“
When I look in the mirror, I know I’m looking at someone who isn’t sure she deserves to be loved at all.
”
”
Nicholas Sparks (Dear John)
“
This is love, she thought, isn't it? When you notice someone's absence and hate that absence more than anything? More, even, than you love his presence?
”
”
Jonathan Safran Foer (Everything is Illuminated)
“
Out of the corner of her eye she thought she saw Jace shoot her a look of white rage - but when she glanced at him, he looked as he always did: easy, confident, slightly bored.
"In future, Clarissa," he said, "it might be wise to mention that you already have a man in your bed, to avoid such tedious situations."
"You invited him into bed?" Simon demanded, looking shaken.
"Ridiculous, isn't it?" said Jace. "We would never have all fit."
"I didn't invite him into bed," Clary snapped. "We were just kissing."
"Just kissing?" Jace's tone mocked her with its false hurt. "How swiftly you dismiss our love.
”
”
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
“
What is a teacher? I'll tell you: it isn't someone who teaches something, but someone who inspires the student to give of her best in order to discover what she already knows.
”
”
Paulo Coelho (The Witch of Portobello)
“
Love isn't a state of perfect caring. It is an active noun like struggle. To love someone is to strive to accept that person exactly the way he or she is, right here and now.
”
”
Fred Rogers (The World According to Mister Rogers: Important Things to Remember)
“
There was a clatter as the basilisk fangs cascaded out of Hermione's arms. Running at Ron, she flung them around his neck and kissed him full on the mouth. Ron threw away the fangs and broomstick he was holding and responded with such enthusiasm that he lifted Hermione off her feet.
"Is this the moment?" Harry asked weakly, and when nothing happened except that Ron and Hermione gripped each other still more firmly and swayed on the spot, he raised his voice. "OI! There's a war going on here!"
Ron and Hermione broke apart, their arms still around each other.
"I know, mate," said Ron, who looked as though he had recently been hit on the back of the head with a Bludger, "so it's now or never, isn't it?"
"Never mind that, what about the Horcrux?" Harry shouted. "D'you think you could just --- just hold it in, until we've got the diadem?"
"Yeah --- right --- sorry ---" said Ron, and he and Hermione set about gathering up fangs, both pink in the face.
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
I think I fell in love with her, a little bit. Isn't that dumb? But it was like I knew her. Like she was my oldest, dearest friend. The kind of person you can tell anything to, no matter how bad, and they'll still love you, because they know you. I wanted to go with her. I wanted her to notice me. And then she stopped walking. Under the moon, she stopped. And looked at us. She looked at me. Maybe she was trying to tell me something; I don't know. She probably didn't even know I was there. But I'll always love her. All my life.
”
”
Neil Gaiman (The Sandman, Vol. 8: Worlds' End)
“
People will say it's sad that she leaves a lesser scar, that fewer remember her, that she was loved deeply but not widely. But it's not sad, Van Houten. It's triumphant. It's heroic. Isn't that the real heroism? Like the doctors say: First, do no harm.
”
”
John Green (The Fault in Our Stars)
“
And she finds it difficult to believe—that a person would love her even when she isn't trying. Trying to figure out what other people need, trying to be worthy.
”
”
Margaret Atwood
“
Because isn’t that the point of every relationship: to be known by someone else, to be understood? He gets me. She gets me. Isn’t that the simple magic phrase?
”
”
Gillian Flynn (Gone Girl)
“
I think it's kinda nice.' And I did. my mom isn't famous for her pies. No, she's famous for defusing a nuclear device in Brussels with only a pair of cuticle scissors and a ponytail holder. Somehow, at the moment, pies seemed cooler.
”
”
Ally Carter (I'd Tell You I Love You, But Then I'd Have to Kill You (Gallagher Girls, #1))
“
I can’t lose the thing I’ve held onto for so long, you know?” My face twists up from the pain of pushing it out. “I just really need it to be a love story, you know? I really, really need it to be that.”
“I know,” she says.
“Because if it isn’t a love story, then what is it”? I look to her glassy eyes, her face of wide open empathy. “It’s my life,” I say. “This has been my whole life.
”
”
Kate Elizabeth Russell (My Dark Vanessa)
“
Maybe not," she said as we came to the car. "But maybe that isn't so bad. You can't love anyone that way more than once in a lifetime. It's too hard and it hurts too much when it ends. The first boy is always the hardest to get over, Haven. It's just the way the world works.
”
”
Sarah Dessen (That Summer)
“
Don't forget to give Neville our love!' Ginny told James as she hugged him.
'Mum! I can't give a professor love!'
'But you know Neville-'
James rolled his eyes.
'Outside, yeah, but at school he's Professor Longbottom, isn't he? I can't walk into Herbology and give him love....
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
I am a dreamer. I know so little of real life that I just can't help re-living such moments as these in my dreams, for such moments are something I have very rarely experienced. I am going to dream about you the whole night, the whole week, the whole year. I feel I know you so well that I couldn't have known you better if we'd been friends for twenty years. You won't fail me, will you? Only two minutes, and you've made me happy forever. Yes, happy. Who knows, perhaps you've reconciled me with myself, resolved all my doubts.
When I woke up it seemed to me that some snatch of a tune I had known for a long time, I had heard somewhere before but had forgotten, a melody of great sweetness, was coming back to me now. It seemed to me that it had been trying to emerge from my soul all my life, and only now-
If and when you fall in love, may you be happy with her. I don't need to wish her anything, for she'll be happy with you. May your sky always be clear, may your dear smile always be bright and happy, and may you be for ever blessed for that moment of bliss and happiness which you gave to another lonely and grateful heart. Isn't such a moment sufficient for the whole of one's life?
”
”
Fyodor Dostoevsky (White Nights)
“
I love Tris the Divergent, who makes decisions apart from faction loyalty, who isn’t some faction archetype. But the Tris who’s trying as hard as she can to destroy herself … I can’t love her.”
I want to scream. But not because I’m angry, because I’m afraid he’s right. My hands shake and I grab the hem of my shirt to steady them.
He touches his forehead to mine and closes his eyes. “I believe you’re still in there,” he says against my mouth. “Come back.
”
”
Veronica Roth (Insurgent (Divergent, #2))
“
Sometimes you know you've got a chance with a girl because she wants to fight with you. If the world wasn't so messed up, it wouldn't be like that. If the world was normal, a girl being nice to you would be a good sign, but in the real world, it isn't.
”
”
Nick Hornby
“
People in the real world always say, when something terrible happens, that the sadness and loss and aching pain of the heart will “lessen as time passes,” but it isn’t true. Sorrow and loss are constant, but if we all had to go through our whole lives carrying them the whole time, we wouldn’t be able to stand it. The sadness would paralyze us. So in the end we just pack it into bags and find somewhere to leave it.
”
”
Fredrik Backman (My Grandmother Asked Me to Tell You She's Sorry)
“
Nothing on this planet can compare with a woman’s love—it is kind and compassionate, patient and nurturing, generous and sweet and unconditional. Pure. If you are her man, she will walk on water and through a mountain for you, too, no matter how you’ve acted out, no matter what crazy thing you’ve done, no matter the time or demand. If you are her man, she will talk to you until there just aren’t any more words left to say, encourage you when you’re at rock bottom and think there just isn’t any way out, hold you in her arms when you’re sick, and laugh with you when you’re up. And if you’re her man and that woman loves you—I mean really loves you?—she will shine you up when you’re dusty, encourage you when you’re down, defend you even when she’s not so sure you were right, and hang on your every word, even when you’re not saying anything worth listening to. And no matter what you do, no matter how many times her friends say you’re no good, no matter how many times you slam the door on the relationship, she will give you her very best and then some, and keep right on trying to win over your heart, even when you act like everything she’s done to convince you she’s The One just isn’t good enough.
That’s a woman’s love—it stands the test of time, logic, and all circumstance.
”
”
Steve Harvey (Act Like a Lady, Think Like a Man: What Men Really Think About Love, Relationships, Intimacy, and Commitment)
“
Are you a student of Shakespeare?"
"He's been dead a long time, so not precisely, but who isn't?" she said.
”
”
Lisa Kaniut Cobb (Down in the Valley (The Netahs))
“
Eric called Al's suicide brave, and he was wrong. My mother's death was brave. I remember how calm she was, how determined. It isn't just brave that she died for me; it is brave that she did it without announcing it, without hesitation, and without appearing to consider another option.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
She stood in his kitchen, watching him toy with the ring in his lip. It wasn't quite that he was biting it, but sucking it into his mouth. He did that when he was concentrating. It isn't sexy. He's not sexy. But he was, and she was staring at him like a fool. "wow" she whispered (.....)"Wow, huh?" His voice was low, husky. His chair creaked as he stood. His footsteps seemed strangely loud as he closed the couple yards between them. Then he was beside her. "I can work with wow
”
”
Melissa Marr (Wicked Lovely (Wicked Lovely, #1))
“
She should have remembered that people have given everything they own, everything they are, to be taken care of, and to have their pain gone. It's the lure of cults: the promise of a good family; it's what people think love is, but love isn't absence of pain, it's a hand to hold while you're going through it.
”
”
Laurell K. Hamilton (The Harlequin (Anita Blake, Vampire Hunter, #15))
“
My love isn't divided," she said. "It is multiplied.
”
”
Kelly Barnhill (The Girl Who Drank the Moon)
“
anyone lived in a pretty how town
(with up so floating many bells down)
spring summer autumn winter
he sang his didn't he danced his did
Women and men(both little and small)
cared for anyone not at all
they sowed their isn't they reaped their same
sun moon stars rain
children guessed(but only a few
and down they forgot as up they grew
autumn winter spring summer)
that noone loved him more by more
when by now and tree by leaf
she laughed his joy she cried his grief
bird by snow and stir by still
anyone's any was all to her
someones married their everyones
laughed their cryings and did their dance
(sleep wake hope and then)they
said their nevers they slept their dream
stars rain sun moon
(and only the snow can begin to explain
how children are apt to forget to remember
with up so floating many bells down)
one day anyone died i guess
(and noone stooped to kiss his face)
busy folk buried them side by side
little by little and was by was
all by all and deep by deep
and more by more they dream their sleep
noone and anyone earth by april
wish by spirit and if by yes.
Women and men (both dong and ding)
summer autumn winter spring
reaped their sowing and went their came
sun moon stars rain
”
”
E.E. Cummings (Selected Poems)
“
She worries over the way her love for me comes and goes, appears and disappears. She doubts its reality simply because it isn't as steadily pleasurable as a kitten. God knows it is sad. The human voice conspires to desecrate everything on earth.
”
”
J.D. Salinger (Raise High the Roof Beam, Carpenters & Seymour: An Introduction)
“
There's something about first love, isn't there? she said. It's untouchable to those who played no part in it. But it's the measure of all that follows.
”
”
Sarah Winman (Tin Man)
“
River Song: Use the stabilisers!
The Doctor: It doesn't have stabilisers!
River Song: The blue switches!
The Doctor: The blue ones don't do anything, they're just... blue!
River Song: Yes they're blue: they're the blue stabilisers! [presses the button and the TARDIS indeed stabilises] See?
The Doctor: Yeah? Well, it's boring now, isn't it? They're boring-ers! They're blue... boring-ers!
Amy: Doctor, how come she can fly the TARDIS?
The Doctor: You call that flying the TARDIS? [scoffs] Ha!
River Song: Okay, I've mapped the probability vectors, done a foldback on the temporal isometry, charted the ship to its destination and... [presses a button, the cloister bell clangs] parked us right alongside.
The Doctor: Parked us? But we haven't landed!
River Song: Of course we've landed; I just landed her.
The Doctor: But it didn't make the noise.
River Song: What noise?
The Doctor: You know, the... [does an impression of the TARDIS materialisation sound]
River Song: It's not supposed to make that noise. You leave the brakes on.
The Doctor: Yes, well, it's a brilliant noise. I love that noise.
”
”
Steven Moffat
“
We are like a bunch of dogs squirting on fire hydrants. We poison the groundwater with our toxic piss, marking everything MINE in a ridiculous attempt to survive our deaths. I can't stop pissing on fire hydrants...I am an animal like any other. Hazel is different. she walks lightly, old man. She walks lightly upon the earth. She knows the truth: We're as likely to hurt the universe as we are to help it, and we're not likely to do either.
