Jack's Key Quotes

People always talk about how hard it can be to remember things - where they left their keys, or the name of an acquaintance - but no one ever talks about how much effort we put into forgetting. I am exhausted from the effort to forget... There are things that have to be forgotten if you want to go on living.

All the time I’ve knowed you, Jack, you kept the door to that heart of yers locked up tight an the key hid away. Looks like she found it. He says nothing. Molly waits. Then: Keys ain’t her style, he says. She kicked the door down.

The first key to leadership is self-control.

I love her because she has become something more to me. She become my life.

The first key to leadership was self-control, particularly the mastery of pride, which was something more difficult, he explained, to subdue than a wild lion and anger, which was more difficult to defeat than the greatest wrestler. He warned them that "if you can't swallow your pride, you can't lead.

Each day is an adventure in discovering the meaning of life. It is each little thing that you do that day - whether it be spending time with your friends, running in a cross-country meet or just simply staring at the crashing ocean- that holds the key to discovering the meaning of life. I would rather be out enjoying these things than pondering them. We may never really discover the meaning of life, but the knowledge we gain in our quest to discover it is truly more valuable.

I place my fingers upon these keys typing 2,000 dreams per minute and naked of spirit dance forth my cosmic vortex upon this crucifix called language.

If it ain't fun don't do it.

With the aurora borealis flaming coldly overhead, or the stars leaping in the frost dance, and the land numb and frozen under its pall of snow, this song of the huskies might have been the defiance of life, only it was pitched in minor key, with long-drawn wailings and half-sobs, and was more the pleading of life, the articulate travail of existence. It was an old song, old as the breed itself--one of the first songs of the younger world in a day when songs were sad.

Late in the afternoon, thunder growling, that same old green pickup rolled in and he saw Jack get out of the truck, beat up Resistol tilted back. A hot jolt scalded Ennis and he was out on the landing pulling the door closed behind him. Jack took the stairs two and two. They seized each other by the shoulders, hugged mightily, squeezing the breath out of each other, saying, son of a bitch, son of a bitch, then, and easily as the right key turns the lock tumblers, their mouths came together, and hard, Jack’s big teeth bringing blood, his hat falling to the floor, stubble rasping, wet saliva welling, and the door opening and Alma looking out for a few seconds at Ennis’s straining shoulders and shutting the door again and still they clinched, pressing chest and groin and thigh and leg together, treading on each other’s toes until they pulled apart to breathe and Ennis, not big on endearments, said what he said to his horses and his daughters, little darlin.

The right to choose is always the key to progress for women, as it is for men.

It wasn't that I hated being asked a bunch of questions. I had nothing against questions. I just didn't like listening to them, because some questions take forever to make sense. Sometimes waiting for a question to finish is like watching someone draw an elephant starting with the tail first. As soon as you see the tail your mind wanders all over the place and you think of a million other animals that also have tails until you don't care about the elephant because it's only one thing when you've been thinking about a million others.

You gotta face the hand you're dealt with and deal with it, and make your problems be the smallest part of who you are.

Jack," I said, "why don't you go check on Sam?" Maybe you can advise her on getting through those doors. OR you could sing to her. I know she'd love that." "Yeah? Cool!" Jack zoomed off to serenade Sam, which meant Sam would want to hit me later, except it was Ramadan so she had to be nice to me. Wow, I was a bad person. At the doors, Jack was trying to help by suggesting songs he could sing to inspire new ideas for getting inside: 'Knockin'on Heaven's Door', 'I Got the Keys' or 'Break on Through (to the Other Side)'. "How about none of the above?" Sam said. "'None of the Above' ..." Jack mused. "Is that by Stevie Wonder?" "How's it going guys?" I asked. I didn't know if it was physically possible to strangle a magic sword, but I didn't want to see Sam try.

Every Fader has the key,” Jack assures me, and puts his finger in the key hole. I realize then that it must be one of the fancy biometric locks the Faders love so much. “The key hole is just in case someone wanders in by accident. They just think it’s an old storage room, or a mine, or something. They don’t see the level of technology that’s here.”, FADE by Kailin Gow

One fast more or I'm gone', I realize, gone the way of the last three years of drunken hopelessness which is a physical and spiritual and metaphysical hopelessness you can't learn in school no matter how many books on existentialism or pessimism you read, or how many jugs of vision-producing Ayahuasca you drink, or Mescaline you take, or Peyote goop up with-- That feeling when you wake up with the delirium tremens with the fear of eerie death dripping from your ears like those special heavy cobwebs spiders weave in the hot countries, the feeling of being a bent back mudman monster groaning underground in hot steaming mud pulling a long hot burden nowhere, the feeling of standing ankledeep in hot boiled pork blood, ugh, of being up to your waist in a giant pan of greasy brown dishwater not a trace of suds left in it--The face of yourself you see in the mirror with its expression of unbearable anguish so hagged and awful with sorrow you can't even cry for a thing so ugly, so lost, no connection whatever with early perfection and therefore nothing to connect with tears or anything: it's like William Seward Burroughs' 'Stranger' suddenly appearing in your place in the mirror- Enough! 'One fast move or I'm gone' so I jump up, do my headstand first to pump blood back into the hairy brain, take a shower in the hall, new T-shirt and socks and underwear, pack vigorously, hoist the rucksack and run out throwing the key on the desk and hit the cold street...I've got to escape or die...

If you ever drop your keys into a river of molten lava, let'em go...because man, they're gone!

My phone rang and a duck quacked, so I answered the bird. Communication is key, and the only way to unlock The Door of Opportunity is with an axe and a Jack Nicholson grin.

So this is pain. So this is wretchedness. So this is misery. I never knew. -Jack

You know, Joey, the medication has helped settle you down, but you have been a good kid all along. You are naturally good. I hope you know that about yourself. You have a good heart.

