Jacobs Well Quotes

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Well, I'm so sorry that I can't be the right kind of monster for you, Bella.
Stephenie Meyer (New Moon (The Twilight Saga, #2))
His skin was a pretty colour, it made me jealous. Jacob noticed my scrutiny. What?" he asked, suddenly self-conscious. "Nothing. I just hadn't realised before. Did you know, you're sort of beautiful?" Once the words slipped out, I worried that he might take my implusive observation the wrong way. But Jacob rolled his eyes. "You hit your head pretty hard, didn't you?" "I'm serious." Well, then, thanks. Sort of." I grinned. "You're sort of welcome.
Stephenie Meyer (New Moon (The Twilight Saga, #2))
We sit there, our eyes locked on one another, for several seconds. I know in my heart we're both thinking the same thing. Jacob leans forward over the candle, the shadow of the flame dancing against his bottom lip. I lean forward to meet him as well. It's a kiss full of promise, of trust, and of all that is magic.
Laurie Faria Stolarz (White Is for Magic (Blue is for Nightmares, #2))
He who is too well off is always longing for something new.
Jacob Grimm (The Fairy Tales of the Brothers Grimm)
How gleefully life shreds our well crafted plans.
David Mitchell (The Thousand Autumns of Jacob de Zoet)
I'm tempted to tell you that you think too much, but I'm not really one to talk,' Jacob said. 'Henry Miller wrote something about fear making you fearless. It's a very powerful emotion. Use it to get what you want. I mean if it's going to rule our life, it might as well rule you to freedom, right?
Tiffanie DeBartolo (God-Shaped Hole)
I believe that. But I want you to know something — when it comes to all this enemies nonsense, I’m out. I am a neutral country. I am Switzerland. I refuse to be affected by territorial disputes between mythical creatures. Jacob is family. You are . . . well, not exactly the love of my life, because I expect to love you for much longer than that. The love of my existence. I don’t care who’s a werewolf and who’s a vampire. If Angela turns out to be a witch, she can join the party, too.
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
He cocked his head in an overly dramatic fashion. "Hey, I just got it: it was you, wasn't it?" He looked at Lissa, the back at me. "She got you to kill the fox, didn't she?Some weird kind of lesbian voo—ahhh!” Ralf burst into flames. I jumped up and pushed Lissa out of the way—not easy to do, since we were sitting at our desks. We both ended up on the floor as screams—Ralf's in particular—filled the classroom and Ms. Meissner sprinted for the fire extinguisher. And then, just like that, the flames disappeared. Ralf was still screaming and patting himself down, but he didn't have a single singe mark on him. The only indication of what had happened was the lingering smell of smoke in the air. For several seconds, the entire classroom froze. Then, slowly, everyone put the pieces together. Moroi magical specializations were well known, and after scanning the room, I deduced three fire users: Ralf, his friend Jacob, and— Christian Ozera. Since neither Jacob nor Ralf would have set Ralf on fire, it sort of made the culprit obvious. The fact that Christian was laughing hysterically sort of gave it away too.
Richelle Mead (Vampire Academy (Vampire Academy, #1))
Without looking at Jacob, I said slowly, 'Well, it seeps into you. It doesn't make you forget yourself, but totally the opposite.' I chance a glance at him. He was watching me intently. No glaze in his eyes. So I continued more bravely: 'It connect you with everything and fills you with awe that you share the same space with something that glorious. Like a sunrise on a clear blue day of the most extraordinary piece of glass. And then suddenly'--my hands escaped their tight grip in my lap, and now my fingers splayed wide like fireworks in the air--'you have this epiphany that there's more to the world than just you and what you want or even who you are.
Justina Chen (North of Beautiful)
Edward spoke in a voice so peaceful and gentle that it made the words strangely more threatening. "I'm not going to kill you now, because it would upset Bella." "Hmph," I grumbled. Edward turned slightly to throw me a quick smile. His face was still calm. "It would bother you in the morning," he said, brushing his fingers across my cheek. The he turned back to Jacob. "But if you ever bring her back damaged again--and I don't care whose fault it is; I don't care if she merely trips, or if a meteor falls out of the sky and hits her in the head--if you return her to me in less than the perfect condition that I left her in, you will be running with three legs. Do you understand that, mongrel?" Jacob rolled his eyes. "who's going back?" I muttered Edward continued as if he hadn't heard me. "And if you ever kiss her again, I wiil break your jaw for her," he promised, his voice still gentle and velvet deadly. "What if she wants me to?" Jacob drawled, arrogant. "Hah!" I snorted. "If that's what she wants, then I won't object." Edward shrugged, untroubled. "You might want to wait for her to say it, rather than trust your interpretation of body language-but it's your face." Jacob grinned. "You wish," I grumbled. "Yes, he does," Edward murmured. "Well, if you're done rummaging through my head," Jacob said with a think edge of annoyance, "why don't you go take care of her hand?" "One more thing," Edward said slowly. "I'll be fighting for her, too. You should know that. I'm not taking anything for granted, and I'll be fighting twice as hard as you will." "Good," Jacob growled. "it's no fun beating someone who forfeits." She is mine." Edward's low voice was suddenly dark, not as composed as before, "i did't say I would fight fair." "Neither did I." "Best of luck." Jacob nodded. "Yes, may the best man win." "That sounds about right...pup.
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
NEWT: What d’you think I should say to her, if I see her? JACOB: Oh, well, it’s best not to plan these things. You know, you just say whatever comes to you in the moment. A beat. They walk. NEWT (reminiscently): She has eyes just like a salamander. JACOB: Don’t say that.
J.K. Rowling (Fantastic Beasts: The Crimes of Grindelwald: The Original Screenplay (Fantastic Beasts: The Original Screenplay, #2))
I just don't trust people who have bodies that change with their moods. Well then you'll never trust the opposite sex again.
Melina Marchetta (Looking for Alibrandi)
Queenie: (trying to cheer him up) I'll come with you. We'll go somewhere - we'll go anywhere - see I ain't never gonna find anyone like - Jacob: (bravely) There's loads like me. Queenie: No... no...there's only one like you.
J.K. Rowling (Fantastic Beasts and Where to Find Them: The Original Screenplay (Fantastic Beasts: The Original Screenplay, #1))
The more successfully a city mingles everyday diversity of uses and users in its everyday streets, the more successfully, casually (and economically) its people thereby enliven and support well-located parks that can thus give back grace and delight to their neighborhoods instead of vacuity.
Jane Jacobs (The Death and Life of Great American Cities)
Maybe you've forgotten, but I don't play nicely with others." "On the contrary, I think the two of us would play very well together.
Chloe Jacobs (Greta and the Goblin King (Mylena Chronicles, #1))
I won't push you for it anymore, okay. We'll stick to clever conversation. A bit of this and that won't hurt. Yeah, it won't hurt you. It'll drive me bloody crazy.
Melina Marchetta (Looking for Alibrandi)
I can’t help but notice that you keep writing love poetry to my wife. Well, you see, I married her, which makes her my wife. You know what you might want to try? Writing some poems about the sunset. The sunset isn’t fucking married.
A.J. Jacobs (The Know-It-All)
Only preserve the love of God in thy heart, and all will go well with thee.
Jacob Grimm (Grimm's Fairy Tales)
I can testify, from my own experience and observation, that slavery is a curse to the whites as well as to the blacks. It makes white fathers cruel and sensual; the sons violent and licentious; it contaminates the daughters, and makes the wives wretched.
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl Written by Herself)
Two parents, to say nothing of one, cannot possibly satisfy all the needs of a family-household. A community is needed as well, for raising children, and also to keep adults reasonably sane and cheerful. A community is a complex organism with complicated resources that grow gradually and organically.
Jane Jacobs (Dark Age Ahead)
Gulls wheel through spokes of sunlight over gracious roofs and dowdy thatch, snatching entrails at the marketplace and escaping over cloistered gardens, spike topped walls and treble-bolted doors. Gulls alight on whitewashed gables, creaking pagodas and dung-ripe stables; circle over towers and cavernous bells and over hidden squares where urns of urine sit by covered wells, watched by mule-drivers, mules and wolf-snouted dogs, ignored by hunch-backed makers of clogs; gather speed up the stoned-in Nakashima River and fly beneath the arches of its bridges, glimpsed form kitchen doors, watched by farmers walking high, stony ridges. Gulls fly through clouds of steam from laundries' vats; over kites unthreading corpses of cats; over scholars glimpsing truth in fragile patterns; over bath-house adulterers, heartbroken slatterns; fishwives dismembering lobsters and crabs; their husbands gutting mackerel on slabs; woodcutters' sons sharpening axes; candle-makers, rolling waxes; flint-eyed officials milking taxes; etiolated lacquerers; mottle-skinned dyers; imprecise soothsayers; unblinking liars; weavers of mats; cutters of rushes; ink-lipped calligraphers dipping brushes; booksellers ruined by unsold books; ladies-in-waiting; tasters; dressers; filching page-boys; runny-nosed cooks; sunless attic nooks where seamstresses prick calloused fingers; limping malingerers; swineherds; swindlers; lip-chewed debtors rich in excuses; heard-it-all creditors tightening nooses; prisoners haunted by happier lives and ageing rakes by other men's wives; skeletal tutors goaded to fits; firemen-turned-looters when occasion permits; tongue-tied witnesses; purchased judges; mothers-in-law nurturing briars and grudges; apothecaries grinding powders with mortars; palanquins carrying not-yet-wed daughters; silent nuns; nine-year-old whores; the once-were-beautiful gnawed by sores; statues of Jizo anointed with posies; syphilitics sneezing through rotted-off noses; potters; barbers; hawkers of oil; tanners; cutlers; carters of night-soil; gate-keepers; bee-keepers; blacksmiths and drapers; torturers; wet-nurses; perjurers; cut-purses; the newborn; the growing; the strong-willed and pliant; the ailing; the dying; the weak and defiant; over the roof of a painter withdrawn first from the world, then his family, and down into a masterpiece that has, in the end, withdrawn from its creator; and around again, where their flight began, over the balcony of the Room of Last Chrysanthemum, where a puddle from last night's rain is evaporating; a puddle in which Magistrate Shiroyama observes the blurred reflections of gulls wheeling through spokes of sunlight. This world, he thinks, contains just one masterpiece, and that is itself.
David Mitchell (The Thousand Autumns of Jacob de Zoet)
Do you know whom you are talking to?" he exclaimed. She replied, "Yes, I know very well who I am talking to.
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl)
A jury verdict is just a guess - a well-intentioned guess, generally, but you simply cannot tell fact from fiction by taking a vote.
William Landay (Defending Jacob)
Take me as godfather." The man asked, "Who art thou?" "I am Death, and I make all equal." Then said the man, "Thou art the right one, thou takest the rich as well as the poor, without distinction; thou shalt be godfather." Death answered, "I will make thy child rich and famous, for he who has me for a friend can lack nothing.
Jacob Grimm (Household Stories by the Brothers Grimm)
I 'spose free boys can get along here at the north as well as white boys." I did not like to tell the sanguine, happy little fellow how much he was mistaken.
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl)
I'd run you know. It's like when you're really busy doing something and you don't have time to think about things. Well, I'd run and run and run so I couldn't think.
Melina Marchetta (Looking for Alibrandi)
Stupid English." "English isn't stupid," I say. "Well, my English teacher is." He makes a face. "Mr. Franklin assigned an essay about our favorite subject, and I wanted to write about lunch, but he won't let me." "Why not?" "He says lunch isn't a subject." I glance at him. "It isn't." "Well," Jacob says, "it's not a predicate, either. Shouldn't he know that?
Jodi Picoult
No neighbourhood or district, no matter how well established, prestigious or well heeled and no matter how intensely populated for one purpose, can flout the necessity for spreading people through time of day without frustrating its potential for generating diversity.
Jane Jacobs (The Death and Life of Great American Cities)
She stooped for a stone and dropped it down. 'Fancy being where that is now,' she said, peering into the blackness; 'fancy going round and round like a mouse in a pail, clutching at the slimy sides, with the water filling your mouth, and looking up to the little patch of sky above.' 'You had better come in,' said Benson, very quietly. 'You are developing a taste for the morbid and horrible.' ("The Well")
W.W. Jacobs (Ghost Stories (Haunting Ghost Stories))
The books we read help to shape who we are. Reading offers us, as children, our first independence- allowing us to travel far beyond the confines of our immediate world. Books introduce us to great figures in history, narratives that stir our spirit, fictions that tug us out of ourselves and into the lives of a thousand others, and visions of every era through which human beings have lived. And in the process of stretching who we are, books also connect us to all others- of our own or previous times- who have read what we've read. In the community of readers, we instantly become linked to those who share our love for specific characters or passages. A well-composed book,' says Caroline Gordon, 'is a magic carpet on which we are wafted to a world that we cannot enter in any other way.
Ben Jacobs (The Quotable Book Lover)
When the mother was delivered into the trader's hands, she said, "You promised to treat me well." To which he replied, "You have let your tongue run too far; damn you!" She had forgotten that it was a crime to tell who was the father of her child.
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl, Written by Herself)
If you give a man a hammer, he thinks he can solve all problems by pounding. Well, God gave men penises....
Jacob M. Appel
Jacob stared for another minute, and then he suddenly frowned. "Well, damn!" he growled.
Stephenie Meyer
After the alarm caused by Nat Turner's insurrection had subsided, the slaveholders came to the conclusion that it would be well to give the slaves enough of religious instruction to keep them from murdering their masters.
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl)
On their way home, John said, “Marta, that’s a long way to go so that Jacob can have a friend.” “Shh,” Marta said. “Ears.” “What?” “We all have ears. Everyone in this car can hear, John.” “Well, of course we all have ears. Oh.
Sharon Creech (The Boy On The Porch)
Jacob was not in such a hurry when he wished for Rachel.” “That was all very well for an old patriarch who had seven or eight hundred years to live.” “My dear John, you forget your Bible. Jacob did not live half as long as that.
Anthony Trollope (Complete Works of Anthony Trollope)
I reminded him that he had just joined the church. "Yes, Linda," said he. "It was proper for me to do so. I am getting in years, and my position in society requires it, and it puts an end to all the damned slang. You would do well to join the church, too, Linda." "There are sinners enough in it already," rejoined I.
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl)
I can testify, from my own experience and observation, that slavery is a curse to the whites as well as to the blacks. It makes white fathers cruel and sensual; the sons violent and licentious; it contaminates the daughters, and makes the wives wretched. And as for the colored race, it needs an abler pen than mine to describe the extremity of their sufferings, the depth of their degradation.
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl)
Our story begins eight years ago when Ms. Jacobs was living in London with Mr. McAllister. However, she had to leave the country urgently due to a family emergency.” “Considering the ‘he-was-dead’ defence, I’m sure this will be hugely entertaining.” Lily didn’t see it but she heard the scoffing behind Nate’s attorney’s tone, that would be attorney number two or Sarcastic Attorney. Her startled eyes moved to the man who, she noted distractedly, was staring at her with extreme distaste. “Well, I’m not sure one would describe losing both of one’s parents in a plane crash as ‘entertaining’,” Alistair noted blandly.
Kristen Ashley (Three Wishes)
Your brain loves habits because they are simple, structured, well-known, energy efficient, quick, and automatic.
Stan Jacobs (The Dusk And Dawn Master: A Practical Guide to Transforming Evening and Morning Habits, Achieving Better Sleep, and Mastering Your Life)
Our goal as adults is not to love all books alike, or as few as possible, but rather to love as widely and as well as our limited selves will allow.
Alan Jacobs (The Pleasures of Reading in an Age of Distraction)
treasures; I have had to run about the forest as a savage bear until I was freed by his death. Now he has got his well-deserved punishment.
Jacob Grimm (Grimm's Fairy Tales (Annotated))
Jacob really did look older than sixteen--not quite forty, but maybe older than me. Quil didn't have too much on him in the muscle department, for all that Jacob claimed to be a skeleton. The muscles were the long wiry kind, but they were definitely there under the smooth skin. His skin was such a pretty color, it made me jealous. Jacob noticed my scrutiny. "What?" he asked, suddenly self-conscious. "Nothing. I just hadn't realized before. Did you know, you're sort of beautiful?" Once the words slipped out, I worried that he might take my impulsive observation the wrong way. But Jacob just rolled his eyes. "You hit your head pretty hard, didn't you?" "I'm serious." "Well, then, thanks. Sort of." I grinned. "You're sort of welcome.
Stephenie Meyer (New Moon (The Twilight Saga, #2))
The secrets of slavery are concealed like those of the Inquisition. My master was, to my knowledge, the father of 11 slaves... Did the mothers dare tell who was the father of their children? No, indeed! They knew too well the terrible consequences.
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl by Harriet Jacobs)
I was twenty-one years in that cage of obscene birds. I can testify, from my own experience and observation, that slavery is a curse to the whites as well as to the blacks. It makes the white fathers cruel and sensual; the sons violent and licentious; it contaminates the daughters, and makes the wives wretched. And as for the colored race, it needs an abler pen than mine to describe the extremity of their sufferings, the depth of their degradation.
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl)
He was biting his lower lip and clenching his hands. He looked like he was about to cry. I threw my arms around him instinctively, wrapping them around his waist and pressing my face against his chest. He was so big, I flet like I was a child hugging a grown-up. "Oh, Jake, it'll be okay!" I promised. "If it gets worse you can come live with me and Charlie. Don't be scared, we'll think of something!" He was frozen for a second, and then his long arms wrapped hesitantly around me. "Thanks, Bella." His voice was huskier than usual. We stood like that for a moment, and it didn't upset me; in fact, I felt comforted by the contact. This didn't feel anything like the last time someone had embraced me this way. This was friendship. And Jacob was very warm. It was strange for me, being this close--emotionally rather physically, though the physical was strange for me, too--to another human being. It wasn't my usual style. I didn't normally relate to people so easily, on such a basic level. Not human beings. "If this is how you're going to react, I'll freak out more often." Jacob's voice was light, normal again, and his laughter rumbled against my ear. His fingers touched my hair, soft and tentative. Well, it was friendship for me.
Stephenie Meyer (New Moon (The Twilight Saga, #2))
The clock’s pendulum catches the firelight, and in the rattle-breathed final moments of Jacob de Zoet, amber shadows in the far corner coagulate into a woman’s form. She slips between the bigger, taller onlookers unnoticed … … and adjusts her headscarf, the better to hide her burn. She places her cool palms on Jacob’s fever-glazed face. Jacob sees himself, when he was young, in her narrow eyes. Her lips touch the place between his eyebrows. A well-waxed paper door slides open.
David Mitchell (The Thousand Autumns of Jacob de Zoet)
But we're never content with living well if we think we can live better.
Jacob Grimm
and when you are asked whence you come, you must say, from hell, and when you are asked who you are, you are to say, the devil's sooty brother, and my king as well." The
Jacob Grimm (Grimm's Fairy Tales Illustrated: 200 tales with 50 illustrations)
One bold message in the Book of Job is that you can say anything to God. Throw at him your grief, your anger, your doubt, your bitterness, your betrayal, your disappointment—he can absorb them all. As often as not, spiritual giants of the Bible are shown contending with God. They prefer to go away limping, like Jacob, rather than to shut God out. In this respect, the Bible prefigures a tenet of modern psychology: you can’t really deny your feelings or make them disappear, so you might as well express them. God can deal with every human response save one. He cannot abide the response I fall back on instinctively: an attempt to ignore him or treat him as though he does not exist. That response never once occurred to Job.
Philip Yancey (Disappointment with God: Three Questions No One Asks Aloud)
Anyhow, whether undergraduate or shop boy, man or woman, it must come as a shock about the age of twenty—the world of the elderly—thrown up in such black outline upon what we are; upon the reality; the moors and Byron; the sea and the lighthouse; the sheep’s jaw with the yellow teeth in it; upon the obstinate irrepressible conviction which makes youth so intolerably disagreeable—“I am what I am, and intend to be it,” for which there will be no form in the world unless Jacob makes one for himself. The Plumers will try to prevent him from making it. Wells and Shaw and the serious sixpenny weeklies will sit on its head.
