Ivy Park Quotes

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Ivy shook her head with a look of disgust. "So you got caught. Big freaking deal. They knew who Rachel was, and you don't see her whining over it." Actually, I had thrown my tantrum on the way home, which might have accounted for the odd noise Francis's car was making when I left it in the mall parking lot in the shade of a tree. Jenks darted to hover three inches before Ivy's nose. His wings were red in anger. "You have a gardener trap you in a glass ball and see if it doesn't give you a new outlook on life, Little Miss Merry Sunshine." My bad mood slipped away as I watched a four-inch pixy confront a vamp.
Kim Harrison (Dead Witch Walking (The Hollows, #1))
Or me. As Asher pulled into Ivy’s driveway, I was reminded of the fact that I wasn’t as removed from the power players in this town as I felt. There was a limo parked in the drive. Asher eyed it. “Just another afternoon at Ivy Kendrick’s house?” The car had shaded windows, with glass that I deeply suspected was bulletproof. One of Ivy’s clients, I thought. With any luck, maybe she would be busy enough that she wouldn’t have time to cross-examine me about why I’d skipped school—or where I’d spent the afternoon. I unbuckled my seat belt and opened the car door.
Jennifer Lynn Barnes (The Fixer (The Fixer, #1))
It seemed as if nothing were to break that tie — as if the years were merely to compact and cement it; and as if those years were to be all the years of their natural lives. Eighteen-forty-two turned into eighteen-forty-three; eighteen-forty-three into eighteen- forty-four; eighteen-forty-four into eighteen-forty-five. Flush was no longer a puppy; he was a dog of four or five; he was a dog in the full prime of life — and still Miss Barrett lay on her sofa in Wimpole Street and still Flush lay on the sofa at her feet. Miss Barrett’s life was the life of “a bird in its cage.” She sometimes kept the house for weeks at a time, and when she left it, it was only for an hour or two, to drive to a shop in a carriage, or to be wheeled to Regent’s Park in a bath-chair. The Barretts never left London. Mr. Barrett, the seven brothers, the two sisters, the butler, Wilson and the maids, Catiline, Folly, Miss Barrett and Flush all went on living at 50 Wimpole Street, eating in the dining-room, sleeping in the bedrooms, smoking in the study, cooking in the kitchen, carrying hot-water cans and emptying the slops from January to December. The chair-covers became slightly soiled; the carpets slightly worn; coal dust, mud, soot, fog, vapours of cigar smoke and wine and meat accumulated in crevices, in cracks, in fabrics, on the tops of picture-frames, in the scrolls of carvings. And the ivy that hung over Miss Barrett’s bedroom window flourished; its green curtain became thicker and thicker, and in summer the nasturtiums and the scarlet runners rioted together in the window-box. But one night early in January 1845 the postman knocked. Letters fell into the box as usual. Wilson went downstairs to fetch the letters as usual. Everything was as usual — every night the postman knocked, every night Wilson fetched the letters, every night there was a letter for Miss Barrett. But tonight the letter was not the same letter; it was a different letter. Flush saw that, even before the envelope was broken. He knew it from the way that Miss Barrett took it; turned it; looked at the vigorous, jagged writing of her name.
Virginia Woolf (Flush)
Bean sighed inside herself and turned to look at Monkey Park. Its real name was Mrs. Taylor Hopper Ansuch Memorial Park, but everybody called it Monkey Park because it had a fountain with a statue of a smiling monkey in the middle. The monkey was dressed in a shiny blue suit, and he held a big, shiny platter of oranges and grapes. The fountain water spurted out of his hat. Besides the fountain, Monkey Park had one big flat field and one not-so-flat field and a playground filled with babies. There were some trees and some bushes and some flowers.