Again the ranch is on the market and they’ve shipped out the last of the horses, paid everybody off the day before, the owner saying, ‘Give them to the real estate shark, I’m out a here,” dropping the keys in Ennis’s hand. He might have to stay with his married daughter until he picks up another job, yet he is suffused with a sense of pleasure because Jack Twist was in his dream.

The problem with baseball is that at first you're desperate to leave home. Then, once you're gone, you'll do just about anything to get back. Even steal. But you can't get back the way you came. You have to take another way home.

Though outer events may be difficult, the key to our happiness is how our mind responds to them.

Don’t censor your dreams or vision with practicalities and probabilities.

I love her because she has become something more to me. She has become my life. -Jack

Don't worry my love, we shall have our vengeance. I promise it." -Jack

Faith is the key that unlocks all of God's cupboards.

Yet all three animals were keyed to a tenseness of living that was almost painful, and scarcely ever would it come to them to be more alive than they were then in their seeming petrifaction.

Jack knelt at the floor in front of her. “You did so great. Cutting off the power was the smartest thing anyone could’ve done in that situation.” She wiped her eyes. “Right, I’m such a hero. You dove off a thirty-five-foot staircase. I turned off a light switch.” “It . . . was a very key light switch.

The two keys to success as a sportswriter are: 1) A blind willingness to believe anything you're told by the coaches, flacks, hustlers and other "official spokesmen" for the team-owners who provide the free booze ... and: 2) A Roget's Thesaurus, in order to avoid using the same verbs and adjectives twice in the same paragraph. Even a sports editor, for instance, might notice something wrong with a lead that said: "The precision-jack-hammer attack of the Miami Dolphins stomped the balls off the Washington Redskins today by stomping and hammering with one precise jack-thrust after another up the middle, mixed with pinpoint-precision passes into the flat and numerous hammer-jack stomps around both ends....

Of course I still love my grandma even after all the awful stuff she did to me, which is scary that you can love someone who is not nice. I guess that is what getting better will do to a person: make you forgive people who have been mean to you.

With the aurora borealis flaming coldly overhead, or the stars leaping in the frost dance, and the land numb and frozen under its pall of snow, this song of the huskies might have been the defiance of life, only it was pitched in minor key, with long-drawn wailings and half-sobs, and was more the pleading of life, the articulate travail of existence. It was an old song, old as the breed itself—one of the first songs of the younger world in a day when songs were sad. It was invested with the woe of unnumbered generations, this plaint by which Buck was so strangely stirred. When he moaned and sobbed, it was with the pain of living that was of old the pain of his wild fathers, and the fear and mystery of the cold and dark that was to them fear and mystery.

With the aurora borealis flaming coldly overhead, or the stars leaping in the frost dance, and the land numb and frozen under its pall of snow, this song of the huskies might have been the defiance of life, only it was pitched in minor key, with long-drawn wailings and half-sobs, and was more the pleading of life, the articulate travail of existence.

But it was the kind of story that doesn't go away after the first time you tell it so you have to tell it over and over until it goes away for good. If it ever can.

You're supposed to feel sorry for me," I said. "What I feel for you and what I can afford are two different things," she said.

Even in this high-tech age, the low-tech plant continues to be the key to nutrition and health.

Your future is created by what you do today, not tomorrow. Robert Kiyosaki

Every subject is much easier than the people who wish to make money teaching it would have you know. So, for every single subject that can be systematized, there is a systematization that allows you to get 80% percent of the power with probably 5 or 10% of the effort. So the key question is that you have to prove that you have the superpower to rearrange the subject, to disintermediate the people who get paid for teaching it – which will always push you towards mastery, which is a question of getting the last 2 or 3% out of the system. And so the good news is that you can rearrange any subject to learn most of it very, very quickly. The bad news is that it will feel terrible because you will be told that you are doing the wrong thing and dooming yourself to a life of mediocrity as a jack of many trades, master of none – but in fact, the problem is that the jack of one trade is the connector of none. Good luck!

I discovered that you can’t train people how to trade by just imparting knowledge. The key to trading success is emotional discipline. Making money has nothing to do with intelligence. Think of all the bright people that choose careers on Wall Street. If intelligence were the key, there would be a lot more people making money trading.

In chili’s hand were his car keys, Ray-bans and Marlboros, without which he wouldn't leave his bathroom. Chili drank only black coffee and neat Jack Daniel’s; his suits were Boss, his underwear Calvin Klein, his actor Pacino. His barber shook his hand, his accountant took him to dinner, his drug dealer would come to him at all hours and accept his checks.

Keep a notebook. Travel with it, eat with it, sleep with it. Slap into it every stray thought that flutters up into your brain. Cheap paper is less perishable than gray matter, and lead pencil markings endure longer than memory.” – Jack London,

With the aurora borealis flaming coldly overhead, or the stars leaping in the frost dance, and the land numb and frozen under its pall of snow, this song of the huskies might have been the defiance of life, only it was pitched in minor key, with long-drawn wailings and half-sobs, and was more the pleading of life, the articulate travail of existence. It was an old song, old as the breed itself—one of the first songs of the younger world in a day when songs were sad.

For one second I thought I saw it and I reached down and snatched up a little flesh-colored round thing, but ti was just a used round Band-Aid. My mother slapped it out o fmy hand and that was the first moment I realized she was mad at me too. And suddenly it was as if my heart was as uncontrollable as my legs. All this time I thought she was on my side, because I wa son her side. But maybe she had given up on me too. So I didn't say anything more because I was scared she was going to be against me like everyone else.

The key to Christian success is adherence and obedience to him, his Word, and his purposes for life.

Does this thing have fast forward?” Sorenson asked. “Hold down the shift key,” the kid said.

you have enough monkeys randomly striking keyboard keys (they have recently traded in their typewriters for PCs), one of them will eventually type Hamlet

pooped all over the carpet, eaten the slippers, and attacked the mailman, and was now being sent to obedience school.

