Italian Mother Quotes

The Mother of God. Good-looking. Well-dressed. A good person. Knows how to make the absolute best of a situation. And never uppity about any of it.

She gave him a brief, mysterious smile. “You were watching me. I felt you before I saw you.” So? This is a crime? he thought, determined not to retreat. Did you study cultural physiology? The eyes of Italian males are hardwired from birth to examine, observe, even caress, if you will, the female form. Any form. Some we glance at. Some we don’t really see, like our mothers and sisters. Some we ignore, and some we store as reference for the future. Got it?

My mother was French Protestant, and my father was Italian Catholic, and their union was an excess of God, guilt and sauce.

My mother, you see, is the great love of my life.

I took a straight picture that made me look like a thirty-year-old Italian who'd kill anybody who said something against his mother.

i hope you walk through the world knowing your value. I hope you find a passion--something you love, something that lights you up inside. I hope you find the peace and confidence it takes to trust where your path leads. Remember it is only yours. Others can wave and cheer, but no one can give you directions. They have not been where you are going. I hope you will understand someday that just because you become a mother doesn't mean you stop becoming a woman. And above all else, I hope you know that even if you can't see me, I am always with you.

She would have colored gracefully with embarrassment had she not possessed the complexion of one of those “heathen Italians,” as her mother said, who never colored, gracefully or otherwise. (Convincing her mother that Christianity had, to all intents and purposes, originated with the Italians, thus making them the exact opposite of heathen, was a waste of time and breath.)

I hope you’ll understand someday that just because you become a mother doesn’t mean you stop being a woman.

Maybe it's just not the right time for us to be married. I don't want to be a bounty hunter for the rest of my life, but I certainly don't want to be a housewife right now. And I really don't want to be married to someone who gives me ultimatums. And maybe Joe needs to examine what he wants from a wife. He was raised in a traditional Italian household with a stay-at-home mother and domineering father. If he wants a wife who will fit into that mold, I'm not for him. I might be a stay-at-home mother someday, but I'll always be trying to fly off the garage roof. That's just who I am.

I mention all this to all of you for a reason. I want to make sure all of you—especially the more wimpy, compliant, and fuddle-brained of your lot—get the message here: DON’T LET THE BASTARDS WEAR YOU DOWN

Nick spoke again. "Her legitimacy will be questioned." Gabriel thought for several moments. "If our mother married her father, it means that the marchioness must have converted to Catholicism upon arriving in Italy. The Catholic Church would never have acknowledged her marriage in the Church of England." "Ah, so it is we who are illegitimate." Nick's words were punctuated with a wry smile. "To Italians, at least," Gabriel said. "Luckily, we are English." "Excellent. That works out well for us.

And all those boys of Europe born in those times, and thereabouts those times, Russian, French, Belgian, Serbian, Irish, English, Scottish, Welsh, Italian, Prussian, German, Austrian, Turkish – and Canadian, Australian, American, Zulu, Gurkha, Cossack, and all the rest – their fate was written in a ferocious chapter in the book of life, certainly. Those millions of mothers and their million gallons of mother’s milk, millions of instances of small talk and baby talk, beatings and kisses, ganseys and shoes, piled up in history in great ruined heaps, with a loud and broken music, human stories told for nothing, for ashes, for death’s amusement, flung on the mighty scrapheap of souls, all those million boys in all their humours to be milled by the millstones of a coming war.

Even his highly emotional Italian mother didn't believe that true love could blossom overnight. Like his brothers and sisters-in-law, she wanted nothing more for him than to marry and start a family, but if he showed up at her doorstep and said that he'd met someone two days ago and knew she was the one for him, his mother would smack him with a broom, curse in Italian, and drag him to church, sure that he had some serious sins that needed confessing.

I like how you call homosexuality an abomination." "I don't say homosexuality's an abomination, Mr. President, the bible does." "Yes it does. Leviticus-" "18:22" "Chapter in verse. I wanted to ask you a couple questions while I had you here. I'm interested in selling my youngest daughter into slavery as sanctioned in exodus 21:7. She's a Georgetown sophomore, speaks fluent Italian, always cleared the table when it was her turn. What would a good price for her be? While thinking about that can I ask another? My chief of staff, Leo Mcgary,insists on working on the sabbath. Exodus 35:2 clearly says he should be put to death. Am I morally obligated to kill him myself or is it ok to call the police? Here's one that's really important, cause we've got a lot of sports fans in this town. Touching the skin of a dead pig makes one unclean, Leviticus 11:7. If they promise to wear gloves, can the Washington Red Skins still play football? Can Notre Dame? Can West Point? does the whole town really have to be together to stone my brother John for planting different crops side by side? Can I burn my mother in a small family gathering for wearing garments made from two different threads?

A (wo)men travels the world over in search of wht (s)he needs and returns home to find it

Old Spice           Every Sunday afternoon he dresses in his old army uniform, tells you the name of every man he killed. His knuckles are unmarked graves.   Visit him on a Tuesday and he will describe the body of every woman he could not save. He’ll say she looked like your mother and you will feel a storm in your stomach.   Your grandfather is from another generation– Russian degrees and a school yard Cuban national anthem, communism and religion. Only music makes him cry now.   He married his first love, her with the long curls down to the small of her back. Sometimes he would pull her to him, those curls wrapped around his hand like rope.   He lives alone now. Frail, a living memory reclining in a seat, the room orbiting around him. You visit him but never have anything to say. When he was your age he was a man. You retreat into yourself whenever he says your name.   Your mother’s father, “the almost martyr, can load a gun under water in under four seconds.   Even his wedding night was a battlefield. A Swiss knife, his young bride, his sobs as he held Italian linen between her legs.   His face is a photograph left out in the sun, the henna of his beard, the silver of his eyebrows the wilted handkerchief, the kufi and the cane.   Your grandfather is dying. He begs you Take me home yaqay, I just want to see it one last time; you don’t know how to tell him that it won’t be anything like the way he left it.

When the Italian poet Dante described the center of hell in his poem The Divine Comedy, he got it wrong. The epicenter of Hades isn't Satan trapped in a block of ice munching on Judas Iscariot like an everlasting carrot stick. The center of hell is a restaurant on Mother's Day.

She can speak German, Italian, Spanish, Swiss, but French is different, French is bread baking in her mother’s oven, French is her father’s hands carving wood, French is Estele murmuring to her garden.

For instance, if you woke up in the middle of the night and saw a masked woman trying to crawl through your bedroom window, you might call your mother or father to help you push her back out. If you found yourself hopelessly lost in the middle of a strange city, you might ask the police to give you a ride home. And if you were an author locked in an Italian restaurant that was slowly filling up with water, you might call upon your acquaintances in the locksmith, pasta, and sponge business to come and rescue you.

The Big Snooze is like an overprotective Italian mother who not only doesn’t want you to ever go outside, but who wants you to live with her forever. Her intentions are good, but fully fear-based. As long as you stay inside the familiar, risk-free zone of your present reality, the Big Snooze is content, but should you try and sneak past her to attend the rockin’ party outside, your overprotective, controlling mother is going to claw, scratch, scream, bite, hurl her body in front of your rapidly approaching new life—basically she’s going to do whatever she can to stop you. And it ain’t gonna be pretty.

Your behavior inside your home is the real indicator of your character. Not in the workplace, not in school. Sure, it's nice to look good when you leave your home, and make a bella figure. But in terms of your identity, the most important thing is who you are with your parents, with your children, with your cousins. Th most important thing is how you behave with he people who really matter.

Abeh would always protest, and quote the Quran: "Paradise is at the feet of your mother!" But when we looked down at them, our mother's bare feet were cracked from washing the floor every day, and Abeh's were clad in expensive Italian leather shoes.

President Josiah Bartlet: Good. I like your show. I like how you call homosexuality an abomination. Dr. Jenna Jacobs: I don't say homosexuality is an abomination, Mr. President. The Bible does. President Josiah Bartlet: Yes, it does. Leviticus. Dr. Jenna Jacobs: 18:22. President Josiah Bartlet: Chapter and verse. I wanted to ask you a couple of questions while I had you here. I'm interested in selling my youngest daughter into slavery as sanctioned in Exodus 21:7. She's a Georgetown sophomore, speaks fluent Italian, always cleared the table when it was her turn. What would a good price for her be? While thinking about that, can I ask another? My Chief of Staff Leo McGarry insists on working on the Sabbath. Exodus 35:2 clearly says he should be put to death. Am I morally obligated to kill him myself, or is it okay to call the police? Here's one that's really important 'cause we've got a lot of sports fans in this town: Touching the skin of a dead pig makes one unclean. Leviticus 11:7. If they promise to wear gloves, can the Washington Redskins still play football? Can Notre Dame? Can West Point? Does the whole town really have to be together to stone my brother John for planting different crops side by side? Can I burn my mother in a small family gathering for wearing garments made from two different threads? Think about those questions, would you? One last thing: While you may be mistaking this for your monthly meeting of the Ignorant Tight-Ass Club, in this building, when the President stands, nobody sits.

My mother, you see, is the great love of my life. She is the great love of my life, and I have lost her.

The Italians even have a word for the mark left on a table by a moist glass (culacino) while the Gaelic speakers of Scotland, not to be outdone, have a word for the itchiness that overcomes the upper lip just before taking a sip of whiskey. (Wouldn’t they just?) It’s sgriob.

My mother was the first person you called for a recipe (a cup of onions, garlic, don’t forget the pinch of sugar) and the last one you called at night when you just couldn’t sleep (a cup of hot water with lemon, lavender oil, magnesium pills). She knew the exact ratio of olive oil to garlic in any recipe, and she could whip up dinner from three pantry items, easy. She had all the answers. I, on the other hand, have none of them, and now I no longer have her.

If you are like most people, you have an assortment of friends and family you can call upon in times of trouble. For instance, if you woke up in the middle of the night and saw a masked woman trying to crawl through your bedroom window, you might call your mother or father to help you push her back out. If you found yourself hopelessly lost in the middle of a strange city, you might ask the police to give you a ride home. And if you were an author locked in an Italian restaurant that was slowly filling up with water, you might call upon your acquaintances in the locksmith, pasta, and sponge business to come and rescue you.

She can speak German, Italian, Spanish, but French is different, French is bread baking in her mother’s oven, French is her father’s hands carving wood, French is Estele murmuring to her garden. French is coming home.

She had had such an unhappy childhood and she had only to picture some poor child suffering in a similar way for her heart to sink. Of course, she knew that she would never punish her child for poor academic performance. She would not comment on her child’s lack of good looks either. Nor would she ever tell her son or daughter as her mother had once told her that she was only staying in a bad, destructive relationship for their sake.

Looking back, I wonder why a gangster movie kidnapped my life. The Godfather had nothing to do with me. I was a feminist, not Italian, and I went to school at Montana State. I had never set foot in New York, thought ravioli came only in a can, and wasn't blind to the fact that all the women in the film were either virgins, mothers, whores, or Diane Keaton.

You said,' Camille protested, 'that when you wanted to get on terms with Gabrielle you cultivated her mother. It's true, everybody saw you doing it, boasting in Italian and rolling your eyes and doing your tempestuous southerner impersonation.

Danny was a matador. Other cast members included a chubby Italian chef, a mime, and, for some reason, a mummy. I found that offensive on behalf of living Egyptian people, but I also knew that Parker McHune’s mother couldn’t sew, so wrapping her son in Ace bandages was the best she could do.

You must be the Italian cow now sharing my last name." He looked her up and down with disgust. As I stood, Mel glared, telling me to back the fuck down or else. She moved from behind the desk and stood directly in front of his face, causing his bodyguards to step forward as well. "Old man, you're in my house. That makes you a fucking guest. I don't owe you shit and you will respect me if you want my respect. My name is Melody. Mrs. Callahan if it suits you, but..." She leaned in until their noses were almost touching. She was shorter, but the black heels helped. "If you even call me a cow again I will kill you painfully slow. I don't care how many motherfucking body guards you have." Two of his bodyguards drew their guns and the last had a knife hidden in his sleeve. Shit. I thought as she pulled her gun. Declan and Neal were already backing her up. My father just rolled his eyes and took my mother into the corner, all while drinking his brandy. This was ridiculous. "Lower your weapons," Grandfather said as he glared into her eyes. "The Italian cow..." The moment he said it, three bullets went flying into them. One in the chest, one in the wrist and the other the knee; they all went down like cards. You don't out gun Mel. "What the fuck? Where did she pull the gun out from?" Neal whispered. "I swear, she's a motherfucking ninja.

By Franklin Roosevelt's time Hilda Dietrich was forty, a housewife and mother, married to the Reverend Herman Dietrich, pastor of the Lutheran church. Like her husband, who said as much from his pulpit, Mrs Dietrich was fully persuaded that Italians were creatures with African blood, that all Italians carried knives, and that the country was in the clutches of the Mafia. It was no extremist theory. A lot of worried people believed it, particularly Italian-Americans.

    Breakfast was ready. He could hear his father asking for coffee. Why did his father have to yell all the time? Couldn't he talk in a low voice? Everybody in the neighborhood knew everything that went on in their house on account of his father constantly shouting. The Moreys next door — you never heard a peep out of them, never; quiet American people. But his father wasn't satisfied with being an Italian, he had to be a noisy Italian.     'Arturo,' his mother called. 'Breakfast.'     As if he didn't know breakfast was ready! As if everybody in Colorado didn't know by this time that the Bandini family was having breakfast!

On Final Twist, five college friends take a sixth to an expensive Italian restaurant, supposedly to introduce him to a hot girl, actually to break the news that his mother is dead. This is the InitialTwist. During dessert they are told that, in fact, all of their mothers are dead. This is the SecondTwist. The ThirdTwist is, not only are all their mothers dead, the show paid to have them killed, and the fourth and FinalTwist is, the kids have just eaten their own grilled mothers.

Caleb came to his mother's side and helped her to her feet. "Besides, if you rest, then I am free to make love to Jacqueline." "Caleb!" Jacqueline had been worried she would say the wrong thing. Instead, Caleb had put his foot in it. But obviously all the cliches she'd ever heard about Italian sons were true. He really could do no wrong, for Mrs. D'Angelo shook her finger at him--but she said indulgently, "You are incorrigible." "Ma, I'm just trying to get going on those grandchildren you want.

This is meant to be in praise of the interval called hangover, a sadness not co-terminous with hopelessness, and the North American doubling cascade that (keep going) “this diamond lake is a photo lab” and if predicates really do propel the plot then you might see Jerusalem in a soap bubble or the appliance failures on Olive Street across these great instances, because “the complex Italians versus the basic Italians” because what does a mirror look like (when it´s not working) but birds singing a full tone higher in the sunshine. I´m going to call them Honest Eyes until I know if they are, in the interval called slam clicker, Realm of Pacific, because the second language wouldn´t let me learn it because I have heard of you for a long time occasionally because diet cards may be the recovery evergreen and there is a new benzodiazepene called Distance, anti-showmanship, anti-showmanship, anti-showmanship. I suppose a broken window is not symbolic unless symbolic means broken, which I think it sorta does, and when the phone jangles what´s more radical, the snow or the tires, and what does the Bible say about metal fatigue and why do mothers carry big scratched-up sunglasses in their purses. Hello to the era of going to the store to buy more ice because we are running out. Hello to feelings that arrive unintroduced. Hello to the nonfunctional sprig of parsley and the game of finding meaning in coincidence. Because there is a second mind in the margins of the used book because Judas Priest (source: Firestone Library) sang a song called Stained Class, because this world is 66% Then and 33% Now, and if you wake up thinking “feeling is a skill now” or “even this glass of water seems complicated now” and a phrase from a men´s magazine (like single-district cognac) rings and rings in your neck, then let the consequent misunderstandings (let the changer love the changed) wobble on heartbreakingly nu legs into this street-legal nonfiction, into this good world, this warm place that I love with all my heart, anti-showmanship, anti-showmanship, anti-showmanship.

A good mother is worth a hundred teachers. —Italian proverb Thanksgiving

En bon Italien, Guccio pensa que la chose serait plaisante de séduire à la fois et la fille et la mère.

My mother, you see, is the great love of my life, She is the great love of my life, and I have lost her.

I was lucky. I didn’t have a mother who longed for her youth. At least, I never thought I did. She embraced aging.

Actually, all four of the Malone brothers were Afro-Latino gods with deeper pockets than the Wildes. Any time one of them spoke in their mother’s native Italian, women went soft in the knees.

My darling Katy, my baby girl—Italy is so beautiful. It reminds me of you. How happy everyone is in the morning, how the stars come out at night. I know I am not there, and I hope someday to explain to you why. I hope so many things for you, baby girl. I hope you walk through the world knowing your value. I hope you find a passion—something you love, something that lights you up inside. I hope you find the peace and confidence it takes to trust where your path leads. Remember, it is only yours. Others can wave and cheer, but no one can give you directions. They have not been where you are going. I hope you’ll understand someday that just because you become a mother doesn’t mean you stop being a woman. And above all else, I hope you know that even if you can’t see me, I am always with you.

mother after the Greek kids’ parties because they served Italian rum cake. Covered in slivered almonds and soaked in booze, Italian rum cake is everything kids hate about everything. No one even ate it.

think about the death of her own mother—so young, far younger than me—and her warm but removed father. Who taught her how to love? Who taught her how to be the woman she became, the woman she is here today?

The father continued solemnly with his head lowered. “When you talk to the man upstairs,” he said, “I want you to tell Him something for me. Tell Him it ain’t right for people to die when they’re young. I mean it. Tell Him if they got to die at all, they got to die when they’re old. I want you to tell Him that. I don’t think He knows it ain’t right, because He’s supposed to be good and it’s been going on for a long, long time. Okay?” “And don’t let anybody up there push you around,” the brother advised. “You’ll be just as good as anybody else in heaven, even though you are Italian.” “Dress warm,” said the mother, who seemed to know.

Tonight, no one will rage and cry: "My Kingdom for a horse!" No ghost will come to haunt the battlements of a castle in the kingdom of Denmark where, apparently something is rotten. Nor will anyone wring her hands and murmur: "Leave, I do not despise you." Three still young women will not retreat to a dacha whispering the name of Moscow, their beloved, their lost hope. No sister will await the return of her brother to avenge the death of their father, no son will be forced to avenge an affront to his father, no mother will kill her three children to take revenge on their father. And no husband will see his doll-like wife leave him out of contempt. No one will turn into a rhinoceros. Maids will not plot to assassinate their mistress, after denouncing her lover and having him jailed. No one will fret about "the rain in Spain!" No one will emerge from a garbage pail to tell an absurd story. Italian families will not leave for the seashore. No soldier will return from World War II and bang on his father's bedroom dor protesting the presence of a new wife in his mother's bed. No evanescent blode will drown. No Spanish nobleman will seduce a thousand and three women, nor will an entire family of Spanish women writhe beneath the heel of the fierce Bernarda Alba. You won't see a brute of a man rip his sweat-drenched T-shirt, shouting: "Stella! Stella!" and his sister-in-law will not be doomed the minute she steps off the streetcar named Desire. Nor will you see a stepmother pine away for her new husband's youngest son. The plague will not descend upon the city of Thebes, and the Trojan War will not take place. No king will be betrayed by his ungrateful daughters. There will be no duels, no poisonings, no wracking coughs. No one will die, or, if someone must die, it will become a comic scene. No, there will be none of the usual theatrics. What you will see tonight is a very simple woman, a woman who will simply talk...

For me to write, I need to work my way back out of one home, consider another, and find the no-man's-land in between. I need to go to one Andre, unwrite that Andre, choose the other Andre across the way, only then go looking for the middle Andre, whose voice will most likely approximate the voice of an Andre able to camouflage all telltale signs that English is not his mother tongue, but that neither is French, nor Italian, nor Arabic. Writing must almost have to fail - it must almost not succeed. If it goes well from the start, if I am in the groove, if I come home to writing, it's not the writing for me. I need to have lost the key and to find no replacement. Writing is not a homecoming. Writing is an alibi. Writing is a perpetual stammer of alibis.

