Istanbul Mosques Quotes

We've searched our database for all the quotes and captions related to Istanbul Mosques. Here they are! All 15 of them:

Back above ground, like robotic versions of the mosques and minarets that grace the shores of Istanbul's Bosphorus, Houston’s petroscape of domed white tanks and silver fractioning towers spreads along the banks of its Ship Channel.
Alan Weisman (The World Without Us)
To be able to see the Bosphorus, even from afar—for İstanbullus this is a matter of spiritual import that may explain why windows looking out onto the sea are like the mihrabs in mosques, the altars in Christian churches, and the tevans in synagogues, and why all the chairs, sofas, and dining tables in our Bosphorus-facing sitting rooms are arranged to face the view.
Orhan Pamuk (Istanbul (Vintage International))
The difference lies in the fact that in Istanbul the remains of a glorious past civilization are everywhere visible. No matter how ill-kept, no matter how neglected or hemmed in they are by concrete monstrosities, the great mosques and other monuments of the city, as well as the lesser detritus of empire in every side street and corner—the little arches, fountains, and neighborhood mosques—inflict heartache on all who live among them. These
Orhan Pamuk (Istanbul (Vintage International))
Melling’s is an insider’s eye. But because the İstanbullus of his time did not know how to paint themselves or their city—indeed, had no interest in doing so—the techniques he brought with him from the West still give these candid paintings a foreign air. Because he saw the city like an İstanbullu but painted it like a clear-eyed Westerner, Melling’s Istanbul is not only a place graced by hills, mosques, and landmarks we can recognize, it is a place of sublime beauty.
Orhan Pamuk (Istanbul (Vintage International))
Then the way was clear and the old European section of Istanbul glittered at the end of the broad half-mile of bridge with the slim minarets lancing up into the sky and the domes of the mosques, crouching at their feet, looking like big firm breasts. It should have been the Arabian Nights, but to Bond, seeing
Ian Fleming (From Russia With Love)
I am listening to Istanbul" I am listening to Istanbul, intent, my eyes closed; At first there blows a gentle breeze And the leaves on the trees Softly flutter or sway; Out there, far away, The bells of water carriers incessantly ring; I am listening to Istanbul, intent, my eyes closed. I am listening to Istanbul, intent, my eyes closed; Then suddenly birds fly by, Flocks of birds, high up, in a hue and cry While nets are drawn in the fishing grounds And a woman’s feet begin to dabble in the water. I am listening to Istanbul, intent, my eyes closed. I am listening to Istanbul, intent, my eyes closed. The Grand Bazaar is serene and cool, A hubbub at the hub of the market, Mosque yards are brimful of pigeons, At the docks while hammers bang and clang Spring winds bear the smell of sweat; I am listening to Istanbul, intent, my eyes closed. I am listening to Istanbul, intent, my eyes closed; Still giddy since bygone bacchanals, A seaside mansion with dingy boathouses is fast asleep, Amid the din and drone of southern winds, reposed, I am listening to Istanbul, intent, my eyes closed. I am listening to Istanbul, intent, my eyes closed. Now a dainty girl walks by on the sidewalk: Cusswords, tunes and songs, malapert remarks; Something falls on the ground out of her hand, It’s a rose I guess. I am listening to Istanbul, intent, my eyes closed. I am listening to Istanbul, intent, my eyes closed; A bird flutters round your skirt; I know your brow is moist with sweat And your lips are wet. A silver moon rises beyond the pine trees: I can sense it all in your heart’s throbbing. I am listening to Istanbul, intent, my eyes closed.