People will say it's sad that she leaves a lesser scar, that fewer remember her, that she was loved deeply but not widely. But it's not sad. It's triumphant. It's heroic. Isn't that the real heroism?
The real heroes anyway aren't the people doing things; the real heroes are the people NOTICING things, paying attention.
”
”
John Green (The Fault in Our Stars)
“
I think if you like somebody you have to tell them. It might be embarrassing to say it, but you will never regret stepping up. I know from personal experience, however, that you should not keep telling a girl that you like her after she tells you she isn't into it. You should not keep riding your bike by her house either.
”
”
Donald Miller (Blue Like Jazz: Nonreligious Thoughts on Christian Spirituality (Paperback))
“
You are so young, Lyra, too young to understand this, but I shall tell you anyway and you'll understand it later: men pass in front of our eyes like butterflies, creatures of a brief season. We love them; they are brave, proud, beautiful, clever; and they die almost at once. They die so soon that our hearts are continually racked with pain. We bear their children, who are witches if they are female, human if not; and then in the blink of an eye they are gone, felled, slain, lost. Our sons, too. When a little boy is growing, he thinks he is immortal. His mother knows he isn't. Each time becomes more painful, until finally your heart is broken. Perhaps that is when Yambe-Akka comes for you. She is older than the tundra. Perhaps, for her, witches' lives are as brief as men's are to us.
”
”
Philip Pullman (The Golden Compass (His Dark Materials, #1))
“
Alec isn’t happy,” said Magnus, as if she hadn’t spoken.
“Of course he isn’t,” Isabelle snapped. “Jace—”
“Jace,” said Magnus, and his hands made fists at his sides. Isabelle stared at him. She had always thought that he didn’t mind Jace; liked him, even, once the question of Alec’s affections had been settled. Out loud, she said:
“I thought you were friends.”
“It’s not that,” said Magnus. “There are some people — people the universe seems to have singled out for special destinies. Special favors and special torments. God knows we’re all drawn toward what’s beautiful and broken; I have been, but some people cannot be fixed. Or if they can be, it’s only by love and sacrifice so great it destroys the giver.”
Isabelle shook her head slowly. “You’ve lost me. Jace is our brother, but for Alec — he’s Jace’s parabatai too —”
“I know about parabatai,” said Magnus, his voice rising in pitch. “I’ve known parabatai so close they were almost the same person; do you know what happens, when one of them dies, to the one that’s left—”
“Stop it!” Isabelle clapped her hands over her ears, then lowered them slowly. “How dare you, Magnus Bane,” she said.
“How dare you make this worse than it is —”
“Isabelle.” Magnus’ hands loosened; he looked a little wide-eyed, as if his outburst had startled even him. “I am sorry. I forget, sometimes . . . that with all your self-control and strength, you possess the same vulnerability that Alec does.”
“There is nothing weak about Alec,” said Isabelle.
“No,” said Magnus. “To love as you choose, that takes strength. The thing is, I wanted you here for him. There are things I can’t do for him, can’t give him . . .” For a moment Magnus looked oddly vulnerable. “You have known Jace as long as he has. You can give him understanding I can’t. And he loves you.”
“Of course he loves me. I’m his sister.”
“Blood isn’t love,” said Magnus, and his voice was bitter. “Just ask Clary.
”
”
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
“
Nothing on this planet can compare with a woman’s love—it is kind and compassionate, patient and nurturing, generous and sweet and unconditional. Pure. If you are her man, she will walk on water and through a mountain for you, too, no matter how you’ve acted out, no matter what crazy thing you’ve done, no matter the time or demand. If you are her man, she will talk to you until there just aren’t any more words left to say, encourage you when you’re at rock bottom and think there just isn’t any way out, hold you in her arms when you’re sick, and laugh with you when you’re up. And if you’re her man and that woman loves you—I mean really loves you?—she will shine you up when you’re dusty, encourage you when you’re down, defend you even when she’s not so sure you were right, and hang on your every word, even when you’re not saying anything worth listening to. And no matter what you do, no matter how many times her friends say you’re no good, no matter how many times you slam the door on the relationship, she will give you her very best and then some, and keep right on trying to win over your heart, even when you act like everything she’s done to convince you she’s The One just isn’t good enough.
That’s a woman’s love—it stands the test of time, logic, and all circumstance.
...
Well, I’m here to tell you that expecting that kind of love— that perfection—from a man is unrealistic. That’s right, I said it—it’s not gonna happen, no way, no how. Because a man’s
love isn’t like a woman’s love.
”
”
Steve Harvey
“
My wife and I just don't have the same feelings for each other we used to have. I guess I just don't love her anymore and she doesn't love me. What can i do?"
"The feeling isn't there anymore?" I asked.
"That's right," he reaffirmed. "And we have three children we're really concerned about. What do you suggest?"
"love her," I replied.
"I told you, the feeling just isn't there anymore."
"Love her."
"You don't understand. the feeling of love just isn't there."
"Then love her. If the feeling isn't there, that's a good reason to love her."
"But how do you love when you don't love?"
"My friend , love is a verb. Love - the feeling - is a fruit of love, the verb. So love her. Serve her. Sacrifice. Listen to her. Empathize. Appreciate. Affirm her. Are you willing to do that?
”
”
Stephen R. Covey (The 7 Habits of Highly Effective People: Powerful Lessons in Personal Change)
“
You always were selfish. Your one fault. Not willing to share anything, are you?" Suddenly, Damon's lips curved up in a singularly beautiful smile. But fortunately the lovely Elena is more generous. Didn't she tell you about our little liaisons? Why? The first time we met she almost gave herself to me on the spot."
"That's a lie!"
"Oh, no, dear brother, I never lie about anything important. Or do I mean unimportant? Anyway, your beauteous damsel nearly swooned into my arms. I think she likes men in black." As Stefan stared at him, trying to control his breathing, Damon added, almost gently, "You're wrong about her, you know, You think she's sweet and docile like Katherine. She isn't. She's not your type at all, my saintly brother. She has a spirit and a fire in her that you wouldn't know what to do with."
"And you would, I suppose."
Damon uncrossed his arms and slowly smiled again. "Oh, yes.
”
”
L.J. Smith (The Awakening / The Struggle (The Vampire Diaries, #1-2))
“
The ones who are not soul-mated – the ones who have settled – are even more dismissive of my singleness: It’s not that hard to find someone to marry, they say. No relationship is perfect, they say – they, who make do with dutiful sex and gassy bedtime rituals, who settle for TV as conversation, who believe that husbandly capitulation – yes, honey, okay, honey – is the same as concord. He’s doing what you tell him to do because he doesn’t care enough to argue, I think. Your petty demands simply make him feel superior, or resentful, and someday he will fuck his pretty, young coworker who asks nothing of him, and you will actually be shocked.
Give me a man with a little fight in him, a man who calls me on my bullshit. (But who also kind of likes my bullshit.) And yet: Don’t land me in one of those relationships where we’re always pecking at each other, disguising insults as jokes, rolling our eyes and ‘playfully’ scrapping in front of our friends, hoping to lure them to our side of an argument they could not care less about. Those awful if only relationships: This marriage would be great if only… and you sense the if only list is a lot longer than either of them realizes.
So I know I am right not to settle, but it doesn’t make me feel better as my friends pair off and I stay home on Friday night with a bottle of wine and make myself an extravagant meal and tell myself, This is perfect, as if I’m the one dating me. As I go to endless rounds of parties and bar nights, perfumed and sprayed and hopeful, rotating myself around the room like some dubious dessert. I go on dates with men who are nice and good-looking and smart – perfect-on-paper men who make me feel like I’m in a foreign land, trying to explain myself, trying to make myself known. Because isn’t that the point of every relationship: to be known by someone else, to be understood? He gets me. She gets me. Isn’t that the simple magic phrase?
So you suffer through the night with the perfect-on-paper man – the stutter of jokes misunderstood, the witty remarks lobbed and missed. Or maybe he understands that you’ve made a witty remark but, unsure of what to do with it, he holds it in his hand like some bit of conversational phlegm he will wipe away later. You spend another hour trying to find each other, to recognise each other, and you drink a little too much and try a little too hard. And you go home to a cold bed and think, That was fine. And your life is a long line of fine.
”
”
Gillian Flynn (Gone Girl)
“
Don't you know that love isn't just going to bed? Love isn't an act, it's a whole life. It's staying with her now because she needs you; it's knowing you and she will still care about each other when sex and daydreams, fights and futures -- when all that's on the shelf and done with. Love -- why, I'll tell you what love is: it's you at seventy-five and her at seventy-one, each of you listening for the other's step in the next room, each afraid that a sudden silence, a sudden cry, could mean a lifetime's talk is over.
”
”
Brian Moore
“
Could you fall in love with her if she wasn't smarter than you? I mean, she may not be smarter than you. But isn't it important for you to think she is smarter than you in order to fall in love? Think now.
”
”
Michael Ondaatje (The English Patient)
“
I want you to say dreadfully mad, funny things and make up songs and be--' The Will I fell in love with, she almost said. "And be Will," she finished instead. "Or I shall hit you with my umbrella."
***
"You would make a very ugly woman."
"I would not. I would be stunning."
Tessa laughed. “There,” she said. “There is Will. Isn’t that better? Don’t you think so?” “I don’t know,” Will said, eyeing her. “I’m afraid to answer that. I’ve heard that when I speak, it makes American women wish to strike me with umbrellas.
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
“
If there is God, I thought...Please some day let me make love to this girl while she wears that dress." "Oh..." "Tatiasha...isn't it nice to know there is a God?
”
”
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
“
Don’t fall in love with a woman who reads, a woman who feels too much, a woman who writes...
Don’t fall in love with an educated, magical, delusional, crazy woman. Don’t fall in love with a woman who thinks, who knows what she knows and also knows how to fly; a woman sure of herself.
Don’t fall in love with a woman who laughs or cries making love, knows how to turn her spirit into flesh; let alone one that loves poetry (these are the most dangerous), or spends half an hour contemplating a painting and isn't able to live without music.
Don’t fall in love with a woman who is interested in politics and is rebellious and feel a huge horror from injustice. One who does not like to watch television at all. Or a woman who is beautiful no matter the features of her face or her body.
Don’t fall in love with a woman who is intense, entertaining, lucid and irreverent. Don’t wish to fall in love with a woman like that. Because when you fall in love with a woman like that, whether she stays with you or not, whether she loves you or not, from a woman like that, you never come back.
”
”
Martha Rivera-Garrido
“
The love stories sold us the wrong thing. The best kind of love doesn’t happen on moonlit walks and romantic vacations. It happens in between the folds of everyday life. It’s not grand gestures that show how you feel, it’s all the little secret things you do to make her life better that you never tell her about. Taking the end piece of the bread at breakfast so she can have the last middle piece for her sandwich when you pack her lunch. Making sure her car always has gas so she never has to stop at the pump. Telling her you’re not cold and to take your jacket when you are in fact, very, very cold. It’s watching TV on a rainy Sunday while you’re doing laundry and turning her light off when she’s fallen asleep reading. Sharing pizza crusts and laughing about something the kids did and taking care of each other when you’re sick. It isn’t glamorous, it isn’t all butterflies and stars in your eyes. It’s real. This is the kind of love that forever is made of. Because if it’s this good when life is draining and mundane and hard, think of how wonderful it will be when the love songs are playing and the moon is out.
”
”
Abby Jimenez (Just for the Summer)
“
I adore Wilkie Collins,” Tessa cried. “Oh—Armadale! And The Woman in White …
Are you laughing at me?”
“Not at you,” said Will, grinning, “more because of you. I’ve never seen anyone get so
excited over books before. You’d think they were diamonds.”
“Well, they are, aren’t they? Isn’t there anything you love like that? And don’t say ‘spats’ or ‘lawn tennis’ or something silly.”
“Good Lord,” he said with mock horror, “it’s like she knows me already.
”
”
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
“
Statistics show that men are interested in three things: careers, sports, and sex. That's why they love professional cheerleaders."
