Adler Best Quotes

The best author is a dead author, because he's out of your way and you own the play. Take what he has given you and use it for what you need.

The best protection against propaganda of any sort is the recognition of it for what it is. Only hidden and undetected oratory is really insidious. What reaches the heart without going through the mind is likely to bounce back and put the mind out of business. Propaganda taken in that way is like a drug you do not know you are swallowing. The effect is mysterious; you do not know afterwards why you feel or think the way you do.

Because cooks love the social aspect of food, cooking for one is intrinsically interesting. A good meal is like a present, and it can feel goofy, at best, to give yourself a present. On the other hand, there is something life affirming in taking the trouble to feed yourself well, or even decently. Cooking for yourself allows you to be strange or decadent or both. The chances of liking what you make are high, but if it winds up being disgusting, you can always throw it away and order a pizza; no one else will know. In the end, the experimentation, the impulsiveness, and the invention that such conditions allow for will probably make you a better cook.

When you buy a book, you establish a property right in it, just as you do in clothes or furniture when you buy and pay for them. But the act of purchase is actually only the prelude to possession in the case of a book. Full ownership of a book only comes when you have made it a part of yourself, and the best way to make yourself a part of it—which comes to the same thing—is by writing in it.

In short, every child develops in ways that best allow them to compensate for weakness; “a thousand talents and capabilities arise from our feelings of inadequacy,” Adler noted.

And that was how a great scandal threatened to affect the kingdom of Bohemia, and how the best plans of Mr. Sherlock Holmes were beaten by a woman’s wit. He used to make merry over the cleverness of women, but I have not heard him do it of late. And when he speaks of Irene Adler, or when he refers to her photograph, it is always under the honourable title of the woman.

Act so as to elicit the best in others and thereby in thyself.

You have to understand your best. Your best isn't Barrymore's best or Olivier's best or my best, but your own. Every person has his norm. And in that norm every person is a star. Olivier could stand on his head and still not be you. Only you can be you. What a privilege! Nobody can reach what you can if you do it. So do it. We need your best, your voice, your body. We don't need for you to imitate anybody, because that would be second best. And second best is no better than your worst.

Great meals rarely start at points that all look like beginnings. They usually pick up where something else leaves off. This is how most of the best things are made - imagine if the world had to begin from scratch each dawn: a tree would never grow, nor would we ever get to see the etchings of gentle rings on a clamshell... Meals' ingredients must be allowed to topple into one another like dominos. Broccoli stems, their florets perfectly boiled in salty water, must be simmered with olive oil and eaten with shaved Parmesan on toast; their leftover cooking liquid kept for the base for soup, studded with other vegetables, drizzled with good olive oil, with the rind of the Parmesan added for heartiness. This continuity is the heart and soul of cooking.

But cooking is best approached from wherever you find yourself when you are hungry, and should extend long past the end of the page. There should be serving, and also eating, and storing away what's left; there should be looking at meals' remainders with interest and imagining all the good things they will become.

Maybe that’s why I’m so willing to think the best of people. I don’t want to assume malice when mostly we’re all just victims of the universe’s whims.

Its time to figure out what makes you happy and just do it. Worst comes to worst, you make a mistake and then you change paths. That's the best freaking part of being a teenager.

The best candidates, whether employed or not, always considered the long-term career opportunity more important than the short-term package.

Adler insisted that the answer to anti-Semitism was the global spread of intellectual culture.

Recruiting the best is not about selling or charming. It’s about providing big challenges and career opportunities and a little money thrown in.

She was a bitch,' Carl suddenly heard somebody say in the background, and that apparently refreshed everyone's memory. Yes, thought Carl with satisfaction. It's the good stable arseholes like us who are remembered best.

A mind not agitated by good questions cannot appreciate the significance of even the best answers. It is easy enough to learn the answers. But to develop actively inquisitive minds, alive with real questions, profound questions—that is another story.

