Ithaca Quotes

When you set sail for Ithaca, wish for the road to be long, full of adventures, full of knowledge.

And if you find her poor, Ithaca has not deceived you. Wise as you have become, with so much experience, you must already have understood what these Ithacas mean.

Now he got out of bed and wrapped his blanket around himself, yawning. That evening, he'd talk to Jude. He didn't know where he was going, but he knew he would be safe; he would keep them both safe. He went to the kitchen to make himself coffee, and as he did, he whispered the lines back to himself, those lines he thought of whenever he was coming home, coming back to Greene Street after a long time away - "And tell me this: I must be absolutely sure. This place I've reached, is it truly Ithaca?"- as all around him, the apartment filled with light.

A good book, he had concluded, leaves you wanting to reread the book. A great book compels you to reread your own soul. Such books were for him rare and, as he aged, rarer. Still he searched, one more Ithaca for which he was forever bound.

And when long years and seasons wheeling brought around that point of time ordained for him to make his passage homeward, trials and dangers, even so, attended him even in Ithaca, near those he loved.

During the twenty years of Odesseus' absence, the people of Ithaca retained many recollections of him but never felt nostalgia for him. Whereas Odysseus did suffer nostalgia, and remembered almost nothing. ..... For four long books of the Odyssey he had retraced in detail his adventures before the dazzled Phaeacians. But in Ithaca he was not a stranger, he was one of their own, so it never occurred to anyone to say, 'Tell us!

I hadn't flown all the way to Ithaca to date some boy. I was here to work – to prove to myself that I could do something extraordinary all on my own.

Hope the voyage is a long one, full of adventure, full of discovery.

No baby knows when the nipple is pulled from his mouth for the last time. No child knows when he last calls his mother “Mama.” No small boy knows when the book has closed on the last bedtime story that will ever be read to him. No boy knows when the water drains from the last bath he will ever take with his brother. No young man knows, as he first feels his greatest pleasure, that he will never again not be sexual. No brinking woman knows, as she sleeps, that it will be four decades before she will again awake infertile. No mother knows she is hearing the word Mama for the last time. No father knows when the book has closed on the last bedtime story he will ever read: From that day on, and for many years to come, peace reigned on the island of Ithaca, and the gods looked favorably upon Odysseus, his wife, and his son.

Vivian Bloodmark, a philosophical friend of mine, in later years, used to say that while the scientist sees everything that happens in one point in space, the poet sees everything that happens in one point in time. Lost in thought, he taps his knee with his wandlike pencil, and at the same instant a car (New York license plate) passes along the road, a child bangs the screen door of a neighbouring porch, an old man yawns in a misty Turkestan orchard, a granule of cinder-grey sand is rolled by the wind on Venus, a Docteur Jacques Hirsch in Grenoble puts on his reading glasses, and trillions of other such trifles occur - all forming an instantaneous and transparent organism of events, of which the poet (sitting in a lawn chair in Ithaca, N.Y.) is the nucleus.

He talked so often of longing for us and home. But it was lies. When he was back on Ithaca he was never content, always looking to the horizon. Once we were his again, he wanted something else.

Sum patria ex Ithaca, comes infelicis Ulixi, nomine Achaemenides, Troiam genitore Adamasto paupere---mansissetque utinam fortuna!---profectus. Hic me, dum trepidi crudelia limina linquunt, inmemores socii vasto Cyclopis in antro deseruere.

As you set out on your journey to Ithaca, pray that your journey be a long one, filled with adventure, filled with discovery. Laestrygonians and Cyclopes, the angry Poseidon--do not fear them: you'll never find such things on your way unless your sight is set high, unless a rare excitement stirs your spirit and your body. The Laestrygonians and Cyclopes, the savage Poseidon--you won't meet them so long as you do not admit them to your soul, as long as your soul does not set them before you. Pray that your road is a long one. May there be many summer mornings when with what pleasure, with what joy, you enter harbors never seen before. May you stop at Phoenician stations of trade to buy fine things, mother of pearl and coral, amber and ebony, and voluptuous perfumes of every kind-- buy as many voluptuous perfumes as you can. And may you go to many Egyptian cities to learn and learn from those who know. Always keep Ithaca in your mind. You are destined to arrive there. But don't hurry your journey at all. Far better if it takes many years, and if you are old when you anchor at the island, rich with all you have gained on the way, not expecting that Ithaca will give you wealth. Ithaca has given you a beautiful journey. Without her you would never have set out. She has no more left to give you. And if you find her poor, Ithaca has not mocked you. As wise as you have become, so filled with experience, you will have understood what these Ithacas signify.

Always keep Ithaca in your mind. To arrive there is your ultimate goal. But do not hurry the voyage at all. It is better to let it last for many years; and to anchor at the island when you are old, rich with all you have gained on the way, not expecting that Ithaca will offer you riches. Ithaca has given you the beautiful voyage. Without her you would never have set out on the road. She has nothing more to give you. And if you find her poor, Ithaca has not deceived you. Wise as you have become, with so much experience, you must already have understood what Ithacas mean.