Cal put down his fork "Well, that's sexist."
"Yes i know," she said. "But it's true isn't it?"
"What?" Cal tried to find his place in the conversation. "Oh, the sports and sex thing? Not at all. This is the twenty-first century. We've learned how to be sensitive."
"You have?"
"Sure," Cal said. "Otherwise we wouldn't get laid.
”
”
Jennifer Crusie (Bet Me)
“
I laid it all out for him: Eliza believes in me, she moves me, and she's moved BY me. She makes me happy, she makes me sad, she makes me try harder, she makes me laugh, and she makes me feel like I can fly. Isn't that the goddamn definition of Love?
”
”
Tiffanie DeBartolo (How to Kill a Rock Star)
“
What a woman you are,” he murmured, and she heard the emotion in it, the
way the Irish thickened just a bit in his voice. And saw it in those vivid eyes when he drew back. “That you would think of this. That you would do this.”
He shook his head, kissed her. Like the breath, long and quiet.
“I can’t thank you enough. There isn’t enough thanks. I can’t say what this means to me, even to you. I don’t have the words for it.” He took her hands,
brought them both to his lips. “A ghra. You stagger me.”
He framed her face now, touched his lips to her brow. “You’re the beat of my heart, the breath in my body, the light in my soul.
”
”
J.D. Robb (Indulgence in Death (In Death, #31))
“
Who are you anyway? What are you even doing here?”
“Haven,” she said quietly, peeking at him.
He gazed at her peculiarly. “Heaven? No, this definitely isn't Heaven. But I get why you’re confused, since I'm standing in front of you.” She stared at him, and he
cracked a smile. “I'm kidding. Well, kinda… I have been told I've taken a girl to Heaven a time or two.”
“Haven, not Heaven,” she said, louder than before. Nothing about the conversation made sense to her. “My name’s Haven.
”
”
J.M. Darhower (Sempre (Sempre, #1))
“
You know what my mum once said?’ said Rosie… ‘She said that if a just-married couple put a coin in a jar every time they make love in their first year, and take a coin out for every time that they make love in the years that follow, the jar will never be emptied.’
And this means…?’
Well’, she said. ‘It’s interesting, isn’t it?
”
”
Neil Gaiman (Anansi Boys)
“
The Doctor: Hello, I've come to see the Lord Mayor.
Idris Hopper: Have you got an appointment?
The Doctor: No, just an old friend passing by, bit of a surprise. Can't wait to see her face!
Idris Hopper: Well, she's just having a cup of tea.
The Doctor: Just go in there and tell her "the Doctor" would like to see her.
Idris Hopper: "The Doctor" who?
The Doctor: Just "The Doctor". Tell her exactly that, "The Doctor".
Idris Hopper: Hang on a tic.
[Idris goes inside. There is the sound of a teacup smashing and Idris returns.]
Idris Hopper: The Lord Mayor says "thank you f-for popping by." She'd love to have a chat, but, um, she's up to her eyes in paperwork. Perhaps you would like to make an appointment for next week...
The Doctor: [happily] She's climbing out the window, isn't she?
Idris Hopper: Yes, she is.
”
”
Russell T. Davies
“
If you are her man, she will talk to you until there just
aren’t any more words left to say, encourage you when you’re
at rock bottom and think there just isn’t any way out, hold you
in her arms when you’re sick, and laugh with you when you’re
up. And if you’re her man and that woman loves you—I mean
really loves you?—she will shine you up when you’re dusty,
encourage you when you’re down, defend you even when she’s
not so sure you were right, and hang on your every word, even
when you’re not saying anything worth listening to.
”
”
Steve Harvey (Act Like a Lady, Think Like a Man: What Men Really Think About Love, Relationships, Intimacy, and Commitment)
“
She told me she met the love of her life,” Zohra says at last, still staring out the window. “You read poems about it, you hear stories about it, you hear Sicilians talk about being struck by lightning. We know there’s no love of your life. Love isn’t terrifying like that. It’s walking the fucking dog so the other one can sleep in, it’s doing taxes, it’s cleaning the bathroom without hard feelings. It’s having an ally in life. It’s not fire, it’s not lightning. It’s what she always had with me. Isn’t it? But what if she’s right, Arthur? What if the Sicilians are right? That it’s this earth-shattering thing she felt? Something I’ve never felt. Have you?
”
”
Andrew Sean Greer (Less)
“
...And I'm not ready to tell you I'm in love with you, because I'm not. Not yet. But whatever this I'm feeling - it's so much more than like...And for the past few weeks I've been trying to figure it out. I've been trying to figure out why there isn't some word to describe it. I want to tell you exactly how I feel but there isn't a single goddamned word in the entire dictionary that can describe this point between liking you and loving you, but I need that word..."
"Living,"she finally whispers.
"I live you, Sky...I live you so much.
”
”
Colleen Hoover (Losing Hope (Hopeless, #2))
“
If you throw yourself into danger for no reason again, you will have become nothing more than a Dauntless adrenaline junkie looking for a hit, and I'm not going to help you do it." He spits the words out bitterly. "I love Tris the Divergent, who makes decisions apart from faction loyalty, who isn't some faction archetype. But the Tris who's trying as hard as she can to destroy herself... I can't love her.
”
”
Veronica Roth (Insurgent (Divergent, #2))
“
The fact that Ridge has been honest in his conversations with me is not something he did wrong. The fact that he has feelings for me also isn’t wrong, when you know exactly how much he’s fought those feelings. People can’t control matters of the heart, Warren.
They can only control their actions, which is exactly what Ridge did. He lost control once for ten seconds, but after that, every single time temptation reared its ugly head, he walked in the other direction. The only thing Ridge has done wrong is fail to delete his messages, because by doing so, he failed to protect Maggie. He failed to protect her from the harsh truth that people don’t get to choose who they fall in love with. They only get to choose who they stay in love with.” I look up at the ceiling and blink back tears. “He was choosing to stay in love with her, Warren. Why can’t she see that? This will kill him so much more than it’s killing her.
”
”
Colleen Hoover (Maybe Someday (Maybe, #1))
“
Katniss isn't the kind of hero we're used to seeing in fiction. She reacts more than she acts, she doesn't want to be a leader, and by the end of Mockingjay, she hasn't come into her own or risen like a phoenix from the ashes for some triumphant moment that gives us a sense of satisfaction with how far our protagonist has come.
She's not a Buffy. She's not a Bella. She limps across the finish line when we're used to seeing heroes racing; she eases into a quiet, steady love instead of falling fast and hard.
”
”
Jennifer Lynn Barnes (The Girl Who Was on Fire: Your Favorite Authors on Suzanne Collins' Hunger Games Trilogy)
“
Anyway.
I’m not allowed to watch TV, although I am allowed to rent documentaries that are approved for me, and I can read anything I want. My favorite book is A Brief History of Time, even though I haven’t actually finished it, because the math is incredibly hard and Mom isn’t good at helping me. One of my favorite parts is the beginning of the first chapter, where Stephen Hawking tells about a famous scientist who was giving a lecture about how the earth orbits the sun, and the sun orbits the solar system, and whatever. Then a woman in the back of the room raised her hand and said, “What you
have told us is rubbish. The world is really a flat plate supported on the back
of a giant tortoise.” So the scientist asked her what the tortoise was standing
on. And she said, “But it’s turtles all the way down!”
I love that story, because it shows how ignorant people can be. And also because I love tortoises.
”
”
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
“
I never thought I'd get to see Rome," Hazel said. "When I was alive, I mean for the first time, Mussolini was in charge. We were at war."
"Mussolini?" Leo frowned. "Wasn't he like BFF's with Hitler?"
Hazel stared at him like he was an alien. "BFF's?"
"Never mind."
"I'd love to see the Trevi Fountain," she said.
"There's a fountain on every block," Leo grumbled.
"Or the Spanish Steps," Hazel said.
"Why would you come to Italy to see Spanosh steps?" Leo asked. "That's like going to China for Mexican food, isn't it?"
"You're hopeless," Hazel complained.
"So I've been told.
”
”
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
“
At the kitchen table she examined the glass of ice. Each cube was rounded by room temperature, dissolving in its own remains, and belatedly she understood that this was how a loved one disappeared. Despite the shock wave of walking into an empty flat, the absence isn’t immediate, more a fade from the present tense you shared, a melting into the mast, not an erasure but a conversion in form, from presence to memory, from solid to liquid, and the person you once touched runs over your skin, now in sheets down your back, and you may bathe, may sink, may drown in the memory, but your fingers cannot hold it.
”
”
Anthony Marra (A Constellation of Vital Phenomena)
“
Van Houten,
I’m a good person but a shitty writer. You’re a shitty person but a good writer. We’d make a good team. I don’t want to ask you any favors, but if you have time – and from what I saw, you have plenty – I was wondering if you could write a eulogy for Hazel. I’ve got notes and everything, but if you could just make it into a coherent whole or whatever? Or even just tell me what I should say differently.
Here’s the thing about Hazel: Almost everyone is obsessed with leaving a mark upon the world. Bequeathing a legacy. Outlasting death. We all want to be remembered. I do, too. That’s what bothers me most, is being another unremembered casualty in the ancient and inglorious war against disease.
I want to leave a mark.
But Van Houten: The marks humans leave are too often scars. You build a hideous minimall or start a coup or try to become a rock star and you think, “They’ll remember me now,” but (a) they don’t remember you, and (b) all you leave behind are more scars. Your coup becomes a dictatorship. Your minimall becomes a lesion.
(Okay, maybe I’m not such a shitty writer. But I can’t pull my ideas together, Van Houten. My thoughts are stars I can’t fathom into constellations.)
We are like a bunch of dogs squirting on fire hydrants. We poison the groundwater with our toxic piss, marking everything MINE in a ridiculous attempt to survive our deaths. I can’t stop pissing on fire hydrants. I know it’s silly and useless – epically useless in my current state – but I am an animal like any other.
Hazel is different. She walks lightly, old man. She walks lightly upon the earth. Hazel knows the truth: We’re as likely to hurt the universe as we are to help it, and we’re not likely to do either.
People will say it’s sad that she leaves a lesser scar, that fewer remember her, that she was loved deeply but not widely. But it’s not sad, Van Houten. It’s triumphant. It’s heroic. Isn’t that the real heroism? Like the doctors say: First, do no harm.
The real heroes anyway aren’t the people doing things; the real heroes are the people NOTICING things, paying attention. The guy who invented the smallpox vaccine didn’t actually invented anything. He just noticed that people with cowpox didn’t get smallpox.
After my PET scan lit up, I snuck into the ICU and saw her while she was unconscious. I just walked in behind a nurse with a badge and I got to sit next to her for like ten minutes before I got caught. I really thought she was going to die, too. It was brutal: the incessant mechanized haranguing of intensive care. She had this dark cancer water dripping out of her chest. Eyes closed. Intubated. But her hand was still her hand, still warm and the nails painted this almost black dark blue and I just held her hand and tried to imagine the world without us and for about one second I was a good enough person to hope she died so she would never know that I was going, too. But then I wanted more time so we could fall in love. I got my wish, I suppose. I left my scar.
A nurse guy came in and told me I had to leave, that visitors weren’t allowed, and I asked if she was doing okay, and the guy said, “She’s still taking on water.” A desert blessing, an ocean curse.
What else? She is so beautiful. You don’t get tired of looking at her. You never worry if she is smarter than you: You know she is. She is funny without ever being mean. I love her. I am so lucky to love her, Van Houten. You don’t get to choose if you get hurt in this world, old man, but you do have some say in who hurts you. I like my choices. I hope she likes hers.
”
”
John Green (The Fault in Our Stars)
“
Unconditional love. That’s what he wants to give her and what he wants from her. People should give without wanting anything in return. All other giving is selfish. But he is being selfish a little, isn’t he, by wanting her to love him in return? He hopes that she loves him in return. Is it possible for a person to love without wanting love back? Is anything so pure? Or is love, by its nature, a reciprocity, like oceans and clouds, an evaporating of seawater and a replenishing of rain?
”
”
Alan Lightman (Reunion)
“
Every time I run into you for the rest of our lives, I'll ask you to make a game with me. There's some groove in my brain that insists it is a good idea."
