Iv Insertion Quotes

Hey cupcake!” he says, like he just had a great idea. “I’m so glad you’re here.” “Me too,” I say. “I thought you were ready to kick me to the curb.” I was. But when I found out he was hurt, it nearly gutted me. “Would if I could,” I say. “Do you think you could fall in love with me, cupcake?” he blurts out. I’m startled. I know he’s medicated, so I shouldn’t put any stock into his words, but I can’t help it. “You should get some rest,” I say. Tap. Tap. “So, that would be a no.” He whistles. Then he scrunches up his face when it makes his head hurt. “I’m in trouble,” he whispers quietly. “What?” He squeezes my hand. “I’m pretty sure I’m in love with you, cupcake,” he says. “I just wish you could love me back.” “You’ve had a lot of pain meds,” I say. Suddenly, he grabs the neck of my shirt and jerks me so that I fall over his chest. His lips are right next to mine. “Listen to me,” he says. “Okay,” I whisper. “I don’t have much going for me, but I know what love feels like.” “How?” “It just is, cupcake. You don’t get to pick who you fall in love with. And God knows, if my head could pick, it wouldn’t be you.” I push back to get off his chest, because I’m offended. But he holds me tight. “You’re not easy to love, because you can’t love me back. But you might one day. I’ll wait. But you got to start taking my calls.” He cups the back of my head and brings my face toward his. A cough from the doorway startles us apart. I stand up and pull my shirt down where he rucked it up. “Visiting hours are over,” a nurse says. “She’s not a visitor,” he says. She comes and inserts a needle into his IV, and his eyes close. He doesn’t open them when he says, “She’s going to marry me one day. She just doesn’t know it yet.” His head falls to the side and he starts to softly snore. His hand goes slack around mine. I pull back, my heart skipping like mad. “They say some of the most ridiculous things when they’re medicated.” The nurse shakes her head. “He probably won’t remember any of this tomorrow.” Pete

So strange to me as a new nurse, these now come easily. TLHC is a triple lumen Hickman catheter, a permanent IV line that protrudes from the upper chest. A PICC—peripherally inserted central catheter—is a different type of permanent IV line that gets inserted in the patient’s upper arm. Temporary IVs I notate as “per,” because they go into a peripheral vein: the kind you can see when you look at your own arm or hand.

It had been an hour and a half since he’d checked on her—he’d inserted an IV into her arm. Buprenorphine, a synthetic opiate, filled the drip bag. He had picked it up when he acquired the Xylazine to deal with his illness, but it was too strong for his tastes. Watered down, it could work to keep her docile when she awoke

I ignored him, averting my attention to my arm. There was an IV inserted in the back of my hand. I watched as his thumb rubbed lazy circles in my palm, though I was numb to his caress.

a SmILe Z LyK a SiM cArD lYf z LYk A cElLpHoNe wHenEvEr U iNsErT tHe SiM caRd Of a SMiLe A BeAuTiFuL dAy WiLl ActIvAtEd

My eyes locked with one of the paramedics and I recognized him from the time Brennan had been shot the previous summer. “We gotta stop meeting like this, Doc,” he murmured without humor as he began inserting an IV while his partner got the gurney ready. “Yeah,” I muttered. “You know this one too?” he asked as his partner reached us and they got the gurney into position. “Yeah,” I said. “She’s family.

From ‘Kokor Hekkus the Killing Machine’, Chapter IV of The Demon Princes, by Caril Carphen (Elucidarian Press, New Wexford, Aloysius, Vega): If Malagate the Woe can be characterized by the single word ‘grim’ and Howard Alan Treesong by ‘incomprehensible’, then Lens Larque, Viole Falushe and Kokor Hekkus all lay claim to the word ‘fantastic’. Which one exceeds the other two in ‘fantasy’? It is an amusing if profitless speculation. Consider Viole Falushe’s Palace of Love, Lens Larque’s monument, the vast and incredible outrages Kokor Hekkus has visited upon humanity: such extravagances are impossible to comprehend, let alone compare. It is fair to say, however, that Kokor Hekkus has captured the popular imagination with his grotesque and eerie humor. Let us listen to what he has to say in an abstract from the famous telephoned address, The Theory and Practice of Terror, to the students of Cervantes University: “… To produce the maximum effect, one must identify and intensify those basic dreads already existing within the subject. It is a mistake to regard the fear of death as the most extreme fear. I find a dozen other types to be more poignant, such as: The fear of inability to protect a cherished dependent. The fear of disesteem. The fear of noisome contact. The fear of being made afraid. “My goal is to produce a ‘nightmare’ quality of fright, and to maintain it over an appreciable duration. A nightmare is the result of the under-mind exploring its most sensitive areas, and so serves as an index for the operator. Once an apparently sensitive area is located the operator to the best of his ingenuity employs means to emphasize, to dramatize this fear, then augment it by orders of magnitude. If the subject fears heights, the operator takes him to the base of a tall cliff, attaches him to a slender, obviously fragile or frayed cord and slowly raises him up the face of the cliff, not too far and not too close to the face. Scale must be emphasized, together with the tantalizing but infeasible possibility of clinging to the vertical surface. The lifting mechanism should be arranged to falter and jerk. To intensify claustrophobic dread the subject is conveyed into a pit or excavation, inserted head-foremost into a narrow and constricted tunnel which slants downward, and occasionally changes direction by sharp and cramping angles. Whereupon the pit or excavation is filled and subject must proceed ahead, for the most part in a downward direction.

The idea that you still have plenty of time is an illusion. You can spend your entire life in expectation of a better future. There is the saying; “There is nothing more permanent than the temporary”. In reality there is no time to wait. Do not wait for the future but insert it into the current moment. Allow yourself to have, here and now. That does not mean that your goal will be realized instantly. We are talking about will, i.e. the intention to have in contradistinction to the ongoing battle with the self. The will to have is infinitely more powerful than the will to act.

Alves-Vettoretto spoke. “How do you know he’s telling us the truth?” “An excellent question! You haven’t been around long enough to appreciate my methods. The fact is, we will know soon enough if Mr. Pendergast has lied or not.” Gladstone, moaning and struggling, saw Alves-Vettoretto frown in confusion. “You’re wondering how I can be so sure,” the general said. “Because he is about to witness, with his own eyes, the effects of the drug on a subject. You see—Dr. Smith already administered the H12K to Dr. Gladstone. He did that when he first inserted the IV. There’s nothing in that other needle but saline. Once Mr. Pendergast sees what happens… and knows the same will happen to him… then he will be totally forthcoming, if he has not been already.” He turned to Pendergast with a smile and checked his watch. “It takes about an hour for the drug to act on the brain. Almost forty minutes have gone by since Dr. Smith inserted the IV. That means we have another twenty until the show begins.” He gestured at the long mirror on the wall. “It can get rather messy, unfortunately, so let us retire to the observation room and watch from there.” He turned. “Ms. Alves-Vettoretto. You haven’t seen the results of the drug in action yet, have you?” She shook her head. “Then, by all means, please join us.