Virginia Woolf (Jacob's Room)
Know that...there's plenty of food and of course popcorn on the dining-room table. Just...help yourself. If that runs out just let me know. Don't panic. And there's coffee, both caff and decaf, and soft drinks and juice in the kitchen, and plenty of ice in the freezer so...let me know if you have any questions with that.' And lastly, since I have you all here in one place, I have something to share with you. Along the garden ways just now...I too heard the flowers speak. They told me that our family garden has all but turned to sand. I want you to know I've watered and nurtured this square of earth for nearly twenty years, and waited on my knees each spring for these gentle bulbs to rise, reborn. But want does not bring such breath to life. Only love does. The plain, old-fashioned kind. In our family garden my husband is of the genus Narcissus , which includes daffodils and jonquils and a host of other ornamental flowers. There is, in such a genus of man, a pervasive and well-known pattern of grandiosity and egocentrism that feeds off this very kind of evening, this type of glitzy generosity. People of this ilk are very exciting to be around. I have never met anyone with as many friends as my husband. He made two last night at Carvel. I'm not kidding. Where are you two? Hi. Hi, again. Welcome. My husband is a good man, isn't he? He is. But in keeping with his genus, he is also absurdly preoccupied with his own importance, and in staying loyal to this, he can be boastful and unkind and condescending and has an insatiable hunger to be seen as infallible. Underlying all of the constant campaigning needed to uphold this position is a profound vulnerability that lies at the very core of his psyche. Such is the narcissist who must mask his fears of inadequacy by ensuring that he is perceived to be a unique and brilliant stone. In his offspring he finds the grave limits he cannot admit in himself. And he will stop at nothing to make certain that his child continually tries to correct these flaws. In actuality, the child may be exceedingly intelligent, but has so fully developed feelings of ineptitude that he is incapable of believing in his own possibilities. The child's innate sense of self is in great jeopardy when this level of false labeling is accepted. In the end the narcissist must compensate for this core vulnerability he carries and as a result an overestimation of his own importance arises. So it feeds itself, cyclically. And, when in the course of life they realize that their views are not shared or thier expectations are not met, the most common reaction is to become enraged. The rage covers the fear associated with the vulnerable self, but it is nearly impossible for others to see this, and as a result, the very recognition they so crave is most often out of reach. It's been eighteen years that I've lived in service to this mindset. And it's been devastating for me to realize that my efforts to rise to these standards and demands and preposterous requests for perfection have ultimately done nothing but disappoint my husband. Put a person like this with four developing children and you're gonna need more than love poems and ice sculpture to stay afloat. Trust me. So. So, we're done here.
Joshua Braff (The Unthinkable Thoughts of Jacob Green)
He put down his roll and reached over and took her gnarled hand, stroking the back of it with his thumb. "I'm trying to tell the child something only you and I can understand. How good it is to be old." I watched her face go from being startled by his gesture to being pleased that he had somehow joined her side against me. Then she seemed to remember. She drew back her hand. "We'll die," she said. "Yes," he said. "But we'll be ready. The young ones never are.
Katherine Paterson (Jacob Have I Loved)
Bella . . . my sweet little flower,” he said softly, reverently as he took her head between his hands and pressed their foreheads together. “After over four hundred years of solitude, I think I am ready for you and an entire barrel full of children. Nothing could please me more.” “Oh, Jacob,” she sighed with delight, kissing his lips eagerly. “How did I get so lucky?” “Well, as I recall . . . you had the bad luck to fall out of a window.” “Ah, but that was good luck, because you caught me.” “No, little flower,” he murmured, pausing to kiss her deeply and thoroughly. “I think it is safe to say that you are the one who caught me.
Jacquelyn Frank (Jacob (Nightwalkers, #1))
Like the body craves oxygen, the mind is desperate for certainty. It believes that without a safe foothold on reality, it will die. But the fascinating thing is that the illusion of certainty is exactly the opposite of safety because it hardens and narrows the vision to make everything fit its own scope. Then when new information arrives which would be its ally, the mind pushes it away in favor of the leaky life raft to which it clings, sinking all the while beneath the waves of change. In fact, the only antidote for this is to embrace 'I don’t know' so deeply that a powerful, dynamic safety emerges. This is like learning to surf so well that a tsunami wave shows up as a challenge to test our mastery.
Jacob Nordby
The desirability of segregating dwellings from work has been so dinned into us that it takes an effort to look at real life and observe that residential districts lacking mixture with work do not fare well in cities.
Jane Jacobs (The Death and Life of Great American Cities)
How poetic of you. I’ll put it in my bio. Halle Jacobs: Aspiring author. Professional people pleaser. Calm like a well-fed panda.” “Halle Jacobs: Actual author. Excellent baker. Calm like a well-fed panda. Best ass in LA.
Hannah Grace (Daydream (Maple Hills, #3))
I have never been one of those people—I know you aren’t, either—who feels that the love one has for a child is somehow a superior love, one more meaningful, more significant, and grander than any other. I didn’t feel that before Jacob, and I didn’t feel that after. But it is a singular love, because it is a love whose foundation is not physical attraction, or pleasure, or intellect, but fear. You have never known fear until you have a child, and maybe that is what tricks us into thinking that it is more magnificent, because the fear itself is more magnificent. Every day, your first thought is not “I love him” but “How is he?” The world, overnight, rearranges itself into an obstacle course of terrors. I would hold him in my arms and wait to cross the street and would think how absurd it was that my child, that any child, could expect to survive this life. It seemed as improbable as the survival of one of those late-spring butterflies—you know, those little white ones—I sometimes saw wobbling through the air, always just millimeters away from smacking itself against a windshield. And let me tell you two other things I learned. The first is that it doesn’t matter how old that child is, or when or how he became yours. Once you decide to think of someone as your child, something changes, and everything you have previously enjoyed about them, everything you have previously felt for them, is preceded first by that fear. It’s not biological; it’s something extra-biological, less a determination to ensure the survival of one’s genetic code, and more a desire to prove oneself inviolable to the universe’s feints and challenges, to triumph over the things that want to destroy what’s yours. The second thing is this: when your child dies, you feel everything you’d expect to feel, feelings so well-documented by so many others that I won’t even bother to list them here, except to say that everything that’s written about mourning is all the same, and it’s all the same for a reason—because there is no real deviation from the text. Sometimes you feel more of one thing and less of another, and sometimes you feel them out of order, and sometimes you feel them for a longer time or a shorter time. But the sensations are always the same. But here’s what no one says—when it’s your child, a part of you, a very tiny but nonetheless unignorable part of you, also feels relief. Because finally, the moment you have been expecting, been dreading, been preparing yourself for since the day you became a parent, has come. Ah, you tell yourself, it’s arrived. Here it is. And after that, you have nothing to fear again.
Hanya Yanagihara (A Little Life)
She remembers this phrase from his final months of law school, when he brought home the books on starting up a business. He'd read ravenously for several weeks and then predicted: "Well, darling, we're going to be rich." Now he slaps shut the last of his books and announces, with equal assurance: "We're all going to die.
Jacob Appel (Radiazione)
I tis hopeless to try to convert some borders into seams. Expressways and their ramps are examples. Moreover, even in the case of large parks, campuses or waterfronts, the barrier effects can likely be overcome well only along portions of perimeters.
Jane Jacobs (The Death and Life of Great American Cities)
So, really," continued Jacob as if this were perfectly normal to expound on art in these circumstances, "when you think about it, the artists who make people stop and think, who push the form, who make you uncomfortable, who are laughable, well, they're the ones who get remembered." Idly, Jacob dug a hole in the snow with his shovel and then another one next to it. "So why wouldn't you want to join the ranks of the ridiculed?
Justina Chen (North of Beautiful)
Now, what's my name?" says he. "What, is that Bill?" says she. "Noo, that ain't," says he, and he twirled his tail. "Is that Ned?" says she. "Noo, that ain't," says he, and he twirled his tail. "Well, is that Mark?" says she. "Noo, that ain't," says he.
Joseph Jacobs (English Fairy Tales)
Well, there’s not much to remember about Arkansas, if you’re lucky.
John Hornor Jacobs (Southern Gods)
All night men and women seethed up and down the well-known beats.
Virginia Woolf (Jacob's Room)
We don’t know very well those we love But I understand them fairly well Being all these people myself I who am however but a baboon.
Max Jacob (Derniers poèmes en vers et en prose)
When people are too well off they always begin to long for something new.
Jacob Grimm (Grimm's Fairy Tales)
we must always remember that the real content of evolution (biological as well as cultural) is the elaboration of new behaviour.
Jacob Bronowski (The Ascent Of Man)
I think it’s sad that we’ll never know her,” Chase said. She glanced over at him suspiciously. “Think of how many people there are in the world that you’ll never know. Like that guy right there,” he said, nodding toward the car that whizzed by them. “What’s that guy’s name? Where’s he going? Is he happy with his life? Did he want Bella to end up with Edward or Jacob?
Priscilla Glenn (Emancipating Andie)
Yeah, well, I’m regretting every letting you catch me that night,” she huffed, taking no notice of his machinations as she blew back her hair in that charming habit she had. It was an invitation he could not resist. His hands crept into her gorgeous hair, the luxuriant strands settling between his fingers. “Hey, sweetheart, it was either me or the concrete. One of us had to do it.” “At this point I’m thinking the concrete would’ve been less painful . . . and less complicated.
Jacquelyn Frank (Jacob (Nightwalkers, #1))
Later, I admired her: I admired how rapidly, how fluidly, she was adjusting to the fact that the child she thought she would have was not the child she did have. I admired how she knew, well before I did, that the point of a child is not what you hope he will accomplish in our name but the pleasure that he will bring you, whatever form it comes in, even if it is a form that is barely recognizable as pleasure at all - and, more important, the pleasure you will be privileged to bring him. For the rest of Jacob's life, I lagged one step behind Liesl: I kept dreaming he would get better, that he would return to what he had been; she, however, thought only about the life he could have given the current realities of his situation. Maybe he could go to a special school. Okay, he couldn't go to a school at all, but maybe he could be in a playgroup. Okay, he wouldn't be able to be in a playgroup, but maybe he would be able to live a long life anyway. Okay, he wouldn't live a long life, but maybe he could live a short happy life. Okay, he couldn't live a short happy life, but maybe he could live a short life with dignity: we could give him that, and she would hope for nothing else for him.
Hanya Yanagihara (A Little Life)
Benny was not there to welcome me. He had been left at a good place to learn a trade, and for several months every thing worked well. He was liked by the master, and was a favorite with his fellow-apprentices; but one day they accidentally discovered a fact they had never before suspected—that he was colored! This at once transformed him into a different being. Some of the apprentices were Americans, others American-born Irish; and it was offensive to their dignity to have a “nigger” among them, after they had been told that he was a “nigger.” They began by treating him with silent scorn, and finding that he returned the same, they resorted to insults and abuse. He was too spirited a boy to stand that, and he went off.
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl)
So I was sold at last! A human being sold in the free city of New York! The bill of sale is on record, and future generations will learn from it that women were articles of traffic in New York, late in the nineteenth century of the Christian religion. It may hereafter prove a useful document to antiquaries, who are seeking to measure the progress of civilization in the United States. I well know the value of that bit of paper; but as much as I love freedom, I do not like to look upon it. I am deeply grateful to the generous friend who procured it, but I despise the miscreant who demanded payment for what never rightfully belong to him or his.
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl)
Russell is reputed at a dinner party once to have said, ‘Oh, it is useless talking about inconsistent things, from an inconsistent proposition you can prove anything you like.’ Well, it is very easy to show this by mathematical means. But, as usual, Russell was much cleverer than this. Somebody at the dinner table said, 'Oh, come on!’ He said, 'Well, name an inconsistent proposition,’ and the man said, 'Well, what shall we say, 2 = 1.’ 'All right,’ said Russell, 'what do you want me to prove?’ The man said, 'I want you to prove that you’re the pope.’ 'Why,’ said Russell, 'the pope and I are two, but two equals one, therefore the pope and I are one.
Jacob Bronowski (The Origins of Knowledge and Imagination (The Mrs. Hepsa Ely Silliman Memorial Lectures Series))
Health is thus a condition of well-being and an ability to appreciate life. It's not necessarily optimizing or conforming to a set of measurable quantities like life expectancy or blood pressure, nor is it removing all symptoms using drugs. Health is the presence of something positive, rather than the absence of something negative.
Jacob Lund Fisker (Early Retirement Extreme: A philosophical and practical guide to financial independence)
Well, Dr. Freud, I start where you leave off. You meet people in the artificial setting of your office. I meet them on the street and in their homes, in their natural surroundings. You analyze their dreams. I give them the courage to dream again. You analyze and tear them apart. I let them act out their conflicting roles and help them to put the parts back together again.
Jacob Levy Moreno
I never argue,” Jacobs said. “That’s because you don’t know this kind of ignorance,” Rayber explained. “You’ve never experienced it.” Jacobs snorted. “Oh yes I have,” he said. “What happened?” “I never argue.” “But you know you’re right,” Rayber persisted. “I never argue.” “Well, I’m going to argue,” Rayber said. “I’m going to say the right thing as fast as they can say the wrong. It’ll be a question of speed. Understand,” he went on, “this is no mission of conversion; I’m defending myself.” “I understand that,” Jacobs said. “I hope you’re able to do it.” “I’ve already done it! You read the paper. There it is.” Rayber wondered if Jacobs were dense or preoccupied. “Okay, then leave it there. Don’t spoil your complexion arguing with barbers.
Flannery O'Connor (The Complete Stories)
I've never understood it,' continued Wilfred Carr, yawning. 'It's not in my line at all; I never had enough money for my own wants, let alone for two. Perhaps if I were as rich as you or Croesus I might regard it differently.' There was just sufficient meaning in the latter part of the remark for his cousin to forbear to reply to it. He continued to gaze out of the window and to smoke slowly. 'Not being as rich as Croesus - or you,' resumed Carr, regarding him from beneath lowered lids, 'I paddle my own canoe down the stream of Time, and, tying it to my friends' doorposts, go in to eat their dinners.' ("The Well")
W.W. Jacobs (The Monkey's Paw and Other Tales of Mystery and Macabre)
There’s no great dividing line between being a kid and an adult. We’re not all caterpillars turning into butterflies. You are what you are. When you grow up, you may be more careful than when you were a kid. You don’t say what you think as much as you once did. You learn to play nice. But you’re still the same person who did good things or rotten things when you were young. Whether you feel good about them or bad … whether you regret them. Well, that’s a different thing. But it’s not like they disappear forever.
Matthew Dicks (The Perfect Comeback of Caroline Jacobs)
Hence we may overthrow the error of those who think to form the moral character of others by speaking well and doing ill; forgetting that the hands of Jacob were more persuasive with his father than his words, though his hands deceived and his voice spake truth.
Dante Alighieri (De Monarchia (On the Monarchy))
I was weary of flying from pillar to post. I had been chased during half my life, and it seemed as if the chase was never to end. There I sat, in that great city, guiltless of crime, yet not daring to worship God in any of the churches. I heard the bells ringing for afternoon service, and, with contemptuous sarcasm, I said, "Will the preachers take for their text, 'Proclaim liberty to the captive, and the opening of prison doors to them that are bound'? or will they preach from the text, 'Do unto others as ye would they should do unto you'?" Oppressed Poles and Hungarians could find a safe refuge in that city; John Mitchell was free to proclaim in the City Hall his desire for "a plantation well stocked with slaves"; but there I sat, an oppressed American, not daring to show my face.
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl)
There I sat, in that great city, guiltless of crime, yet not daring to worship God in any of the churches. I heard the bells ringing for afternoon service, and, with contemptuous sarcasm, I said, "Will the preachers take for their text, 'Proclaim liberty to the captive, and the opening of prison doors to them that are bound'? or will they preach from the text, 'Do unto others as ye would they should do unto you'?" Oppressed Poles and Hungarians could find a safe refuge in that city; John Mitchell was free to proclaim in the City Hall his desire for "a plantation well stocked with slaves;" but there I sat, an oppressed American, not daring to show my face. God forgive the black and bitter thoughts I indulged on that Sabbath day! The Scripture says, "Oppression makes even a wise man mad;" and I was not wise.
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl)
There is a difference between literature and just writing in your diary. I think perhaps the difference can be measured in degrees of pain. Hard work is also a factor. When I abandoned poetry there were so many questions lost to me as well. It remains astonishing to me the degree to which poetry has lost all value and meaning within the conditions of what I loosely refer to as corporate capitalism. Absolutely amazing.
Jacob Wren (Families are Formed Through Copulation)
The most powerful drive in the ascent of man is his pleasure in his own skill. He loves to do what he does well and, having done it well, he loves to do it better. You see it in his science. You see it in the magnificence with which he carves and builds, the loving care, the gaiety, the effrontery. The monuments are supposed to commemorate kings and religions, heroes, dogmas, but in the end the man they commemorate is the builder.
Jacob Bronowski (The Ascent Of Man)
I've taped a list to my bathroom mirror. It's my Most Violated List. . . Anger. I gave the finger to an ATM. You see, the ATM charged me a $1.75 fee for withdrawl. A dollar seventy-five? That's bananas. So I flipped off the screen. As Julie tells me, when you start making rude gestures to inanimate objects, it's time to work on your anger issues. Mine is not the shouting, pulsing-vein-in-the forehead rage. Like my dad, I rarely raise my voice. My anger problem is more one of long-lasting resentment. It's a heap of real or perceived slights that eventually build up into a mountain of bitterness. . . get some perspective. . . I ask myself the question God asked Jonah. 'Do you do well to be angry?'. . .The world will not end. . . Mute your petty resentment.
A.J. Jacobs
Are spirits so involved in men's lives? Marley asked. Mankind is inolved in men's lives. We only help them know how. ...Jacob, all around you, every day, as you walk the miles of earth, there are calls to your spirit and to all others' spirits as well. They come from your fellow beings and from life itself: the way the sun highlights a tree, a bird song lilting across the morning, the smell of flowers. All these are for your joy, but also for more. They call you.
R. William Bennett (Jacob T. Marley)
All night men and women seethed up and down the well-known beats. Late home-comers could see shadows against the blinds even in the most respectable suburbs. Not a square in snow or fog lacked its amorous couple. All plays turned on the same subject. Bullets went through heads in hotel bedrooms almost nightly on that account.
Virginia Woolf (Jacob's Room)
TINA: I’ll have to go to the Ministry with what I’ve got. (a wobble in her voice) It was nice to see you again, Mr. Scamander. She strides from the room, leaving NEWT perplexed and upset. INT. FLAMEL HOUSE, HALLWAY—AFTERNOON JACOB follows TINA into the hall. JACOB: Hey, hold on one second, will you? Well, hold on! Wait! Tina! She leaves. As the front door closes, NEWT appears at the drawing room door. JACOB: (to NEWT) You didn’t mention salamanders, did you? NEWT: No, she just—ran. I don’t know . . . JACOB (firm): So you chase after her! NEWT grabs his case. He leaves.  EXT. RUE DE MONTMORENCY—END OF DAY TINA is hurrying up the road. NEWT hastens to catch up. NEWT: Tina. Please, just listen to me— TINA: Mr. Scamander, I need to go talk to the Ministry—and I know how you feel about Aurors— NEWT: I may have been a little strong in the way that I expressed myself in that letter— TINA: What was the exact phrase? “A bunch of careerist hypocrites”? NEWT: I’m sorry, but I can’t admire people whose answer to everything that they fear or misunderstand is “kill it”! TINA: I’m an Auror and I don’t— NEWT: Yes, and that’s because you’ve gone middle head! TINA (stopping): Excuse me? NEWT: It’s an expression derived from the three heads of the Runespoor. The middle one is the visionary. Every Auror in Europe wants Credence dead—except you. You’ve gone middle head. A beat. TINA: Who else uses that expression, Mr. Scamander? NEWT considers. NEWT: I think it might just be me.
J.K. Rowling (Fantastic Beasts: The Crimes of Grindelwald: The Original Screenplay (Fantastic Beasts: The Original Screenplay, #2))
Well, if I had to guess, knowing what I know of Briana, she probably didn’t. She’s tough. Self-reliant. She’d try to muscle through it. But if you don’t deal with trauma, it just circles back around. She’s probably depressed. And depression lies, Jacob. Nothing it’s telling her is true, but she can’t know that in her state without help.
Abby Jimenez (Yours Truly (Part of Your World, #2))
They'd need to do some shopping. As he adjusted the shoulders of the last dress, their eyes met in the mirror. He raised his right hand solemnly. "I swear I never played with Barbie dolls." A grin flickered at the corner of her mouth, and she opened her mouth, then closed it again. He raised an eyebrow. "You might as well say it; go on." Her expression in the mirror was both sly and apprehensive. "Just thinking perhaps you were making up for lost time." He ran his hand up beneath the back of the dress and pinched her, making her yelp. "Yup, no question about it. Lego was never like this." He stroked her ass and the straps that demarcated ass from thigh. "Not like this.
Anneke Jacob (As She's Told)
Of course, I think Legna tops this particular cake. You see, when Mind Demons teleport, they have to remember to teleport their clothes with them.” “Oh no . . .” “Oh, yes. Noah’s coronation anniversary. There is an incredible celebration every ten years, and everyone goes, even the most solitary of us. Legna was sixteen years old, and she was running late just like any typical teenager. She exploded into the room. Mind you, the display of a teleport in someone so young is ten times what you see her cause now, so she had everyone’s attention. That youngling blushed bright red in places I never thought a woman could blush. It was a most enlightening moment.” “I’ll bet!” Isabella giggled, her skin flushing in sympathetic embarrassment. “The poor thing!” “Well, Noah responded very fast, so I assure you she only had time for a quick blush before he covered her in smoke, blocking her from a multitude of very astonished eyes. We do not tease her about it, however. Noah actually passed a law saying we could not. It was the only way he could get her to go out in public again. I am risking my peace of mind telling you this. One chuckle in front of her, little flower, and you will doom me. So please . . .
Jacquelyn Frank (Jacob (Nightwalkers, #1))
Well, come supper-time the woman said: "Go you, and get one o' them there pies. I dare say they've come again now.
