J Hope Sad Quotes

Depression is the most unpleasant thing I have ever experienced. . . . It is that absence of being able to envisage that you will ever be cheerful again. The absence of hope. That very deadened feeling, which is so very different from feeling sad. Sad hurts but it's a healthy feeling. It is a necessary thing to feel. Depression is very different.

Mais, vrai, J'ai trop pleure! Les aubes sont navrantes. What a sad and beautiful line that is. I'd always hoped that someday I'd be able to use it.

She was a very pretty woman. She had dark red hair and her eyes -- her eyes are just like mine, Harry thought, edging a little closer to the glass. Bright green -- exactly the same shape, but then he noticed that she was crying; smiling, but crying at the same time. The tall, thin, black-haired man standing next to her put his arm around her. He wore glasses, and his hair was very untidy. It stuck up at the back, just like Harry's did. Harry was so close to the mirror now that his nose was nearly touching that of his reflection. "Mum?" he whispered. "Dad?" They just looked at him, smiling. And slowly, Harry looked into the faces of the other people in the mirror and saw other pairs of green eyes like his, other noses like his, even a little old man who looked as though he had Harry's knobbly knees -- Harry was looking at his family, for the first time in his life. The Potters smiled and waved at Harry and he stared hungrily back at them, his hands pressed flat against the glass as though he was hoping to fall right through it and reach them. He had a powerful kind of ache inside of him, half joy, half terrible sadness.

Nothing ever seems too bad, too hard or too sad when you've got a Christmas tree in the living room. All those presents under it, all that anticipation. Just a way of saying there's always light and hope in the world.

If I have more than one life, I would definitely dedicate this one entirely to you." - MAGNETIC REVERIE

I'm fine right here." All patience, he bent down until his face was close to hers. "What you are is hoping to get drunk enough so that you can take a few punches at someone without worrying about the consequences. With me, you don't have to get drunk, you don't have to worry. You can take all the punches you want." "Why?" "Because you have something sad in your eyes and it gets to me.

Nehemia was gone. That vibrant, fierce, loving soul; the princess who had been called the Light of Eyllwe; the woman who had been a beacon of hope—just like that, as if she were no more than a wisp of candlelight, she was gone. When it had mattered most Celaena hadn't been there. Nehemia was gone.

His face was sad and stern because of the doom that was laid on him, and yet hope dwelt ever in the depths of his heart, from which mirth would arise at times like a spring from a rock.

We're not the same. I was alone and sad before you came into my world. You gave me hope, Victor. I don't need you to be like me. I need you to be YOU.

Nothing ever seems too bad, too hard or too sad when you’ve got a Christmas tree in the living room. All those presents under it, all that anticipation. Just a way of saying there’s always light and hope in the world. And you’re lucky enough to have a family to share it with.

By seizing every opportunity for kindness, forgiveness, healing, and love that crosses my path each day, I hope that my death, although perhaps sad for some, will be gracefully concluded.

Mom?” he whispered. “Dad?” They just looked at him, smiling. And slowly, Harry looked into the faces of the other people in the mirror, and saw other pairs of green eyes like his, other noses like his, even a little old man who looked as though he had Harry’s knobbly knees—Harry was looking at his family, for the first time in his life. The Potters smiled and waved at Harry and he stared hungrily back at them, his hands pressed flat against the glass as though he was hoping to fall right through it and reach them. He had a powerful kind of ache inside him, half joy, half terrible sadness.

The king was silent. "Ents!" he said at length. "Out of the shadows of legend I begin a little to understand the marvel of the trees, I think. I have lived to see strange days. Long we have tended our beasts and our fields, built our houses, wrought our tools, or ridden away to help in the wars of Minas Tirith. And that we called the life of Men, the way of the world. We cared little for what lay beyond the borders of our land. Songs we have that tell of these things, but we are forgetting them, teaching them only to children, as a careless custom. And now the songs have come down among us out of the strange places, and walk visible under the Sun." "You should be glad," Théoden King," said Gandalf. "For not only the little life of Men is now endangered, but the life also of those thing which you have deemed the matter of legend. You are not without allies, even if you know them not." "Yet also I should be sad," said Théoden. "For however the fortune of war shall go, may it not so end that much that was fair and wonderful shall pass for ever out of Middle-earth?

Regret comes in four tones that operate in unison to shape our lives. First, we regret the life that we lived, the decisions we made, the words we said in anger, and enduring the shame wrought from experiencing painful failures in work and love. Secondly, we regret the life we did not live, the opportunities missed, the adventures postponed indefinitely, and the failure to become someone else other than whom we now are. American author Shannon L. Alder said, ‘One of the greatest regrets in life is being what others would want you to be, rather than being yourself.’ Third, we regret that parts of our life are over; we hang onto nostalgic feelings for the past. When we were young and happy, everything was new, and we had not yet encountered hardship. As we age and encounter painful setbacks, we experience disillusionment and can no longer envision a joyous future. Fourth, we experience bitterness because the world did not prove to be what we hoped or expected it would be.

By inviting God into our difficulties we ground life—even its sad moments—in joy and hope. When we stop grasping our lives we can finally be given more than we could ever grab for ourselves. And we learn the way to a deeper love for others.