The universe is change; our life is what our thoughts make it. Marcus Aurelius Antoninus

importance of constant learning as the key to being a successful ruler.

Fuck you, Jack Ching,” David Emerson swore. He found the keys were still in the ignition, and turned them. “Yeah. It’s jackalope season, motherfucker.

If someone loses a key and then finds it again, which key does one keep, the old or the new? The queen replied; 'Certainly the old one.

You thrive on it. You intentionally create situations to jack-up the pressure even higher, challenging you to prove what you’re capable of. —Tim Grover

It is through the heart that we see, hear and feel most clearly. It is like a radio signal. When it is strong the heart is like a megaphone and I get your message loud and clear. You message echoes throughout the universe when it comes from the heart on the wings of intention and faith. It is the most direct line of communication in existence once you filter out the “interference” of worry and doubt in your head, the thoughts that don’t matter and only serve to block the reception. Your intention is the force, love is the connection and faith is the key that opens the door between you and me.

Kovner lists risk management as the key to successful trading; he always decides on an exit point before he puts on a trade. He also stresses the need for evaluating risk on a portfolio basis rather than viewing the risk of each trade independently. This is absolutely critical when one holds positions that are highly correlated, since the overall portfolio risk is likely to be much greater than the trader realizes.

When my mother died I was very young, And my father sold me while yet my tongue Could scarcely cry 'weep! 'weep! 'weep! 'weep![a] So your chimneys I sweep, and in soot I sleep. There's little Tom Dacre, who cried when his head, That curled like a lamb's back, was shaved: so I said, "Hush, Tom! never mind it, for when your head's bare, You know that the soot cannot spoil your white hair." And so he was quiet; and that very night, As Tom was a-sleeping, he had such a sight, - That thousands of sweepers, Dick, Joe, Ned, and Jack, Were all of them locked up in coffins of black. And by came an angel who had a bright key, And he opened the coffins and set them all free; Then down a green plain leaping, laughing, they run, And wash in a river, and shine in the sun. Then naked and white, all their bags left behind, They rise upon clouds and sport in the wind; And the angel told Tom, if he'd be a good boy, He'd have God for his father, and never want joy. And so Tom awoke; and we rose in the dark, And got with our bags and our brushes to work. Though the morning was cold, Tom was happy and warm; So if all do their duty they need not fear harm. - "The Chimney Sweeper

When it comes down to it, the women that you see every day are not as they appear. The world and society has made them hide the truth because it is so hard to accept. For some reason the dark nature of women has been kept well… in the dark.

O wind, songs have ye in her name? Plucked her did ye from midnight blasted millyard winds and made her renown ring in stone and brick and ice? Hard implacable bridges of iron cross her milk of brows? God bent from his steel arc welded her a hammer of honey and of balm? The rutted mud of hardrock Time . . . was it wetted, springified, greened, blossomied for me to grow in nameless bloodied lutey naming of her? Wood on cold trees would her coffin bare? Keys of stone rippled by icy streaks would ope my needy warm interiors and make her eat the soft sin of me? No iron bend or melt to make my rocky travail ease--I was all alone, my fate was banged behind an iron door, I'd come like butter looking for Hot Metals to love, I'd raise my feeble orgone bones and let them be rove and split the half and goop the big sad eyes to see it and say nothing. The laurel wreath is made of iron, and thorns of nails; acid spit, impossible mountains, and incomprehensible satires of blank humanity--congeal, cark, sink and seal my blood--

It was a battle, Jack realized, between the composite psyche of the school and the individual psyches of the children, and the former held all the key cards. A child who did not properly respond was assumed to be autistic—that is, oriented according to a subjective factor that took precedence over his sense of objective reality. And that child wound up by being expelled from the school; he went, after that, to another sort of school entirely, one designed to rehabilitate him: he went to Camp Ben-Gurion. He could not be taught, he could only be dealt with as ill.

Set flush in the wall behind the desk was a steel door. It was knobless, and along one edge were three brass keyholes spaced a few inches apart. Rube brought out a key ring, selected a key, then walked around the desk, inserted the key in the topmost lock, and turned it. From his watch pocket he took a single key, pushed it into the middle keyhole, and turned. The guard stood waiting beside him, and now the guard inserted a key in the bottom keyhole, turned it and pulled the door open with the key. Rube removed his two keys and gestured me in through the open door before him. He followed, and the door swung solidly shut behind us. I heard the multiple click of the locks engaging, and we were standing in a space hardly larger than a big closet, dimly lighted by an overhead bulb in a wire cage. Then I saw that we were at the top of a circular metal staircase.

When a tree's leaves wave slightly or when you hear consistent creaking and groaning of limbs and there is no wind, chances are you are being laughed at by a tree. They may find your clothes ridiculous. Your hiking skills clumsy. Or your yodeling off-key. It is not cruel or teasing laughter. They are simply amused.

With most women he would use flattery and flirtation, appealing to both their vanity and their pleasure. But Grace was no ordinary woman. With her, he knew he would have to take a more subtle approach. Less than half a minute into their acquaintance, he'd sensed her reserve, as well as her insecurity. He surmised she wasn't used to being boldly pursued by men, so any sudden, overt interest on his part would only provoke her suspicions and put her on the alert. Instead, his approach would require a deft touch and gentle, patient persuasion. A shy doe required proper coaxing, after all. The key was to figure out what kind of inducement she liked best and be there to offer it.