Orhan Veli Kanık (Bütün Şiirleri)
I am speaking of the evenings when the sun sets early, of the fathers under the streetlamps in the back streets returning home carrying plastic bags. Of the old Bosphorus ferries moored to deserted stations in the middle of winter, where sleepy sailors scrub the decks, pail in hand and one eye on the black-and-white television in the distance; of the old booksellers who lurch from one ϧnancial crisis to the next and then wait shivering all day for a customer to appear; of the barbers who complain that men don’t shave as much after an economic crisis; of the children who play ball between the cars on cobblestoned streets; of the covered women who stand at remote bus stops clutching plastic shopping bags and speak to no one as they wait for the bus that never arrives; of the empty boathouses of the old Bosphorus villas; of the teahouses packed to the rafters with unemployed men; of the patient pimps striding up and down the city’s greatest square on summer evenings in search of one last drunken tourist; of the broken seesaws in empty parks; of ship horns booming through the fog; of the wooden buildings whose every board creaked even when they were pashas’ mansions, all the more now that they have become municipal headquarters; of the women peeking through their curtains as they wait for husbands who never manage to come home in the evening; of the old men selling thin religious treatises, prayer beads, and pilgrimage oils in the courtyards of mosques; of the tens of thousands of identical apartment house entrances, their facades discolored by dirt, rust, soot, and dust; of the crowds rushing to catch ferries on winter evenings; of the city walls, ruins since the end of the Byzantine Empire; of the markets that empty in the evenings; of the dervish lodges, the tekkes, that have crumbled; of the seagulls perched on rusty barges caked with moss and mussels, unϩinching under the pelting rain; of the tiny ribbons of smoke rising from the single chimney of a hundred-yearold mansion on the coldest day of the year; of the crowds of men ϧshing from the sides of the Galata Bridge; of the cold reading rooms of libraries; of the street photographers; of the smell of exhaled breath in the movie theaters, once glittering aϱairs with gilded ceilings, now porn cinemas frequented by shamefaced men; of the avenues where you never see a woman alone after sunset; of the crowds gathering around the doors of the state-controlled brothels on one of those hot blustery days when the wind is coming from the south; of the young girls who queue at the doors of establishments selling cut-rate meat; of the holy messages spelled out in lights between the minarets of mosques on holidays that are missing letters where the bulbs have burned out; of the walls covered with frayed and blackened posters; of the tired old dolmuşes, ϧfties Chevrolets that would be museum pieces in any western city but serve here as shared taxis, huϫng and puϫng up the city’s narrow alleys and dirty thoroughfares; of the buses packed with passengers; of the mosques whose lead plates and rain gutters are forever being stolen; of the city cemeteries, which seem like gateways to a second world, and of their cypress trees; of the dim lights that you see of an evening on the boats crossing from Kadıköy to Karaköy; of the little children in the streets who try to sell the same packet of tissues to every passerby; of the clock towers no one ever notices; of the history books in which children read about the victories of the Ottoman Empire and of the beatings these same children receive at home; of the days when everyone has to stay home so the electoral roll can be compiled or the census can be taken; of the days when a sudden curfew is announced to facilitate the search for terrorists and everyone sits at home fearfully awaiting “the oϫcials”; CONTINUED IN SECOND PART OF THE QUOTE
Orhan Pamuk (Istanbul: Memories and the City)
Exotic, vaguely sinister with its skyline of onion-domed mosques and slender minarets, its ornate Topkapi Palace housing the sultan's seraglio, its noisome Haydarpasar stews, the luxury hotels overlooking the Bosporus, the Golden Horn separating the city from its wealthy suburbs, Constantinople had seen Saracens and Crusaders eviscerate one another, had watched red-bearded Sultan "Abdul the Damned" butcher his subjects in the streets, and seemed stained by its memories.
William Manchester (The Last Lion: Winston Spencer Churchill [#1]: Visions of Glory, 1874 - 1932)
What was all this fuss about religion? Surely, she thought, religion should be practiced without thought of race or color, with all its ceremonies carried out in mosques, churches, and synagogues.
Ayşe Kulin (Last Train to Istanbul)
For the first day of your trip to Istanbul, you will be wandering around Sultanahmet, the historical peninsula and the old city of Istanbul. Here, you get to feast your eyes on a breathtaking collection of architectural marvels, such as the Hippodrome, Topkapi Palace, Blue Mosque and Hagia Sophia.
3 Day City Guides (Turkey Travel: 3 Day Guide to Istanbul, A 72-hour Definitive Guide on What to See, Eat and Enjoy in Istanbul, Turkey (3 Day Travel Guides Book 6))
religion should be practiced without thought of race or color, with all its ceremonies carried out in mosques, churches, and synagogues. God was worshiped in these communities, and people reached out to him and found peace in their souls.