Joseph Jacobs (English Fairy Tales)
Jesus meets a woman at a well and concerns about marriage emerge, just as with Abraham’s servant and Rebekah, Jacob and Rachel, Moses and Zipporah.
Amy-Jill Levine (The Misunderstood Jew)
The ring-dove sang from the willow spray, Well-a-day! Well-a-day! He mourn'd for the fate of his darling mate, Well-a-day!
Jacob Grimm (Grimm's Fairy Tales)
Well, not everybody who is pretty is necessarily beautiful. For the two to come together in a person is a rarity.
Jacob G. Rosenberg (The Hollow Tree)
Henry Louis Gates’s edited The Classic Slave Narratives, which include Jacobs’s as well as Frederick Douglass’s autobiographies, continue to be so important to me.
Honorée Fanonne Jeffers (The Love Songs of W.E.B. Du Bois)
Well,” he said, “it’s a very circumstantial case. There’s the thumbprint,
William Landay (Defending Jacob)
Here’s to you, here’s to me, the best of friends we’ll always be; but if we ever disagree, fuck you, here’s to me.
Jacob Chance (Penalty (Boston Terriers #1))
Goldie Sunshine Jacobs. She was that girl. Her name fit her well. Beautiful
Laura Pavlov (Snow Place Like Home (Home Sweet Holidays, #1))
O, the sorrow of us all, to wander the earth in a shell. And looking to the heavens, we lay to rest in hell. The suffering of the innocent in the midst of Jacob’s well. How the miles fled between us, and that distance is still great. Though on the same shore we now sit, in temporal quietude to wait. The moon is our bright witness; it will lead us to the gate.
Craig Froman (An Owl on the Moon: A Journal From the Edge of Darkness)
Objections to Christianity... are phrased in words, but that does not mean that they are really a matter of language and analysis and argument. Words are tokens of the will. If something stronger than language were available then we would use it. But by the same token, words in defense of Christianity miss the mark as well: they are a translation into the dispassionate language of argument of something that resides far deeper in the caverns of volition, of commitment. Perhaps this is why Saint Francis, so the story goes, instructed his followers to "preach the Gospel always, using words if necessary." It is not simply and straightforwardly wrong to make arguments in the defense of the Christian faith, but it is a relatively superficial activity: it fails to address the core issues.
Alan Jacobs (The Narnian: The Life and Imagination of C.S. Lewis)
Do you think, little flower, that there will ever come a day when you regret meeting me?” he asked quietly. “Yes,” she said simply. “I see,” he said tightly. “Would you like a specific date?” “You are teasing me,” he realized suddenly. “No, I’m dead serious. I have an exact date in mind.” Jacob pulled back to see her eyes, looking utterly perplexed as her pupils sparkled with mischief. “What date is that? And why are you thinking of pink elephants?” “The date is September 8, because, according to Gideon, that’s possibly the day I will go into labor. I say ‘possibly,’ because combining all this human/Druid and Demon DNA ‘may make for a longer period of gestation than usual for a human,’ as the Ancient medic recently quoted. Now, as I understand it, women always regret ever letting a man touch them on that day.” Jacob lurched to his feet, dropping her onto her toes, grabbing her by the arms, and holding her still as he raked a wild, inspecting gaze over her body. “You are pregnant?” he demanded, shaking her a little. “How long have you known? You went into battle with that monster while you are carrying my child?” “Our child,” she corrected indignantly, her fists landing firmly on her hips, “and Gideon only just told me, like, five seconds ago, so I didn’t know I was pregnant when I was fighting that thing!” “But . . . he healed you just a few days ago! Why not tell you then?” “Because I wasn’t pregnant then, Jacob. If you recall, we did make love between then and now.” “Oh . . . oh Bella . . .” he said, his breath rushing from him all of a sudden. He looked as if he needed to sit down and put a paper bag over his head. She reached to steady him as he sat back awkwardly on the altar. He leaned his forearms on his thighs, bending over them as he tried to catch his breath. Bella had the strangest urge to giggle, but she bit her lower lip to repress to impulse. So much for the calm, cool, collected Enforcer who struck terror into the hearts of Demons everywhere. “That is not funny,” he grumbled indignantly. “Yeah? You should see what you look like from over here,” she teased. “If you laugh at me I swear I am going to take you over my knee.” “Promises, promises,” she laughed, hugging him with delight. Finally, Jacob laughed as well, his arm snaking out to circle her waist and draw her back into his lap. “Did you ask . . . I mean, does he know what it is?” “It’s a baby. I told him I didn’t want to know what it is. And don’t you dare find out, because you know the minute you do I’ll know, and if you spoil the surprise I’ll murder you.” “Damn . . . she kills a couple of Demons and suddenly thinks she can order all of us around,” he taunted, pulling her close until he was nuzzling her neck, wondering if it was possible for such an underused heart as his to contain so much happiness.
Jacquelyn Frank (Jacob (Nightwalkers, #1))
Stop fussing,” Legna admonished her, tapping her finger against Isabella’s absently energetic hand. “I’m getting married in a few minutes, Legna, I think I’ve a right to fuss.” Isabella felt her heart turn over as she spoke aloud, listening to herself talk about her impending marriage. “Well, brides are supposed to be blushing, as I understand it. At the moment you are no less than five shades of gray.” Legna continued with her interrupted weaving of more ribbons in Isabella’s hair. “And as much as it matches the silver of your dress, I think you would look better with a little natural color.” Legna reached to smooth down a portion of the shimmering silver fabric that draped off of the bride’s shoulders in a Grecian fashion. “You know,” she pressed, “there are only two nights in a year when Demons perform a joining ceremony. Samhain and Beltane. If you pass out tonight, you will have to wait until next spring.” “Thanks for the bulletin. You’re too kind,” Isabella retorted dryly. “Actually, purely out of kindness, I will tell you that your future husband is just shy of tossing his cookies himself, so you can take comfort in knowing he is just as nervous as you are.” “Legna!” Bella laughed. “You’re a wretch!” She turned to look at the female Demon, briefly admiring how pretty she looked in her soft white chiffon gown. “And how would you know? You’re standing too close to me to be able to sense his emotions.” “Because when I went to fetch the ribbons, he was seated next to Noah with his head between his knees.” Legna giggled. “I have never seen anything rattle Jacob before. I cannot help but find it amusing.
Jacquelyn Frank (Jacob (Nightwalkers, #1))
The primary economic conflict, I think, is between people whose interests are with already well-established economic activities, and those whose interests are with the emergence of new economic activities.
Jane Jacobs (The Economy of Cities)
You know my parents are all about, like, being special. Doing something big. They always act like Jacob’s this… distraction. Like I should be friends with more important people. They like Zoe. She’s somebody.
Wendy Heard (We'll Never Tell)
The absence of trust is clearly inimical to a well-run society. The great Jane Jacobs noted as much with respect to the very practical business of urban life and the maintenance of cleanliness and civility on city streets. If we don't trust each other, our towns will look horrible and be nasty places to live. Moreover, she observed, you cannot institutionalize trust. Once corroded, it is virtually impossible to restore.
Tony Judt (Ill Fares the Land)
The family historian must master the art of storytelling. What, after all, is truth without anecdote, history without events, explanation without narration--or yet life itself without a story? Stories are not just the wells from which we drink most deeply but at the same time the golden threads that hold and bind--Ariadne's precious string that leads us through the labyrinth that connects living present and the living past.
Joseph A. Amato (Jacob's Well: A Case for Rethinking Family History)
Well, weirdly enough, that was sort of how they resolved things. Sam was so horrified, so sickened by himself, so full of hate for what he’d done.… He would have thrown himself under a bus if it would have made her feel better. He might have anyway, just to escape what he’d done. He was shattered.… Then, somehow, she was the one comforting him, and after that.…” Jacob didn’t finish his thought, and I sensed the story had gotten
Stephenie Meyer (Eclipse (Twilight, #3))
To most people today, the name Snow White evokes visions of dwarfs whistling as they work, and a wide–eyed, fluttery princess singing, "Some day my prince will come." (A friend of mine claims this song is responsible for the problems of a whole generation of American women.) Yet the Snow White theme is one of the darkest and strangest to be found in the fairy tale canon — a chilling tale of murderous rivalry, adolescent sexual ripening, poisoned gifts, blood on snow, witchcraft, and ritual cannibalism. . .in short, not a tale originally intended for children's tender ears. Disney's well–known film version of the story, released in 1937, was ostensibly based on the German tale popularized by the Brothers Grimm. Originally titled "Snow–drop" and published in Kinder–und Hausmarchen in 1812, the Grimms' "Snow White" is a darker, chillier story than the musical Disney cartoon, yet it too had been cleaned up for publication, edited to emphasize the good Protestant values held by Jacob and Wilhelm Grimm. (...) Variants of Snow White were popular around the world long before the Grimms claimed it for Germany, but their version of the story (along with Walt Disney's) is the one that most people know today. Elements from the story can be traced back to the oldest oral tales of antiquity, but the earliest known written version was published in Italy in 1634.
Terri Windling (White as Snow)
I understood intersectionality—the way that white supremacy props up patriarchy props up poverty props up environmental destruction props up white supremacy again—on a gut level, even if I didn’t know to call it “intersectionality” yet. I understood that sex workers are often stigmatized, barred from claiming their full humanity, by sexist culture and feminist movements alike. I understood that the idea of “The Closet” applied to so much more than just queer people, that we are all in a closet of one kind or another. And, contrary to all of my actions since, I understood that high heels and back problems were, in fact, related. What stands out to me most is that, at the age of seventeen, I seem to have understood the full stakes of what I was doing. I understood that by challenging gender norms and conventional masculinity, I was challenging, well, everything. Through challenging the idea of manhood, of being “a good man,” of “manning up,” I was burrowing deep into the core of power, privilege, and hierarchy. On a gut level, I understood that my freedom and liberation were wrapped up with those of so many others who were facing oppression.
Jacob Tobia (Sissy: A Coming-of-Gender Story)
As Leonardo’s well-attended baptism attests, being born out of wedlock was not a cause for public shame. The nineteenth-century cultural historian Jacob Burckhardt went so far as to label Renaissance Italy “a golden age for bastards.
Walter Isaacson (Leonardo Da Vinci)
But the question is, historically, part of the group that you're a part of - whether it's racial, gender, religious, whatever - how has your group fared historically? The groups that you're a part of? Like, for me, as an atheist, Jew, I'm gonna go on, uh - oh and Emma Goldman is one of my great heroes and I really think that anarchism is a fantastic principle by which to fashion a utopian society even if we can't get there. Like historically, that does not go well.
Jacob Appelbaum
Jacob always thought of himself as a morning person, but Marissa knew well that in the first thirty minutes of the day her husband’s cognitive abilities were quite similar to the abilities of a toddler—and not a bright toddler, at that.
Mike Omer (Spider's Web (Glenmore Park Mystery, #1))
So long as you believe yourself to be 'only human' you have accepted life in a prison cell whose door remains locked only by your own mind. By saying, 'well, I'm only human', you have blindly submitted to all the limitations, fears, pettiness, greed and hatreds which make the common person weak and fragile. Most never become aware that another way is possible. You are human, but much more, too. The much-moreness is the vast, brilliant freedom and power which has confined itself in your humanity. If you are willing (and not everyone is, which is also a perfectly valid choice), you can begin to explore your native powers and experience freedom within limitation. When you do this, you live fully while you are here and you are no longer afraid to die. When you are not afraid of death but seek to live in a state of always-discovering, this is when life is transformed and you accept your birthright to choose and create in extraordinary fashion.
Jacob Nordby
I pictured Becs and myself together, squabbling, but always over little things, while I rotted away at the core from love of Ferris. It was hopeless. ‘Here.’ I laid my hands on the table, palms up, and jerked my head at them, ‘put yours on top.’ Ferris did not move. ‘Please,’ I said. He laid his cold hands on mine and I curled my fingers, folding his within them. ‘Now,’ I said, ‘I’ve neither accepted nor refused. Speak it out plainly, tell me and I’ll do it.’ He cried, ‘Don’t put it onto me! Choose for yourself.’ ‘This is choosing. Tell Aunt I will do whatever you’ll have me do, and that’s my answer.’ I kept hold of his fingers. We stayed there silent and motionless for some time, while the candles burnt down. At last he said quietly, ‘It is a lot to give up.’ ‘Well. My history is bad enough without bigamy,’ I replied, at which he smiled but made no reply. The candles were half burnt. I took one and rose. ‘Goodnight, Ferris.’ ‘Goodnight, Jacob.
Maria McCann (As Meat Loves Salt)
Ecclesiastes This is a book of the Old Testament. I don't believe I've ever read this section of the Bible - I know my Genesis pretty well and my Ten Commandments (I like lists), but I'm hazy on a lot of the other parts. Here, the Britannica provides a handy Cliff Notes version of Ecclesiastes: [the author's] observations on life convinced him that 'the race is not swift, nor the battle strong, nor bread to the wise, nor riches to the intelligent, nor favor to the men of skill; but time and chance happen to them all' (9:11). Man's fate, the author maintains, does not depend on righteous or wicked conduct but is an inscrutable mystery that remains hidden in God (9:1). All attempts to penetrate this mystery and thereby gain the wisdom necessary to secure one's fate are 'vanity' or futile. In the face of such uncertainty, the author's counsel is to enjoy the good things that God provides while one has them to enjoy. This is great. I've accumulated hundreds of facts in the last seven thousand pages, but i've been craving profundity and perspective. Yes, there was that Dyer poem, but that was just cynical. This is the real thing: the deepest paragraph I've read so far in the encyclopedia. Instant wisdom. It couldn't be more true: the race does not go to the swift. How else to explain the mouth-breathing cretins I knew in high school who now have multimillion-dollar salaries? How else to explain my brilliant friends who are stuck selling wheatgrass juice at health food stores? How else to explain Vin Diesel's show business career? Yes, life is desperately, insanely, absurdly unfair. But Ecclesiastes offers exactly the correct reaction to that fact. There's nothing to be done about it, so enjoy what you can. Take pleasure in the small things - like, for me, Julie's laugh, some nice onion dip, the insanely comfortable beat-up leather chair in our living room. I keep thinking about Ecclesiastes in the days that follow. What if this is the best the encyclopedia has to offer? What if I found the meaning of life on page 347 of the E volume? The Britannica is not a traditional book, so there's no reason why the big revelation should be at the end.
A.J. Jacobs
Why does God not declare himself as the God of Adam? For we know that Abraham sinned even as Adam did. Why then did He not call himself the God of Adam? Why did He not say the God of Abel, the seed of Adam? Why instead did He call himself the God of Abraham, of Isaac, and of Jacob? Why according to the flesh was our Lord Jesus presented in the New Testament as having been born of the seed of Abraham? Why from among all men should God have called himself the God of these three particular persons? Wherein lies the difference between these three and other people? Well, apart from the fact that God had covenanted with these three men, He takes them up as representative personages. He chooses them to represent three types of men in the world. What type of man is Abraham? He is a giant of faith. He is rather uncommon; in fact, he is quite special. As the God of Abraham, God declares himself to be the God of excellent people. Yet, thanks be to God, He is not only the God of the excellent. Were He merely this kind of God, we would sink into despair because we are not persons of excellence. But God is also the God of Isaac. What type of person is Isaac? He is very ordinary. He eats whenever he can, and sleeps as he has opportunity. He is neither a wonder man nor a wicked person. How this fact has comforted many of us! Yet God is not only the God of the ordinary men, He is also the God of the bad men: He is the God of Jacob too, for in the Scriptures Jacob is pictured as one of the worst persons to be found in the Old Testament. Hence through these three persons, God is telling us that He is the God of Abraham the best, the God of Isaac the ordinary, and the God of Jacob the worst. He is the God of those with great faith, He is the God of the common people, and He is also the God of the lowest of men such as thieves and prostitutes. Suppose I am special like Abraham; then He is my God. Suppose I am ordinary like Isaac; then He is also my God. And suppose from my mother’s womb I have been bad like Jacob was in that I have striven with my brother; then He is still my God. He has a way with the excellent, with the common, and with the worst of humanity.
Watchman Nee (The Finest of the Wheat, volume 1)
After the New Deal, economists began referring to America’s retirement-finance model as a “three-legged stool.” This sturdy tripod was composed of Social Security, private pensions, and combined investments and savings. In recent years, of course, two of those legs have been kicked out. Many Americans saw their assets destroyed by the Great Recession; even before the economic collapse, many had been saving less and less. And since the 1980s, employers have been replacing defined-benefit pensions that are funded by employers and guarantee a monthly sum in perpetuity with 401(k) plans, which often rely on employee contributions and can run dry before death. Marketed as instruments of financial liberation that would allow workers to make their own investment choices, 401(k)s were part of a larger cultural drift in America away from shared responsibilities toward a more precarious individualism. Translation: 401(k)s are vastly cheaper for companies than pension plans. “Over the last generation, we have witnessed a massive transfer of economic risk from broad structures of insurance, including those sponsored by the corporate sector as well as by government, onto the fragile balance sheets of American families,” Yale political scientist Jacob S. Hacker writes in his book The Great Risk Shift. The overarching message: “You are on your own.
Jessica Bruder (Nomadland: Surviving America in the Twenty-First Century)
He was outfitted for the occasion with his broadsword, long knife, several throwing knives tucked in his boots, the dragon pistol, and a pocket pistol in his waistcoat. "You are a walking armory," Father Jacob observed. "Because you are a walking target," said Sir Ander.
Margaret Weis
Damn, you look good," Her mouth went dry and she couldn't look away. "Every inch a king." A goofy grin spread across his face, and her chest virtually exploded. It was like an unexpected ray of sunshine and... well... she loved that she was the one who'd just made it happen.
Chloe Jacobs (Greta and the Glass Kingdom (Mylena Chronicles, #2))
I’d never do that.” The fact that he thinks I’d out him hurts. He knows I’m queer. It reminds me how little I actually know Eddie. He plays his cards very close to the vest. Jacob’s always been the one who helps him open up around us, who can access the funny parts of him. But now…
Wendy Heard (We'll Never Tell)
I view [your undertaking],” Jefferson would write to Astor, “as the germ of a great, free and independent empire on that side of our continent, and that liberty and self-government spreading from that side as well as this side, will ensure their complete establishment over the whole.
Peter Stark (Astoria: John Jacob Astor and Thomas Jefferson's Lost Pacific Empire: A Story of Wealth, Ambition, and Survival)
Well, think about it. If you change your mind between now and three, text me and I’ll zip you away.” She took a drink of her soda. “What’s Cam doing? Is he going home?” Good question. Before I could respond, Jacob whipped around like someone had yelled his name. “What about my fantasy husband?
J. Lynn (Wait for You (Wait for You, #1))
You know, Jacob, if it weren't for the fact that we're natural enemies and that you're also trying to steal away the reason for my existence, I might actually like you." "Maybe...if you weren't a disgusting vampire who was planning to suck out the life of the girl I love...well, no, not even then.
Stephenie Meyer
It's true,' replied Doris with a sniff in Bessy's direction to make her sensible of a victory, even if a minor one. 'It is amazing how so many people go insane. One day a man is a normal, friendly husband and the next he suddenly becomes a raging schizoid and slays his wife and himself as well. The result of what cause? Why, perhaps he chanced to find some schoolgirl treasure of another beau who had been his greatest rival and is stunned to discover that she secretly retains this. But usually the matter is not so simple, you know. Next to nothing may happen, jarring awake some sleeping monstrosity in a man's complex mental machinery and turning him from a sane person to a mentally sick individual. It is wholly impossible to say when a man is sane, for' -she tittered- 'scarce one of us is normal.' 'You mean - it might happen to any of us?' 'Of course,' said Doris, charmed by all this interest. 'One moment we are seated here, behaving normally and the next some tiny thing, a certain voice, a certain combination of thoughts may throw out the balance wheel of our intellects and we become potential inmates for asylums the rest of our lives. No, not one of us knows when the world will cease to be a normal, ordinary place. You know, no one ever knows when he goes insane: He supposes it is the world altering, not himself. Rooms become peopled with strange shapes and beings, sounds distort themselves into awful cries and, poof! we are judged insane.' 'Poof -' said Jacob, feeling weak and ill. ("He Didn't Like Cats")
L. Ron Hubbard
His students were usually struck first by his appearance: he wore old tweed jackets until they fell apart, kept well into his fifties overcoats that he had inherited from Albert, and, with his ruddy complexion and hearty manner, reminded many students of a grocer or a butcher. But the voice soon captivated them. Little
Alan Jacobs (The Narnian: The Life and Imagination of C. S. Lewis)
Best and happiest of all, the Time before him was his own, to make amends in! ‘I will live in the Past, the Present, and the Future!’ Scrooge repeated, as he scrambled out of bed. ‘The Spirits of all Three shall strive within me. Oh Jacob Marley! Heaven, and the Christmas Time be praised for this.’” “Scrooge was better than his word. He did it all, and infinitely more; and to Tiny Tim, who did not die, he was a second father. He became as good a friend, as good a master, and as good a man, as the good old city knew, or any other good old city, town, or borough, in the good old world. Some people laughed to see the alteration in him, but he let them laugh, and little heeded them; for he was wise enough to know that nothing ever happened on this globe, for good, at which some people did not have their fill of laughter in the outset.” “And it was always said of him, that he knew how to keep Christmas well, if any man alive possessed the knowledge. May that be truly said of us, and all of us!