You've told a good story in a skillful manner. I like it that you haven't moralized about your heroine's mistakes. You've made it difficult for the reader not to sympathize with her." "I sympathize with her," Amanda said frankly. "I've always thought it would be the worst kind of horror to be trapped in a loveless marriage. So many women are forced to marry because of pure economics. If more women were able to support themselves, there would be fewer reluctant brides and unhappy wives." "Why, Miss Briars," he said softly. "How unconventional of you." She countered his amusement with a perplexed frown. "It's only sensible, really." He realized suddenly that this was the key to understanding her. Amanda was so doggedly practical that she was willing to discard the hypocrisies and stale social attitudes that most people accepted without thinking. Why, indeed, should a woman marry just because it was the expected thing to do, if she were able to choose otherwise? "Perhaps most women think it is easier to marry than support themselves," he said, deliberately provoking her. "Easier?" she snorted. "I've never seen a shred of evidence that spending the rest of one's days in domestic drudgery is any easier than working at some trade. What women need is more education, more choices, and then they will be able to consider options for themselves other than marriage.

When the clowns of British politics - arch-Brexiteer cartoon characters 'Boorish Johnson' and 'JackOff Grease-Smug' advocate ad infinitum that Britain should leave the EU in order to be free to sign her own trade deals; they seem to have overlooked the towering elephant in the room, namely the current occupant of the White House (another clown) - who appears hell-bent on destabilising world trade via crude protectionist policies. Both Tories, despite receiving the best British education money can buy, would do well to revisit their post war history books and be reminded of one of the key objectives of the European Project and in due course the European Union - specifically to promote peace and prosperity amongst previously warring neighbours by forming a unified trading bloc which in time, due to its effective size, also acted as a useful counterweight to US hegemony. Go find another circus for your buffoonery and leave the deadly serious business of politics to principled individuals with the true national interest at heart !

So, one of your shortcomings has been in letting your rational assessment of a situation keep you from participating in a psychologically driven trade. Yes, failing to participate in markets when the fundamentals are less important than the psychology. But how do you recognize that type of situation? Well, that’s the key question, isn’t it? [He laughs.]

The Mongols made culture portable. It was not enough to merely exchange goods, because whole systems of knowledge had to also be transported in order to use many of the new products. Drugs, for example, were not profitable items of trade unless there was adequate knowledge of how to use them. Toward this objective, the Mongol court imported Persian and Arab doctors into China, and they exported Chinese doctors to the Middle East. Every form of knowledge carried new possibilities for merchandising. It became apparent that the Chinese operated with a superior knowledge of pharmacology and of unusual forms of treatment such as acupuncture, the insertion of needles at key points in the body, and moxibustion, the application of fire or heat to similar areas. Muslims doctors, however, possessed a much more sophisticated knowledge of surgery, but, based on their dissection of executed criminals, the Chinese had a detailed knowledge of internal organs and the circulatory system. To encourage a fuller exchange of medical knowledge, the Mongols created hospitals and training centers in China using doctors from India and the Middle East as well as Chinese healers.

The guy stood a yard inside the dark room and waited, blinking, letting his eyes adjust to the gloom after the hot whiteness of the Key West sun. It was June, dead-on four o’clock in the afternoon, the southernmost part of the United States. Way farther south than most of the Bahamas. A hot white sun and a fierce temperature. Reacher sat at his table in back and sipped water from a plastic bottle and waited.

A parte quando passava da me Jack o quando Wireman - sempre più vicino - mi salutava con la mano gridandomi «Buenos días, muchacho!», io non vedevo nessuno e non parlavo che a me stesso. L'estraneo recede quasi del tutto e quando questo avviene cominci a sentire te stesso con chiarezza. E la comunicazione chiara tra i sé - il sé superficiale e il sé recondito, intendo - è nemica dell'autocritica. Sbaraglia la confusione.

Brother Males and Shemales: Are you coming to the Health Bee?  It will be the livest Hop-to-it that this busy lil ole planet has ever see.  And it's going to be Practical.  We'll kiss out on all these glittering generalities and get messages from men as kin talk, so we can lug a think or two (2)home wid us. Luther Botts, the famous community-sing leader, will be there to put Wim an Wigor neverything into the program.  John F. Zeisser, M.A., M.D., nail the rest of the alphabet (part your hair Jack and look cute, the ladies will love you) will unlimber a coupla key-notes.  (On your tootsies, fellers, thar she blows!)  From time to time, if the brakes hold, we will, or shall in the infinitive, hie oursellufs from wherein we are apt to thither, and grab a lunch with Wild Wittles. Do it sound like a good show?  It do!  Barber, you're next.  Let's have those cards saying you're coming. This

I jumped up, my hands in the air. “Yes!” Lend laughed. “Okay, looks like I need to make a run to the grocery store. Do faeries hate wheat or white bread more, you think?” “Get bread with raisins,” I said. “Everyone hates raisins.” Jack was bouncing, obviously excited. “That’s all we need, right?” “We need Reth.” “No,” Lend and Jack whined in unison. “Come on, you two. Reth knows the Faerie Realms better than you do. Jack, you didn’t see where the people were; it might take you a while to find them, and that’s time we can’t afford to lose. And Reth’s getting worse; being there might give him more time.” Lend scowled, grabbing the car keys off the counter. “Fine. But I’m really getting tired of his stupid smirk and prissy clothes.” Jack nodded. “And his voice that sounds like it’d even taste good. Really, it’s overkill. Best to have only a few absolutely perfect traits—for example, my hair and eyes and sparkling personality—so you don’t overwhelm them.” “Aww, are you guys jealous of how pretty Reth is? That’s kind of adorable.” “You know I could look exactly like him,” Lend said, frowning darkly. “Please for the love of all that is good and holy, never, ever wear Reth. That’s the stuff of nightmares.” That brightened his face a bit and he left me with a lingering kiss and a promise to be back with every loaf of bread we could carry. “Well, go find your stupid faerie boyfriend,” Jack said, lying down on top of the counter and drumming his fingers on his stomach. “I haven’t filled my quota for pissing off the Dark Court yet this week.” “We are going to blow your quote sky high.” He held up a hand and I high-fived him as I walked past and out of the house toward the trail. Yet again. I should have invested in a dirt bike or something given the amount of mileage I was getting out of the path between the house and the pond.