Annie Barrows (Ivy and Bean Make the Rules: Book 9)
was home plate, where Bill Mazeroski completed his electrifying home run while Umpire Bill Jackowski, broad back braced and arms spread, held off the mob long enough for Bill to make it legal. Pittsburgh’s steel mills couldn’t have made more noise than the crowd in this ancient park did when Mazeroski smashed Yankee Ralph Terry’s second pitch of the ninth inning. By the time the ball sailed over the ivy-covered brick wall, the rush from the stands had begun and these sudden madmen threatened to keep Maz from touching the plate with the run that beat the lordly Yankees, 10–9, for the title. Bear in mind that the story was written not at leisure but amid the din and distraction of a crowded press box in the immediate whooping aftermath of the game. Nor could a single thought or neat phrase (like “broad back braced and arms spread”) have been prepared in advance and casually dropped into the text. Since Mazeroski’s home run rudely upended a nation’s confident expectations of a victory by “the lordly Yankees,” every sportswriter present had to discard whatever he’d had in mind to say, even one batter earlier, and start afresh. Search as you will, you won’t find a better World Series game report on file anywhere, unless it was another
Bill Bryson (The Life and Times of the Thunderbolt Kid)
My wife also contributed to my poison ivy education. She taught me women have an aversion to 'red, bumpy men' and are not the least bit aroused by any part of the male anatomy which happens to be infected. However, this was not a problem. My infestation was so severe, the act of scratching produced orgasmic waves of delight that made me consider scheduling weekly au naturel pilgrimages through lush, rolling fields of the devil vine.
Michael Gurnow (Nature's Housekeeper)
The park was a highly secure place for people to do drugs after dark, more secure even than homes and apartments. The police didn't make regular patrols because they were too busy answering 911 calls. Policemen were more likely to enter a user's building during the night, answering a domestic abuse call from down the hallway, than they were to make a pass through the Orange Park playground.
Jeff Hobbs (The Short and Tragic Life of Robert Peace: A Brilliant Young Man Who Left Newark for the Ivy League)
acknowledgements Huge thanks, obviously, to the superhuman Jane Austen for her books. Besides those masterpieces, I also reviewed (obsessively) the BBC 1995 production of Pride and Prejudice, as well as Emma (1996), Sense and Sensibility (1995), Persuasion (1995), and Patricia Rozema’s gorgeous revision of Mansfield Park (1999). I’m also indebted to Daniel Pool’s What Jane Austen Ate and Charles Dickens Knew for period information. The World of Jane Austen, by Nigel Nicholson, who also useful, and I scoured the Web site Jessamyn’s Regency Costume Companion for clothing information. Despite the research, I’d be surprised if I didn’t make mistakes, but they’re sure to be my fault, so please don’t blame my sources. Special thanks to the amazing Amanda Katz for her inspired editing, as well as to Nadia Cornier, Cordelia Brand, Ann Cannon, Rosi Hayes, and Mette Ivie Harrison. And can I just say again how much I love Bloomsbury? I do. Everyone there is so cool. And also quite attractive (though that hardly seems fair, does it?). And honey, you know that this Colin Firth thing isn’t really serious. You are my fantasy man and my real man. I need no other fella in all the world besides you. It’s just a girl thing, I swear.
Shannon Hale (Austenland (Austenland, #1))
In the Food-Star parking lot, a young blond woman asks Ivy if she has been saved. “What are you talking about?” says Ivy. “Saved!” The young woman’s smile brightens distinctly. “You know,” she says, “have you found Jesus?” “There’s no point in talking to me,” says Ivy. When the young woman only blinks and ups her smile volume, Ivy says, “I don’t believe in God.” “Why not?” “Because I know that I am entirely insignificant, doomed to complete extinction, and I see no reason to pretend otherwise.
Jennifer Egan (The Best American Short Stories 2014 (The Best American Series))
GOAT HOUR GOSPEL (SUCH SALVAGE) BY MARK WAGENAAR   Just as the evening’s about to move on, they appear, not as the apparitional deer— here, & gone in the next moment, without a sound—but one by one, bumbling through briar, chewing through poison ivy, sniffing at trees. A slow procession walking beneath elms & birches that hold up the last light. And you’re alone with the traces of things, the news in front of you: the crooked skeleton of Richard III was dug up from a parking lot, humpbacked, once buried in his boots & battlefield wounds. Nearby a lost river has been uncovered, & coughed up its mouthful of Roman skulls. No relic is safe, it seems, from an invisible tide that presses them upward. Sometimes it’s not the loss that hurts but the indignities of the discovery. And yet beside the diggers & builders of new things is this mangy congregation, pushing through the scrub without a trail or blueprint or direction. Their dirty white fur shines a little in this late, lost hour. They bleat as they shamble & piss on each other without warning, or maybe as a warning, or in greeting. They’ll eat anything—tin can, T-shirt, canvas sack, bones of animals & kings, & carry them awhile. And so do we: each night, across the country, people turn up at hospitals unable to speak, for the needle or nail lodged in their throats. They’re unable to explain why, but we know— that desperate mix of need & panic that can drive us to keep something safe for good. These dearest items take your words & leave them luminous, radiolucent, shining on the X-ray, like this swallowed ring: a ghostly eclipse. Small comfort to share an appetite with these goats, this dishevelled lot. But a comfort, too, to know that some things will be saved from the soil, rescued from time’s indignities, if only for a little while, & by these scruffy reliquaries, on the other side of the valley now, flickering slightly as they near the vanishing point of the timberline. And we might call such salvage mercy . And it must be even for the undeserving, for those of us who didn’t live right, or live best. Whatever that means. Mercy will find us, even when we fail to recognize it, when we least expect it.
