“
Where were you?” she asked.
“I was killing innocent maidens and kicking puppies.”
“Jacks, that’s not funny.
”
”
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
“
I do not want you dead, and I’ll kill anyone who tries.
”
”
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
“
I’m going to go back and stop your son from killing her.”
The queen’s face fell. For a moment, she looked as old as the years she’d spent lying in a suspended state. “That is not a small mistake to fix. If you do this, Time will take something equally valuable from you.”
The Fate gave the queen a look more vicious than any curse. “There is nothing of equal value to me.
”
”
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
“
Ellen could have killed me," Jack said quietly, "but she didn't. She saved my life."
"How come?" Fitch demanded. "After all this?"
Ellen turned scarlet and stared at the ground. "Maybe none of my opponents ever gave me flowers before," she mumbled.
”
”
Cinda Williams Chima (The Warrior Heir (The Heir Chronicles, #1))
“
I'm not a vagrant. I'm a hobo. Big difference.
”
”
Lee Child (Killing Floor (Jack Reacher, #1))
“
I swear this is what I really want.” He spoke each word like a vow. “I want to erase every moment you and I have spent together, every word you’ve said to me, and every time I’ve touched you, because if I don’t, I’ll kill you, just like I killed the Fox.
”
”
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
“
There'll be times when the only refuge is books. Then you'll read as if you meant it, as if your life depended on it.
”
”
Ken Bruen (The Killing of the Tinkers (Jack Taylor, #2))
“
Did you, Vance?”
“Did I what?”
“Did you have Hines killed?”
“Now what kind of a question is that?
”
”
Behcet Kaya (Body In The Woods (Jack Ludefance, #2))
“
He had learned well the law of club and fang, and he never forewent an advantage or drew back from a foe he had started on the way to Death. He had lessoned from Spitz, and from the chief fighting dogs of the police and mail, and knew there was no middle course. He must master or be mastered; while to show mercy was a weakness. mercy did not exist in the primordial life. It was misunderstood for fear, and such misunderstandings made for death. Kill or be killed, eat or be eaten, was the law; and this mandate, down out of the depths of Time, he obeyed.
”
”
Jack London (The Call of the Wild)
“
Like when people say they slept like a baby. Do they mean they slept well? Or do they mean they woke up every ten minutes, screaming?
”
”
Lee Child (Killing Floor (Jack Reacher, #1))
“
Evaluate. Long experience had taught me to evaluate and assess. When the unexpected gets dumped on you, don’t waste time. Don’t figure out how or why it happened. Don’t recriminate. Don’t figure out whose fault it is. Don’t work out how to avoid the same mistake next time. All of that you do later. If you survive.
”
”
Lee Child (Killing Floor (Jack Reacher, #1))
“
Something smashed to the ground. Jack looked at me, all the mugs forgotten. "I'm not going to let anyone kill you." He grinned. "If I don't get to, no one should.
”
”
Kiersten White (Endlessly (Paranormalcy, #3))
“
Sorry to hear about your Dad."
He shrugged. "He was seventy, and we always told him fast food would kill him."
"Heart attack?"
"He was hit by a Pizza Express truck.
”
”
J.A. Konrath (Whiskey Sour (Jack Daniels #1))
“
He had killed man, the noblest game of all, and he had killed in the face of the law of club and fang.
”
”
Jack London (The Call of the Wild)
“
He must master or be mastered; while to show mecy was a weakness. Mercy did not exist in the primordial life. It was misunderstood for fear, and such misunderstandings made for death. Kill or be killed, eat or be eaten, was the law; and this mandate, down out of the depths of Time, he obeyed.
”
”
Jack London (The Call of the Wild)
“
The Code of the Vampires decreed that anyone who violated the Sacred Law was condemned to death, the blood burning. Charles had refused to subject Allegra to the sentence. But Mimi was a different matter. Mimi walked out of the church, knowing that if she ever saw Jack again, she would have to kill him.
”
”
Melissa de la Cruz (The Van Alen Legacy (Blue Bloods, #4))
“
I took a straight picture that made me look like a thirty-year-old Italian who'd kill anybody who said something against his mother.
”
”
Jack Kerouac (On the Road)
“
Really? Well, you'd definitely be interested in the fact that I just read To Kill A Mockingbird."
I smiled and elbowed him. "Everyone's read that."
I've read it five times."
Nu-uh."
Yep. I can even quote parts of it."
That's bullpoopie."
And then Stark, my big, bad, macho Warrior raised his voice, put on a little girl's Southern drawl, and said, "'Uncle Jack? What's a whore-lady?'"
I do not think that's the most important quote from that book," I said, but laughed anyway.
Okay, how about: 'Ain't no snot-nosed slut of a schoolteacher ever born c'n make me do nothin.!' That one's really my favorite."
You got a twisted mind, James Stark.
”
”
Kristin Cast (Tempted (House of Night, #6))
“
Jack didn’t fully get Jesus. Audrey tried to explain it, and he could repeat it back to her, word for word, but he still didn’t comprehend most of it. The best he could gather was that Jesus lived long ago, told people to be nice, and they killed him for it. At the end, he asked who was Jesus’ necromancer and if he was in the Bible, then Kaldar couldn’t stop laughing and had to sit down.
”
”
Ilona Andrews (Fate's Edge (The Edge, #3))
“
Voicemail #1: “Hi, Isabel Culpeper. I am lying in my bed, looking at the ceiling. I am mostly naked. I am thinking of … your mother. Call me.”
Voicemail #2: The first minute and thirty seconds of “I’ve Gotta Get a Message to You” by the Bee Gees.
Voicemail #3: “I’m bored. I need to be entertained. Sam is moping. I may kill him with his own guitar. It would give me something to do and also make him say something. Two birds with one stone! I find all these old expressions unnecessarily violent. Like, ring around the rosy. That’s about the plague, did you know? Of course you did. The plague is, like, your older cousin. Hey, does Sam talk to you? He says jack shit to me. God, I’m bored. Call me.”
Voicemail #4: “Hotel California” by the Eagles, in its entirety, with every instance of the word California replaced with Minnesota.
Voicemail #5: “Hi, this is Cole St. Clair. Want to know two true things? One, you’re never picking up this phone. Two, I’m never going to stop leaving long messages. It’s like therapy. Gotta talk to someone. Hey, you know what I figured out today? Victor’s dead. I figured it out yesterday, too. Every day I figure it out again. I don’t know what I’m doing here. I feel like there’s no one I can —”
Voicemail #6: “So, yeah, I’m sorry. That last message went a little pear-shaped. You like that expression? Sam said it the other day. Hey, try this theory on for size: I think he’s a dead British housewife reincarnated into a Beatle’s body. You know, I used to know this band that put on fake British accents for their shows. Boy, did they suck, aside from being assholes. I can’t remember their name now. I’m either getting senile or I’ve done enough to my brain that stuff’s falling out. Not so fair of me to make this one-sided, is it? I’m always talking about myself in these things. So, how are you, Isabel Rosemary Culpeper? Smile lately? Hot Toddies. That was the name of the band. The Hot Toddies.”
Voicemail #20: “I wish you’d answer.