forgiveness. It is not in denying the hopeless days that take place when others reject us or turn on us. It is not in minimizing the pain we experience at the hands of those who seem bent on ruining our lives. People turn on people. They betray one another. Crass unkindness, vicious plottings, horrible and intentional antagonisms are shown, and calling it a hopeless day hardly describes the extended season of struggle that many of us face at times. But there is a lesson at Calvary. Forgive everyone—anyone—whom you think has failed you, hurt you, offended you. If you think they’ve done anything to ruin your day, ruin your life, ruin your opportunities, ruin your dreams, or block your goals—forgive them. Forgiving others is the key to living in the liberty of the freeing forgiveness Jesus has given us, and it’s the first step toward finding hope for a hopeless day, not to mention opening the door to new days unimagined.

At the same time, however, I was doing what I imagined magicians did, and with some success. I did seem to have a knack for the kind of magick that involved standing in a circle with a sword and bellowing various “Barberous Names” mixed with threats I couldn't back up in order to force some unsuspecting spirit to either charge a talisman or appear in a triangle (made of packing tape) to do my bidding. I had some fairly spectacular results4 and was, I will admit, rather encouraged.

taking it,’ he said as he fumbled for his wallet to pay for the bottle. With that, he grabbed June’s hand and practically lifted her up. ‘Come on, we’re going.’ June had another fit of the giggles. It was the longest mile for Pope. The valet was surprised to see them again so soon. They got into the elevator, only to have to wait ‘til they got back to the room before he could rip the dress off her. With them in the elevator car were a Chinese couple and their six-year-old son. Pope used June as a human shield to hide his erection, but to get even, he kept rubbing his hardness against her backside. She desperately tried to stop laughing but failed miserably, causing the family to wonder what was so funny. Thank God for magnetic keys, because if he’d had to fumble with a traditional key to open the door, he was certain that they would just have to do it right there. The rest of the evening was consumed with passion that was fiery, unreserved, and delirious. ‘I can’t remember having

The office was the first door on the left, on the ground floor. There was a clerk behind the desk. He was a short old guy with a big belly and what looked like a glass eye. He gave the woman the key for room 214, and she walked out without another word. Reacher asked him for a rate, and the guy said, “Sixty bucks.” Reacher said, “A week?” “A night.” “I’ve been around.” “What’s that supposed to mean?” “I’ve been in plenty of motels.” “So?” “I don’t see anything here worth sixty bucks. Twenty, maybe.

The night of September the 14th, 1814, saw heavy bombardment of Baltimore by the British. Despite this, the next morning, the large American flag was still flying undamaged over Fort McHenry. Such a sight made lawyer Francis Scott Key feel extremely patriotic, and he wrote four verses called Defence of Fort McHenry, which he set to the music of To Anacreon in Heaven, a British drinking song. When it was later sold as sheet music, the publishers used a different title for Key’s ditty, and in 1931 it was chosen to be America’s national anthem. Yes - The Star Spangled Banner is based on a British drinking song!

One more thing,” Jack said. “Name it,” Freddie said with an expansive gesture. “Al Rossetti,” Jack said. Freddie’s face fell, hard. “I got not one word to say on such a subject as that,” Freddie said. “Don’t get hysterical,” Jack said. “No, seriously Jackie, you come into my place when I ain’t even here-” “You gave me a key,” Jack deadpanned. “Well,” Freddie paused, “leaving aside for the moment that this is an interesting point-” “Thank you,” said Jack. “You bring in a person whom I do not know,” Freddie said gesturing towards me and raising his hands defensively as he realized that he had done it again. “And you ask me about one of the biggest gangsters in town, whom I have just remembered that I have never heard of.

The first, and more traditional, involved the ingestion of mercury as well as the topical application of this liquid metal to chancres and lesions. The second, more modern theory favored other metals and chemicals—gold, silver, copper, bromine, iodine, and nitric acid—to be taken internally or applied in ointments. Both approaches were hazardous to patients’ health. Of these two methods, Gothenburg’s Kurhuset appears to have favored non-mercurial cures. Elisabeth, during her stay, was treated internally with hydroiodic acid, the main components of which are iodine and hydrogen; her genital warts would have been dehydrated with a cream or cut off. After receiving this cure for seventeen days, Elisabeth went into premature labor. On April 21, while under lock and key at the Kurhuset, she gave birth to a stillborn seven-month-old girl.* She did not cite the father’s name on the birth certificate.

With the aurora borealis flaming coldly overhead, or the stars leaping in the frost dance, and the land numb and frozen under its pall of snow, this song of the huskies might have been the defiance of life, only it was pitched in minor key, with long-drawn wailings and half-sobs, and was more the pleading of life, the articulate travail of existence. It was an old song, old as the breed itself — one of the first songs of the younger world in a day when songs were sad. It was invested with the woe of unnumbered generations, this plaint by which Buck was so strangely stirred. When he moaned and sobbed, it was with the pain of living that was of old the pain of his wild fathers, and the fear and mystery of the cold and dark that was to them fear and mystery. And that he should be stirred by it marked the completeness with which he harked back through the ages of fire and roof to the raw beginnings of life in the howling ages.