"Isn't that the definition of insanity? Doing the same thing over and over but expecting a different result."
"That's a game character's life, too," Sam said. "The world of infinite restarts. Start again at the beginning, this time you might win. And it's not as if all our results were bad. I love the things we made. We were a great team."
Sam offered Sadie his hand, and she shook it. She pulled him into her, and she kissed Sam on the cheek. "I love you, Sadie," Sam said.
"I know, Sam. I love you, too.
”
”
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
“
You can't make me do anything. I'm an adult. And I'm much stronger than you."
"Upper body strength isn't everything; I have wiles."
"Not really."
"Yes, I do. I'm a woman. Women have wiles."
"Some women. It's not like every woman is born wily."
"If I don't have wiles, she said, "how come I can get you to do most anything I want?"
"You don't get me to do anything. I just do things. Because I love you."
"Oh."
"Christ, Georgie, don't sound so disappointed.
”
”
Rainbow Rowell (Landline)
“
Isn’t it so weird how the number of dead people is increasing even though the earth stays the same size, so that one day there isn’t going to be room to bury anyone anymore? For my ninth birthday last year, Grandma gave me a subscription to National Geographic, which she calls “the National Geographic.” She also gave me a white blazer, because I only wear white clothes, and it’s too big to wear so it will last me a long time. She also gave me Grandpa’s camera, which I loved for two reasons. I asked why he didn’t take it with him when he left her. She said, “Maybe he wanted you to have it.”
I said, “But I was negative-thirty years old.” She said, “Still.” Anyway, the fascinating thing was that I read in National Geographic that there are more people alive now than have died in all of human history. In other words, if everyone wanted to play Hamlet at once, they couldn’t, because there aren’t enough skulls!
”
”
Jonathan Safran Foer
“
I was conceived because it would be good for my House to have an heir and because my parents' genes ticked the right set of boxes. You were probably conceived because your parents loved each other."
"According to our mother," Bern said, "he was conceived because she was too wasted to remember a rubber."
Mad Rogan stopped chewing.
"I was conceived because my mother skipped bail. Her boyfriend at the time threatened to call the cops on her so she had to do something to keep him from doing it," Bern said helpfully.
Awesome. Just the right kind of information to share.
"Aunt Giselea isn't the best mother," I said. "There's one in every family.
”
”
Ilona Andrews (Burn for Me (Hidden Legacy, #1))
“
God has brought a very wise Japanese lady into my life who lives in Calif. We've never met, but she has shared a tremendous amount of wisdom with me concerning unconditional love within relationships. Here is one of the things she said to me this evening when we were discussing "Soul Mates."
"Soul mates aren't perfect people. They can come into your life and provide polar emotional experiences from intense love to intense pain. Growth comes from both. And a soul mate helps you grow. It isn't just "...and they lived happily ever after" but "...and they lived!" ~ From my mentor ~ Lori Chidori Phillips
”
”
Dianne Rosena Jones
“
out of the arms...
out of the arms of one love
and into the arms of another
I have been saved from dying on the cross
by a lady who smokes pot
writes songs and stories,
and is much kinder than the last,
much much kinder,
and the sex is just as good or better.
it isn't pleasant to be put on the cross and left there,
it is much more pleasant to forget a love which didn't
work
as all love
finally
doesn't work...
it is much more pleasant to make love
along the shore in Del Mar
in room 42, and afterwards
sitting up in bed
drinking good wine, talking and touching
smoking
listening to the waves...
I have died too many times
believing and waiting, waiting
in a room
staring at a cracked ceiling
waiting for the phone, a letter, a knock, a sound...
going wild inside
while she danced with strangers in nightclubs...
out of the arms of one love
and into the arms of another
it's not pleasant to die on the cross,
it's much more pleasant to hear your name whispered in the dark.
”
”
Charles Bukowski (Burning in Water, Drowning in Flame)
“
Marriage is not a love affair. A love affair is a totally different thing. A marriage is a commitment to that which you are. That person is literally your other half. And you and the other are one. A love affair isn't that. That is a relationship for pleasure, and when it gets to be unpleasurable, it's off. But a marriage is a life commitment, and a life commitment means the prime concern of your life. If marriage is not the prime concern, you're not married....The Puritans called marriage "the little church within the Church." In marriage, every day you love, and every day you forgive. It is an ongoing sacrament – love and forgiveness.... Like the yin/yang symbol....Here I am, and here she is, and here we are. Now when I have to make a sacrifice, I'm not sacrificing to her, I'm sacrificing to the relationship. Resentment against the other one is wrongly placed. Life in in the relationship, that's where your life now is. That's what a marriage is – whereas, in a love affair, you have two lives in a more or less successful relationship to each other for a certain length of time, as long as it seems agreeable.
”
”
Joseph Campbell (The Power of Myth)
“
I understand perfectly. Darquesse isn't a separate entity. She isn't another person. She's you. If you make the wrong choices, if you stop loving the people who love you, if you allow the world to twist and turn and change you, then yes, the future we've seen will come to pass. But if you fight, and if you kick, and struggle, and refuse to give in to the apathy, or the anger, or the hopelessness, then you'll change the future, and you'll walk your own path. And I'll be right there beside you, Valkyrie. I'll always be beside you.
”
”
Derek Landy (Mortal Coil (Skulduggery Pleasant, #5))
“
I look down at our knees, slightly touching. Jeans against jeans. Does she notice the heat transferring from her body to mine? Does she even realize what she's doing to me? I know, I know. I'm not a virgin and the slightest touch of a girl's knee is driving me insane. I don't even know what I'm feeling for Maggie, I just know that I'm feeling. It's something I've tried to avoid and deny until yesterday, when I held her in my arms while her tears spilled onto my shirt.
God, our knees touching isn't enough. I need more.
She's knotting her fingers together on her lap as if she doesn't know what to do with them. I want to touch her, but what if she pulls away like before? I've never been such a wuss with a girl in my life.
I bite my bottom lip as I slide my hand about millionth of a millimeter closer to her hand.
She doesn't seem fazed so I move closer. And closer.
When the tips of my fingers touch her wrist, she freezes. But she doesn't jerk her hand away. God, her skin is so soft, I think as my fingers trail a path from her wrist to her knuckles to her smooth, manicured nails.
I swear touching her like this is driving me nuts. It's more erotic, more intense than any other time with Kendra. I feel awkward and inexperienced as a freshman again. I look up. Everyone else is oblivious to the intensity of emotions running rampant in the back of the public bus.
When I look back down at my hand covering hers, I'm grateful she hasn't come to her senses and pulled away. As if she knows my thoughts, we both turn our hands at the same time so our hands are palm against palm...finger against finger. Her hand is dwarfed against mine. It makes her seem more delicate and petite than I'd realize. I feel a need to protect her and be her champion should she ever need one.
With a slight shift of my hand, I lace my fingers through hers.
I'm holding hands. With Maggie Armstrong.
I'm not even going to think about how wrong it is because it feels so right. She's avoided looking right at me, but now she turns her head and our eyes lock. God, how come I never noticed before how long her lashes were and how her brown eyes have specks of gold that sparkle when the sun shine on them?
The bus stops suddenly and I look out the window. It's our stop. She must have realized this because she pulls her hand away from mine and stands. I follow behind, still reeling.
”
”
Simone Elkeles (Leaving Paradise (Leaving Paradise, #1))
“
She blew a stream of smoke up at the empty clotheslines. 'These silly dreams you have when you're young. I mean, what, Katie and Brendan Harris were going ot make a life in Las Vegas? How long would that little Eden have lasted? Maybe they'd be on their second trailer park, second kid, but it would have hit them sooner or later - life isn't happily ever after and golden sunsets and shit like that. It's work. The person you love is rarely worthy of how big your love is. Because no one is worthy of that and maybe no one deserves the burden of it, either. You'll be let down. You'll be disappointed and have your trust broken and have a lot of real sucky days. You lose more than you win. You hate the person you love as much as you love him. But, shit, you roll up your sleeves and work - at everything -because that's what growing older is.
”
”
Dennis Lehane (Mystic River)
“
If I could,” he went on, “I would remain like this indefinitely—clasped by you, held inside you, a part of you—without moving at all. When we make love, I fight climax with everything I have. I don’t want to come; I do not want it to end. No matter how long I make it last, it isn’t nearly long enough. I am furious when I cannot hold back any longer. Why, Jess? If all I seek is the physical relief of natural lust, just as I would seek sleep or food, why would I deny myself?”
She turned her head and caught his mouth with hers, kissing him desperately.
“Tell me you understand,” he demanded, his lips moving beneath hers. “Tell me you feel it, too.”
“I feel you,” she breathed, as intoxicated by his ardency as she was by the finest claret. “You have become everything to me.
”
”
Sylvia Day (Seven Years to Sin)
“
The abuser’s mood changes are especially perplexing. He can be a different person from day to day, or even from hour to hour. At times he is aggressive and intimidating, his tone harsh, insults spewing from his mouth, ridicule dripping from him like oil from a drum. When he’s in this mode, nothing she says seems to have any impact on him, except to make him even angrier. Her side of the argument counts for nothing in his eyes, and everything is her fault. He twists her words around so that she always ends up on the defensive. As so many partners of my clients have said to me, “I just can’t seem to do anything right.”
At other moments, he sounds wounded and lost, hungering for love and for someone to take care of him. When this side of him emerges, he appears open and ready to heal. He seems to let down his guard, his hard exterior softens, and he may take on the quality of a hurt child, difficult and frustrating but lovable. Looking at him in this deflated state, his partner has trouble imagining that the abuser inside of him will ever be back. The beast that takes him over at other times looks completely unrelated to the tender person she now sees. Sooner or later, though, the shadow comes back over him, as if it had a life of its own. Weeks of peace may go by, but eventually she finds herself under assault once again. Then her head spins with the arduous effort of untangling the many threads of his character, until she begins to wonder whether she is the one whose head isn’t quite right.
”
”
Lundy Bancroft (Why Does He Do That? Inside the Minds of Angry and Controlling Men)
“
You aren't a bit romantic, are you?" he asked, amused.
She sat back and stared at him. She was beginning to think that Neal required a keeper. He seemed to have the craziest ideas. "Romance? Isn't that love stuff?" She asked finally.
"It's more than just love. It's color, and-and fire. You don't want things magnificent and filled with-with grandeur," he said, trying to make her understand. "You know, drama. Importance. Transcendent Passion."
"I just want to be a knight," Kel retorted, putting her used tableware on her tray. "Eat your vegetables. They're good for you.
”
”
Tamora Pierce (First Test (Protector of the Small, #1))
“
Rosie,
I'm returning to Boston tomorrow but before I go I wanted to write this letter to you. All the thoughts and feelings that have been bubbling up inside me are finally overflowing from this pen and I'm leaving this letter for you so that you don't feel that I'm putting you under any great pressure. I understand that you will need to take your time trying to decide on what I am about to say.
I no what's going on, Rosie. You're my best friend and I can see the sadness in your eyes. I no that Greg isn't away working for the weekend. You never could lie to me; you were always terrible at it. Your eyes betray you time and time again. Don't pretend that everything is perfect because I see it isn't. I see that Greg is a selfish man who has absolutely no idea just how lucky he is and it makes me sick.
He is the luckiest man in the world to have you, Rosie, but he doesn't deserve you and you deserve far better. You deserve someone who loves you with every single beat of his heart, someone who thinks about you constantly, someone who spends every minute of every day just wondering what you're doing, where you are, who you're with and if you're OK. You need someone who can help you reach your dreams and who can protect you from your fears. You need someone who will treat you with respect, love every part of you, especially your flaws. You should be with someone who can make you happy, really happy, dancing-on-air happy. Someone who should have taken the chance to be with you years ago instead of becoming scared and being too afraid to try.
I am not scared any more, Rosie. I am not afraid to try. I no what the feeling was at your wedding - it was jealousy. My heart broke when I saw the woman I love turning away from me to walk down the aisle with another man, a man she planned to spend the rest of her life with. It was like a prison sentence for me - years stretching ahead without me being able to tell you how I feel or hold you how I wanted to.