When she says margarita she means daiquiri. When she says quixotic she means mercurial. And when she says, "I'll never speak to you again," she means, "Put your arms around me from behind as I stand disconsolate at the window." He's supposed to know that. When a man loves a woman he is in New York and she is in Virginia or he is in Boston, writing, and she is in New York, reading, or she is wearing a sweater and sunglasses in Balboa Park and he is raking leaves in Ithaca or he is driving to East Hampton and she is standing disconsolate at the window overlooking the bay where a regatta of many-colored sails is going on while he is stuck in traffic on the Long Island Expressway. When a woman loves a man it is one ten in the morning she is asleep he is watching the ball scores and eating pretzels drinking lemonade and two hours later he wakes up and staggers into bed where she remains asleep and very warm. When she says tomorrow she means in three or four weeks. When she says, "We're talking about me now," he stops talking. Her best friend comes over and says, "Did somebody die?" When a woman loves a man, they have gone to swim naked in the stream on a glorious July day with the sound of the waterfall like a chuckle of water rushing over smooth rocks, and there is nothing alien in the universe. Ripe apples fall about them. What else can they do but eat? When he says, "Ours is a transitional era," "that's very original of you," she replies, dry as the martini he is sipping. They fight all the time It's fun What do I owe you? Let's start with an apology Ok, I'm sorry, you dickhead. A sign is held up saying "Laughter." It's a silent picture. "I've been fucked without a kiss," she says, "and you can quote me on that," which sounds great in an English accent. One year they broke up seven times and threatened to do it another nine times. When a woman loves a man, she wants him to meet her at the airport in a foreign country with a jeep. When a man loves a woman he's there. He doesn't complain that she's two hours late and there's nothing in the refrigerator. When a woman loves a man, she wants to stay awake. She's like a child crying at nightfall because she didn't want the day to end. When a man loves a woman, he watches her sleep, thinking: as midnight to the moon is sleep to the beloved. A thousand fireflies wink at him. The frogs sound like the string section of the orchestra warming up. The stars dangle down like earrings the shape of grapes.

And tell me this: I must be absolutely sure. This place I've reached, is it truly Ithaca?" - as all around him, the apartment filled with light.

Kenamon takes his time to consider this. Penelope does not mind. The silence of men is a novel experience, and she is prepared to thoroughly enjoy it.

He talked so often of longing for us and home. But it was lies. When he was back on Ithaca he was never content, always looking to the horizon. Once we were his again, he wanted something else. What is that if not a bad life? Luring others to you, then turning from them?

You have gone once more to the seashore and this time you have looked at the horizon with a fugitive's lust. You have asked yourself with sadness who in Ithaca would notice your absence: the sea toward which you always look, the heavens you never question, the land that waits for you assuredly.

At first, he was almost torn apart by dogs. He had forgotten – of course he had – that the swineherd’s dogs were not the same ones that had barked at strangers when he was last on Ithaca. Dogs cannot wait as long as wives: these hounds were the pups of the pups of the original dogs, I should think.

Three daughters of Sparta became three queens in Greece, and I love them, power in their voices and fire in their eyes, even Penelope, even the one who smiles and says she does it for her husband, I love her, I love her. But no one ever said the gods did not have favourites, and it is Clytemnestra I love best, my queen above all, the one who would be free.

His grandfather had told him many times that the greatest enemies of a fighting man were death and women.

...for it is the poet’s art to make every ear that hears the ancient songs think they have been sung for them alone, the old made new.

Any woman who gives merely all she has to give, and then has no more left in her, we condemn to Tartarus's burning fields, and simply say: it is for the children.

Athena watches from the shore. Artemis prowls in the forest. And in the belly of the earth, the Furies are stirring.

Beware that child who would spill his mother's blood. Though the gods themselves may turn away, the Furies will not.

…they weren’t far from the small city of Ithaca – which meant the vast sprawling spectacular campus of Cornell University…

When you set out on your journey to Ithaca,       pray that the road is long,       full of adventure, full of knowledge.

Are you conspiring, little duck?" "When one has neither gold, soldiers, name nor honour, what else is a woman to do?

Ever since he’d been promoted to dean of admission at Ithaca College he spent more time in the office and less at the desk his father had made when Roland graduated from college.

That word between us, Ithaca, like the breaking of a spell.

I know very little about killing,” she replies with a shrug. “That is the men’s business. But it is the women who come to dress and wail at the corpses when the killing is done, no?

There was such hatred in Clytemnestra's eyes, which never left his face - it was an intoxicant unlike any the tyrant had seen before. "I'll have that.' He thought. ''I'll break that.

If one has been absent for decades from a place that one once held dear, the wise would generally counsel that one should never return there again. History abounds with sobering examples: After decades of wandering the seas and overcoming all manner of deadly hazards, Odysseus finally returned to Ithaca, only to leave it again a few years later. Robinson Crusoe, having made it back to England after years of isolation, shortly thereafter set sail for that very same island from which he had so fervently prayed for deliverance. Why after so many years of longing for home did these sojourners abandon it so shortly upon their return? It is hard to say. But perhaps for those returning after a long absence, the combination of heartfelt sentiments and the ruthless influence of time can only spawn disappointments. The landscape is not as beautiful as one remembered it. The local cider is not as sweet. Quaint buildings have been restored beyond recognition, while fine old traditions have lapsed to make way for mystifying new entertainments. And having imagined at one time that one resided at the very center of this little universe, one is barely recognized, if recognized at all. Thus do the wise counsel that one should steer far and wide of the old homestead. But no counsel, however well grounded in history, is suitable for all. Like bottles of wine, two men will differ radically from each other for being born a year apart or on neighboring hills. By way of example, as this traveler stood before the ruins of his old home, he was not overcome by shock, indignation, or despair. Rather, he exhibited the same smile, at once wistful and serene, that he had exhibited upon seeing the overgrown road. For as it turns out, one can revisit the past quite pleasantly, as long as one does so expecting nearly every aspect of it to have changed.

[I]t's necessary to exert very great foresight every time you go to blame or praise a man, so that you won't speak incorrectly. . . . For you shouldn't suppose that, while stones are sacred and pieces of wood, and birds, and snakes, human beings are not. Rather of all these things, the most sacred is the good human being, while the most polluted is the wicked." Speech attributed to Socrates in Plato, Minos 319a, trans. Thomas L. Pangle, in The Roots of Political Philosophy: Ten Forgotten Socratic Dialogues, ed. Thomas L. Pangle (Ithaca: Cornell University Press, 1987), 63.

