Jabberwocky Quotes

Twas brillig, and the slithy toves Did gyre and gimble in the wabe; All mimsy were the borogoves, And the mome raths outgrabe.

And, has thou slain the Jabberwock? Come to my arms, my beamish boy! O frabjous day! Callooh! Callay! He chortled in his joy.

Beware the Jabberwock, my son The jaws that bite, the claws that catch! Beware the Jubjub bird, and shun The frumious Bandersnatch!

All she could think of as she turned the key was, they were real. Jabberwockys and Bandersnatches and all the fucking Snarks. Boojums for sure. Maybe she had entered the Twilight Zone, but this shit was as real as real gets.

She would never comprehend the need to hurt those who never hurt her, the need to hate for the sake of hating. She never wanted to rule over others in fear. No, she would never understand the Jabberwocky.

Twas brillig, and the slithy toves Did gyre and gimble in the wabe; All mimsy were the borogoves, And the mome raths outgrabe. "Beware the Jabberwock, my son The jaws that bite, the claws that catch! Beware the Jubjub bird, and shun The frumious Bandersnatch!" He took his vorpal sword in hand; Long time the manxome foe he sought— So rested he by the Tumtum tree, And stood awhile in thought. And, as in uffish thought he stood, The Jabberwock, with eyes of flame, Came whiffling through the tulgey wood, And burbled as it came! One, two! One, two! And through and through The vorpal blade went snicker-snack! He left it dead, and with its head He went galumphing back. "And hast thou slain the Jabberwock? Come to my arms, my beamish boy! O frabjous day! Callooh! Callay!" He chortled in his joy. 'Twas brillig, and the slithy toves Did gyre and gimble in the wabe; All mimsy were the borogoves, And the mome raths outgrabe.

How come "burbled" gets to be in the Oxford English Dictionary but "tulgy" doesn't? Hm?

Beware the Jabberwock, my son! The jaws that bite, the claws that catch!

Jabberwocky, causing serious mayhem.

At first she thought the writing would be easy. She was extremely confident in her ability to dream, to imagine, and she supposed that expressing her dreams in words, in writing, would be entirely natural, like drawing breath. She had read widely from the time she was a child, and she knew how to recognize something that was well written. She admired certain lines and passages so much that she had taken complete possession of them and committed them to memory. She could recite “The Gettysburg Address” and “The Twenty-Third Psalm.” She could recite “Jabberwocky” and Emily Dickinson’s “Further in summer that the birds” and Wallace Stevens’s “Sunday Morning.” She knew by heart the final paragraph of Joyce’s “The Dead,” and if challenged she could say in whole the parts of both Romeo and Juliet. And she knew many Kiowa stories and many long prayers in Navajo. These were not feats of memory in the ordinary sense; it was simply that she attended to these things so closely that they became a part of her most personal experience. She had assumed them, appropriated them to her being. But to write! She discovered that was something else again.

She wrote poetry constantly; that was her "work". She was a slow bleeder and she slaved over it for long, exhausting hours, and many a middle of a night I could hear her creaking around the dead house with a pen in one hand, a clipboard and a flashlight in the other, refining her poems, jotting down the lines of a conceit. Writing never came easy for her; it gave her calluses. She never courted the muses, she wrestled them, mauled them all over the house and came up, after weeks of peripatetic labor, with a slim Spencerian sonnet, fourteen lines of imagistic jabberwocky.

Twas brillig, and the slithy toves Did gyre and gimble in the wabe; All mimsy were the borogoves, And the mome raths outgrabe.

Somehow it seems to fill my head with ideas—only I don’t exactly know what they are!

Don't blame me, Pongo,' said Lord Ickenham, 'if Lady Constance takes her lorgnette to you. God bless my soul, though, you can't compare the lorgnettes of to-day with the ones I used to know as a boy. I remember walking one day in Grosvenor Square with my aunt Brenda and her pug dog Jabberwocky, and a policeman came up and said the latter ought to be wearing a muzzle. My aunt made no verbal reply. She merely whipped her lorgnette from its holster and looked at the man, who gave one choking gasp and fell back against the railings, without a mark on him but with an awful look of horror in his staring eyes, as if he had seen some dreadful sight. A doctor was sent for, and they managed to bring him round, but he was never the same again. He had to leave the Force, and eventually drifted into the grocery business. And that is how Sir Thomas Lipton got his start.

It’s a world where what you don’t know can hurt you, and ignorance is not bliss, where you must forgo all established logic to acclimate, and “Jabberwocky” makes sense.

JABBERWOCKY ‘Twas brillig, and the slithy toves Did gyre and gimble in the wabe; All mimsy were the borogoves, And the mome raths outgrabe. "Beware the Jabberwock, my son The jaws that bite, the claws that catch! Beware the Jubjub bird, and shun The frumious Bandersnatch!" He took his vorpal sword in hand; Long time the manxome foe he sought— So rested he by the Tumtum tree, And stood awhile in thought. And, as in uffish thought he stood, The Jabberwock, with eyes of flame, Came whiffling through the tulgey wood, And burbled as it came! One, two! One, two! And through and through The vorpal blade went snicker-snack! He left it dead, and with its head He went galumphing back. "And hast thou slain the Jabberwock? Come to my arms, my beamish boy! O frabjous day! Callooh! Callay!" He chortled in his joy. 'Twas brillig, and the slithy toves Did gyre and gimble in the wabe; All mimsy were the borogoves, And the mome raths outgrabe. ‘It seems very pretty,' she said when she had finished it, 'but it's RATHER hard to understand!' (You see she didn't like to confess, even to herself, that she couldn't make it out at all.) 'Somehow it seemed to fill my head with ideas - only I don't know exactly what they are! However, SOMEBODY killed SOMETHING: that's clear, at any rate –

In vain we roared;in vain we tried To rouse her into laughter: Her pensive glances wandered wide From orchestra to rafter - "TIER UPON TIER!" she said,and sighed; And silence followed after.

