Isle Of Sky Quotes

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That doesn’t mean it isn’t true. The Shining Isle exists as surely as the floor you’re standing on. It may be hard to believe, but it’s real, I tell you. Sometimes in the middle of the night, the sun can seem like it was only ever a dream. We need something to remind us that it still exists, even if we can’t see it. We need something beautiful hanging in the dark sky to remind us there is such a thing as daylight. Sometimes, Queen Sara”—Armulyn strummed his whistleharp— “music is the moon.
Andrew Peterson (The Warden and the Wolf King (The Wingfeather Saga, #4))
The wind sounds like a silver wire, And from beyond the noon a fire Is pour'd upon the hills, and nigher The skies stoop down in their desire; And, isled in sudden seas of light, My heart, pierced thro' with fierce delight, Bursts into blossom in his sight.
Alfred Tennyson
I left them there for the flies and the birds and the sun and the wind. In the silence outside the Tour du Silence, I left them. Where the faceless dead faced the sky, I left them there at the center of the world.
Rick Yancey (The Isle of Blood (The Monstrumologist, #3))
Spring. Blooms break forth from the startled earth. The sky laughs. The trees, abashed, dress themselves in verdant green. And the heavens are lush with starts. Redeem the time, the stars sing down. Redeem the dream. And the boy waking in the land of broken rocks, the dry land wet with spring rain, waking in the place where two dreams cross--the dream where seeds grow into trees of gold and the dream of the box that he cannot open.
Rick Yancey (The Isle of Blood (The Monstrumologist, #3))
My woman has a wandering eye; Yarrow, thyme and thorn. She eyes the ocean and the sky While stitching sails, forlorn. I got a kiss, and then a tear As she bade me go; But on the waves, my heart's in fear: My woman's in the know.
F.T. McKinstry (The Gray Isles (Chronicles of Ealiron, #2))
And thus thy memory is to me Like some enchanted far-off isle In some tumultuous sea — Some ocean throbbing far and free With storms — but where meanwhile Serenest skies continually Just o'er that one bright island smile.
Edgar Allan Poe (Edgar Allan Poe: Selected Poems)
I looked past him, to the sea framed in the arched opening of the wall, to the line formed where the water met the sky. The world was not round, I realized. The world was a plate. 'Please,' he whispered. 'Don't.' Unlike Rurick, Plesec did not die confused.
Rick Yancey (The Isle of Blood (The Monstrumologist, #3))
The monstrumologist laughed, and lifted his face toward the bleeding sky.
Rick Yancey (The Isle of Blood (The Monstrumologist, #3))
His skin smelled sour, like the prison, but somewhere under the filth, I caught notes of open fields and rainstorms and lightning-shot skies.
Jodi Meadows (Before She Ignites (Fallen Isles, #1))
It is a very thin line between us and the abyss, Will Henry,' he said. 'For most it is like that line out there, where the sea meets the sky. They see it. They cannot deny the evidence of their eyes, but they never cross it. They cannot cross it; though they chase it for a thousand years, it will forever stay where it is. Do you realize it took our species more than ten millennia to realize that simple fact? That the line is unreachable, that we live on a ball and not on a plate? Most of us do, anyway. Men like Jacob Torrance and John Kearns ... Those kinds of men still live on a plate. Do you understand what I mean?' I nodded. I thought I did.
Rick Yancey (The Isle of Blood (The Monstrumologist, #3))
You're my stars in an endless night sky, my sanity in a sea of madness, my chaos in the midst of normality.
Jade Presley (Her Revenge (The Shattered Isle #2))
I am a child of Alban’s earth Her ancient bones brought me to birth Her crags and islands built me strong My heart beats to her deep wild song. I am the wife with bairn on knee I am the fisherman at sea I am the piper on the strand I am the warrior, sword in hand. White Lady shield me with your fire Lord of the North my heart inspire Hag of the Isles my secrets keep Master of Shadows guard my sleep. I am the mountain, I am the sky I am the song that will not die I am the heather, I am the sea My spirit is forever free.
Juliet Marillier (Shadowfell (Shadowfell #1))
She rose to her feet screaming at the waves, at the sky, at The Goddess she had denied but could not entirely disbelieve. She railed at the conspiracy of fate, circumstance and divine intervention which had kept her trapped in this isle of disappointment and sorrow.