Twice we've stood beside each other at the altar, Rosie. Twice. And twice we got it wrong. I needed you to be there for my wedding day but I was too stupid to see that I needed you to be the reason for my wedding day.
I should never have let your lips leave mine all those years ago in Boston. I should never have pulled away. I should never have panicked. I should never have wasted all those years without you. Give me a chance to make them up to you. I love you, Rosie, and I want to be with you and Katie and Josh. Always.
Please think about it. Don't waste your time on Greg. This is our opportunity. Let's stop being afraid and take the chance. I promise I'll make you happy.
All my love,
Alex
”
”
Cecelia Ahern (Love, Rosie)
“
What did she say?” asked Matthias.
Nina coughed and took his arm, leading him away. “She said you’re a very nice fellow, and a credit to the Fjerdan race. Ooh, look, blini! I haven’t had proper blini in forever.”
“That word she used: babink,” he said. “You’ve called me that before. What does it mean?”
Nina directed her attention to a stack of paper-thin buttered pancakes. “It means sweetie pie.”
“Nina—”
“Barbarian.”
“I was just asking, there’s no need to name-call.”
“No, babink means barbarian.” Matthias’ gaze snapped back to the old woman, his glower returning to full force. Nina grabbed his arm. It was like trying to hold on to a boulder. “She wasn’t insulting you! I swear!”
“Barbarian isn’t an insult?” he asked, voice rising.
“No. Well, yes. But not in this context. She wanted to know if you’d like to play Princess and Barbarian.”
“It’s a game?”
“Not exactly.”
“Then what is it?”
Nina couldn’t believe she was actually going to attempt to explain this. As they continued up the street, she said, “In Ravka, there’s a popular series of stories about, um, a brave Fjerdan warrior—”
“Really?” Matthias asked. “He’s the hero?”
“In a manner of speaking. He kidnaps a Ravkan princess—”
“That would never happen.”
“In the story it does, and”—she cleared her throat—“they spend a long time getting to know each other. In his cave.”
“He lives in a cave?”
“It’s a very nice cave. Furs. Jeweled cups. Mead.”
“Ah,” he said approvingly. “A treasure hoard like Ansgar the Mighty. They become allies, then?”
Nina picked up a pair of embroidered gloves from another stand. “Do you like these? Maybe we could get Kaz to wear something with flowers. Liven up his look.”
“How does the story end? Do they fight battles?”
Nina tossed the gloves back on the pile in defeat. “They get to know each other intimately.”
Matthias’ jaw dropped. “In the cave?”
“You see, he’s very brooding, very manly,” Nina hurried on. “But he falls in love with the Ravkan princess and that allows her to civilize him—”
“To civilize him?”
“Yes, but that’s not until the third book.”
“There are three?”
“Matthias, do you need to sit down?”
“This culture is disgusting. The idea that a Ravkan could civilize a Fjerdan—”
“Calm down, Matthias.”
“Perhaps I’ll write a story about insatiable Ravkans who like to get drunk and take their clothes off and make unseemly advances toward hapless Fjerdans.”
“Now that sounds like a party.” Matthias shook his head, but she could see a smile tugging at his lips. She decided to push the advantage. “We could play,” she murmured, quietly enough so that no one around them could hear.
“We most certainly could not.”
“At one point he bathes her.”
Matthias’ steps faltered. “Why would he—”
“She’s tied up, so he has to.”
“Be silent.”
“Already giving orders. That’s very barbarian of you. Or we could mix it up. I’ll be the barbarian and you can be the princess. But you’ll have to do a lot more sighing and trembling and biting your lip.”
“How about I bite your lip?”
“Now you’re getting the hang of it, Helvar.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
The Sisters vanished entirely then, and Aunt Harriet was standing over Tessa, her face flushed with fever as it had been during the terrible illness that had killed her. She looked at Tessa with great sadness. "I tried," she said. "I tried to love you. But it isn't easy to love a child that isn't human in the least...."
"Not human?" said an unfamiliar female voice. "Well, if she isn't human, Enoch, what is she?" The voice sharpened in impatience. "What do you mean, you don't know? Everyone's something. This girl can't be nothing at all....
”
”
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
“
All of that art-for-art’s-sake stuff is BS,” she declares. “What are these people talking about? Are you really telling me that Shakespeare and Aeschylus weren’t writing about kings? All good art is political! There is none that isn’t. And the ones that try hard not to be political are political by saying, ‘We love the status quo.’ We’ve just dirtied the word ‘politics,’ made it sound like it’s unpatriotic or something.” Morrison laughs derisively. “That all started in the period of state art, when you had the communists and fascists running around doing this poster stuff, and the reaction was ‘No, no, no; there’s only aesthetics.’ My point is that is has to be both: beautiful and political at the same time. I’m not interested in art that is not in the world. And it’s not just the narrative, it’s not just the story; it’s the language and the structure and what’s going on behind it. Anybody can make up a story.
”
”
Toni Morrison
“
Death isn't empty like you say it is. Emptiness is life without freedom, Darrow. Emptiness is living chained by fear, fear of loss, of death. I say we break those chains. Break the chains of fear and you break the chains that bind us to the Golds, to the Society. Could you imagine it? Mars could be ours. It could belong to the colonists who slaved here, died here." Her face is easier to see as the night fades through the clear roof. It is alive, on fire. "If you led the others to freedom. The things you could do, Darrow. The things you could make happen." She pauses and I see her eyes are glistening. "It chills me. You have been given so, so much, but you set your sights so low."
"You repeat the same damn points," I say bitterly. "You think a dream is worth dying for. I say it isn't. You say it's better to die on your feet. I say it's better to live on our knees."
"You're not even listening!" she snaps. "We are machine men with machine minds, machine lives …"
"And machine hearts?" I ask. "That's what I am?"
"Darrow …"
"What do you live for?" I ask her suddenly. "Is it for me? Is it for family and love? Or is it just for some dream?"
"It's not just some dream, Darrow. I live for the dream that my children will be born free. That they will be what they like. That they will own the land their father gave them."
"I live for you," I say sadly.
She kisses my cheek. "Then you must live for more.
”
”
Pierce Brown (Red Rising (Red Rising Saga, #1))
“
Tessa exploded "I am not asking you to maul me in the Whispering Gallery! By the Angel, Will, would you stop being so polite?!"
He looked at her in amazement. "But wouldn't you rather-"
"I would not rather. I don't want you to be polite! I want you to be Will! I don't want you to indicate points of architectural interest to me as if you were a Baedecker guide! I want you to say dreadfully mad, funny things, and make up songs and be-" The Will I fell in love with, she almost said. "And be Will," she finished instead. "Or I shall strike you with my umbrella."
"I am trying to court you," Will said in exasperation. "Court you properly. That's what all this has been about. You know that, don't you?"
"Mr. Rochester never courted Jane Eyre," Tessa pointed out.
"No, he dressed up as a woman and terrified the poor girl out of her wits. Is that what you want?"
"You would make a very ugly woman."
"I would not. I would be stunning."
Tessa laughed. "There," she said. "There is Will. Isn't that better? Don't you think so?"
"I don't know," Will said, eyeing her. I'm afraid to answer that. I've heard that when I speak, it makes American women wish to strike me with umbrellas."
Tessa laughed again, and then they were both laughing, their smothered giggles bouncing off the walls of the Whispering Gallery. After that, things were decidedly easier between them, and Will's smile when he helped her down from the carriage on their return home, was bright and real.
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
“
All right, then,” she snapped, “do as you please! Perhaps afterward we could manage a coherent discussion.” Twisting beneath him, she flopped onto her stomach.
Christopher went still. After a long hesitation, she heard him ask in a far more normal voice, “What are you doing?”
“I’m making it easier for you,” came her defiant reply. “Go on, start ravishing.”
Another silence. Then, “Why are you facing downward?”
“Because that’s how it’s done.” Beatrix twisted to look at him over her shoulder. A twinge of uncertainty caused her to ask, “Isn’t it?”
His face was blank. “Has no one ever told you?”
“No, but I’ve read about it.”
Christopher rolled off her, relieving her of his weight. He wore an odd expression as he asked, “From what books?”
“Veterinary manuals. And of course, I’ve observed the squirrels in springtime, and farm animals and-”
She was interrupted as Christopher cleared his throat loudly, and again. Darting a confused glance at him, she realized that he was trying to choke back amusement.
Beatrix began to feel indignant. Her first time in a bed with a man, and he was laughing.
“Look here,” she said in a businesslike manner, “I’ve read about the mating habits of over two dozen species, and with the exception of snails, whose genitalia is on their necks, they all—” She broke off and frowned. “Why are you laughing at me?
Christopher had collapsed, overcome with hilarity. As he lifted his head and saw her affronted expression, he struggled manfully with another outburst. “Beatrix. I’m . . . I’m not laughing at you.”
“You are!”
“No I’m not. It’s just . . .” He swiped a tear from the corner of his eye, and a few more chuckles escaped. “Squirrels . . .”
“Well, it may be humorous to you, but it’s a very serious matter to the squirrels.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
Jane. You’ve got to see this!” His voice was full of the honey-baked accent of old Virginia money.
As Blue staggered up the hill, telescope on her shoulder, she mentally tested the danger level: Am I in love with him yet?
Gansey galloped down the hill to snatch he telescope from her.
“This isn’t that heavy,” he told her, and strode back the way he’d come.
She did not think she was in love with him. She hadn’t been in love before, but she was still pretty sure she’d be able to tell. Earlier in the year, she had had a vision of kissing him, and she could still picture that quite easily. But the sensible part of Blue, which was usually the only part of her, thought that had more to do with Richard Campbell Gansey III having a nice mouth than with any blossoming romance.
Anyway, if fate thought it would tell her who to fall for, fate had another thing coming.
Gansey added, “I would’ve thought you had more muscles. Don’t feminists have big muscles?”
Decidedly not in love with him.
“Smiling when you say that doesn’t make it funny,” Blue said.
”
”
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
“
It’s not your fault,” Alec was saying. He sounded weary, as if he’d been through this sort of thing with his sister before. Clary wondered how many boyfriends she’d turned into rats by accident. “But it ought to teach you not to go to so many Downworld parties,” he added. “They’re always more trouble than they’re worth.”
Isabelle sniffed loudly. “If anything had happened to him, I—I don’t know what I would have done.”
“Probably whatever it is you did before,” said Alec in a bored voice. “It’s not like you knew him all that well.”
“That doesn’t mean that I don’t—”
“What? Love him?” Alec scoffed, raising his voice. “You need to know someone to love them.”
“But that’s not all it is.” Isabelle sounded almost sad. “Didn’t you have any fun at the party, Alec?”
“No.”
“I thought you might like Magnus. He’s nice, isn’t he?”
“Nice?” Alec looked at her as if she were insane. “Kittens are nice. Warlocks are—” He hesitated. “Not,” he finished, lamely.
“I thought you might hit it off.” Isabelle’s eye makeup glittered as bright as tears as she glanced over at her brother. “Get to be friends.”
“I have friends,” Alec said, and looked over his shoulder, almost as if he couldn’t help it, at Jace.
But Jace, his golden head down, lost in thought, didn’t notice.
”
”
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
“
I’m fairly certain, Captain,” she said, “that the more you discover about me, the more you will dislike me. Therefore, let’s cut to the chase and acknowledge that we don’t like each other. Then we won’t have to bother with the in-between part.”
She was so bloody frank and practical about the whole thing that Christopher couldn’t help but be amused.
“I’m afraid I can’t oblige you.”
“Why not?”
“Because when you said that just now, I found myself starting to like you.”
“You’ll recover,” she said.
Her decisive tone made him want to smile. “It’s getting worse, actually,” he told her. “Now I’m absolutely convinced that I like you.”
Beatrix gave him a patently skeptical stare. “What about my hedgehog? Do you like her, too?”
Christopher considered that. “Affection for rodents can’t be rushed.”