Adler insisted that the answer to anti-Semitism was the global spread of intellectual culture. Interestingly, Adler criticized Zionism as a withdrawal into Jewish particularism: “Zionism itself is a present-day instance of the segregating tendency.” For Adler, the future for Jews lay in America, not Palestine: “I fix my gaze steadfastly on the glimmering of a fresh morning that shines over the Alleghenies and the Rockies, not on the evening glow, however tenderly beautiful, that broods and lingers over the Jerusalem hills.

Reading is like skiing. When done well, when done by an expert, both reading and skiing are graceful, harmonious, activities. When done by a beginner, both are awkward, frustrating, and slow. Learning to ski is one of the most humiliating experiences an adult can undergo (that is one reason to start young). After all, an adult has been walking for a long time; he knows where his feet are; he knows how to put one foot in front of the other in order to get somewhere. But as soon as he puts skis on his feet, it is as though he had to learn to walk all over again. He slips and slides, falls down, has trouble getting up, gets his skis crossed, tumbles again, and generally looks- and feels- like a fool. Even the best instructor seems at first to be of no help. The ease with which the instructor performs actions that he says are simple but that the student secretly believes are impossible is almost insulting. How can you remember everything the instructors says you have to remember? Bend your knees. Look down the hill Keep your weight on the downhill ski. Keep your back straight, but nevertheless lean forward. The admonitions seem endless-how can you think about all that and still ski? The point about skiing, of course, is that you should not be thinking about the separate acts that, together, make a smooth turn or series of linked turns- instead, you should merely be looking ahead of you down the hill, anticipating bumps and other skiers, enjoying the feel of the cold wind on your cheeks, smiling with pleasure at the fluid grace of your body as you speed down the mountain. In other words, you must learn to forget the separate acts in order to perform all of them, and indeed any of them, well. But in order to forget them as separate acts, you have to learn them first as separate acts. only then can you put them together to become a good skier.

The best table in any restaurant, so far as I’m concerned, is in a corner next to a window. From that spot I can be entertained by the infinite variety of the street or the enclosed drama of the restaurant itself. There’s always a lot to see. Out to Lunch, Colin Harrison

Luckily we don’t have far to go. Great meals rarely start at points that all look like beginnings. They usually pick up where something else leaves off. This is how most of the best things are made—imagine if the world had to begin from scratch each dawn: a tree would never grow, nor would we ever get to see the etchings of gentle rings on a clamshell.

And that was how a great scandal threatened to affect the kingdom of Bohemia, and how the best plans of Mr. Sherlock Holmes were beaten by a woman’s wit. He used to make merry over the cleverness of women, but I have not heard him do it of late. And when he speaks of Irene Adler, or when he refers to her photograph, it is always under the honourable title of the woman.

(…) it may be seriously questioned whether the advent of modern communications media has much enhanced our understanding of the world in which we live.(…) Perhaps we know more about the world than we used to, and insofar as knowledge is prerequisite to understanding, that is all to the good. But knowledge is not as much a prerequisite to understanding as is commonly supposed. We do not have to know everything about something in order to understand it; too many facts are often as much of an obstacle to understanding as too few. There is a sense in which we moderns are inundated with facts to the detriment of understanding. (…) One of the reasons for this situation is that the very media we have mentioned are so designed as to make thinking seem unnecessary (though this is only an appearance). The packaging of intellectual positions and views is one of the most active enterprises of some of the best minds of our day. The viewer of television, the listener to radio, the reader of magazines, is presented with a whole complex of elements—all the way from ingenious rhetoric to carefully selected data and statistics—to make it easy for him to “make up his own mind” with the minimum of difficulty and effort. But the packaging is often done so effectively that the viewer, listener, or reader does not make up his own mind at all. Instead, he inserts a packaged opinion into his mind, somewhat like inserting a cassette into a cassette player. He then pushes a button and “plays back” the opinion whenever it seems appropriate to do so. He has performer acceptably without having had to think.

There are three kinds of book owners. The first has all the standard sets and best-sellers—unread, untouched. (This deluded individual owns wood-pulp and ink, not books.) The second has a great many books—a few of them read through, most of them dipped into, but all of them as clean and shiny as the day they were bought. (This person would probably like to make books his own, but is restrained by a false respect for their physical appearance.) The third has a few books or many—every one of them dog-eared and dilapidated, shaken and loosened by continual use, marked and scribbled in from front to back. (This man owns books.)