There was a scrape and crunch of shoes, then a small, smooth hand slid toward her. But it was not Chaol or Sam or Nehemia who lay across from her, watching her with those sad turquoise eyes. Her cheek against the moss, the young princess she had been—Aelin Galathynius—reached a hand for her. “Get up,” she said softly. Celaena shook her head. Aelin strained for her, bridging that rift in the foundation of the world. “Get up.” A promise—a promise for a better life, a better world. The Valg princes paused. She had wasted her life, wasted Marion’s sacrifice. Those slaves had been butchered because she had failed—because she had not been there in time. “Get up,” someone said beyond the young princess. Sam. Sam, standing just beyond where she could see, smiling faintly. “Get up,” said another voice—a woman’s. Nehemia. “Get up.” Two voices together—her mother and father, faces grave but eyes bright. Her uncle was beside them, the crown of Terrasen on his silver hair. “Get up,” he told her gently. One by one, like shadows emerging from the mist, they appeared. The faces of the people she had loved with her heart of wildfire. And then there was Lady Marion, smiling beside her husband. “Get up,” she whispered, her voice full of that hope for the world, and for the daughter she would never seen again.

Is everything sad going to come untrue?' asks Sam[wise Gamgee]. Here we find, beyond all imagination, the deepest source of hope for the human story. For when the King is revealed, 'there will be no more night.' The Shadow will finally and forever be lifted from the earth. The Great War will be won. This King, who brings strength and healing in His hands, will make everything sad come untrue.

O [Roman] people be ashamed; be ashamed of your lives. Almost no cities are free of evil dens, are altogether free of impurities, except the cities in which the barbarians have begun to live... Let nobody think otherwise, the vices of our bad lives have alone conquered us... The Goths lie, but are chaste, the Franks lie, but are but are generous, the Saxons are savage in cruelty...but are admirable in chastity...what hope can there be [for the Romans] when the barbarians are more pure [than they]?" -Salvian

We went there for everything we needed. We went there when thirsty, of course, and when hungry, and when dead tired. We went there when happy, to celebrate, and when sad, to sulk. We went there after weddings and funerals, for something to settle our nerves, and always for a shot of courage just before. We went there when we didn't know what we needed, hoping someone might tell us. We went there when looking for love, or sex, or trouble, or for someone who had gone missing, because sooner or later everyone turned up there. Most of all we went there when we needed to be found.

She was a very pretty woman. She had dark red hair and her eyes- her eyes are just like mine, Harry thought, edging a little closer to the glass. Bright green- exactly the same shape, but then he noticed that she was crying; smiling, but crying at the same time. The tall, thin, black-haired man standing next to her put his arm around her. He wore glasses, and his hair was very untidy. It stuck up at the back, just as Harry's did. Harry was so close to the mirror now that his nose was nearly touching that of his reflection. "Mom?" he whispered. "Dad?" They just looked at him, smiling. And slowly, Harry looked into the faces of the other people in the mirror, and saw other pairs of green eyes like his, other noses like his, even a little old man who looked as though he had Harry's knobbly knees- Harry was looking at his family, for the first time in his life. The Potters smiled and waved at Harry and he stared hungrily back at them, his hands pressed flat against the glass as though he was hoping to fall right through it and reach them. He had a powerful kind of ache inside him, half joy, half terrible sadness.

One day a young fugitive, trying to hide himself from the enemy, entered a small village. The people were kind to him and offered him a place to stay. But when the soldiers who sought the fugitive asked where he was hiding, everyone became very fearful. The soldiers threatened to burn the village and kill every man in it unless the young man were handed over to them before dawn. The people went to the minister and asked him what to do. The minister, torn between handing over the boy to the enemy or having his people killed, withdrew to his room and read his Bible, hoping to find an answer before dawn. After many hours, in the early morning his eyes fell on these words: “It is better that one man dies than that the whole people be lost.” Then the minister closed the Bible, called the soldiers and told them where the boy was hidden. And after the soldiers led the fugitive away to be killed, there was a feast in the village because the minister had saved the lives of the people. But the minister did not celebrate. Overcome with a deep sadness, he remained in his room. That night an angel came to him, and asked, “What have you done?” He said: “I handed over the fugitive to the enemy.” Then the angel said: “But don’t you know that you have handed over the Messiah?” “How could I know?” the minister replied anxiously. Then the angel said: “If, instead of reading your Bible, you had visited this young man just once and looked into his eyes, you would have known.” While versions of this story are very old, it seems the most modern of tales. Like that minister, who might have recognized the Messiah if he had raised his eyes from his Bible to look into the youth’s eyes, we are challenged to look into the eyes of the young men and women of today, who are running away from our cruel ways. Perhaps that will be enough to prevent us from handing them over to the enemy and enable us to lead them out of their hidden places into the middle of their people where they can redeem us from our fears.

A tree.” She spotted one. It was hidden behind a much larger tree, its limbs misshapen in its attempt to fight for even a little sunlight in the shadow. “Dana has this tradition of giving a sad-looking tree the honor of being a Christmas tree.” She walked over to the small, nearly hidden tree. “I like this one. “It’s…” He laughed. “Ugly?” “No, it’s beautiful because it’s had a hard life. It’s struggled to survive against all odds and would keep doing that without much hope. But it has a chance to be something special.

The path of obedient, faithful ministry begins when we drop our roles as busy religious salespeople working for God and instead recapture our calling to live with him and, in turn, invite others into that life.2 Sadly, this is increasingly difficult because often what is measured and rewarded is quite the opposite.