Among the best shows were these, some of which have attained cult followings: The Most Dangerous Game (Oct. 1, 1947), a showcase for two actors, Paul Frees and Hans Conried, as hunted and hunter on a remote island; Evening Primrose (Nov. 5, 1947), John Collier’s too-chilling-to-be-humorous account of a misfit who finds sanctuary (and something else that he hadn’t counted on) when he decides to live in a giant department store after hours; Confession (Dec. 31, 1947), surely one of the greatest pure-radio items ever done in any theater—Algernon Blackwood’s creepy sleight-of-hand that keeps a listener guessing until the last line; Leiningen vs. the Ants (Jan. 17, 1948) and Three Skeleton Key (Nov. 15, 1949), interesting as much for technical achievement as for story or character development (soundmen Gould and Thorsness utilized ten turntables and various animal noises in their creation of Three Skeleton Key’s swarming pack of rats); Poison (July 28, 1950), a riveting commentary on intolerance wrapped in a tense struggle to save a man from the deadliest snake in the world—Jack Webb stars

Jactricia," I snicker, before I even realize what I'm saying--- and then we're both red in the face, because it's the first time we've mutually acknowledged the extreme awkwardness that is strangers actually, legitimately shipping us online. Pepper clears her throat. "Well, obviously, we need to petition for a better ship name." Some of the awkwardness diffuses, but the tension is still there, tight like a coil between us. "Jepper? Pack?" "Pass," she says, nudging me with her elbow again---and then something shifts. The apartment is eerily still, with the same kind of quiet there was in the pool the other day, where you're not sure if it's actually quiet or if the rest of the world's sounds just don't apply to you anymore. "Maybe just Jack and Pepper, then," I concede. There's a ghost of a smirk on Pepper's face, but she's so close, I can hear it more than I can see it. "Pepper and Jack," she corrects me. Then her eyes light up. "Pepperjack." It's ridiculous, but the word is like a key turning into a lock. And then impossibly, even though some part of me knew it would happen the moment I saw Pepper walk out of the subway, we lean in and our lips touch and we're kissing on my couch.

Chang came in five minutes later, in the same jeans but a fresh T-shirt, her hair still inky with water from the shower. Her own jacket was pulled down on one side, by her own Smith. Like any ex-cop she looked around, the full 360, seven or eight separate snapshots, and then she moved through the room with plenty of energy, powered by what looked like enthusiasm, or maybe some kind of shared euphoria at their mutual survival through the night. She slid in alongside him. He said, “Did you sleep?” She said, “I must have. I didn’t think I was going to.” “You didn’t go meet the train.” “He’s a prisoner, according to you. And that’s the best-case scenario.” “I’m only guessing.” “It’s a reasonable assumption.” “Did you see the woman in 203?” “I thought she was hard to explain. Dressed in black, she could have been an investor or a fund manager or something else deserving of the junior executive routine. Her face and hair were right. And she has a key to the company gym. That’s for sure. But dressed in white? She looked like she was going to a garden party in Monte Carlo. At seven o’clock in the morning. Who does that?” “Is it a fashion thing? Someone’s idea of summer clothes?” “I sincerely hope not.

WHODUNIT BY BRUCE TIERNEY | 838 words A slippery situation in the Gulf Black Horizon (Harper, $25.99, 384 pages, ISBN 9780062109880), the 11th book in James Grippando's popular series featuring Florida attorney Jack Swyteck, opens with the two most important words of the lawyer's life: "I do." (Ha, ha—you thought I was going to say, "Not guilty.") The beach wedding in scenic Key Largo goes wildly awry when an epic storm arises in the Gulf, launching manifold repercussions for Swyteck and his new bride. One of the victims of the storm is a young Cuban oil rig worker whose wife emigrated to the U.S. ahead of him. He had planned to follow, but the deadly combination of high winds and an explosive oil spill have put paid to those plans forever. Now his wife would like Swyteck to file a wrongful death suit against the Chinese/Russian/Venezuelan/Cuban consortium that owns the oil rig. This is no easy feat, since the rig is in Cuban waters, and the only tenuous tie to the U.S. legal system is the wife's residency in Key West. The situation is volatile; the adversaries are lethal; and the backdrop is a toxic oil slick poised to slime the Florida coast. Black Horizon is timely, relentlessly paced and a thrill ride of the first

I remember standing in the wings when Mother’s voice cracked and went into a whisper. The audience began to laugh and sing falsetto and to make catcalls. It was all vague and I did not quite understand what was going on. But the noise increased until Mother was obliged to walk off the stage. When she came into the wings she was very upset and argued with the stage manager who, having seen me perform before Mother’s friends, said something about letting me go on in her place. And in the turmoil I remember him leading me by the hand and, after a few explanatory words to the audience, leaving me on the stage alone. And before a glare of footlights and faces in smoke, I started to sing, accompanied by the orchestra, which fiddled about until it found my key. It was a well-known song called Jack Jones that went as follows: Jack Jones well and known to everybody Round about the market, don’t yer see, I’ve no fault to find with Jack at all, Not when ’e’s as ’e used to be. But since ’e’s had the bullion left him ’E has altered for the worst, For to see the way he treats all his old pals Fills me with nothing but disgust. Each Sunday morning he reads the Telegraph, Once he was contented with the Star. Since Jack Jones has come into a little bit of cash, Well, ’e don’t know where ’e are. Half-way through, a shower of money poured on to the stage. Immediately I stopped and announced that I would pick up the money first and sing afterwards. This caused much laughter. The stage manager came on with a handkerchief and helped me to gather it up. I thought he was going to keep it. This thought was conveyed to the audience and increased their laughter, especially when he walked off with it with me anxiously following him. Not until he handed it to Mother did I return and continue to sing. I was quite at home. I talked to the audience, danced, and did several imitations including one of Mother singing her Irish march song that went as follows: Riley, Riley, that’s the boy to beguile ye, Riley, Riley, that’s the boy for me. In all the Army great and small, There’s none so trim and neat As the noble Sergeant Riley Of the gallant Eighty-eight. And in repeating the chorus, in all innocence I imitated Mother’s voice cracking and was surprised at the impact it had on the audience. There was laughter and cheers, then more money-throwing; and when Mother came on the stage to carry me off, her presence evoked tremendous applause. That night was my first appearance on the stage and Mother’s last.