Charles Dickens (A Christmas Carol)
I do not believe in the court system, at least I do not think it is especially good at finding the truth. No lawyer does. We have all seen too many mistakes, too many bad results. A jury verdict is just a guess—a well-intentioned guess, generally, but you simply cannot tell fact from fiction by taking a vote. And yet, despite all that, I do believe in the power of the ritual. I believe in the religious symbolism, the black robes, the marble-columned courthouses like Greek temples. When we hold a trial, we are saying a mass. We are praying together to do what is right and to be protected from danger, and that is worth doing whether or not our prayers are actually heard.
William Landay (Defending Jacob)
Okay, this is something we’ll never talk about or think about again,” Jacob said and hid his face and his bright smile in his pillow. “You came first.” “I thought you were getting ready to give it to me.” “I was!” Wylde yelled, hiding under Jacob’s armpit, still unable to stop his own laughing. “Next time I’ll actually get it in the hole.
A.E. Via (The Secrets in My Scowl)
Dr. Jacob was tearing a piece of white cotton into strips. White cotton that must have belonged to his shirt at one time, for the man was bare to the waist. Well, not completely bare. He’d put his black vest back on. Not that it covered much. She still saw every play of his muscles as he tore the cotton. Very fine muscles, she couldn’t help but notice.
Karen Witemeyer (Love on the Mend (Full Steam Ahead, #1.5))
Then the twelve brothers, Jacob's sons. And then the lamb and the cat and the dog and the stick and the water and the butcher and then the angel of death kills the butcher and kills the ox and the dog kills the cat. Sounds a bit silly till you come to look into it well. Justice it means but it's everybody eating everyone else. That's what life is after all.
James Joyce (Ulysses)
Judah and Jacob-Israel are not simple eponymous counters in an etiological tale (this is the flattening effect of some historical scholarship) but are individual characters surrounded by multiple ironies, artfully etched in their imperfections as well as in their strengths. A histrionic Jacob blinded by excessive love and perhaps loving the excess; an impetuous, sometimes callous Judah, who is yet capable of candor when confronted with hard facts; a fiercely resolved, steel-nerved Tamar—all such subtly indicated achievements of fictional characterization suggest the endlessly complicated ramifications and contradictions of a principle of divine election intervening in the accepted orders of society and nature.
Robert Alter (The Art of Biblical Narrative)
He needed to get Mollie out from under that woman’s roof as soon as possible. The most desirable option being moving her into the clinic as his wife. But she deserved a proper courtship, not some rushed affair that would lend itself to whispers behind closed doors. Of course, if he were openly courting her, the hours they spent together in the clinic or on house calls could raise eyebrows as well. Jacob smacked the trunk of one of the young pines that stood outside his clinic with enough force to shake needles loose. Shoot, maybe he should just abduct her and elope. A smile finally curved his lips as he imagined Mollie’s response to that idea. She’d probably dose his coffee with castor oil for a week if he suggested such a thing.
Karen Witemeyer (Love on the Mend (Full Steam Ahead, #1.5))
I remembered the scene in the Bible when Jacob asks Rachel for water and on hearing her speak the words that were prophesied for him, throws up his hands to heaven and kisses the ground by the well. Me Jewish, Celan Jewish, Oliver Jewish—we were in a half ghetto, half oasis, in an otherwise cruel and unflinching world where fuddling around strangers suddenly stops, where we misread no one and no one misjudges us, where one person simply knows the other and knows him so thoroughly that to be taken away from such intimacy is galut,Hebrew word for exile and dispersal. Was he my home, then, my homecoming? You are my homecoming. When I’m with you and we’re well together, there is nothing more I want. You make me like who I am, who I become when you’re with me, Oliver. If there is any truth in the world, it lies when I’m with you, and if I find the courage to speak my truth to you one day, remind me to light a candle in thanksgiving at every altar in Rome. It never occurred to me that if one word word from him could make me so happy, another could just as easily crush me, that if I didn’t want to be unhappy, I should learn to beware of such small joys as well.
André Aciman (Call Me by Your Name: A Novel)
Jacob’s dogs were soon the envy of other men, who offered to buy them. Instead, he traded a day’s work for the stud of the male cur with cunning wolfish eyes. When the smallest of our bitches bore the wolf-dog’s litter, Jacob trained her puppies and traded four of the five for what seemed a mountain of treasure, which he quickly converted to gifts that proved how well he had come to understand Laban’s daughters.
Anita Diamant (The Red Tent)
I’ll tell you this, if he gives me one more order with that W word again, I’m going to divorce him before we can even finish the wedding.” “The W . . . Okay, Bella, as usual you have lost me. W word?” “Yeah. W, . . . as in Wife. Ugh! He’s always saying or thinking things in this high and mighty way and tacking the word ‘wife’ onto the end like it’s some kind of password that lets him order me around.” Bella noted her friend’s still perplexed expression, so she screwed up her face, attitude, and voice into an uncanny approximation of Jacob. “‘I do not want you hunting in your condition, wife. It is too dangerous for you and the babe to accompany me, wife. I have told Elijah that there are to be no more training lessons until after the birth, and do not argue with me about this, wife, because my mind is set.” Isabella sagged back with a frustrated sigh. “Oy! It’s just so obnoxious and so . . . high-handed! You know the honeymoon is over when you go from ‘my love,’ ‘my little flower,’ and ‘my heart’ and become simply ‘wife.’” Legna smothered the urge to chuckle. Her little friend’s famous sarcasm always tickled her, and it was meant to tickle. Bella had a way of hiding behind her wit and humor. She was stating things that clearly disturbed her, but she mocked them in such a way that anyone who did not know her would treat it as little more than a comedy routine. Legna knew better. “Now, Bella, you know Jacob adores you. He naturally wants to protect you. He literally worships the ground you walk on.” “Ha ha,” Bella said dryly. “Earth Demon. Worship the ground. Cute. Really cute.” “Well, come on now. Seriously. As a Demon of the Earth, Jacob has an affinity with nature.
Jacquelyn Frank (Gideon (Nightwalkers, #2))
Under the seeming disorder of the old city, wherever the old city is working successfully, is a marvelous order for maintaining the safety of the streets and the freedom of the city. It is a complex order. Its essence is intricacy of sidewalk use, bringing with it a constant succession of eyes. This order is all composed of movement and change, and although it is life, not art, we may fancifully call it the art form of the city and liken it to the dance — not to a simple-minded precision dance with everyone kicking up at the same time, twirling in unison and bowing off en masse, but to an intricate ballet in which the individual dancers and ensembles all have distinctive parts which miraculously reinforce each other and compose an orderly whole. The ballet of the good city sidewalk never repeats itself from place to place, and in any once place is always replete with new improvisations. The stretch of Hudson Street where I live is each day the scene of an intricate sidewalk ballet. I make my own first entrance into it a little after eight when I put out my garbage gcan, surely a prosaic occupation, but I enjoy my part, my little clang, as the junior droves of junior high school students walk by the center of the stage dropping candy wrapper. (How do they eat so much candy so early in the morning?) While I sweep up the wrappers I watch the other rituals of the morning: Mr Halpert unlocking the laundry's handcart from its mooring to a cellar door, Joe Cornacchia's son-in-law stacking out the empty crates from the delicatessen, the barber bringing out his sidewalk folding chair, Mr. Goldstein arranging the coils of wire which proclaim the hardware store is open, the wife of the tenement's super intendent depositing her chunky three-year-old with a toy mandolin on the stoop, the vantage point from which he is learning English his mother cannot speak. Now the primary childrren, heading for St. Luke's, dribble through the south; the children from St. Veronica\s cross, heading to the west, and the children from P.S 41, heading toward the east. Two new entrances are made from the wings: well-dressed and even elegant women and men with brief cases emerge from doorways and side streets. Most of these are heading for the bus and subways, but some hover on the curbs, stopping taxis which have miraculously appeared at the right moment, for the taxis are part of a wider morning ritual: having dropped passengers from midtown in the downtown financial district, they are now bringing downtowners up tow midtown. Simultaneously, numbers of women in housedresses have emerged and as they crisscross with one another they pause for quick conversations that sound with laughter or joint indignation, never, it seems, anything in between. It is time for me to hurry to work too, and I exchange my ritual farewell with Mr. Lofaro, the short, thick bodied, white-aproned fruit man who stands outside his doorway a little up the street, his arms folded, his feet planted, looking solid as the earth itself. We nod; we each glance quickly up and down the street, then look back at eachother and smile. We have done this many a morning for more than ten years, and we both know what it means: all is well. The heart of the day ballet I seldom see, because part off the nature of it is that working people who live there, like me, are mostly gone, filling the roles of strangers on other sidewalks. But from days off, I know enough to know that it becomes more and more intricate. Longshoremen who are not working that day gather at the White Horse or the Ideal or the International for beer and conversation. The executives and business lunchers from the industries just to the west throng the Dorgene restaurant and the Lion's Head coffee house; meat market workers and communication scientists fill the bakery lunchroom.
Jane Jacobs (The Death and Life of Great American Cities)
The rape and exploitation of enslaved black women was not just rampant, it was endemic. The writings of former slaves such Harriet Jacobs, as well those of sympathetic white women like abolitionist Sarah Grimké, paint a picture of black girls in their early teens getting routinely bribed with presents and “favors,” such as promises of better treatment, for agreeing to sex with white plantation workers or relatives of the owner.
Ruby Hamad (White Tears/Brown Scars: How White Feminism Betrays Women of Color)
When Elizabeth finally descended the stairs on her way to the dining room she was two hours late. Deliberately. “Good heavens, you’re tardy, my dear!” Sir Francis said, shoving back his chair and rushing to the doorway where Elizabeth had been standing, trying to gather her courage to do what needed to be done. “Come and meet my guests,” he said, drawing her forward after a swift, disappointed look at her drab attire and severe coiffure. “We did as you suggested in your note and went ahead with supper. What kept you abovestairs so long?” “I was at prayer,” Elizabeth said, managing to look him straight in the eye. Sir Francis recovered from his surprise in time to introduce her to the three other people at the table-two men who resembled him in age and features and two women of perhaps five and thirty who were both attired in the most shockingly revealing gowns Elizabeth had ever seen. Elizabeth accepted a helping of cold meat to silence her protesting stomach while both women studied her with unhidden scorn. “That is a most unusual ensemble you’re wearing, I must say,” remarked the woman named Eloise. “Is it the custom where you come from to dress so…simply?” Elizabeth took a dainty bite of meat. “Not really. I disapprove of too much personal adornment.” She turned to Sir Francis with an innocent stare. “Gowns are expensive. I consider them a great waste of money.” Sir Francis was suddenly inclined to agree, particularly since he intended to keep her naked as much as possible. “Quite right!” he beamed, eyeing the other ladies with pointed disapproval. “No sense in spending all that money on gowns. No point in spending money at all.” “My sentiments exactly,” Elizabeth said, nodding. “I prefer to give every shilling I can find to charity instead.” “Give it away?” he said in a muted roar, half rising out of his chair. Then he forced himself to sit back down and reconsider the wisdom of wedding her. She was lovely-her face more mature then he remembered it, but not even the black veil and scraped-back hair could detract from the beauty of her emerald-green eyes with their long, sooty lashes. Her eyes had dark circles beneath them-shadows he didn’t recall seeing there earlier in the day. He put the shadows down to her far-too-serious nature. Her dowry was creditable, and her body beneath that shapeless black gown…he wished he could see her shape. Perhaps it, too, had changed, and not for the better, in the past few years. “I had hoped, my dear,” Sir Francis said, covering her hand with his and squeezing it affectionately, “that you might wear something else down to supper, as I suggested you should.” Elizabeth gave him an innocent stare. “This is all I brought.” “All you brought?” he uttered. “B-But I definitely saw my footmen carrying several trunks upstairs.” “They belong to my aunt-only one of them is mine,” she fabricated hastily, already anticipating his next question and thinking madly for some satisfactory answer. “Really?” He continued to eye her gown with great dissatisfaction, and then he asked exactly the question she’d expected: “What, may I ask, does your one truck contain if not gowns?” Inspiration struck, and Elizabeth smiled radiantly. “Something of great value. Priceless value,” she confided. All faces at the table watched her with alert fascination-particularly the greedy Sir Francis. “Well, don’t keep us in suspense, love. What’s in it?” “The mortal remains of Saint Jacob.
Judith McNaught (Almost Heaven (Sequels, #3))
Well, brethren, you and I are committed to the onward course, we cannot go back; neither can we turn to the right hand or to the left. What shall we do, then? Shall we lie down, and fret? Shall we stand still, and be dismayed? No! In the Name of the Lord, let us again set up our banner, the royal standard of Jesus the Crucified. Let us sound the trumpets joyously, and let us march on, not with the trembling footsteps of those who know that they are bent upon an enterprise of evil, but with the gallant bearing of men whose cause is Divine, whose warfare is a crusade. Courage, my brethren; behold, the angels of God fly in our front, and, lo, the eternal God Himself leads our van. "The Lord of hosts is with us; the God of Jacob is our refuge." "Therefore will not we fear, though the earth be removed, and though the mountains be carried into the midst of the sea.
Charles Haddon Spurgeon (Christian Classics: Six books by Charles Spurgeon in a single collection, with active table of contents)
Shall I stop in to check on Bella before I go?” “Not dressed like that. You would give her palpitations if she knew you were going into danger for her benefit.” “Luckily, I am mostly immune to Bella’s powers and could cure such palpitations with a thought,” Gideon mused. Jacob raised a brow, taking the medic’s measure. He could not recall the last time he had heard the Ancient crack wise about anything. It was not a wholly unpleasant experience, and it amused the Enforcer. “I . . . am aware of what is occurring between you and Legna, as you know,” Jacob mentioned with casual quiet. “I am only recently Imprinted myself, but should you require—” He broke off, suddenly uncomfortable. “Of course, you probably know far more about Imprinting than I ever will.” He is reaching out to you. Legna’s soft encouragement made Gideon suddenly aware of that fact. It was one of those nuances he would have missed completely, rusty as he was with matters of friendship and how to relate better to others. “I am glad for the offer of any help you can provide,” Gideon said quickly. “In fact, I had wanted to ask you . . . something . . .” What did I want to ask him? he asked Legna urgently. I do not know! I did not tell you to engage him, just to graciously accept his offer. Oh. My apologies. Still, you are clever enough to think of something, are you not? Legna knew he was baiting her, so she laughed. Ask him why it is you seem to constantly irritate me. I will ask him no such thing, Magdelegna. Well then, you had better come up with an alternative, because that is the only suggestion I have. “Yes?” Jacob was encouraging neutrally, trying to be patient as the medic seemed to gather his thoughts. “Do you find that your mate tends to lecture you incessantly?” he asked finally. Jacob laughed out loud. “You know something, I can actually advise you about that, Gideon.” “Can you?” The medic actually sounded hopeful. “Give up. Now. While you still have your sanity. Arguing with her will get you nowhere. And, also, never ever ask questions that refer to the whys and wherefores of women, females, or any other feminine-based criticism. Otherwise you will only earn an argument at a higher decibel level. Oh, and one other thing.” Gideon cocked a brow in question. “All the rules I just gave you, as well as all the ones she lays down during the course of your relationship, can and will change at whim. So, as I see it, you can consider yourself just as lost as every other man on the planet. Good luck with it.” “That is not a very heartening thought,” Gideon said wryly, ignoring Legna’s giggle in his background thoughts.
Jacquelyn Frank (Gideon (Nightwalkers, #2))
When people speak of the tragedies in my life, they ordinarily mean the deaths. Not only Jacob. But all those around me who have perished. Whether in direct consequence of danger or simple misfortune and the passage of time after our friendships have formed. At times though I think these partings should be accounted as highly, if only in the ledger of my own sorrow. Akinimanbi did not die on a Lebane spear, but I never saw her again after leaving for the Great Cataract. In that sense I lost her as thoroughly as if she had died. So it was with Yeyuama as well. I only saw Faj Rawango once more, years later. And although Galinke corresponded with me, we could not be friends the way we might have been had we dwelt in the same land. So it has been, again and again throughout my life, as I form connections with people and then lose them to distance and time. I mourn those losses, even when I know my erstwhile friends are safe and happy among their own kin. But the only way for me to avoid such losses, would be to stay home. To never journey beyond the range of easy visitation. As my life will attest, that is not a measure I am willing to take. Nor would I forgo the pleasures of my transient friendships if I could. So we made our farewells, packed our things, and boarded a steamship in the harbor of Nsebu. Much browner, thinner and more worn than it had been when we arrived, we made our way back to Scirland.
Marie Brennan (The Tropic of Serpents (The Memoirs of Lady Trent, #2))
Acornology Once upon a time, in a land not so far away, there was a kingdom of acorns, nestled at the foot of a grand old oak tree. Since the citizens of this kingdom were modern, fully Westernized acorns, they went about their life with a purposeful energy; and since they were mid-life baby-boomer acorns, they engaged in a lot of self-help courses. There were seminars called “Getting All You Can out of Your Shell” and “Who Would You Be Without Your Nutty Story?” There were woundedness and recovery groups for acorns who had been bruised in their fall from the tree. There were spas for oiling and polishing those shells and various acornopathic therapies to enhance longevity and well-being. One day in the midst of this kingdom there suddenly appeared a knotty little stranger, apparently dropped out of the blue by a passing bird. He was capless and dirty, making an immediate negative impression on his fellow acorns. And to make things worse, crouched beneath the mighty oak tree, he stammered out a wild tale. Pointing up at the tree, he said, “We … are … that!” Delusional thinking, obviously, the other acorns concluded, but they continued to engage him in conversation: “So tell us, how do we … become that tree?” “Well,” said he, pointing downward, “it has something to do with going into the ground … and cracking open the shell.” “Insane!” they responded. “Totally morbid! Why then we wouldn’t be acorns anymore.
Jacob Needleman (Lost Christianity)
They were living to themselves: self, with its hopes, and promises, and dreams, still had hold of them; but the Lord began to fulfill their prayers. They had asked for contrition, and He sent them sorrow; they had asked for purity, and He sent them thrilling anguish; they had asked to be meek, and He had broken their hearts; they has asked to be dead to the world, and He slew all their living hopes; they had asked to be made like unto Him, and He placed them in the furnace, sitting by "as a refiner of silver," till they should reflect His image; they had asked to lay hold of His cross, and when He had reached it out to them, it lacerated their hands. They had asked they knew not what, nor how; but He had taken them at their word, and granted them all their petitions. They were hardly willing to follow so far, or to draw so nigh to Him. They had upon them an awe and fear, as Jacob at Bethel, or Eliphaz in the night visions, or as the apostles when they thought they had seen the spirit, and knew not that it was Jesus. They could almost pray Him to depart from them, or to hide His awefulness. They found it easier to obey than to suffer--to do than to give up--to bear the cross than to hang upon it: but they cannot go back, for they have come too near the unseen cross, and its virtues have pierced too deeply within them. He is fulfilling to them his promise, "And I, if I be lifted up, will draw all men unto me. But now, at last, their turn is come. Before, they had only heard of the mystery, but now they feel it. He has fastened on them His look of love, as He did on Mary and Peter, and they cannot but choose to follow. Little by little, from time to time, by flitting gleams the mystery of His cross shines upon them. They behold Him lifted up--they gaze upon the glory which rays forth from the wound of His holy passion; and as they gaze, they advance, and are changed into His likeness, and His name shines out through them, for he dwells in them. They live alone with Him above, in unspeakable fellowship; willing to lack what others own, and to be unlike all, so that they are only like him. "Such are they in all ages who follow the Lamb whithersoever He goeth. Had they chosen for themselves, or their friends chosen for them, they would have chosen otherwise. They would have been brighter here, but less glorious in His kingdom. They would have had Lot's portion, not Abraham's. If they had halted anywhere--if He had taken off His hand, and let them stray back--what would they have lost? What forfeits in the morning of the resurrection? But He stayed them up, even against themselves. Many a time their foot had well-nigh slipped; but He, in mercy, held them up; now, even in this life, they know all he did was done well. It was good for them to suffer here, for they shall reign hereafter--to bear the cross below, for they shall wear the crown above; and that not their will but His was done on them.
Elizabeth Payson Prentiss
Jacob remained by Mollie’s side throughout the night, clinging to her hand as well as to her vow. She wasn’t going to leave him. She’d given her word, and Mollie never broke a promise. He prayed. He tended the cuts she’d suffered from the blackberry brambles when she’d fallen. The vines had grown entangled within a cedar’s branches, and as best he could tell, she’d climbed the tree in order to reach the ripe berries that other pickers had left behind. Unfortunately, the limb she’d shimmied out on had been weak and had broken beneath her weight. “You know, this tree climbing and dropping through busted church floors is going to have to stop after we’re married. My heart won’t be able to take the stress.” He smiled and ran the back of his finger down the smooth line of her cheek. “Not that I expect any dictate I give you to have much effect. My only hope is that you’ll grow to care enough about me that you’ll take pity on me and cease taking unnecessary risks with your life.