How amazing my mother and father were! All those years, all their bullying doubts, all in the paltry hope that strangers might someday stand before their work and look, probably no longer than a few seconds. That’s all they were fighting for. What driven lives!

But Little Grandmother did not keep in touch with her namesake, my mother, Margaret Morris. News about Will Morris's younger daughter reached the "white" side through Mamie. They knew where she was, what she was doing, and who she was doing it with. Most important, they knew she had chosen to stay negro. It is still a matter of speculation as to why my mother's father or one of her much older brothers or her sister did not keep in touch with her and her younger brother. Over the years, Aunt Mamie and my mother's various guardians supplied different explanations. The times were hard. They were bad for mulattoes and worse for "real" Negroes. There was little money around. Her father drank, drifted and could not keep jobs. Her teenage siblings could barely keep jobs ...... She was too dark, revealing both the Negro and swarthy Italian strains of her ancestry. Her color would give them away in their new white settings. All of these reasons were plausible. None of them sufficed. None could take away the pain, the anger, the isolation, the questions.

If we think of eroticism not as sex per se, but as a vibrant, creative energy, it’s easy to see that Stephanie’s erotic pulse is alive and well. But her eroticism no longer revolves around her husband. Instead, it’s been channeled to her children. There are regular playdates for Jake but only three dates a year for Stephanie and Warren: two birthdays, hers and his, and one anniversary. There is the latest in kids’ fashion for Sophia, but only college sweats for Stephanie. They rent twenty G-rated movies for every R-rated movie. There are languorous hugs for the kids while the grown-ups must survive on a diet of quick pecks. This brings me to another point. Stephanie gets tremendous physical pleasure from her children. Let me be perfectly clear here: she knows the difference between adult sexuality and the sensuousness of caring for small children. She, like most mothers, would never dream of seeking sexual gratification from her children. But, in a sense, a certain replacement has occurred. The sensuality that women experience with their children is, in some ways, much more in keeping with female sexuality in general. For women, much more than for men, sexuality exists along what the Italian historian Francesco Alberoni calls a “principle of continuity.” Female eroticism is diffuse, not localized in the genitals but distributed throughout the body, mind, and senses. It is tactile and auditory, linked to smell, skin, and contact; arousal is often more subjective than physical, and desire arises on a lattice of emotion. In the physicality between mother and child lie a multitude of sensuous experiences. We caress their silky skin, we kiss, we cradle, we rock. We nibble their toes, they touch our faces, we lick their fingers, let them bite us when they’re teething. We are captivated by them and can stare at them for hours. When they devour us with those big eyes, we are besotted, and so are they. This blissful fusion bears a striking resemblance to the physical connection between lovers. In fact, when Stephanie describes the early rapture of her relationship with Warren—lingering gazes, weekends in bed, baby talk, toe-nibbling—the echoes are unmistakable. When she says, “At the end of the day, I have nothing left to give,” I believe her. But I also have come to believe that at the end of the day, there may be nothing more she needs. All this play activity and intimate involvement with her children’s development, all this fleshy connection, has captured Stephanie’s erotic potency to the detriment of the couple’s intimacy and sexuality. This is eros redirected. Her sublimated energy is displaced onto the children, who become the centerpiece of her emotional gratification.

I took a deep breath and recalled every smell of my childhood: the cinnamon that dominated not only winter baking, but many of the tomato-based Italian dishes Mom loved; vanilla, always used as an undertone to her egg-based savories; and rosemary. When did she not use rosemary?

My tone must have seemed hostile, even though I wasn’t angry or offended; there was just a touch of sarcasm. He tried to respond but he did so in an awkward, muddled way, half in dialect, half in Italian. He said he was sure that his mother was wandering around Naples as usual.

Farfallina, bella e bianca, vola vola, mai si stanca, gira qua, e gira la- poi si resta sopra un fiore, e poi si resta sopra un fiore... Butterfly, beautiful and white, fly and fly, never get tired, turn here and turn there- she rests upon a flower... and she rests upon a flower.

Of course, if we all spoke a common language things might work more smoothly, but there would be far less scope for amusement. In an article in Gentleman’s Quarterly in 1987, Kenneth Turan described some of the misunderstandings that have occurred during the dubbing or subtitling of American movies in Europe. In one movie where a policeman tells a motorist to pull over, the Italian translator has him asking for a sweater (i.e., a pullover). In another where a character asks if he can bring a date to the funeral, the Spanish subtitle has him asking if he can bring a fig to the funeral.

What’s your name, darling?” “Judyta,” says Judy. Not Investigator Luptack. Not Judy. Not Joo-DEE-tah, as most Americans say when forced to pronounce her given name. Instead she pronounces it just as her mother does—Yoo-DIT-ah—and the Italian woman sighs, as if hearing a poem, and tells her it’s beautiful.

Most people didn’t know that his mother was black. She died when he was three, and his Italian father raised him. He didn’t hold that up as some kind of “get in free” card. The reality was, his entire life he walked a tightrope between his two realities. More often than not he took the road of least resistance—his white privilege.

Will gritted his teeth as Will Junior and Nellie continued their debate. He loved his son, but he found him--and many members of his generation--ruthless in their pursuit of money and standing and harsh toward the less fortunate. He had reminded him on many occasions that both the McClanes and their mother's family--the Van der leydens--had at one time been immigrants. As had members of all the city's wealthy families. But Will's lectures made no difference to his son. He was an American. And those getting off the boat at Castle Garden were not. Italian, Irish, Chinese, Polish--nationality made no difference. They were lazy, stupid, and dirty. Their numbers spelled ruin for the country.

Her papa called her 'chiacchere' because he said she chattered away all day, just like a magpie. He had all sorts of funny names for her: 'fiorellina', my little flower; 'abelie', which meant honeysuckle; and 'topolina', my sweet little mouse. Margherita's mother only called her 'piccolina', my little one, or 'mia cara Margherita,' my darling daisy.

Margherita was not allowed to play in the 'portego,' for one never knew when a customer would come, and the room must always be clean and tidy and respectable. It was only ever used by the family on special occasions, and so Margherita's eyes widened when she saw that her mother had spread the table with a spotless white cloth and the best pewter bowls and mugs. A small bunch of 'margherita' daisies was in a fat blue jug, and three sweet oranges sat in an earthenware bowl. Coarse brown bread stood ready on a wooden board, next to a bowl of soft white cheese floating in golden oil and thyme sprigs. Soup made with fish and clams and fennel and scattered with sprigs of fresh parsley steamed in a big clay pot.

She was the world's best cook. Every night, she used to sing "Funiculi" while she fixed supper- puttanesca sauce, homemade bread, pasta she made every Wednesday. Rosa had loved nothing better than working side by side with her in the bright scrubbed kitchen in the house on Prospect Street, turning out fresh pasta, baking a calzone on a winter afternoon, adding a pinch of basil or fennel to the sauce. Most of all, Rosa could picture, like an inedible snapshot in her mind, Mamma standing at the sink and looking out the window, a soft, slightly mysterious smile on her face. Herr "Mona Lisa smile," Pop used to call it. Rosa didn't know about that. She had seen a postcard of the Mona Lisa and thought Mamma was way prettier.

At the turn of the century, New York had more speakers of German than anywhere in the world except Vienna and Berlin, more Irish than anywhere but Dublin, more Russians than in Kiev, more Italians than in Milan or Naples. In 1890 the United States had 800 German newspapers and as late as the outbreak of World War I Baltimore alone had four elementary schools teaching in German only.

cannot comprehend that if I call her phone, it will just ring and ring—that there is no longer anyone on the other end who will say, “Katy, honey. Just a second. My hands are wet.” I do not imagine ever coming to terms with the loss of her body—her warm, welcoming body. The place I always felt at home. My mother, you see, is the great love of my life. She is the great love of my life, and I have lost her.

A blast of heat hit his face. He flopped onto his cot, closed his eyes, and fell into an instant sleep. In the evening he went to the mess tent. He passed through the line and saw that dinner was the same as lunch—a tin of Italian beef his comrades called “Mussolini’s Ass.” Back home Franz had been picky and would tell his mother, “I’ll pass on anything that flies or swims.” Little did he know how he would come to regret those words.

We always ate with gusto...It would have offended the cook if we had nibbled or picked...Our mothers and zie [aunties] didn't inquire as to the states of our bellies; they just put the food on our plates. 'You only ask sick people if they're hungry,' my mother said. 'Everyone else must eat, eat!' But when Italians say 'Mangia! Mangia!' they're not just talking about food. They're trying to get you to stay with them, to sit by them at the table for as long as possible. The meals that my family ate together- the many courses, the time in between at the table or on the mountain by the sea, the hours spent talking loudly and passionately and unyieldingly and laughing hysterically the way Neapolitans do- were designed to prolong our time together; the food was, of course, meant to nourish us, but it was also meant to satisfy, in some deeper way, our endless hunger for one another.

It's pierogis. From Svichkar's. Probably cold. It seemed...Oh,crap. It was a really stupid thing to bring, wasn't it? My mother just has this thing about never arriving empty-handed." I tugged the bag out of his hands. "It's perfect. Merci beaucoup, Monsieur Bainbridge." "Je t'en prie, Mademoiselle Marino." Okay, so it's just the semiformal way to say "You're welcome" in French, but anyone who says Italian is the language of romance is probably Italian.

MAIN CHARACTERS Cesare Borgia (c. 1475–1507). Italian warrior, illegitimate son of Pope Alexander VI, subject of Machiavelli’s The Prince, Leonardo employer. Donato Bramante (1444–1514). Architect, friend of Leonardo in Milan, worked on Milan Cathedral, Pavia Cathedral, and St. Peter’s in the Vatican. Caterina Lippi (c. 1436–1493). Orphaned peasant girl from near Vinci, mother of Leonardo; later married Antonio di Piero del Vaccha, known as Accattabriga. Charles d’Amboise (1473–1511). French governor of Milan from 1503 to 1511, Leonardo patron.

Her mother has been going on and on to them (well, to George, because Henry is on a computer game) about fresco structure, about how when some frescoes in a different Italian city were damaged in the 1960s in bad flooding and the authorities and restorers removed them to mend them as best they could, they found, underneath them, the underdrawing their artists had made for them, and sometimes the underdrawings were significantly different from their surfaces, which is something they’d never have discovered if there hadn’t been the damage in the first place.

The Mercy The ship that took my mother to Ellis Island eighty-three years ago was named "The Mercy." She remembers trying to eat a banana without first peeling it and seeing her first orange in the hands of a young Scot, a seaman who gave her a bite and wiped her mouth for her with a red bandana and taught her the word, "orange," saying it patiently over and over. A long autumn voyage, the days darkening with the black waters calming as night came on, then nothing as far as her eyes could see and space without limit rushing off to the corners of creation. She prayed in Russian and Yiddish to find her family in New York, prayers unheard or misunderstood or perhaps ignored by all the powers that swept the waves of darkness before she woke, that kept "The Mercy" afloat while smallpox raged among the passengers and crew until the dead were buried at sea with strange prayers in a tongue she could not fathom. "The Mercy," I read on the yellowing pages of a book I located in a windowless room of the library on 42nd Street, sat thirty-one days offshore in quarantine before the passengers disembarked. There a story ends. Other ships arrived, "Tancred" out of Glasgow, "The Neptune" registered as Danish, "Umberto IV," the list goes on for pages, November gives way to winter, the sea pounds this alien shore. Italian miners from Piemonte dig under towns in western Pennsylvania only to rediscover the same nightmare they left at home. A nine-year-old girl travels all night by train with one suitcase and an orange. She learns that mercy is something you can eat again and again while the juice spills over your chin, you can wipe it away with the back of your hands and you can never get enough.

It is often said that what most immediately sets English apart from other languages is the richness of its vocabulary. Webster’s Third New International Dictionary lists 450,000 words, and the revised Oxford English Dictionary has 615,000, but that is only part of the total. Technical and scientific terms would add millions more. Altogether, about 200,000 English words are in common use, more than in German (184,000) and far more than in French (a mere 100,000). The richness of the English vocabulary, and the wealth of available synonyms, means that English speakers can often draw shades of distinction unavailable to non-English speakers. The French, for instance, cannot distinguish between house and home, between mind and brain, between man and gentleman, between “I wrote” and “I have written.” The Spanish cannot differentiate a chairman from a president, and the Italians have no equivalent of wishful thinking. In Russia there are no native words for efficiency, challenge, engagement ring, have fun, or take care [all cited in The New York Times, June 18, 1989]. English, as Charlton Laird has noted, is the only language that has, or needs, books of synonyms like Roget’s Thesaurus. “Most speakers of other languages are not aware that such books exist” [The Miracle of Language, page 54]. On the other hand, other languages have facilities we lack. Both French and German can distinguish between knowledge that results from recognition (respectively connaître and kennen) and knowledge that results from understanding (savoir and wissen). Portuguese has words that differentiate between an interior angle and an exterior one. All the Romance languages can distinguish between something that leaks into and something that leaks out of. The Italians even have a word for the mark left on a table by a moist glass (culacino) while the Gaelic speakers of Scotland, not to be outdone, have a word for the itchiness that overcomes the upper lip just before taking a sip of whiskey. (Wouldn’t they just?) It’s sgriob. And we have nothing in English to match the Danish hygge (meaning “instantly satisfying and cozy”), the French sang-froid, the Russian glasnost, or the Spanish macho, so we must borrow the term from them or do without the sentiment. At the same time, some languages have words that we may be pleased to do without. The existence in German of a word like schadenfreude (taking delight in the misfortune of others) perhaps tells us as much about Teutonic sensitivity as it does about their neologistic versatility. Much the same could be said about the curious and monumentally unpronounceable Highland Scottish word sgiomlaireachd, which means “the habit of dropping in at mealtimes.” That surely conveys a world of information about the hazards of Highland life—not to mention the hazards of Highland orthography. Of

She moved back in with us three months after coming back. And every day, I waited for her to leave again. I knew she would. I knew it in the core of my soul. And the, one day, she did. But not the way I thought. She died. A massive heart attack at the age of forty-nine. And for the second time in my life, I'd been left by mu mother. But this time, it was for good. And it wasn't her fault, which was the hardest part of it to wrap my mind around. I couldn't hate her for leaving this time. But I could hate myself a little for failing to let her back in when I still had the chance.

Grass Fires" No ease for the boy at his keyhole, his telescope, when the women's white bodies flashed in the bathroom. Young, my eyes began to fail. In the grandiloquent lettering on Mother's coffin Lowell had been misspelled LOVEL The corpse was wrapped like panetone in Italian tinfoil Father's death was abrupt and unprotesting. His vision was still twenty-twenty. After a morning of anxious, repetitive smiling, his last words to Mother were: "I feel awful." He smiled his oval Lowell smile.... It has taken me the time since you died to discover you are as human as I am... If I am.

Once there was and once there was not a devout, God-fearing man who lived his entire life according to stoic principles. He died on his fortieth birthday and woke up floating in nothing. Now, mind you, floating in nothing was comforting, light-less, airless, like a mother’s womb. This man was grateful. But then he decided he would love to have sturdy ground beneath his feet, so he would feel more solid himself. Lo and behold, he was standing on earth. He knew it to be earth, for he knew the feel of it. Yet he wanted to see. I desire light, he thought, and light appeared. I want sunlight, not any light, and at night it shall be moonlight. His desires were granted. Let there be grass. I love the feel of grass beneath my feet. And so it was. I no longer wish to be naked. Only robes of the finest silk must touch my skin. And shelter, I need a grand palace whose entrance has double-sided stairs, and the floors must be marble and the carpets Persian. And food, the finest of food. His breakfast was English; his midmorning snack French. His lunch was Chinese. His afternoon tea was Indian. His supper was Italian, and his late-night snack was Lebanese. Libation? He had the best of wines, of course, and champagne. And company, the finest of company. He demanded poets and writers, thinkers and philosophers, hakawatis and musicians, fools and clowns. And then he desired sex. He asked for light-skinned women and dark-skinned, blondes and brunettes, Chinese, South Asian, African, Scandinavian. He asked for them singly and two at a time, and in the evenings he had orgies. He asked for younger girls, after which he asked for older women, just to try. The he tried men, muscular men, skinny men. Then boys. Then boys and girls together. Then he got bored. He tried sex with food. Boys with Chinese, girls with Indian. Redheads with ice cream. Then he tried sex with company. He fucked the poet. Everybody fucked the poet. But again he got bored. The days were endless. Coming up with new ideas became tiring and tiresome. Every desire he could ever think of was satisfied. He had had enough. He walked out of his house, looked up at the glorious sky, and said, “Dear God. I thank You for Your abundance, but I cannot stand it here anymore. I would rather be anywhere else. I would rather be in hell.” And the booming voice from above replied, “And where do you think you are?

Subject: Some boat Alex, I know Fox Mulder. My mom watched The X-Files. She says it was because she liked the creepy store lines. I think she liked David Duchovny. She tried Californication, but I don't think her heart was in it. I think she was just sticking it to my grandmother, who has decided it's the work of the devil. She says that about most current music,too, but God help anyone who gets between her and American Idol. The fuzzy whale was very nice, it a little hard to identify. The profile of the guy between you and the whale in the third pic was very familiar, if a little fuzzy. I won't ask. No,no. I have to ask. I won't ask. My mother loves his wife's suits. I Googled. There are sharks off the coast of the Vineyard. Great big white ones. I believe you about the turtle. Did I mention that there are sharks there? I go to Surf City for a week every summer with my cousins. I eat too much ice cream. I play miniature golf-badly. I don't complain about sand in my hot dog buns or sheets. I even spend enough time on the beach to get sand in more uncomfortable places. I do not swim. I mean, I could if I wanted to but I figure that if we were meant to share the water with sharks, we would have a few extra rows of teeth, too. I'll save you some cannoli. -Ella Subject: Shh Fiorella, Yes,Fiorella. I looked it up. It means Flower. Which, when paired with MArino, means Flower of the Sea. What shark would dare to touch you? I won't touch the uncomfortable sand mention, hard as it is to resist. I also will not think of you in a bikini (Note to self: Do not think of Ella in a bikini under any circumstanes. Note from self: Are you f-ing kidding me?). Okay. Two pieces of info for you. One: Our host has an excellent wine cellar and my mother is European. Meaning she doesn't begrudge me the occasional glass. Or four. Two: Our hostess says to thank yur mother very much. Most people say nasty things about her suits. Three: We have a house kinda near Surf City. Maybe I'll be there when your there. You'd better burn this after reading. -Alexai Subect: Happy Thanksgiving Alexei, Consider it burned. Don't worry. I'm not showing your e-mails to anybody. Matter of national security, of course. Well,I got to sit at the adult table. In between my great-great-aunt Jo, who is ninety-three and deaf, and her daughter, JoJo, who had to repeat everyone's conversations across me. Loudly. The food was great,even my uncle Ricky's cranberry lasagna. In fact, it would have been a perfectly good TG if the Eagles han't been playing the Jets.My cousin Joey (other side of the family) lives in Hoboken. His sister married a Philly guy. It started out as a lively across-the-table debate: Jets v. Iggles. It ended up with Joey flinging himself across the table at his brother-in-law and my grandmother saying loud prayers to Saint Bridget. At least I think it was Saint Bridget. Hard to tell. She was speaking Italian. She caught me trying to freeze a half-dozen cannoli. She yelled at me. Apparently, the shells get really soggy when they defrost. I guess you'll have to come have a fresh one when you get back. -F/E

In the scrubbed and gleaming kitchen, here mother's rolled-out pasta dough used to cover the entire top of the chrome and Formica table. Rosa could still picture the long sleek muscles in her mother's arms as she wielded the red-handled rolling pin, drawing it in smooth, rhythmic strokes over the butter-yellow dough. The reek of the burnt-out motor was a corruption here, in Mamma's world. The smell of her baking ciambellone used to be so powerful it drew the neighbors in, and Rosa could remember the women in their aprons and scuffs, sitting on the back stoop, sharing coffee and Mamma's citrusy ciambellone, fresh from the oven.

