your own skin? They must breed you soft down Helford way.” She rose like a fish to his bait.
Daphne du Maurier (Jamaica Inn)
Once more she knew the humility of being born a woman, when the breaking down of strength and spirit was taken as natural and unquestioned. Were she a man, now, she would receive rough treatment, or indifference at the best, and be requested to ride at once perhaps to Bodmin or to Launceston to bear witness, with an understanding that she should find her own lodging and betake herself to the world’s end if she wished when all questions had been asked. And she would depart, when they had finished with her, and go on a ship somewhere, working her passage before the mast; or tramp the road with one silver penny in her pocket and her heart and soul at liberty.
Daphne du Maurier (Jamaica Inn)
Joss Merlyn shouted at the top of his voice, and the noise was deafening. Mary did not fear him like this; the whole thing was bluster and show; it was when he lowered his voice and whispered that she knew him to be deadly. For all his thunder he was frightened; she could see that; and his confidence was rudely shaken.
Daphne du Maurier (Jamaica Inn)
A solitary curlew stood pensively beside the stream, watching his reflection in the water; and then his long beak darted with incredible swiftness into the reeds, stabbing at the soft mud, and, turning his head, he tucked his legs under him and rose into the air, calling his plaintive note, and streaking for the south.
Daphne du Maurier (Jamaica Inn)
She had grown older in four days, and the face that looked back at her from the spotted, cracked mirror was drawn and tired. There were dark rings beneath her eyes, and little hollows in her cheeks. Sleep came late to her at night, and she had no appetite for food. For the first time in her life she saw a resemblance between herself and her Aunt Patience.
Daphne du Maurier (Jamaica Inn)
Mary had no illusions about romance. Falling in love was a pretty name for it, that was all.
Daphne du Maurier (Jamaica Inn)
Her uncle had ridden away on the moors somewhere, and a sense of freedom possessed her whenever he was gone.
Daphne du Maurier (Jamaica Inn)
It was some personal friend of the landlord’s, who had no wish to meddle in his evening’s business, and would not show himself even to the landlord’s wife.
Daphne du Maurier (Jamaica Inn)
In the animal kingdom a freak was a thing of abhorrence, at once hunted and destroyed, or driven out into the wilderness.
Daphne du Maurier (Jamaica Inn)
There was something strangely peaceful about the house, something very rare and difficult to define. It was like a house in an old tale, discovered by the hero one evening in midsummer; there should be a barrier of thorns about it through which he must cut his way with a knife, and then a galaxy of flowers growing in profusion, with monstrous blooms untended by human hand.
Daphne du Maurier (Jamaica Inn)
There was some misunderstanding,” she replied. “Your uncle bought it through a friend. Mr. Bassat did not know who Uncle Joss was until we were settled in, and then he was not very pleased.
Daphne du Maurier (Jamaica Inn)
I know I must seem unsympathetic and cold, but this is the nineteenth century, you know, and men don’t murder one another without reason. I believe I have as much right to drive you on the King’s highway as your uncle himself. Having gone so far, don’t you think you had better let me hear the rest of your story? What is your name, and how long have you been living at Jamaica Inn?
Daphne du Maurier (Jamaica Inn)
I’ll not show fear before Joss Merlyn or any man,” she said, “and, to prove it, I will go down now, in the dark passage, and take a look at them in the bar, and if he kills me it will be my own fault.
Daphne du Maurier (Jamaica Inn)
Aunt Patience, you’re talking nonsense. What is the use of an inn that cannot give an honest traveler a bed for the night? For what other purpose was it built? And how do you live, if you have no custom?
Daphne du Maurier (Jamaica Inn)
Mary’s mother turned to her and said, “There’s something of me gone in the grave with poor Nell, Mary. I don’t know whether it’s my faith or what it is, but my heart feels tired and I can’t go on anymore.
Daphne du Maurier (Jamaica Inn)
No, Mary had no illusions about romance. Falling in love was a pretty name for it, that was all. Jem Merlyn was a man, and she was a woman, and whether it was his hands or his skin or his smile she did not know, but something inside her responded to him, and the very thought of him was an irritant and a stimulant at the same time. It nagged at her and would not let her be. She knew she would have to see him again.
Daphne du Maurier (Jamaica Inn)
H’mph,” growled the squire, “that’s a damned nuisance. I wanted a word or two with Mr. Joss Merlyn. Now look here, my good woman, your precious husband may have bought Jamaica Inn behind my back, in his blackguardly fashion, and we’ll not go into that again now, but one thing I won’t stand for, and that’s having all my land hereabouts made a byword for everything that’s damnable and dishonest round the countryside.