”
”
Maggie Stiefvater (Forever (The Wolves of Mercy Falls, #3))
“
I'd never believed in luck. Never had any cause to. Never relied on it, because I never could.
”
”
Lee Child (Killing Floor (Jack Reacher, #1))
“
What doesn't kill you makes you stronger.
”
”
Lee Child (Persuader (Jack Reacher, #7))
“
Jack Sparrow: [after Will draws his sword] Put it away, son. It's not worth you getting beat again.
Will Turner: You didn't beat me. You ignored the rules of engagement. In a fair fight, I'd kill you.
Jack Sparrow: That's not much incentive for me to fight fair, then, is it?
”
”
Captain Jack Sparrow
“
He sighed heavily. "Girls are mean. At least faeries simply kill you if they don't want you around." He put a hand on the wall, leaning against it and tapping his foot impatiently.
”
”
Kiersten White (Supernaturally (Paranormalcy, #2))
“
I worked thirteen years, got me nowhere. I feel like I tried it their way, and to hell with them. Now I'm going to try it my way.
”
”
Lee Child (Killing Floor (Jack Reacher, #1))
“
Do it once and do it right and do it quickly
”
”
Lee Child (Killing Floor (Jack Reacher, #1))
“
I had to decide how to use that pressure. I had to decide whether it was going to crush me or turn me into a diamond.
”
”
Lee Child (Killing Floor (Jack Reacher, #1))
“
But at supper that evening after I asked him to pass the damn ham, please, Uncle Jack pointed at me. 'See me afterwards young lady,' he said.
”
”
Harper Lee (To Kill a Mockingbird)
“
You know, you remind me of my younger brother. I miss that kid, so much that I sometimes regret killing him.
”
”
Jack Kilborn (Serial Uncut: Extended Edition)
“
The first time I met her, she threatened to throw me from a sky carriage.'
'And you liked her for that?' Evangeline asked.
'I'd just threatened to kill her.' He said it as if they'd been flirting.
'This is a terrible love story, Jacks.'
'Who said it was a love story?' His tone turned back to acid.
”
”
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
“
Waiting is a skill like anything else.
”
”
Lee Child (Killing Floor (Jack Reacher, #1))
“
Jack was pleased to help. “Combat time? Cool!” He floated in a circle around me. “Who are we fighting?”
“Sam,” I said.
Jack froze. “But I like Sam.”
“We’re just practicing,” I said. “Try to kill her without really killing her.”
“Oh, phew! Okay. I can do that.
”
”
Rick Riordan (The Ship of the Dead (Magnus Chase and the Gods of Asgard, #3))
“
John Thornton stood over Buck, struggling to control himself, too convulsed with rage to speak. "If you strike that dog again, I'll kill you," he at last managed to say in a choking voice.
”
”
Jack London (The Call of the Wild)
“
They taught me that inhibitions would kill me. Hit early, hit hard. Kill with the first blow. Get your retaliation in first. Cheat. The gentlemen who behaved decently weren’t there to train anybody. They were already dead.
”
”
Lee Child (Killing Floor (Jack Reacher, #1))
“
Vanity of vanities… all is vanity.’ You kill yourself to get to the grave. Especially you kill yourself to get to the grave before you die; and the name of the grave is ‘success’, the name of that grave is hullabullo boom boom horseshit.
”
”
Jack Kerouac
“
Never hit a woman unless she’s trying to kill you.
”
”
Lee Child (Jack Reacher's Rules)
“
At its very core, the story of Jack the Ripper is a narrative of a killer’s deep, abiding hatred of women, and our cultural obsession with the mythology only serves to normalize its particular brand of misogyny.
”
”
Hallie Rubenhold (The Five: The Untold Lives of the Women Killed by Jack the Ripper)
“
You’re right. You keep saying Jacks is the villain. Yet you just let a man attack me with his pet bird in order to hunt another man down and kill him. You also told my guards—who aren’t very nice, by the way—not to let me leave the castle, despite promising me you’d never lock me up. So, no, I don’t know how much of a threat Lord Jacks is, but I’m starting to see you as one.
”
”
Stephanie Garber (A Curse for True Love (Once Upon a Broken Heart, #3))
“
At the word sacrifice, something sparked in the Fate's cold eyes. He held the girl tighter, carrying her in his bloodstained arms as he stood and started down the ancient hall.
'What are you doing?' A crack of alarm showed in the queen's implacable face.
'I'm going to fix this.' He continued marching forward, holding the girl close as he carried her back through the arch.
The angels who'd been guarding it now wept. They cried tears of stone as the Fate set the girl at their feet and began wrenching stone after stone from the arch.
'Jacks of the Hollow,' warned the queen. 'Those arch stones can only be used one time to go back. They were not created for infinite trips to the past.'
'I know,' Jacks growled. 'I'm going to go back and stop your son from killing her.'
The queen's face fell. For a moment, she looked as old as the years she'd spent lying in suspended state. 'This is not a small mistake to fix. If you do this, Time will take something equally valuable from you.'
The Fate gave the queen a look more vicious than any curse. 'There is nothing of equal value to me.
”
”
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
“
Now look. I didn’t mean the senator killed the old man himself, but he makes things happen. The old man wouldn’t sell his property to Senator Olmsted. Two weeks later, the old man’s body was found down by the town creek. According to the autopsy, he died from a Copperhead snake bite.
”
”
Behcet Kaya (Murder in Buckhead (Jack Ludefance #4))
“
Look. I’m very sorry to hear about your predicament, but let’s get a few things clear. I’m a PI. I solve crimes after there’s foul play. You’re saying your father-in-law is trying to kill you. That’s police business. I don’t provide bodyguard service. Really, this is not a job for me. Sorry.
”
”
Behcet Kaya (Murder in Buckhead (Jack Ludefance #4))
“
My bad, Colonel. What do you need?”
“I want to report a homicide.”
I raised an eyebrow. “Homicide? Did you kill someone?”
His eyes narrowed at my poor attempt at levity.
“Me. I’m the one who was killed.”
“Colonel, Sir, with all due respect, I really don’t have time for this kind of humor.”
”
”
Behcet Kaya (Deception: A Jack Ludefance Novel (Jack Ludefance PI Series))
“
People who wear glasses, without them they always look unfocused, vulnerable. Out in the open. A layer removed.
”
”
Lee Child (Killing Floor (Jack Reacher, #1))
“
Sarah is my best friend in the entire world, and however much and for however long it kills me, I’ll never silently, secretly hold up signs to tell Jack O’Mara, without hope or agenda, that to me he is perfect, and that my wasted heart will always love him.
”
”
Josie Silver (One Day in December)
“
Rose Tyler: The time war ends.
Emperor Dalek: I will not die! I cannot diieee!
[we see Rose's eyes light up, and the Dalek Emperor and his entire fleet disappear in an explosion of golden dust]
The Doctor: Rose, you've done it, now stop.
[Rose stares straight ahead]
The Doctor: Just let go.
Rose Tyler: How can I let go of this? I bring life.
[we see Jack start breathing again and open his eyes]
The Doctor: But this is wrong! You can't control life and death!
Rose Tyler: But I can. The sun and the moon, the day and night... but why do they hurt?