“Medusa isn’t a rodent. She’s an erinaceid.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
I was told
The average girl begins to plan her wedding at the age of 7
She picks the colors and the cake first
By the age of 10
She knows time,
And location
By 17
She’s already chosen a gown
2 bridesmaids
And a maid of honor
By 23
She’s waiting for a man
Who wont break out in hives when he hears the word “commitment”
Someone who doesn’t smell like a Band-Aid drenched in lonely
Someone who isn’t a temporary solution to the empty side of the bed
Someone
Who’ll hold her hand like it’s the only one they’ve ever seen
To be honest
I don’t know what kind of tux I’ll be wearing
I have no clue what want my wedding will look like
But I imagine
The women who pins my last to hers
Will butterfly down the aisle
Like a 5 foot promise
I imagine
Her smile
Will be so large that you’ll see it on google maps
And know exactly where our wedding is being held
The woman that I plan to marry
Will have champagne in her walk
And I will get drunk on her footsteps
When the pastor asks
If I take this woman to be my wife
I will say yes before he finishes the sentence
I’ll apologize later for being impolite
But I will also explain him
That our first kiss happened 6 years ago
And I’ve been practicing my “Yes”
For past 2, 165 days
When people ask me about my wedding
I never really know what to say
But when they ask me about my future wife
I always tell them
Her eyes are the only Christmas lights that deserve to be seen all year long
I say
She thinks too much
Misses her father
Loves to laugh
And she’s terrible at lying
Because her face never figured out how to do it correctl
I tell them
If my alarm clock sounded like her voice
My snooze button would collect dust
I tell them
If she came in a bottle
I would drink her until my vision is blurry and my friends take away my keys
If she was a book
I would memorize her table of contents
I would read her cover-to-cover
Hoping to find typos
Just so we can both have a few things to work on
Because aren’t we all unfinished?
Don’t we all need a little editing?
Aren’t we all waiting to be proofread by someone?
Aren’t we all praying they will tell us that we make sense
She don’t always make sense
But her imperfections are the things I love about her the most
I don’t know when I will be married
I don’t know where I will be married
But I do know this
Whenever I’m asked about my future wife
I always say
…She’s a lot like you
”
”
Rudy Francisco
“
Here's the thing about Hazel: Almost everyone is obsessed with leaving a mark upon the world. Bequeathing a legacy. Outlasting death. We all want to be remembered. I do, too. That's what bothers me most, is being another unremembered casualty in the ancient and inglorious war against disease.
I want to leave a mark.
But Van Houten: The marks humans leave are too often scars. You build a hideous minimall or start a coup or try to become a rock star and you think, "They'll remember me now," but (a) they don't remember you, and (b) all you leave behind are more scars. Your coup becomes a dictatorship. Your minimall becomes a lesion.
...
We are like a bunch of dogs squirting on fire hydrants. We poison the groundwater with our toxic piss, marking everything MINE in a ridiculous attempt to survive our deaths. I can't stop pissing on fire hydrants. I know it's silly and useless--epically useless in my current state--but I am an animal like any other.
Hazel is different. She walks lightly, old man. She walks lightly upon the earth. Hazel knows the truth: We're as likely to hurt the universe as we are to help it, and we're not likely to do either.
People will say it's sad that she leaves a lesser scar, that fewer remember her, that she was loved deeply but not widely. But it's not sad, Van Houten. It's triumphant. It's heroic. Isn't that the real heroism? Like the doctors say: First, do no harm.
The real heroes anyway aren't the people doing things; the real heroes are the people NOTICING things, paying attention. The guy who invented the smallpox vaccine didn't actually invent anything. He just noticed that people with cowpox didn't get smallpox.
...
But then I wanted more time so we could fall in love. I got my wish, I suppose. I left my scar.
...
What else? She is so beautiful. You don't get tired of looking at her. You never worry if she is smarter than you: You know she is. She is funny without ever being mean. I love her. I am so lucky to love her, Van Houten. You don't get to choose if you get hurt in this world, old man, but you do have some say in who hurts you. I like my choices. I hope she likes hers.
”
”
John Green (The Fault in Our Stars)
“
You don't notice the dead leaving when they really choose to leave you. You're not meant to. At most you feel them as a whisper or the wave of a whisper undulating down. I would compare it to a woman in the back of a lecture hall or theater whom no one notices until she slips out.Then only those near the door themselves, like Grandma Lynn, notice; to the rest it is like an unexplained breeze in a closed room.
Grandma Lynn died several years later, but I have yet to see her here. I imagine her tying it on in her heaven, drinking mint juleps with Tennessee Williams and Dean Martin. She'll be here in her own sweet time, I'm sure.
If I'm to be honest with you, I still sneak away to watch my family sometimes. I can't help it, and sometimes they still think of me. They can't help it....
It was a suprise to everyone when Lindsey found out she was pregnant...My father dreamed that one day he might teach another child to love ships in bottles. He knew there would be both sadness and joy in it; that it would always hold an echo of me.
I would like to tell you that it is beautiful here, that I am, and you will one day be, forever safe. But this heaven is not about safety just as, in its graciousness, it isn't about gritty reality. We have fun.
We do things that leave humans stumped and grateful, like Buckley's garden coming up one year, all of its crazy jumble of plants blooming all at once. I did that for my mother who, having stayed, found herself facing the yard again. Marvel was what she did at all the flowers and herbs and budding weeds. Marveling was what she mostly did after she came back- at the twists life took.
And my parents gave my leftover possessions to the Goodwill, along with Grandma Lynn's things.
They kept sharing when they felt me. Being together, thinking and talking about the dead, became a perfectly normal part of their life. And I listened to my brother, Buckley, as he beat the drums.
Ray became Dr. Singh... And he had more and more moments that he chose not to disbelieve. Even if surrounding him were the serious surgeons and scientists who ruled over a world of black and white, he maintained this possibility: that the ushering strangers that sometimes appeared to the dying were not the results of strokes, that he had called Ruth by my name, and that he had, indeed, made love to me.
If he ever doubted, he called Ruth. Ruth, who graduated from a closet to a closet-sized studio on the Lower East Side. Ruth, who was still trying to find a way to write down whom she saw and what she had experienced. Ruth, who wanted everyone to believe what she knew: that the dead truly talk to us, that in the air between the living, spirits bob and weave and laugh with us. They are the oxygen we breathe.
Now I am in the place I call this wide wide Heaven because it includes all my simplest desires but also the most humble and grand. The word my grandfather uses is comfort.
So there are cakes and pillows and colors galore, but underneath this more obvious patchwork quilt are places like a quiet room where you can go and hold someone's hand and not have to say anything. Give no story. Make no claim. Where you can live at the edge of your skin for as long as you wish. This wide wide Heaven is about flathead nails and the soft down of new leaves, wide roller coaster rides and escaped marbles that fall then hang then take you somewhere you could never have imagined in your small-heaven dreams.
”
”
Alice Sebold (The Lovely Bones)
“
Giants isn't eating each other either, the BFG said. Nor is giants killing each other. Giants is not very lovely, but they is not killing each other. Nor is crockadowndillies killing other crockadowndillies. Nor is pussy-cats killing pussy-cats.
'They kill mice,' Sophie said.
'Ah, but they is not killing their own kind,' the BFG said. 'Human beans is the only animals that is killing their own kind.'
'Don't poisonous snakes kill each other?' Sophie asked. She was searching desperately for another creature that behaved as badly as the human.
'Even poisnowse snakes is never killing each other,' the BFG said. 'Nor is the most fearsome creatures like tigers and rhinostossterisses. None of them is ever killing their own kind. Has you ever thought about that?'
Sophie kept silent.
'I is not understanding human beans at all,' the BFG said.' You is a human bean and you is saying it is grizzling and horrigust for giants to be eating human beans. Right or left?'
'Right,' Sophie said.
'But human beans is squishing each other all the time,' the BFG said. 'They is shootling guns and going up in
aerioplanes to drop their bombs on each other's heads every week. Human beans is always killing other human beans.'
He was right. Of course he was right and Sophie knew it. She was beginning to wonder whether humans were actually any better than giants. 'Even so,' she said, defending her own race, I' think it's rotten that those foul giants should go off every night to eat humans. Humans have never done them any harm.'
'That is what the little piggy-wig is saying every day,' the BFG answered. 'He is saying, "I has never done any harm to the human bean so why should he be eating me?'"
'Oh dear,' Sophie said.
'The human beans is making rules to suit themselves,' the BFG went on. 'But the rules they is making do not suit the little piggy-wiggies. Am I right or left?'
'Right,' Sophie said.
'Giants is also making rules. Their rules is not suiting the human beans. Everybody is making his own rules to suit himself.
”
”
Roald Dahl (The BFG)
“
Nora Stephens,” he says, “I’ve racked my brain and this is the best I can come up with, so I really hope you like it.”
His gaze lifts, everything about it, about his face, about his posture, about him made up of sharp edges and jagged bits and shadows, all of it familiar, all of it perfect. Not for someone else, maybe, but for me.
“I move back to New York,” he says. “I get another editing job, or maybe take up agenting, or try writing again. You work your way up at Loggia, and we’re both busy all the time, and down in Sunshine Falls, Libby runs the local business she saved, and my parents spoil your nieces like the grandkids they so desperately want, and Brendan probably doesn’t get much better at fishing, but he gets to relax and even take paid vacations with your sister and their kids. And you and I—we go out to dinner.
“Wherever you want, whenever you want. We have a lot of fun being city people, and we’re happy. You let me love you as much as I know I can, for as long as I know I can, and you have it fucking all. That’s it. That’s the best I could come up with, and I really fucking hope you say—”
I kiss him then, like there isn’t someone reading one of the Bridgerton novels five feet away, like we’ve just found each other on a deserted island after months apart. My hands in his hair, my tongue catching on his teeth, his palms sliding around behind me and squeezing me to him in the most thoroughly public groping we’ve managed yet.
“I love you, Nora,” he says when we pull apart a few inches to breathe. “I think I love everything about you.
”
”
Emily Henry (Book Lovers)
“
Kestrel's eyes slipped shut. She faded in and out of sleep. When Arin spoke again, she wasn't sure whether he expected her to to hear him.
'I remember sitting with my mother in a carriage.' There was a long pause. Then Arin's voice came again in that slow, fluid way that showed the singer in him. 'In my memory, I am small and sleepy, and she is doing something strange. Every time the carriage turns into the sun, she raises her hand as if reaching for something. The light lines her fingers with fire. Then the carriage passes through shadows, and her hand falls. Again sunlight beams through the window, and again her hand lifts. It becomes and eclipse.'
Kestrel listened, and it was as if the story itself was an eclipse, drawing its darkness over her.
'Just before I fell asleep,' he said, 'I realized that she was shading my eyes from the sun.'
She heard Arin shift, felt him look at her.
'Kestrel.' She imagined how he would sit, lean forward. How he would look in the glow of the carriage lantern. 'Survival isn't wrong. You can sell your honor in small ways, so long as you guard yourself. You can pour a glass of wine like it's meant to be poured, and watch a man drink, and plot your revenge.' Perhaps his head tilted slightly at this. 'You probably plot even in your sleep.'
There was a silence as long as a smile.
'Plot away, Kestrel. Survive. If I hadn't lived, no one would remember my mother, not like I do.'
Kestrel could no longer deny sleep. It pulled her under.
'And I would never have met you.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
I closed my eyes. “Seth—”
"And when I was there and Erik sent me wherever he did, I felt…well, it was beyond anything I’d experienced. At first, I was so confused and disoriented. I didn’t get what they were saying about finding you. It seemed surreal. Then, it was the easiest thing in the world. I just looked for you, and there you were. In all that space and all that chaos, reaching you was like looking into myself. We were so close…it defied physics and every rule of nature I knew. It didn’t seem real that I could be together with anyone like that.
And when it was over, it’s like I said—I wasn’t sure what I’d just been a part of. But I knew that I had never experienced any bond like that with any other woman. Maybe you’re the only one, maybe there’s another…but regardless, I didn’t have it with Maddie. She’s amazing. I do love her. But in that situation again? I would never find her. And I knew it wasn’t fair to lead her into a life without that connection. You and I…I don’t understand what’s between us, but I’d rather spend my life alone than with someone who isn’t you.