Allison made it to the bottom of the polished oak staircase before she had to sit on the last step to find a familiar point of reference. Saturated, she thought, that is a great word. Saturated with hope, love, sadness and happiness all at once. She stared down at her pink toes, curling them against the wood floors she and John had refinished so long ago, making sure she was conscious and alive.

Today, I live in France. We have been made utterly welcome by our French neighbours, who, if the subject arises, can only scratch their heads in utter bemusement at why we would want to leave this union. I try to explain, but in order to really understand, you have to be British. Or rather, not British, but a certain English sort – that peculiar, insular, self-aggrandising mentality that cannot see past the White Cliffs of Kent. I have never understood that,

She said, "Today, today, today. Today feels green. There's still some blue, but that's life, I think. Sometimes it can be a forest. Other times it's an ocean. But we float, don't we? Along the surface. I always thought so, even when I was drowning. There's a song I like. An old one." And remarkably, she started singing. "Sometimes I float along the river, for to its surface I am bound. And there are times stones done fill my pockets, oh Lord, and it's into this river I drown.

We're not the same," Dad had said, voice gentle and soft. "But know that I was alone and sad before you Cale into my world. You gave me hope, Victor. It started in the tips of my toes before it rose through the rest of my body and latched firmly in my chest. It has never left. It evolved into something so much greater. and it's because of this feeling that I can say I don't need you to be like me. I need you to be you." Vic hasn't spoken. Not then. But he listened, and he never forgot.

The quality of our life on planet earth depends on the choices we make every day. Choices about how we spend our time, how we live our lives, and most important, how we treat ourselves and others. I am sad to see how people seem to be more bitter, divided, and overwhelmed than ever these days. We are as a global community, increasingly disconnected from ourselves and other people. The first step toward fixing what ills us, is to embrace feeling better. Habits are a means to this end. They teach us the skills of change and they propel us towards our dreams, and they add more shine to the world.  By embracing feelings of success and adding more goodness to you day-to-day life, you are making the world brighter not only for yourself, but also for others. You are vanquishing shame and guilt and you are freeing yourself and others who have endured a lifetime of self trash talk. The most profound transformations I've shared with you in this book are not about discreet habits being formed, they are about essential shifts in experience, from suffering to less suffering, from fear to hope, from being overwhelmed to feeling empowered.

Ignorance makes us look for acceptance where it cannot be expected, and makes us hope for changes where they cannot be found. Illusion makes us fight for a new world as if we could create and control it ourselves; it makes us judge our neighbors as if we had the final word. Ignorance and illusion keep us entangled in the world and cause suffering and sorrow. But the way of the heart leads to freedom. The spiritual life is a life in which we are set free by the Spirit of God to enjoy life in all its fullness. By this Spirit we can indeed “be in the world without being of it” we can move freely without being bound by false attachments; we can speak freely without fear of human rejection; and we can live with peace and joy even when surrounded by conflict and sadness.

She’d painted me. Not only did she paint me (and arguably gave me a better nose than the one I was born with), but it was also what I was doing in the painting that made me smile like a sleaze ball. I was holding a joint and laughing into a non-existent camera—though my eyes were still mine, kind of sad and dark and fucking scary—and I wore a simple black T-shirt that said “Black” in white. The background was stark, stupid pink. I was her black. And she was my pink. I bought the painting in a heartbeat, dragging her boss aside. Gay, thank fuck. He was there with his boyfriend, Roi. By that time, I noticed Emilia was standing next to my image, talking about it with a woman, and I hoped I wasn’t too late to buy it myself. I wasn’t. Emilia didn’t know it yet, but she was going to paint another painting, of herself wearing a pink shirt against a black background, and I was going to hang it next to mine.

The Savior came and is coming again, but our healing is in his hands, not our own. If our Savior chose to enter the human story in a human body, then we should enter one another’s places of suffering remembering we carry and extend the presence of Christ. Sin is any Christian’s response to pain, poverty, and weakness that assumes they are individual problems to solve rather than places to patiently embody the solidarity of Jesus. When we reduce pain to an individual problem, we don’t know what to do with ourselves and our stories. In an increasingly individualistic society, where the space between self, tradition, and our embodied connection to each other feels wide, suffering can be a massive assault to our sense of self and our ability to hope. We become lost in a chasm of overspiritualized pain and undervalued physicality, not knowing where our lives fit alongside a Christianity glittering with the veneer of abundance. Already exhausted, we sink under the weight of existing as an aberration of the abundant life our Christian friends and families want us to project. Defeated and lonely, many of us subconsciously attempt to detach from the grief in our bodies, excising it from our minds to feel accepted in the community of the able and successful. We push pain away with effort, pretending to be okay among the shiny, smiling faces at church or work. For if we were honest about how sad or sick or hopeless we really feel, would we be accepted at all?