Anonymous
The next morning, I woke up to hear Becky moaning and rustling around in her bed covers. “I’m so itchy!” she cried. “So scratch!” I said, groggily, but suddenly, I felt itchy too. So, I started scratching my legs. They felt better until I stopped scratching. Then, it started to burn. I threw back the covers and saw that my legs were covered in red bumps. “My legs!” I yelled. Becky looked over at me. Then, she pulled back her covers. Her legs were even worse. She gasped. “Mom!” I cried. Mom came in. She was ready for work, wearing her dress shirt and gym shorts. She only had to dress up the top half of her body in case she had to use her webcam to talk to her boss. “What is it?” she asked. “Look!” I said, showing her our legs. “Oh no! That’s poison ivy!” she cried, “Where were you guys playing yesterday?” “The woods,” I said. “You must have been sitting in it,” she said. - The Castle Park Kids
Laura Smith
A disturbing habit has arisen: ordinary white women, neither empowered by the courts nor sanctioned by social services, demand that Black folk give account of their actions, their presence, or their intentions. Such demands (often captured on a video recording) are made to kids selling lemonade on the street, folk barbecuing in the local park, or a student stealing a few moments of shut-eye in an Ivy League university
Michael Eric Dyson (Long Time Coming: Reckoning with Race in America)
NOTHING HAPPENED. And everything did. Your whole life you can be told something is wrong and so you believe it. Why should you question it? But then slowly seeds are planted inside of you, one by one, by a touch or a look or a day skateboarding in a park, and they start to unfurl uncurl little green shoots and they start to burst out of old hulls shells and they start to sprout. And pretty soon there are so many of them. They are named Love and Trust and Kindness and Joy and Desire and Wonder and Spirit and Soulmate. They grow into a garden so dense and thick that it starts to invade your brain where the old things you were once told are dying. By the time this garden reaches your brain the old things are dead. They make no sense. The logic of the seeds sprouted inside of you is the only real thing. That was what happened to us, wasn’t it? It was like when we were little kids and we played games on the ivy-covered hillside in the backyard. We were warriors and wizards and angels and high elves and that was our reality. If someone said, Isn’t it cute, look at them playing, we would have smiled back, humoring them, but it wasn’t playing. It was transformation. It was our own world. Our own rules.
Francesca Lia Block (Wasteland)
The mansion itself was as impressive as the landscaping. Older than Griff by several decades, it was constructed of gray stone. Some of its walls were ivy covered like the estate wall. He followed the curving driveway and parked directly in front of the entrance, then got out of the borrowed Honda and approached the front door. It was flanked by urns containing evergreen trees. Idly Griff wondered how in hell they got a tree to grow in the shape of a corkscrew
Sandra Brown (Play Dirty)
I just ordered the entire new Ivy Park line and told myself that I could only do that if I gave away some of what I already had.
Sheila Yasmin Marikar (The Goddess Effect)
but he always looked at them with the same reverence, mingled with a vague wonder as to what it was that people admired in ruins, seeing that they generally made such short work of inspecting them, and seemed so pleased to get away and take refreshment. Ruins and copious refreshment ware associated in Mr. Gilbert’s mind; and, indeed, there does seem to be a natural union between ivied walls and lobster-salad, crumbling turrets and cold chicken; just as the domes of Greenwich Hospital, the hilly park beyond, and the rippling water in the foreground, must be for ever and ever associated with floundered souchy and devilled whitebait.
Mary Elizabeth Braddon (The Doctor's Wife)
The next day, after Sunday church services, the three girls set out in Nancy’s car, carrying a picnic lunch. On the way Nancy explained the latest developments in the mystery. She added, “Nothing must drive us away from the castle grounds until we’ve investigated every nook and corner!” Soon the familiar ivy-covered front boundary wall loomed ahead. Nancy parked beneath a cool tunnel of overhanging trees. The car was well hidden. She and her friends got out and walked to the rusty gate and peered between the bars. The
Carolyn Keene (The Clue in the Crumbling Wall (Nancy Drew, #22))