Karen Witemeyer (Love on the Mend (Full Steam Ahead, #1.5))
That family doesn’t produce biddable females, do they? What will you do?” “Show her that I can give her what she wants.” “That easy, huh?” Jacob raised a skeptical dark brow. “Women are simple, brother. There’s no secret to controlling them. Keep them well-bed and well-fed, and they tend to do as you ask.” His brother threw back his head and laughed. “God, I hope she marries you.” “You say that as if it will be a bad thing.” Christian frowned. “On the contrary. It will prove to be highly entertaining.
Harper St. George (The Devil and the Heiress (The Gilded Age Heiresses, #2))
What do I care if folk speak reproachfully of the accursed Lamech and his bigamy? I know well that Abraham was a holy man, and Jacob likewise, as I believe. And each of them had wives more than two, and many another holy man besides. Where can you see, in any manner, that almighty God forbade marriage by explicit word? I pray you, tell me. Or where commanded He virginity? I know as well as you, without doubt, that the Apostle Paul, when he spoke of maidenhood, he said of that precept he had no opinion.
Geoffrey Chaucer (The Canterbury Tales)
Is it true it takes thirteen months for a female to carry and give birth?” “Minimum.” He said it with such casual dismissal that Bella laughed. “That’s easy for you to say. You don’t have to lug the kid around inside of you all that time. You, just like your human counterparts, have the fun part over with like that.” She snapped her fingers in front of his face. His dark eyes narrowed and he reached to enclose her hand in his, pulling her wrist up to the slow, purposeful brush of his lips even as he maintained a sensual eye contact that was far too full of promises. Isabella caught her breath as an insidious sensation of heated pins and needles stitched its way up her arm. “I promise you, Bella, a male Demon’s part in a mating is never over like this.” He mimicked her snap, making her jump in time to her kick-starting heartbeat. “Well”—she cleared her throat—“I guess I’ll have to take your word on that.” Jacob did not respond in agreement, and that unnerved her even further. Instinctively, she changed tack. “So, what brings you down into the dusty atmosphere of the great Demon library?” she asked, knowing she sounded like a brightly animated cartoon. “You.” Oh, how that singular word was pregnant with meaning, intent, and devastatingly blatant honesty. Isabella was forced to remind herself of the whole Demon-human mating taboo as the forbidden response of heat continued to writhe around beneath her skin, growing exponentially in intensity every moment he hovered close. She tried to picture all kinds of scary things that could happen if she did not quit egging him on like she was. How she was, she didn’t know, but she was always certain she was egging him on. “Why did you want to see me?” she asked, breaking away from him and bending to retrieve the book she had dropped. It was huge and heavy and she grunted softly under the weight of it. It landed with a slam and another puff of dust on the table she had made into her own private study station. “Because I cannot seem to help myself, lovely little Bella.
Jacquelyn Frank (Jacob (Nightwalkers, #1))
Roosevelt understood that money is money because we believe it’s money. When people lost confidence in their banks, they ceased to think of their deposits as money, so they withdrew their deposits in the form of paper bills. When they lost confidence in paper, they turned it into gold. These changes weren’t neutral. With each step—from deposits to paper, from paper to gold—America was sliding backward into a world with less money that worked less well. It was this slide that Roosevelt was trying to reverse.
Jacob Goldstein (Money: The True Story of a Made-Up Thing)
A woman of Samaria approached, and seeming unconscious of His presence, filled her pitcher with water. As she turned to go away, Jesus asked her for a drink. Such a favor no Oriental would withhold. In the East, water was called “the gift of God.” To offer a drink to the thirsty traveler was held to be a duty so sacred that the Arabs of [184] the desert would go out of their way in order to perform it. The hatred between Jews and Samaritans prevented the woman from offering a kindness to Jesus; but the Saviour was seeking to find the key to this heart, and with the tact born of divine love, He asked, not offered, a favor. The offer of a kindness might have been rejected; but trust awakens trust. The King of heaven came to this outcast soul, asking a service at her hands. He who made the ocean, who controls the waters of the great deep, who opened the springs and channels of the earth, rested from His weariness at Jacob’s well, and was dependent upon a stranger’s kindness for even the gift of a drink of water. The
Ellen Gould White (The Desire of Ages (Conflict of the Ages Book 3))
Gideon rose up to his full height, watching their progress as they faded into the night. He then turned his diamondlike eyes until they narrowed on the female Demon who had remained so still and quiet that she had gone unremembered. An interesting feat, considering the remarkable presence of the beauty. “You have grown strong, Legna,” he remarked quietly. “In only a decade? I am sure it has not made much of a difference.” “To teleport me from such a great distance took respectful skill and strength. You well know it.” “Thank you. I shall have to remember to feel weak and fluttery inside now that you complimented me.” Gideon narrowed his eyes coldly on her. “You sound like that acerbic little human. It does not become you.” “I sound like myself,” Legna countered, her irritation crackling through his thoughts as the emotion overflowed her control. “Or have you forgotten that I am far too immature for your tastes?” “I never said such a thing.” “You did. You said I was too young to even begin to understand you.” She lifted her chin, so lost in her wounded pride that she spoke before she thought. “At least I was never so immature that Jacob had to punish me for stalking a human.” Gideon’s spine went extremely straight, his eyes glittering with warning as she hit home on the still-raw wound. “Maturity had nothing to do with that, and you well know it. It is below you to be so petty, Magdelegna.” “I see, so I am groveling around in the gutter now? How childish of me. However can you bear it? I shall leave immediately.” Before Gideon could speak, Legna burst into smoke and sulfur, disappearing but for her laughter that rang through his mind. Gideon sighed, easily acknowledging her that her laughter was a taunt meant to remind him that with her departure, so too went his easy transportation home. Nevertheless, he was more perturbed to realize that he’d once against managed to say all the wrong things to her. Perhaps someday he would manage to speak with her without irritating her. However, he didn’t think that was likely to happen this millennium.
Jacquelyn Frank (Jacob (Nightwalkers, #1))
No," said Jacob, "I don't mean to say that this life is just a party, any kind of party. It is a wedding, the most important kind of party, full of joy, fear, hope, and ignorance. And at this party there are enough places and parts for everyone, and if no one can play every part, yet everyone can come to the party, everyone can come to the wedding feast, and anyone who does not know that he is at a wedding feast just does not see what is in front of him. He might as well be dead if he does not know that the world is a wedding.
Delmore Schwartz
I was on my way to college with two friends from high school, Sidney Jacobs and Tom Steiner, both of whom I knew quite well. But our going out to the Midwest together was unplanned, sheer chance. They were part of a local, self-made club they called the Phalanx—a group of superbright, geeky teenagers who banded together for mutual company and entertainment. I knew them from the Maryland Chess Club, though, being several years younger, I was tolerated to a degree but had never been a part of their highly introverted and intellectual group.
Philip Glass (Words Without Music: A Memoir)
INT. KAMA’S HIDEOUT—EVENING The interior of KAMA’S hideout is pitch black. The sound of water dripping. A brief shaft of sunlight reveals TINA, sleeping lightly on the floor in her coat. NEWT: Tina? She wakes. A moment as NEWT and TINA stare at each other. Each has thought of the other daily for a year. With no sign of KAMA, it seems she has been rescued. TINA (joyful, disbelieving): Newt! TINA notices KAMA entering in the background and raising his wand. Her expression changes. KAMA: Expelliarmus! NEWT’S wand flies out of his hand into KAMA’S. Bars form across the door, imprisoning them. KAMA (through the door): My apologies, Mr. Scamander! I shall return and release you when Credence is dead! TINA: Kama, wait! KAMA: You see, either he dies . . . or I do. He claps a hand to his eye. KAMA: No, no, no, no. Oh no. No, no, no. He jerks convulsively and slides to the floor, unconscious. NEWT: Well, that’s not the best start to a rescue attempt. TINA: This was a rescue attempt? You’ve just lost me my only lead. JACOB launches for the door, trying to break it down. NEWT (innocent): Well, how was the interrogation going before we turned up? TINA throws him a dark look. She strides to the back of the cave. Pickett, who, unnoticed, has hopped out of NEWT’S pocket, successfully picks the lock, and the bars swing open. JACOB: Newt! NEWT: Well done, Pick. (to TINA) You need this man, you say? TINA: Yeah. I think this man knows where Credence is, Mr. Scamander. As they bend over the unconscious KAMA, they hear an earth-shattering roar from somewhere above them. They look at each other. NEWT: Well, that’ll be the Zouwu. NEWT grabs his wand and Disapparates.
J.K. Rowling (Fantastic Beasts: The Crimes of Grindelwald: The Original Screenplay (Fantastic Beasts: The Original Screenplay, #2))
What counts as money (and what doesn’t) is the result of choices we make, and those choices have a profound effect on who gets more stuff and who gets less, who gets to take risks when times are good, and who gets screwed when things go bad. Our choices about money gave us the world we live in now: the world where, when a pandemic hit in the spring of 2020, central banks could create trillions of dollars and euros and yen out of thin air in an effort to fight an economic collapse. In the future we’ll make different choices, and money will change again.
Jacob Goldstein (Money: The True Story of a Made-Up Thing)
Jacob, is something wrong? Is Isabella okay?” “Probably. She is not well today. It could be a normal thing for a human female, but since she is usually as resistant to common ailments now as we are, she is nervous. I figured Gideon could ease her mind.” Noah missed the wince that crossed his friend’s face that would have given away the indignant argument flying through the Enforcer’s thoughts. Jacob’s female counterpart huffily took umbrage to his claims of exactly who it was that was nervous and who had insisted on seeking Gideon, because it certainly had not been her. “Tell her I hope she feels better,” Noah said, his fondness for Bella quite clear in his tone. “Bear with her, old friend. She’s breaking new ground. It can be pretty frightening to play Eve for an entire race.” “Do not worry. When it comes to my Bella, I would do anything to see to her happiness. That includes making others do anything to see to her happiness,” Jacob said. He meant the words, of course, but he was hoping they’d help sooth someone’s bristling pride. “I’m sure Gideon is going to love that,” Noah laughed. Jacob grinned, altering gravity so that he began to float up from the floor. “If you see Gideon before I do, will you tell him to come to Bella?” “Of course. Tell her I said to start behaving like a real Druid or I—” Noah was cut off by a sharp hand motion and a warning expression from the Enforcer. It came a little too late, however, if Jacob’s pained expression was anything to judge by. “There goes your invitation for our wedding,” Jacob muttered. “And I think I am close behind you.” “I would believe that if I were not the one who is supposed to perform it and if you were not the father of her otherwise illegitimate child,” Noah countered loudly, clearly talking to the person beyond his immediate perception. “Ow! Damn it, Noah!” Jacob grumbled, rubbing his temples as Bella’s scream of frustration echoed through him. “Do you remember I am the one who has to go home to her, would you?” “Sorry, my friend,” Noah chuckled, not looking at all repentant. “Now get out of here, Enforcer. Find Gideon and tend to your beautiful and charming mate. Be sure to mention to her that I said she looks ravishing and that her pregnancy has made her shine like a precious jewel.” “Noah, if you were not my King, I would kill you for this.” “Yes, well, as your King I would have you arrested for treason just for saying that. Luckily for you, Jacob, you are the man who would arrest you, and the woman who also has the power to do so is sure to punish you far better than I can when you get home.” “You are all heart, my liege,” Jacob said wryly. “Thank you. Now leave, before I begin to expound on the disrespect that this mouthy little female of yours seems to have engendered my formerly loyal subjects.
Jacquelyn Frank (Gideon (Nightwalkers, #2))
The thing I remember most vividly from that weekend is a small thing. We were walking, you and he and Julia and I, down that little path lined with birches that led to the lookout. (Back then it was a narrow throughway, do you remember that? It was only later that it became dense with trees.) I was with him, and you and Julia were behind us. You were talking about, oh, I don’t know—insects? Wildflowers? You two always found something to discuss, you both loved being outdoors, both loved animals: I loved this about both of you, even though I couldn’t understand it. And then you touched his shoulder and moved in front of him and knelt and retied one of his shoelaces that had come undone, and then fell back in step with Julia. It was so fluid, a little gesture: a step forward, a fold onto bended knee, a retreat back toward her side. It was nothing to you, you didn’t even think about it; you never even paused in your conversation. You were always watching him (but you all were), you took care of him in a dozen small ways, I saw all of this over those few days—but I doubt you would remember this particular incident. But while you were doing it, he looked at me, and the look on his face—I still cannot describe it, other than in that moment, I felt something crumble inside me, like a tower of damp sand built too high: for him, and for you, and for me as well. And in his face, I knew my own would be echoed. The impossibility of finding someone to do such a thing for another person, so unthinkingly, so gracefully! When I looked at him, I understood, for the first time since Jacob died, what people meant when they said someone was heartbreaking, that something could break your heart. I had always thought it mawkish, but in that moment I realized that it might have been mawkish, but it was also true. And that, I suppose, was when I knew.
Hanya Yanagihara (A Little Life)
Lately, with Thomas not working and Kamala trying her hand at puff pastry, there was almost always someone around, someone shuffling below and making it feel like even if they weren’t quite in sync, they were a team of sorts, a little tight unit. Now, with Sanji on her way to the hospital, Amina was alone with the unease of having brought the others into the mix. It wasn’t that she doubted their love or intentions, but the weight of that love would be no small thing. What would they do with everyone else’s worry on top of their own? Thomas did not weather other people’s concern well. He was not going to be happy with her.
Mira Jacob (The Sleepwalker's Guide to Dancing)
Valentine’s concept of introversion includes traits that contemporary psychology would classify as openness to experience (“thinker, dreamer”), conscientiousness (“idealist”), and neuroticism (“shy individual”). A long line of poets, scientists, and philosophers have also tended to group these traits together. All the way back in Genesis, the earliest book of the Bible, we had cerebral Jacob (a “quiet man dwelling in tents” who later becomes “Israel,” meaning one who wrestles inwardly with God) squaring off in sibling rivalry with his brother, the swashbuckling Esau (a “skillful hunter” and “man of the field”). In classical antiquity, the physicians Hippocrates and Galen famously proposed that our temperaments—and destinies—were a function of our bodily fluids, with extra blood and “yellow bile” making us sanguine or choleric (stable or neurotic extroversion), and an excess of phlegm and “black bile” making us calm or melancholic (stable or neurotic introversion). Aristotle noted that the melancholic temperament was associated with eminence in philosophy, poetry, and the arts (today we might classify this as opennessto experience). The seventeenth-century English poet John Milton wrote Il Penseroso (“The Thinker”) and L’Allegro (“The Merry One”), comparing “the happy person” who frolics in the countryside and revels in the city with “the thoughtful person” who walks meditatively through the nighttime woods and studies in a “lonely Towr.” (Again, today the description of Il Penseroso would apply not only to introversion but also to openness to experience and neuroticism.) The nineteenth-century German philosopher Schopenhauer contrasted “good-spirited” people (energetic, active, and easily bored) with his preferred type, “intelligent people” (sensitive, imaginative, and melancholic). “Mark this well, ye proud men of action!” declared his countryman Heinrich Heine. “Ye are, after all, nothing but unconscious instruments of the men of thought.” Because of this definitional complexity, I originally planned to invent my own terms for these constellations of traits. I decided against this, again for cultural reasons: the words introvert and extrovert have the advantage of being well known and highly evocative. Every time I uttered them at a dinner party or to a seatmate on an airplane, they elicited a torrent of confessions and reflections. For similar reasons, I’ve used the layperson’s spelling of extrovert rather than the extravert one finds throughout the research literature.
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
Carlisle had explained the laws about immortal children to Jacob last night. “The immortal children were really that bad?” he asked. “You can’t imagine the depth of the scars they’ve left in the collective vampire psyche.” “Edward…” It was still odd to hear Jacob use Edward’s name without bitterness. “I know, Jake. I know how hard it is to be away from her. We’ll play it by ear—see how they react to her. In any case, Nessie is going to have to be incognito off and on in the next few weeks. She’ll need to stay at the cottage until the right moment for us to introduce her. As long as you keep a safe distance from the main house…
Stephenie Meyer (Breaking Dawn (Twilight, #4))
After the punches, I went over how to kick. The deer women were at an extreme advantage when it came to kicking. Not only were their legs super powerful and full of muscles from all the climbing and running they did, but they were way longer than any dragon woman’s or orc’s legs could ever hope to be. One well placed kick from the deer women could stop an orc in his tracks, and he’d never even get close to her. “Always remember, aim for the balls,” I instructed while I walked amongst the group. “It’ll hurt like hell and almost definitely send your attacker to his knees. Then, you can come in with a spear, or bow and arrow, whatever you want.
Logan Jacobs (Monster Girl Islands 4 (Monster Girl Islands, #4))
New Rule: If you're going to have a rally where hundreds of thousands of people show up, you may as well go ahead and make it about something. With all due respect to my friends Jon Stewart and Stephen Colbert, it seems that if you truly wanted to come down on the side of restoring sanity and reason, you'd side with the sane and the reasonable--and not try to pretend the insanity is equally distributed in both parties. Keith Olbermann is right when he says he's not the equivalent of Glenn Beck. One reports facts; the other one is very close to playing with his poop. And the big mistake of modern media has been this notion of balance for balance's sake, that the left is just as violent and cruel as the right, that unions are just as powerful as corporations, that reverse racism is just as damaging as racism. There's a difference between a mad man and a madman. Now, getting more than two hundred thousand people to come to a liberal rally is a great achievement that gave me hope, and what I really loved about it was that it was twice the size of the Glenn Beck crowd on the Mall in August--although it weight the same. But the message of the rally as I heard it was that if the media would just top giving voice to the crazies on both sides, then maybe we could restore sanity. It was all nonpartisan, and urged cooperation with the moderates on the other side. Forgetting that Obama tried that, and found our there are no moderates on the other side. When Jon announced his rally, he said that the national conversation is "dominated" by people on the right who believe Obama's a socialist, and by people on the left who believe 9/11 was an inside job. But I can't name any Democratic leaders who think 9/11 was an inside job. But Republican leaders who think Obama's socialist? All of them. McCain, Boehner, Cantor, Palin...all of them. It's now official Republican dogma, like "Tax cuts pay for themselves" and "Gay men just haven't met the right woman." As another example of both sides using overheated rhetoric, Jon cited the right equating Obama with Hitler, and the left calling Bush a war criminal. Except thinking Obama is like Hitler is utterly unfounded--but thinking Bush is a war criminal? That's the opinion of Major General Anthony Taguba, who headed the Army's investigation into Abu Ghraib. Republicans keep staking out a position that is farther and farther right, and then demand Democrats meet them in the middle. Which now is not the middle anymore. That's the reason health-care reform is so watered down--it's Bob Dole's old plan from 1994. Same thing with cap and trade--it was the first President Bush's plan to deal with carbon emissions. Now the Republican plan for climate change is to claim it's a hoax. But it's not--I know because I've lived in L.A. since '83, and there's been a change in the city: I can see it now. All of us who live out here have had that experience: "Oh, look, there's a mountain there." Governments, led my liberal Democrats, passed laws that changed the air I breathe. For the better. I'm for them, and not the party that is plotting to abolish the EPA. I don't need to pretend both sides have a point here, and I don't care what left or right commentators say about it, I can only what climate scientists say about it. Two opposing sides don't necessarily have two compelling arguments. Martin Luther King Jr. spoke on that mall in the capital, and he didn't say, "Remember, folks, those southern sheriffs with the fire hoses and the German shepherds, they have a point, too." No, he said, "I have a dream. They have a nightmare. This isn't Team Edward and Team Jacob." Liberals, like the ones on that field, must stand up and be counted, and not pretend we're as mean or greedy or shortsighted or just plain batshit at them. And if that's too polarizing for you, and you still want to reach across the aisle and hold hands and sing with someone on the right, try church.