[she is crying]
The Doctor: The power's gonna kill you and it's my fault!
Rose Tyler: I can see everything... all that is... all that was... all that ever could be.
The Doctor: [stands up] But that's what *I* see. All the time. And doesn't it drive you mad?
Rose Tyler: [Rose nods, barely able to speak] My head...
The Doctor: Come here.
Rose Tyler: ...is killing me.
The Doctor: I think you need a Doctor.
[He leans down and kisses her, and the golden light transfers from her to him through their lips]
”
”
Russell T. Davies
“
The KGB still killed people, the KGB would not execute its last prisoner until the final days of its existence in 1991, but by the eighties a termination required paperwork and signatures and a post-action review.
”
”
Tom Clancy (Command Authority (Jack Ryan, #9))
“
They found out about him in July and stayed angry all through August. They tried to kill him in September. It was way too soon. They weren't ready. The attempt was a failure. It could have been a disaster, but it was actually a miracle. Because nobody noticed.
”
”
Lee Child (Without Fail (Jack Reacher, #6))
“
How did I look?"
"Like you would kill for her
”
”
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
“
I’d lost something I never knew I’d had.
”
”
Lee Child (Killing Floor (Jack Reacher, #1))
“
Home is where they don’t want to kill you,” Jack said.
”
”
Richard Paul Evans (Storm of Lightning (Michael Vey, #5))
“
I hurt everyone, Little Fox. But you have to be alive to hate me.' His eyes iced over. 'I do not want you dead, and I'll kill anyone who tries.
”
”
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
“
Without a twich of exertion, Redd sealed his lips with glue. "Who wants to kill him?"
The Cat raised a paw. Siren and Alistare raised their hands.
"Mmmmmm mmm mmm," protested Jack.
”
”
Frank Beddor
“
I don’t know what that thing is, but I know you aren’t it. You care too much about the world and the people in it. All that cared about was killing.”, Jack Simple to Celestra Caine in FADE by Kailin Gow
”
”
Kailin Gow (Fade (Fade, #1))
“
He's not going to leave here without her," Jack's gaze was steady, yet sad as he stared at the two of them. "He won't be separated from her again, and he'll kill you if you try to stop him
”
”
Erica Stevens (Renegade (The Captive, #2))
“
So what's the point, then, if we can't be happy? Why are we doing any of this?"
"Oh, there's definitely happiness," Jack said, turning his back on the ocean and looking at her. "But it's just about moments, not ever-afters." He grinned. "Like when you're right in the middle of the ocean with your friends, with no one trying to kill you in any kind of horrifying way. You have to appreciate these moments when they happen, 'cause obviously we don't get many of them.
”
”
James Riley (The Half Upon a Time Trilogy (Boxed Set): Half Upon a Time; Twice Upon a Time; Once Upon the End)
“
It may be that the strongest instinct of the human race, stronger than sex or hunger, is curiosity: the absolute need to know. It can and often does motivate a lifetime, it kills more than cats, and the prospect of satisfying it can be the most exciting of emotions.
”
”
Jack Finney (Time and Again (Time, #1))
“
You're good at this,' she murmured. 'Do you often travel with girls who've been flayed?'
That earned her a soft laugh. 'No.' Then quietly, as he ran a cloth along her lower back, just below the dip in her waist. 'Would you be jealous if I did?'
I'm not a jealous person was what Evangeline intended to say, but instead the words 'of course' came out.
Jacks laughed, louder this time.
Embarrassment surged through her. 'That's not what I meant to say.'
'It's all right. I'd probably kill another man if I found him with you like this.' Jacks' hands pressed harder as they went to her shoulders and, one by one, ripped off the sleeves of her dress so that what remained of the gown completely fell away.
She made a sound somewhere between a squeal and a gasp. 'What that really necessary?'
'No, but everyone should have their clothes ripped off at some point.'
She imagined Jacks was mostly trying to distract her from all the pain, yet she blushed all the way from her cheeks to her chest.
Out of the corner of her eye, she thought she saw him smile.
And for a second, nothing hurt.
”
”
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
“
If you can see a bandwagon, it’s too late to get on.
”
”
Lee Child (Killing Floor (Jack Reacher, #1))
“
Telling yourself you have all the time in the world, all the money in the world, all the colors in the palette, anything you want—that just kills creativity.” —Jack White
”
”
Austin Kleon (Steal Like an Artist: 10 Things Nobody Told You About Being Creative)
“
Candor is never indiscreet. Truth, which is to say, the reflection of life, is beautiful.
”
”
Jack Vance (The Demon Princes, Volume One: The Star King, The Killing Machine, The Palace of Love)
“
He must master or be mastered; while to show mercy was a weakness. Mercy did not exist in the primordial life. It was misunderstood for fear, and such misunderstandings made for death. Kill or be killed, eat or be eaten, was the law; and this mandate, down out of the depths of Time, he obeyed.
”
”
Jack London (The Call of the Wild)
“
Lizard people?” Jack raises an eyebrow.
“I have to call them something. And ‘lizard people’ is a little less scary than ‘big, invulnerable thing that nearly killed us’.”
“Lizard people it is,” Jack agrees., FADE by Kailin Gow
”
”
Kailin Gow
“
Jack followed me around the deck, alternating between Abba hits (Vikings are huge Abba fans) and telling me stories about the old days when he and Frey would roam the Nine Worlds, spreading sunshine and happiness and occasionally killing people.
”
”
Rick Riordan (The Ship of the Dead (Magnus Chase and the Gods of Asgard, #3))
“
I took Jack his slippers this evening and lay at his feet before a roaring fire while he smoked his pipe, sipped sherry, and read the newspaper. He read aloud everything involving killings, arsons, mutilations, grave robberies, church desecrations, and unusual thefts. It is very pleasant just being domestic sometimes.
”
”
Roger Zelazny (A Night in the Lonesome October)
“
In this sense the Dionysian man resembles Hamlet: both have once looked truly into the essence of things, they have gained knowledge, and nausea inhibits action; for their action could not change anything in the eternal nature of things; they feel it to be ridiculous or humiliating that they should be asked to set right a world that is out of joint. Knowledge kills action; action requires the veils of illusion: that is the doctrine of Hamlet, not that cheap wisdom of Jack the Dreamer who reflects too much and, as it were, from an excess of possibilities does not get around to action. Not reflection, no--true knowledge, an insight into the horrible truth, outweighs any motive for action, both in Hamlet and in the Dionysian man.
Now no comfort avails any more; longing transcends a world after death, even the gods; existence is negated along with its glittering reflection in the gods or in an immortal beyond. Conscious of the truth he has once seen, man now sees everywhere only the horror or absurdity of existence; now he understands what is symbolic in Ophelia's fate; now he understands the wisdom of the sylvan god, Silenus: he is nauseated.
Here, when the danger to his will is greatest, art approaches as a saving sorceress, expert at healing. She alone knows how to turn these nauseous thoughts about the horror or absurdity of existence into notions with which one can live: these are the sublime as the artistic taming of the horrible, and the comic as the artistic discharge of the nausea of absurdity. The satyr chorus of the dithyramb is the saving deed of Greek art; faced with the intermediary world of these Dionysian companions, the feelings described here exhausted themselves.