GCHQ has traveled a long and winding road. That road stretches from the wooden huts of Bletchley Park, past the domes and dishes of the Cold War, and on towards what some suggest will be the omniscient state of the Brave New World. As we look to the future, the docile and passive state described by Aldous Huxley in his Brave New World is perhaps more appropriate analogy than the strictly totalitarian predictions offered by George Orwell's Nineteen Eighty-Four. Bizarrely, many British citizens are quite content in this new climate of hyper-surveillance, since its their own lifestyle choices that helped to create 'wired world' - or even wish for it, for as we have seen, the new torrents of data have been been a source of endless trouble for the overstretched secret agencies. As Ken Macdonald rightly points out, the real drives of our wired world have been private companies looking for growth, and private individuals in search of luxury and convenience at the click of a mouse. The sigint agencies have merely been handed the impossible task of making an interconnected society perfectly secure and risk-free, against the background of a globalized world that presents many unprecedented threats, and now has a few boundaries or borders to protect us. Who, then, is to blame for the rapid intensification of electronic surveillance? Instinctively, many might reply Osama bin Laden, or perhaps Pablo Escobar. Others might respond that governments have used these villains as a convenient excuse to extend state control. At first glance, the massive growth of security, which includes includes not only eavesdropping but also biometric monitoring, face recognition, universal fingerprinting and the gathering of DNA, looks like a sad response to new kinds of miscreants. However, the sad reality is that the Brave New World that looms ahead of us is ultimately a reflection of ourselves. It is driven by technologies such as text messaging and customer loyalty cards that are free to accept or reject as we choose. The public debate on surveillance is often cast in terms of a trade-off between security and privacy. The truth is that luxury and convenience have been pre-eminent themes in the last decade, and we have given them a much higher priority than either security or privacy. We have all been embraced the world of surveillance with remarkable eagerness, surfing the Internet in a global search for a better bargain, better friends, even a better partner. GCHQ vast new circular headquarters is sometimes represented as a 'ring of power', exercising unparalleled levels of surveillance over citizens at home and abroad, collecting every email, every telephone and every instance of internet acces. It has even been asserted that GCHQ is engaged in nothing short of 'algorithmic warfare' as part of a battle for control of global communications. By contrast, the occupants of 'Celtenham's Doughnut' claim that in reality they are increasingly weak, having been left behind by the unstoppable electronic communications that they cannot hope to listen to, still less analyse or make sense of. In fact, the frightening truth is that no one is in control. No person, no intelligence agency and no government is steering the accelerating electronic processes that may eventually enslave us. Most of the devices that cause us to leave a continual digital trail of everything we think or do were not devised by the state, but are merely symptoms of modernity. GCHQ is simply a vast mirror, and it reflects the spirit of the age.

Then he took my arm, in a much softer grip than the one he’d used on our first date when he’d kept me from biting the dust. “No, c’mon,” he said, pulling me closer to him and securing his arms around my waist. I died a thousand deaths as he whispered softly, “What’s wrong?” What could I possibly say? Oh, nothing, it’s just that I’ve been slowly breaking up with my boyfriend from California and I uninvited him to my brother’s wedding last week and I thought everything was fine and then he called last night after I got home from cooking you that Linguine and Clam Sauce you loved so much and he said he was flying here today and I told him not to because there really wasn’t anything else we could possibly talk about and I thought he understood and while I was driving out here just now he called me and it just so happens he’s at the airport right now but I decided not to go because I didn’t want to have a big emotional drama (you mean like the one you’re playing out in Marlboro Man’s kitchen right now?) and I’m finding myself vacillating between sadness over the end of our four-year relationship, regret over not going to see him in person, and confusion over how to feel about my upcoming move to Chicago. And where that will leave you and me, you big hunk of burning love. “I ran over my dog today!” I blubbered and collapsed into another heap of impossible-to-corral tears. Marlboro Man was embracing me tightly now, knowing full well that his arms were the only offering he had for me at that moment. My face was buried in his neck and I continued to laugh, belting out an occasional “I’m sorry” between my sobs, hoping in vain that the laughter would eventually prevail. I wanted to continue, to tell him about J, to give him the complete story behind my unexpected outburst. But “I ran over my dog” was all I could muster. It was the easiest thing to explain. Marlboro Man could understand that, wrap his brain around it. But the uninvited surfer newly-ex-boyfriend dangling at the airport? It was a little more information than I had the strength to share that night. He continued holding me in his kitchen until my chest stopped heaving and the wellspring of snot began to dry. I opened my eyes and found I was in a different country altogether, The Land of His Embrace. It was a peaceful, restful, safe place. Marlboro Man gave me one last comforting hug before our bodies finally separated, and he casually leaned against the counter. “Hey, if it makes you feel any better,” he said, “I’ve run over so many damn dogs out here, I can’t even begin to count them.” It was a much-needed--if unlikely--moment of perspective for me.