Odysseus was a great hero in the Trojan War. When he left Troy to sail home to Ithaca, he was lost at sea for ten years. He begged the brave and mighty Zeus for help, and kindly Zeus sent winds to take him home.

But one thing is certain: those daughters of Leda are a plague on their menfolk. Did Odysseus worry that he would receive a similar welcome here on Ithaca? That I, the devout Penelope, would treat him as Clytemnestra had treated her husband? The idea is preposterous. My name is a byword for patience and loyalty, no matter which bard sings it. But that is my Odysseus. And your Odysseus. Always finding things out the hard way.

April, she had died. April could still be a very cold month in Ithaca, though it was certainly not the best month for dying of exposure. A depressed person would have a better bet walking along the edge of one of the gorges and “accidentally” falling in. Of course the man Jessop had done neither; hand-making his daughter’s tombstone had probably kept him too occupied to even consider suicide. Yes. That was it; that was the key. An act of creation in the face of loss.

do not hurry the journey at all: better that it lasts for many years and you arrive an old man on the island, rich from all that you have gained on the way, not counting on Ithaca for riches. For Ithaca gave you the splendid voyage: without her you would never have embarked. She has nothing more to give you now. And though you find her poor, she has not misled you; you having grown so wise, so experienced from your travels, by then you will have learned what Ithacas mean.

But let me say this, and I'll say it only once: don't fool yourself into thinking you're just on a detour as you sail home for Ithaca. A little pit stop, if you like, with the Lotus-Eaters or Calypso. There's no Athena interceding on your behalf. No guarantee you'll eventually arrive. If there's something you really want in life - especially if it's something that scares you, or you think you don't deserve - you have to go after it and do it now. Or in the very long you'll be right: you won't deserve it.

The third man,’ he answered, ‘is Ulysses who dwells in Ithaca. I can see him in an island sorrowing bitterly in the house of the nymph Calypso, who is keeping him prisoner, and he cannot reach his home for he has no ships nor sailors to take him over the sea.

LIST OF ILLUSTRATIONS ODYSSEUS AS A YOUTH AT HOME WITH HIS MOTHER THE SILVER-FOOTED THETIS RISING FROM THE WAVES ODYSSEUS AND MENELAOS PERSUADING AGAMEMNON TO SACRIFICE IPHIGENEIA ALPHEUS AND ARETHUSA THE SWINEHERD TELLING HIS STORY TO ODYSSEUS ODYSSEUS FEIGNS MADNESS

Ithaca gave you the beautiful journey. Without her you would not have set out. She has nothing more to give you. And if you find her poor, Ithaca has not fooled you. Having become so wise, with so much experience, You will have understood, by then, what these Ithacas mean.

Penelope’s face is luminous. “My father used to tease me and say that I would marry some forgotten king on a forgotten island.” Clytemnestra nudges her. “Well, you are.” Penelope laughs. “Who knows about Ithaca? Who will remember Odysseus?” “Probably no one. The clever ones are always forgotten.

Beneath it all I kept faith with Ithaca, travelled, Travelled and travelled, Suffering much, enjoying a little; Met strange people singing New myths; made myths myself. But this lion of the sea Salt-maned, scaly, wondrous of tail, Touched with power, insistent On this brief promontory... Puzzles.

The guy says, “Buddy, the housing situation in Ithaca is tough. In fact, it’s so tough that, believe it or not, a professor had to sleep on a couch in this lobby last night!” I look around, and it’s the same lobby! I turn to him and I say, “Well, I’m that professor, and the professor doesn’t want to do it again!

When the Baptist meetinghouse in Ithaca threw the band of lecturers out of its evening session, they “adjourned into God’s house—the open air”—and held their impromptu meeting in the courthouse square. Some in the mob eventually climbed to the tower and rang the courthouse bell to break up the meeting. Sometimes, when they

Now Helen”—Odysseus paused, his arm half-extended to the priest—“remember that I swear only in fellowship, not as a suitor. You would never forgive yourself if you were to choose me.” His words were teasing, and drew scattered laughter. We all knew it was not likely that one so luminous as Helen would choose the king of barren Ithaca.

I catch her as she tumbles, lest her fall be ungraceful, a messy rending of gut and bone. I ease her to the ground lightly, put her head in my lap, stroke her brow, whisper sweet sounds without form to her. My queen, greatest of all queens in Greece, stares up at the sky and does not see her brothers in it...All eyes of gods and men depart, save I.

En todo caso, Ítaca está reñida con el conformismo, con los convencionalismos.

Scared is how you see the spear coming for your eye. Scared is how you choose where and when to strike.

Dawn should be bloody after a battle, yet it so rarely is. Too many wars are fought beneath her shimmering gaze for her to turn crimson for any but the most spectacular of affairs.

Penthesilea, for example, fought against Achilles himself…” “And died!” “Against Achilles – everyone died against Achilles, it was his predominant characteristic.

Ars Poetica To look at the river made of time and water And remember that time is another river, To know that we are lost like the river And that faces dissolve like water. To be aware that waking dreams it is not asleep While it is another dream, and that the death That our flesh goes in fear of is that death Which comes every night and is called sleep. To see in the day or in the year a symbol Of the days of man and of his years, To transmute the outrage of the years Into a music, a murmur of voices, and a symbol, To see in death sleep, and in the sunset A sad gold—such is poetry, Which is immortal and poor. Poetry returns like the dawn and the sunset. At times in the evenings a face Looks at us out of the depths of a mirror; Art should be like that mirror Which reveals to us our own face. They say that Ulysses, sated with marvels, Wept tears of love at the sight of his Ithaca, Green and humble. Art is that Ithaca Of green eternity, not of marvels. It is also like the river with no end That flows and remains and is the mirror of one same Inconstant Heraclitus, who is the same And is another, like the river with no end.