On the labour front in 1919 there was an unprecedented number of strikes involving many millions of workers. One of the lager strikes was mounted by the AF of L against the United States Steel Corporation. At that time workers in the steel industry put in an average sixty-eight-hour week for bare subsistence wages. The strike spread to other plants, resulting in considerable violence -- the death of eighteen striking workers, the calling out of troops to disperse picket lines, and so forth. By branding the strikers Bolsheviks and thereby separating them from their public support, the Corporation broke the strike. In Boston, the Police Department went on strike and governor Calvin Coolidge replaced them. In Seattle there was a general strike which precipitated a nationwide 'red scare'. this was the first red scare. Sixteen bombs were found in the New York Post Office just before May Day. The bombs were addressed to men prominent in American life, including John D. Rockefeller and Attorney General Mitchell Palmer. It is not clear today who was responsible for those bombs -- Red terrorists, Black anarchists, or their enemies -- but the effect was the same. Other bombs pooped off all spring, damaging property, killing and maiming innocent people, and the nation responded with an alarm against Reds. It was feared that at in Russia, they were about to take over the country and shove large cocks into everyone's mother. Strike that. The Press exacerbated public feeling. May Day parades in the big cities were attacked by policemen, and soldiers and sailors. The American Legion, just founded, raided IWW headquarters in the State of Washington. Laws against seditious speech were passed in State Legislatures across the country and thousands of people were jailed, including a Socialist Congressman from Milwaukee who was sentenced to twenty years in prison. To say nothing of the Espionage and Sedition Acts of 1917 which took care of thousands more. To say nothing of Eugene V. Debs. On the evening of 2 January 1920, Attorney General Palmer, who had his eye on the White House, organized a Federal raid on Communist Party offices throughout the nation. With his right-hand assistant, J. Edgar Hoover, at his right hand, Palmer effected the arrest of over six thousand people, some Communist aliens, some just aliens, some just Communists, and some neither Communists nor aliens but persons visiting those who had been arrested. Property was confiscated, people chained together, handcuffed, and paraded through the streets (in Boston), or kept in corridors of Federal buildings for eight days without food or proper sanitation (in Detroit). Many historians have noted this phenomenon. The raids made an undoubted contribution to the wave of vigilantism winch broke over the country. The Ku Klux Klan blossomed throughout the South and West. There were night raidings, floggings, public hangings, and burnings. Over seventy Negroes were lynched in 1919, not a few of them war veterans. There were speeches against 'foreign ideologies' and much talk about 'one hundred per cent Americanism'. The teaching of evolution in the schools of Tennessee was outlawed. Elsewhere textbooks were repudiated that were not sufficiently patriotic. New immigration laws made racial distinctions and set stringent quotas. Jews were charged with international conspiracy and Catholics with trying to bring the Pope to America. The country would soon go dry, thus creating large-scale, organized crime in the US. The White Sox threw the Series to the Cincinnati Reds. And the stage was set for the trial of two Italian-born anarchists, N. Sacco and B. Vanzetti, for the alleged murder of a paymaster in South Braintree, Mass. The story of the trial is well known and often noted by historians and need not be recounted here. To nothing of World War II--

It is not that modern people are less intelligent than their grandparents: only that, being busier, they are less careful. They must learn to take short cuts, skimming through the columns of a newspaper, flicking over the pages of a book or magazine, deciding at each new paragraph or page whether to read it either attentively or cursorily, or whether to let it go unread. There is a running commentary in the mind. For example, in reading a Life of Napoleon: ‘page 9 … yes, he is still talking about Napoleon’s childhood and the romantic scenery of Corsica … something about James Boswell and Corsican independence … tradition of banditry … now back to the family origins again … wait a minute … no … his mother … more about her … yes … French Revolution … page 24, more about the French Revolution … still more … page 31, not interested … ah … Chapter 2, now he’s at the military school … I can begin here … but oughtn’t to waste time over this early part … in the artillery, was he? … but when do we get to the Italian campaign?’ And even when the reader does get to the Italian compaign and settles down comfortably to the story, he seldom reads a sentence through, word by word. Usually, he takes it in either with a single comprehensive glance as he would a stream or a field of cows that he was passing in the train, or with a series of glances, four or five words to a glance. And unless he has some special reason for studying the narrative closely, or is in an unusually industrious mood, he will not trouble about any tactical and geographical niceties of the campaign that are not presented with lively emphasis and perfect clarity. And, more serious still from the author’s point of view, he will not stop when the eye is checked by some obscurity or fancifulness of language, but will leave the point unresolved and pass on. If there are many such obstructions he will skim over them until his eye alights on a clear passage again.

It shouldn't be here. This sedge grass is decorative bullshit he imported from Northern Asia. The lab spent two years modifying it to slot into our ecosystem, all so that the mountain would literally smell of honey. Terra di latte e miele, she said, mockingly. Thank god my father went into business, not poetry. He's far too much of a romantic. I laughed, incredulous at this portrait of my stiff employer, and Aida reddened. It is romantic, if you think about it. He planted the grass for my mother. She's one of those Catholic Koreans, painfully devout. You know. The promised land, Canaan, found after forty years of wandering the desert. The land of milk and honey.

My mother was the first person you called for a recipe (a cup of onions, garlic, don’t forget the pinch of sugar) and the last one you called at night when you just couldn’t sleep (a cup of hot water with lemon, lavender oil, magnesium pills). She knew the exact ratio of olive oil to garlic in any recipe, and she could whip up dinner from three pantry items, easy. She had all the answers. I, on the other hand, have none of them, and now I no longer have her. “Hi,” I hear Eric say from inside. “Where is everyone?” Eric is my husband, and he is our last guest here today. He shouldn’t be. He should have been with us the entire time, in the hard, low chairs, stuck between noodle casseroles and the ringing phone and the endless lipstick kisses of neighbors and women who call themselves aunties, but instead he is here in the entryway to what is now my father’s house, waiting to be received. I close my eyes. Maybe if I cannot see him, he will stop looking for me. Maybe I will fold into this ostentatious May day, the sun shining like a woman talking loudly on a cell phone at lunch. Who invited you here? I tuck the cigarette into the pocket of my jeans. I cannot yet conceive of a world without her, what that will look like, who I am in her absence. I am incapable of understanding that she will not pick me up for lunch on Tuesdays, parking without a permit on the

There is something in the contemplation of the mode in which America has been settled, that, in a noble breast, should forever extinguish the prejudices of national dislikes. Settled by the people of all nations, all nations may claim her for their own. You can not spill a drop of American blood without spilling the blood of the whole world. Be he Englishman, Frenchman, German, Dane, or Scot; the European who scoffs at an American, calls his own brother Raca, and stands in danger of the judgment. We are not a narrow tribe of men, with a bigoted Hebrew nationality—whose blood has been debased in the attempt to ennoble it, by maintaining an exclusive succession among ourselves. No: our blood is as the flood of the Amazon, made up of a thousand noble currents all pouring into one. We are not a nation, so much as a world; for unless we may claim all the world for our sire, like Melchisedec, we are without father or mother. For who was our father and our mother? Or can we point to any Romulus and Remus for our founders? Our ancestry is lost in the universal paternity; and Caesar and Alfred, St. Paul and Luther, and Homer and Shakespeare are as much ours as Washington, who is as much the world's as our own. We are the heirs of all time, and with all nations we divide our inheritance. On this Western Hemisphere all tribes and people are forming into one federated whole; and there is a future which shall see the estranged children of Adam restored as to the old hearthstone in Eden. The other world beyond this, which was longed for by the devout before Columbus' time, was found in the New; and the deep-sea-lead, that first struck these soundings, brought up the soil of Earth's Paradise. Not a Paradise then, or now; but to be made so, at God's good pleasure, and in the fullness and mellowness of time. The seed is sown, and the harvest must come; and our children's children, on the world's jubilee morning, shall all go with their sickles to the reaping. Then shall the curse of Babel be revoked, a new Pentecost come, and the language they shall speak shall be the language of Britain. Frenchmen, and Danes, and Scots; and the dwellers on the shores of the Mediterranean, and in the regions round about; Italians, and Indians, and Moors; there shall appear unto them cloven tongues as of fire.

During the 1970s, one event dramatically changed Gucci’s ownership structure: Vasco died of lung cancer on May 31, 1974, at the age of sixty-seven. Under Italian inheritance law, his one-third stake in the company passed to his widow, Maria. They had no children. Aldo and Rodolfo proposed to pay her for the shares in order to keep the ownership of the company in the family, and to their relief, she agreed. Aldo and Rodolfo became the sole controlling shareholders of the Gucci empire, with 50 percent each—a shareholding ratio that would profoundly condition Gucci’s future. Rodolfo, still stubbornly pursuing his confrontation with Maurizio, refused to consider sharing company ownership with him, but Aldo felt it was time to bring his boys into the Gucci mother company.

At forty-two, I was still holding up pretty well, but my once effortlessly lean body now look as though it belonged in a Dove firming cream ad -- the one where they give women permission to have thighs. When I unbuttoned my jeans at night, I swore I heard the same sound that Pillsbury dough made when I twisted the cylindrical container. My hair was beginning to gray, and when I smiled, the parentheses around my mouth remained. My least favorite position in yoga class was the downward dog because, as I hung my head downward, I always felt the skin from my face was about to splatter against my mat like a pancake batter hitting the griddle. So being called the top model by a young Italian was a wonderful souvenir, though cheaper than the toys sold outside the Pantheon in Rome.

His antipasto was the classic Roman fritto misto---tiny morsels of mixed offal, including slivers of poached brains and liver, along with snails, artichokes, apples, pears, and bread dipped in milk, all deep-fried in a crisp egg-and-bread-crumb batter. This was to be followed by a primo of rigatoni alla pajata---pasta served with intestines from a baby calf so young that they were still full of its mother's milk, simmered with onions, white wine, tomatoes, cloves, and garlic. For the secondo they would be having milza in umido--- a stewed lamb's spleen, cooked with sage, anchovies, and pepper. A bitter salad of puntarelle al' acciuga---chicory sprouts with anchovy---would cleanse the palate, to be followed by a simple dolce of fragole in aceto, gorella strawberries in vinegar.

Down every aisle a single thought follows me like a shadow: Brand Italy is strong. When it comes to cultural currency, there is no brand more valuable than this one. From lipstick-red sports cars to svelte runway figures to enigmatic opera singers, Italian culture means something to everyone in the world. But nowhere does the name Italy mean more than in and around the kitchen. Peruse a pantry in London, Osaka, or Kalamazoo, and you're likely to find it spilling over with the fruits of this country: dried pasta, San Marzano tomatoes, olive oil, balsamic vinegar, jars of pesto, Nutella. Tucked into the northwest corner of Italy, sharing a border with France and Switzerland, Piedmont may be as far from the country's political and geographical center as possible, but it is ground zero for Brand Italy. This is the land of Slow Food. Of white truffles. Barolo. Vermouth. Campari. Breadsticks. Nutella. Fittingly, it's also the home of Eataly, the supermarket juggernaut delivering a taste of the entire country to domestic and international shoppers alike. This is the Eataly mother ship, the first and most symbolically important store for a company with plans for covering the globe in peppery Umbrian oil, and shavings of Parmigiano-Reggiano Vacche Rosse. We start with the essentials: bottle opener, mini wooden cutting board, hard-plastic wineglasses. From there, we move on to more exciting terrain: a wild-boar sausage from Tuscany. A semiaged goat's-milk cheese from Molise. A tray of lacy, pistachio-pocked mortadella. Some soft, spicy spreadable 'nduja from Calabria. A jar of gianduja, the hazelnut-chocolate spread that inspired Nutella- just in case we have any sudden blood sugar crashes on the trail.

I want to live in America!' This was met with protests. 'Will you leave us all behind?' asked his mother. 'I want you to come too.' Said Luke. But nobody wanted to go. 'America is a fine country, no question.' Said Monsieur Gascon expansively. 'They have everything there, big cities, not like Paris of course, but great lakes and mountains and prairies as far as the eye can see. If your own country is not so good, if you're English or German or Italian, unless you're rich, milor, it's probably better in America. But in France, we have everything. We have mountains, the Alps and the Pyrénées. We have great rivers like the Seine and the Rhone. We have huge farmlands and forests. We have cities and cathedrals, and Roman ruins in the south. We have every kind of climate. We have the greatest wines in the world and we have 300 cheeses. What more do you want?

Antigone," he told the dark-haired woman, "I'd like you to meet Flavia de Luce." I knew for a fact that she was going to say, "Oh, yes, my husband has mentioned you," and she would say it with that little smirk that tells you so much about the amused conversation that had followed. "I'm so pleased to meet you, Flavia," she said, putting out the most beautiful hand in the world and giving me a good solid shake, "and to find that you share my love of marionettes." If she'd told me to "fetch" I would have done it. "I love your name," I managed. "Do you? My father was Greek and my mother Italian. She was a ballet teacher and he was a fishmonger, so I grew up dancing in the streets of Billingsgate." With her dark hair and sea green eyes, she was the image of Botticelli's Flora, whose features adorned the back of a hand mirror at Buckshaw that Father had once given to Harriet.

We're all so happy you're feeling better, Miss McIntosh. Looks like you still have a good bump on your noggin, though," she says in her childlike voice. Since there is no bump on my noggin, I take a little offense but decide to drop it. "Thanks, Mrs. Poindexter. It looks worse than it feels. Just a little tender." "Yeah, I'd say the door got the worst of it," he says beside me. Galen signs himself in on the unexcused tardy sheet below my name. When his arm brushes against mine, it feels like my blood's turned into boiling water. I turn to face him. My dreams really do not do him justice. Long black lashes, flawless olive skin, cut jaw like an Italian model, lips like-for the love of God, have some dignity, nitwit. He just made fun of you. I cross my arms and lift my chin. "You would know," I say. He grins, yanks my backpack from me, and walks out. Trying to ignore the waft of his scent as the door shuts, I look to Mrs. Poindexter, who giggles, shrugs, and pretends to sort some papers. The message is clear: He's your problem, but what a great problem to have. Has he charmed he sense out of the staff here, too? If he started stealing kids' lunch money, would they also giggle at that? I growl through clenched teeth and stomp out of the office. Galen is waiting for me right outside the door, and I almost barrel into him. He chuckles and catches my arm. "This is becoming a habit for you, I think." After I'm steady-after Galen steadies me, that is-I poke my finger into his chest and back him against the wall, which only makes him grin wider. "You...are...irritating...me," I tell him. "I noticed. I'll work on it." "You can start by giving me my backpack." "Nope." "Nope?" "Right-nope. I'm carrying it for you. It's the least I can do." "Well, can't argue with that, can I?" I reach around for it, but he moves to block me. "Galen, I don't want you to carry it. Now knock it off. I'm late for class." "I'm late for it too, remember?" Oh, that's right. I've let him distract me from my agenda. "Actually, I need to go back to the office." "No problem. I'll wait for you here, then I'll walk you to class." I pinch the bridge of my nose. "That's the thing. I'm changing my schedule. I won't be in your class anymore, so you really should just go. You're seriously violating Rule Numero Uno." He crosses his arms. "Why are you changing your schedule? Is it because of me?" "No." "Liar." "Sort of." "Emma-" "Look, I don't want you to take this personally. It's just that...well, something bad happens every time I'm around you." He raises a brow. "Are you sure it's me? I mean, from where I stood, it looked like your flip-flops-" "What were we arguing about anyway? We were arguing, right?" "You...you don't remember?" I shake my head. "Dr. Morton said I might have some short-term memory loss. I do remember being mad at you, though." He looks at me like I'm a criminal. "You're saying you don't remember anything I said. Anything you said." The way I cross my arms reminds me of my mother. "That's what I'm saying, yes." "You swear?" "If you're not going to tell me, then give me my backpack. I have a concussion, not broken arms. I'm not helpless." His smile could land him a cover shoot for any magazine in the country. "We were arguing about which beach you wanted me to take you to. We were going swimming after school." "Liar." With a capital L. Swimming-drowning-falls on my to-do list somewhere below giving birth to porcupines. "Oh, wait. You're right. We were arguing about when the Titanic actually sank. We had already agreed to go to my house to swim.

…what these metaphors of women as nature, territories, and technologies do is place feminine gender in that same distant category of “other.” According to [Suzanne] Romaine, by comparing her to things like storms and seas, “woman is symbolic of the conflict between nature and civilization, tempting men with her beauty, attracting men with her charms, but dangerous and therefore in need of conquest.” Woman is a continent to colonize, a fortress to siege. These sentiments are reflected not only in English; in languages all over the world, from Italian to Thai, a nation’s government is labelled as having “founding fathers,” while the land itself (“Mother Nature,” “virgin territory”) is perceived as a feminine entity. In grammar as in allegory as in life, women are considered reckless places outside the civilized male world – wild things meant to be tamed into the weak, delicate flowers we’ve traditionally wanted women to be.

Cooking for Life shuns all things caloric and fatty, so this version of boeuf bourguignon will not include bacon or pancetta as it should, nor will I use even half as much olive oil as I'd like to. I will increase the wine, and it'll be pretty good beef stew without the potatoes, essentially, which will delight Uncle Benny when I take him his casserole dish tonight. It certainly won't hurt me to eat gourmet lite for dinner, I think, then shake my head to clear it. It's amazing how one five-minute conversation with my mother can undo every affirmation I've ever taped to my bathroom mirror. After giving the beef another poke or two, I scrub the cutting board in the dish-crowded sink, then chop and stir in carrots, celery, and onions. I mince fresh thyme and Italian parsley for flavor and color, pour in defatted beef stock, then leave it to simmer for a while, the individual aromas already commingling and filling the apartment.

Getting comfortable, he slipped off his suit jacket and made one last call for the night. “So? Is Jordan on board?” Davis asked. “Of course. Eckhart’s not going to slip away that easily. But there’s a catch.” Nick eased onto the bed. “I’m calling in that favor you owe me. The one that just tripled in magnitude because of this mess you roped me into.” Davis sounded surprised. And a little suspicious. “What kind of favor?” “Do we still have Agent Griegs in play?” Nick asked. “Yes. Why?” “This will involve him, too.” Davis sighed. “I’m not going to like this favor, am I?” “Probably not,” Nick said. “But I debated between this and having you call my mother to explain that it’s your fault I can’t make it to her sixtieth birthday party. You pick. But I should warn you: my mother is Italian. New York Italian, which is like being five hundred percent Italian.” Davis swore under his breath. “The hell with that. I’ll get ahold of Griegs.

Nor are languages any respecters of frontiers. If you drew a map of Europe based on languages it would bear scant resemblance to a conventional map. Switzerland would disappear, becoming part of the surrounding dominions of French, Italian, and German but for a few tiny pockets for Romansh (or Rumantsch or Rhaeto-Romanic as it is variously called), which is spoken as a native language by about half the people in the Graubünden district (or Grisons district—almost everything has two names in Switzerland) at the country’s eastern edge. This steep and beautiful area, which takes in the ski resorts of St. Moritz, Davos, and Klosters, was once effectively isolated from the rest of the world by its harsh winters and forbidding geography. Indeed, the isolation was such that even people in neighboring valleys began to speak different versions of the language, so that Romansh is not so much one language as five fragmented and not always mutually intelligible dialects. A person from the valley around Sutselva will say, “Vagned nà qua” for “Come here,” while in the next valley he will say, “Vegni neu cheu” [cited in The Economist, February 27, 1988]. In other places people will speak the language in the same way but spell it differently depending on whether they are Catholic or Protestant.