T.O. Munro (Lady of the Helm (Bloodline Trilogy, #1))
Like a huge domed tent of some fabulous, golden fabric, the northern lights displayed their splendour in a beautiful, swaying, rhythmic movement that glittered and glowed in the night sky. Awed and amazed, we could only stand and watch. I could imagine choirs of angels, jewelled harps, Heaven’s
Mary J. MacLeod (TestAsin_B07M5LMJZ4_Call the Nurse: True Stories of a Country Nurse on a Scottish Isle: TestAsin_B07M5LMJZ4_True Stories of a Country Nurse on a Scottish Isle)
In a flash, the very instant he had risen clear, the pilot found a peace that passed his understanding. Not a ripple tilted the plane but, like a ship that has crossed the bar, it moved across a tranquil anchorage. In an unknown and secret corner of the sky it floated, as in a harbor of the Happy Isles. Below him still the storm was fashioning another world, thridded with squalls and cloudbursts and lightnings, but turning to the stars a face of crystal snow.
Antoine de Saint-Exupéry (Night Flight)
From time to time Eva would venture on deck to gaze at the grey sky,the grey turbulent water and the grey ships with their belching smoke stacks butting and smashing onward through the waves and jagged swells - disappearing in explosions of wintry spume from time to time - gamely making for the British Isles
William Boyd
I was alone on a sunny shore by the forest’s pale blue lake, in the sky floated a single cloud and on the water a single isle. The ripe sweetness of summer dripped in beads from every tree and straight into my opened heart a tiny drop ran down. "Forest Lake
Edith Södergran
Like unto ships far off at sea, Outward or homeward bound, are we. Before, behind, and all around, Floats and swings the horizons bound, Seems at its distant rim to rise And climb the crystal wall of the skies, And then again to turn and sink, As if we could slide from its outer brink. Ah! it is not the sea, It is not the sea that sinks and shelves, But ourselves That rock and rise With endless and uneasy motion, Now touching the very skies, Now sinking into the depths of ocean. Ah! if our souls but poise and swing Like the compass in its brazen ring, Ever level and ever true To the toil and the task we have to do, We shall sail securely, and safely reach The Fortunate Isles, on whose shining beach The sights we see, and the sounds we hear, Will be those of joy and not of fear!
Henry Wadsworth Longfellow (Favorite Poems)
kicked off my flip-flops and dug my feet into the sand. It was what we did in the Lowcountry when we found ourselves alone on the beach. We would sit, stare at the water, kick off our shoes, and dig our feet into the sand to stay cool. With the ocean rolling all around me, I could look at life from different angles. The sky gradually gave up its blanket of deep gray to pale blue with golden edges of light, erasing the last traces of night. And over the next half hour or so, the sky would become brilliant blue again. The water changed from deep steel to sparkling navy as the morning sun climbed into position and another day began. On
Dorothea Benton Frank (Isle of Palms (Lowcountry Tales #3))
White noise, impersonal roar. Deadening incandescence of the boarding terminals. But even these soul-free, sealed-off places are drenched with meaning, spangled and thundering with it. Sky Mall. Portable stereo systems. Mirrored isles of Drambuie and Tanqueray and Chanel No. 5. I look at the blanked-out faces of the other passengers—hoisting their briefcases, their backpacks, shuffling to disembark—and I think of what Hobie said: beauty alters the grain of reality. And I keep thinking too of the more conventional wisdom: namely, that the pursuit of pure beauty is a trap, a fast track to bitterness and sorrow, that beauty has to be wedded to something more meaningful. Only what is that thing? Why am I made the way I am? Why do I care about all the wrong things, and nothing at all for the right ones? Or, to tip it another way: how can I see so clearly that everything I love or care about is illusion, and yet—for me, anyway—all that’s worth living for lies in that charm? A great sorrow, and one that I am only beginning to understand: we don’t get to choose our own hearts. We can’t make ourselves want what’s good for us or what’s good for other people. We don’t get to choose the people we are. Because—isn’t it drilled into us constantly, from childhood on, an unquestioned platitude in the culture—? From William Blake to Lady Gaga, from Rousseau to Rumi to Tosca to Mister Rogers, it’s a curiously uniform message, accepted from high to low: when in doubt, what to do? How do we know what’s right for us? Every shrink, every career counselor, every Disney princess knows the answer: “Be yourself.” “Follow your heart.
Donna Tartt (The Goldfinch)
birth but wakes the spirit to the sense Of outward shows, whose unexperienced shape New modes of passion to its frame may lend; Life is its state of action, and the store Of all events is aggregated there That variegate the eternal universe; Death is a gate of dreariness and gloom, That leads to azure isles and beaming skies And happy regions of eternal hope.