Daniel Burnham arrived in Chicago to find the city’s architects and members of the exposition board outraged that he had gone outside the city—to New York, of all godforsaken places—to court architects for the fair; that he had snubbed the likes of Adler, Sullivan, and Jenney. Sullivan saw it as a sign that Burnham did not truly believe Chicago had the talent to carry the fair by itself. “Burnham had believed that he might best serve his country by placing all of the work exclusively with Eastern architects,” Sullivan wrote; “solely, he averred, on account of their surpassing culture.” The chairman of the Grounds and Buildings Committee was Edward T. Jefferey. “With exquisite delicacy and tact,” Sullivan said, “Jefferey, at a meeting of the Committee, persuaded Daniel, come to Judgment, to add the Western men to the list of his nominations.

Here’s the thing, people: We have some serious problems. The lights are off. And it seems like that’s affecting the water flow in part of town. So, no baths or showers, okay? But the situation is that we think Caine is short of food, which means he’s not going to be able to hold out very long at the power plant.” “How long?” someone yelled. Sam shook his head. “I don’t know.” “Why can’t you get him to leave?” “Because I can’t, that’s why,” Sam snapped, letting some of his anger show. “Because I’m not Superman, all right? Look, he’s inside the plant. The walls are thick. He has guns, he has Jack, he has Drake, and he has his own powers. I can’t get him out of there without getting some of our people killed. Anybody want to volunteer for that?" Silence. “Yeah, I thought so. I can’t get you people to show up and pick melons, let alone throw down with Drake.” “That’s your job,” Zil said. “Oh, I see,” Sam said. The resentment he’d held in now came boiling to the surface. “It’s my job to pick the fruit, and collect the trash, and ration the food, and catch Hunter, and stop Caine, and settle every stupid little fight, and make sure kids get a visit from the Tooth Fairy. What’s your job, Zil? Oh, right: you spray hateful graffiti. Thanks for taking care of that, I don’t know how we’d ever manage without you.” “Sam…,” Astrid said, just loud enough for him to hear. A warning. Too late. He was going to say what needed saying. “And the rest of you. How many of you have done a single, lousy thing in the last two weeks aside from sitting around playing Xbox or watching movies? “Let me explain something to you people. I’m not your parents. I’m a fifteen-year-old kid. I’m a kid, just like all of you. I don’t happen to have any magic ability to make food suddenly appear. I can’t just snap my fingers and make all your problems go away. I’m just a kid.” As soon as the words were out of his mouth, Sam knew he had crossed the line. He had said the fateful words so many had used as an excuse before him. How many hundreds of times had he heard, “I’m just a kid.” But now he seemed unable to stop the words from tumbling out. “Look, I have an eighth-grade education. Just because I have powers doesn’t mean I’m Dumbledore or George Washington or Martin Luther King. Until all this happened I was just a B student. All I wanted to do was surf. I wanted to grow up to be Dru Adler or Kelly Slater, just, you know, a really good surfer.” The crowd was dead quiet now. Of course they were quiet, some still-functioning part of his mind thought bitterly, it’s entertaining watching someone melt down in public. “I’m doing the best I can,” Sam said. “I lost people today…I…I screwed up. I should have figured out Caine might go after the power plant.” Silence. “I’m doing the best I can.” No one said a word. Sam refused to meet Astrid’s eyes. If he saw pity there, he would fall apart completely. “I’m sorry,” he said. “I’m sorry.

Analytical reading is thorough reading, complete reading, or good reading—the best reading you can do.

State in your own words!” That suggests the best test we know for telling whether you have understood the proposition or propositions in the sentence. If, when you are asked to explain what the author means by a particular sentence, all you can do is repeat his very words, with some minor alterations in their order, you had better suspect that you do not know what he means. Ideally, you should be able to say the same thing in totally different words.

Fiction is the best vacation. I always discover something new.