Soon, things were heating up in the kitchen. The first course was a variation on a French recipe that had been around since Escoffier, Baccala Brandade. Angelina created a silky forcemeat with milk, codfish, olive oil, pepper, and slow-roasted garlic, a drizzle of lemon juice, and a shower of fresh parsley, then served it as a dip with sliced sourdough and warmed pita-bread wedges, paired with glasses of bubbly Prosecco. The second course had been a favorite of her mother's called Angels on Horseback- freshly shucked oysters, wrapped in thin slices of prosciutto, then broiled on slices of herb-buttered bread. When the oysters cooked, they curled up to resemble tiny angels' wings. Angelina accented the freshness of the oyster with a dab of anchovy paste and wasabi on each hors d'oeuvre. She'd loved the Angels since she was a little girl; they were a heavenly mouthful. This was followed by a Caesar salad topped with hot, batter-dipped, deep-fried smelts. Angelina's father used to crunch his way through the small, silvery fish like French fries. Tonight, Angelina arranged them artfully around mounds of Caesar salad on each plate and ushered them out the door. For the fifth course, Angelina had prepared a big pot of her Mediterranean Clam Soup the night before, a lighter version of Manhattan clam chowder. The last two courses were Parmesan-Stuffed Poached Calamari over Linguine in Red Sauce, and the piece de resistance, Broiled Flounder with a Coriander Reduction.

Really, was everyone aboard this ship slightly mad? Much of Arsenic's initial conversation with the decklings was beginning to make sense. All the crew seemed, in a word, eccentric. Mr. Tarabotti smiled. "Too late, little cousin. I stay here. You done almost? You maybe do not wish late, no? Your father, he will throw a fop." Miss Tunstell said, "Throw a fit, I think you mean, Rodrigo." "Si?" "Yes. He is a fop, but he throws a fit." The captain interrupted, "Yes yes. Soon. But this is more important." "Si?" Mr Tarabotti shrugged and left. He said something in Italian to someone waiting in the hallway as he closed the door. Arsenic turned to look curiously at the cheerful captain. "He tried to kill you?" "Obviously he wasn't successful." Arsenic nodded. Obviously. "My mother would say that shows a lack of follow-through." The captain grinned. "Your mother sounds logical." Miss Tunstell added, although not critically, "And a little bloodthirsty." It was a fair assessment. "You've no idea," replied Arsenic, because it seemed they really didn't. The captain wrinkled her nose. "Old cousin Roddy there is not so bad. He's been reformed through excessive reading. Percy was in charge of extensive literary recuperation efforts." Arsenic smiled at Professor Tunstell, not quite sure what to make of this explanation, but knowing that books could be good medicine. The man dipped his head and blushed. The two ladies looked at him as if he'd done the most unusual thing ever.

You know,” I said, “you don’t owe New Fiddleham anything. You don’t need to help them.” “Look,” Charlie said as we clipped past Market Street. He was pointing at a man delicately painting enormous letters onto a broad window as we passed. NONNA SANTORO’S, it read, although the RO’S was still just an outline. “That Italian restaurant?” “Yes,” he smiled. “They will be opening their doors for the first time very soon. Sweet family. I bought my first meal in New Fiddleham from that man. A couple of meatballs from a street cart were about all I could afford at the time. He’s an immigrant, too. He’s going to do well. His red sauce is amazing.” “That’s grand for him, then,” I said. “I like it when doors open,” said Charlie. “Doors are opening in New Fiddleham every day. It is a remarkable time to be alive anywhere, really. Do you think our parents could ever have imagined having machines that could wash dishes, machines that could sew, machines that do laundry? Pretty soon we’ll be taking this trolley ride without any horses. I’ve heard that Glanville has electric streetcars already. Who knows what will be possible fifty years from now, or a hundred. Change isn’t always so bad.” “Your optimism is both baffling and inspiring,” I said. “The sun is rising,” he replied with a little chuckle. I glanced at the sky. It was well past noon. “It’s just something my sister and I used to say,” he clarified. “I think you would like Alina. You often remind me of her. She has a way of refusing to let the world keep her down.” He smiled and his gaze drifted away, following the memory. “Alina found a rolled-up canvas once,” he said, “a year or so after our mother passed away. It was an oil painting—a picture of the sun hanging low over a rippling ocean. She was a beautiful painter, our mother. I could tell that it was one of hers, but I had never seen it before. It felt like a message, like she had sent it, just for us to find. “I said that it was a beautiful sunset, and Alina said no, it was a sunrise. We argued about it, actually. I told her that the sun in the picture was setting because it was obviously a view from our camp near Gelendzhik, overlooking the Black Sea. That would mean the painting was looking to the west. “Alina said that it didn’t matter. Even if the sun is setting on Gelendzhik, that only means that it is rising in Bucharest. Or Vienna. Or Paris. The sun is always rising somewhere. From then on, whenever I felt low, whenever I lost hope and the world felt darkest, Alina would remind me: the sun is rising.” “I think I like Alina already. It’s a heartening philosophy. I only worry that it’s wasted on this city.” “A city is just people,” Charlie said. “A hundred years from now, even if the roads and buildings are still here, this will still be a whole new city. New Fiddleham is dying, every day, but it is also being constantly reborn. Every day, there is new hope. Every day, the sun rises. Every day, there are doors opening.” I leaned in and kissed him on the cheek. “When we’re through saving the world,” I said, “you can take me out to Nonna Santoro’s. I have it on good authority that the red sauce is amazing.” He blushed pink and a bashful smile spread over his face. “When we’re through saving the world, Miss Rook, I will hold you to that.

The only point that everyone I spoke with in Rome agrees upon is that Armando al Pantheon is one of the city's last true trattorie. Given the location, Claudio and his family could have gone the way of the rest of the neighborhood a long time ago and mailed it in with a handful of fresh mozzarella and prosciutto. But he's chosen the opposite path, an unwavering dedication to the details- the extra steps that make the oxtail more succulent, the pasta more perfectly toothsome, the artichokes and favas and squash blossoms more poetic in their expression of the Roman seasons. "I experiment in my own small ways. I want to make something new, but I also want my guests to think of their mothers and grandmothers. I want them to taste their infancy, to taste their memories. Like that great scene in Ratatouille." I didn't grow up on amatriciana and offal, but when I eat them here, they taste like a memory I never knew I had. I keep coming back. For the cacio e pepe, which sings that salty-spicy duet with unrivaled clarity, thanks to the depth charge of toasted Malaysian peppercorns Claudio employs. For his coda alla vaccinara, as Roman as the Colosseum, a masterpiece of quinto quarto cookery: the oxtail cooked to the point of collapse, bathed in a tomato sauce with a gentle green undertow of celery, one of Rome's unsung heroes. For the vegetables: one day a crostini of stewed favas and pork cheek, the next a tumble of bitter puntarelle greens bound in a bracing anchovy vinaigrette. And always the artichokes. If Roman artichokes are drugs, Claudio's are pure poppy, a vegetable so deeply addictive that I find myself thinking about it at the most inappropriate times. Whether fried into a crisp, juicy flower or braised into tender, melting submission, it makes you wonder what the rest of the world is doing with their thistles.

I always had trouble with the feet of Jón the First, or Pre-Jón, as I called him later. He would frequently put them in front of me in the evening and tell me to take off his socks and rub his toes, soles, heels and calves. It was quite impossible for me to love these Icelandic men's feet that were shaped like birch stumps, hard and chunky, and screaming white as the wood when the bark is stripped from it. Yes, and as cold and damp, too. The toes had horny nails that resembled dead buds in a frosty spring. Nor can I forget the smell, for malodorous feet were very common in the post-war years when men wore nylon socks and practically slept in their shoes. How was it possible to love these Icelandic men? Who belched at the meal table and farted constantly. After four Icelandic husbands and a whole load of casual lovers I had become a vrai connaisseur of flatulence, could describe its species and varieties in the way that a wine-taster knows his wines. The howling backfire, the load, the gas bomb and the Luftwaffe were names I used most. The coffee belch and the silencer were also well-known quantities, but the worst were the date farts, a speciality of Bæring of Westfjord. Icelandic men don’t know how to behave: they never have and never will, but they are generally good fun. At least, Icelandic women think so. They seem to come with this inner emergency box, filled with humour and irony, which they always carry around with them and can open for useful items if things get too rough, and it must be a hereditary gift of the generations. Anyone who loses their way in the mountains and gets snowed in or spends the whole weekend stuck in a lift can always open this special Icelandic emergency box and get out of the situation with a good story. After wandering the world and living on the Continent I had long tired of well-behaved, fart-free gentlemen who opened the door and paid the bills but never had a story to tell and were either completely asexual or demanded skin-burning action until the morning light. Swiss watch salesmen who only knew of “sechs” as their wake-up hour, or hairy French apes who always required their twelve rounds of screwing after the six-course meal. I suppose I liked German men the best. They were a suitable mixture of belching northerner and cultivated southerner, of orderly westerner and crazy easterner, but in the post-war years they were of course broken men. There was little you could do with them except try to put them right first. And who had the time for that? Londoners are positive and jolly, but their famous irony struck me as mechanical and wearisome in the long run. As if that irony machine had eaten away their real essence. The French machine, on the other hand, is fuelled by seriousness alone, and the Frogs can drive you beyond the limit when they get going with their philosophical noun-dropping. The Italian worships every woman like a queen until he gets her home, when she suddenly turns into a slut. The Yank is one hell of a guy who thinks big: he always wants to take you the moon. At the same time, however, he is as smug and petty as the meanest seamstress, and has a fit if someone eats his peanut butter sandwich aboard the space shuttle. I found Russians interesting. In fact they were the most Icelandic of all: drank every glass to the bottom and threw themselves into any jollity, knew countless stories and never talked seriously unless at the bottom of the bottle, when they began to wail for their mother who lived a thousand miles away but came on foot to bring them their clean laundry once a month. They were completely crazy and were better athletes in bed than my dear countrymen, but in the end I had enough of all their pommel-horse routines. Nordic men are all as tactless as Icelanders. They get drunk over dinner, laugh loudly and fart, eventually start “singing” even in public restaurants where people have paid to escape the tumult of

GUAC AD HOC   Hannah’s 1st Note: This is Howie Levine’s guacamole recipe. He’s Lake Eden’s most popular lawyer. 2 ounces cream cheese 4 ripe avocados (I used Haas avocados) 2 Tablespoons lemon juice (freshly squeezed is best) 1 clove garlic, finely minced (you can squeeze it in a garlic press if you have one) cup finely chopped fresh oregano leaves 1 Italian (or plum) tomato, peeled, seeded, and chopped 4 green onions, peeled and thinly sliced (you can use up to 2 inches of the green stem) ½ teaspoon salt 10 grinds of freshly ground pepper (or tea spoon) ½ cup sour cream to spread on top Bacon bits to sprinkle on top of the sour cream Tortilla chips as dippers Howie’s Note: I use chopped oregano because Florence doesn’t always carry cilantro at the Lake Eden Red Owl. This guacamole is equally good with either one. Heat the cream cheese in a medium-sized microwave-safe bowl for 15 seconds on HIGH, or until it’s spreadable. Peel and seed the avocados. Put them in the bowl with the cream cheese and mix everything up with a fork. Mix just slightly short of smooth. You want the mixture to have a few lumps of avocado. Add the lemon juice and mix it in. It’ll keep your Guac Ad Hoc from browning. Add the minced garlic, chopped oregano leaves, tomato, sliced green onion, salt, and pepper. Mix everything together. Put your Guac Ad Hoc in a pretty bowl, and cover it with the sour cream. Sprinkle on the bacon bits. If you’re NOT going to serve it immediately, spread on the sour cream, but don’t use the bacon bits. Cover the bowl with plastic wrap and refrigerate it until time to serve. Then sprinkle on the bacon bits. (My bacon bits got a little tough when I added them to the bowl and refrigerated it. They were best when I sprinkled them on at the last moment.) Hannah’s 2nd Note: Mike and Norman like this best if I serve it with sliced, pickled Jalapenos on top. Mother won’t touch it that way. Yield: This amount of Guac Ad Hoc serves 4 unless you’re making it for a Super Bowl game. Then you’d better double the recipe.

Consider education not as the painful accumulation of facts and dates and reigns, nor merely the necessary preparation of the individual to earn his keep in the world, but as the transmission of our mental, moral, technical, and aesthetic heritage as fully as possible to as many as possible, for the enlargement of man's understanding, control, embellishment, and enjoyment of life. The heritage that we can now more fully transmit is richer than ever before. It is richer than that of Pericles, for it includes all the Greek flowering that followed him; richer than Leonardo's, for it includes him and the Italian Renaissance; richer than Voltaire's, for it embraces all the French Enlightenment and its ecumenical dissemination. If progress is real despite our whining, it is not because we are born any healthier, better, or wiser than infants were in the past, but because we are born to a richer heritage, born on a higher level of that pedestal which the accumulation of knowledge and art raises as the ground and support of our being. The heritage rises, and man rises in proportion as he receives it. History is, above all else, the creation and recording of that heritage; progress is its increasing abundance, preservation, transmission, and use. To those of us who study history not merely as a warning reminder of man's follies and crimes, but also as an encouraging remembrance of generative souls, the past ceases to be a depressing chamber of horrors; it becomes a celestial city, a spacious country of the mind, wherein a thousand saints, statesmen, inventors, scientists, poets, artists, musicians, lovers, and philosophers still live and speak, teach and carve and sing. The historian will not mourn because he can see no meaning in human existence except that which man puts into it; let it be our pride that we ourselves may put meaning into our lives, and sometimes a significance that transcends death. If a man is fortunate he will, before he dies, gather up as much as he can of his civilized heritage and transmit it to his children. And to his final breath he will be grateful for this inexhaustible legacy, knowing that it is our nourishing mother and our lasting life.

Argentine national football player from FC Barcelona. Positions are attacks. He is the greatest player in the history of the club, as well as the greatest player in the history of the club, as well as the greatest player in history, most of whom are Pele and Diego Maradona [9] Is one of the best players in football history. 저희는 7가지 철칙을 바탕으로 거래를 합니다. 고객들과 지키지못할약속은 하지않습니다 1.정품보장 2.총알배송 3.투명한 가격 4.편한 상담 5.끝내주는 서비스 6.고객님 정보 보호 7.깔끔한 거래 신용과 신뢰의 거래로 많은VIP고객님들 모시고 싶은것이 저희쪽 경영 목표입니다 믿음과 신뢰의 거래로 신용성있는 비즈니스 진행하고있습니다 비즈니스는 첫째로 신용,신뢰 입니다 믿고 주문하시는것만큼 저희는 확실한제품으로 모시겠습니다 제품구입후 제품이 손상되거나 혹은 효과못보셨을시 저희가 1차재배송 2차 100%환불까지 해드리고있습니다 후회없는 선택 자신감있는 제품으로 언제나 모시겠습니다 텔레【KC98K】카톡【ACD5】라인【SPR331】 ◀경영항목▶ 수면제,여성최음제,여성흥분제,남성발기부전치유제,비아그라,시알리스,88정,드래곤,99정,바오메이,정력제,남성성기확대제,카마그라젤,비닉스,센돔,꽃물,남성조루제,네노마정 등많은제품 판매중입니다 2. Childhood [edit] He was born on June 24, 1987 in Rosario, Argentina [10] [11]. His great-grandfather Angelo Messi moved to Argentina as an Italian, and his family became an Argentinean. His father, Jorge Orashio Messi, was a steel worker, and his mother, Celia Maria Quatini, was a part-time housekeeper. Since he was also coach of the local club, Gland Dolley, he became close to football naturally since he was a child, and he started playing soccer at Glendale's club when he was four years old. In 1995, he joined Newsweek's Old Boys Youth team at age six, following Rosario, and soon became a prospect. However, at the age of 11, she is diagnosed with GHD and experiences trials. It took $ 90 to $ 100 a month to cure it, and it was a big deal for his parents to make a living from manual labor. His team, New Wells Old Boys, was also reluctant to spend this amount. For a time, even though the parents owed their debts, they tried to cure the disorder and helped him become a football player, but it could not be forever. [12] In that situation, the Savior appeared. In July 2000, a scouting proposal came from FC Barcelona, ​​where he saw his talent. He was also invited to play in the Argentinian club CA River Plate. The River Plate coach who reported the test reported the team to the club as a "must-have" player, and the reporter who watched the test together was sure to be talented enough to call him "the new Maradona." However, River Plate did not give a definite answer because of the need to convince New Wells Old Boys to recruit him, and the fact that the cost of the treatment was fixed in addition to lodging. Eventually Messi and his father crossed to Barcelona in response to a scouting offer from Barcelona. After a number of negotiations between the Barcelona side and Messi's father, the proposal was inconceivable to pay for Meshi's treatment.

After wandering the world and living on the Continent I had long tired of well-behaved, fart-free gentlemen who opened the door and paid the bills but never had a story to tell and were either completely asexual or demanded skin-burning action until the morning light. Swiss watch salesmen who only knew of “sechs” as their wake-up hour, or hairy French apes who always required their twelve rounds of screwing after the six-course meal. I suppose I liked German men the best. They were a suitable mixture of belching northerner and cultivated southerner, of orderly westerner and crazy easterner, but in the post-war years they were of course broken men. There was little you could do with them except try to put them right first. And who had the time for that? Londoners are positive and jolly, but their famous irony struck me as mechanical and wearisome in the long run. As if that irony machine had eaten away their real essence. The French machine, on the other hand, is fuelled by seriousness alone, and the Frogs can drive you beyond the limit when they get going with their philosophical noun-dropping. The Italian worships every woman like a queen until he gets her home, when she suddenly turns into a slut. The Yank is one hell of a guy who thinks big: he always wants to take you the moon. At the same time, however, he is as smug and petty as the meanest seamstress, and has a fit if someone eats his peanut butter sandwich aboard the space shuttle. I found Russians interesting. In fact they were the most Icelandic of all: drank every glass to the bottom and threw themselves into any jollity, knew countless stories and never talked seriously unless at the bottom of the bottle, when they began to wail for their mother who lived a thousand miles away but came on foot to bring them their clean laundry once a month. They were completely crazy and were better athletes in bed than my dear countrymen, but in the end I had enough of all their pommel-horse routines. Nordic men are all as tactless as Icelanders. They get drunk over dinner, laugh loudly and fart, eventually start “singing” even in public restaurants where people have paid to escape the tumult of the world. But their wallets always waited cold sober in the cloakroom while the Icelandic purse lay open for all in the middle of the table. Our men were the greater Vikings in this regard. “Reputation is king, the rest is crap!” my Bæring from Bolungarvík used to say. Every evening had to be legendary, anything else was a defeat. But the morning after they turned into weak-willed doughboys. But all the same I did succeed in loving them, those Icelandic clodhoppers, at least down as far as their knees. Below there, things did not go as well. And when the feet of Jón Pre-Jón popped out of me in the maternity ward, it was enough. The resemblances were small and exact: Jón’s feet in bonsai form. I instantly acquired a physical intolerance for the father, and forbade him to come in and see the baby. All I heard was the note of surprise in the bass voice out in the corridor when the midwife told him she had ordered him a taxi. From that day on I made it a rule: I sacked my men by calling a car. ‘The taxi is here,’ became my favourite sentence.