Back in bed I listen to every sound. The plastic tarp over the table on the balcony crunching in the cold wind. the two short clicks in the walls before the heat comes on with a low whoosh. I hear a constant base hum all around, the nervous system of the building, carrying electricity and gas and phone conversations to all our respective little boxes. I listen to it all, the constant, the rhythmic, and the random. It's hard to measure the night by sound, but it can be done. I know that when the traffic noise is quietest, it's about 4:30 in the morning. I know that when the 'Times' hits the door, it's around 5. Now the clock says it's morning, 5:45, but the November sky still says midnight. I hear the elevator ding twenty yards down the hall outside our door. Seven seconds later, I hear his keys in our lock, then his heavy backpack hitting the floor. I hear the refrigerator door open, the unsealing vacuum wheezing as the cold inside air meets the dry heat in the apartment. The cupboard door. A glass. The crescendoing fizz of a new two-liter Diet Coke bottle opening. It's a one-sided conversation with no one actually talking. I lie in the dark, close my eyes, and try not to listen to his movements around apartment. these are the sounds of our life together before it got so messy. I want to say something back. Anything, anything that sounds like things sounded last summer. Even just to myself. Just something out loud. The inside of my eyelids turn pink. My door has been opened and the light from the hallway shines through them. I won't open them. There is no noise. Like an eclipse, the world behind my closed eyes goes dark again. For just one second, before I feel a kiss on my right eye. I keep them closed. A kiss on the left one. I open them. Jack looks down at me and closes his eyes. He leans forward and puts his forehead on my chest and goes limp. ''Blues Clues' is on,' he says softly into my tee shirt. His muffled voice vibrating only a half inch away from my heart.

Oh, by the way, security told me earlier that some guy showed up, claiming to be your assistant.” “Already? What time is it?” “It’s almost one o’clock,” he says. “Are you telling me you actually hired someone?” My heart drops. I shove past Cliff, ignoring him as he calls for me, wanting his question answered. I head straight for security, spotting Jack standing along the side with a guard, looking somewhere between disturbed and amused. “Strangest shit I’ve ever witnessed in Jersey,” Jack says, looking me over. “And that’s saying something, because I once saw a chimpanzee roller skating, and that was weird as fuck.” “I’m going to take that as a compliment, even though I know it isn’t one,” I say, grabbing his arm and making him follow me. It’s about a two-and-a-half hour drive to Bennett Landing, but I barely have two hours. “Please tell me you drove.” Before he can respond, I hear Cliff shouting as he follows. “Johnny! Where are you going?” “Oh, buddy.” Jack glances behind us at Cliff. “Am I your getaway driver?” “Something like that,” I say. “You ever play Grand Theft Auto?” “Every fucking day, man.” “Good,” I say, continuing to walk, despite Cliff attempting to catch up. “If you can get me where I need to be, there will be one hell of a reward in it for you.” His eyes light up as he pulls out a set of car keys. “Mission accepted.” There’s a crowd gathered around set. They figured out we’re here. They know we’re wrapping today. I scan the area, looking for a way around them. “Where’d you park?” I ask, hoping it’s anywhere but right across the street. “Right across the street,” he says. Fuck. I’m going to have to go through the crowd. “You sure you, uh, don’t want to change?” Jack asks, his eyes flickering to me, conflicted. “No time for that.” The crowd spots me, and they start going crazy, making Cliff yell louder to get my attention, but I don’t stop. I slip off of set, past the metal barricades and right into the street, as security tries to keep the crowd back, but it’s a losing game. So we run, and I follow Jack to an old station wagon, the tan paint faded. “This is what you drive?” “Not all of us grew up with trust funds,” he says, slapping his hand against the rusted hood. “This was my inheritance.” “Not judging,” I say, pausing beside it. “It’s just all very ‘70s suburban housewife.” “That sounds like judgment, asshole.” I open the passenger door to get in the car when Cliff catches up, slightly out of breath from running. “What are you doing, Johnny? You’re leaving?” “I told you I had somewhere to be.” “This is ridiculous,” he says, anger edging his voice. “You need to sort out your priorities.” “That’s a damn good idea,” I say. “Consider this my notice.” “Your notice?” “I’m taking a break,” I say. “From you. From this. From all of it.” “You’re making a big mistake.” “You think so?” I ask, looking him right in the face. “Because I think the mistake I made was trusting you.” I get in the car, slamming the door, leaving Cliff standing on the sidewalk, fuming. Jack starts the engine, cutting his eyes at me. “So, where to? The unemployment office?” “Home,” I say, “and I need to get there as soon as possible, because somebody is waiting for me, and I can't disappoint her.

This is Jack Welch’s key business strategy: Change, before it’s too late

God damn it, Andre`. I’m about fucking sick of this jacked up shit! Things are going to go my way or else I won’t bring the pretty little fucking mannequin to any more of our play dates! Barbie will get locked away under my fucking key!

Ray Kroc, the founder of McDonald’s, said, “There are three keys to success: 1. Being at the right place at the right time. 2. Knowing you are there. 3. Taking action.