Daphne du Maurier (Jamaica Inn)
If loving a man meant this pain and anguish and sickness, she wanted none of it. It did away with sanity and composure and made havoc of courage. She was a babbling child now when once she had been indifferent and strong.
Daphne du Maurier (Jamaica Inn)
The man would not commit himself. “I don’t want to make trouble,” he repeated, “and I don’t know anything. It’s only what people say. Respectable folk don’t go to Jamaica anymore. That’s all I know. In the old days we used to water the horses there, and feed them, and go in for a bit of a bite and drink. But we don’t stop there anymore. We whip the horses past and wait for nothing, not till we get to Five Lanes, and then we don’t bide long.
Daphne du Maurier (Jamaica Inn)
The thought of sleep now was impossible. She was too wide awake, too alive in every nerve, and although the dislike and fear of her uncle was as strong as ever within her, a growing interest and curiosity held the mastery. She understood something of his business now. What she had witnessed here tonight was smuggling on the grand scale. There was no doubt that Jamaica Inn was ideally situated for his purpose, and he must have bought it for that reason alone.
Daphne du Maurier (Jamaica Inn)
Si el amar a un hombre significaba este dolor, esta angustia, este malestar, no quería nada de ello. Se llevaba el juicio, la compostura, y destruía el valor. Ahora era una débil criatura, ella que antes había sido indiferente y fuerte.
Daphne du Maurier (Jamaica Inn)
No, and no again,” he said. “I tell you for the final time, I’ll not be a party to it. I’ll break with you now and forever, and put an end to the agreement. That’s murder you’d have me do, Mr. Merlyn; there’s no other name for it—it’s common murder.
Daphne du Maurier (Jamaica Inn)
There was no other sound except the husky wheezing of the clock in the hall and the sudden whirring note preparatory to the strike. It rang the hour – three o’clock – and then ticked on, choking and gasping like a dying man who cannot catch his breath.
Daphne du Maurier (Jamaica Inn)
My brother Jem, damn him, he was the baby. Hanging onto mother’s skirts when Matt and I were grown men. I never did see eye to eye with Jem. Too smart he is, too sharp with his tongue. Oh, they’ll catch him in time and hang him, same as they did my father.
Daphne du Maurier (Jamaica Inn)
....he proceeded to cut carefully a thin slice from the loaf, which he quartered in pieces and buttered for her, the whole business very delicately done and in striking contrast to his manner in serving himself - so much so that to Mary there was something almost horrifying in the change from rough brutality to fastidious care. It was as though there was some latent power in his fingers which turned them from bludgeons into deft and cunning servants. Had he cut her a chunk of bread and hurled it at her she would not have minded so much; it would have been in keeping with what she had seen of him. But this sudden coming to grace, this quick and exquisite moving of his hands, was a swift and rather sinister revelation, sinister because it was unexpected and not true to type.
Daphne du Maurier (Jamaica Inn)
cannot give an honest traveler a bed for the night? For what other purpose was it built? And how do you live, if you have no custom?” “We have custom,” returned the woman sullenly. “I’ve told you that. There’s men come in from the farms and outlying places. There are farms and cottages scattered over these moors for miles around, and folk come from there. There are evenings when the bar is full of them.” “The driver on the coach yesterday told me respectable people did not come to Jamaica anymore. He said they were afraid.
Daphne du Maurier (Jamaica Inn)
Mary wondered how many years Aunt Patience had kept that knowledge to herself in an agony of silence. No one would ever know how greatly she had suffered. Wherever she should go in the future, the pain of that knowledge would go with her. It could never leave her alone.
Daphne du Maurier (Jamaica Inn)
Mary could see that her aunt was eager to speak of things unconnected with her present life; she seemed afraid of any questions, so Mary spared her, and plunged into a description of the last years at Helford, the strain of the bad times, and her mother’s illness and death.
Daphne du Maurier (Jamaica Inn)
I have asked your uncle, and he does not object, he says, if you are quiet-spoken and not a talker, and will give help when needed. He cannot give you money, or feed you for nothing, as you will understand. He will expect your help in the bar, in return for your board and lodging.
Daphne du Maurier (Jamaica Inn)
when speaking, Aunt Patience avoided her eyes, and the very fluency of her words was in itself suspicious. She spoke much as a child does who tells herself a story and has a talent for invention. It hurt Mary to see her act this part, and she longed for her to be done with it, or be silent,
Daphne du Maurier (Jamaica Inn)
No, I’m thinking of my conscience and of Almighty God; and though I’ll face any man in a fair fight, and take punishment if need be, when it comes to the killing of innocent folk, and maybe women and children among them, that’s going straight to hell, Joss Merlyn, and you know it as well as I do.