In my youth . . . my sacred youth . . . in eaves sole sparowe sat not more alone than I . . . in my youth, my saucer-deep youth, when I possessed a mirror and both a morning and an evening comb . . . in my youth, my pimpled, shame-faced, sugared youth, when I dreamed myself a fornicator and a poet; when life seemed to be ahead somewhere like a land o’ lakes vacation cottage, and I was pure tumescence, all seed, afloat like fuzz among the butterflies and bees; when I was the bursting pod of a fall weed; when I was the hum of sperm in the autumn air, the blue of it like watered silk, vellum to which I came in a soft cloud; O minstrel galleons of Carib fire, I sang then, knowing naught, clinging to the tall slim wheatweed which lay in a purple haze along the highway like a cotton star . . . in my fumbling, lubricious, my uticated youth, when a full bosom and a fine round line of Keats, Hart Crane, or Yeats produced in me the same effect—a moan throughout my molecules—in my limeade time, my uncorked innocence, my jellybelly days, when I repeated Olio de Oliva like a tenor; then I would touch the page in wonder as though it were a woman, as though I were blind in my bed, in the black backseat, behind the dark barn, the dim weekend tent, last dance, date's door, reaching the knee by the second feature, possibly the thigh, my finger an urgent emissary from my penis, alas as far away as Peking or Bangkok, so I took my heart in my hand, O my love, O my love, I sighed, O Christina, Italian rose; my inflated flesh yearning to press against that flesh becoming Word—a word—words which were wet and warm and responsive as a roaming tongue; and her hair was red, long, in ringlets, kiss me, love me up, she said in my anxious oral ear; I read: Milton! thou shouldst be living at this hour; for I had oodles of needs, if England didn't; I was nothing but skin, pulp, and pit, in my grapevine time, during the hard-on priesthood of the poet; because then—in my unclean, foreskinned, and prurient youth—I devoutly believed in Later Life, in Passion, in Poetry, the way I thought only fools felt about God, prayer, heaven, foreknowledge, sin; for what was a poem if not a divine petition, a holy plea, a prophecy: [...] a stranger among strangers, myself the strangest because I could never bring myself to enter adolescence, but kept it about like a bit of lunch you think you may eat later, and later come upon at the bottom of a bag, dry as dust, at the back of the refrigerator, bearded with mold, or caked like sperm in the sock you've fucked, so that gingerly, then, you throw the mess out, averting your eyes, just as Rainer complained he never had a childhood—what luck!—never to have suffered birthpang, nightfear, cradlecap, lake in your lung; never to have practiced scales or sat numb before the dentist's hum or picked your mother up from the floor she's bled and wept and puked on; never to have been invaded by a tick, sucked by a leech, bitten by a spider, stung by a bee, slimed on by a slug, seared by a hot pan, or by paper or acquaintance cut, by father cuffed; never to have been lost in a crowd or store or parking lot or left by a lover without a word or arrogantly lied to or outrageously betrayed—really what luck!—never to have had a nickel roll with slow deliberation down a grate, a balloon burst, toy break; never to have skinned a knee, bruised a friendship, broken trust; never to have had to conjugate, keep quiet, tidy, bathe; to have lost the chance to be hollered at, bullied, beat up (being nothing, indeed, to have no death), and not to have had an earache, life's lessons to learn, or sums to add reluctantly right up to their bitter miscalculated end—what sublime good fortune, the Greek poet suggested—because Nature is not accustomed to life yet; it is too new, too incidental, this shiver in the stone, never altogether, and would just as soon (as Culp prefers to say) cancer it; erase, strike, stamp it out— [...]

One of the crucial documents for the Ordine dei Medici, it turned out, was an Italian passport. Until then nobody had bothered to mention this potentially insurmountable obstacle. It happened I did have a right to citizenship, but since it would be bestowed on me automatically by my Italian husband (Italian husbands are less powerful nowadays), the passport logically hung on Italian recognition of our American marriage, which was in turn predicated on Italian recognition of my husband’s American divorce from a prior marriage. The divorce certification, based on various Byzantine legal fictions, was a long time coming. One time there was a false sighting of his Italian divorce, and I optimistically went down to the Anagrafe or Central Registry to see whether I could get my citizenship papers. At the end of the forty-five-minute line a small man with slicked-down hair took my documents with a yawn and disappeared into the dark forest of files. When the clerk emerged, the bored look was gone from his face. He invited me to follow him along the long bank of teller windows, he on his side me on mine, and then pass through a little gate to the employee side. He sat me down, then paced between piled-up dossiers for a minute, no grille window to screen him off, before speaking. “Ms. Levenstein,” he said kindly, “You have applied for Italian citizenship on the grounds of being married to a certain Andrea Di Vecchia.” I admitted that was true. He paced a little more, lit a cigarette. “Ms. Levenstein,” he said again, even more gently, and I should have caught on from the way he repeated it. “I must tell you something. This Mr. Di Vecchia—he is already married to another woman!” His hand was already out to give a comforting squeeze to my shoulder, but it dropped when I laughed and explained that the problem was red tape, not bigamy. I thought later, high drama must be rare behind the certificate window, and he had risen to its call. How many American file clerks would have been so ready for their unexpected moment of glory? Another problem involved my residence papers, a crucial component in any pile of documents. All residents in Italy must communicate changes of address to the State within three months, and when we left my mother-in-law’s for our own place eight months earlier we had duly registered the move. But when I went to pick up an identity document I was told it couldn’t be issued because I was still listed at my old address. I slyly told the clerk in the cage to hold on, scurried over from his Identity Card window to the Certificate window three paces away, had the printer spit out a Residence Certificate bearing my name and the new address, and carried it back in triumph. He wasn’t impressed. “Oh, that certificate. That’s from the computer, it’s not worth anything. Your address has been changed in the computer, but the computerized part of the system doesn’t count.

When I was young, just a baby, really, my mother used to sing to me every night. I’d always request the song, the one that goes: My mommy comes back, she always comes back, she always comes back to get me. My mommy comes back, she always comes back, she never will forget me.

I hope you find the peace and confidence it takes to trust where your path leads. Remember, it is only yours. Others can wave and cheer, but no one can give you directions. They have not been where you are going. I hope you’ll understand someday that just because you become a mother doesn’t mean you stop being a woman.

My Italian grandmother did not expect work to be a reflection of her identity. After my grandfather passed away, she did what she had to do to take care of their five children. She opened a coffee shop in a small town in the heel of Italy’s boot and worked there for thirty years. Until her death, she had a single bulbous bicep from repeatedly pulling down the manual lever of the espresso machine. Her identity was straightforward. First, she was a woman of faith. Then a mother, a grandmother, a sister, a fresh-pasta maker. She enjoyed her work at the coffee shop—loved it, even—but it did not define her.

I come from a small family. Even at holiday meals, it was just me, my father, mother, younger brother, and maybe a cousin once in a while. Maybe that’s one reason I’ve always been kind of bitter about not being Italian American, why I always kind of yearn for that, those scenes in movies where the whole family’s sitting around at a long table, kids running around everywhere. Even when they were arguing, that looked good to me.

You’re clever,” Helen said. “And I’m hungry. Shall we eat?” “My favorite question,” Jacoby said. “After an aperitivo?” Helen smacked him playfully on the chest. “You’re becoming so Italian.” “I’m working on it,” Jacoby said. “Well, don’t work on it too hard, otherwise you’ll end up leaving me for your mother.

I found a stout American lady with a voice like a corncake, giving a lecture on the history of Froke to two silenced Scandinavians and a little man who was probably her husband. They were on the terrace. As far out of earshot as possible I observed your mother have a great success with a middle-aged gentleman whom I since learnt is an Italian Count. In the drawing-room a dangerous-looking brunette is singing in Italian to an uneasy looking Dutchman and in the library an outsized Dane is sitting with your father and a bottle of gin—saying “skaal”!

Psychological rigidity, the idea has a psychoanalytic origin, is the attitude of subjects who on all questions give simple responses, summaries that are entrenched without any nuance, and they are little disposed to recognize discordant facts. This rigidity is not at all a psychological force, but a mask under which an extremely divided personality is hidden: it is a reaction formation...The subjects have a profound division within themselves and a repressed aggressivity toward their parents. The subjects avoid all ambiguity and proceed with dichotomies (obedient-authority, cleanliness-dirtiness, virtue-vice, masculinity-femininity dilemmas). Psychological rigidity is effectively born from relationships with parents and extends to moral ideas. The families of these children are, in general, authoritative and frustrating. The child creates a double image of his parents: one is beneficent and appears first, the other is aggressive and is deeply hidden ('good mother and bad mother')...The social aspect of the phenomenon is that these families are socially marginal (for example, the nouveaux riches, Italian or Irish minorities in American towns) and because of this they are authoritarian...The 'rigid' child often has racial prejudices that arise from what he projects onto 'exterior' minorities. What he cannot accept in his own personality. (For instance, the myths of black sexuality in the U.S.A. and myths of the battle of the sexes; everyone puts the faults on others that he does not want to recognize in himself)... Apparently liberal subjects can have an absolute, abstract manner: for example, they declare that all men are identical, from every point of view, and refuse to see differences in historical situations. What predicts psychological rigidity is less the adoption of this or that theory (except racist theories which, founded on a myth, are only justifiable as an explanation of psychological mechanisms); it is more the manner of adopting, justifying, and holding these opinions...The entire world is ambiguous, but what is important is the manner in which one deals with this ambiguity. Psychological maturity is shown in accepting to see ambiguity and to 'interiorize' conflict.

intricate patterns on the pavement. Her enormous brown eyes glittered with happiness at the attention she had attracted. Sarah wasn’t the only passerby who had stopped to watch, entranced. Then the song ended, and the gathered crowd applauded. The girl bobbed a curtsey and looked around expectantly. In a moment, coins appeared, fished from pockets and purses and offered in tribute. The coins disappeared again as if by magic, spirited away by little fingers as nimble as the little feet had been and deposited into the pocket of her dress. While the crowd disbursed, the girl turned and hurried back to the man who had produced the music. That was when Sarah recalled her purpose in being here. The child was emptying her pocket and giving the coins to a handsome youth who sat on a small stool with his back against the building. He held the organ between his knees, resting on a small stand. He wore a dark shirt and trousers and had a red bandanna tied rakishly at his throat. He looked so perfect that Sarah almost didn’t notice the wooden crutches tucked discreetly between his stool and the wall. Finally, she saw the pant leg pinned up at the ankle. She’d never expected Georgio to have a child, which was why she’d been so slow to realize she’d found him. Taking advantage of this lull, she stepped over to where the man and the girl were conversing in Italian. There seemed to be some question about whether she’d given him all the coins she’d collected. “Georgio?” Sarah tried. He looked up from beneath the bill of his small cap. His eyes were dark and liquid, his smile big and bright and charming. “Si, Signorina, do you want to see the little one dance?” His English was very good, probably honed from conversing with his customers. “No, although she dances very well,” Sarah added, giving the child an approving smile, in case she didn’t understand the compliment. “I wanted to ask you about your sister Emilia.” His charming smile vanished, and the dark eyes grew wary. “She is dead,” he said very carefully. “I know. I’m very sorry.” “Who are you and what do you want?” he asked suspiciously. When he frowned, Sarah realized how much he looked like his mother. “My name is Sarah Brandt, and I met Emilia at the Prodigal Son Mission.” His expression hardened from wariness into anger. Plainly, none of the Donato family had any love for the mission. “She was such a lovely girl, and she was trying very hard to become a respectable young woman,” Sarah hurried on, wishing she had some idea how Georgio felt about his sister. Seeing that the grown-ups were going to talk a bit, the little girl sank down onto the pavement with a weary sigh and leaned back against the wall. Sarah wondered vaguely how many times she

And the “fimmina” (woman-female), which in Sicilian is not an offensive word as it is in Italian, is always on Martoglio’s mind. At times she is an angel that recalls the Angel-like women of the Dolce Stil Nuovo; at times she is the temptress who leads men into hell and gives them death when she tires of them; at other times, she is the lady whose eyes are sweet and traitorous at once. Often woman is seen as the eternal repose and the only goal of man. Women are the source of all the sweetness in the world. The only problem Martoglio seems to have is that he can never be sure how long a woman’s promise will last. Inevitably they abandon the poet, they betray and forsake him. Martoglio seems to search for an ideal of constancy that he can never find, except in the image of the saintly mother. The image of the “donna-danno” is in fact frequently opposed to that of the mother, who alone is able to understand and comfort the poet. As a good Sicilian of the nineteenth century, Martoglio felt a special devotion to his mother, perhaps because of her many marital difficulties.

Your mother,” I finish his sentence. “Sorry but she’d called several times, and I was worried there was an emergency.” “Everything is an emergency to an Italian mother.

After Italian, Sicilian is the most widely spoken Italic language in Italy, followed closely by Neapolitan. Sicily has several Albanian communities founded in the fifteenth century, where Arberesh, the medieval Tosk dialect of Albanian, is spoken; this was the mother tongue of Francesco Crispi, Italy’s first Sicilian prime minister.

This is for the poor like me and the rich, those that cling to life because they want it... this is for the Greek and the Italian and the Negro, this is for the Indian and the Chinaman, this is for everyone, this is for the beloved, this is for the banished, the victor and the beaten and the homo, the second-story man, the mother-in-law and her daughter, the girl I held in my arms last night, this is for the wishless..." (Rod McKuen on his show for KROW)

This book is nothing less than a linguistic exploration of a new language via the poetic form. Like so many before him, Yanito takes an established form of poetry, in this case the haiku, in order to assert both the value and sheer existence of his mother tongue, Llanito. As yet a formally unestablished language, Yanito intermingles the liberty that this affords with an established poetic structure in order to call attention to the beauty and (local) relevance of Llanito, in much the same way as poets from all over Europe used the Italian sonnet to lend weight and aesthetic beauty to their budding languages.

The same night my uncle was gunned down, I’d been off at Jimmy’s request to meet my birth mother for the first time. Not only was she fucking Italian but she was also a goddamn Genovese—wife of the Lucciano family consigliere, Edoardo Genovese.

In addition”—his gaze locked with mine—“we want Conner to know that he has family on both sides of this table.” Well, I’ll be damned. I hadn’t expected that. Italians were notorious for their strict delineation between Italians and outsiders. I was illegitimate with no clue who my father was and raised among the Irish, so the last thing I had expected was for the Genoveses to call me one of their own. My birth mother wanting to meet me was entirely different from these men accepting me into the family.

Remo took me to Capri last weekend,” my mother says. “It’s overrated, in my opinion. Positano is far more beautiful. More authentic, too. It feels far more connected to the Italian culture here than it does there.

I do not imagine ever coming to terms with the loss of her body—her warm, welcoming body. The place I always felt at home. My mother, you see, is the great love of my life. She is the great love of my life, and I have lost her.

Her mother bought her a burgundy pair of VANS summer shoes in Italy, and they took a picture of her laughing happily while holding them in her hand in an exaggerated scene, as if they had been teasing him to take a picture of her for her boyfriend in a park somewhere in Italy. Shortly after, she started wearing them in Barcelona and cut off the tiny VANS logo with a scissor. When I asked her why, she tried to avoid answering at first until she said something like she didn't like it, or that they looked better without the tiny black VANS logos. It was suspicious that someone must have told her the urban legend in Barcelona soon after her Italian vacation, that VANS stands for „Vans Are Nazi Shoes.” It became more and more obvious in Barcelona that my life was in danger, as an awful vibe surrounded us due to the construction. It was mostly caused by rich tourists who I had never seen do much work in life, too high to take on a task as simple as changing a password on a bank account on an iPhone app – a crime organisation, quite international already and increasingly so, with a growing number of participants and secrets becoming more and more dangerous, I thought, and I wasn’t wrong, I just couldn’t see the whole picture yet as I was blindfolded. As if her nickname, Stupid Bunny which she had printed out at Ample Store with Adam, was a cute, nice thing, a reassurance after the day before she had been crying for some unknown reason and printing out the phrase, “You never loved me, you just broke my heart.” That couldn't have been further from the truth. She would fidget around and draw at home, and I didn't realise she was bored of being with me when she had so many other options in her mind because of what others had fed her, as if I was a monogamist who wouldn’t forgive her for cheating or making a mistake. Even if I had seen her, when she showed up at home she seemed in love with herself, watching herself in the mirror in her new tight, short shorts. It was weird. I had noticed something strange in Martina for a while now and I couldn’t put my finger on it. I thought it was only the drugs she was secretly doing behind my back, but I was far away from having all the answers.

i hope you walk through the world knowing your value. I hope you find a passion--something you love, something that lights you up inside. I hope you find the peace and confidence it takes to trust where your path leads. Remember it is only yours. Others can wave and cheer, but no one can give you directions. They have not been where you are going. I hope you will understand someday that just because you become a mother doesn't mean you stop becoming a woman. And above all else, I hope you know that even if you can't see me, I am always with you. - One Italian Summer

Like the nuns in Assisi, one of whom cooked a huge meal for hidden Jews to break the fast on Yom Kippur, the sisters had a respect for the religious beliefs of their wards. Only the mother superior allegedly knew they were Jewish, although others clearly did as well; as Goldenberg recalled, “it’s not logical that an Italian child between eight and ten doesn’t know any Catholic prayers.” The sons of the chief rabbi of Genoa were also hidden there, and the nun who put them to bed each night, Mother Marta Folcia, would tell them to secretly kiss her finger rather than the cross she held and then to say the Shema Yisrael quietly before falling asleep. When German soldiers inspected the boardinghouse every few months, looking for Jewish children, the boys carefully recited Catholic prayers such as the Ave Maria and Pater Noster that had been drilled into them several times a day at the convent. The mother superior stood behind the officer, mouthing the words, in case any of the children forgot in their panic.

I have a complicated spiritual history. Here's the short version: I was born into a Mass-going Roman Catholic family, but my parents left the church when I was in the fifth grade and joined a Southern Baptist church—yes, in Connecticut. I am an alumnus of Wheaton College—Billy Graham's alma mater in Illinois, not the Seven Sisters school in Massachusetts—and the summer between my junior and senior year of (Christian) high school, I spent a couple of months on a missions trip performing in whiteface as a mime-for-the-Lord on the streets of London's West End. Once I left home for Wheaton, I ended up worshiping variously (and when I could haul my lazy tuckus out of bed) at the nondenominational Bible church next to the college, a Christian hippie commune in inner-city Chicago left over from the Jesus Freak movement of the 1960s, and an artsy-fartsy suburban Episcopal parish that ended up splitting over same-sex issues. My husband of more than a decade likes to describe himself as a “collapsed Catholic,” and for more than twenty-five years, I have been a born-again Christian. Groan, I know. But there's really no better term in the current popular lexicon to describe my seminal spiritual experience. It happened in the summer of 1980 when I was about to turn ten years old. My parents had both had born-again experiences themselves about six months earlier, shortly before our family left the Catholic church—much to the shock and dismay of the rest of our extended Irish and/or Italian Catholic family—and started worshiping in a rented public grade school gymnasium with the Southern Baptists. My mother had told me all about what she'd experienced with God and how I needed to give my heart to Jesus so I could spend eternity with him in heaven and not frying in hell. I was an intellectually stubborn and precocious child, so I didn't just kneel down with her and pray the first time she told me about what was going on with her and Daddy and Jesus. If something similar was going to happen to me, it was going to happen in my own sweet time. A few months into our family's new spiritual adventure, after hearing many lectures from Mom and sitting through any number of sermons at the Baptist church—each ending with an altar call and an invitation to make Jesus the Lord of my life—I got up from bed late one Sunday night and went downstairs to the den where my mother was watching television. I couldn't sleep, which was unusual for me as a child. I was a champion snoozer. In hindsight I realize something must have been troubling my spirit. Mom went into the kitchen for a cup of tea and left me alone with the television, which she had tuned to a church service. I don't remember exactly what the preacher said in his impassioned, sweaty sermon, but I do recall three things crystal clearly: The preacher was Jimmy Swaggart; he gave an altar call, inviting the folks in the congregation in front of him and at home in TV land to pray a simple prayer asking Jesus to come into their hearts; and that I prayed that prayer then and there, alone in the den in front of the idiot box. Seriously. That is precisely how I got “saved.” Alone. Watching Jimmy Swaggart on late-night TV. I also spent a painful vacation with my family one summer at Jim and Tammy Faye Bakker's Heritage USA Christian theme park in South Carolina. But that's a whole other book…

There was one part of my job, though, that was unsettling. As I proceeded in my training, I began to see that many patients I encountered were being steered onto set diagnostic pathways. Our teachers did it, expounding on “algorithms,” which were basically recipes that lumped patients into groups with similar symptoms. Our peers did it, noting how much faster it was to see patients not as Mrs. Smith, the chatty mother of four, or Father Cogliano, the Italian priest, but as their “chief complaints” of headache and abdominal pain.