She ran to the bathroom and just managed to shove the door shut and drop to her knees in front of the toilet before Jack Daniel’s made an encore appearance.

this information without sharing it with me? This is all new information to me. I feel sandbagged.” To his relief and slight embarrassment, I pointed out that it was his own information. We had merely given it some analytical horsepower, in the spirit of broadened collaboration. After that, he became more trustful of the CNC, and a number of his senior leaders became major supporters of the center. Beyond this new trust and cooperation among federal agencies, the other new and innovative component of the linear strategy was the way we started dealing with our liaison partners in foreign intelligence agencies. Brian Bramson, a veteran CIA operations officer and Latin America hand, led the way here—and has never been fully recognized for this achievement. Traditionally, we tried to give liaison partners as little support and intelligence as we could get away with to stay in the game. We did not want to develop their skills to the point where they could jeopardize our other unilateral operations if they turned against us. I understood this reluctance, having seen trusted liaison partners become criminal liabilities. Nevertheless, when it came to attacking drug cartels at the CNC in the early 1990s, we made a decision to truly build up liaison capabilities and share with the locals even high-end resources—everything that could be used to damage the narcotic-trafficking networks. Our strategy was to use our liaison partners as a genuine force multiplier. Combining their on-the-ground knowledge, language abilities, and existing networks with our skills, training, and equipment, we went from minimal bilateral liaison to enhanced multilateral liaison. “The kind of information we were looking for had to be gathered in-country by our good liaison contacts that we trusted … liaison relationships were key,” Brian Bramson said.5 Soon we were building powerful and effective

Runnin'" Can't keep runnin' away..... [Verse 1: Fat Lip] I must admit on some occasions I went out like a punk and a chump or a sucka or something to that effect Respect I usedto never get when all I got was upset when niggas use to be like 'What's up fool!' and tried to seat a nigga like the Lip for no reason at all I can recall crip niggas throwin' c in my face down the hall I'm kickin' it in the back of the school eatin' chicken at three, wonderin' why is everybody always pickin' on me I tried to talk and tell tham chill I did nothing to deserve this But when it didn't work I wasn't scared just real nervous and unprepared to deal with scrappin' no doubt cuz my pappy never told me how to knock a nigga out But now in 95 I must survive as a man on my own Fuck around with Fatlip yes ya get blown I'm not tryin to show no macho is shown but when it's on, if it's on, then it's on! [Verse 2: Slim Kid Tre] There comes a time in every mans life when he's gotta handle up on his own Can't depend on friends to help you in a sqeeze, please they got problems of their own Down for the count on seven chickens shits don't get to heaven til they faced these fears in these fear zones Used to get jacked back in high school I played it cool just so some real shit won't get full blown Being where I'm from they let the smoke come quicker than an evil red-neck could lynch a helpless colored figure And as a victim I invented low-key til the keyhole itself got lower than me So I stood up and let my free form form free I don't sweat it I let the bullshit blow in the breeze in other words just freeze [Verse 3: Knumbskull #1] It's 1995 now that I'm older stress weighs on my shoulders heavy as boulders but I told ya till the day that I die I still will be a soldier and that's all I told ya and that's all I showed ya and all this calamity is rippin' my sanity Can it be I'm a celebrity whose on the brink of insanity Now don't be wishin's of switchin' any positions with me cuz when you in my position, it ain't never easy to do any type of maintaining cuz all this gaming and famin' from entertainin' is hella straining to the brain and... But I can't keep runnin I just gotta keep keen and cunnin'...

North Korea is as close to a closed society as exists in the world, and the government-imposed sheltering of its people from the outside world was a key component to the nation’s ability to control the message to its citizens.

compassion is the key no matter what the line of work you are in.

called Defence of Fort McHenry, which he set to the music of To Anacreon in Heaven, a British drinking song. When it was later sold as sheet music, the publishers used a different title for Key’s ditty, and in 1931 it was chosen to be America’s national anthem. Yes - The Star Spangled Banner is based on a British drinking song! The Union Army in the American Civil War began to allow black soldiers to enlist in 1863. However, whereas a white solider was paid $13 a month, a black solider was only paid $10, and furthermore was deducted $3 for clothing. In protest at this, a number of black regiments refused to

In the early morning as dawn was just beginning to streak through the cabin windows, Jack was stirred awake by the soft sound of slightly off-key humming. He found Mel nestled into the crook of his arm, her breath tickling his chest. She was purring, humming, her lips moving slightly, as though singing. It might’ve troubled him if her expression had been sad or disturbed. But she was smiling. She snuggled closer, throwing a leg over his. And this sleepy little music, contented, drifted out of her. He could count on one hand the number of times he’d spent the entire night in bed with a woman. And already, he couldn’t imagine waking up alone. He pulled her closer knowing he’d never been happier in his life.

Hanna stood looking at him, lips tightly pressed together. Then she turned on her heel and strode out of the conference room. She had to get out of that room. Only bad things happened there. Jack

As discussed earlier in the previous chapter, one of the most important keys in your communication skill is nonverbal. It’s a scientific fact that more than half of what you communicate with your other party is nonverbal.

The Rubik's Cube of Omár my Mán A Key of Coke underneath the Bough, A Jug of Jack, a Brick of Hash ~ Newsflash: 'Now who the fuck needs Thou'.

but she could let her know that she understood, that she was sorry, that she knew what it felt like to worry about your Mom. One thing Liz could do uniquely and with pride was play her saxophone. Liz had been thinking about a musical accompaniment for Life in a Jar and had come upon the perfect song – Eugene Bozza’s Aria, a saxophone solo in a minor key that gave dignity to suffering. After all was said and done, after all the raging, all the sorrow, all the counseling, the one thing Liz wanted for Megan, for herself – maybe what everyone wanted and needed – was dignity in their suffering. To

Forgiving those who assail you is the key to not being permanently victimized by them. Whatever the initial impact of any offense done to us by others, our refusal to react, to carry a grudge or to retaliate in-kind secures the high ground. But that must be as real on our part as the Savior’s forgiveness, not merely a humanistic, self-willed exercise in self-control. The latter may appear noble, but it only breeds an internalized pride. True forgiveness springs from gratitude to God for His forgiving me. True forgiveness is born of my remembrance that I have been forgiven so great a debt through God’s love that there is no justification for my being less than fully forgiving to others. Because I have “freely received,” my Lord calls me to “freely give.” To forgive those seeking to injure you or me is to remove ourselves from their control and to be unfettered by the anger, pain or disappointment that would seek to attach itself to us.

KEY POINT: If you don’t stabilize a sales forecast, you can’t control your company. If you control a forecast, you control the world.