That’s right, isn’t it?” Harry urged him. “You died, but I’m talking to you. . . . You can walk around Hogwarts and everything, can’t you?” “Yes,” said Nearly Headless Nick quietly, “I walk and talk, yes.” “So you came back, didn’t you?” said Harry urgently. “People can come back, right? As ghosts. They don’t have to disappear completely. Well?” he added impatiently, when Nick continued to say nothing. Nearly Headless Nick hesitated, then said, “Not everyone can come back as a ghost.” “What d’you mean?” said Harry quickly. “Only . . . only wizards.” “Oh,” said Harry, and he almost laughed with relief. “Well, that’s okay then, the person I’m asking about is a wizard. So he can come back, right?” Nick turned away from the window and looked mournfully at Harry. “He won’t come back.” “Who?” “Sirius Black.” said Nick. “But you did!” said Harry angrily. “You came back — you’re dead and you didn’t disappear —” “Wizards can leave an imprint of themselves upon the earth, to walk palely where their living selves once trod,” said Nick miserably. “But very few wizards choose that path.” “Why not?” said Harry. “Anyway — it doesn’t matter — Sirius won’t care if it’s unusual, he’ll come back, I know he will!” And so strong was his belief that Harry actually turned his head to check the door, sure, for a split second, that he was going to see Sirius, pearly white and transparent but beaming, walking through it toward him. “He will not come back,” repeated Nick quietly. “He will have . . . gone on.” “What d’you mean, ‘gone on’?” said Harry quickly. “Gone on where? Listen — what happens when you die, anyway? Where do you go? Why doesn’t everyone come back? Why isn’t this place full of ghosts? Why — ?” “I cannot answer,” said Nick. “You’re dead, aren’t you?” said Harry exasperatedly. “Who can answer better than you?” “I was afraid of death,” said Nick. “I chose to remain behind. I sometimes wonder whether I oughtn’t to have . . . Well, that is neither here nor there. . . . In fact, I am neither here nor there. . . .” He gave a small sad chuckle. “I know nothing of the secrets of death, Harry, for I choose my feeble imitation of life instead. I believe learned wizards study the matter in the Department of Mysteries —” “Don’t talk to me about that place!” said Harry fiercely. “I am sorry not to have been more help,” said Nick gently. “Well . . . well, do excuse me . . . the feast, you know . . .” And he left the room, leaving Harry there alone, gazing blankly at the wall through which Nick had disappeared. Harry felt almost as though he had lost his godfather all over again in losing the hope that he might be able to see or speak to him once more. He walked slowly and miserably back up through the empty castle, wondering whether he would ever feel cheerful again.

There is no generosity, true acts of goodness, or love without clear-sightedness. I began writing searching for wisdom, questioning from whence it comes. I now repent in dust and ashes. Age-old anxiety weighed heavily on my weakened soul. Sadness and bitter awareness of the futility of living an immoral life forced rigorous self-examination, renunciation of artificial goals and idols. I sought to eradicate a ludicrous egotistic self. I am filled with inscrutable yearning to live a heighted quality of existence that the superior men in history attained by recognizing that their former life was an illusion. In the dead of night, when we speak truths that elude airing in daylight, I torched the castle that housed my solipsistic being that sought fulfillment of its selfish needs. In the second half of existence, I hope to drop attachments, the destructive desires of wanting, and begin a journey seeking intellectual fulfillment of an artistic being. I wish to live in perfect harmony by organizing all that life proffers and conducting personal affairs in a coordinated manner, which the inherent chaos of the world cannot disturb.

The first steps toward improvement involve recognizing weaknesses, making corrections, and cultivating strengths. Many reasons explain why church leadership is less than the best, and some of the following considerations may apply to you. • Perhaps we lack a clearly defined goal that will stretch us, challenge faith, and unify life’s activities. • Perhaps our faith is timid, and we hesitate to take risks for the kingdom. • Do we show the zeal of salvation in Christ, or is our demeanor morbid and sad? Enthusiastic leaders generate enthusiastic followers. • We may be reluctant to grasp the nettle of a difficult situation and deal courageously with it. Or we may procrastinate, hoping that problems will vanish with time. The mediocre leader postpones difficult decisions, conversations, and letters. Delay solves nothing, and usually makes problems worse. • Perhaps we sacrifice depth for breadth, and spreading ourselves thin, achieve only superficial results.

This ”joy” which I have selected as the mark of the true fairy-story (or romance), or as the seal upon it, merits more consideration. Probably every writer making a secondary world, a fantasy, every sub-creator, wishes in some measure to be a real maker, or hopes that he is drawing on reality: hopes that the peculiar quality of this secondary world (if not all the details) are derived from Reality, or are flowing into it. If he indeed achieves a quality that can fairly be described by the dictionary definition: “inner consistency of reality,” it is difficult to conceive how this can be, if the work does not in some way partake of reality. The peculiar quality of the ”joy” in successful Fantasy can thus be explained as a sudden glimpse of the underlying reality or truth. It is not only a “consolation” for the sorrow of this world, but a satisfaction, and an answer to that question, “Is it true?” The answer to this question that I gave at first was (quite rightly): “If you have built your little world well, yes: it is true in that world.” That is enough for the artist (or the artist part of the artist). But in the “eucatastrophe” we see in a brief vision that the answer may be greater—it may be a faroff gleam or echo of evangelium in the real world. The use of this word gives a hint of my epilogue. It is a serious and dangerous matter. It is presumptuous of me to touch upon such a theme; but if by grace what I say has in any respect any validity, it is, of course, only one facet of a truth incalculably rich: finite only because the capacity of Man for whom this was done is finite. I would venture to say that approaching the Christian Story from this direction, it has long been my feeling (a joyous feeling) that God redeemed the corrupt making-creatures, men, in a way fitting to this aspect, as to others, of their strange nature. The Gospels contain a fairystory, or a story of a larger kind which embraces all the essence of fairy-stories. They contain many marvels—peculiarly artistic, beautiful, and moving: “mythical” in their perfect, self-contained significance; and among the marvels is the greatest and most complete conceivable eucatastrophe. But this story has entered History and the primary world; the desire and aspiration of sub-creation has been raised to the fulfillment of Creation. The Birth of Christ is the eucatastrophe of Man's history. The Resurrection is the eucatastrophe of the story of the Incarnation. This story begins and ends in joy. It has pre-eminently the “inner consistency of reality.” There is no tale ever told that men would rather find was true, and none which so many sceptical men have accepted as true on its own merits. For the Art of it has the supremely convincing tone of Primary Art, that is, of Creation. To reject it leads either to sadness or to wrath. It is not difficult to imagine the peculiar excitement and joy that one would feel, if any specially beautiful fairy-story were found to be “primarily” true, its narrative to be history, without thereby necessarily losing the mythical or allegorical significance that it had possessed. It is not difficult, for one is not called upon to try and conceive anything of a quality unknown. The joy would have exactly the same quality, if not the same degree, as the joy which the “turn” in a fairy-story gives: such joy has the very taste of primary truth. (Otherwise its name would not be joy.) It looks forward (or backward: the direction in this regard is unimportant) to the Great Eucatastrophe. The Christian joy, the Gloria, is of the same kind; but it is preeminently (infinitely, if our capacity were not finite) high and joyous. But this story is supreme; and it is true. Art has been verified. God is the Lord, of angels, and of men—and of elves. Legend and History have met and fused.