From Tudor to eighteenth-century England, there are many instances of women writers with no place or room of their own. The life-story of the play-wright Elizabeth Cary, Lady Falkland (1585-1639) gives us a dramatic and, lately, much-studied example. In the hagiographical 'The Lady Falkland: Her Life', written by one of her daughters, we hear how the prodigious Elizabeth learnt to read very soon and loved it much... Without a teacher, whilst she was a child, she learnt French, Spanish, Italian [and] Latin... She having neither brother nor sister, nor other companion of her age, spent her whole time in reading; to which she gave herself so much that she frequently read all night; so as her mother was fain to forbid her servants to let her have candles, which command they turned to their own profit, and let themselves be hired by her to let her have them, selling them to her at half a crown apiece, so was she bent to reading; and she not having money so free, was to owe it them, and in this fashion was she in debt a hundred pound afore she was twelve year old.

About earlier--” My attention shifts behind Darren to a little blond boy in overalls trying to push his head between the rods of the railing. Darren turns to see what I’m looking at and laughs. “You’re gonna get stuck.” The boy looks up at him in confusion and yells something in another language. His mother rushes over and snatches his hand, giving both Darren and me the evil eye as she drags him away. “Kids.” Darren shrugs. “Do you want any?” “Kids?” I choke. “Uh, I don’t know. Probably. Someday. Not anytime soon, so don’t get any ideas tonight back at the hotel.” My cheeks flame from the shock of my own words and I conjure up a laugh to play it cool. Inappropriate jokes are Morgan’s forte, not mine. “Noted.” Darren does a cough-laugh combo and rubs one of his ears.

I was prissy as a child. No dirt under these fingernails.” “You were prissy? I don’t believe it.” “If you knew my mother, it wouldn’t surprise you.” I raise both of my hands in surrender. “But I’ve grown up. I’m not afraid to get dirty anymore.” A lone eyebrow skyrockets and color creeps up his neck. “Is that right?” I drop my face into my hands and bump against his shoulder. “I didn’t mean it like that.” His laughter is warm on the nape of my neck. “Don’t worry. I know.” We stand to leave and I soak up the view one more time, taking a dozen more pictures before heading for the lift to go down. It’s all going too fast. The sun’s already descending on our last day. I’m not ready to go back.

A few carts down, we find the most luscious scarves I’ve ever seen. Darren helps me pick one that manages to make my eyes an intense shade of green, and we find some for Morgan, Gram, and my mother because it would be a nice gesture. She might actually wear this one too, because it’s not hot pink and it was made by professionals.

Did I really write to them from a fake e-mail account, posing as my mother to get out of it? My face flames and sweat dots my hairline. It itches, but my arms refuse to let me do anything about it. The crowd blurs into a dull shifting mass, pressing in on me. I look back up at the ceiling for stability, but it only makes me dizzier. Colors swirl together. God shifts his eyes from Adam to me. Murmurs and whispers amplify, joining my accelerating pulse until there’s a stampede in my ears. My heart might explode. What have I done? Chiara grabs my hand and supports my weakened body through a maze of people and doorways until we’re outside. The brightness burns my eyes, but I welcome the awakening. “What happened? You looked as if you might fall over.” I avoid her question and instead gaze up at the weathered, bluish dome of St. Peter’s Basilica looming over us from high above all the other buildings in the city. Is the pope in there praying for liars like me?

For a few awful, shameful seconds, I seriously contemplate dashing through the gate and joining the line at Passport Control. It’s moving fairly quickly; in the minutes it will take Mum to recover any shreds of composure, I’ll be into Security, where if she tries to follow me, she’ll be detained by the guards. I’m a bad daughter even to think that. A terrible daughter. Not only am I leaving my mother on her own for two whole months, I’m fantasizing about running away from her and possibly getting her arrested.

Do you like flowers, Lady Eleanor?" It was him speaking. Lord Blunt. Asking her opinion on something, of all things. It was unexpected. And everyone was waiting for her answer. Or so it seemed. "I do, thank you." Why did his simple question make her want to shout, or scream, or say something in Italian? A language that she'd learned that seemed to hold all the emotion she wasn't allowed to have. So she loved it all the more. "They are... bellissimi fiori," she said, feeling daring as she spoke. "Speak so that everyone can understand, Eleanor," her mother said reprovingly. "Of course, Mother," Eleanor replied, lowering her eyes so nobody would see the spark of defiance she knew was there.

I told him, ‘Vatte a fa’ ‘u giro, a fessa ‘e mammata.’” His eyes widen. Then he scratches his head. “Do you … er … know the meaning of what you just said?” “Yes. I told him in perfect idiomatic Italian to piss off back up the orifice of his mother’s vagina.

My daughters-in-law, you know..." she shrugs her rounded shoulders resignedly. "They are such sweet girls, good mothers, kind to me..." "And such bad cooks!" we all say in unison, the refrain of every Leftovers Brunch in our history. "Tell us," Benji says, all of us relishing the litany and details of failed dishes. "Well, Gina, you know, she is Italian, so she brings sausages in peppers, which smells like feet. And she takes the beautiful sausages that Kurt makes at the butcher shop and cooks them until they are like hard little rocks. Ellie, she is afraid of getting fat, so she makes cheesecake with no-fat Greek yogurt and Egg Beaters and fake sugar that tastes mostly of petrol. Lisa wanted to do stuffing, and it was so dry that you could barely choke it down. I had to make a second batch of gravy in the middle of dinner because everyone was trying to soak it so that it didn't kill us." "But you made that beautiful turkey, and those dumplings are like pillows," Andrea says. "And your famous German potato salad," Eloise says. "And all of those desserts from the bakery," I say, dreaming of crispy, sweet pastries, oozing custard and homemade jam and dolloped with whipped cream. "A good meal in spite of the girls." Lois beams, knowing that we all really mean our compliments.

The red gravy was the starting point- sauce 'tomate' to her mom, the mother sauce. She grabbed a big yellow onion, two ribs of celery, a fat carrot, and a handful of parsley, the 'quattro evangelistas,' the "four saints," of Italian cooking. She diced the onion, celery, and carrot first, then cut a sweet red pepper and parsley even finer, like grains of wet sand, running the knife through them again and again. She picked off five cloves of garlic, smashed, peeled, and gave them a rough dice, so that they'd flavor the sauce but not overwhelm it. Three big glugs of olive oil went into the heated pot, followed by the 'evangelistas,' salt and pepper, and only then by the garlic, so it wouldn't burn. She folded in a dollop of tomato paste. While they simmered, she stripped a handful of dried herbs from the collection she kept hanging- rosemary, basil, thyme, oregano- then rubbed her hands together over the pot and watched the flecks drift down like tiny green snowflakes.

Gravy is what Italian-Americans call tomato sauce, the three-hour kind with enough meat to feed a small country. My mother makes a huge pot of it every Sunday. It isn't so much about cooking as it is about connecting with her heritage. She likes knowing that generations of her maternal ancestors spent their Sunday mornings stirring what they called 'ragu' in their own kitchens. Even when we ate Sunday dinners at Nonna's, my mother made her own gravy before we went. She'd give half the pot to me to bring to the city, and before the end of the week we had each used up our share for lasagne, sausage-and-pepper sandwiches, baked stuffed peppers, and veal parmigiana.

My mother had just finished kneading a large mass of pasta dough and was patting it into a nice round ball before putting it aside to rest. That meant ravioli. We always began Sunday dinner with either ravioli or lasagne. The homemade pasta meant ravioli, because we buy the large sheets of dough for lasagne from Constantino's. Sitting on the stove, waiting for the oven to get up to temperature, was a roasting pan holding a large pork roast studded with garlic, glistening with olive oil, and surrounded by rosemary sprigs.

These are not sketches.” “They’re not?” Before Jenny could grab the bag back, Louisa extracted a sheaf of letters. “Oh, good. Some are written in German, and I do enjoy German. This one’s Italian, and there are several in French. This must be… I didn’t know Elijah had a grasp of Russian.” “He spent a year in St. Petersburg. Let me see those.” Louisa handed over one, the first one in French, and watched while Jenny translated. “Oh, that dear, dratted, man. That dear, dear…” Rather than listen to Jenny prattle on, Louisa translated another of the French missives. “These are letters of introduction. Your dear, dratted man has written you letters of introduction all over the Continent. This one is written in French but addressed to some Polish count. This one is to some fellow on Sicily. Will I ever see you again?” “There are ruins on Sicily. Greek, Roman, Norman… Beautiful ruins.” What that had to do with anything mattered little compared to the ruins Louisa beheld in her sister’s eyes. “Was he trying to send you away?” Jenny handed Louisa the letter, watching with a hungry gaze as Louisa tucked the epistles back into their traveling bag. “I didn’t ask Elijah for those letters, and I won’t use them.” “Why in blazes not?” Blazes was not quite profanity. When a woman became responsible for small children, her vocabulary learned all manner of detours. “Because he’ll never get into the Academy if he’s seen promoting the career of a woman in the arts. The Academy has been his goal and his dream for years, and he’s given up years of time among his family to pursue it. There’s unfortunate history between one of the committee members and Elijah’s mother, and it will obstruct Elijah’s path if he’s seen to further my artistic interests. I would not jeopardize Elijah’s happiness for anything.” Elijah.

There is nothing harder than telling your own mother you’re everything she hoped you were not.

Elisa may have ridden roughshod over other girls who’ve done this summer course, made their lives a misery, I think angrily. But she’s met her match this time. How dare she make Kelly cry--ruin her first evening away from home? I stare at Elisa until she looks back at me. And then I raise my glass to her, and, just as she did, with my arm blocking her mother’s view of my lips, I mouth “maiali” right back at her, watching with satisfaction as she bridles in fury. You’ve got no idea what you’ve started, I convey to her very clearly. It’s war.

I don’t understand the Italian, but it’s obvious that they’re all fighting over him. The principessa wants Luca to have dinner here; Catia wants him to come back with us, as do all the other girls but Elisa, who wants him to carry her off in his car, treat her to a romantic dinner, and then, probably, propose. And Luca knows all of this; I glance at him, and see a complacent expression on his face as he takes his mother’s hand and kisses it, a gesture that brings more sighs from Kelly, Kendra, and Paige. Well, I’m never going to be like that with him, I promise myself. I take a step back till I’m leaning against the side of an armchair, watching the scene play out as if it had nothing to do with me. I’m never going to be part of a group of girls all vying to catch his attention, jumping up and down, practically screaming: Look at me, Luca! Look at me! The more I see that, the farther I’ll walk away from it. If Luca wants me, he’ll have to come and get me. And if he doesn’t--his oss. Brave words, I think sarcastically: even my vin santo tastes a little bitter going down, probably from the acid at the back of my throat, watching Luca flirt with the girls as he kisses them all goodbye on each cheek. Let’s see if you can stick to those brave words, Violet.

Luca waits patiently while she clutches him, kisses him, pats his cheek, muttering “mio bellissimo figlio,” “my beautiful son,” something an English boy would loathe and detest with every fiber of his being. Luca doesn’t seem to mind at all: Italian boys are clearly very used to being complimented in public by their mothers. Finally he detaches himself, kisses Catia goodbye, and looks over at me. I realize I’m between him and the main door. I actually start to slip behind the armchair, as if I need a barricade between me and Luca; I’m frightened, physically frightened, of what might happen if he kisses me in public. Not that we might become overcome with passion, nothing that silly, just that I might give myself away, cling to him like the principessa just did… “Violetta,” he says softly, and before I know it, he’s crossed the room to me with two brief strides of his long legs. He takes hold of my shoulders, looks down at me. I brace myself. But he doesn’t kiss me at all. He just says, equally softly, “A presto,” releases me, and walks out of the salon. There’s silence for a long moment as we all watch him go: then, like air whizzing out of a balloon, we all deflate. No more excitement for us. The hot boy has left the building.

I think he’s read my mind, because after a brief pause, he asks, “You have a nice time at the party?” There’s only one answer to this. “Lovely,” I say, and I actually toss my head as if I were a heroine in an old film, being coquettish with an admirer. “I danced and danced,” I add airily. “With lots of people. I didn’t see you at all.” “I see you,” he says, “with Sebastiano. You dance a lot with him.” I answer lightly, “Oh yes! He’s very nice. I really liked him.” Luca’s feet shift on the gravel. “He has lots of friends,” he says rather snappily. “Lots of girls.” “Like you,” I snap back. “Elisa says you have lots of girl friends too. Foreign girls.” Luca sighs heavily, and reaches up to run a hand through his hair. “Elisa--” he starts, and then halts, as if he’s choosing his words very carefully. He sighs again. “Elisa,” he finally continues, “can sometimes be not very nice. Even to her mother, she is not very nice. It is maybe better not to listen to what she tells you.” “This just in,” I mutter. “Breaking news revelation.” “Come?” Luca stares down at me, fine streaks of black hair now tumbling over his forehead. “Non capisco.” “Elisa,” I say in Italian as careful as his English, “è una stronza.” He bursts out laughing. “Brava,” he says. “Complimenti.” And he’s very clever, because he uses the laughter to carry him toward me somehow, on a quick step forward, and the next thing I know he’s taken my hands and is holding them in his. I don’t know what to do. I look at our clasped hands. It feels as if he’s cleared the ground, swept away Sebastiano and Elisa; has tried to tell me that he saw me dancing with Sebastiano and was too jealous to come over, and that he doesn’t like Elisa that way. Of course, he might just be telling me what I want to hear. “Violetta--” he starts, and I look up at him, which is a huge mistake. Because he promptly kisses me, and I’m not ready.

I don’t dare to move. I don’t want him to stop touching me. But I can’t just sit here like an idiot. What I really want to do is kiss his hand, but I’m not brave enough for that. I wish I were. And then Luca’s hand moves, just a little, to touch my hair again. He winds his finger through one of my curls. “Che boccoli,” he says, sinking again to sit down next to me on the window seat. Our knees touch. “I don’t know the word in English, but my cousins have these too. Bigger, curly, like African hair. And my father. Maybe you are some kind of relative, Violetta-who-looks-like-Zia-Monica. A cousin. My pretty Italian cousin. You know, when I first meet you I say you look Italian.” He’s leaning close to me now, and I’ve completely forgotten how to breathe. I glance sideways at his finger, long, elegant, very pale by contrast with my dark brown curl wrapped around it. “Boccoli,” he said. I must remember to look that up. “I hope I’m not your cousin,” I say simply. “And see how dark you are.” He lets my curl fall and takes my hand, holding it up next to his, my skin much sallower. “I am white from the north,” he says. “My mother’s Austrian blood. But you, the color of your skin is from the south, or at least Centro Italia, my pretty Italian cousin.” “I don’t want to be your cousin,” I say again, nearly in a whisper. “Why? Because we have kissed?” Luca’s still holding my hand, but his eyes go darker, almost cynical. Almost bitter. “A kiss means nothing. Don’t you know that yet, Violetta? Kissing,” he says, so close now I can feel his breath on my face, so close I can almost feel his lips against mine, “is nothing at all…” I know I should pull away. Even before anything happens, he’s told me it means nothing to him. I should push back, get up, go and find the group. But if he doesn’t kiss me now, I will go insane. Our hands twine together. Our heads move in unison, tilting fractionally. Our mouths touch, our eyes close, our breaths merge. Our bodies edge even closer on the seat, wrapping around each other. I’m completely and utterly lost in him.

Veramente particolare! You know what this word means?” She looks straight at me, and I feel very large and under-made-up by comparison with her Italian chic. “‘Particolare’? It means strange, or odd. You say this word when you don’t like something but you don’t want to be rude.” “Well, that’s not something you ever have a problem with,” Kendra snaps back, and even through my upset at Elisa’s meanness, I admire Kendra’s quick wits. Catia clicks her tongue crossly. “It means ‘special,’ or ‘particular,’” she says to me reassuringly, but we all know that Elisa’s hit the nail on the head. “And Elisa, if you don’t like flowers, you can leave us, please.” “Oh, stai zitta, Mamma,” Elisa says, shrugging exactly the same way her mother does. She walks across the room and out the french windows, where she collapses as if boneless onto the wicker chair, lifts her phone, and sips her espresso while dialing a number. “It’s like ‘darling,’” Paige says suddenly. She looks at our bemused faces. “My grandmother’s from Georgia,” she explains, “and there, if you want to be mean to someone, you say her bag of her hair or something’s ‘darling.’ It’s the worst thing you can say. Like you’re paying a compliment, but it’s really the opposite. Or,” she adds, warming to this theme, “if you’re talking about someone and you say ‘Bless her heart!’ that means you think she’s a total moron.” Catia decides, visibly, to ignore Paige’s comments and her daughter’s horrid behavior.

How cool,” she says, directing a melting stare at Luca. “I’d love to live in a place like this--just pull a cord when you need someone to bring something…” “It is very old and falling down,” Luca says depressingly, propping his shoulders against the wall and crossing his legs at the ankles. “And it costs so much to heat, in the winter we live in one small room.” “Oh, I’m sure that’s not true!” she coos. “Si, invece. In the peasants’’ houses, they have the big fireplace,” he informs her. “With the stone panchini--” He looks at Catia, who provides him with the word “benches.” “Ecco,” he continues. “With the stone benches to sleep next to the fire, to stay warm. Often I say to my mother, we need them here too.” Paige giggles. “You need an American heiress,” she says teasingly. “Like in the nineteenth century in England. Kendra and I saw the miniseries. These American girls with tons of money went to England and married the dukes and earls ‘cause those guys needed money to keep up their stately homes, and the girls wanted to be duchesses. Or princesses,” she adds pointedly. “Subtle, Paige,” Kendra says. “Subtle like a Mack truck.” Paige giggles again. “I’m just saying,” she points out, tossing her blond curls. “I’d looove to be a princess.” “There are many princes in Italy,” Luca says. “And almost all of them are very poor.” “Awesome,” Paige says with relish. “We’re not all this bad,” Kendra says to me and Kelly in an undertone. “Honestly.” “I think she’s funny,” Kelly says back. “I mean, she’s only saying what everyone’s thinking. I sort of admire her for coming straight out with it.

Do you make pizza dough?" "Yes." "This is the same thing. Very easy." When the yeast was foamy, she added flour, olive oil, and salt and handed me a large wooden spoon. "Now you stir it hard until it comes together. Then we knead." She floured the counter and I stirred until the ingredients came together and then turned the dough mass out onto the flour. Rosa divided it in half and we each kneaded a piece until it was smooth. We shaped them into balls, and Rosa covered them with a kitchen towel. "Now we prepare the fillings," she said. She went into a large pantry and returned with a basket filled with Italian salamis, ham, cheeses, red bell peppers, broccoli rabe, and fresh arugula. Just as Sally had said on the promotion show, "Casey Costello was cooking right in the kitchen with a real Italian," but it was no different from cooking with Mom or Nonna. The ingredients were the same, and Rosa, like my mother and grandmother, used no recipes. She knew her way around her ingredients and seemed pleased that I did as well. I realized that more than the country, more than the language, the food connected me to my heritage. I oiled the peppers and put them in a hot oven to roast. When they were charred, I removed the stems and seeds and cut them into thin strips. I laid them on a dish and put a little olive oil, salt, and vinegar on them. She peeled the stems of the broccoli rabe then cut it into two-inch pieces before blanching it for a minute and then sautéing it with olive oil, garlic, and hot pepper. I washed the arugula, removed the tough stems, and dried it. We put the fillings on platters. The colors were dynamite.

the mother did something that neither Tim’s parents, WASPy sticklers for table manners, nor my parents, WASPy guilty eaters, would ever have done: she took more artichokes off her plate with her fingers and insisted I eat them, too. I did, to her relish, and mine.