Cassandra did not resist. After the first year of being pulled by the hair into Agamemnon's bed, hand at her throat, tongue wet, she had learned that screaming changed nothing. By the time Clytemnestra killed her, seven years later, Cassandra had given up on speech altogether, knowing no one would believe her, and no one would care. Thus died the prophetess of Troy, plaything of gods and men.

The assembly dissolves at this point into furious squabbling, accusation and insult. I glance quickly into the nearby shadows, into the hot places of the earth beneath their feet, for Eris, lady of discord, wondering if she has stolen into this little assembly – but no, this is entirely, absolutely the stupidity of man without the interference of gods. It is fascinating in its detail and pettiness.

The instant noodles that I ate alone in Ithaca might have been identical to the instant noodles of my childhood, but the taste, so to speak, was entirely different. The reasons for this, of course, were obvious. My mother was not there. My sister was not there. Instant Noodles, Rattawut Lapcharoensap [from the book Alone in the Kitchen with an Eggplant: Confessions of Cooking for One and Dining Alone]

CONTENTS INTRODUCTION PART I AN INTRODUCTION TO THE LIFE OF THE HERO, ODYSSEUS CHAPTER I. About Troy and the Journey of Paris to Greece II. The Flight of Helen III. The Greeks Sail for Troy IV. The Fall of Troy

In that moment, I felt truly sorry for you, Odysseus. But when the bard sang this next part, it was all I could do not to have him thrown over Ithaca’s rocky outcrops and left to drown in the darkening sea. First you asked your mother how she had died. Then you asked after the health of your father. Then your son. Then your honour. Then your throne. And then, when you had asked about everything else except the dog, you remembered to ask after your wife.

To THE TEACHER WHOSE INTEGRITY AND PEDAGOGICAL SPIRIT HAVE CREATED A SCHOOL WHEREIN THE IDEAL MAY PROVE ITSELF THE PRACTICAL AND THOSE ENTHUSIASTIC PUPILS WHO LOVE THE LOYALTY AND BRAVERY OF ODYSSEUS THIS BOOK IS DEDICATED

If you dare tell me he’s Odysseus’s son as if that’s some sacred charm, I will scream,” she answers, clear as the ringing of the hollow drum. “I will wail and rend my hair, the whole thing. So help me, Hera, I will do it.” Sweetheart, I whisper, I’m here for it. Many is the time my husband has returned from his frolics and I’ve turned on the waterworks, rent my garments, flung myself upon the ground and sworn that I shall die, scratched at my eyes, drawn blood from my celestial skin and beaten my fists against his chest. It doesn’t change his behaviour long-term, but at least I get to embarrass him some tiny, tiny fraction of the way he humiliates, demeans, dishonours and diswomans me. So you do the wailing; I’ll bring the olives.

But then, in a sense, all poetry is positional: to try to express one’s position in regard to the universe embraced by consciousness, is an immemorial urge. The arms of consciousness reach out and grope, and the longer they are the better. Tentacles, not wings, are Apollo’s natural members. Vivian Bloodmark, a philosophical friend of mine, in later years, used to say that while the scientist sees everything that happens in one point of space, the poet feels everything that happens in one point of time. Lost in thought, he taps his knee with his wandlike pencil, and at the same instant a car (New York license plate) passes along the road, a child bangs the screen door of a neighbouring porch, an old man yawns in a misty Turkestan orchard, a granule of cinder-gray sand is rolled by the wind on Venus, a Docteur Jacques Hirsch in Grenoble puts on his reading glasses, and trillions of other such trifles occur – all forming an instantaneous and transparent organism of events, of which the poet (sitting in a lawn chair, at Ithaca, N.Y.) is the nucleus.

A recent study of common frogs living near Ithaca, New York, for example, found that four out of six species were calling—which is to say, mating—at least ten days earlier than they used to, while at the Arnold Arboretum, in Boston, the date of peak blooming for spring-flowering shrubs has advanced, on average, by eight days. In Costa Rica, birds like the keel-billed toucan (Ramphastos sulfuratus), once confined to the lowlands, have started to nest on mountain slopes; in the Alps, plants like purple saxifrage (Saxifraga oppositifolia) and Austrian draba (Draba fladnizensis) have been creeping up toward the summits; and in the Sierra Nevada of California, the average Edith’s Checkerspot butterfly (Euphydryas editha) can now be found at an elevation three hundred feet higher than it was a hundred years ago. Any one of these changes could, potentially, be a response to purely local conditions—shifts, say, in regional weather patterns or in patterns of land use. The only explanation that anyone has proposed that makes sense of them all, though, is global warming.

The editor further extols the advantages arising from the study of Homer, it making the youthful students acquainted with the earliest periods of Greek history, the manners and customs of the people, and he ends by quoting from Herbart: "Boys must first get acquainted with the noisy market-place of Ithaca and then be led to the Athens of Miltiades and Themistokles." With equal truth the American can say that the child whose patriotism is kindled by the Homeric fire will the more gladly respond to the ideals set forth in the history of a Columbus or a Washington. MARY E. BURT. PART

This is the world we live in. We are not heroes. We do not choose to be great; we have no power over our destinies. The scraps of freedom that we have are to pick between two poisons, to make the least bad decision we can, knowing that there is no outcome that will not leave us bruised, bloody on the floor.

Oh queen of the gods.' She breathes. 'You were mighty once. Before the poems were rewritten at Zeus's command, before the past was all...made up human things...I remember. You rode with Tabiti and Inanna of the east and the world quivered beneath you. The mortals looked up from their caves with hands painted in ochre and blood and called 'Mother, Mother, Mother.' You tore down the sky upon your enemies, and bade the seas part for the ones you loved. But you trusted Zeus. You swore your brother would never betray you. And look at you now, skulking from the eye of heaven lest he see the footprints you leave upon the earth.