Percy Bysshe Shelley (Queen Mab)
They loved the sea. They taught themselves to sail, to navigate and read the weather. Without their mother's knowledge and long before she thought them old enough to sail outside the harbor, they were piloting their catboat all the way to the Isles of Shoals. They were on the return leg of one such excursion when the fickle weather of early spring took an abrupt turn and the sky darkened and the sun vanished and the wind came squalling off the open sea. They were a half mile from the harbor when the storm overtook them. The rain struck in a slashing torrent and the swells hove them so high they felt they might be sent flying--then dropped them into troughs so deep they could see nothing but walls of water the color of iron. They feared the sail would be ripped away. Samuel Thomas wrestled the tiller and John Roger bailed in a frenzy and both were wide-eyed with euphoric terror as time and again they were nearly capsized before at last making the harbor. When they got home and Mary Margaret saw their sodden state she scolded them for dunces and wondered aloud how they could do so well in their schooling when they didn't have sense enough to get out of the rain.
James Carlos Blake (Country of the Bad Wolfes)
There is an art to navigating London during the Blitz. Certain guides are obvious: Bethnal Green and Balham Undergrounds are no-goes, as is most of Wapping, Silvertown and the Isle of Dogs. The further west you go, the more you can move around late at night in reasonable confidence of not being hit, but should you pass an area which you feel sure was a council estate when you last checked in the 1970s, that is usually a sign that you should steer clear. There are also three practical ways in which the Blitz impacts on the general functioning of life in the city. The first is mundane: streets blocked, services suspended, hospitals overwhelmed, firefighters exhausted, policemen belligerent and bread difficult to find. Queuing becomes a tedious essential, and if you are a young nun not in uniform, sooner or later you will find yourself in the line for your weekly portion of meat, to be eaten very slowly one mouthful at a time, while non-judgemental ladies quietly judge you Secondly there is the slow erosion-a rather more subtle but perhaps more potent assault on the spirit It begins perhaps subtly, the half-seen glance down a shattered street where the survivors of a night which killed their kin sit dull and numb on the crooked remnants of their bed. Perhaps it need not even be a human stimulus: perhaps the sight of a child's nightdress hanging off a chimney pot, after it was thrown up only to float straight back down from the blast, is enough to stir something in your soul that has no rare. Perhaps the mother who cannot find her daughter, or the evacuees' faces pressed up against the window of a passing train. It is a death of the soul by a thousand cuts, and the falling skies are merely the laughter of the executioner going about his business. And then, inevitably, there is the moment of shock It is the day your neighbour died because he went to fix a bicycle in the wrong place, at the wrong time. It is the desk which is no longer filled, or the fire that ate your place of work entirely so now you stand on the street and wonder, what shall I do? There are a lot of lies told about the Blitz spirit: legends are made of singing in the tunnels, of those who kept going for friends, family and Britain. It is far simpler than that People kept going because that was all that they could really do. Which is no less an achievement, in its way.
Claire North (The First Fifteen Lives of Harry August)
We think- oh, we will never forget these northern lights, but we do. What we remember is only the curling picture in the left-hand drawer (Presque Isle, Maine, 1934) or a gorgeous half-page photo in an old travel magazine, but what we saw when we held hands, lifting our chins to the sky as if we could leap into the jagged, jeweled brilliance above us, was seen for ten seconds only, and never again.
Amy Bloom (White Houses)
You must live a very free life." "Me?" she laughed. "I am not who swoops out of the sky to rain fire on pirates!" "Yeah, but before this I never did much. I mean I did a lot, but...I lived in a room at a university, and my whole world was in that little room. There was this world inside my head." De la Fitte studied his head as if she could see through his skull to a little globe inside it somewhere.
Sam Starbuck (The Dead Isle)
But when the time comes to judge, to un­der­stand a be­trayal which will spread like fame across the Web, which will end worlds, I ask you not to think of me—my name was not even writ on wa­ter as your lost poet’s soul said—but to think of Old Earth dy­ing for no rea­son, to think of the dol­phins, their gray flesh dry­ing and rot­ting in the sun, to see—as I have seen—the motile isles with no place to wan­der, their feed­ing grounds de­stroyed, the Equa­to­r­ial Shal­lows scabbed with drilling plat­forms, the is­lands them­selves bur­dened with shout­ing, tram­mel­ing tourists smelling of UV lo­tion and cannabis. Or bet­ter yet, think of none of that. Stand as I did af­ter throw­ing the switch, a mur­derer, a be­trayer, but still proud, feet firmly planted on Hy­pe­r­ion’s shift­ing sand, head held high, fist raised against the sky, cry­ing “A plague on both your houses!