Heart Disease Starts in Childhood In 1953, a study published in the Journal of the American Medical Association radically changed our understanding of the development of heart disease. Researchers conducted a series of three hundred autopsies on American casualties of the Korean War, with an average age of around twenty-two. Shockingly, 77 percent of soldiers already had visible evidence of coronary atherosclerosis. Some even had arteries that were blocked off 90 percent or more.20 The study “dramatically showed that atherosclerotic changes appear in the coronary arteries years and decades before the age at which coronary heart disease (CHD) becomes a clinically recognized problem.”21 Later studies of accidental death victims between the ages of three and twenty-six found that fatty streaks—the first stage of atherosclerosis—were found in nearly all American children by age ten.22 By the time we reach our twenties and thirties, these fatty streaks can turn into full-blown plaques like those seen in the young American GIs of the Korean War. And by the time we’re forty or fifty, they can start killing us off. If there’s anyone reading this over the age of ten, the question isn’t whether or not you want to eat healthier to prevent heart disease but whether or not you want to reverse the heart disease you very likely already have. Just how early do these fatty streaks start to appear? Atherosclerosis may start even before birth. Italian researchers looked inside arteries taken from miscarriages and premature newborns who died shortly after birth. It turns out that the arteries of fetuses whose mothers had high LDL cholesterol levels were more likely to contain arterial lesions.23 This finding suggests that atherosclerosis may not just start as a nutritional disease of childhood but one during pregnancy. It’s become commonplace for pregnant women to avoid smoking and drinking alcohol. It’s also never too early to start eating healthier for the next generation.

French-Canadian, the Alaskan, the Latin-American, the German, the Italian, the Anglo-American, and the American Indian, squaw and warrior. In the place of honor in the center of the group, standing between the oxen on the tongue of the prairie schooner, is a figure, beautiful and almost girlish, but strong, dignified, and womanly, the Mother of To-morrow. Above the group rides the Spirit of Enterprise, flanked right and left by the Hopes of the Future in the person of two boys. The group as a whole is beautifully symbolic of the westward march of American civilization.

My goodness carina mia, you are so thin. You do not eat enough. Mangia, mangia, mangia! [Alicia's Italian mother's view of her daughter.]

He’s too tired to squirm clear of her, which is good ‘cause pinching and kissing and hugging will calm an Italian mother-person better than anything.

Every culture seems to have customs to ward off evil. Italians use the curved horn, and Eastern European Jews used to say insulting things to babies, such as “Oy, such an ugly girl!” to avoid tempting the devil. America’s magic charms are private education, science camp, and SAT tutors to ward off our evil: personal failure. Mothers

After I have demonstrated how ancient Egypt is connected with Mecca, let's look at the phrase 'Sema Tawy': It was not meant originally to be a reference to 'The Two Lands' because Sema as a noun means transcendence/elevation/sky, and as a verb it means to soar/rise/transcend; and Tawy as a noun is constructed from the verb which means to plummet/fall/descend and also to pleat/fold. Therefore, both words are references to the (Upper and/or Lower) Heavens and Earth/Land. However, trying to connect that which is above with that which is below should originally be observed on the Benben itself (aka, pyramidion) for that it resembled the mound that arose from the primordial waters 'Nu'; now one can appreciate with awe the repeating syllable of 'Ben' after I have proven the connection with Mecca, for that the water spring there (which saved the prophet Ishmael and his mother by God's order unto Gabriel to force its water gushing out of Earth to guarantee the survival of Noah's heir upon whom the tidings are yet to come) is called 'ZamZam'. Replacing 'Z' with 'S' takes place in non-Semitic and non pure Semitic tongues alike'; for example it even exists today in Italian when 'S' comes between vowels or before b, d, g, l, m, n, r, and v. In other words, that is a recurring theme which when applied to the word 'Sema', it shows how it is derived from 'Zam' = زم which means: 'tuck,tighten'. Therefore, not only the theme of the black cornerstone along with the Bennu bird were taken from Arabia's heritage, but even the creation story of the pyramidion is built upon that important site in Mecca which is a valley, or better said, a Tawy. Putting the capstone above it to lift it high into the sky thereby (while operating as a portal to the Upper Heavens as I have shown earlier) directly points to the fact that ancient Egypt was yearning to receive Noah's heritage for herself and it devised a whole tradition to reproduce Arabia's theme for that zeal. If 'Sema Tawy' later on came to mean 'Union of the Two Lands', then its context is now clear that: as in Mecca, so is in Egypt. Note that the word 'ZamZam' (bring together, collect) was that action which Ishmael's mother was doing once she saw water coming out of the ground as the sources tell us, for that she was afraid that what happened before her eyes was coincidental rather than being brought up from a well beneath her.

Surprised at Kaye’s belated display of maternal instincts, Sean relented, promising he’d get in touch with Lily. Besides, he knew his own mother would never forgive him if he refused such a simple request. As he made his way down the narrow streets to the pensione opposite the Pantheon, where Lily and her roommate were staying, Sean steadfastly refused to acknowledge any other reason for agreeing to take Lily out. It had been three years since they’d left for college, not once had she come home to visit. But Sean still couldn’t look at a blonde without comparing her to Lily. He’d mounted the four flights of narrow, winding stairs, the sound of his steps muffled by red, threadbare carpet. At number seventeen, he’d stopped and stood, giving his racing heart a chance to quiet before he knocked. Calm down, he’d instructed himself. It’s only Lily. His knock echoed loudly in the empty hall. Through the door he heard the sound of approaching footsteps. Then it opened and there she was. She stood with her mouth agape. Her eyes, like beacons of light in the obscurity of the drab hallway, blinked at him with astonishment. “What are you doing here?” The question ended on a squeak. As if annoyed with the sound, she shut her mouth with an audible snap. Was it possible Kaye hadn’t bothered to tell Lily he’d be coming? “I heard you were spending a few days in Rome.” Sean realized he was staring like a dolt, but couldn’t help himself. It rattled him, seeing Lily again. A barrage of emotions and impressions mixed and churned inside him: how good she looked, different somehow, more self-confident than in high school, how maybe this time they might get along for more than 3.5 seconds. He became aware of a happy buzz of anticipation zinging through him. He was already picturing the two of them at a really nice trattoria. They’d be sitting at an intimate corner table. A waiter would come and take their order and Sean would impress her with his flawless Italian, his casual sophistication, his sprezzatura. By the time the waiter had served them their dessert and espresso, she’d be smiling at him across the soft candlelight. He’d reach out and take her hand. . . . Then Lily spoke again and Sean’s neat fantasy evaporated like a puff of smoke. “But how did you know I was here?” she’d asked, with what he’d conceitedly assumed was genuine confusion—that is, until a guy their age appeared. Standing just behind Lily, he had stared back at Sean through the aperture of the open door with a knowing smirk upon his face. And suddenly Sean understood. Lily wasn’t frowning from confusion. She was annoyed. Annoyed because he’d barged in on her and Lover Boy. Lily didn’t give a damn about him. At the realization, his jumbled thoughts at seeing her again, all those newborn hopes inside him, faded to black. His brain must have shorted after that. Suave, sophisticated guy that he was, Sean had blurted out, “Hey, this wasn’t my idea. I only came because Kaye begged me to—” Stupendously dumb. He knew better, had known since he was eight years old. If you wanted to push Lily Banyon into the red zone, all it took was a whispered, “Kaye.” The door to her hotel room had come at his face faster than a bullet train. He guessed he should be grateful she hadn’t been using a more lethal weapon, like the volleyball she’d smashed in his face during gym class back in eleventh grade. Even so, he’d been forced to jump back or have the number seventeen imprinted on his forehead. Their last skirmish, the one back in Rome, he’d definitely lost. He’d stood outside her room like a fool, Lover Boy’s laughter his only reply. Finally, the pensione’s night clerk had appeared, insisting he leave la bella americana in peace. He’d gone away, humiliated and oddly deflated.

The influence of the langues d’oc and d’oïl produced a situation in which French had started exporting itself even before it had become a fully developed language with a coherent writing system. Between the tenth and fifteenth centuries, Romance impressed itself on Europe as the language of worldly business, helping to relegate Latin to the religious sphere, although the latter did remain a language of science and philosophy for many more centuries. In the Mediterranean region, fishermen, sailors and merchants used a rudimentary version of langue d’oc mixed with Italian that people called the lingua franca (“Frankish language”), and over time this spoken language soaked up influences from Italian, Spanish and Turkish. (Today a lingua franca is any common language used in economics, diplomacy or science, in a context where it is not a mother tongue.) The Mediterranean lingua franca never evolved into anyone’s mother tongue, which is why there are very few written traces of it. A rare rendition of it appears in a seventeenth-century comedy by the French playwright Molière, who had been a wandering actor before he entered Louis XIV’s Court. In his Le bourgeois gentilhomme (The Would-Be Gentleman), Molière creates the character of a fake Turk who speaks in lingua franca (for obvious comical effect): Se ti sabir, / Ti respondir; se non sabir, / Tazir, Tazir. Mi star Mufti / Ti qui star ti? Non intendir, / Tazir, tazir. If you know, / you must respond. If you don’t know, / you must shut up. I am the Mufti, / who are you? I don’t understand; / shut up, shut up.2 It was the Crusades, which were dominated by the French, that turned lingua franca into the dominant language in the Mediterranean. More than half a dozen Crusades were carried out over nearly three centuries. Many Germans and English also participated, but the Arabs uniformly referred to the Crusaders as Franj, caring little whether they said oc, oïl, ja or yes. Interestingly, Arabic, the language of the common enemy, gave French roughly a thousand terms, including amiral (admiral), alcool (alcohol), coton (cotton) and sirop (syrup). The great prevalence of Arabic words in French scientific language—terms such as algèbre (algebra), alchimie (alchemy) and zéro (zero)—underlines the fact that the Arabs were definitely at the cutting edge of knowledge at the time.

Why do I love Italy? Do not a hundred answers present themselves to you on the instant? I love Italy because my mother is an Italian; because the blood that flows in my veins is Italian; because the soil in which are buried the dead whom my mother mourns and whom my father venerates is Italian; because the town in which I was born, the language that I speak, the books that educate me, because my brother, my sister, my comrades, the great people among whom I live, and the beautiful nature which surrounds me, and all that I see, that I love, that I study, that I admire, is Italian. Oh, you cannot feel that affection to the full! You will feel it when you become a man; when, returning from a long journey, after a prolonged absence, you step up in the morning to the bulwarks of the vessel and see on the distant horizon the lofty blue mountains of your country; you will feel it then in the impetuous flood of tenderness which will fill your eyes with tears and will wrest a cry from your heart. You will feel it in some great and distant city, in that impulse of the soul which will draw you from the strange throng towards a working man from whom you have heard in passing a word.

I’m struck by the timelessness of Italy. It is not the first time I’ve had this thought—that the Italy I’m returning to, now, is not all that different from the one my mother first fell in love with thirty years ago. The country has been around for thousands of years. Unlike America, progress is rated differently. It happens slower.

My darling Katy, my baby girl - Italy is so beautiful. It reminds me of you. How happy everyone is in the morning, how the stars come out at night. I know I am not there, and I hope someday to explain to you why. I hope so many things for you, baby girl. I hope you walk through the world knowing your value. I hope you find a passion - something you love, something that lights you up inside. I hope you find the peace and confidence it takes to trust where your path leads. Remember, it is only yours. Others can wave and cheer, but no one can give you directions. They have not been where you are going. I hope you’ll understand someday that just because you become a mother doesn’t mean you stop being a woman. And above all else, I hope you know that even if you can’t see me, I am always with you. Forever, Your Mama.

Connie is in her midthirties and lives with her widowed mother. The living arrangement isn’t ideal for Connie, but she’s a good Italian Catholic girl and family takes care of family.

It seems to me unhelpful to insist on categorizing Alessandro’s mother as either black (sub-Saharan) African or North African, as if the people of these two groups never mixed. In reality they did, and for many centuries had mixed with Italians too.

But Rao’s sauce, as always, saved the day. Jesse had long since stopped calling it gravy, what his Italian mother had called it when he was growing up, and it had so often been just the two of them eating like this at the kitchen table.

Livia felt bereft as she waved goodbye to Elena and her father the following morning. It was unbearable to have been left up in the hill with her mother, out of harm's way, while down on the plain in Florence, the Resistance was forging ahead. She would never be content with an ordinary life, she realised. The business of running a home, loving a husband, raising a child, would never be enough for her. She yearned for danger, for challenges and excitement, and she was determined to get back to her real existence as soon as possible.

Rosa discreetly wrapped a paper napkin around her canapé- a dry affair of puff pastry and greasy smoked salmon- and deposited it in a wastebasket. She wasn't discreet enough; Alex noticed. "Too bad about the food." "I bet it cost an arm and a leg, too. Boy, these people would probably kill for a piece of pizza right now." Before any important gathering or holiday, her mother used to work on the food for days. Rosa would stand on a stepstool at the counter beside her, shaping meatballs or cutting dough. In the summer, she and Mamma would wrap paper-thin slices of prosciutto around melon balls and served them on toothpicks. There was nothing wrong with keeping food simple.

The place I always felt at home. My mother, you see, is the great love of my life. She is the great love of my life, and I have lost her.

Grief is an unpredictable foe. My mother says there’s no easy way around it and no fast way through. You just have to walk in pace with it, however long that takes.

My grandmother swaddled her baby, as they did two thousand years ago, and let him swing on a tree branch so she could do backbreaking work for fifteen cents a day. Lizzie talked about working, herself, too, starting when she was eight or nine years old, long before the era of child labor laws, at the Milford Shoe Company. “My first day, they put me at a sewing machine and give me two pieces a leathuh. They told me how to stitch the pieces togethuh—paht of a man’s shoe. Each time I did that, they told me, drop it inna drawa. I thought, this is easy. Zip, zip, zip, one afta anuthuh. End of the day comes, my drawa is full. Lady next to me, olda woman—she didn’t have so many done. The boss fired her right then. They gave me her job afta that.” From that day on, my aunt worked in factories all her life. Like my mother, she was heavy set but solid, as sturdy and muscled as the men who worked beside her, first at Milford Shoe and later at William Lapworth & Sons, a manufacturer of elastic fabrics, whose British-born owner berated her whenever a needle broke on her sewing machine. Later she worked at Archer Rubber, where a chemical spray left a small scar on her cheek. Her final employer was the Stylon Tile Company, known for making pink and black bathroom tiles, which were hard to handle without cutting her hands. She always called her place of work “the shop.” She was “working down at the shop.” Before I left her house, she always gave me something to take with me, like a bag of her hand-made swiss-chard ravioli, or if it was close to Christmas, a plate of her own Italian cookies. My favorites were the ceci, little fried cookies that looked like ravioli but were stuffed with sweet chestnut and honey filling, or the ones that looked like bowties, called cenci, dusted with powdered sugar. No matter how busy she was, she never let anyone leave her house hungry or empty-handed. Once I accompanied Lizzie to the Sacred Heart Cemetery to help her with all the flower baskets she wanted to lay on the gravestones of lost family members. There’s something about Italians and cemeteries. I was never attracted to cemeteries, never finding any comfort in visiting the dead, but for most of my family, it was like attending a family reunion. Seeing Lizzie moving

Goddard brought his team of fieldworkers to Ellis Island on a series of trips, starting in 1912. When ships docked and immigrants shuffled into the main building on the island, Goddard’s fieldworkers scanned them. They pointed out those who looked like they might be feebleminded. The selected immigrants were pulled out of the crowd and taken to a side room. There, another fieldworker and an interpreter would give each immigrant a series of tasks, such as fitting blocks into holes or telling them what year it was. Goddard’s staff kept careful records of the tests, which he analyzed back in Vineland. The results stunned him: A huge proportion of the immigrants tested as feebleminded. Goddard broke down the results by ethnic group: 79 percent of Italians were feebleminded, 83 percent of Jews, 87 percent of Russians

Because she knew it, too. She felt that freedom. It felt like love. The best thing I ever did was letting your mother go. No one is perfect, Katy. Perfect doesn’t exist. What we had was pretty fucking good, though.

The Maltese retorts are far less historical and focus more on their assertion that the Italians are in inappropriate relationships with their mothers. FALCO scanned the crowd. BC must be here. He’s no chance to blend in here either. The Italians and Maltese are many wonderful things but tall is not normally one of them.

What would happen if he returned and asked permission to be Grace’s suitor? Well, she would not stand for it. Per l’amor di Dio, for the love of God, Grace was only seventeen, and it was the height of rudeness to abandon the mother for the daughter. If he did return, she would see that he was sent away. --Farewell My Life: Buona Notte Vita Mia

Brunetti thought of Parliament in the way most Italians thought of their mothers-in-law.

Carol was an incredible mother. She was also flawed and complicated and a woman, just like me. One summer does not make that untrue. One summer is one summer. It can be a watercolor of beach days. It can change your life.

Oh my goodness,” she says. “Do you know him? That was a long time ago. No. He never did. We got by on a few lucky investments and never needed a partner.” Monica eyes me. “Why are you asking me this?” “Do you remember a woman named Carol Silver?” Monica gives me a soft smile. “Your mother?” My pulse stops. I nod. “Yes,” she says. “I knew her. We met in the summer of 1992. She used to come here to mail packages back to…” Monica looks to me. “To you,” she says. “To her daughter.

My father’s mother, Grandma Marietta, was a living portrait of her generation: a short squat woman who toiled endlessly in the home. She shared the common lot of Italian peasant women: endless cooking, cleaning, and tending to the family, with a fatalistic submergence of self. “Che pu fare?” (“What can you do?”) was the common expression of the elderly women.

A good mother is worth a hundred teachers. —Italian proverb

His mother might claim to be a loyal light in the shadows, but he was determined to shove her even further into the shadows.

History, memory is by definition fiction. Once an event is no longer present, but remembered, it is narrative. And we can choose the narratives we tell—about our own lives, our own stories, our own relationships. We can choose the chapters we give meaning. Carol was an incredible mother. She was

I was lucky. I didn’t have a mother who longed for her youth.

The Welsh are swine,” said the one-legged man in reply to a question from his son. “Absolute swine. The English are swine, too, but not as bad as the Welsh. Though really they’re the same, but they make an effort not to seem it, and since they know how to pretend, they succeed. The Scots are bigger swine than the English and only a little better than the Welsh. The French are as bad as the Scots. The Italians are little swine. Little swine ready and willing to gobble up their own swine mother. The same can be said of the Austrians: swine, swine, swine. Never trust a Hungarian. Never trust a Bohemian. They’ll lick your hand while they devour your little finger. Never trust a Jew: he’ll eat your thumb and leave your hand covered in slobber. The Bavarians are also swine. When you talk to a Bavarian, son, make sure you keep your belt fastened tight. Better not to talk to Rhinelanders at all: before the cock crows they’ll try to saw off your leg. The Poles look like chickens, but pluck four feathers and you’ll see they’ve got the skin of swine. Same with the Russians. They look like starving dogs but they’re really starving swine, swine that’ll eat anyone, without a second thought, without the slightest remorse. The Serbs are the same as the Russians, but miniature. They’re like swine disguised as Chihuahuas. Chihuahuas are tiny dogs, the size of a sparrow, that live in the north of Mexico and are seen in some American movies. Americans are swine, of course. And Canadians are big ruthless swine, although the worst swine from Canada are the French-Canadians, just as the worst swine from America are the Irish-American swine. The Turks are no better. They’re sodomite swine, like the Saxons and the Westphalians. All I can say about the Greeks is that they’re the same as the Turks: bald, sodomitic swine. The only people who aren’t swine are the Prussians. But Prussia no longer exists. Where is Prussia? Do you see it? I don’t. Sometimes I imagine that while I was in the hospital, that filthy swine hospital, there was a mass migration of Prussians to some faraway place. Sometimes I go out to the rocks and gaze at the Baltic and try to guess where the Prussian ships sailed. Sweden? Norway? Finland? Not on your life: those are swine lands. Where, then? Iceland, Greenland? I try but I can’t make it out. Where are the Prussians, then? I climb up on the rocks and search for them on the gray horizon. A churning gray like pus. And I don’t mean once a year. Once a month! Every two weeks! But I never see them, I can never guess what point on the horizon they set sail to. All I see is you, your head in the waves as they wash back and forth, and then I have a seat on a rock and for a long time I don’t move, watching you, as if I’ve become another rock, and even though sometimes I lose sight of you, or your head comes up far away from where you went under, I’m never afraid, because I know you’ll come up again, there’s no danger in the water for you. Sometimes I actually fall asleep, sitting on a rock, and when I wake up I’m so cold I don’t so much as look up to make sure you’re still there. What do I do then? Why, I get up and come back to town, teeth chattering. And as I turn down the first streets I start to sing so that the neighbors tell themselves I’ve been out drinking down at Krebs’s.

