Jacqueline Wilson Book Quotes

I really don't know but I would quote for a book from JACQUELINE WILSON which is a very interesting book of her childhood.

i love girls under pressure but wouldn't recommend it to people who are under 10. i read it at the age of nine but my sister told me the bit u should never do. all in all, i loved this book and any jacqueline wilson fans over 10 i would recommend it to!

his own crumpled handkerchief on me. I sniffed and dabbed at my eyes fiercely. I told myself I was only tearful because I was tired. I knew Diamond was looking at me anxiously.

I sniffed and dabbed at my eyes fiercely. I told myself I was only tearful because I was tired.

Everything’s better with cake,

I WOKE WITH a start, my head hurting, aching all over. For a moment I didn’t know where I was. Indeed, I felt so fuddled I didn’t even know who I was. Hetty Feather, Sapphire Battersea, Emerald Star? I had three names now.

Could he be my Bertie, the cheeky butcher’s boy? I had walked out with him when I was a reluctant servant in Mr Buchanan’s household. Dear funny Bertie, who had been so self-conscious about reeking of meat. Bertie, the boy who had taken me to the fair and won me the little black-and-white china dog that was in my suitcase now, carefully wrapped in my nightgown to prevent any chips.

ignoramus

Just then the cottage door opened – and a tall, broad-shouldered man strode in, smelling of fresh air and honest toil. He looked around the room and then stood still, looking stunned. ‘Hetty – oh, my Hetty!’ he cried. ‘Jem!

Yes indeed,’ said Miss Gibson. ‘I’m starting to be very glad my last girl flounced off!’ I

Hetty’s teasing you,’ said Marvo. He grinned and flexed his muscles. ‘How about a fairy frock for me instead?

She was trying to whisper, but she might as well have yelled under an echoing bridge.

You’ve got more courage in your little finger than most folks have in their entire bodies, my own child. I

Indigenous Lives Holding Our World Together, by Brenda J. Child American Indian Stories, by Zitkala-Sa A History of My Brief Body, by Billy-Ray Belcourt The Falling Sky: Words of a Yanomami Shaman, by Davi Kopenawa and Bruce Albert Apple: Skin to the Core, by Eric Gansworth Heart Berries, by Terese Marie Mailhot The Blue Sky, by Galsan Tschinag Crazy Brave, by Joy Harjo Standoff, by Jacqueline Keeler Braiding Sweetgrass, by Robin Wall Kimmerer You Don’t Have to Say You Love Me, by Sherman Alexie Spirit Car, by Diane Wilson Two Old Women, by Velma Wallis Pipestone: My Life in an Indian Boarding School, by Adam Fortunate Eagle Split Tooth, by Tanya Tagaq Walking the Rez Road, by Jim Northrup Mamaskatch, by Darrel J. McLeod Indigenous Poetry Conflict Resolution for Holy Beings, by Joy Harjo Ghost River (Wakpá Wanági), by Trevino L. Brings Plenty The Book of Medicines, by Linda Hogan The Smoke That Settled, by Jay Thomas Bad Heart Bull The Crooked Beak of Love, by Duane Niatum Whereas, by Layli Long Soldier Little Big Bully, by Heid E. Erdrich A Half-Life of Cardio-Pulmonary Resuscitation, by Eric Gansworth NDN Coping Mechanisms, by Billy-Ray Belcourt The Invisible Musician, by Ray A. Young Bear When the Light of the World Was Subdued, Our Songs Came Through, edited by Joy Harjo New Poets of Native Nations, edited by Heid E. Erdrich The Failure of Certain Charms, by Gordon Henry Jr. Indigenous History and Nonfiction Everything You Know About Indians Is Wrong, by Paul Chaat Smith Decolonizing Methodologies, by Linda Tuhiwai Smith Through Dakota Eyes: Narrative Accounts of the Minnesota Indian War of 1862, edited by Gary Clayton Anderson and Alan R. Woodworth Being Dakota, by Amos E. Oneroad and Alanson B. Skinner Boarding School Blues, edited by Clifford E. Trafzer, Jean A. Keller, and Lorene Sisquoc Masters of Empire, by Michael A. McDonnell Like a Hurricane: The Indian Movement from Alcatraz to Wounded Knee, by Paul Chaat Smith and Robert Allen Warrior Boarding School Seasons, by Brenda J. Child They Called It Prairie Light, by K. Tsianina Lomawaima To Be a Water Protector, by Winona LaDuke Minneapolis: An Urban Biography, by Tom Weber

Dad reads great fat books too, but they're not modern, they're all classics - Charles Dickens and Thomas Hardy. If we have a look at Dad's book we wonder what the Dickens they're on about and they seem very Hardy, but Dad likes them.

CONTENTS Cover About the Book Title Page Colour First Reader Dedication Chapter

p’s and q’s.

by

fumbled

you.

p2 I'd seen a photo of the actual red and white checked notebook that was Anne [Frank]'s first diary. I longed to own a similar notebook. Stationery was pretty dire back in the late fifties and early sixties. There was no such thing as Paperchase. I walked round and round the stationery counter in Woolworths and spent most of my pocket money on notebooks, but they weren't strong on variety. You could have shiny red sixpenny notebooks, lined inside, with strange maths details about rods and poles and perches on the back. (I never found out what they were!) Then you could have shiny blue sixpenny notebooks. That was your lot. I was enchanted to read in Dodie Smith's novel I Capture The Castle that the heroine, Cassandra, was writing her diary in a similar sixpenny notebook. She eventually progressed to a shilling notebook. My Woolworths rarely stocked such expensive luxuries. Then, two thirds of the way through the book, Cassandra is given a two-guinea red leather manuscript book. I lusted after that fictional notebook for years. I told my mother, Biddy. She rolled her eyes. It could have cost two hundred guineas - both were way out of our league... My dad, Harry, was a civil servant. One of the few perks of his job was that he had an unlimited illegal supply of notepads watermarked SO - Stationery Office. I'd drawn on these pads for years, I'd scribbled stories, I'd written letters. They were serviceable but unexciting: thin cream paper unreliably bound with glue at the top. You couldn't write a journal with these notepads; it would fall apart in days... My spelling wasn't too hot. It still isn't. Thank goodness for the spellcheck on my computer!

My own father had sold me to a stranger.

professional artiste,

Bertie’s my name and flirting’s my game, I’ve an eye for every girl. Don’t give a fig! I have a little chat, then give ’em a pat,

Mrs Ruby had

Buchanan. I