”
”
Friedrich Nietzsche (The Birth of Tragedy / The Case of Wagner)
“
Tell you what." I closed the blade with a satisfying snick. "Remember that time you tried to kill me because I wouldn't open a gate to hell?"
"The memory's a bit fuzzy..."
I opened the knife again.
"Yes, now that you mention it, I do recall something like that happening, although my motivation was certainly never to kill you. Can't you view it as me inspiring you to figure out how to use the Paths? I didn't actually want you to die.
”
”
Kiersten White (Endlessly (Paranormalcy, #3))
“
He must master or be mastered; while to show mercy was a weakness. Mercy did not exist in the primordial life. It was misunderstood for fear, and such misunderstandings made for death. Kill or be killed, eat or be eaten. was the law; and this mandate, down out of the depths of Time, he obeyed.
”
”
Jack London (The Call of the Wild)
“
It's been three years since I graduated, and everyone's still waiting for me to do something spectacular," the stone prince said, lengthening his stride. "The rest of my classmates are already making names for themselves. George started killing dragons right away, and Art went straight home and pulled some sort of magic sword out of a rock. Even the ones nobody expected to amount to much have done something. All Jack wanted to do was go back to his mother's farm and raise beans, and he ended up stealing a magic harp and killing a giant and all sorts of things. I'm the only one who hasn't succeeded.
”
”
Patricia C. Wrede
“
Any drinker knows how the process works: the first day you get drunk is okay, the morning after means a big head but so you can kill that easy with a few more drinks and a meal, but if you pass up the meal and go on to another night's drunk, and wake up to keep the toot going, and continue on to the fourth day, there'll come one day when the drinks wont take effect because you're chemically overloaded and you'll have to sleep it off but cant sleep any more because it was alcohol itself that made you sleep those last five nights, so delirium sets in ― Sleeplessness, sweat, trembling, a groaning feeling of weakness where your arms are numb and useless, nightmares, (nightmares of death)... well, there's more of that up later.
”
”
Jack Kerouac (Big Sur)
“
DELPHI: Then kill me.
HARRY: I can't do that either.
ALBUS: What? Dad? She's dangerous.
HARRY: No, Albus.
ALBUS: But she's a murderer- I've seen her murder-
HARRY: Yes, Albus, she's a murdurer, and we're not.
HERMOINE: We have to be better than them.
RON: Yeah, it's annoying but it's what we learnt.
”
”
Jack Thorne (Harry Potter and the Cursed Child: Parts One and Two (Harry Potter, #8))
“
But he had never seen Myrna in practice...never that close up. He had been impressed and a little frightened by the contrast between seeing ballet on stange, where everyone seemed to either glide or mince effortlessly on the tips of their pointes. and seeing it from less than five feet away, with harsh daylight pouring in the floor-to-ceiling windows and no music- only the choreographer rythmically clapping his hands and yelling harsh criticisms. No praise, only criticisms. Their faces ran with sweat. Their leotards were wet with sweat. The room, as large and airy as it way, stank of sweat. Sleek muscles trembled and fluttered on the nervous edge of exhaustion. Corded tendons stood out like insulated cables. Throbbing veins popped out on foreheads and necks. Except for the choreographer's clapping and angry, hectoring shouts, the only sounds were the thrup-thud of ballet dancers on pointe moving across the floor and harsh, agonized panting for breath. Jack had suddenly realized that these dancers were not just earning a living, they were killing themselves. Most of all he remembered their expressions- all that exhausted concentration, all that pain... but transcending the pain, or at least creeping around its edges, he had seen joy. Joy was unmistakably what that look was, and it scared Jack because it had seemed inexplicable.
”
”
Stephen King (The Talisman)
“
First: Character is king. There are probably fewer than six books every century remembered specifically for their plots. People remember characters. Same with television. Who remembers the Lone Ranger? Everybody. Who remembers any actual Lone Ranger story lines? Nobody.
”
”
Lee Child (Killing Floor (Jack Reacher, #1))
“
He pleaded with his eyes to remain there. The driver was perplexed. His comrades talked of how a dog could break its heart through being denied the work that killed it, and recalled instances they had known, where dogs, too old for the toil, or injured, had died because they were cut out of the traces. Also, they held it a mercy, since Dave was to die anyway, that he should die in the traces, heart-easy and content. So he was harnessed in again, and proudly he pulled as of old, though more than once he cried out involuntarily from the bite of his inward hurt. Several times he fell down and was dragged in the traces, and once the sled ran upon him so that he limped thereafter in one of his hind legs.
”
”
Jack London (The Call of the Wild)
“
Jack stares at me blankly. ‘A what?’ he asks.
I choke back the laugh. ‘A boy. You know? A Y-chromosome holder? You don’t seem to notice them as much as you do the X-carriers.’
‘What are you talking about?’ Jack asks, ‘A boy? She’s just a kid.’
I hesitate, wondering how Jack is only just doing the maths on this one now. ‘She’s seventeen. She’s not a kid anymore.’
Jack looks like he’s about to go all Incredible Hulk and burst out of his clothes before rampaging through the bar. He jumps off the stool. ‘If any boy ever lays a finger on my sister, I’m going to kill him,’ he says.
Again I stare at him in silence, thinking of all the girls Jack has laid fingers and much more of his anatomy on besides. Poor Lila. If she ever wants to have a shot at a normal life, as in one that doesn’t require a vow of celibacy, she needs to stay in London.
”
”
Sarah Alderson (Losing Lila (Lila, #2))
“
People spend thousands of dollars on stereos. Sometimes tens of thousands. There is a specialist industry right here in the States which builds stereo gear to a standard you wouldn't believe. Tubed amplifiers which cost more than a house. Speakers taller than me. Cables thicker than a garden hose. Some army guys had that stuff. I'd heard it on bases around the world. Wonderful. But they were wasting their money. Because the best stereo in the world is free. Inside your head. It sounds as good as you want it to. As loud as you want it to be.
”
”
Lee Child (Killing Floor (Jack Reacher, #1))
“
Somewhere a True Believer is training to kill you. He is training with minimum food or water, in austere conditions, day and night. The only thing clean on him is his weapon, and he made his web gear, He doesn't worry about hat workout to do - his ruck weighs what it weighs, his runs end when the enemy stops chasing him. The True Believer doesn't care how hard it is; he only knows that he wins or he dies. He doesn't go home at 1700; he is home. He knows only the cause.
”
”
Jack Carr (True Believer (Terminal List #2))
“
If there’s something stirring in you now, and you know what it is, do that. There’s no need to overthink it. A mistake here and there isn’t going to kill you, so don’t waste time worrying about that. It’s infinitely better to fail with courage than to sit idle with fear, because only one of these gives you the slightest chance to live abundantly. And if you do fail, then the worst-case scenario is that you’ll learn something from it. You’re for sure not going to learn jack squat from sitting still and playing it safe.
”
”
Chip Gaines (Capital Gaines: Smart Things I Learned Doing Stupid Stuff)
“
Jacks of the Hollow," warned the queen. "Those arch stones can only be used one time to go back. They were not created for infinite trips to the past."