Giorgia Meloni Prime Minister of Italy says in 2025. Islam is not compatible with western values, This is my reply to her. "Thank you for acknowledging this Giorgia Meloni Prime Minister of Italy. You are right, A religion based on dignity cannot be compatible with a culture that is mother of pornography, culture of narcotics, women abuse, nudity, prostitution, extramarital affairs, human pet, mistress, illegitimate children, old age homes the commodification of women, and hollow values.

Marie-Antoinette was, at least on her father’s side, as much French as anything. Her father, Francis, had been duke of Lorraine and her grandmother was the sister of the duc d’Orléans, regent for Louis XV. Francis spoke French and refused to learn German when he married her mother, Maria-Theresa, daughter of the Habsburg Holy Roman Emperor, Charles VI. A host of Lorrainer nobles had flocked to Vienna in the wake of Francis as they would to Paris in the wake of his young daughter. The Habsburg court, as became a polyglot empire, was trilingual or even quadrilingual: Spanish because the Habsburgs had ruled that country and Charles had tried to get it back; Italian because they had possessions in the peninsula; German because that was what the natives spoke; and French because it was the universal language. Marie-Antoinette spoke French as her first language but with a German accent and many Germanisms.

I only know that when it came to my family, it often felt like my father was an outsider, the one observing the natural rhythm of my mother and me.

When you learn that muscatel in Italian means “wine with flies in it,” you may conclude that the Italians are gastronomically out to lunch, so to speak, but really their names for foodstuffs are no more disgusting than our hot dogs or those old English favorites, toad-in-the-hole, spotted dick, and faggots in gravy.

At the outset of the film, a powerful marker of ‘Italian-ness’ is evoked as Tony Camonte, a figure more accurately based on Al Capone than Rico Bandello was, sets out to murder his rival ‘Big Louie’ Costillo. In a play of chiaroscuro, a dark silhouette approaches his victim moving from the right to the left of the screen while whistling an aria from the opera Lucia di Lammermoor by the famed Italian composer Gaetano Donizetti. As the narrative progresses, the character of Tony is further developed through additional markers of his immigrant ethnic background. A coarse, even vulgar man, Tony has a poor command of English, and his sentences are marked by a heavy accent and the occasional Italian phrase, evident when he yells ‘sta’ zitt!’ (‘shut up!’) at his mother. Even as he begins to ascend the ladder of urban criminality, his immigrant background surfaces: he buys dozens of shirts so that he only has to wear them once, and he purchases ostentatious jewellery while settling into a gaudily furnished home. Like Rico Bandello, Tony inhabits a world of urban criminality where Italians are always present, as characters such as Johnny Lovo, Guino Rinaldo, his secretary Angelo, and even the organ-grinder demonstrate. Yet it is perhaps through the representation of Tony’s Italian family that the film binds the gangster most firmly to an ethnic Italian world. Introduced early in the film, Tony’s family is a stereotypical representation of ‘Old World Italian familialism.’8 Tony’s mother, dressed in a southern Italian peasant outfit and expressing herself in broken English, is often shown in a farmhouse

kitchen as she serves Tony pasta and fills his glass with wine. Within the family structure, Tony, who has no father, is a patriarch who has the role of protecting his sister Cesca’s honour, while Mrs Camonte is the matriarch who guards the family’s morality. Yet the structure of Italian familialism is weakened to the point of being unable to provide a viable social model for American society. Tony is a degraded image of a patriarch whose protection of female honour only leads him to murder Cesca’s new husband Guino. Tony’s actions towards his sister are further represented as a form of incest exemplified in the scene where he rips off her clothes after seeing her dance with another man at the Paradise Club. As Peter Bondanella has noted, in the representation of Tony’s desire for Cesca, the film might even actualize a long Anglo-Saxon tradition of associating Italian cultural heritage with Renaissance duplicity and perverse forms of sexuality evocative of the Borgia family.9 But the film also neutralizes the other dimension of Old World familialism represented by Mother Camonte, whose role as the custodian of the family’s morality fails since she has a son who is a gangster and a daughter whom she cannot protect from her ‘no-good’ boy. Because of the repeated construction of the gangster as an Italian ethnic subject bearing the markers of an ethnicity to be feared for

The Renzettis live in a small house at 84 Chestnut Avenue. Frank Renzetti is forty-four and works as a bookkeeper for a moving company. Mary Renzetti is thirty-five and works part-time at a day care. They have one child, Tommy, who is five. Frank’s widowed mother, Camila, also lives with the family. My question: How likely is it that the Renzettis have a pet? To answer that, most people would zero in on the family’s details. “Renzetti is an Italian name,” someone might think. “So are ‘Frank’ and ‘Camila.’ That may mean Frank grew up with lots of brothers and sisters, but he’s only got one child. He probably wants to have a big family but he can’t afford it. So it would make sense that he compensated a little by getting a pet.” Someone else might think, “People get pets for kids and the Renzettis only have one child, and Tommy isn’t old enough to take care of a pet. So it seems unlikely.” This sort of storytelling can be very compelling, particularly when the available details are much richer than what I’ve provided here. But superforecasters wouldn’t bother with any of that, at least not at first. The first thing they would do is find out what percentage of American households own a pet. Statisticians call that the base rate—how common something is within a broader class. Daniel Kahneman has a much more evocative visual term for it. He calls it the “outside view”—in contrast to the “inside view,” which is the specifics of the particular case. A few minutes with Google tells me about 62% of American households own pets. That’s the outside view here. Starting with the outside view means I will start by estimating that there is a 62% chance the Renzettis have a pet. Then I will turn to the inside view—all those details about the Renzettis—and use them to adjust that initial 62% up or down. It’s natural to be drawn to the inside view. It’s usually concrete and filled with engaging detail we can use to craft a story about what’s going on. The outside view is typically abstract, bare, and doesn’t lend itself so readily to storytelling. So even smart, accomplished people routinely fail to consider the outside view. The Wall Street Journal columnist and former Reagan speechwriter Peggy Noonan once predicted trouble for the Democrats because polls had found that George W. Bush’s approval rating, which had been rock-bottom at the end of his term, had rebounded to 47% four years after leaving office, equal to President Obama’s. Noonan found that astonishing—and deeply meaningful.9 But if she had considered the outside view she would have discovered that presidential approval always rises after a president leaves office. Even Richard Nixon’s number went up. So Bush’s improved standing wasn’t surprising in the least—which strongly suggests the meaning she drew from it was illusory. Superforecasters don’t make that mistake. If Bill Flack were asked whether, in the next twelve months, there would be an armed clash between China and Vietnam over some border dispute, he wouldn’t immediately delve into the particulars of that border dispute and the current state of China-Vietnam relations. He would instead look at how often there have been armed clashes in the past. “Say we get hostile conduct between China and Vietnam every five years,” Bill says. “I’ll use a five-year recurrence model to predict the future.” In any given year, then, the outside view would suggest to Bill there is a 20% chance of a clash. Having established that, Bill would look at the situation today and adjust that number up or down.

The studio’s photographic activity lay quietly in hibernation, and not even your mother’s friends left their beloved Södermalm to support the studio despite their eagerly expressed curiosity for what they called “the colorful, multicultural suburb.” I never really understood the meaning of this expression. The neighborhood in the vicinity of the studio was not particularly separated from the neighborhood in Hornstull where you localized your lodgings. The same rectangular box houses, the same brown house colors. The same brightly shining mailboxes, the same Konsum grocery, the same Apoteket sign. The same red-nosed alcoholics who sat mumbling on the benches outside Systembolaget. The same Assyrians who started the same pizzerias with the same clever Italian names. Sometimes I noticed that people from Södermalm truly enjoyed pointing out every crucial difference between “the suburbs” and “downtown.” Sometimes I thought that the situation was similar to when tourists in Tabarka enjoyed pointing out the crucial difference between “the mystique of the Orient” and “the stress and pressure of the Western world.

The company stores were not divided by race. The coloreds, the Spanish, the Italians, and the Polish all got along. Men of all races and nationalities played cards together, and there was no prejudice between them. The women would serve food as the men played. The whites would go into the colored section of town, but the coloreds never ventured into the white part.

The evening Bartolomeo left her the radish rose, he also ignored the words of her gray-haired mother and gave Stella an extra serving of pappardelle, made fresh from ricotta, eggs, and goat milk, fried to perfection and dusted in sugar. They were called "gobble-ups" for a good reason, and the principessa was pleased to indulge, that is until her mother bade Bartolomeo to take the plate away. She glared at her mother and snatched one last fritter. Sugar coated the edge of her pretty lips and Bartolomeo thought he might swoon. He would give anything to kiss the sweetness away. The rose was gone when he went to clear the plates. He could only hope she had secreted it away in the finely embroidered saccoccia hanging at her hip.

According to Luisa Muraro, an Italian writer whose work is mainly dedicated to elaborating a feminist philosophical perspective, access to language is fundamentally linked to the affective relation between the body of the learner and the body of the mother. The deep, emotional grasp on the double articulation of language, on the relation between signifier and signified in the linguistic sign, is something that is rooted in the trusted reliance on the affective body of the mother. When this process is reduced to an effect of the exchange between machine and human brain, the process of language learning is detached from the emotional effect of the bodily contact, and the relation between signifier and signified becomes merely operational. Words are not affectively grasping meaning, meaning is not rooted in the depth of the body, and communication is not perceived as affective relation between bodies, but as a working exchange of operating instructions.

Jessie, a fifty-year-old woman with no skills, job opportunities were limited. She may have had a historic family background, but pedigree was of little use when it came to job skills. A few years later, Daisy ghost-wrote an article, “On the Fourteenth Floor,” a first-person account of a woman—a mother of two daughters—who has run out of money and moves to New York City in search of a job. Retail work is available, but she wisely decides that she would not be a good candidate to be a saleswoman. One day, she lunches with a friend at a large hotel in the city and notices that the hotel is bursting with business. Foot traffic in the lobby is thick and without letup. The woman realizes that this is a thriving operation and most likely has job positions available. On a whim, the woman applies for a job, not really knowing what position they would place her in. The manager says she can begin the next day as a chambermaid for thirty-six dollars a month, along with room and board. “On the Fourteenth Floor,” rich in detail as to the woman’s responsibilities and day-to-day activities, is sprinkled with descriptions of her interactions with the clientele. The author also writes of a friendly co-worker named Zayda with whom she becomes close friends. Daisy would give homage to Zayda later in her early career at Street & Smith. Forty years later, Esther would tell stories of the time when the three women lived at a hotel in Manhattan. They lived at the Hotel Astor, Esther said, and socialized with Arturo Toscanini’s wife Carla. Esther remembered Mrs. Toscanini cooking traditional Italian dinners for her and her sister in her suite, much to the consternation of the hotel management. Although there is no documentation proving this, and neither Jessie nor Daisy mention living at the Astor in their journals, Esther’s reminisces about socializing with the wife of the legendary conductor line up chronologically with the time that she lived at the hotel.

Donato, Donato,” Hannah calls, waving. He comes over to us, kisses his mother and her friend on their cheeks. They laugh and smile, slapping him playfully when he flatters them in Italian. I can tell Hannah is waiting for her turn. She blushes when he spins her. “Bellissima.” He whistles. When he looks at me it’s with the same calculated charm. Only he’s quick about it, he does not mention the silk crepe dress I’m wearing, the one from the shop on Via Condotti. He does offer me a cigarette. “Cilla doesn’t smoke,” Hannah reminds him. He smirks. “Ah, sì. I forget. Ready to go in?” He gives us wristbands that will get us free drinks, and then ushers us from the line, past the bouncers and into the club. It is an instant assault of grinding bodies, of a thick, not unpleasant heat. Flashing lights—blue, white, pink, purple. I can’t make anything out. And then Hannah and her girlfriends are gone. Donato too. I look around, but I’ve been left with Marie and her friend. “Donato reserved us a booth,” Marie shouts to me, and signals that I should follow her. I push my way through the crowd. Everywhere are women, most not older than thirty, all of them red-lipped and kohl-eyed, with delicate sloping noses, bare shoulders and legs. They are dancing almost on top of one another, their teeth bright white and perfect. A bartender comes by with shots for anyone who will kiss him. Marie’s friend leaves a fat lip print on either cheek. Bacio, bacio, she mouths to me. I shake my head. No, thank you. A waitress takes us past a velvet rope, to a big round booth where a bottle of champagne sits in a bucket of ice. Marie and her friend are beaming. Marie leans over to me. “Is this like Los Angeles clubs?

defended his mother tongue in a scholarly Latin treatise, entitled De Vulgari Eloquentia, upholding it even against Latin and further giving us much information about Italian dialects and medieval verse-forms.

Italians were confined to the district by a combination of illiteracy and the constant tribute demanded by their wayward countrymen. It was a ghetto ruled by the Black Hand, a criminal organization with roots in Sicily. And though the mobsters carried black-handled revolvers as they conducted business in the neighborhood, the name Black Hand originated in the old country. Mob activity flourished during that era. A train of organized corruption ran from Cleveland to Canton to Steubenville. Cherry Street was the center of the Canton action, an avenue where racketeering joints and roving prostitutes vied for the same souls as St. Anthony’s Catholic Church.

You really want to know?” Beatrice nodded. Catherine simply waited. If he wanted to tell them, he would. Clarence was not the sort of man you could persuade or plead with. “All right. It was the year I graduated from law school. Like the other black men in my class, I was inspired by Judge Ruffin, the first black man to graduate from Harvard Law and the first to become a judge in Massachusetts. I thought I was going to be just like him. Me, a poor boy raised by a widowed mother who used to clean other people’s houses to pay the rent. Well, I went through Howard on scholarship, then Harvard on scholarship, and my first year out I worked for an organization offering legal aid to other poor folk—black, Irish, Italian, all sorts. I was sent to one of the counties in the western part of the state, to defend a black man accused of raping a white woman. That was the first time a judge called me ‘boy.’ I got my client off all right—the woman herself stood in the witness stand to say it wasn’t rape. They wanted to get married. That was legal in Massachusetts, and she was of age, but her father didn’t want her to marry a black man, so he told the sheriff that my client had raped her. She was visibly pregnant. “My client walked out of that courthouse a free man, but there was a crowd waiting for him outside, and suddenly her brother stepped out of that crowd. He was the sheriff’s deputy. He had a gun, and he said he was going to shoot that damn . . . his language isn’t fit to repeat. He was determined to kill my client. Without thinking, I jumped on him and wrestled with him for the gun. It went off. . . . He bled to death in my arms. So I was tried for manslaughter in that courthouse, in front of that judge. Despite his jury instructions, I was acquitted—you could almost see him frothing at the mouth with fury and tearing his hair out, the day I walked out of that courtroom, a free man. Everyone in that crowd had seen it was an accident, but who was going to give me a job after that? It didn’t matter that I was innocent. My face had been on the cover of the Boston Globe as the black man who’d killed a white policeman.

Silvia lets out a laugh at something Donato has said. She’s moved so she can stretch her tan legs across him. I’m watching him massage her feet. “Did Donato show you Santa Maria del Popolo?” she’s asking me. “It has my favorite Caravaggio.” Donato says something in Italian, which makes her laugh again. “It’s where Nero’s ghost lives,” one of the British sisters says to me. “Do you know Nero?” I remember Donato pointing out a domineering building in the piazza. But I don’t remember him telling us about any ghosts. Cristiano is rolling a joint on his lap. “Omicida.” He lights it. “He dipped Christians in oil,” another one of them is saying as they pass the joint around. “And set them on fire to light his garden at night.” “He killed his mother.” The smoke is very strong, the air suddenly stagnant. “How do you live with so many reminders of death everywhere?” I ask. The breeze returns and I shiver. “It reminds us to live well,” Donato says, puffing on the joint. “That this life is short. You have to take what you want.” I have not thought about my wants in so long that the flood of them makes me light-headed. A drip-irrigation system for the garden, my own Tiffany stud earrings so I don’t have to always be borrowing Mom’s, one of those mid-century modern houses in Benedict Canyon, a buzzy TV show—Guy.

ROZ: My sister and I became guarded with each other in the weeks and months after our mother died. I don’t think either of us had a handle on what it was about, but I, in my characteristic way, was eager to roll up my sleeves and iron out some issues with her. She, less given to argument, preferred to keep her distance. Many is the time I drove through the streets of Boston presenting my case in the most cogent terms to a full courtroom just beyond the dashboard, while she was safely closeted a state away. My birthday came and went and still we had not managed to get together; of course I felt all the more put upon. Finally I had the grace to ask myself, “What’s happening here?” and I caught a glimpse of the in-between. All the energy I had been expending to shape a persuasive argument was actually propelling us apart. And I missed her—acutely. I thought that if I could just see her we surely could find some solutions. So I called her, and invited myself to her house for breakfast, and got up in the dark and was down in Connecticut by seven. There in the kitchen in her nightgown I found her, looking like my favorite sister in all the world. We talked gaily while we drank black Italian coffee, and then we took a long morning walk down the leafy dirt roads of Ashford, Connecticut, while her chocolate Lab, Chloe, ran ahead and came back, ran ahead and came back, in long arcs of perpetual motion. What did we talk about? The architecture, and the countryside, and the cats that Chloe was eager to visit at the farm ahead. We revisited scenes featuring our hilarious mother. We talked about my work, and about a paper she was about to present. My “case” never came up; it must have gotten lost somewhere along that wooded road because by the time I got in the car—my courtroom, my favorable jury—it was no longer on the docket. Did we resolve the issues? Obviously not, but the issues themselves are rarely what they seem, no matter what pains are taken to verify the scoreboard. We walked together, moved our arms, became joyous in the sunlight, and breathed in the morning. At that moment there were no barriers between us. And from that place, I felt our differences could easily be spoken. My disagreements with my sister were but blips on our screen compared to the hostilities individuals and nations are capable of when anger, fear, and the sense of injustice are allowed to develop unchecked. “Putting things aside” then becomes quite a different matter. At the apex of desperation and rage, we need a new invention to see us through.

But I see one thing, very important. I see that Luca is not smoking no more. I say to ’im, ‘I am very ’appy that you do not smoke.’ And ’e says, ‘It is Violetta. She tell me not to smoke, she say it is schifoso. So I stop.” I think about this. Luca not only gave up smoking because I didn’t like it; he told his mother that I was the reason he did it. That I was important enough to him for him to listen to me. It gives me the bravery the principessa lacks. “Let me tell Luca,” I offer. The principessa leans toward me, her blue eyes--blue as Luca’s--fixed on my face. “Oh, wonderful! You are good for ’im,” she says earnestly. “You ’elp ’im. ’E listens to you. I know that if you tell ’im this, ’e will listen. And then I will come to see ’im when ’e knows. Please. I am not brave like you. And Luca--ti vuole bene. Ti vuole veramente bene.” “He cares about you. He truly cares about you.

Full disclosure. I’m a guy weaned on the reruns of 1970’s and 80’s action/adventure TV shows. You couple that with a pretty white trash upbringing that, when not down at the comic book shop and learning about the art of Jack Cole and obscure Italian crime movies from Von Rudy, translated into an inordinate amount of time spent hanging around Lemons Speedway unsupervised while my mother looked for love, and you’ll see that my convincing a broken down daredevil stuntman drinking buddy of my mom’s named No Eyes Majewsky into teaching me how to pull out of a parking space like Jim Rockford and then raise hell on four wheels seemed like the most natural thing in the world.