Jacqueline Movie Quotes

Vampire in real life aren't like the ones in the movies. They weren't going to be playing baseball in a thunderstorm.

I was supposed to earn my doctorate, become a literature professor, settle down with a nice, normal husband and raise a nice, normal family. But someone somewhere absolutely obliterated the beetle that was supposed to keep the space-time continuum in check. Now I’m living in this strange butterfly-effect alternate universe where I write dirty books and hook up with movie stars.

What about television?" a young man asked. "It's an octopus. It's no longer just a little box, it's the Love Machine." "Why the Love Machine?" a reporter asked. "Because it sells love. It creates love. Presidents are chosen by their appeal on that little box. It's turned politicians into movie stars and movie stars into politicians. It can you engaged if you use a certain mouthwash. It claims you'll have women hanging on your coattails if you use a certain hair cream. It tells the kids to eat their cereal if they want to be like their baseball idol. But like all great lovers, the Love Machine is a fickle bastard. It has great magnetism--but it has no heart. In place of a heart beats a Nielsen rating. And when the Nielsen falters, the program dies. It's the pulse and heart of the twentieth century--The Love Machine.

My sisters and I giggled at “Dance: Ten; Looks: Three” (“Tits and ass / bought myself a fancy pair / tightened up the derriere”) while our parents sat in the front of the car—my father at the wheel, my mom in the passenger seat—both distracted and nonplussed. We flipped through the Jacqueline Susann and Harold Robbins hardbacks in my grandmother’s bookshelf and watched The Exorcist on the Z Channel (the country’s first pay-cable network that premiered in LA in the mid-’70s) after our parents sternly told us not to watch it, but of course we did anyway and got properly freaked out. We saw skits about people doing cocaine on Saturday Night Live, and we were drawn to the allure of disco culture and unironic horror movies. We consumed all of this and none of it ever triggered us—we were never wounded because the darkness and the bad mood of the era was everywhere, and when pessimism was the national language, a badge of hipness and cool. Everything was a scam and everybody was corrupt and we were all being raised on a diet of grit. One could argue that this fucked us all up, or maybe, from another angle, it made us stronger. Looking back almost forty years later, it probably made each of us less of a wuss. Yes, we were sixth and seventh graders dealing with a society where no parental filters existed. Tube8.com was not within our reach, fisting videos were not available on our phones, nor were Fifty Shades of Grey or gangster rap or violent video games, and terrorism hadn’t yet reached our shores, but we were children wandering through a world made almost solely for adults. No one cared what we watched or didn’t, how we felt or what we wanted, and we hadn’t yet become enthralled by the cult of victimization. It was, by comparison to what’s now acceptable when children are coddled into helplessness, an age of innocence.

I eyed him. "Are you really Jamaican?" He returned my gaze evenly. "Why do you think I'm not, sistah?" "I don't know," I said. "I have to admit, pretty much everything I know about Jamaica comes from watching Cool Runnings, and I'm guessing a Disney movie about Olympic bobsledders isn't the most accurate reference material.

Or take the heart. It was ruby red and midnight blue, a creature from the sea, a sightless fish that heard everything, vibrated to sad movies and disappointed lovers, and sent its messages in flowing movement, undulating from its core. And the whole uterus, fallopian tubes, and ovaries were one continent with a long string of islands on either side book-ended by volcanoes that erupted with a glistening egg each month in an unerringly egalitarian manner, one volcano never taking two turns in a row, a perfect Ping-Pong game across the continent. Tess knew the inside of her body, or anyone’s body, but hers in particular. The green rectangle had set up shop, had slipped in under cover of darkness. Had a switch been flipped somewhere else in the thin dolphin glands or the round star-shaped glands? She was sixty-eight. Was this going to be all she had? She

The long evenings sitting in the large, clean kitchen with Mother and Aunt Amy. Or the occasional trips to the movies, or the bowling alley, ot to play bridge. O God, she prayed, thank You for giving me the strength to run. Never make me go back - never!

There is no such thing as love, the way you talk about it. You’ll only find that kind of love in cheap movies and novels. Love is companionship, having friends in common, the same interests. Sex is the connotation you’re placing on love, and let me tell you, young lady, that if and when it does exist, it dies very quickly after marriage — or as soon as the girl learns what it’s all about.

Word spreads like wildfire in a town as small as Cedar Ridge, and by the time I make it to work, the streets of downtown are bustling with locals and tourists alike, all asking the same question. It’s sort of like being in the opening sequence of a Disney movie, but instead of singing about the funny girl who likes to read or the street rat who stole a loaf of bread, all of the colorful townspeople are wondering whether or not their neighbors have heard about the Bogman. And of course, everybody’s answer is “Yes.

If there’s one thing I’ve learned in my almost twenty-one years, it’s that life after Happily Ever After is just as complicated and confusing, if not more so, than life before it. I really didn’t think it would be, and to be honest, I blame that on Hollywood. All those romance movies would have you believe that once you find that one perfect guy, everything else just magically falls into place. The real problem with stories like that is that they end before the Ever After part actually begins. The couple finally declares their love for one another and once they kiss, the credits roll. You never see them go back to living their regular lives now that they’ve made this commitment to one another. Do they go out on lunch dates? Do they take turns folding the laundry or argue over what they need to buy at the grocery store?

So there I was, deep in dreamland, fighting for my family's honor against a battalion of past lovers. The battle lasted for days, and in the dream I woke up and shared the dream with friends, not realizing I was still in it. I tried to write it down, certain it would make a great movie plot, but when I looked at the pen I discovered it was full of... ew, semen? No doubt a reminder from the subconscious of the potency of my literary potential.

They laughed at Eddie Murphy movies, and on the now too rare occasion when Iris let him make love to her, it felt like their bodies were holding on to the earth. When he kissed her, he wanted her to swallow him, wanted to be all the way inside of her—his love was deep like that.

Another Terry film was Paid to Dance (1937), an exposé of a dance-hall racket of the type beloved by low-budget scenarists. The feminine lead was Jacqueline Wells, later Julie Bishop; third in the credits was Rita Hayworth, as yet just a starlet, but getting plenty of screen time with her steady appearances in Columbia pictures. Miss Hayworth, nee Cansino, had become an adequate actress along the way. Her Latin good looks enabled her to play villainesses if need be, or the ingénue.

I may not have seen many horror movies, but I’ve watched enough Lifetime with my mom to know this scenario has murder-in-the-woods written all over it.

Along with being The Cute One, Josh is also the youngest member of the group and he is constantly rubbing it in our faces. It used to be kind of funny back when he was the only one who couldn’t get into R-rated movies, but now the laugh’s on the rest of us.

No, I've heard it in some very bad movies