A long-standing theory attributed to Paul Ekman is that there are six such basic emotions, cultural universals, meaning that they exist independent of culture: fear, anger, happiness, sadness, disgust and surprise. According to this theory, the hundreds of other emotions we describe, such as vexation, winsomeness, regret, and hope, may be culturally dependent, or cognitive constructions. The theory is controversial and the evidence for it is mixed- even those six may not be truly universal; we just don't know yet. There may be more, including emerging evidence that we should add spite the the list. (That''ll show 'em!) p150

I gazed again at that sad, dark house- the place that had been a prison. Elain had said she missed it, and I wondered what she saw when she looked at the cottage. If she beheld not a prison but a shelter- a shelter from a world that had possessed so little good, but she tried to find it anyway, even if it had seemed foolish and useless to me. She had looked at that cottage with hope; I had looked at it with nothing but hatred. And I knew which one of us had been stronger.

How do you keep creating, despite what you lost?” Whether she noted the crack in my voice, she didn’t let on. The weaver only said, her sad, sorrowful gaze meeting mine, “I have to.” The simple words hit me like a blow. The weaver went on, “I have to create, or it was all for nothing. I have to create, or I will crumple up with despair and never leave my bed. I have to create because I have no other way of voicing this.” Her hand rested on her heart, and my eyes burned. “It is hard,” the weaver said, her stare never leaving mine, “and it hurts, but if I were to stop, if I were to let this loom or the spindle go silent …” She broke my gaze at last to look to her tapestry. “Then there would be no Hope shining in the Void.

I’m amazed at how this has snowballed into such a media event. It began last week when I saw a national news report by Tom Brokaw about this adorable little lady from Georgia, Mrs. Hill, who was trying to save her farm from being foreclosed. Her sixty-seven-year-old husband had committed suicide a few weeks earlier, hoping his life insurance would save the farm, which had been in the family for generations. But the insurance proceeds weren’t nearly enough. It was a very sad situation, and I was moved. Here were people who’d worked very hard and honestly all their lives, only to see it all crumble before them. To me, it just seemed wrong. Through NBC I was put in touch with a wonderful guy from Georgia named Frank Argenbright, who’d become very involved in trying to help Mrs. Hill. Frank directed me to the bank that held Mrs. Hill’s mortgage. The next morning, I called and got some vice president on the line. I explained that I was a businessman from New York, and that I was interested in helping Mrs. Hill. He told me he was sorry, but that it was too late. They were going to auction off the farm, he said, and “nothing or no one is going to stop it.” That really got me going. I said to the guy: “You listen to me. If you do foreclose, I’ll personally bring a lawsuit for murder against you and your bank, on the grounds that you harassed Mrs. Hill’s husband to his death.” All of a sudden the bank officer sounded very nervous and said he’d get right back to me. Sometimes it pays to be a little wild. An hour later I got a call back from the banker, and he said, “Don’t worry, we’re going to work it out, Mr. Tramp.” Mrs. Hill and Frank Argenbright told the media, and the next thing I knew, it was the lead story on the network news. By the end of the week, we’d raised $40,000. Imus alone raised almost $20,000 by appealing to his listeners. As a Christmas present to Mrs. Hill and her family, we’ve scheduled a mortgage-burning ceremony for Christmas Eve in the atrium of Trump Tower. By then, I’m confident, we’ll have raised all the money. I’ve promised Mrs. Hill that if we haven’t, I’ll make up any difference. I tell Imus he’s the greatest, and I invite him to be my guest one day next week at the tennis matches at the U.S. Open. I have a courtside box and I used to go myself almost every day. Now I’m so busy I mostly just send my friends.

notes were handed out to all students, warning them not to use magic over the holidays ("I always hope they'll forget to give us these," said Fred Weasley sadly)

What was the word for this, this weird heat in his chest, something like hope and sadness at the same time?

Art is a distinct form of human communication. Art interprets experience, sensation, and feelings. An artistic work translates our mental images and allows other people to understand what we feel; art conveys our happiness, sadness, hopes, doubts, anxieties, fears, desires, and ineffable longings.

Sadly, this need to be needed fuels many of our pastoral motivations. Left unchecked, people begin to need us as pastor and confidant more than they need God as Savior and Father.