"I know," Jacks growled. "I'm going to go back and stop your son from killing her."
The queen's face fell. For a moment, she looked as old as the years she'd spent lying in a suspended state. "That is not a small mistake to fix. If you do this, Time will take something equally valuable from you."
The Fate gave the queen a look more vicious than any curse. "There is nothing of equal value to me.
”
”
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
“
Knowledge kills action; action requires the veils of illusion: that is the doctrine of Hamlet, not that cheap wisdom of Jack the Dreamer who reflects too much and, as it were, from an excess of possibilities does not get around to action. Not reflection, no—true knowledge, an insight into the horrible truth, outweighs any motive for action, both in Hamlet and in the Dionysian man.
”
”
Friedrich Nietzsche (Basic Writings of Nietzsche)
“
Well how do you know we ain’t Negroes?”
“Uncle Jack Finch says we really don’t know. He says as far as he can trace back the Finches we ain’t, but for all he knows we mighta come straight out of Ethiopia durin’ the Old Testament.”
“Well if we came out durin’ the Old Testament it’s too long ago to matter.”
“That’s what I thought,” said Jem, “but around here once you have a drop of Negro blood, that makes you all black.
”
”
Harper Lee (To Kill a Mockingbird)
“
Jacks dropped a heavy arm around her shoulders, sending a shock straight through her as he pulled her suddenly close.
'Want me to kill any of them for you?'
'No, they're just gossiping.'
'Then what if I merely give them the urge to cut out their own tongues?' he asked, flashing one of his dimples.
Evangeline stifled a giggle, though she knew she shouldn't be amused. She had no doubt he was serious about the tongues. 'Don't you dare-'
'You sure? They deserve it.' The whole House deserves it.
The thought was so quiet, Evangeline wasn't sure Jacks intended for her to hear it.
”
”
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
“
What belonged to Jack McKenna belonged only to Jack McKenna, and the pussy he was feverishly sucking on was definitely his. He went in for the kill then, sucking her clit firmly and vigorously, growling low in his throat as she bucked up beneath him. On a loud groan she burst, her legs violently trembling as her nipples stabbed up and she drenched his mouth with her sweet climax. He lapped it all up, gluttonously sucking at her hole to get every drop of liquid her cunt had made for him...
"MINE," Jack murmured, causing her to seek out his gaze. "This pussy is ALL mine, baby.
”
”
Jaid Black (The Possession (Possession / Addiction, #1))
“
It is only by bringing these women back to life that we can silence the Ripper and what he represents. By permitting them to speak, by attempting to understand their experiences and see their humanity, we can restore to them the respect and compassion to which they are entitled. The victims of Jack the Ripper were never ‘just prostitutes’; they were daughters, wives, mothers, sisters and lovers. They were women. They were human beings, and surely that, in itself, is enough.
”
”
Hallie Rubenhold (The Five: The Untold Lives of the Women Killed by Jack the Ripper)
“
Natural,my ass! The worst poison known to man comes from a tree frog in South America. You cannot imagine how small an amount would be necessary to kill you.and it's natural.Calling something NATURAL is a MEANINGLESS MARKETING PLOY."
"All right,calm down! Maybe I like alternative medicine because it's been in use for more than six thousand years.After all that time,they have to know what they're doing."
"You mean the wacky idea that somehow in the distant past people had more scientific wisdom than they do today?That's both crazy and counterintuitive.Six thousand years ago people thought thunder was a bunch of gods moving around furniture."
-Conversation btw Dr.Jack Stapleton and Vinnie
”
”
Robin Cook (Intervention (Jack Stapleton & Laurie Montgomery, #9))
“
If you really believe this is what you want, you're lying to yourself.'
'I'm not lying to myself,' Jacks snarled.
'Then tell me this is what you truly want. Swear you want this more than anything else and I'll never mention it again.'
Jacks grabbed her by the shoulders and looked directly in to her eyes. For a minute, he didn't speak. He just looked at her, at the remaining blood still on her lips and the dried tears staining her cheeks. 'I swear this is what I really want.' He spoke each word like a vow. 'I want to erase every moment you and I have spent together, every word you've said to me, and every time I've touched you, because if I don't, I'll kill you, just like I killed the Fox.'
Evangeline's heart stopped.
She searched Jacks' eyes, but all she saw was darkness, and all she felt was the press of his hands. He held on to her the way a person might grasp the edge of a cliff, knowing once they let go, there was no taking hold again.
”
”
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
“
[excerpt] The usual I say. Essence. Spirit. Medicine. A taste. I say top shelf. Straight up. A shot. A sip. A nip. I say another round. I say brace yourself. Lift a few. Hoist a few. Work the elbow. Bottoms up. Belly up. Set ‘em up. What’ll it be. Name your poison. I say same again. I say all around. I say my good man. I say my drinking buddy. I say git that in ya. Then a quick one. Then a nightcap. Then throw one back. Then knock one down. Fast & furious I say. Could savage a drink I say. Chug. Chug-a-lug. Gulp. Sauce. Mother’s milk. Everclear. Moonshine. White lightning. Firewater. Hootch. Relief. Now you’re talking I say. Live a little I say. Drain it I say. Kill it I say. Feeling it I say. Wobbly. Breakfast of champions I say. I say candy is dandy but liquor is quicker. I say Houston, we have a drinking problem. I say the cause of, and solution to, all of life’s problems. I say god only knows what I’d be without you. I say thirsty. I say parched. I say wet my whistle. Dying of thirst. Lap it up. Hook me up. Watering hole. Knock a few back. Pound a few down. My office. Out with the boys I say. Unwind I say. Nurse one I say. Apply myself I say. Toasted. Glow. A cold one a tall one a frosty I say. One for the road I say. Two-fisted I say. Never trust a man who doesn’t drink I say. Drink any man under the table I say. Then a binge then a spree then a jag then a bout. Coming home on all fours. Could use a drink I say. A shot of confidence I say. Steady my nerves I say. Drown my sorrows. I say kill for a drink. I say keep ‘em comin’. I say a stiff one. Drink deep drink hard hit the bottle. Two sheets to the wind then. Knackered then. Under the influence then. Half in the bag then. Out of my skull I say. Liquored up. Rip-roaring. Slammed. Fucking jacked. The booze talking. The room spinning. Feeling no pain. Buzzed. Giddy. Silly. Impaired. Intoxicated. Stewed. Juiced. Plotzed. Inebriated. Laminated. Swimming. Elated. Exalted. Debauched. Rock on. Drunk on. Bring it on. Pissed. Then bleary. Then bloodshot. Glassy-eyed. Red-nosed. Dizzy then. Groggy. On a bender I say. On a spree. I say off the wagon. I say on a slip. I say the drink. I say the bottle. I say drinkie-poo. A drink a drunk a drunkard. Swill. Swig. Shitfaced. Fucked up. Stupefied. Incapacitated. Raging. Seeing double. Shitty. Take the edge off I say. That’s better I say. Loaded I say. Wasted. Off my ass. Befuddled. Reeling. Tanked. Punch-drunk. Mean drunk. Maintenance drunk. Sloppy drunk happy drunk weepy drunk blind drunk dead drunk. Serious drinker. Hard drinker. Lush. Drink like a fish. Boozer. Booze hound. Alkie. Sponge. Then muddled. Then woozy. Then clouded. What day is it? Do you know me? Have you seen me? When did I start? Did I ever stop? Slurring. Reeling. Staggering. Overserved they say. Drunk as a skunk they say. Falling down drunk. Crawling down drunk. Drunk & disorderly. I say high tolerance. I say high capacity. They say protective custody. Blitzed. Shattered. Zonked. Annihilated. Blotto. Smashed. Soaked. Screwed. Pickled. Bombed. Stiff. Frazzled. Blasted. Plastered. Hammered. Tore up. Ripped up. Destroyed. Whittled. Plowed. Overcome. Overtaken. Comatose. Dead to the world. The old K.O. The horrors I say. The heebie-jeebies I say. The beast I say. The dt’s. B’jesus & pink elephants. A mindbender. Hittin’ it kinda hard they say. Go easy they say. Last call they say. Quitting time they say. They say shut off. They say dry out. Pass out. Lights out. Blackout. The bottom. The walking wounded. Cross-eyed & painless. Gone to the world. Gone. Gonzo. Wrecked. Sleep it off. Wake up on the floor. End up in the gutter. Off the stuff. Dry. Dry heaves. Gag. White knuckle. Lightweight I say. Hair of the dog I say. Eye-opener I say. A drop I say. A slug. A taste. A swallow. Down the hatch I say. I wouldn’t say no I say. I say whatever he’s having. I say next one’s on me. I say bottoms up. Put it on my tab. I say one more. I say same again
”
”
Nick Flynn (Another Bullshit Night in Suck City)
“
I'm broken. I like to break things. Sometimes I want to break you.'