The age of heroes, then, as Homer understood it, was a time in which men exceeded subsequent standards with respect to a specified and severely limited group of qualities. In a measure, these virtues, these values and capacities, were shared by many men of the period, for otherwise there could have been no distinct age of heroes between the bronze and the iron. Particularly in the Odyssey the word "hero" is a class term for the whole aristocracy, and at times it even seems to embrace all the free men. "Tomorrow," Athena instructed Telemachus, "summon the Achaean heroes to an assembly," by which she meant "call the regular assembly of Ithaca.

Always keep Ithaca on your mind.       To arrive there is your ultimate goal.       But do not hurry the voyage at all.       It is better to let it last for many years;       and to anchor at the island when you are old,       rich with all you have gained on the way,       not expecting that Ithaca will offer you riches.       Ithaca has given you the beautiful voyage.       Without her you would have never set out on the road.       She has nothing more to give you.       And if you find her poor, Ithaca has not deceived you.       Wise as you have become, with so much experience,       you must already have understood what these Ithacas mean.

ODYSSEUS AS A YOUTH AT HOME WITH HIS MOTHER ODYSSEUS THE HERO OF ITHACA ADAPTED FROM THE THIRD BOOK OF THE PRIMARY SCHOOLS OF ATHENS, GREECE BY MARY E. BURT Author of "Literary Landmarks," "Stories from Plato," "Story of the German Iliad," "The Child-Life Reading Study"; Editor of "Little Nature Studies"; Teacher in the John A. Browning School, New York City AND ZENAÏDE A. RAGOZIN Author of "The Story of Chaldea," "The Story of Assyria," "The Story of Media, Babylon, and Persia," "The Story of Vedic India"; Member of the Royal Asiatic Society of Great Britain and Ireland, of the American Oriental Society, of the Société Ethnologique of Paris, etc. CHARLES SCRIBNER'S SONS NEW YORK CHICAGO BOSTON COPYRIGHT, 1898, BY CHARLES SCRIBNER'S SONS

See, for example, Humphreys to Washington, November 16, 1786, PGWCS IV: 373; Linda Grant De Pauw, The Eleventh Pillar: New York State and the Federal Convention (Ithaca, NY, 1966), 43, where she says the terms were used as “epithets as men discussed the [proposed federal] impost” but were not used to designate parties until September 1787, when “the Constitution became a subject of political controversy”; and also 170, where De Pauw suggests that the terms went back at least to 1785. Madison to Washington, New York, March 3, 1787, PGWCS V: 93, which refers to an “antifederal party” in New York; and also 103, where Humphreys, in a letter to Washington dated March 24, 1787, refers to “foederal” and “antifoederal” parties in Connecticut politics.

PART III THE TRIUMPH OF ODYSSEUS CHAPTER XXIX. Athena Advises Telemachos XXX. Telemachos Astonishes the Wooers XXXI. Penelope's Web XXXII. The Journey of Telemachos XXXIII. Telemachos in Pylos XXXIV. Telemachos in Sparta XXXV. Menelaos Relates His Adventures XXXVI. The Conspiracy of the Suitors XXXVII. Telemachos Returns to Ithaca XXXVIII. Telemachos and the Swineherd XXXIX. Telemachos Recognizes Odysseus XL. Telemachos Returns to the Palace XLI. Odysseus is Recognized by His Dog XLII. Odysseus Comes, a Beggar, to His Own House XLIII. Conversation of Odysseus and Penelope XLIV. Eurycleia Recognizes Odysseus XLV. Penelope's Dream XLVI. Athena Encourages Odysseus XLVII. The Last Banquet of the Suitors XLVIII. Odysseus Bends the Bow XLIX. Death of the Suitors L. Eurycleia Announces the Return of Odysseus to Penelope LI. Odysseus Visits His Father Vocabulary and Notes

examples of what are called nostos narratives. Nostos is the Greek word for “homecoming”; the plural form of this word, nostoi, was, in fact, the title of a lost epic devoted to the homecomings of the Greek kings and chieftains who fought in the Trojan War. The Odyssey itself is a nostos narrative, one that often digresses from its tale of Odysseus’ twisty voyage back to Ithaca in order to relate, in brief, the nostoi of other characters, as Nestor does here—almost as if it were anxious that those other nostoi stories would not themselves make it safely into the future. In time, this wistful word nostos, rooted so deeply in the Odyssey’s themes, was eventually combined with another word in Greek’s vast vocabulary of pain, algos, to give us an elegantly simple way to talk about the bittersweet feeling we sometimes have for a special kind of troubling longing. Literally this word means “the pain associated with longing for home,” but as we know, “home,” particularly as we get older, can be a time as well as a place. The word is “nostalgia.

PART II THE RETURN OF ODYSSEUS TO HIS OWN COUNTRY CHAPTER V. Odysseus on the Island of Calypso VI. Odysseus Constructs a Raft and Leaves the Island VII. Odysseus is Saved on the Island of Scheria VIII. Nausicaä is Sent to the River by Athena IX. Odysseus Arrives at the Palace of Alkinoös X. Odysseus in the Halls of Alkinoös XI. The Banquet in Honor of Odysseus XII. Odysseus Relates His Adventures XIII. The Lotus-Eaters and the Cyclops XIV. The Cave of the Cyclops XV. The Blinding of the Cyclops XVI. Odysseus and His Companions Leave the Land of the Cyclops XVII. The Adventures of Odysseus on the Island of Æolus XVIII. Odysseus at the Home of Circè XIX. Circè Instructs Odysseus Concerning His Descent to Hades XX. The Adventures of Odysseus in Hades XXI. Odysseus Converses with His Mother and Agamemnon XXII. Conversation with Achilles and Other Heroes XXIII. The Return of Odysseus to the Island of Circè XXIV. Odysseus Meets the Sirens, Skylla, and Charybdis XXV. Odysseus on the Island of Hēlios XXVI. The Departure of Odysseus from the Island of Scheria XXVII. Odysseus Arrives at Ithaca XXVIII. Odysseus Seeks the Swineherd