What has your life as a collaboration artist looked like? In the best-case scenarios, the right notes are struck, generating connections and conversations that lead to discovery, risk-taking, and shared awareness that enables progress. In the worst-case collaborative scenarios, we’re often left feeling unheard, unfulfilled, and alone.

A mind not agitated by good question cannot appreciate even appreciate the significance of even the best answer.

There is some feeling nowadays that reading is not as necessary as it once was. Radio and especially television have taken over many of the functions once served by print, just as photography has taken over functions once served by painting and other graphic arts. Admittedly, television serves some of these functions extremely well; the visual communication of news events, for example, has enormous impact. The ability of radio to give us information while we are engaged in doing other things—for instance, driving a car—is remarkable, and a great saving of time. But it may be seriously questioned whether the advent of modern communications media has much enhanced our understanding of the world in which we live. Perhaps we know more about the world than we used to, and insofar as knowledge is prerequisite to understanding, that is all to the good. But knowledge is not as much a prerequisite to understanding as is commonly supposed. We do not have to know everything about something in order to understand it; too many facts are often as much of an obstacle to understanding as too few. There is a sense in which we moderns are inundated with facts to the detriment of understanding. One of the reasons for this situation is that the very media we have mentioned are so designed as to make thinking seem unnecessary (though this is only an appearance). The packaging of intellectual positions and views is one of the most active enterprises of some of the best minds of our day. The viewer of television, the listener to radio, the reader of magazines, is presented with a whole complex of elements—all the way from ingenious rhetoric to carefully selected data and statistics—to make it easy for him to “make up his own mind” with the minimum of difficulty and effort. But the packaging is often done so effectively that the viewer, listener, or reader does not make up his own mind at all. Instead, he inserts a packaged opinion into his mind, somewhat like inserting a cassette into a cassette player. He then pushes a button and “plays back” the opinion whenever it seems appropriate to do so. He has performed acceptably without having had to think.

Uncle Jake thought that quiet days were the best,  He'd relax at home with a book and time to rest. 

I am immensely indebted to you. Pray tell me in what way I can reward you. This ring--" He slipped an emerald snake ring from his finger and held it out upon the palm of his hand. "Your Majesty has something which I should value even more highly," said Holmes. "You have but to name it." "This photograph!" The King stared at him in amazement. "Irene's photograph!" he cried. "Certainly, if you wish it." "I thank your Majesty. Then there is no more to be done in the matter. I have the honour to wish you a very good-morning." He bowed, and, turning away without observing the hand which the King had stretched out to him, he set off in my company for his chambers. And that was how a great scandal threatened to affect the kingdom of Bohemia, and how the best plans of Mr. Sherlock Holmes were beaten by a woman's wit. He used to make merry over the cleverness of women, but I have not heard him do it of late. And when he speaks of Irene Adler, or when he refers to her photograph, it is always under the honourable title of the woman.

It was a warm summer day. Cam Jansen, her friend Eric Shelton, and Eric’s twin sisters, Donna and Diane, were waiting in a long line outside Lee’s Bookstore. They were all waiting to meet Poochie, the famous television dog. Cam pointed to a sign in the front window of the store. “It says that Poochie will be here at noon.” “That’s ten more minutes,” Eric said. Cam looked through the bookstore window. Inside there was a large table. Piled on one side of the table were books. On the other side there was a large photograph of Poochie and a sign that said: Buy The Poochie Story the new best-selling book by the star of the television program Hero Dog.

Some of the reasons people want Newfoundland’s: • I want a dog that’s good with children. • I want a Newf because it loves the water. • I saw one once; he was the most beautiful do I ever saw. • I love that mellow, laid-back temperament. • I love their glossy shiny coats. They have the softest fur. They’re just wonderful to pet. • I want a really big dog. A really big dog. • I like that they’re so devoted. I have always wanted a dog that loves me best. • I’m very active. I love to hike, and camp, and I keep in shape running every day. A Newf can keep me company. • I like that they don’t need a lot of exercise. • They’re really expensive, but if I save up, I can afford to buy one. • They’re rare, and they cost a lot. I can buy a female, breed her, and make lots of money. • I work from 9 to 5. Because he’s placid, a Newf will handle my long absences okay. • They’re good house dogs. I want my dog in the house with me all the time, sleeping on the foot of my bed at night.