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
Damn it, Jacob, I’m freezing my butt off.” “I came as fast as I could, considering I thought it would be wise to walk the last few yards.” Isabella whirled around, her smiling face lighting up the silvery night with more ease than the fullest of moons. She leapt up into his embrace, eagerly drinking in his body heat and affection. “I can see it now. ‘Daddy, tell me about your wedding day.’ ‘Well, son,’” she mocked, deepening her voice to his timbre and reflecting his accent uncannily, “’The first words out of your mother’s mouth were I’m freezing my butt off!’” “Very romantic, don’t you think?” he teased. “So, you think it will be a boy, then? Our first child?” “Well, I’m fifty percent sure.” “Wise odds. Come, little flower, I intend to marry you before the hour is up.” With that, he scooped her off her feet and carried her high against his chest. “Unfortunately, we are going to have to do this hike the hard way.” “As Legna tells it, that’s what you’re supposed to do.” “Yeah, well, I assure you a great many grooms have fudged that a little.” He reached to tuck her chilled face into the warm crook of his neck. “Surely the guests would know. It takes longer to walk than it does to fly . . . or whatever . . . out of the woods.” “This is true, little flower. But passing time in the solitude of the woods is not necessarily a difficult task for a man and woman about to be married.” “Jacob!” she gasped, laughing. “Some traditions are not necessarily publicized,” he teased. “You people are outrageous.” “Mmm, and if I had the ability to turn to dust right now, would you tell me no if I asked to . . . pass time with you?” Isabella shivered, but it was the warmth of his whisper and intent, not the cold, that made her do so. “Have I ever said no to you?” “No, but now would be a good time to start, or we will be late to our own wedding,” he chuckled. “How about no . . . for now?” she asked silkily, pressing her lips to the column on his neck beneath his long, loose hair. His fingers flexed on her flesh, his arms drawing her tighter to himself. He tried to concentrate on where he was putting his feet. “If that is going to be your response, Bella, then I suggest you stop teasing me with that wicked little mouth of yours before I trip and land us both in the dirt.” “Okay,” she agreed, her tongue touching his pulse. “Bella . . .” “Jacob, I want to spend the entire night making love to you,” she murmured. Jacob stopped in his tracks, taking a moment to catch his breath. “Okay, why is it I always thought it was the groom who was supposed to be having lewd thoughts about the wedding night while the bride took the ceremony more seriously?” “You started it,” she reminded him, laughing softly. “I am begging you, Isabella, to allow me to leave these woods with a little of my dignity intact.” He sighed deeply, turning his head to brush his face over her hair. “It does not take much effort from you to turn me inside out and rouse my hunger for you. If there is much more of your wanton taunting, you will be flushed warm and rosy by the time we reach that altar, and our guests will not have to be Mind Demons in order to figure out why.” “I’m sorry, you’re right.” She turned her face away from his neck. Jacob resumed his ritual walk for all of thirty seconds before he stopped again. “Bella . . .” he warned dangerously. “I’m sorry! It just popped into my head!” “What am I getting myself into?” he asked aloud, sighing dramatically as he resumed his pace. “Well, in about an hour, I hope it will be me.
Jacquelyn Frank (Jacob (Nightwalkers, #1))
Here was a temporary solution. Parole would get Mofokeng and Mokoena out of jail as quickly as possible. Other details could be sorted out later. I accompanied Nyambi to Kroonstad jail at the end of October and remember that as he told Mofokeng and Mokoena the news—that they would be home for Christmas—smiles slowly but surely transformed the sombre, cautious expressions on their faces. Big problem: it was discovered in December, a full two months after the judgment was made, that the court order does not mention the NCCS at all. Consequently, the NCCS interpreted the court's order as having removed the NCCS's jurisdiction to deal with any "lifers" sentenced pre-1994. The members of the NCCS packed their briefcases and went home. No one knows why the judgment didn't mention the NCCS; maybe the judge who wrote it, Justice Bess Nkabinde, simply didn't know how the parole system operates; but eight of her fellow judges, the best in the land, found with her. The Mofokeng and Mokoena families, who are from 'the poorest of the poor', as the ANC likes to say, are distraught. But the rest—the law men, the politicians and the government ministers—well, quite frankly, they don't seem to give a fig. Zuma has gone on holiday, to host his famous annual Christmas party for children. Mapisa-Nqakula has also gone on holiday. Mofokeng and Mokoena remain where they were put 17 years ago, despite not having committed any crime.
Jeremy Gordin
What, may I ask, does your one truck contain if not gowns?” Inspiration struck, and Elizabeth smiled radiantly. “Something of great value. Priceless value,” she confided. All faces at the table watched her with alert fascination-particularly the greedy Sir Francis. “Well, don’t keep us in suspense, love. What’s in it?” “The mortal remains of Saint Jacob.” Lady Eloise and Lady Mortand screamed in unison, Sir William choked on his wine, and Sir Francis gaped at her in horror, but Elizabeth wasn’t quite finished. She saved the coup de grace until the meal was over. As soon as everyone arose she insisted they sit back down so a proper prayer of gratitude could be said. Raising her hands heavenward, Elizabeth turned a simple grace into a stinging tirade against the sins of lust and promiscuity that rose to crescendo as she called down the vengeance of doomsday on all transgressors and culminated in a terrifyingly lurid description of the terrors that awaited all who strayed down the path of lechery-terrors that combined dragon lore with mythology, a smattering of religion, and a liberal dash of her own vivid imagination. When it was done Elizabeth dropped her eyes, praying in earnest that tonight would loose her from her predicament. There was no more she could do; she’d played out her hand with all her might; she’d given it her all. It was enough. After supper Sir Francis escorted her to her chamber and, with a poor attempt at regret, announced that he greatly feared they wouldn’t suit. Not at all. Elizabeth and Berta departed at dawn the following morning, an hour before Sir Francis’s servants stirred themselves. Clad in a dressing robe, Sir Francis watched from his bedchamber window as Elizabeth’s coachman helped her into her conveyance. He was about to turn away when a sudden gust of wind caught Elizabeth’s black gown, exposing a long and exceptionally shapely leg to Sir Francis’s riveted gaze. He was still staring at the coach as it circled the drive; through its open window he saw Elizabeth laugh and reach up, unpinning her hair. Clouds of golden tresses whipped about the open window, obscuring her face, and Sir Francis thoughtfully wet his lips.
Judith McNaught (Almost Heaven (Sequels, #3))
Now, this was not exactly true. I do not believe in the court system, at least I do not think it is especially good at finding the truth. No lawyer does. We have all seen too many mistakes, too many bad results. A jury verdict is just a guess—a well-intentioned guess, generally, but you simply cannot tell fact from fiction by taking a vote. And yet, despite all that, I do believe in the power of the ritual. I believe in the religious symbolism, the black robes, the marble-columned courthouses like Greek temples. When we hold a trial, we are saying a mass. We are praying together to do what is right and to be protected from danger, and that is worth doing whether or not our prayers are actually heard. Of course, Logiudice
William Landay (Defending Jacob)
It was safe to say, standing as close to him as she was, that she was very aware of the rise of his aroused sensuality. Even if his hand had not been burning across her skin, the unapologetic hardness of his body pressing with erotic familiarity against hers would have told her how very much lost in his need for her he was. Gideon had to be the most sexual creature she had ever encountered. And yet, only a few short days ago, if she had been asked her opinion on that particular subject, she would have made suppositions that were quite the opposite. Was he telling her the truth when he said it was because of her? “I never lie, my beauty,” he murmured, reminding her of her own understandings about that. His lips against her hair, just beneath the back of her ear, were warm and smiling even as he kissed the thrillingly sensitive spot. “And even if I were just a dirty old man, Neliss,” he whispered like the warmth of sunshine in her ear, “it would never account for the tenderness you see in me even now.” He tightened his hold on her, drawing her so close that he burned hotly against her. “And you would have been in my bed, beneath the press of my body, open and inviting me in by now.” The raw observation and the aggressive heat of his body made her grasp, a mix between shocked sensibilities and excited delight. Legna looked up into his famished eyes, licking her lips with a hunger all her own. “If we do not find something to do, we will end up in bed together,” she reminded him with her heart pounding so obviously against his chest. “Yes. Perhaps without the intention of rousing until Jacob and Bella’s Beltane wedding,” he mused, the pleasure of the speculation quite evident in his expression. It was an attractive thought to Legna as well, especially as his mouth dipped beneath her hair to continue to tease the sensitive skin of her neck. But just the same, she took matters into her own hand, so to speak, and teleported out of his grasp, reappearing all the way on the other side of the room. Finding his arms so abruptly vacated, Gideon gave her an eloquent look. She was going to pay for her little trick one day, and his eyes promised it to her as thoroughly as a worded threat.
Jacquelyn Frank (Gideon (Nightwalkers, #2))
He never mentioned whether something was fair, however. Fairness itself seemed to hold little interest for him, which I found fascinating, as people, especially young people, are very interested in what's fair. Fairness is a concept taught to nice children: it is the governing principle of kindergartens and summer camps and playgrounds and soccer fields. Jacob, back when he was able to go to school and learn things and think and speak, knew what fairness was and that it was important, something to be valued. Fairness is for happy people, for people who have been lucky enough to have lived a life defined more by certainties than by ambiguities. Right and wrong, however, are for--well, not unhappy people, maybe, but scarred people; scared people.
Hanya Yanagihara (A Little Life)
her power now that she had lost the hair. So when the bride had finished drinking, and would have got upon Falada again, the maid said, "I shall ride upon Falada, and you may have my horse instead;" so she was forced to give up her horse, and soon afterwards to take off her royal clothes, and put on her maid's shabby ones. At last, as they drew near the end of the journey, this treacherous servant threatened to kill her mistress if she ever told anyone what had happened. But Falada saw it all, and marked it well. Then the waiting-maid got upon Falada, and the real bride was set upon the other horse, and they went on in this way till at last they came to the royal court. There was great joy at their coming, and the prince hurried to meet them, and lifted the maid from her horse, thinking she was the one who was to be his wife; and she was led upstairs to the royal chamber, but the true princess was told to stay in the court below. However, the old king happened to be looking out of the window, and saw her in the yard below; and as she looked very pretty, and too delicate for a waiting-maid, he went into the royal chamber to ask the bride whom it was she had brought with her, that was thus left standing in the court below. "I brought her with me for the sake of her company on the road," said she. "Pray give the girl some work to do, that she may not be idle." The old king could not for some time think of any work for her, but at last he said, "I have a lad who takes care of my geese; she may go and help him." Now the name of this lad, that the real bride was to help in watching the king's geese, was Curdken. Soon after, the false bride said to the prince, "Dear husband, pray do me one piece of kindness." "That I will," said the prince. "Then tell one of your slaughterers to cut off the head of the horse I rode upon, for it was very unruly, and plagued me sadly on the road." But the truth was, she was very much afraid lest Falada should speak, and tell all she had done to the princess. She carried her point, and the faithful Falada was killed; but when the true princess heard of it she wept, and begged the man to nail up Falada's head against a large dark gate in the city through which she had to pass every morning and evening, that there she might still see him sometimes. Then the slaughterer said he would do as she wished, so he cut off the head and nailed it fast under the dark gate. Early the next morning, as the princess and Curdken went out through the gate, she said sorrowfully— "Falada, Falada, there thou art hanging!" and the head answered— "Bride, bride, there thou are ganging! Alas! alas! if thy mother knew it, Sadly, sadly her heart would rue it." Then they went out of the city, driving the geese. And when they came to the meadow, the princess sat down upon a bank there and let down her waving locks of hair, which were all of pure gold; and when Curdken saw it glitter in the sun, he ran up, and would have pulled some of the locks out; but she cried— "Blow, breezes, blow! Let Curdken's hat go! Blow breezes, blow! Let him after it go! "O'er hills, dales, and rocks, Away be it whirl'd, Till the golden locks Are all comb'd and curl'd!" Then there came a wind, so strong that it blew off Curdken's hat, and away it flew over the hills, and he after it; till, by the time he came back, she had done combing and curling her hair, and put it up again safely. Then he was very angry and sulky, and would not speak to her at all; but they watched the geese until it grew dark in the evening, and then drove them homewards. The next morning, as they were going through the dark gate, the poor girl looked up at Falada's head, and cried— "Falada, Falada, there thou art hanging!" and it answered— "Bride, bride, there thou are ganging! Alas! alas! if thy mother knew it, Sadly, sadly her heart would rue it." Then she drove on the geese and sat down again in the meadow, and began to comb
Jacob Grimm (Grimm's Fairy Stories)
The shrine derived its sanctity from the Book of Genesis, which recounts how Abraham bought the cave from a certain Ephron the Hittite (for “four hundred shekels of silver”) as a burial site for his wife, Sarah. Eventually, Abraham is interred alongside his wife and later other Hebrew patriarchs and matriarchs are buried there as well—Isaac, Jacob, Rebecca, and Leah. Over the centuries, the appeal of this Old Testament narrative to all three monotheistic religions made the cave a trophy for competing empires. It served as a Jewish shrine under Herod the Great, who surrounded it with huge stone walls, a basilica in the Byzantine era, and a mosque after the invasion of the Muslims. The Crusaders made a church of the site in 1100 but it reverted to a mosque when Saladin conquered the area in 1188.
Dan Ephron (Killing a King: The Assassination of Yitzhak Rabin and the Remaking of Israel)
Hanging back to get her reaction under control, she wiped her knife on the edge of her petticoat, then angled her body away so she could raise her skirts enough to slip the knife into its sheath, taking care not to drop the pilfered food cradled in her other arm. When she straightened, she expected Darius and Jacob to be well ahead but instead found her companions only a few yards away, their far-too-curious eyes riveted on her. “So that’s where you keep it.” Darius’s attention dropped to a spot halfway down her skirt. “I had wondered.” Nicole lifted her chin. “Yes, well, I tried carrying it around in one of those lacy little reticules, but it kept getting tangled in the ribbons. Not very practical.” Keeping her eyes averted from Darius’s face, she marched past the gawkers and headed for the house.
Karen Witemeyer (Full Steam Ahead)
With Betsy already famous for feelings, Nabby took pride in her independent spirit and level head. She declared that because love was founded in self-interest she would never be swept off her feet by a cad, and she shocked her friends by leaving a Harvard commencement party early. She shared her father's skepticism about human nature: in her opinion one was more likely to be good because one was happy than happy because one was good. "I believe our happiness is in great measure dependent upon external circumstances," Nabby wrote to Betsy, disagreeing with her cousin's view that we take an active role in our well-being. If success could be attained by effort or merit, why, she reasoned, should she be showered by "ten thousand sources of happiness" while others, who were equally devastating, were starved of the most basic needs?
Diane Jacobs (Dear Abigail: The Intimate Lives and Revolutionary Ideas of Abigail Adams and Her Two Remarkable Sisters)
Jacob realized that if she kept on going like that he might very well cry out himself. But just then a voice outside the wagon called "JAKE! AIR YE IN THAR?" and he knew it was Sarah. "ANSWER ME!" she requested, so he did. "Yeah, I'm in here, but I'll be right out." He was bucking beneath the weight of Virdie in an effort to finish. "WHAT'RE YE DOIN IN THAR, JAKE?" Sarah wanted to know. "I'm havin words-" he panted "-with this here Rebel foe." He was nearly there, although he realized that the wagon must be visibly shaking. Virdie suddenly stuffed her dress into her mouth, but it was not enough to keep another one of her long groans from coming out. "JAKE!" Sarah hollered. "YOU AINT A-HURTING HER, AIR YE?" "Jist a little," he answered, "to teach her a lesson." And then he got there, rapturously, reflecting, Godalmighty, if I could git this reg'lar, maybe I'd jine the Rebels after all.
Donald Harington (The Architecture of the Arkansas Ozarks (Stay More))
I remembered the scene in the Bible when Jacob asks Rachel for water and on hearing her speak the words that were prophesied for him, throws up his hands to heaven and kisses the ground by the well. Me Jewish, Celan Jewish, Oliver Jewish—we were in a half ghetto, half oasis, in an otherwise cruel and unflinching world where fuddling around strangers suddenly stops, where we misread no one and no one misjudges us, where one person simply knows the other and knows him so thoroughly that to be taken away from such intimacy is galut, the Hebrew word for exile and dispersal. Was he my home, then, my homecoming? You are my homecoming. When I’m with you and we’re well together, there is nothing more I want. You make me like who I am, who I become when you’re with me, Oliver. If there is any truth in the world, it lies when I’m with you, and if I find the courage to speak my truth to you one day, remind me to light a candle in thanksgiving at every altar in Rome.
André Aciman (Call Me By Your Name (Call Me By Your Name, #1))
As painful as it was, reading about sexual violence toward Black women and girls helped me with necessary creative depictions. My book could not have been written without Harriet Jacobs’s Incidents in the Life of a Slave Girl, Toni Morrison’s The Bluest Eye as well as Beloved, and Alice Walker’s The Color Purple—this last book is so special to me because Ms. Walker is a native of Eatonton, Georgia, the home of my maternal ancestors. (My mother was one of Ms. Walker’s teachers.) My mother—Trellie James Jeffers—published an early germinal essay about colorism in the Black community, “The Black Black Woman and the Black Middle Class,” which allowed me to witness (vicariously) intra-racist sexism in African American communities. Another essay by her, “From the Old Slave Shack: Memoirs of a Teacher,” offers historical background about Mama’s experiences attending segregated schools in Eatonton, Georgia, in the 1930s and 1940s, before attending Spelman College in 1951.
Honorée Fanonne Jeffers (The Love Songs of W.E.B. Du Bois)
George Romney’s private-sector experience typified the business world of his time. His executive career took place within a single company, American Motors Corporation, where his success rested on the dogged (and prescient) pursuit of more fuel-efficient cars.41 Rooted in a particular locale, the industrial Midwest, AMC was built on a philosophy of civic engagement. Romney dismissed the “rugged individualism” touted by conservatives as “nothing but a political banner to cover up greed.”42 Nor was this dismissal just cheap talk: He once returned a substantial bonus that he regarded as excessive.43 Prosperity was not an individual product, in Romney’s view; it was generated through bargaining and compromises among stakeholders (managers, workers, public officials, and the local community) as well as through individual initiative. When George Romney turned to politics, he carried this understanding with him. Romney exemplified the moderate perspective characteristic of many high-profile Republicans of his day. He stressed the importance of private initiative and decentralized governance, and worried about the power of unions. Yet he also believed that government had a vital role to play in securing prosperity for all. He once famously called UAW head Walter Reuther “the most dangerous man in Detroit,” but then, characteristically, developed a good working relationship with him.44 Elected governor in 1962 after working to update Michigan’s constitution, he broke with conservatives in his own party and worked across party lines to raise the minimum wage, enact an income tax, double state education expenditures during his first five years in office, and introduce more generous programs for the poor and unemployed.45 He signed into law a bill giving teachers collective bargaining rights.46 At a time when conservatives were turning to the antigovernment individualism of Barry Goldwater, Romney called on the GOP to make the insurance of equal opportunity a top priority. As
Jacob S. Hacker (American Amnesia: How the War on Government Led Us to Forget What Made America Prosper)
GENESIS 29 Then Jacob went on his journey and came to  k the land of the people of the east. 2As he looked, he saw a well in the field, and behold, three flocks of sheep lying beside it, for out of that well the flocks were watered. The stone on the well’s mouth was large, 3and when all the flocks were gathered there, the shepherds would roll the stone from the mouth of the well and water the sheep, and put the stone back in its place over the mouth of the well. 4Jacob said to them, “My brothers, where do you come from?” They said,  l “We are from Haran.” 5He said to them, “Do you know Laban the son of Nahor?” They said, “We know him.” 6He said to them, “Is it well with him?” They said, “It is well; and see, Rachel his daughter is coming with the sheep!” 7He said, “Behold, it is still high day; it is not time for the livestock to be gathered together. Water the sheep and go, pasture them.” 8But they said, “We cannot until all the flocks are gathered together and the stone is rolled from the mouth of the well; then we water the sheep.
Anonymous (Holy Bible: English Standard Version (ESV))
The history of slavery provides the spine of this novel. Some texts that offered “deep background” were Boubacar Barry’s Senegambia and the Atlantic Slave Trade, which excavates eighteenth-century slave trading history in Wolof-speaking areas of West Africa, and Walter Rucker’s Gold Coast Diasporas: Identity, Culture, and Power, about Asante peoples of West Africa, those who would come to be called “Coromantee.” Sylviane Diouf’s Servants of Allah: African Muslims Enslaved in the Americas is a must-read for anyone interested in Muslim history on the American side of the Atlantic. And Marcus Rediker’s The Slave Ship: A Human History gives background information about the brutal transatlantic slave trade. In addition, the digitized Georgia Archives provided information about eighteenth-century slave and Native American codes, as well as Land Lottery records. Henry Louis Gates’s edited The Classic Slave Narratives, which include Jacobs’s as well as Frederick Douglass’s autobiographies, continue to be so important to me. Ailey’s family lives
Honorée Fanonne Jeffers (The Love Songs of W.E.B. Du Bois)
Next week is Beltane,” she reminded him. “Do you suppose we will make it through the wedding this time?” “Not if Gideon says you cannot get out of this bed,” he countered sternly. “Absolutely not!” she burst out, making him wince and cover the ear she’d been too close to. She immediately regretted her thoughtlessness, making a sad sound before reaching to kiss the ear she had offended with quiet gentleness. Jacob extricated himself from her hold enough to allow himself to turn and face her. “Okay, explain what you meant,” he said gently. “I refuse to wait another six months. We are getting married on Beltane, come hell or . . . necromancers . . . or . . . the creature from the Black Lagoon. There is no way Corrine is going to be allowed to get married without me getting married, too. I refuse to listen to her calling me the family hussy for the rest of the year.” “What does it matter what she says?” Jacob sighed as he reached to touch the soft contours of her face. “You and I are bonded in a way that transcends marriage already. Is that not what is important?” “No. What’s important is the fact that I am going to murder the sister I love if she doesn’t quit. And she will not quit until I shut her up either with a marriage or a murder weapon. Understand?” Clearly, by his expression, Jacob did not understand. “Thank Destiny all I have is a brother,” he said dryly. “I have been inundated with people tied into knots over one sister or another for the past weeks.” “You mean Legna. Listen, it’s not her fault if everyone has their shorts in a twist because of who her Imprinted mate is! Frankly, I think she and Gideon make a fabulous couple. Granted, a little too gorgeously ‘King and Queen of the Prom’ perfect for human eyes to bear looking at for long, but fabulous just the same.” Jacob blinked in confusion as he tried to decipher his fiancée’s statement. Even after all these months, she still came out with unique phraseologies that totally escaped his more classic comprehension of the English language. But he had gotten used to just shrugging his confusion off, blaming it on the fact that English wasn’t his first, second, or third language, so it was to be expected. “Anyway,” she went on, “Noah and Hannah need to chill. You saw Legna when she came to visit yesterday. If a woman could glow, she was as good as radioactive.” She smiled sweetly at him. “That means,” she explained, “that she looks as brilliantly happy as you make me feel.” “I see,” he chuckled. “Thank you for the translation.” He reached his arms around her, drawing her body up to his as close as he could considering the small matter of a fetal obstacle. He kissed her inviting mouth until she was breathless and glowing herself. “I thought I would be kind to you,” she explained with a laugh against his mouth. “You, my love, are all heart.” “And you are all pervert. Jacob!” She laughed as she swatted one of his hands away from intimate places, only to be shanghaied by another. “What would Gideon say?” “He better not say anything, because if he did that would mean he was in here while you are naked. And that, little flower, would probably cost him his vocal chords in any event.” “Oh. Well . . . when you put it that way . . .