...I give you again the bowing of Agamemnon's men as they fell before your might and your wisdom , begged your indulgence, grovelled for their sins. You did not punish them for the joy of punishment; you were not a tyrant, you were not cruel. You took away the illusions that they had wrapped themselves in, showed them that their strength was arrogance, their intellect was foolery. You were the queen of honest revelation and level-headed merit, and the great men of Mycenae loathed for you it, loathed you for striking down their pretensions, and I loved you, I love you, I love you...

the list was a smoke screen: ten applications would be made on the pretense of this being a meritocratic process. But the first-choice school would have opened a file on the child once his PSATs were posted. The result was already assured. For Anne, much of the work lay in managing these lists. How to carve, from the great shared dream of college destiny, a range to fairly suit each child? And how then to help bring round the parents, in their bafflement and their shame? More accurately, how to awaken these families from a fantasy that held colleges up bright and shining and implacably steady in character, to reveal each as just what it was—a living, breathing institution—struggling to serve young minds weaned on ambition and fear and heading into a job market that matched conscription to greed and made interns of all the rest? Take Middlebury: one thought immediately of all the blond kids with a green streak, the vegans, the skiers. Take the Ivies: the Euro kids wanted Brown. Jews, Yale or Penn. WASPs wanted Princeton. Cold athletes Dartmouth. Hot athletes, Stanford. Cornell was big and seemed possible but Ithaca was a high price to pay. Columbia for the city kids. Everyone wanted Harvard, if only to say they got in. Then the cult schools. Tufts, Georgetown, Duke. Big

The introduction to the original book as I found it in Greece contains many interesting points, since it shows that educators in foreign countries, notably in Germany, had come to the same conclusion with our best American teachers. The editor of the little Greek reading-book says: "In editing this work we have made use not only of Homer's 'Odyssey,' but also of that excellent reader which is used in the public schools of Germany, Willman's 'Lesebuch aus Homer.' We have divided the little volume into three parts, the first of which gives a short resumé of the war against Troy and the destruction of that city, the second the wanderings of Odysseus till his arrival in Ithaca, the third his arrival and the killing of the wooers. We have no apology to make in presenting this book to the public as a school-book, since many people superior to us have shown the need of such books in school-work. The new public schools, as is well known, have a mission of the highest importance. They do not aim, as formerly, at absolute knowledge pounded into the heads of children in a mechanical way. Their aim is the mental and ethical development of the pupils. Reading and writing lead but half way to this goal. With all nations the readers used in the public schools are a collection of the noblest thoughts of their authors." The Greek editor had never read the inane rat and cat stories of American school "readers" when he wrote that.

INTRODUCTION It has long been the opinion of many of the more progressive teachers of the United States that, next to Herakles, Odysseus is the hero closest to child-life, and that the stories from the "Odyssey" are the most suitable for reading-lessons. These conclusions have been reached through independent experiments not related to educational work in foreign countries. While sojourning in Athens I had the pleasure of visiting the best schools, both public and private, and found the reading especially spirited. I examined the books in use and found the regular reading-books to consist of the classic tales of the country, the stories of Herakles, Theseus, Perseus, and so forth, in the reader succeeding the primer, and the stories of Odysseus, or Ulysses, as we commonly call him, following as a third book, answering to our second or third reader.

He continues: "Happily the Greek nation, more than any other, abounds in literary masterpieces. Nearly all of the Greek writings contain an abundance of practical wisdom and virtue. Their worth is so great that even the most advanced European nations do not hesitate to introduce them into their schools. The Germans do this, although their habits and customs are so different from ours. They especially admire Homer's works. These books, above all others, afford pleasure to the young, and the reason for it is clearly set forth by the eminent educator Herbart: "'The little boy is grieved when told that he is little. Nor does he enjoy the stories of little children. This is because his imagination reaches out and beyond his environments. I find the stories from Homer to be more suitable reading for young children than the mass of juvenile books, because they contain grand truths.' "Therefore these stories are held in as high esteem by the German children as by the Greek. In no other works do children find the grand and noble traits in human life so faithfully and charmingly depicted as in Homer. Here all the domestic, civic, and religious virtues of the people are marvellously brought to light and the national feeling is exalted. The Homeric poetry, and especially the 'Odyssey,' is adapted to very young children, not only because it satisfies so well the needs which lead to mental development, but also for another reason. As with the people of olden times bravery was considered the greatest virtue, so with boys of this age and all ages. No other ethical idea has such predominance as that of prowess. Strength of body and a firm will characterize those whom boys choose as their leaders. Hence the pleasure they derive from the accounts of celebrated heroes of yore whose bravery, courage, and prudence they admire.

Although the military may have contributed to hazing in all fraternities, BGF hazing seems to have become the most physically intense variation of the practice. The first of the 241 WGFcases Nuwer reported occurred in 1873 at Cornell University (Ithaca, New York). The first military case was the 1900 case cited involving MacArthur. The first BGF cases do not appear until 1977. Glaringly, between 1977 and 1990, BGFs are cited for the same number of hazing cases as military academies are in a ninety-year span. Furthermore, only 23 percent of the reported military cases involved physical abuse. In contrast, almost 94 percent of the black cases involved physical abuse—with all four deaths caused by physical hazing. Clearly, I do not contend that physical hazing only occurs in BGFs. Nuwer’s study illustrates that this is not the case. Additionally, men who seek to join organizations such as fraternities and the military through violent means probably belong to a particular personality group. Admittedly, membership in this personality group crosses racial and organizational lines. I want to emphasize that men who seek affiliation with hazing fraternities or even high-risk units of the military are not totally coerced, but are largely self-selected. The striking point of departure is that, at least where fraternal orders are concerned, a higher frequency of this type of personality seems to be found among black men than any other group under consideration here. If true, this helps to explain why the prevalence of physical hazing in BGFs is much higher than in WGFs or even the military. Certainly, an important epistemological question must follow such an assertion. If, in fact, more black men are in this personality group, how did they come to be this way? This is an issue of paramount importance that chapter six engages in depth.