How.” I gestured to the loom, the half-finished piece taking form on its frame, the art on the walls. “How do you keep creating, despite what you lost?” Whether she noted the crack in my voice, she didn’t let on. The weaver only said, her sad, sorrowful gaze meeting mine, “I have to.” The simple words hit me like a blow. The weaver went on, “I have to create, or it was all for nothing. I have to create, or I will crumple up with despair and never leave my bed. I have to create because I have no other way of voicing this.” Her hand rested on her heart, and my eyes burned. “It is hard,” the weaver said, her stare never leaving mine, “and it hurts, but if I were to stop, if I were to let this loom or the spindle go silent …” She broke my gaze at last to look to her tapestry. “Then there would be no Hope shining in the Void.” My mouth trembled, and the weaver reached over to squeeze my hand, her callused fingers warm against mine.

By inviting God into our difficulties, we ground life—even its sad moments—in joy and hope. When we stop grasping our lives, we can finally be given more than we could ever grab for ourselves. And we learn the way to a deeper love for others.

Because I hoped she would eventually trust me enough to tell me. I had to give her that chance, even though it was a risk. I hoped she would learn to face her pain—that she’d learn to endure it.” He smiled sadly at Celaena. “If you can learn to endure pain, you can survive anything. Some people learn to embrace it—to love it. Some endure it through drowning it in sorrow, or by making themselves forget. Others turn it into anger. But Ansel let her pain become hate, and let it consume her until she became something else entirely —a person I don’t think she ever wished to be.

I hoped she would learn to face her pain - that she'd learn to endure it. He smiled sadly at Celaena, If you can learn to endure pain, you can survive anything. Some people learn to embrace it - to love it. Some endure it through drowning it in sorrow, or by making themselves forget. Others turn it into anger. But Ansel let her pain become hate, and let it consume her until she became something else entirely - a person I don't think she ever whished to be.

There were things that began to roam about in the dark. They were called Nulthereals, the Whisperers. They seemed to be helping the curse. Many of the survivors called to them,” Sidaire said, “pleading with them to restore the plants. Several had simply given up hope they were so crippled by sadness and depression that no one was doing anything practical to try to solve the problem. Everyone stopped caring. The world began to fade into the desert you see now. Then sometime after that, villagers began to mysteriously go missing, one by one.

And suddenly, their wardrobes were empty, their trunks were packed, Neville’s toad was found lurking in a corner of the toilets; notes were handed out to all students, warning them not to use magic over the holidays (‘I always hope they’ll forget to give us these,’ said Fred Weasley sadly).

There was a scrape and crunch of shoes, then a small, smooth hand slid toward her. But it was not Chaol or Sam or Nehemia who lay across from her, watching her with those sad turquoise eyes. Her cheek against the moss, the young princess she had been—Aelin Galathynius—reached a hand for her. ‘Get up,’ she said softly. Celaena shook her head. Aelin strained for her, bridging that rift in the foundation of the world. ‘Get up.’ A promise—a promise for a better life, a better world. The Valg princes paused. She had wasted her life, wasted Marion’s sacrifice. Those slaves had been butchered because she had failed—because she had not been there in time. ‘Get up,’ someone said beyond the young princess. Sam. Sam, standing just beyond where she could see, smiling faintly. ‘Get up,’ said another voice—a woman’s. Nehemia. ‘Get up.’ Two voices together—her mother and father, faces grave but eyes bright. Her uncle was beside them, the crown of Terrasen on his silver hair. ‘Get up,’ he told her gently. One by one, like shadows emerging from the mist, they appeared. The faces of the people she had loved with her heart of wildfire. And then there was Lady Marion, smiling beside her husband. ‘Get up,’ she whispered, her voice full of that hope for the world, and for the daughter she would never seen again…. She would not let that light go out. She would fill the world with it, with her light—her gift. She would light up the darkness, so brightly that all who were lost or wounded or broken would find their way to it, a beacon for those who still dwelled in that abyss. It would not take a monster to destroy a monster—but light, light to drive out darkness. She was not afraid. She would remake the world—remake it for them, those she had loved with this glorious, burning heart; a world so brilliant and prosperous that when she saw them again in the Afterworld, she would not be ashamed. She would build it for her people, who had survived this long, and whom she would not abandon. She would make for them a kingdom such as there had never been, even if it took until her last breath… Aelin Galathynius smiled at her, hand still outreached. ‘Get up,’ the princess said. Celaena reached across the earth between them and brushed her fingers against Aelin’s. And arose.

think,” he said again, smiling faintly, “that this kingdom could use a healer as its queen.” She did not smile at him, as he’d hoped. Instead she looked unfathomably sad as she returned to her work.

And then she did the most reckless thing she’d ever done in her life. She stood on her toes and whispered the words into his ear. The words that would make him understand, understand why it was so important to her, and what it meant when she said she would return. And he would hate her forever for it, once he understood. “What does that mean?” he demanded. She smiled sadly. “You’ll figure it out. And when you do …” She shook her head, knowing she shouldn’t say it, but doing it anyway. “When you do, I want you to remember that it wouldn’t have made any difference to me. It’s never made any difference to me when it came to you. I’d still pick you. I’ll always pick you.” “Please—please, just tell me what that means.” But there was no time, so she shook her head and stepped back. Chaol took one step toward her, though. One step, then he said, “I love you.” She strangled the sob that built in her throat. “I’m sorry,” she said, hoping he would remember those words later—later, when he knew everything.

The Peace Prayer Lord, make me an instrument of Thy peace; Where there is hatred, let me sow love; Where there is injury, pardon; Where there is error, the truth; Where there is doubt, the faith; Where there is despair, hope; Where there is darkness, light; And where there is sadness, joy. O Divine Master, Grant that I may not so much seek To be consoled, as to console; To be understood, as to understand; To be loved as to love. For it is in giving that we receive; It is in pardoning that we are pardoned; And it is in dying that we are born to eternal life. Amen.