Dan Simmons (Hyperion (Hyperion Cantos, #1))
But when the time comes to judge, to understand a betrayal which will spread like flame across the Web, which will end worlds, I ask you not to think of me—my name was not even writ on water as your lost poet’s soul said—but to think of Old Earth dying for no reason, to think of the dolphins, their gray flesh drying and rotting in the sun, to see—as I have seen—the motile isles with no place to wander, their feeding grounds destroyed, the Equatorial Shallows scabbed with drilling platforms, the islands themselves burdened with shouting, trammeling tourists smelling of UV lotion and cannabis. Or better yet, think of none of that. Stand as I did after throwing the switch, a murderer, a betrayer, but still proud, feet firmly planted on Hyperion’s shifting sand, head held high, fist raised against the sky, crying “A plague on both your houses!” For you see, I remember my grandmother’s dream. I remember the way it could have been. I remember Siri.
Dan Simmons (Hyperion (Hyperion Cantos, #1))
Even in Africa, I had never seen such a profusion of stars as I saw on these clear nights on Pacific isles - not only big beaming planets and small single pinpricks... but also glittering clouds of them - the whole dome of the sky crowded with thick shapes formed from stars, overlaid with more shapes, a brilliant density, like a storm of light over a black depthless sea, made brighter still by twisting auroras composed of tiny star grains - points of light so fine and numerous they seemed like luminous vapor, the entire sky hung with veils of light like dazzling smoke... they made night in Oceania as vast and dramatic as day.
Paul Theroux (The Happy Isles of Oceania: Paddling the Pacific)
Sunday Morning I Complacencies of the peignoir, and late Coffee and oranges in a sunny chair, And the green freedom of a cockatoo Upon a rug mingle to dissipate The holy hush of ancient sacrifice. She dreams a little, and she feels the dark Encroachment of that old catastrophe, As a calm darkens among water-lights. The pungent oranges and bright, green wings Seem things in some procession of the dead, Winding across wide water, without sound. The day is like wide water, without sound, Stilled for the passing of her dreaming feet Over the seas, to silent Palestine, Dominion of the blood and sepulchre. II Why should she give her bounty to the dead? What is divinity if it can come Only in silent shadows and in dreams? Shall she not find in comforts of the sun, In pungent fruit and bright, green wings, or else In any balm or beauty of the earth, Things to be cherished like the thought of heaven? Divinity must live within herself: Passions of rain, or moods in falling snow; Grievings in loneliness, or unsubdued Elations when the forest blooms; gusty Emotions on wet roads on autumn nights; All pleasures and all pains, remembering The bough of summer and the winter branch. These are the measures destined for her soul. III Jove in the clouds had his inhuman birth. No mother suckled him, no sweet land gave Large-mannered motions to his mythy mind He moved among us, as a muttering king, Magnificent, would move among his hinds, Until our blood, commingling, virginal, With heaven, brought such requital to desire The very hinds discerned it, in a star. Shall our blood fail? Or shall it come to be The blood of paradise? And shall the earth Seem all of paradise that we shall know? The sky will be much friendlier then than now, A part of labor and a part of pain, And next in glory to enduring love, Not this dividing and indifferent blue. IV She says, "I am content when wakened birds, Before they fly, test the reality Of misty fields, by their sweet questionings; But when the birds are gone, and their warm fields Return no more, where, then, is paradise?" There is not any haunt of prophecy, Nor any old chimera of the grave, Neither the golden underground, nor isle Melodious, where spirits gat them home, Nor visionary south, nor cloudy palm Remote on heaven's hill, that has endured As April's green endures; or will endure Like her remembrance of awakened birds, Or her desire for June and evening, tipped By the consummation of the swallow's wings
Wallace Stevens