Odysseus smiled in return, teeth white against his dark beard. “Excellent. One tent’s enough, I hope? I’ve heard that you prefer to share. Rooms and bedrolls both, they say.” Heat and shock rushed through my face. Beside me, I heard Achilles’ breath stop. “Come now, there’s no need for shame—it’s a common enough thing among boys.” He scratched his jaw, contemplated. “Though you’re not really boys any longer. How old are you?” “It’s not true,” I said. The blood in my face fired my voice. It rang loudly down the beach. Odysseus raised an eyebrow. “True is what men believe, and they believe this of you. But perhaps they are mistaken. If the rumor concerns you, then leave it behind when you sail to war.” Achilles’ voice was tight and angry. “It is no business of yours, Prince of Ithaca.” Odysseus held up his hands. “My apologies if I have offended. I merely came to wish you both good night and ensure that all was satisfactory. Prince Achilles. Patroclus.” He inclined his head and turned back to his own tent. Inside the tent there was quietness between us. I had wondered when this would come. As Odysseus said, many boys took each other for lovers. But such things were given up as they grew older, unless it was with slaves or hired boys. Our men liked conquest; they did not trust a man who was conquered himself. “Perhaps he is right,” I said. Achilles’ head came up, frowning. “You do not think that.” “I do not mean—” I twisted my fingers. “I would still be with you. But I could sleep outside, so it would not be so obvious. I do not need to attend your councils. I—” “No. The Phthians will not care. And the others can talk all they like. I will still be Aristos Achaion.” Best of the Greeks. “Your honor could be darkened by it.” “Then it is darkened.” His jaw shot forward, stubborn. “They are fools if they let my glory rise or fall on this.” “But Odysseus—” His eyes, green as spring leaves, met mine. “Patroclus. I have given enough to them. I will not give them this.” After that, there was nothing more to say

Odysseus’s Challenge Tyndareus

Talis’s father has a karaoke machine in his basement, and he knows all the lyrics to “Like a Virgin” and “Holiday” as well as the lyrics to all the songs from Godspell and Cabaret. Talis’s mother is a licensed therapist who composes multiple-choice personality tests for women’s magazines. “Discover Which Television Character You Resemble Most.” Etc. Amy’s parents met in a commune in Ithaca: her name was Galadriel Moon Shuyler before her parents came to their senses and had it changed legally. Everyone is sworn to secrecy about this, which is ironic, considering that this is Amy.

Canto I And then went down to the ship, Set keel to breakers, forth on the godly sea, and We set up mast and sail on that swart ship, Bore sheep aboard her, and our bodies also Heavy with weeping, and winds from sternward Bore us out onward with bellying canvas, Circe’s this craft, the trim-coifed goddess. Then sat we amidships, wind jamming the tiller, Thus with stretched sail, we went over sea till day’s end. Sun to his slumber, shadows o’er all the ocean, Came we then to the bounds of deepest water, To the Kimmerian lands, and peopled cities Covered with close-webbed mist, unpierced ever With glitter of sun-rays Nor with stars stretched, nor looking back from heaven Swartest night stretched over wretched men there. The ocean flowing backward, came we then to the place Aforesaid by Circe. Here did they rites, Perimedes and Eurylochus, And drawing sword from my hip I dug the ell-square pitkin; Poured we libations unto each the dead, First mead and then sweet wine, water mixed with white flour. Then prayed I many a prayer to the sickly death’s-heads; As set in Ithaca, sterile bulls of the best For sacrifice, heaping the pyre with goods, A sheep to Tiresias only, black and a bell-sheep. Dark blood flowed in the fosse, Souls out of Erebus, cadaverous dead, of brides Of youths and of the old who had borne much; Souls stained with recent tears, girls tender, Men many, mauled with bronze lance heads, Battle spoil, bearing yet dreory arms, These many crowded about me; with shouting, Pallor upon me, cried to my men for more beasts; Slaughtered the herds, sheep slain of bronze; Poured ointment, cried to the gods, To Pluto the strong, and praised Proserpine; Unsheathed the narrow sword, I sat to keep off the impetuous impotent dead, Till I should hear Tiresias. But first Elpenor came, our friend Elpenor, Unburied, cast on the wide earth, Limbs that we left in the house of Circe, Unwept, unwrapped in sepulchre, since toils urged other. Pitiful spirit. And I cried in hurried speech: “Elpenor, how art thou come to this dark coast? “Cam’st thou afoot, outstripping seamen?” And he in heavy speech: “Ill fate and abundant wine. I slept in Circe’s ingle. “Going down the long ladder unguarded, “I fell against the buttress, “Shattered the nape-nerve, the soul sought Avernus. “But thou, O King, I bid remember me, unwept, unburied, “Heap up mine arms, be tomb by sea-bord, and inscribed: “A man of no fortune, and with a name to come. “And set my oar up, that I swung mid fellows.” And Anticlea came, whom I beat off, and then Tiresias Theban, Holding his golden wand, knew me, and spoke first: “A second time? why? man of ill star, “Facing the sunless dead and this joyless region? “Stand from the fosse, leave me my bloody bever “For soothsay.” And I stepped back, And he strong with the blood, said then: “Odysseus “Shalt return through spiteful Neptune, over dark seas, “Lose all companions.” And then Anticlea came. Lie quiet Divus. I mean, that is Andreas Divus, In officina Wecheli, 1538, out of Homer. And he sailed, by Sirens and thence outward and away And unto Circe. Venerandam, In the Cretan’s phrase, with the golden crown, Aphrodite, Cypri munimenta sortita est, mirthful, orichalchi, with golden Girdles and breast bands, thou with dark eyelids Bearing the golden bough of Argicida. So that:

He’s too serious. Every reaction is slowly, carefully thought out. You can’t just ask a question and get a straight, simple answer. Even ‘How’d you like the movie?’ requires that he cogitate and mull. By the time he comes up with an answer, I’ve lost interest, even forgotten my question.” —Sondra, Ithaca, NY

A while back Czesław Miłosz wrote in an essay that in today’s age of technology and mass mobility “the whole nostalgic rhetoric of patria fed by literature since Odysseus journeyed to Ithaca, has been weakened if not forgotten.” Weakened, possibly, but I think not forgotten. It is that longing for a mythical homeland, not necessarily a physical one, that inspires art. Without that longing, patria is nothing more than the name of a Finnish company that produces armored vehicles used by Israel in its wars on Lebanon, or the name of an Argentine submachine gun. I appreciate longing. I also appreciate irony.

If there was a single event that galvanized conservative donors to try to wrest control of higher education in America, it might have been the uprising at Cornell University on April 20, 1969. That afternoon, during parents’ weekend at the Ithaca, New York, campus, some eighty black students marched in formation out of the student union, which they had seized, with their clenched fists held high in black power salutes. To the shock of the genteel Ivy League community, several were brandishing guns.

Israelis are Jews who have misplaced their sense of humor. I like men and women who don’t fit well in the dominant culture, or, as Álvaro de Campos calls them, strangers in this place as in every other, accidental in life as in the soul. I like outsiders, phantoms wandering the cobwebbed halls of the doomed castle where life must be lived. David Grossman may love Israel, but he wanders its cobwebbed halls, just as his namesake Vasily wandered Russia’s. To write is to know that you are not home. I stopped loving Odysseus as soon as he landed back in Ithaca. I love the idea of homeland, but not the actual return to one.

Martin gave him an ecstatic welcome—as he always did. Ulf had read that dogs believed when their owners left them behind in the house they would never see them again. Dog memory, however long it might be when it involved smells, and the remembrance of smells, was not all that strong on events, and a dog might well forget that his owner usually returned after going out. So the poor dog would go through the agony of abandonment—seemingly permanent—every single day, sometimes more than once a day. And when the owner returned, the dog’s joy would be immense, as great, in its way, as the joy of Penelope on the return of Odysseus. Or, for that matter, of the hero’s dog when his master turned up once again in Ithaca, although poor Argos, lying on his dungheap, was too old to do much more than raise his ears and wag his tail, much as he would have liked to turn somersaults, bark with delight, and confer slobbering canine kisses.

But no one went clamouring for Clytemnestra’s hand while her husband was away – don’t you think that strange?” “Perhaps because that hand was so far up a poet’s arse it’s a wonder he could speak without the fingers showing.” “That is frankly disgusting.

I see a sign for Asheville, North Carolina, and decide to go, because everyone says Asheville is like Ithaca but bigger. Because of all the places I’ve been, Ithaca is my favorite and I can’t go back.

Nabokov famously never had a home. In the United States he and his wife, Vera, always rented. At Cornell University in Ithaca, New York, where he taught for a decade, they occupied homes vacated by professors on sabbatical. The Nabokovs ended their days in a small suite of rooms at the Montreux Palace Hotel in Switzerland. When asked to explain his peripatetic life of exile, Nabokov said, “Nothing short of a replica of my childhood surroundings would have satisfied me.” His hero Pushkin was a wanderer, too, exiled from St. Petersburg by the czar for years at a time. Like Nabokov, “To the end of his life he remained deeply attached to what he considered his real home, the Lyceum, and to his former fellow students.

To be patient is to feel burning rage, impotent fury, to rage and rock against the injustice of the world and yet – and yet – to hold one’s tongue.

Medon,” Penelope tuts, “what a foolish question. You hide them in precisely the same way you hide your success as a merchant, your skill with agriculture, your wisdom at politics and your innate cutting wit. You hide them as women.

The silence of men is a novel experience, and she is prepared to thoroughly enjoy it.

No time? We are the Roman army, guarding the border for the Emperor. We have nothing but time until they recall us to Rome.

Ithaca

She is patient. She reminds herself of this all the time. To be patient is to feel burning, impotent fury, to rage and rock against the world and yet - and yet - to hold one's tongue. This is what she has come to understand of patience, though no one else seems to comprehend the heat of it in her chest.

Well then. I suppose we're stuck being family.' 'What an unpleasant notion,' she replies, without rancour or regret. 'Quite.' 'A bond that is, if anything, even more irrational than friendship.' 'I couldn't agree more.' 'And yet somehow we give it sanctity.' 'Indeed.

I have sometimes wondered what upon what it is truly to be wise. Naturally I am the wisest of all the gods, my intellect vastly superior to yours; yet the world turns despite my counsel. Every immortal and mortal may say 'yes, let us be wise' and yet turn their faces away when the best course is set before them. It is...troubling. How is that we can know the most intelligent way to act, yet choose not to do it?

I have sometimes wondered upon what it is truly to be wise. Naturally I am the wisest of all the gods, my intellect vastly superior to yours; yet the world turns despite my counsel. Every immortal and mortal may say 'yes, let us be wise' and yet turn their faces away when the best course is set before them. It is...troubling. How is it that we can know the most intelligent way to act, yet choose not to do it?