Jacquelyn Frank (Gideon (Nightwalkers, #2))
In God’s providence he has given us passages that highlight different features of his kingship in Isaiah, which are all part of different rhetorical arguments. This diversity points to the greatness of God, the king, as well as to the many ways his kingship can relate to us today. As we have seen, God is the holy king (6:1–3; 57:15), a warrior king (59:15b–20; 63:1–6), a shepherd king (40:11), the unseeable king (6:2), the king we will see (33:17; 40:5; 52:10), the royal judge (33:22), the saviour and redeemer king (33:22; 44:6; 52:7; 59:20), the king of glory (6:3; 24:23; 40:5; 60:1–2), the king of Israel (44:6) and Jacob (41:21), the king of the nations (2:2–4; 25:6–8; 60:1–3; 66:18–24), the king of heavenly forces (24:21–23), the wise king (2:2–4), the king who inhabits the cosmos (57:15; 66:1), the king of the downtrodden (57:15; 66:1–2), the king in history (6; 36 – 37), the king at the eschaton (24:21–24; 52:7; 60), and more. The book of Isaiah does not want us to condense God, the king, into one simple idea; instead, the book invites us to allow its collage of portraits of God as king to elicit a range of responses.
Andrew Abernethy (The Book of Isaiah and God's Kingdom: A Thematic-Theological Approach (New Studies in Biblical Theology 40) (VOLUME 40))
To Jacob, bleeding into the ground, in the midst of an endless war, that goal seemed more distant than ever, hopeless, even impossible. And still, had he been able, he would have fought on, died not just once but a thousand times, not for the country as it was, but for the noble, sacred objective upon which it had been founded—liberty and justice for all. Whatever the cost, the Union must hold together. So much hung in the balance, so very much. Not only the hope and valor of those who had gone before, but the freedom, perhaps the very existence, of those yet to be born. In solidarity, the United States could be a force for good in a hungry, desperate world. Torn asunder, it would be ineffectual, two bickering factions, bound to divide into still smaller and weaker fragments over time, too busy posturing and rattling sabers to meet the demands of a fragile future or to stand in the way of new tyrannies, certain to arise. We hold these truths to be self-evident, that all men are created equal... That belief, inspiring as it was, had chafed the consciences of thinking people since it flowed from the nib of Thomas Jefferson’s pen, as well it should have.
Linda Lael Miller (The Yankee Widow)
Due to the various pragmatic obstacles, it is rare for a mission-critical analysis to be done in the “fully Bayesian” manner, i.e., without the use of tried-and-true frequentist tools at the various stages. Philosophy and beauty aside, the reliability and efficiency of the underlying computations required by the Bayesian framework are the main practical issues. A central technical issue at the heart of this is that it is much easier to do optimization (reliably and efficiently) in high dimensions than it is to do integration in high dimensions. Thus the workhorse machine learning methods, while there are ongoing efforts to adapt them to Bayesian framework, are almost all rooted in frequentist methods. A work-around is to perform MAP inference, which is optimization based. Most users of Bayesian estimation methods, in practice, are likely to use a mix of Bayesian and frequentist tools. The reverse is also true—frequentist data analysts, even if they stay formally within the frequentist framework, are often influenced by “Bayesian thinking,” referring to “priors” and “posteriors.” The most advisable position is probably to know both paradigms well, in order to make informed judgments about which tools to apply in which situations.
Jake VanderPlas (Statistics, Data Mining, and Machine Learning in Astronomy: A Practical Python Guide for the Analysis of Survey Data (Princeton Series in Modern Observational Astronomy))
Mrs. Indianapolis was in town again. She looked like a can of Sprite in her green and yellow outfit. She always likes to come down to the front desk just to chat. It was 4:04 am and thankfully I was awake and at the front desk when she got off the elevator and walked towards me. 
 “Good morning, Jacob,” she said.
 “My name is Jarod,” I replied.
 “When did you change your name?” “I was born Jarod, and I’ll probably die. Maybe.”
 “You must be new here. You look like a guy named Jacob that used to work at the front desk.”
 “Nope, I’m not new. And there’s no Jacob that’s worked the front desk, nor anybody who looks or looked like me. How can I assist you, Mrs. Indianapolis?”
 “I’d like to inform you that the pool is emitting a certain odor.”
 “What sort of odor?”
 “Bleach.”
 “Ah, that’s what we like to call chlorine. It’s the latest craze in the sanitation of public pools. Between you and me, though, I think it’s just a fad.”
 “Don’t get sassy with me, young man. I know what chlorine is. I expect a clean pool when I go swimming. But what I don’t expect is enough bleach to get the grass stain out of a shirt the size of Kentucky.”
 “That’s not our policy, ma’am. We only use about as much chlorine as it would take to remove a coffee stain the size of Seattle from a light gray shirt the size of Washington.” “Jerry, I don’t usually give advice to underlings, but I’m feeling charitable tonight. So I’ll tell you that if you want to get ahead in life, you have to know when to talk and when not to talk. And for a guy like you, it’d be a good idea if you decided not to talk all the time. Or even better, not to talk at all.”
 “Some people say some people talk too much, and some people, the second some people, say the first some people talk to much and think too little. Who is first and who is second in this case? Well, the customer—that’s you, lady—always comes first.”
 “There you go again with the talking. I’d rather talk to a robot than to you.”
 “If you’d rather talk to a robot, why don’t you just find your husband? He’s got all the personality and charm of a circuit board. Forgive me, I didn’t mean that.”
 “I should hope not!”
 “What I meant to say was fried circuit board. It’d be quite absurd to equate your husband’s banter to a functioning circuit board.”
 “I’m going to have a talk to your manager about your poor guest service.”
 “Go ahead. Tell him that Jerry was rude and see what he says. And by the way, the laundry room is off limits when no lifeguard is on duty.
Jarod Kintz (Gosh, I probably shouldn't publish this.)
INT. NEWT’S SITTING ROOM—FIVE MINUTES LATER—NIGHT The threesome sit at a table bearing NEWT’S mismatched crockery, the atmosphere tainted by TINA’S absence. QUEENIE’S case lies open on the sofa. QUEENIE: Tina and I aren’t talking. NEWT: Why? JACOB’S POV—pink and hazy, as though happily drunk. QUEENIE: Oh well, you know, she found out about Jacob and I seeing each other and she didn’t like it, ’cause of the “law.” (miming quotation marks) Not allowed to date No-Majs, not allowed to marry them. Blah, blah, blah. Well, she was all in a tizzy anyway, ’cause of you. NEWT: Me? QUEENIE: Yeah, you, Newt. It was in Spellbound. Here—I brought it for you— She points her wand at her suitcase. A celebrity magazine zooms to her: Spellbound: Celebrity Secrets and Spell Tips of the Stars! On the cover, an idealized NEWT and an improbably beaming Niffler. BEAST TAMER NEWT TO WED! QUEENIE opens the magazine. THESEUS, LETA, NEWT, and BUNTY stand side by side at his book launch. QUEENIE (showing him): “Newt Scamander with fiancée, Leta Lestrange; brother, Theseus; and unknown woman.” NEWT: No. Theseus is marrying Leta, not me. QUEENIE: Oh! Oh dear . . . well, see, Teen read that, and she started dating someone else. He’s an Auror. His name’s Achilles Tolliver.
J.K. Rowling (Fantastic Beasts: The Crimes of Grindelwald: The Original Screenplay (Fantastic Beasts: The Original Screenplay, #2))
He opened his eyes then, white fire flaring hotly within them. “Send me home, Legna,” he commanded her, his voice hoarse with suppressed emotion. She moved her head in affirmation even as she leaned toward him to catch his mouth once more in a brief, territorial kiss, her teeth scoring his bottom lip as she broke away. It was an incidental wound, one he could heal in the blink of an eye. But he wouldn’t erase her mark on him, and they both knew it. Finally, she stepped back, closed her eyes, and concentrated on picturing his home in her thoughts. She had been in his parlor dozens of times as a guest, always accompanied by Noah. His library, his kitchen, even the grounds of the isolated estate were well known to her. She could have sent him to any of those locations. But as she began to focus, her mind’s eye was filled with the image of a dark, elegant room she had never seen before. Hand-carved ebony-paneled walls soared up into a vast ceiling, enormous windows of intricate stained glass spilled colored light over the entire room as if a multitude of rainbows had taken up residence. It all centered around an enormous bed, the coverlet’s color indistinguishable under the blanket of colorful dawn sunlight that streamed into the room. She could feel the sun’s warmth, ready and waiting to cocoon any weary occupant who thrived on sleeping in the heat of the muted daylight sun. It was a beautiful room, and she knew without a doubt that it was Gideon’s bedroom and that he had shared the image of it with her. If she sent him there, it would be the first time she had ever teleported someone to a place she had not first seen for herself. The ability to take images of places from others’ minds for teleporting purposes was an advanced Elder ability. “You can do it,” he encouraged her softly, all of his thoughts and his will completely full of his belief in that statement. Legna kept his gaze for one last long moment, and with a flick of a wrist sent him from the room with a soft pop of moving air. She exhaled in wonder, everything inside of her knowing without a doubt that he had appeared in his bedroom, safe and sound, that very next second. Legna turned to look at her own bed and wondered how she would ever be able to sleep. Nelissuna . . . go to bed. I will help you sleep. Gideon’s voice washed through her, warming her, comforting her in a way she hadn’t thought possible. This was the connection that Jacob and Isabella shared. For the rest of the time both of them lived, each would be privy to the other’s innermost thoughts. She realized that because he was the more powerful, it was quite possible he would be able to master parts of himself, probably even hide things from her awareness and keep them private—at least, until she learned how to work her new ability with better skill. After all, she was a Demon of the Mind. It was part of her innate state of being to figure the workings of their complex minds. She removed her slippers and pushed the sleeves of her dress from her shoulders so that it sheeted off her in one smooth whisper of fabric. She closed her eyes, avoiding looking in the mirror or at herself, very aware of Gideon’s eyes behind her own. His masculine laughter vibrated through her, setting her skin to tingle. So, you are both shy and bold . . . he said with amusement as she quickly slid beneath her covers. You are a source of contradictions and surprises, Legna. My world has begun anew. As if living for over a millennium is not long enough? she asked him. On the contrary. Without you, it was far, far too long. Go to sleep, Nelissuna. And a moment after she received the thought, her eyes slid closed with a weight she could not have contradicted even if she had wanted to. Her last thought, as she drifted off, was that she had to make a point of telling Isabella that she might have been wrong about what it meant to have another to share one’s mind with.
Jacquelyn Frank (Gideon (Nightwalkers, #2))
I have never been one of those people—I know you aren't, either—who feels that the love one has for a child is somehow a superior love, one more meaningful, more significant, and grander than any other. I didn't feel that before Jacob, and I didn't feel that after. But it is a singular love, because it is a love whose foundation is not physical attraction, or pleasure, or intellect, but fear. You have never known fear until you have a child, and maybe that is what tricks us into thinking that it is more magnificent, because the fear itself is more magnificent. Every day, your first thought is not “I love him” but “How is he?” The world, overnight, rearranges itself into an obstacle course of terrors. I would hold him in my arms and wait to cross the street and would think how absurd it was that my child, that any child, could expect to survive this life. It seemed as improbable as the survival of one of those late-spring butterflies—you know, those little white ones—I sometimes saw wobbling through the air, always just millimeters away from smacking itself against a windshield. And let me tell you two other things I learned. The first is that it doesn't matter how old that child is, or when or how he became yours. Once you decide to think of someone as your child, something changes, and everything you have previously enjoyed about them, everything you have previously felt for them, is preceded first by that fear. It's not biological; it's something extra-biological, less a determination to ensure the survival of one's genetic code, and more a desire to prove oneself inviolable to the universe's feints and challenges, to triumph over the things that want to destroy what's yours. The second thing is this: when your child dies, you feel everything you'd expect to feel, feelings so well-documented by so many others that I won't even bother to list them here, except to say that everything that's written about mourning is all the same, and it's all the same for a reason—because there is no real deviation from the text. Sometimes you feel more of one thing and less of another, and sometimes you feel them out of order, and sometimes you feel them for a longer time or a shorter time. But the sensations are always the same. But here's what no one says—when it's your child, a part of you, a very tiny but nonetheless unignorable part of you, also feels relief. Because finally, the moment you have been expecting, been dreading, been preparing yourself for since the day you became a parent, has come. Ah, you tell yourself, it's arrived. Here it is. And after that, you have nothing to fear again.
Hanya Yanagihara, A Little Life
Gulls wheel through spokes of sunlight over gracious roofs and dowdy thatch, snatching entrails at the marketplace and escaping over cloistered gardens, spike-topped walls and treble-bolted doors. Gulls alight on whitewashed gables, creaking pagodas and dung-ripe stables; circle over towers and cavernous bells and over hidden squares where urns of urine sit by covered wells, watched by mule-drivers, mules and wolf-snouted dogs, ignored by hunchbacked makers of clogs; gather speed up the stoned-in Nakashima River and fly beneath the arches of its bridges, glimpsed from kitchen doors, watched by farmers walking high, stony ridges. Gulls fly through clouds of steam from laundries’ vats; over kites unthreading corpses of cats; over scholars glimpsing truth in fragile patterns; over bath-house adulterers; heartbroken slatterns; fishwives dismembering lobsters and crabs; their husbands gutting mackerel on slabs; woodcutters’ sons sharpening axes; candle-makers, rolling waxes; flint-eyed officials milking taxes; etoliated lacquerers; mottled-skinned dyers; imprecise soothsayers; unblinking liars; weavers of mats; cutters of rushes; ink-lipped calligraphers dipping brushes; booksellers ruined by unsold books; ladies-in-waiting; tasters; dressers; filching page-boys; runny-nosed cooks; sunless attic nooks where seamstresses prick calloused fingers; limping malingerers; swineherds; swindlers; lip-chewed debtors rich in excuses; heard-it-all creditors tightening nooses; prisoners haunted by happier lives and ageing rakes by other men’s wives; skeletal tutors goaded to fits; firemen-turned-looters when occasion permits; tongue-tied witnesses; purchased judges; mothers-in-law nurturing briars and grudges; apothecaries grinding powders with mortars; palanquins carrying not-yet-wed daughters; silent nuns; nine-year-old whores; the once-were-beautiful gnawed by sores; statues of Jizo anointed with posies; syphilitics sneezing through rotted-off noses; potters; barbers; hawkers of oil; tanners; cutlers; carters of night-soil; gate-keepers; bee-keepers; blacksmiths and drapers; torturers; wet-nurses; perjurers; cut-purses; the newborn; the growing; the strong-willed and pliant; the ailing; the dying; the weak and defiant; over the roof of a painter withdrawn first from the world, then his family, and down into a masterpiece that has, in the end, withdrawn from its creator; and around again, where their flight began, over the balcony of the Room of the Last Chrysanthemum, where a puddle from last night’s rain is evaporating; a puddle in which Magistrate Shiroyama observes the blurred reflections of gulls wheeling through spokes of sunlight. This world, he thinks, contains just one masterpiece, and that is itself.
David Mitchell (The Thousand Autumns of Jacob de Zoet)
Motor-scooter riders with big beards and girl friends who bounce on the back of the scooters and wear their hair long in front of their faces as well as behind, drunks who follow the advice of the Hat Council and are always turned out in hats, but not hats the Council would approve. Mr. Lacey, the locksmith,, shups up his shop for a while and goes to exchange time of day with Mr. Slube at the cigar store. Mr. Koochagian, the tailor, waters luxuriant jungle of plants in his window, gives them a critical look from the outside, accepts compliments on them from two passers-by, fingers the leaves on the plane tree in front of our house with a thoughtful gardener's appraisal, and crosses the street for a bite at the Ideal where he can keep an eye on customers and wigwag across the message that he is coming. The baby carriages come out, and clusters of everyone from toddlers with dolls to teenagers with homework gather at the stoops. When I get home from work, the ballet is reaching its cresendo. This is the time roller skates and stilts and tricycles and games in the lee of the stoop with bottletops and plastic cowboys, this is the time of bundles and packages, zigzagging from the drug store to the fruit stand and back over to the butcher's; this is the time when teenagers, all dressed up, are pausing to ask if their slips shows or their collars look right; this is the time when beautiful girls get out of MG's; this is the time when the fire engines go through; this is the time when anybody you know on Hudson street will go by. As the darkness thickens and Mr. Halpert moors the laundry cart to the cellar door again, the ballet goes under lights, eddying back nad forth but intensifying at the bright spotlight pools of Joe's sidewalk pizza, the bars, the delicatessen, the restaurant and the drug store. The night workers stop now at the delicatessen, to pick up salami and a container of milk. Things have settled down for the evening but the street and its ballet have not come to a stop. I know the deep night ballet and its seasons best from waking long after midnight to tend a baby and, sitting in the dark, seeing the shadows and hearing sounds of the sidewalk. Mostly it is a sound like infinitely patterning snatches of party conversation, and, about three in the morning, singing, very good singing. Sometimes their is a sharpness and anger or sad, sad weeping, or a flurry of search for a string of beads broken. One night a young man came roaring along, bellowing terrible language at two girls whom he had apparently picked up and who were disappointing him. Doors opened, a wary semicircle formed around him, not too close, until police came. Out came the heads, too, along the Hudsons street, offering opinion, "Drunk...Crazy...A wild kid from the suburbs" Deep in the night, I am almost unaware of how many people are on the street unless someone calls the together. Like the bagpipe. Who the piper is and why he favored our street I have no idea.