'Then break me, Jacks.'
His fingers tensed against her neck. 'For once I want to do the right thing. I can't do this. I can't watch you die again.'
The word again scraped against her like a thorn. 'What do you mean, again?'
'You died, Evangeline.' Jacks pulled her closer until she could feel the ragged rise and fall of his chest as he rasped. 'I held you in my arms as it happened.'
'Jacks... I don't know what you're talking about. I never died.'
'Yes, you did. The night you opened the Valory. The first time you did it, I didn't go with you.' He went silent for a moment and then she heard him think, I couldn't say goodbye.
'It was only you and Chaos,' he whispered. 'As soon as his helm was off, he killed you. I tried to stop him- I tried to save you- but-'
Jacks opened and shut his mouth as if he could barely get the words out. 'I couldn't. When I got there, he had already bitten you- and he'd already taken too much blood. You died as soon as you were in my arms. The only thing I could do was use the stones to turn back time. I was warned that it would cost me something. But I thought it would cost me. I didn't imagine it would take from you.'
I'm sorry, he thought.
'You don't need to be sorry, Jacks.'
'It's my fault,' he gritted out.
'No, it's not. I didn't lose my memories because you turned back time. I lost them because Apollo took them from me.'
Jacks looked murderous for a second. Then just as quickly he shook off her words. 'It doesn't matter. What matters is that you died. And if you die again, I cannot bring you back.'
'So you'd rather live without me?'
'I'd rather you live.'
'I am living, Jacks, and I am not going to die anytime soon.' Evangeline closed her eyes and then she kissed him.
”
”
Stephanie Garber (A Curse for True Love (Once Upon a Broken Heart, #3))
“
Try this one,' said Jack, 'and I'll say it just one time. Tell you what, we could a had a good life together, a fuckin real good life. You wouldn't do it, Ennis, so what we got now is Brokeback Mountain. Everything built on that. It's all we got, boy, fuckin all, so I hope you know that if you don't never know the rest. Count the damn few times we been together in twenty years. Measure the fuckin short leash you keep me on, then ask me about Mexico and then tell me you'll kill me for needin it and not hardly never gettin it. You got no fuckin idea how bad it gets. I'm not you. I can't make it on a couple a high-altitude fucks once or twice a year. You're too much for me, Ennis, you son of a whoreson bitch. I wish I knew how to quit you.
”
”
Annie Proulx (Brokeback Mountain)
“
I believe, Jack, there are two kinds of people in the world. Killers and diers. Most of us are diers. We don't have the dispoisiton, the rage or whatever it takes to be a killer. We le death happen. We lie down and die. But think what it's like to be a killer. Think how exciting it is, in theory, to kill a person in direct confrontation. If he dies, you cannot. To kill him is to gain life-credit. The more people you kill, the more credit you store up. It explains any number of massacres, wars, executions. […] In theory, violence is a form of rebirth. The dier passively succumbs. The killer lives on. What a marvelous equation. - Murray (WN 290)
”
”
Don DeLillo (White Noise: Text and Criticism (Viking Critical Library))
“
When the ships had lifted, they returned across the river to the silence of death. Then his grandfather told him, "Many fine things your father had planned for you: learning and useful work and a life of satisfaction and peace. Do you recall this?"
"Yes, Grandfather."
"The learning you shall have. You will learn patience and resource, the ability of your hands and your mind. You will have useful work: the destruction of evil men. What work could be more useful? This is Beyond; you will find that your work is never done—so therefore you may never know life of peace. However, I guarantee you ample satisfaction, for I will teach you to crave the blood of these men more than the flesh of woman."
The old man had been as good as his word.
”
”
Jack Vance (The Demon Princes, Volume One: The Star King, The Killing Machine, The Palace of Love)
“
I would like to ofer some exercises that can help us use the Five Precepts to cultivate and strengthen mindfulness. It is best to choose one of these exercises and work with it meticulously for a week. Then examine the results and choose another for a subsequent week. These practices can help us understand and find ways to work with each precept.
1. Refrain from killing: reverence for life. Undertake for one week to purposefully bring no harm in thought, word, or deed to any living creature. Particularly, become aware of any living beings in your world (people, animals, even plants) whom you ignore, and cultivate a sense of care and reverence for them too.
2. Refraining from stealing: care with material goods. Undertake for one week to act on every single thought of generosity that arises spontaneously in your heart.
3. Refraining from sexual misconduct: conscious sexuality. Undertake for one week to observe meticulously how often sexual feelings arise in your consciousness. Each time, note what particular mind states you find associated with them such as love, tension, compulsion, caring, loneliness, desire for communication, greed, pleasure, agression, and so forth.
4. Refraining from false speech: speech from the heart. Undertake for one week not to gossip (positively or negatively) or speak about anyone you know who is not present with you (any third party).
5. Refraining from intoxicants to the point of heedlessness. Undertake for one week or one month to refrain from all intoxicants and addictive substances (such as wine, marijuana, even cigarettes and/or caffeine if you wish). Observe the impulses to use these, and become aware of what is going on in the heart and mind at the time of those impulses (88-89).