There is a sense in wich we moderns are inudated with facts to the detriment of understanding. Onde of the reasons for this situation is that the very media we have mentioned are so designed as to make thinking seem unnecessary (though this is only an appearance). The packaging of intellectual positions and views is one of the most active enterprises of some of the best minds of our day. The viewer of television, the listener to radio, the reader of magazines, is presented with a whole complex of elements - all the way from ingenious rhetoric to carefully slected data and statistics - to make it easy for him to "make up his own mind" with the minimum of difficulty and effort. But the packaging is often done so effectively that the viewre, listener, or reader does not make up his own mind at all. Instead, he inserts a packaged opinion into his minde, somewhat like inserting a cassette into a cassette player. He then pushes a button and "plays back" the opinion whenever it seems appropriate to do so. He has performed acceptably without having to had to think.

The packaging of intellectual positions and views is one of the most active enterprises of some of the best minds of our day. The viewer of television, the listener to radio, the reader of magazines, is presented with a whole complex of elements—all the way from ingenious rhetoric to carefully selected data and statistics—to make it easy for him to “make up his own mind” with the minimum of difficulty and effort. But the packaging is often done so effectively that the viewer, listener, or reader does not make up his own mind at all. Instead, he inserts a packaged opinion into his mind, somewhat like inserting a cassette into a cassette player. He then pushes a button and “plays back” the opinion whenever it seems appropriate to do so. He has performed acceptably without having had to think.

The best are the extra-large fillets packed by Ortiz, which are not cheap. Another good packer is Agostino Recca from Sicily.

State it in your own words!' This suggests the best test we know of to tell whether you have understood the proposition or propositions of a sentence."… "But if it becomes clear that you are unable to part with the author's words, it shows that only words have been conveyed to you, not thoughts or knowledge.

Here.” He thrust the cookies at her because that would be what he’d pick if someone gave him a choice. They were fresh-baked cookies, too, the best part of the lunchroom lunch--which was what he regretted most when he saw the girl toss them in the garbage can on her way out of the cafeteria. The cookies were like the rest of his day, Willie decided on his way home. All the good stuff had turned out bad--the drawing for Jackson, his idea about working under Mrs. Tealso’s desk, even being nice to Marla. He didn’t have one good thing to tell Dad he’d done.

You won’t know until you see where you end up, kiddo.” He chuckled. “Until then, you’ve got to keep coming up with ideas to solve your problems. You never know, you might have one of those plot twists in life that turns everything upside down at the last second. But you’ll never know that until you fight your best fight until the end.

Whereas it is one of the rules of intrinsic reading that you should read an author's preface and introduction before reading his book, the rule in the case of extrinsic reading is that you should not read a commentary by someone else until after you have read the book. This applies particularly to scholarly and critical introductions. They are properly used only if you do your best to read the book first, and then and only then apply to them for answers to questions that still puzzle you. If you read them first they are likely to distort your reading of the book. [How to Read a Book (1972), P. 172]

outside help should be sought whenever a book remains unintelligible to you, either in whole or part, after you have done your best to read it according to the rules of intrinsic reading.

You’re a handful, Mykaleen Adler, but I kind of like that about you. I like how at any given moment of the day, I don’t know what you’ll do or say next. You’re funny, and sometimes you don’t even try—it’s just natural. You don’t pretend to be something you’re not. You’re unapologetically yourself in the best way. I like that you’re brave and bold and daring. And,” he paused, “I like how you don’t need me to rescue you, but you’ll let me anyway.” He shook his head. “I know you’re way out of my league and that you deserve someone better than me, but I can’t help it. I love you. I love your craziness, and your goodness, and your strength.

We can get tired of hearing about ‘first and best’ people all the time. History as well as experience demonstrates that there is far more to life than being first or best.

It is usually a coward who dreams of fighting. Children are irritated by their own cowardice, and so, in their dreams and fantasies, they make themselves heroes and prove to their own satisfaction how valuable they really are. After a fashion this is a sort of education, but hardly the best kind.