”
”
Richelle Mead (Succubus Shadows (Georgina Kincaid, #5))
“
First came bright Spirits, not the Spirits of men, who danced and scattered flowers. Then, on the left and right, at each side of the forest avenue, came youthful shapes, boys upon one hand, and girls upon the other. If I could remember their singing and write down the notes, no man who read that score would ever grow sick or old. Between them went musicians: and after these a lady in whose honour all this was being done.
I cannot now remember whether she was naked or clothed. If she were naked, then it must have been the almost visible penumbra of her courtesy and joy which produces in my memory the illusion of a great and shining train that followed her across the happy grass. If she were clothed, then the illusion of nakedness is doubtless due to the clarity with which her inmost spirit shone through the clothes. For clothes in that country are not a disguise: the spiritual body lives along each thread and turns them into living organs. A robe or a crown is there as much one of the wearer's features as a lip or an eye.
But I have forgotten. And only partly do I remember the unbearable beauty of her face.
“Is it?...is it?” I whispered to my guide.
“Not at all,” said he. “It's someone ye'll never have heard of. Her name on earth was Sarah Smith and she lived at Golders Green.”
“She seems to be...well, a person of particular importance?”
“Aye. She is one of the great ones. Ye have heard that fame in this country and fame on Earth are two quite different things.”
“And who are these gigantic people...look! They're like emeralds...who are dancing and throwing flowers before here?”
“Haven't ye read your Milton? A thousand liveried angels lackey her.”
“And who are all these young men and women on each side?”
“They are her sons and daughters.”
“She must have had a very large family, Sir.”
“Every young man or boy that met her became her son – even if it was only the boy that brought the meat to her back door. Every girl that met her was her daughter.”
“Isn't that a bit hard on their own parents?”
“No. There are those that steal other people's children. But her motherhood was of a different kind. Those on whom it fell went back to their natural parents loving them more. Few men looked on her without becoming, in a certain fashion, her lovers. But it was the kind of love that made them not less true, but truer, to their own wives.”
“And how...but hullo! What are all these animals? A cat-two cats-dozens of cats. And all those dogs...why, I can't count them. And the birds. And the horses.”
“They are her beasts.”
“Did she keep a sort of zoo? I mean, this is a bit too much.”
“Every beast and bird that came near her had its place in her love. In her they became themselves. And now the abundance of life she has in Christ from the Father flows over into them.”
I looked at my Teacher in amazement.
“Yes,” he said. “It is like when you throw a stone into a pool, and the concentric waves spread out further and further. Who knows where it will end? Redeemed humanity is still young, it has hardly come to its full strength. But already there is joy enough int the little finger of a great saint such as yonder lady to waken all the dead things of the universe into life.
”
”
C.S. Lewis (The Great Divorce)
“
my final piece
We’re born into the world
As just one small piece to the puzzle
That makes up an entire life.
It’s up to us throughout our years,
to find all of our pieces that fit.
The pieces that connect who we are
To who we were
To who we’ll one day be.
Sometimes pieces will almost fit.
They’ll feel right.
We’ll carry them around for a while,
Hoping they’ll change shape.
Hoping they’ll conform to our puzzle.
But they won’t.
We’ll eventually have to let them go.
To find the puzzle that is their home.
Sometimes pieces won’t fit at all.
No matter how much we want them to.
We’ll shove them.
We’ll bend them.
We’ll break them.
But what isn’t meant to be,
won’t be.
Those are the hardest pieces of all to
accept.
The pieces of our puzzle
That just don’t belong.
But occasionally . . .
Not very often at all,
If we’re lucky,
If we pay enough attention,
We’ll find a
perfect match.
The pieces of the puzzle that slide right in
The pieces that hug the contours of our own
pieces.
The pieces that lock to us.
The pieces that we lock to.
The pieces that fit so well, we can’t tell
where our piece begins
And that piece ends.
Those pieces we call
Friends.
True loves.
Dreams.
Passions.
Beliefs.
Talents.
They’re all the pieces that complete our
puzzles.
They line the edges,
Frame the corners,
Fill the centers,
Those pieces are the pieces that make us
who we are.
Who we were.
Who we’ll one day be.
Up until today,
When I looked at my own puzzle,
I would see a finished piece.
I had the edges lined,
The corners framed,
The center filled.
It felt like it was complete.
All the pieces were there.
I had everything I wanted.
Everything I needed.
Everything I dreamt of.
But up until today,
I realized I had collected all
but one piece.
The most vital piece.
The piece that completes the picture.
The piece that completes my whole life.
I held this girl in my arms
She wrapped her tiny fingers around mine.
It was then that I realized
She was the fusion.
The glue.
The cement that bound all my pieces
together.
The piece that seals my puzzle.
The piece that completes my life.
The element that makes me who I am.
Who I was.
Who I’ll one day be.
You, baby girl.
You’re my final piece.
”
”
Colleen Hoover (This Girl (Slammed, #3))
“
The Frays had never been a religiously observant family, but Clary loved Fifth Avenue at Christmas time. The air smelled like sweet roasted chestnuts, and the window displays sparkled with silver and blue, green and red. This year there were fat round crystal snowflakes attached to each lamppost, sending back the winter sunlight in shafts of gold. Not to mention the huge tree at Rockefeller Center. It threw its shadow across them as she and Simon draped themselves over the gate at the side of the skating rink, watching tourists fall down as they tried to navigate the ice.
Clary had a hot chocolate wrapped in her hands, the warmth spreading through her body. She felt almost normal—this, coming to Fifth to see the window displays and the tree, had been a winter tradition for her and Simon for as long as she could remember.
“Feels like old times, doesn’t it?” he said, echoing her thoughts as he propped his chin on his folded arms.
She chanced a sideways look at him. He was wearing a black topcoat and scarf that emphasized the winter pallor of his skin. His eyes were shadowed, indicating that he hadn’t fed on blood recently. He looked like what he was—a hungry, tired vampire.
Well, she thought. Almost like old times. “More people to buy presents for,” she said. “Plus, the always traumatic what-to-buy-someone-for-the-first-Christmas-after-you’ve-started-dating question.”
“What to get the Shadowhunter who has everything,” Simon said with a grin.
“Jace mostly likes weapons,” Clary sighed. “He likes books, but they have a huge library at the Institute. He likes classical music …” She brightened. Simon was a musician; even though his band was terrible, and was always changing their name—currently they were Lethal Soufflé—he did have training. “What would you give someone who likes to play the piano?”
“A piano.”
“Simon.”
“A really huge metronome that could also double as a weapon?”
Clary sighed, exasperated.
“Sheet music. Rachmaninoff is tough stuff, but he likes a challenge.”
“Now you’re talking. I’m going to see if there’s a music store around here.” Clary, done with her hot chocolate, tossed the cup into a nearby trash can and pulled her phone out. “What about you? What are you giving Isabelle?”
“I have absolutely no idea,” Simon said. They had started heading toward the avenue, where a steady stream of pedestrians gawking at the windows clogged the streets.
“Oh, come on. Isabelle’s easy.”
“That’s my girlfriend you’re talking about.” Simon’s brows drew together. “I think. I’m not sure. We haven’t discussed it. The relationship, I mean.”
“You really have to DTR, Simon.”
“What?”
“Define the relationship. What it is, where it’s going. Are you boyfriend and girlfriend, just having fun, ‘it’s complicated,’ or what? When’s she going to tell her parents? Are you allowed to see other people?”
Simon blanched. “What? Seriously?”
“Seriously. In the meantime—perfume!” Clary grabbed Simon by the back of his coat and hauled him into a cosmetics store that had once been a bank. It was massive on the inside, with rows of gleaming bottles everywhere. “And something unusual,” she said, heading for the fragrance area. “Isabelle isn’t going to want to smell like everyone else. She’s going to want to smell like figs, or vetiver, or—”
“Figs? Figs have a smell?” Simon looked horrified; Clary was about to laugh at him when her phone buzzed. It was her mother.
where are you? It’s an emergency.
”
”
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
“
From Jess:
FANG.
I've commented your blog with my questions for THREE YEARS. You answer other people's STUPID questions but not MINE. YOU REALLY ASKED FOR IT, BUDDY. I'm just gonna comment with this until you answer at least one of my questions.
DO YOU HAVE A JAMAICAN ACCENT? No, Mon
DO YOU MOLT? Gross.
WHAT'S YOUR STAR SIGN? Dont know. "Angel what's my star sign?" She says Scorpio.
HAVE YOU TOLD JEB I LOVE HIM YET? No.
DOES NOT HAVING A POWER MAKE YOU ANGRY? Well, that's not really true...
DO YOU KNOW HOW TO DO THE SOULJA BOY? Can you see me doing the Soulja Boy?
DOES IGGY KNOW HOW TO DO THE SOULJA BOY? Gazzy does.
DO YOU USE HAIR PRODUCTS? No. Again,no.
DO YOU USE PRODUCTS ON YOUR FEATHERS? I don't know that they make bird kid feather products yet.
WHAT'S YOU FAVORITE MOVIE? There are a bunch
WHAT'S YOUR FAVORITE SONG? I don't have favorites. They're too polarizing.
WHAT'S YOUR FAVORITE SMELL? Max, when she showers.
DO THESE QUESTIONS MAKE YOU ANGRY? Not really.
IF I CAME UP TO YOU IN A STREET AND HUGGED YOU, WOULD YOU KILL ME? You might get kicked. But I'm used to people wanting me dead, so.
DO YOU SECRETLY WANT TO BE HUGGED? Doesn't everybody?
ARE YOU GOING EMO 'CAUSE ANGEL IS STEALING EVERYONE'S POWERS (INCLUDING YOURS)? Not the emo thing again.
WHAT'S YOUR FAVORITE FOOD? Anything hot and delicious and brought to me by Iggy.
WHAT DID YOU HAVE FOR BREAKFAST THIS MORNING? Three eggs, over easy. Bacon. More Bacon. Toast.
DID YOU EVEN HAVE BREAKFAST THIS MORNING? See above.
DID YOU DIE INSIDE WHEN MAX CHOSE ARI OVER YOU? Dudes don't die inside.
DO YOU LIKE MAX? Duh.
DO YOU LIKE ME? I think you're funny.
DOES IGGY LIKE ME? Sure
DO YOU WRITE DEPRESSING POETRY? No.
IS IT ABOUT MAX? Ahh. No.
IS IT ABOUT ARI? Why do you assume I write depressing poetry?
IS IT ABOUT JEB? Ahh.
ARE YOU GOING TO BLOCK THIS COMMENT? Clearly, no.
WHAT ARE YOU WEARING? A Dirty Projectors T-shirt. Jeans.
DO YOU WEAR BOXERS OR BRIEFS? No freaking comment.
DO YOU FIND THIS COMMENT PERSONAL? Could I not find that comment personal?
DO YOU WEAR SUNGLASSES? Yes, cheap ones.
DO YOU WEAR YOUR SUNGLASSES AT NIGHT? That would make it hard to see.
DO YOU SMOKE APPLES, LIKE US? Huh?
DO YOU PREFER BLONDES OR BRUNETTES? Whatever.
DO YOU LIKE VAMPIRES OR WEREWOLVES? Fanged creatures rock.
ARE YOU GAY AND JUST PRETENDING TO BE STRAIGHT BY KISSING LISSA? Uhh...
WERE YOU EXPERIMENING WITH YOUR SEXUALITY? Uhh...
WOULD YOU TELL US IF YOU WERE GAY? Yes.
DO YOU SECRETLY LIKE IT WHEN PEOPLE CALL YOU EMO? No.
ARE YOU EMO? Whatever.
DO YOU LIKE EGGS? Yes. I had them for breakfast.
DO YOU LIKE EATING THINGS? I love eating. I list it as a hobby.
DO YOU SECRETLY THINK YOU'RE THE SEXIEST PERSON IN THE WHOLE WORLD? Do you secretly think I'm the sexiest person in the whole world?
DO YOU EVER HAVE DIRTY THOUGHTS ABOUT MAX? Eeek!
HAS ENGEL EVER READ YOUR MIND WHEN YOU WERE HAVING DIRTY THOUGHT ABOUT MAX AND GONE "OMG" AND YOU WERE LIKE "D:"? hahahahahahahahahahah
DO YOU LIKE SPONGEBOB? He's okay, I guess.