Ayşe Kulin (Last Train to Istanbul)
By the end of my first year at the university (1938-39), the history of art professor organized a trip for his students to be sightseeing in Turkey, Greece and Egypt. We were supposed to study especially the Hadjia Sophia Mosque in Istanbul, the pyramids in Egypt and the many architectural sights in Greece. The trip was supposed to take place in September, 1939. I had registered for the student trip abroad, in the company of friendly colleagues. As a preparation for the boat crossings, I had a tailor make for me a rain jacket, with a woolen buttoned-in lining. We were supposed to travel by boat from Constan ta, a Black Sea port in Romania. That trip never materialized since World War II broke out on September 1, 1939. The only good that came of these preparations was the jacket, which did me great duty during the war years.
Pearl Fichman (Before Memories Fade)
Al-Wahhab allied with Muhammed bin Saud, the founder of the state of Saudi Arabia, and provided religious and ideological backing to the newly formed state.  The Wahhabi Saudi troops took advantage of the chaos of the collapse of the Ottoman Empire after World War I to seize control over the holy cities of Mecca and Medina. It’s probably safe to say that the Shia will never forgive the Wahhabis for the zealotry they pursued upon taking the cities, which included obliterating centuries-old sacred Shia shrines and claiming that they were used to worship the Imams as gods and were therefore heretical.  In the Cemetery of al-Baqi in Medina, they utterly destroyed the tombs of the Imams Hasan, Ali ibn Husayn, Muhammed ibn Ali, and Jafar, as well as the tomb of Fatima, the daughter of Muhammad.  In Mecca, they destroyed the Cemetery of Mualla, where the ancestors of Muhammad and his first wife Khadija were buried.  These prominent destructions were part of a pattern of violence that witnessed the Wahhabi Saudis smash buildings, tombs and mosques associated with the history of the Prophet and his family and which were venerated by Shia.  In addition, they alienated Shia from governance and oppressed them throughout the kingdom[26].  This vandalism has been repeated time and time again by Wahhabis in other areas as well, including the much-publicized destruction of the Buddha statues of the Bamiyan Valley of Afghanistan by the Taliban in 2001[27] and the outbreak of violence in 2013 around the city of Timbuktu, where Wahhabi fundamentalists  destroyed holy artifacts and burned a priceless library of manuscripts before fleeing the arrival of French troops[28]. While the establishment of the Wahhabi school of thought created an intellectual form of anti-Shia ideology, it is probable that this philosophy would have remained isolated in the political backwater of the Nejd Sultanate (the core of modern Saudi Arabia) if not for the fall of the Ottoman Empire and the final abolition of the Caliphate. The Ottomans had claimed to be Caliphs of the Muslim world since 1453, the same year that they conquered Constantinople (Istanbul) from the Byzantine Empire, and they ruled over a considerable portion of the world's Sunnis, as well as the shrine cities of Mecca, Medina and Jerusalem.  After 1876, the Sultans had placed particular emphasis on their role as Caliphs in order to bolster their global position by asserting their Empire's "Muslim” character, and while this was never universally accepted by all Sunnis or Shias, Sunni Muslims everywhere at least could say that there was a government that claimed to represent the form of rule established by the Prophet and that provided legitimacy and continuity.
Jesse Harasta (The History of the Sunni and Shia Split: Understanding the Divisions within Islam)
Istanbul is one of my favorite cities, this city has something which makes you fall in love with it. Hagia Sophia and Blue Mosque never get tired to visit there, each time left that places with a new experience and understanding Hagia Sophia turned back into a Mosque, it's disgusting, sad and pity. you may get success to paint the history with the color of your choice but it is not permanent. history has such a brightness to reflect itself through all the curtains and paints. But if you are so dumb and political slaves to do not question your own leaders, then what moral right you have to ask the question to another country's political leaders? But if you are so lowlife citizen and impotent to do not question your own supreme court and system than what gives you right to ask the question to another country's court and system? In the way of Humanity and Peace, there is two biggest hurdle 1st Bigotry and 2nd Hypocrisy
Mohammed Zaki Ansari ("Zaki's Gift Of Love")
Connect with the culture. Set up your own quest for the best mosque, kebab, or Turkish coffee. Be open to unexpected experiences. Slow down and enjoy the hospitality of the Turkish people. Ask questions—most locals are eager to point you in their idea of the right direction. Keep a notepad in your pocket for organizing your thoughts. Wear your money belt, get used to the local currency, and learn how to estimate prices in dollars. Those who expect to travel smart, do.
Lale Surmen Aran (Rick Steves' Istanbul)