Scarce was the verdict spoken, When that still calm was broken, A childish form hath burst into the throng; With tears and looks of sadness, That bring no news of gladness, But tell too surely something hath gone wrong!

The Jabberwocky’: ‘Calloo! Callay! O frabjous day! And so he chortled in his joy.

That it is ancient and, as some writers claim, that it may be of non-Doggish origin in part, is borne out by the abundance of jabberwocky which studs the tales—words and phrases (and worst of all, ideas) which have no meaning now and may have never had a meaning.

Six impossible things. Count them, Alice. One, there's a potion that can make you shrink. Two, a cake that can make you grow. Three, animals can talk. Four, cats can disappear. Five, there's a place called 'Wonderland.' Six, I can slay the Jabberwocky." - Alice Kingsleigh in Tim Burton's "Alice in Wonderland

You are a terrible creature, a thing that should not be." "And who are you to decide what should and should not be?" the Jabberwocky said, and now Alice saw his shadow on the ground, stretching back over all the paths walked by her and Hatcher, covering the whole City in its blanket. "You are nothing but a child to the universe, a mote of dust drifting in an ocean of galaxies. Your magic is a small and puny thing compared to mine. I know the deepest secrets of the earth, and I know a power you could never understand.

Whether it be because the Fall has really brought men nearer to less desirable neighbours in the spiritual world, or whether it is merely that the mood of men eager or greedy finds it easier to imagine evil, I believe that the black magic of witchcraft has been much more practical and much less poetical than the white magic of mythology. I fancy the garden of the witch has been kept much more carefully than the woodland of the nymph. I fancy the evil field has even been more fruitful than the good. To start with, some impulse, perhaps a sort of desperate impulse, drove men to the darker powers when dealing with practical problems. There was a sort of secret and perverse feeling that the darker powers would really do things; that they had no nonsense about them. And indeed that popular phase exactly expresses the point. The gods of mere mythology had a great deal of nonsense about them. They had a great deal of good nonsense about them; in the happy and hilarious sense in which we talk of the nonsense of Jabberwocky or the Land where Jumblies live. But the man consulting a demon felt as many a man has felt in consulting a detective, especially a private detective; that it was dirty work but the work would really be done. A man did not exactly go into the wood to meet a nymph; he rather went with the hope of meeting a nymph. It was an adventure rather than an assignation. But the devil really kept his appointments and even in one sense kept his promises; even if a man sometimes wished afterwards, like Macbeth, that he had broken them.

The problem was that I was thinking about it too logically. I needed to think about it illogically.” “Of course.” Ander rolled his eyes as he sank into a nearby chair. “That makes perfect sense.

The jabberwocky started flailing about like they’d just found out their lucky numbers had come up on the lottery but the wife forgot to buy the ticket this week.

Rhetorical actors sometimes define clean, crisp speaking as "icy". Their private practice sessions will include a poem like 'Jabberwocky' recited at blinding speed in order to achieve optimum dexterity of tongue and lips.

The universally acknowledged genius in the perfection of this art, at least in the more difficult task of translating into a classical language, was Scott Moncrieff’s close friend, the legendary Ronald Knox, who taught at Shrewsbury in 1915 and 1916; his fabled achievements were still widely quoted there more than thirty years later. Perhaps his single most inspired tour de force is his splendidly demented translation into pseudo-Greek of Lewis Carroll’s “Jabberwocky,” but there is also considerable delight to be derived from, among a host of other linguistic feats, the switchboard stichomythies of his Aristophanic parody, “Fragment of a Telephoniazusae.

Jabberwocky ‘Twas brillig, and the slithy toves Did gyre and gimble in the wabe: All mimsy were the borogoves, And the mome raths outgrabe. “Beware the Jabberwock, my son! The jaws that bite, the claws that catch! Beware the Jubjub bird, and shun The frumious Bandersnatch!“” He took his vorpal sword in hand: Long time the manxome foe he sought — So rested he by the Tumtum tree, And stood awhile in thought. And, as in uffish thought he stood, The Jabberwock, with eyes of flame, Came whiffling through the tulgey wood, And burbled as it came! One, two! One, two! And through and through The vorpal blade went snicker-snack! He left it dead, and with its head He went galumphing back. “And hast thou slain the Jabberwock? Come to my arms, my beamish boy! O frabjous day! Callooh! Callay!” He chortled in his joy. ‘Twas brillig, and the slithy toves Did gyre and gimble in the wabe: All mimsy were the borogoves, And the mome raths outgrabe.

The Song of Wandering Aengus”—William Butler Yeats “Jabberwocky”—Lewis Carroll “Stopping by Woods on a Snowy Evening”—Robert Frost “Continent’s End”—Robinson Jeffers “Forgiveness”—George MacDonald “O Me! O Life!”—Walt Whitman “To the Virgins, to Make Much of Time”—Robert Herrick “In Memoriam A.H.H.”—Alfred Lord Tennyson “i like my body when it is with your”—E. E. Cummings “A Psalm of Life”—Henry Wadsworth Longfellow “The Lake Isle of Innisfree”—William Butler Yeats “Three Marching Songs”—William Butler Yeats “Song of Myself”—Walt Whitman “in the rain”—E. E. Cummings