DO YOU EVER HAVE DIRTY THOUGHT ABOUT SPONGEBOB? Definitely
CAN YOU COOK? Iggy cooks.
DO YOU LIKE TO COOK? I like to eat.
ARE YOU, LIKE, A HOUSEWIFE? How on earth could I be like a housewife?
DO YOU SECRETLY HAVE INNER TURMOIL?
Isn't it obvious?
DO YOU WANT TO BE UNDA DA SEA? I'm unda da stars.
DO YOU THINK IT'S NOT TOO LATE, IT'S NEVER TOO LATE? Sure.
WHERE DID YOU LEARN TO PLAY POKER? TV.
DO YOU HAVE A GOOD POKER FACE? Totally.
OF COURSE YOU HAVE A GOOD POKER FACE. DOES IGGY HAVE A GOOD POKER FACE? Yes.
CAN HE EVEN PLAY POKER? Iggy beats me sometimes.
DO YOU LIKE POKING PEOPLE HARD? Not really.
ARE YOU FANGALICIOUS? I could never be as fangalicious as you'd want me to be.
Fly on,
Fang
”
”
James Patterson (Fang (Maximum Ride, #6))
“
Clay, did you ever love me?"
I'm studying a billboard and say that I didn't hear what she said.
"I asked if you ever loved me?"
On the terrace the sun bursts into my eyes and for one blinding moment I see myself clearly. I remember the first time we made love, in the house in Palm Springs, her body tan and wet, lying against cool, white sheets.
"Don't do this, Blair," I tell her.
"Just tell me."
I don't say anything.
"Is it such a hard question to answer?"
I look at her straight on.
"Yes or no?"
"Why?"
"Damnit, Clay," she sighs.
"Yeah, sure, I guess."
"Don't lie to me."
"What in the fuck do you want to hear?"
"Just tell me," she says, her voice rising.
"No," I almost shout. "I never did." I almost start to laugh.
She draws in a breath and says, "Thank you. That's all I wanted to know." She sips her wine.
"Did you ever love me?" I ask her back, though by now I can't even care.
She pauses. "I thought about it and yeah, I did once. I mean I really did. Everything was all right for a while. You were kind." She looks down and then goes on. "But it was like you weren't there. Oh shit, this isn't going to make any sense." She stops.
I look at her, waiting for her to go on, looking up at the billboard. Disappear Here.
"I don't know if any other person I've been with has been really there, either ... but at least they tried."
I finger the menu; put the cigarette out.
"You never did. Other people made an effort and you just ... It was just beyond you." She takes another sip of her wine. "You were never there. I felt sorry for you for a little while, but then I found it hard to. You're a beautiful boy, Clay, but that's about it."
I watch the cars pass by on Sunset.
"It's hard to feel sorry for someone who doesn't care."
"Yeah?" I ask.
"What do you care about? What makes you happy?"
"Nothing. Nothing makes me happy. I like nothing," I tell her.
"Did you ever care about me, Clay?"
I don't say anything, look back at the menu.
"Did you ever care about me?" she asks again.
"I don't want to care. If I care about things, it'll just be worse, it'll just be another thing to worry about. It's less painful if I don't care."
"I cared about you for a little while."
I don't say anything.
She takes off her sunglasses and finally says, "I'll see you later, Clay." She gets up.
"Where are you going?" I suddenly don't want to leave Blair here. I almost want to take her back with me.
"Have to meet someone for lunch."
"But what about us?"
"What about us?" She stands there for a moment, waiting. I keep staring at the billboard until it begins to blur and when my vision becomes clearer I watch as Blair's car glides out of the parking lot and becomes lost in the haze of traffic on Sunset. The waiter comes over and asks, "Is everything okay, sir?"
I look up and put my sunglasses on and try to smile. "Yeah.
”
”
Bret Easton Ellis (Less Than Zero)
“
Once upon a time, there was a boy. He lived in a village that no longer exists, on the edge of a field that no longer exists, where everything was discovered and everything was possible. A stick could be a sword. A pebble could be a diamond. A tree was a castle.
Once upon a time, there was a boy who lived in a house across the field from a girl who no longer exists. They made up a thousand games. She was the Queen and he was the King. In the autumn light, her hair shone like a crown. They collected the world in small handfuls. When the sky grew dark, they parted with leaves in their hair.
Once upon a time there was a boy who loved a girl, and her laughter was a question he wanted to spend his whole life answering. When they were ten he asked her to marry him. When they were eleven he kissed her for the first time. When they were thirteen they got into a fight and for three weeks they didn't talk. When they were fifteen she showed him the scar on her left breast. Their love was a secret they told no one. He promised her he would never love another girl as long as he lived. "What if I die?" she asked. "Even then," he said. For her sixteenth birthday, he gave her an English dictionary and together they learned the words. "What's this?" he'd ask, tracing his index finger around her ankle and she'd look it up. "And this?" he'd ask, kissing her elbow. "Elbow! What kind of word is that?" and then he'd lick it, making her giggle. "What about this," he asked, touching the soft skin behind her ear. "I don't know," she said, turning off the flashlight and rolling over, with a sigh, onto her back. When they were seventeen they made love for the first time, on a bed of straw in a shed. Later-when things happened that they could never have imagined-she wrote him a letter that said: When will you learn that there isn't a word for everything?
”
”
Nicole Krauss (The History of Love)
“
When was the last time you were kissed?" he went on easily. "And I'm not talking about the dry, noncommittal, meaningless kiss you forget about as soon as it's over."
I scrambled out of my stupor long enough to quip, "Like last night's kiss?"
He cocked an eyebrow. "That so? I wonder, then, why you moaned my name after you drifted to sleep."
"I did not!"
"If only I'd had a video recorder. When was the last time you were really kissed?" he repeated.
"You seriously think I'm going to tell you?"
"Your ex?" he guessed.
"And if he was?"
"Was it your ex who taught you to be ashamed and uncomfortable with intimacy? He took from you what he wanted, but never seemed to be around when you wanted something back, isn't that right? What do you want, Britt?" he asked me point-blank.
"Do you really want to pretend like last night never happened?"
"Whatever happened between me and Calvin isn't your business,” I fired back.
"For your information, he was a really great boyfriend. I-I wish I was with him right now!" I exclaimed untruthfully. My careless comment made him flinch, but he recovered quickly.
"Does he love you?"
"What?" I said, flustered.
"If you know him so well, it shouldn't be a hard question. Is he in love with you? Was he ever in love with you?"
I tossed my head back haughtily. "I know what you're doing. You're trying to cut him down because you're-you're jealous of him!"
"You're damn right I'm jealous,” he growled. "When I kiss a girl, I like to know she's thinking about me, not the fool who gave her up.
”
”
Becca Fitzpatrick (Black Ice)
“
The books were legends and tales, stories from all over the Realm. These she had devoured voraciously – so voraciously, in fact, that she started to become fatigued by them. It was possible to have too much of a good thing, she reflected.
“They’re all the same,” she complained to Fleet one night. “The soldier rescues the maiden and they fall in love. The fool outwits the wicked king. There are always three brothers or sisters, and it’s always the youngest who succeeds after the first two fail. Always be kind to beggars, for they always have a secret; never trust a unicorn. If you answer somebody’s riddle they always either kill themselves or have to do what you say. They’re all the same, and they’re all ridiculous! That isn’t what life is like!”
Fleet had nodded sagely and puffed on his hookah. “Well, of course that’s not what life is like. Except the bit about unicorns – they’ll eat your guts as soon as look at you. those things in there” – he tapped the book she was carrying – “they’re simple stories. Real life is a story, too, only much more complicated. It’s still got a beginning, a middle, and an end. Everyone follows the same rules, you know. . . It’s just that there are more of them. Everyone has chapters and cliffhangers. Everyone has their journey to make. Some go far and wide and come back empty-handed; some don’t go anywhere and their journey makes them richest of all. Some tales have a moral and some don’t make any sense. Some will make you laugh, others make you cry. The world is a library, young Poison, and you’ll never get to read the same book twice.
”
”
Chris Wooding (Poison)
“
You know this girl.
Her hair is neither long nor short nor light nor dark. She parts it precisely in the middle.
She sits precisely in the middle of the classroom, and when she used to ride the school bus, she sat precisely in the middle of that, too.
She joins clubs, but is never the president of them. Sometimes she is the secretary; usually, just a member. When asked, she has been known to paints sets for the school play.
She always has a date to the dance, but is never anyone’s first choice. In point of fact, she’s nobody’s first choice for anything. Her best friend became her best friend when another girl moved away.
She has a group of girls she eats lunch with every day, but God, how they bore her. Sometimes, when she can’t stand it anymore, she eats in the library instead. Truth be told, she prefers books to people, and the librarian always seems happy to see her.
She knows there are other people who have it worse—she isn’t poor or ugly or friendless or teased. Of course, she’s also aware that the reason no one teases is because no one ever notices her.
This isn’t to say she doesn’t have qualities.
She is pretty, maybe, if anyone would bother to look. And she gets good enough grades. And she doesn’t drink and drive. And she says NO to drugs. And she is always where she says she will be. And she calls when she’s going to be late. And she feels a little, just a little, dead inside.
She thinks, You think you know me, but you don’t.
She thinks, None of you has any idea about all the things in my heart.
She thinks, None of you has any idea how really and truly beautiful I am.
She thinks, See me. See me. See me.
Sometimes she thinks she will scream.
Sometimes she imagines sticking her head in an oven.
But she doesn’t.
She just writes it all down in her journal and waits.
She is waiting for someone to see.
”
”
Gabrielle Zevin (Love Is Hell)
“
We aren't fighting right now." I blurted out.
He gave me a sidelong look. "Do you want to fight?"
"No. I hate fighting with you. Verbally, I mean. I don't mind in the gym."
I thought I detected the hint of a smile. Always a half-smile for me. Rarely a full one. "I don't like fighting with you either."
Sitting next to him there, I marveled at the warm and happy emotions springing up inside me. There was something about being around him that felt so good, that moved me in a way Mason couldn't. You can't force love, I realized, It's there or it isn't. If it's not there, you've got to be able to admit it. If it is there, you've got to do whatever it takes to protect the ones you love.
The next words that came out of my mouth astonished me, both because they were completely unselfish and because I actually meant them.
"You should take it."
He flinched. "What?"
"Tasha's offer. You should take her up on it. It's a really great chance."
I remembered my mom's words about being ready for children. I wasn't. Maybe she hadn't been. But Tasha was. And I knew Dimitri was too. They got along really well. He could go be her guardian, have some kids with her...it would be a good deal for both of them.
"I never expected to hear you say anything like that," he told me, voice tight. "Especially after-"
"What a bitch I've been? Yeah." I tugged his coat tighter against the cold. It smelled like him. It was intoxicating, and I could half-imagine being wrapped in his embrace. Adrian might have been onto something about the power of scent. "Well. Like I said, I don't want to fight anymore. I don't want us to hate each other. And...well..." I squeezed my eyes shut and then opened them. "No matter how I feel about us...I want you to be happy."
Silence yet again. I noticed then that my chest hurt.
Dimitri reached out and put his arm around me. He pulled me to him, and I rested my head on his chest. "Roza," was all he said.
It was the first time he'd really touched me since the night of the lust charm. The practice room had been something different...more animal. This wasn't even about sex. It was just about being close to someone you cared about, about the emotion that kind of connection flooded you with.
Dimitri might run off with Tasha, but I would still love him. I would probably always love him.
I cared about Mason. But I would probably never love him.
I sighed into Dimitri, just wishing I could stay like that forever. It felt right being with him. And-no matter how much the thought of him and Tasha made me ache-doing what was best for him felt right. Now, I knew, it was time to stop being a coward and do something else that was right. Mason had said I needed to learn something about myself. I just had.
Reluctantly, I pulled away and handed Dimitri his coat. I stood up. He regarded me curiously, sensing my unease.
"Where you going?" he asked.
"To break someone's heart," I replied.
I admired Dimitri for a heartbeat more-the dark, knowing eyes and silken hair. The I headed inside. I had to apologize to Mason...and tell him there'd never be anything between us.
”
”
Richelle Mead (Frostbite (Vampire Academy, #2))