I studied the stars. 'They're not- they're not stars at all.' 'No,' Rhys came up behind me at the rail. 'Our ancestors thought they were, but... They're just spirits, on a yearly migration to somewhere. Why they pick this day to appear here, no one knows.' I felt his eyes upon me, and tore my gaze from the shooting stars. Light and shadow passed over his face. The cheers and music of the city far, far below were barely audible over the crowd gathered at the House. 'There must be hundreds of them,' I managed to say, dragging my stare back to the stars whizzing past. 'Thousands,' he said. 'They'll keep coming until dawn. Or, I hope they will. There were less and less of them the last time I witnessed Starfall.' Before Amarantha had locked him away. 'What's happening to them?' I looked in time to see him shrug. Something twanged in my chest. 'I wish I knew. But they keep coming back despite it.' 'Why?' 'Why does anything cling to something? Maybe they love wherever they're going so much that it's worth it. Maybe they'll keep coming back, until there's only one star left. Maybe that one star will make the trip forever, out of the hope that someday- if it keeps coming back often enough- another star will find it again.' I frowned at the wine in my hand. 'That's... a very sad thought.' 'Indeed.' Rhys rested his forearms on the balcony edge, close enough for my fingers to touch if I dared. A calm, full silence enveloped us. Too many words- I still had too many words in me.

... she shut her heavy eyes. 'Why don't they sign up for training?' He knew who she meant. 'Maybe they're not ready.' 'I thought they'd sign up.' 'Is that what you're upset about?' His question was so gentle, so sad. Nesta opened her eyes. 'Some of them have been here for hundreds of years and still haven't been able to come back from what they endured. So what hope do I have?

Will it help you do what you already want to do? Will it help you feel successful? The answers to those questions is freeing because if the change program doesn't satisfy these two requirements, it's not worth your time.  The quality of our life on planet earth depends on the choices we make every day. Choices about how we spend our time, how we live our lives, and most important, how we treat ourselves and others. I am sad to see how people seem to be more bitter, divided, and overwhelmed than ever these days. We are as a global community, increasingly disconnected from ourselves and other people. The first step toward fixing what ills us, is to embrace feeling better. Habits are a means to this end. They teach us the skills of change and they propel us towards our dreams, and they add more shine to the world.  By embracing feelings of success and adding more goodness to you day-to-day life, you are making the world brighter not only for yourself, but also for others. You are vanquishing shame and guilt and you are freeing yourself and others who have endured a lifetime of self trash talk. The most profound transformations I've shared with you in this book are not about discreet habits being formed, they are about essential shifts in experience, from suffering to less suffering, from fear to hope, from being overwhelmed to feeling empowered.

It’s probably my job to tell you life isn’t fair, but I figure you already know that.” His voice is steady, but his eyes look sad. “So instead, I’ll tell you that hope is precious, and you’re right not to give it up.

I read about inns,” he said. “In Pilgrims’ Tales, a group of wayward travelers spend a night at an inn, where they decided to tell stories of their journeys. They made a wager for the best one. It’s one of my favorites, although the abbot didn’t much care for my reading it. It was a bit bawdy. There were several accounts about women in those pages and not in a wholesome fashion either.” He scanned the crowd excitedly. “Are there women here?” “No,” Hadrian replied sadly. “Oh. I was hoping to see one. Do they keep them locked up as treasures?

For the first time in recent memory, Caleb wanted something other than revenge. He wanted the girl. He wanted Livvie. He knew her name now, but it was the least of what he now knew. He knew all kinds of things about her--too much maybe. She wore shapeless clothing to school because she wanted her mother to love her. Her eyes were sad because she knew her mother didn't. She had brothers and sisters. She felt responsible for them and jealous of them. She was funny, and shy, but also fierce and brave. Her first kiss had been a disaster. She'd grown up without anyone to protect her. And no one but Caleb had brought her physical pleasure. Livvie was a survivor. That much he'd known, but what he hadn't known was what she'd had to survive. She deserved better. Better than them and certainly better than him. He'd seen it in her eyes and her manner, but he had tried not to know why. He had wanted her nameless. He wanted to forget she had ever had a past, a history, dreams and hopes and all of those other things that made her ... Livvie.

It rains, and the wind is never weary; The vine still clings to the moldering wall, But at every gust the dead leaves fall, And the day is dark and dreary. My life is cold, and dark, and dreary; It rains, and the wind is never weary; My thoughts still cling to the moldering Past, But the hopes of youth fall thick in the blast, And the days are dark and dreary. Be still, sad heart! and cease repining; Behind the clouds is the sun still shining; Thy fate is the common fate of all, Into each life some rain must fall, Some days must be dark and dreary.

It is sad to see how sometimes people suffering from loneliness, often deepened by the lack of affection in their intimate family circle, search for a final solution for their pains and look at a new friend, a new lover or a new community with Messianic expectations. Although their mind knows about their self-deceit, their hearts keep saying, “Maybe this time I have found what I have knowingly or unknowingly been searching for.” It is indeed amazing at first sight that men and women who have had such distressing relationships with their parents, brothers or sisters can throw themselves blindly into relationships with far-reaching consequences in the hope that from now on things will be totally different.