Daphne du Maurier (Jamaica Inn)
certainly she nodded from time to time, and pursed her lips, and shook her head, and uttered little ejaculations; but it seemed to Mary that years of fear and anxiety had taken away her powers of concentration, and that some underlying terror prevented her from giving her whole interest to any conversation.
Daphne du Maurier (Jamaica Inn)
I’d be no use in a town,” said Mary. “I’ve never known anything but this life by the river, and I don’t want to. Going into Helston is town enough for me. I’m best here, with the few chickens that’s left to us, and the green stuff in the garden, and the old pig, and a bit of a boat on the river. What would I do up to Bodmin with my Aunt Patience?
Daphne du Maurier (Jamaica Inn)
Were she a man, now, she would receive rough treatment, or indifference at the best, and be requested to ride at once perhaps to Bodmin or to Launceston to bear witness, with an understanding that she should find her own lodging and betake herself to the world’s end if she wished when all questions had been asked. And she would depart, when they had finished with her, and go on a ship somewhere, working her passage before the mast; or tramp the road with one silver penny in her pocket and her heart and soul at liberty. Here she was, with tears ready to the surface and an aching head, being hurried from the scene of action with smooth words and gestures, a nuisance and a factor of delay, like every woman and every child after tragedy.
Daphne du Maurier (Jamaica Inn)
She thought of the laughing, carefree Jem who had driven her to Launceston, who had swung hands with her in the market square, who had kissed her and held her. Now he was grave and silent, his face in shadow. The idea of a dual personality troubled her, and frightened her as well. He was like a stranger to her tonight, obsessed by some grim purpose she could not understand.
Daphne du Maurier (Jamaica Inn)
As soon as his laughter died away the smile faded from Aunt Patience’s face, and the strained, haunted expression returned again, the fixed, almost idiot stare that she wore habitually in the presence of her husband. Mary saw at once that the little freedom from care which her aunt had enjoyed during the past week was now no more, and she had again become the nervy, shattered creature of before.
Daphne du Maurier (Jamaica Inn)
Mary lost count of time and space; the miles might have been a hundred and the hour midnight, for ail she knew. She began to cling to the safety of the coach; at least it had some remnant of familiarity. She had known it since the early morning, and that was long ago. However great a nightmare was this eternal drive, there were at least the four close walls to protect her, the shabby leaking roof, and, within calling distance, the comfortable presence of the driver.
Daphne du Maurier (Jamaica Inn)
It was as though there was some latent power in his fingers which turned them from bludgeons into deft and cunning servants. Had he cut her a chunk of bread and hurled it at her she would not have minded so much; it would have been in keeping with what she had seen of him. But this sudden coming to grace, this quick and exquisite moving of his hands, was a swift and rather sinister revelation, sinister because it was unexpected and not true to type. She thanked him quietly, and began to eat.
Daphne du Maurier (Jamaica Inn)
it seemed to her that never before had she known there was malevolence in solitude. The very coach, which all the day had rocked her like a cradle, now held a note of menace in its creaks and groans. The wind tore at the roof, and the showers of rain, increasing in violence now there was no shelter from the hills, spat against the windows with new venom. On either side of the road the country stretched interminably into space. No trees, no lanes, no cluster of cottages or hamlet, but mile upon mile of bleak moorland,
Daphne du Maurier (Jamaica Inn)
For all the unpleasant suggestion that it conjured, it was the one room in the inn that had vitality, and was not morne and drear. The other rooms appeared neglected or unused; even the parlor by the entrance-porch had a solitary air, as though it were many months since an honest traveler had stepped upon the threshold and warmed his back before a glowing fire. The guest-rooms upstairs were in an even worse state of repair. One was used for lumber, with boxes piled against the wall, and old horse-blankets chewed and torn by families of rats or mice.
Daphne du Maurier (Jamaica Inn)
No human being could live in this wasted country, thought Mary, and remain like other people; the very children would be born twisted, like the blackened shrubs of broom, bent by the force of a wind that never ceased, blow as it would from east and west, from north and south. Their minds would be twisted, too, their thoughts evil, dwelling as they must amid marshland and granite, harsh heather and crumbling stone. They would be born of strange stock who slept with this earth as a pillow, beneath this black sky. They would have something of the Devil left in them still.
Daphne du Maurier (Jamaica Inn)
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