Jane Jacobs
Christianity . . . does not [simply] stand in the history that we only know and which knowledge we take to ourselves so that we say “Christ died for us and has broken death in us and made it into life. He has paid the debt for us. We need only to comfort ourselves with this and firmly believe that it has happened.” Since we in ourselves find that sin in the flesh is living, desirous and active, that it might work, the new birth out of Christ must be something else that does not work along with the sinful flesh and that does not will sin. . . . Here a Christian is to consider why he calls himself a Christian and is truly to consider whether he is one. Because I may learn to know and understand that I am a sinner, and that Christ has killed my sins on the cross and shed His blood for me, this in no way makes a Christian out of me. The inheritance is only for the children. A maid in the house knows well what the wife would eagerly have. This does not therefore make her an inheritor of the wife’s goods. The devil also knows that there is a God [James 2:19]. That does not therefore make him an angel again. However, if the maid in the household marries the wife’s son, then she can truly come to the inheritance of the wife’s goods. . . . The scorner and the titular Christian is the whore’s son, who must be cast out for he is not to inherit Christ’s inheritance in the kingdom of God (Galatians 4:30). He is no use, and only Babel, a confusion of the one language into many languages. He is only a talker and arguer about the inheritance and wishes to talk and argue to it with his mouth-hypocrisy and appearance of holiness, but he is only a blood-thirsty murderer of Abel his brother who is the true heir. . . . If one says, “I have the will and wish eagerly to do good, but I have earthly flesh that holds me [back] so that I cannot [act]; nevertheless, I shall be blessed by grace because of the merit of Christ. Since I console myself indeed with His suffering and merit, He will take me out of grace, without any merit of mine, and forgive me my sins,” he acts like one who knows of good food for his health and does not eat it, but who eats instead the poison from which he becomes ill and dies. What does it help the soul if it knows the way to God and does not wish to take it, but goes instead on a way of error, and does not reach God? What does it help the soul if it consoles itself with the sonship of Christ, [with] His suffering and death, and is itself hypocritical, but cannot enter into the childlike birth so that it is born a true child out of Christ’s Spirit, out of His suffering, death and resurrection? Certainly and truly, this tickling and hypocrisy about Christ’s merits aside from the true inherited sonship is false and a lie, [regardless of] who teaches. This consolation belongs to the repentant sinner who is in strife with sin and God’s wrath when the temptations come that the devil sets on the soul. Then the soul is to wrap itself completely in the suffering and death of Christ in His merit. [The Way to Christ, trans. Peter Erb, 138-139, 156-158]
Jakob Böhme
The Woman at Jacob’s Well Jesus traveled from Judea to Samaria. About noontime, Jesus rested by Jacob’s well, and His followers went to buy food. A woman came to the well to draw water. “Give me a drink,” Jesus said. “You’re a Jew,” she said. “I’m a Samaritan. Jews don’t share with Samaritans.” “You don’t know who’s asking you for a drink. If you did, you’d ask me for a drink. Then I’d give you living water.” “You don’t have a bucket, sir. How will you get that living water?” “Whoever drinks water from this well,” Jesus said, “will get thirsty again. But when I give you water the well is inside of you. It bubbles up to give you eternal life.” “Sir,” the woman said, “please give me this water. Then I’ll never thirst again. I won’t have to come to this well.” “Go get your husband, and come back.” The Samaritan woman said, “I see you’re a prophet. Tell me, which is right, to worship at this mountain or at Jerusalem?” “Believe me,” Jesus answered. “The time has come when you won’t worship the Father in either place. The real worshipers worship the Father in spirit and in truth. God is seeking people who will worship him this way. You see, God is Spirit. So the people who worship him must worship in spirit and truth.” Then the woman said, “I know Christ is coming. When he does he’ll teach us everything.” “I’m speaking to you. I’m Christ.” Just then Jesus’ followers came back with the food. They were surprised that Jesus was talking with this Samaritan woman. She left her water jug at the well and hurried back to town. “Come and see a man who told me everything I’ve ever done! Could he be Christ?” Many people in that town believed in Jesus because of the woman. Jesus stayed there two days. Many more believed because they heard his words.
Daniel Partner (365 Read-Aloud Bedtime Bible Stories)
The experiences of men who walked with God in olden times agree to teach that the Lord cannot fully bless a man until He has first conquered him. The degree of blessing enjoyed by any man will correspond exactly with the completeness of God’s victory over him. This is a badly neglected tenet of the Christian’s creed, not understood by many in this self-assured age, but it is nevertheless of living importance to us all. This spiritual principle is well illustrated in the book of Genesis. Jacob was the wily old heel-catcher whose very strength was to him a near-fatal weakness. For two-thirds of his total life he had carried in his nature something hard and unconquered. Not his glorious vision in the wilderness nor his long bitter discipline in Haran had broken his harmful strength. He stood at the ford of Jabbok at the time of the going down of the sun, a shrewd, intelligent old master of applied psychology learned the hard way. The picture he presented was not a pretty one. He was a vessel marred in the making. His hope lay in his own defeat. This he did not know at the setting of the day, but had learned before the rising of the sun. All night he resisted God until in kindness God touched the hollow of his thigh and won the victory over him. It was only after he had gone down to humiliating defeat that he began to feel the joy of release from his own evil strength, the delight of God’s conquest over him. Then he cried aloud for the blessing and refused to let go till it came. It had been a long fight, but for God (and for reasons known only to Him) Jacob had been worth the effort. Now he became another man, the stubborn and self-willed rebel was turned into a meek and dignified friend of God. He had prevailed indeed, but through weakness, not through strength.
A.W. Tozer (God's Pursuit of Man: Tozer's Profound Prequel to The Pursuit of God)
The thing I remember most vividly from that weekend is a small thing. We were walking, you and he and Julia and I, down that little path lined with birches that led to the lookout. (Back then it was a narrow throughway, do you remember that? It was only later that it became dense with trees.) I was with him, and you and Julia were behind us. You were talking about, oh, I don’t know—insects? Wildflowers? You two always found something to discuss, you both loved being outdoors, both loved animals: I loved this about both of you, even though I couldn’t understand it. And then you touched his shoulder and moved in front of him and knelt and retied one of his shoelaces that had come undone, and then fell back in step with Julia. It was so fluid, a little gesture: a step forward, a fold onto bended knee, a retreat back toward her side. It was nothing to you, you didn’t even think about it; you never even paused in your conversation. You were always watching him (but you all were), you took care of him in a dozen small ways, I saw all of this over those few days—but I doubt you would remember this particular incident. But while you were doing it, he looked at me, and the look on his face—I still cannot describe it, other than in that moment, I felt something crumble inside me, like a tower of damp sand built too high: for him, and for you, and for me as well. And in his face, I knew my own would be echoed. The impossibility of finding someone to do such a thing for another person, so unthinkingly, so gracefully! When I looked at him, I understood, for the first time since Jacob died, what people meant when they said someone was heartbreaking, that something could break your heart. I had always thought it mawkish, but in that moment I realized that it might have been mawkish, but it was also true. And that, I suppose, was when I knew.
Hanya Yanagihara (A Little Life)
Here, for example, is a hypothetical: A football team is going to an away game when one of their vans breaks down. So they ask the mother of one of the players if they can borrow her van to transport them. Sure, she says, but I’m not going to drive. And so she asks the assistant coach to drive the team for her. But then, as they’re driving along, something horrible happens: the van skids off the road and flips over; everyone inside dies. There is no criminal case here. The road was slippery, the driver wasn’t intoxicated. It was an accident. But then the parents of the team, the mothers and fathers of the dead players, sue the owner of the van. It was her van, they argue, but more important, it was she who appointed the driver of her van. He was only her agent, and therefore, it is she who bears the responsibility. So: What happens? Should the plaintiffs win their suit? Students don’t like this case. I don’t teach it that often—its extremity makes it more flashy than it is instructive, I believe—but whenever I did, I would always hear a voice in the auditorium say, “But it’s not fair!” And as annoying as that word is—fair—it is important that students never forget the concept. “Fair” is never an answer, I would tell them. But it is always a consideration. He never mentioned whether something was fair, however. Fairness itself seemed to hold little interest for him, which I found fascinating, as people, especially young people, are very interested in what’s fair. Fairness is a concept taught to nice children: it is the governing principle of kindergartens and summer camps and playgrounds and soccer fields. Jacob, back when he was able to go to school and learn things and think and speak, knew what fairness was and that it was important, something to be valued. Fairness is for happy people, for people who have been lucky enough to have lived a life defined more by certainties than by ambiguities. Right and wrong, however, are for—well, not unhappy people, maybe, but scarred people; scared people. Or am I just thinking this now? “So were the plaintiffs successful?” I asked. That year, his first year, I had in fact taught that case. “Yes,” he said, and he explained why: he knew instinctively why they would have been. And then, right on cue, I heard the tiny “But it’s not fair!” from the back of the room, and before I could begin my first lecture of the season—“fair” is never an answer, etc., etc.—he said, quietly, “But it’s right.
Hanya Yanagihara (A Little Life)
Pigs eat acorns, but neither consider the sun that gave them life, nor the influence of the heavens by which they were nourished, nor the very root of the tree from whence they came. Thomas Traherne Your enjoyment of the world is never right till every morning you awake in Heaven; see yourself in your Father’s palace; and look upon the skies, the earth and the air as celestial joys; having such a reverend esteem of all, as if you were among the Angels. The bride of a monarch, in her husband’s chamber, hath no such causes of delight as you. You never enjoy the world aright till the sea itself floweth in your veins, till you are clothed with the heavens and crowned with the stars; and perceive yourself to be the sole heir of the whole world, and more than so, because men are in it who are every one sole heirs as well as you. Till you can sing and rejoice and delight in God, as misers do in gold, and kings in sceptres, you can never enjoy the world. Till your spirit filleth the whole world, and the stars are your jewels; till you are as familiar with the ways of God in all ages as with your walk and table; till you are intimately acquainted with that shady nothing out of which the world was made; till you love men so as to desire their happiness with a thirst equal to the zeal of your own; till you delight in God for being good to all; you never enjoy the world. Till you more feel it than your private estate, and are more present in the hemisphere, considering the glories and the beauties there, than in your own house; till you remember how lately you were made, and how wonderful it was when you came into it; and more rejoice in the palace of your glory than if it had been made today morning. Yet further, you never enjoyed the world aright, till you so love the beauty of enjoying it, that you are covetous and earnest to persuade others to enjoy it. And so perfectly hate the abominable corruption of men in despising it that you had rather suffer the flames of hell than willingly be guilty of their error. The world is a mirror of Infinite Beauty, yet no man sees it. It is a Temple of Majesty, yet no man regards it. It is a region of Light and Peace, did not men disquiet it. It is the Paradise of God. It is more to man since he is fallen than it was before. It is the place of Angels and the Gate of Heaven. When Jacob waked out of his dream, he said, God is here, and I wist it not. How dreadful is this place! This is none other than the House of God and the Gate of Heaven. Thomas Traherne
Aldous Huxley (The Perennial Philosophy: An Interpretation of the Great Mystics, East and West)
To their surprise, they found that dopamine actively regulates both the formation and the forgetting of new memories. In the process of creating new memories, the dCA1 receptor was activated. By contrast, forgetting was initiated by the activation of the DAMB receptor. Previously, it was thought that forgetting might be simply the degradation of memories with time, which happens passively by itself. This new study shows that forgetting is an active process, requiring intervention by dopamine. To prove their point, they showed that by interfering with the action of the dCA1 and DAMB receptors, they could, at will, increase or decrease the ability of fruit flies to remember and forget. A mutation in the dCA1 receptor, for example, impaired the ability of the fruit flies to remember. A mutation in the DAMB receptor decreased their ability to forget. The researchers speculate that this effect, in turn, may be partially responsible for savants’ skills. Perhaps there is a deficiency in their ability to forget. One of the graduate students involved in the study, Jacob Berry, says, “Savants have a high capacity for memory. But maybe it isn’t memory that gives them this capacity; maybe they have a bad forgetting mechanism. This might also be the strategy for developing drugs to promote cognition and memory—what about drugs that inhibit forgetting as a cognitive enhancers?” Assuming that this result holds up in human experiments as well, it could encourage scientists to develop new drugs and neurotransmitters that are able to dampen the forgetting process. One might thus be able to selectively turn on photographic memories when needed by neutralizing the forgetting process. In this way, we wouldn’t have the continuous overflow of extraneous, useless information, which hinders the thinking of people with savant syndrome. What is also exciting is the possibility that the BRAIN project, which is being championed by the Obama administration, might be able to identify the specific pathways involved with acquired savant syndrome. Transcranial magnetic fields are still too crude to pin down the handful of neurons that may be involved. But using nanoprobes and the latest in scanning technologies, the BRAIN project might be able to isolate the precise neural pathways that make possible photographic memory and incredible computational, artistic, and musical skills. Billions of research dollars will be channeled into identifying the specific neural pathways involved with mental disease and other afflictions of the brain, and the secret of savant skills may be revealed in the process. Then it might be possible to take normal individuals and make savants out of them. This has happened many times in the past because of random accidents. In the future, this may become a precise medical process.
Michio Kaku (The Future of the Mind: The Scientific Quest to Understand, Enhance, and Empower the Mind)
A Tale of Two Parking Requirements The impact of parking requirements becomes clearer when we compare the parking requirements of San Francisco and Los Angeles. San Francisco limits off-street parking, while LA requires it. Take, for example, the different parking requirements for concert halls. For a downtown concert hall, Los Angeles requires, as a minimum, fifty times more parking than San Francisco allows as its maximum. Thus the San Francisco Symphony built its home, Louise Davies Hall, without a parking garage, while Disney Hall, the new home of the Los Angeles Philharmonic, did not open until seven years after its parking garage was built. Disney Hall's six-level, 2,188-space underground garage cost $110 million to build (about $50,000 per space). Financially troubled Los Angeles County, which built the garage, went into debt to finance it, expecting that parking revenues would repay the borrowed money. But the garage was completed in 1996, and Disney Hall—which suffered from a budget less grand than its vision—became knotted in delays and didn't open until late 2003. During the seven years in between, parking revenue fell far short of debt payments (few people park in an underground structure if there is nothing above it) and the county, by that point nearly bankrupt, had to subsidize the garage even as it laid employees off. The money spent on parking shifted Disney Hall's design toward drivers and away from pedestrians. The presence of a six-story subterranean garage means most concert patrons arrive from underneath the hall, rather than from the sidewalk. The hall's designers clearly understood this, and so while the hall has a fairly impressive street entrance, its more magisterial gateway is an "escalator cascade" that flows up from the parking structure and ends in the foyer. This has profound implications for street life. A concertgoer can now drive to Disney Hall, park beneath it, ride up into it, see a show, and then reverse the whole process—and never set foot on a sidewalk in downtown LA. The full experience of an iconic Los Angeles building begins and ends in its parking garage, not in the city itself. Visitors to downtown San Francisco have a different experience. When a concert or theater performance lets out in San Francisco, people stream onto the sidewalks, strolling past the restaurants, bars, bookstores, and flower shops that are open and well-lit. For those who have driven, it is a long walk to the car, which is probably in a public facility unattached to any specific restaurant or shop. The presence of open shops and people on the street encourages other people to be out as well. People want to be on streets with other people on them, and they avoid streets that are empty, because empty streets are eerie and menacing at night. Although the absence of parking requirements does not guarantee a vibrant area, their presence certainly inhibits it. "The more downtown is broken up and interspersed with parking lots and garages," Jane Jacobs argued in 1961, "the duller and deader it becomes ... and there is nothing more repellent than a dead downtown.
Donald C. Shoup (There Ain't No Such Thing as Free Parking (Cato Unbound Book 42011))
We need to be humble enough to recognize that unforeseen things can and do happen that are nobody’s fault. A good example of this occurred during the making of Toy Story 2. Earlier, when I described the evolution of that movie, I explained that our decision to overhaul the film so late in the game led to a meltdown of our workforce. This meltdown was the big unexpected event, and our response to it became part of our mythology. But about ten months before the reboot was ordered, in the winter of 1998, we’d been hit with a series of three smaller, random events—the first of which would threaten the future of Pixar. To understand this first event, you need to know that we rely on Unix and Linux machines to store the thousands of computer files that comprise all the shots of any given film. And on those machines, there is a command—/bin/rm -r -f *—that removes everything on the file system as fast as it can. Hearing that, you can probably anticipate what’s coming: Somehow, by accident, someone used this command on the drives where the Toy Story 2 files were kept. Not just some of the files, either. All of the data that made up the pictures, from objects to backgrounds, from lighting to shading, was dumped out of the system. First, Woody’s hat disappeared. Then his boots. Then he disappeared entirely. One by one, the other characters began to vanish, too: Buzz, Mr. Potato Head, Hamm, Rex. Whole sequences—poof!—were deleted from the drive. Oren Jacobs, one of the lead technical directors on the movie, remembers watching this occur in real time. At first, he couldn’t believe what he was seeing. Then, he was frantically dialing the phone to reach systems. “Pull out the plug on the Toy Story 2 master machine!” he screamed. When the guy on the other end asked, sensibly, why, Oren screamed louder: “Please, God, just pull it out as fast as you can!” The systems guy moved quickly, but still, two years of work—90 percent of the film—had been erased in a matter of seconds. An hour later, Oren and his boss, Galyn Susman, were in my office, trying to figure out what we would do next. “Don’t worry,” we all reassured each other. “We’ll restore the data from the backup system tonight. We’ll only lose half a day of work.” But then came random event number two: The backup system, we discovered, hadn’t been working correctly. The mechanism we had in place specifically to help us recover from data failures had itself failed. Toy Story 2 was gone and, at this point, the urge to panic was quite real. To reassemble the film would have taken thirty people a solid year. I remember the meeting when, as this devastating reality began to sink in, the company’s leaders gathered in a conference room to discuss our options—of which there seemed to be none. Then, about an hour into our discussion, Galyn Susman, the movie’s supervising technical director, remembered something: “Wait,” she said. “I might have a backup on my home computer.” About six months before, Galyn had had her second baby, which required that she spend more of her time working from home. To make that process more convenient, she’d set up a system that copied the entire film database to her home computer, automatically, once a week. This—our third random event—would be our salvation. Within a minute of her epiphany, Galyn and Oren were in her Volvo, speeding to her home in San Anselmo. They got her computer, wrapped it in blankets, and placed it carefully in the backseat. Then they drove in the slow lane all the way back to the office, where the machine was, as Oren describes it, “carried into Pixar like an Egyptian pharaoh.” Thanks to Galyn’s files, Woody was back—along with the rest of the movie.
Ed Catmull (Creativity, Inc.: Overcoming the Unseen Forces That Stand in the Way of True Inspiration)
As the liberal sees it, the task of the state consists solely and exclusively in guaranteeing the protection of life, health, liberty, and private property against violent attacks. Everything that goes beyond this is an evil. A government that, instead of fulfilling its task, sought to go so far as actually to infringe on personal security of life and health, freedom, and property would, of course, be altogether bad. Still, as Jacob Burckhardt says, power is evil in itself, no matter who exercises it. It tends to corrupt those who wield it and leads to abuse. Not only absolute sovereigns and aristocrats, but the masses also, in whose hands democracy entrusts the supreme power of government, are only too easily inclined to excesses. In the United States, the manufacture and sale of alcoholic beverages are prohibited. Other countries do not go so far, but nearly everywhere some restrictions are imposed on the sale of opium, cocaine, and similar narcotics. It is universally deemed one of the tasks of legislation and government to protect the individual from himself. Even those who otherwise generally have misgivings about extending the area of governmental activity consider it quite proper that the freedom of the individual should be curtailed in this respect, and they think that only a benighted doctrinairism could oppose such prohibitions. Indeed, so general is the acceptance of this kind of interference by the authorities in the life of the individual that those who, are opposed to liberalism on principle are prone to base their argument on the ostensibly undisputed acknowledgment of the necessity of such prohibitions and to draw from it the conclusion that complete freedom is an evil and that some measure of restriction must be imposed upon the freedom of the individual by the governmental authorities in their capacity as guardians of his welfare. The question cannot be whether the authorities ought to impose restrictions upon the freedom of the individual, but only how far they ought to go in this respect. No words need be wasted over the fact that all these narcotics are harmful. The question whether even a small quantity of alcohol is harmful or whether the harm results only from the abuse of alcoholic beverages is not at issue here. It is an established fact that alcoholism, cocainism, and morphinism are deadly enemies of life, of health, and of the capacity for work and enjoyment; and a utilitarian must therefore consider them as vices. But this is far from demonstrating that the authorities must interpose to suppress these vices by commercial prohibitions, nor is it by any means evident that such intervention on the part of the government is really capable of suppressing them or that, even if this end could be attained, it might not therewith open up a Pandora's box of other dangers, no less mischievous than alcoholism and morphinism. Whoever is convinced that indulgence or excessive indulgence in these poisons is pernicious is not hindered from living abstemiously or temperately. This question cannot be treated exclusively in reference to alcoholism, morphinism, cocainism, etc., which all reasonable men acknowledge to be evils. For if the majority of citizens is, in principle, conceded the right to impose its way of life upon a minority, it is impossible to stop at prohibitions against indulgence in alcohol, morphine, cocaine, and similar poisons. Why should not what is valid for these poisons be valid also for nicotine, caffeine, and the like? Why should not the state generally prescribe which foods may be indulged in and which must be avoided because they are injurious? In sports too, many people are prone to carry their indulgence further than their strength will allow. Why should not the state interfere here as well? Few men know how to be temperate in their sexual life, and it seems especially difficult for aging persons to understand that they should cease entirel
Ludwig von Mises (Liberalism: The Classical Tradition)
Dickinson was a fine biblical interpreter and frequently employed the biblical narrative to identify with the characters she found there. Their stories indicate that it is never an easy thing, to be chosen of God; it is not something people choose for themselves. For Abraham and Sarah, Moses, Jacob, Ruth, Jeremiah, Isaiah, Mary, and Jesus himself, being God’s chosen does not mean doing well. It does not grant access to all the answers but means contending with hard questions, thankless tasks, and usually a harrowing journey, which in Jesus’ case leads to the cross.
Kathleen Norris (Amazing Grace: A Vocabulary of Faith)
God loves to look at us, and loves it when we will look back at him. Even when we try to run away from our troubles, as Jacob did, God will find us, and bless us, even when we feel most alone, unsure if we’ll survive the night. God will find a way to let us know that he is with us in this place, wherever we are, however far we think we’ve run. And maybe that’s one reason we worship—to respond to grace. We praise God not to celebrate our own faith but to give thanks for the faith God has in us. To let ourselves look at God, and let God look back at us. And to laugh, and sing, and be delighted because God has called us his own.
Kathleen Norris (Amazing Grace: A Vocabulary of Faith)
Our experiences become not about our own fulfillment, the fulfillment of those we’re with, or even about sharing; rather, they become about ego, demonstrating status, seeming cool or smart or well-informed.
Jacob Silverman (Terms of Service: Social Media and the Price of Constant Connection)