”
”
Jack Kornfield (For a Future to Be Possible)
“
....the Crocodiles say they can't even begin to say how many new guys they've seen Come In and then get sucked back Out There, Come In to AA for a while and Hang In and put together a little sober time and have things start to get better, head-wise and life-quality-wise, and after a while the new guys get cocky, they decide they've gotten `Well,' and they get really busy at the new job sobriety's allowed them to get, or maybe they buy season Celtics tickets, or they rediscover pussy and start chasing pussy (these withered gnarled toothless totally post-sexual old fuckers actually say pussy), but one way or another these poor cocky clueless new bastards start gradually drifting away from rabid Activity In The Group, and then away from their Group itself, and then little by little gradually drift away from any AA meetings at all, and then, without the protection of meetings or a Group, in time--oh there's always plenty of time, the Disease is fiendishly patient--how in time they forget what it was like, the ones that've cockily drifted, they forget who and what they are, they forget about the Disease, until like one day they're at like maybe a Celtics-Sixers game, and the good old Fleet/First Interstate Center's hot, and they think what could just one cold foamer hurt, after all this sober time, now that they've gotten `Well.' Just one cold one. What could it hurt. And after that one it's like they'd never stopped, if they've got the Disease. And how in a month or six months or a year they have to Come Back In, back to the Boston AA halls and their old Group, tottering, D.T.ing, with their faces hanging down around their knees all over again, or maybe it's five or ten years before they can get it up to get back In, beaten to shit again, or else their system isn't ready for the recurred abuse again after some sober time and they die Out There--the Crocodiles are always talking in hushed, 'Nam-like tones about Out There--or else, worse, maybe they kill somebody in a blackout and spend the rest of their lives in MCI-Walpole drinking raisin jack fermented in the seatless toilet and trying to recall what they did to get in there, Out There; or else, worst of all, these cocky new guys drift back Out There and have nothing sufficiently horrible to Finish them happen at all, just go back to drinking 24/7/365, to not-living, behind bars, undead, back in the Disease's cage all over again. The Crocodiles talk about how they can't count the number of guys that've Come In for a while and drifted away and gone back Out There and died, or not gotten to die.
”
”
David Foster Wallace (Infinite Jest)
“
At its very core, the story of Jack the Ripper is a narrative of a killer’s deep, abiding hatred of women, and our culture’s obsession with the mythology serves only to normalize its particular brand of misogyny. We have grown so comfortable with the notion of “Jack the Ripper,” the unfathomable, invincible male killer, that we have failed to recognize that he continues to walk among us. In his top hat and cape, wielding his blood-drenched knife, he can be spotted regularly in London on posters, in ads, on the sides of buses. Bartenders have named drinks after him, shops use his moniker on their signs, tourists from around the world make pilgrimages to Whitechapel to walk in his footsteps and visit a museum dedicated to his violence. The world has learned to dress up in his costume at Halloween, to imagine being him, to honor his genius, to laugh at a murderer of women. By embracing him, we embrace the set of values that surrounded him in 1888, which teaches women that they are of a lesser value and can expect to be dishonored and abused.
”
”
Hallie Rubenhold (The Five: The Untold Lives of the Women Killed by Jack the Ripper)
“
And..it was Jack. Jack. Of the many things I'd considered doing to him, most involved violence.None of them involved lip-on-lip action.
I jerked my head back,but it wasn't hard to get away,since he pulled back at the same moment.
He wrinkled his nose. "Well, that was...interesting. Always wanted to try it,but now that I have,I'm pretty sure I never want to again."
Furious,I smacked him in the shoulder with my free hand, hating that we still had to have one clasped so I wouldn't be lost forever. "You"-smack-"little"-smack-"freak!"-smack. "What was that?!" SMACK.
He dodged another volley. "And I had been under the impression that afterward was a little less"-he winced as I connected hard-"painful."
"Listen,creep,if I wanted you to kiss me,I would have asked! And I didn't. And I wouldn't! And if you ever try that again,so help me,I will find that fossegrim and throw you to a watery death!"
And then-as if his awkward,terrible kiss weren't bad enough-he started laughing.
"SHUT UP!"
He shook his head,grinning smugly. "See? Two goals accomplished. One:try out kissing. Miserable failure, no doubt your fault,but a noble effort nonetheless.I should find your friend Carlee. She's probably better at it than you are."
Why couldn't my glamour-piercing eyes have a laser function? I wouldn't kill him. I'd just burn the word "freak" into his forehead.
"Aren't you going to ask me what my second goal was?" He batted his eyelashed at me.
"No,I'm not."
He nudged me in the ribs with his elbow. "You aren't crying anymore, are you?"
I'd have to let go of his hand to throttle him. So that option was out. "Being so mad I'd like to kill you is better?
”
”
Kiersten White (Supernaturally (Paranormalcy, #2))
“
Sandra O'Toole walked back to the nurses' station, remembering what she alone had seen. Kelly's face turning so white that her first reaction to it was that he must be in shock, then the tumult behind her as she reached for her patient -- but then what?
It wasn't like the first time at all. Kelly's face has transformed itself. Only an instant, like opening a door into some other place, and she'd seen something she had never imagined. Something very old and feral and ugly. The eyes not wide, but focused on something she could not see. The pallor of his face not that of shock, but of rage. His hands balled briefly into fists of quivering stone. And then his face had changed again. There had been comprehension to replace the blind, killing rage, and what she'd seen next was the most dangerous sight she had ever beheld, though she knew not why. Then the door closed, Kelly's eyes shut, and when he opened them, his face was unnaturally serene. The complete sequence had not taken four seconds, she realized, all of it while Rosen and Douglas had been scuffling against the wall. He'd passed from horror to rage to understanding -- then to concealment, but what had come in between comprehension and disguise was the most frightening thing of all.
What had she seen in the face of this man? It took her a moment to answer the question. Death was what she'd seen. Controlled. Planned. Disciplined.
But it was still Death, living in the mind of a man.
”
”
Tom Clancy (Without Remorse (John Clark, #1; Jack Ryan Universe Publication Order, #6))
“
Most of Jacks' books were crookedly stacked and next to volumes without any apparent reason, except for a small collection of the last book she'd have expected to find here: The Ballad of the Archer and the Fox.
Something warmed inside of her at the sight of so many copies of her favourite storybook.
Jacks owned seven volumes, ranging from old to very old. Positioned more precisely than anything else in his den, they sat side by set, on the tip-top of the shelf, the sort of place where a person stored books they didn't want anyone else touching.
What was all this about?
...
Evangeline reached for the first volume- she knew she was being distracted. But all she wanted was to look at the last page and see what sort of ending the story had. She wanted to know if it had a happy ending- if the Archer kissed his Fox girl or if he killed her. And maybe seeing all these books felt like a sign. She was starting to think that sometimes she imagined things were signs when they weren't. But that didn't mean they were not actual signs.
She opened the first book, but the pages in the back were all ripped out. And unfortunately, she did not have better luck with any of the other volumes. Every copy fought her. One book kept falling from her hands every time she tried to open it. Another book only had blank pages at the end.
”
”
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
“
Please, I know you understand heartbreak. Stop Luc from marrying Marisol. Save my heart from breaking again.”
“Now, that was a pathetic speech.” Two slow claps followed the indolent voice, which sounded just a few feet away.
Evangeline spun around, all the blood draining from her face. She didn’t expect to see him—the young man who’d been tearing his clothes in the back of the church. Although it was difficult to believe this was the same person. She had thought that boy was in agony, but he must have ripped away his pain along with the sleeves of his jacket, which now hung in tatters over a striped black-and-white shirt that was only halfway tucked into his breeches.
He sat on the dais steps, lazily leaning against one of the pillars with his long, lean legs stretched out before him. His hair was golden and messy, his too-bright blue eyes were bloodshot, and his mouth twitched at the corner as if he didn’t enjoy much, but he found pleasure in the brief bit of pain he’d just inflicted upon her. He looked bored and rich and cruel.
“Would you like me to stand up and turn around so that you can take in the rest of me?” he taunted.
The color instantly returned to Evangeline’s cheeks. “We’re in a church.”
“What does that have to do with anything?” In one elegant move, the young man reached into the inner pocket of his ripped burgundy coat, pulled out a pure white apple, and took one bite. Dark red juice dripped from the fruit to his long, pale fingers and then onto the pristine marble steps.
“Don’t do that!” Evangeline hadn’t meant to yell. Although she wasn’t shy with strangers, she generally avoided quarrelling with them. But she couldn’t seem to help it with this crass young man. “You’re being disrespectful.”
“And you’re praying to an immortal who kills every girl he kisses. You really think he deserves any reverence?” The awful young man punctuated his words with another wide bite of his apple.
”
”
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
“
SOPHOMORE YEAR
Before he was mine and I was his...
"You weren't in the lunchroom today," Jack said, coming up behind me at my locker. "Jules says you're never in the cafeteria on Wednesdays."
I tried to calm the flush to my cheeks before I turned around to face him. My crush on Jack was getting ridiculous. Pretty soon I would be nonverbal.Just because he noticed,for the first time, that I wasn't at lunch,it didn't mean anything.
I tried to keep my tone light. "Sounds like you guys had a very intriguing conversation."
"Oh,we did." Jack fell into step beside me,and we walked down the hallway at a slower pace than everyone around us. "She said you avoid the cafeteria on Wednesdays.And she said you like me."
I heard myself gasp,and I came to a stop.
I'm gonna kill Jules, I thought.
"So,is it true?" Jack said.
I could barely hear him with the crashing waves in my ears.I started to turn away,embarrassed,but Jack stepped sideways so he was in front of me, and there was nowhere else I could look.
"Is it true?" he asked again.
"Yes.I hate hot-dog Wednesdays, so I don't go to the lunchroom.It's true."
"That's not what I meant,Becks."
"I know."
"Tell me.Is it true? Do you like me?"
I tried to roll my eyes,and promptly forgot how.So I just looked at the ceiling. "You know I like you. You're one of my best friends."
"Friends," Jack repeated.
"Of course."
"Good friends?"
I nodded.
"More than friends?"
I didn't say anything. I didn't move. Jack reached toward my hand and tugged gently on my fingers. The movement was so small,I wouldn't have seen it if I hadn't felt it.
He leaned forward and said, "Tell me, friend.Is there more for us?"
I looked into his eyes. "There's everything for us.
”
”
Brodi Ashton (Everneath (Everneath, #1))
“
You going to the game tonight?"
I was about to answer,but another voice rang out from just behind me.
"She'd better," Jack said as he wrapped an arm around my waist and pulled me back against him. I could smell the fresh leather on his letterman jacket as I crunched against it.
"Why is that?" I asked,smiling and instantly warm in his arms.I still couldn't get over the fact that Jack Caputo and I were...together. It was hard to think the word. We had been friends for so long.To be honest, he had been friends with me and I had been secretly pining for him since...well, since forever.
But now he was here. It was my waist he held. It didn't seem real.
"I can't carry the team to victory without you," he said. "You're my rabbit's foot."
I craned my neck around to look at him. "I've always dreamed of some guy saying that to me."
He pressed his lips to the base of my neck, and heat rushed to my cheeks. "I love making you turn red," he whispered.
"It doesn't take much. We're in the middle of the hallway."
"You want to know what else I love?" His tone was playful.
"No," I said, but he wasn't listening. He took his fingers and lightly railed them up my spine,to the back of my neck.Instant goose bumps sprang up all over my body,and I shuddered.
"That."
I could feel his smile against my ear. Jack was always smiling.It was what made him so likable.
By this time,Jules had snaked her way through the throng of students. "Hello, Jack.I was in the middle of a conversation with Becks.Do you mind?" she said with a smirk.
Right then a bunch of Jack's teammates rounded the corner at the end of the hallway,stampeding toward us.
"Uh-oh," I said.
Jack pushed me safely aside just before they tackled him, and Jules and I watched as what seemed like the entire football team heaped on top of their starting quarterback.
"Dating Jack Caputo just might kill you one day." Jules laughed. "You sure it's worth it?"
I didn't answer,but I was sure. In the weeks following my mother's death, I had spent nearly every morning sitting at her grave.Whispering to her, telling her about my day, like I used to each morning before she died. Jack came with me to the cemetary most days. He'd bring a book and read under a tree several headstones away,waiting quietly, as if what I was doing was totally normal.
We hadn't even been together then.
It had been only five months since my mom died. Five months since a drunk driver hit her during her evening jog. Five months since the one person who knew all my dreams disappeared forever. Jack was the reason I was still standing.
Yeah,I was sure he was worth it.The only thing I wasn't sure about was why he was with me.
”
”
Brodi Ashton (Everneath (Everneath, #1))
“
Not a single family finds itself exempt from that one haunted casualty who suffered irreparable damage in the crucible they entered at birth. Where some children can emerge from conditions of soul-killing abuse and manage to make their lives into something of worth and value, others can’t limp away from the hurts and gleanings time decanted for them in flawed beakers of memory. They carry the family cross up the hill toward Calvary and don’t mind letting every other member of their aggrieved tribe in on the source of their suffering. There is one crazy that belongs to each of us: the brother who kills the spirit of any room he enters; the sister who’s a drug addict in her teens and marries a series of psychopaths, always making sure she bears their children, who carry their genes of madness to the grave. There’s the neurotic mother who’s so demanding that the sound of her voice over the phone can cause instant nausea in her daughters. The variations are endless and fascinating. I’ve never attended a family reunion where I was not warned of a Venus flytrap holding court among the older women, or a pitcher plant glistening with drops of sweet poison trying to sell his version of the family maelstrom to his young male cousins. When the stories begin rolling out, as they always do, one learns of feuds that seem unbrokerable, or sexual abuse that darkens each tale with its intimation of ruin. That uncle hates that aunt and that cousin hates your mother and your sister won’t talk to your brother because of something he said to a date she later married and then divorced. In every room I enter I can sniff out unhappiness and rancor like a snake smelling the nest of a wren with its tongue. Without even realizing it, I pick up associations of distemper and aggravation. As far as I can tell, every family produces its solitary misfit, its psychotic mirror image of all the ghosts summoned out of the small or large hells of childhood, the spiller of the apple cart, the jack of spades, the black-hearted knight, the shit stirrer, the sibling with the uncontrollable tongue, the father brutal by habit, the uncle who tried to feel up his nieces, the aunt too neurotic ever to leave home. Talk to me all you want about happy families, but let me loose at a wedding or a funeral and I’ll bring you back the family crazy. They’re that easy to find.
”
”
Pat Conroy (The Death of Santini: The Story of a Father and His Son)