Ode to the West Wind I O wild West Wind, thou breath of Autumn’s being, Thou, from whose unseen presence the leaves dead Are driven, like ghosts from an enchanter fleeing, Yellow, and black, and pale, and hectic red, Pestilence-stricken multitudes: O thou, Who chariotest to their dark wintry bed The winged seeds, where they lie cold and low, Each like a corpse within its grave, until Thine azure sister of the Spring shall blow Her clarion o’er the dreaming earth, and fill (Driving sweet buds like flocks to feed in air) With living hues and odours plain and hill: Wild Spirit, which art moving everywhere; Destroyer and preserver; hear, oh hear! II Thou on whose stream, mid the steep sky’s commotion, Loose clouds like earth’s decaying leaves are shed, Shook from the tangled boughs of Heaven and Ocean, Angels of rain and lightning: there are spread On the blue surface of thine aëry surge, Like the bright hair uplifted from the head Of some fierce Maenad, even from the dim verge Of the horizon to the zenith’s height, The locks of the approaching storm. Thou dirge Of the dying year, to which this closing night Will be the dome of a vast sepulchre, Vaulted with all thy congregated might Of vapours, from whose solid atmosphere Black rain, and fire, and hail will burst: oh hear! III Thou who didst waken from his summer dreams The blue Mediterranean, where he lay, Lull’d by the coil of his crystàlline streams, Beside a pumice isle in Baiae’s bay, And saw in sleep old palaces and towers Quivering within the wave’s intenser day, All overgrown with azure moss and flowers So sweet, the sense faints picturing them! Thou For whose path the Atlantic’s level powers Cleave themselves into chasms, while far below The sea-blooms and the oozy woods which wear The sapless foliage of the ocean, know Thy voice, and suddenly grow gray with fear, And tremble and despoil themselves: oh hear! IV If I were a dead leaf thou mightest bear; If I were a swift cloud to fly with thee; A wave to pant beneath thy power, and share The impulse of thy strength, only less free Than thou, O uncontrollable! If even I were as in my boyhood, and could be The comrade of thy wanderings over Heaven, As then, when to outstrip thy skiey speed Scarce seem’d a vision; I would ne’er have striven As thus with thee in prayer in my sore need. Oh, lift me as a wave, a leaf, a cloud! I fall upon the thorns of life! I bleed! A heavy weight of hours has chain’d and bow’d One too like thee: tameless, and swift, and proud. V Make me thy lyre, even as the forest is: What if my leaves are falling like its own! The tumult of thy mighty harmonies Will take from both a deep, autumnal tone, Sweet though in sadness. Be thou, Spirit fierce, My spirit! Be thou me, impetuous one! Drive my dead thoughts over the universe Like wither’d leaves to quicken a new birth! And, by the incantation of this verse, Scatter, as from an unextinguish’d hearth Ashes and sparks, my words among mankind! Be through my lips to unawaken’d earth The trumpet of a prophecy! O Wind, If Winter comes, can Spring be far behind?
Percy Bysshe Shelley (Ode to the West Wind and Other Poems)
IX. Drunk With Pines" Drunk with pines and long kisses, like summer I steer the fast sail of the roses, bent towards the death of the thin day, stuck into my solid marine madness. Pale and lashed to my ravenous water, I cruise in the sour smell of the naked climate, still dressed in grey and bitter sounds and a sad crest of abandoned spray. Hardened by passions, I go mounted on my one wave, lunar, solar, burning and cold, all at once, becalmed in the throat of the fortunate isles that are white and sweet as cool hips. In the moist night my garment of kisses trembles charged to insanity with electric currents, heroically divided into dreams and intoxicating roses practicing on me. Upstream, in the midst of the outer waves, your parallel body yields to my arms like a fish infinitely fastened to my soul, quick and slow, in the energy under the sky.
Pablo Neruda (Twenty Love Poems and a Song of Despair)
The radiant sun draws visitors from the cold climes of Scandinavia, Britain, and Germany, and lively tavernas and discotheques entice vacationers from Asia and the Americas. People come from all over the world to marvel at the breathtaking historical depth and breadth that greets the visitor at every turn. This very mix of nationalities is just the latest of the many waves that have washed upon the Greek Isles for millennia. As they have since ancient, seafaring times, the hospitable inhabitants of the Greek Isles welcome these strangers who come for the beaches and the antiquities--and leave with the gift of the joy of living. As sunset gives way to the blanket of night, the modest lights of a thousand tiny villages twinkle and flicker as if mirroring the star-studded sky. Against the darkness, the columns and stones of ancient temples and theaters glow with a secret whiteness. Sipping a sweet and aromatic coffee, as a mandolin player strums an ancient melody and waves lap up against fishing boats moored for the night, it is easy to understand why the ancients believed these magical islands to be the birthplace of the gods.
Laura Brooks (Greek Isles (Timeless Places))
They climbed out of the pit to find a banquet awaiting them. A long table, four high-backed Untan-style chairs, a candelabra in the centre bearing four thick-stemmed beeswax candles, the golden light flickering down on silver plates heaped with Malazan delicacies. Oily santos fish from the shoals off Kartool, baked with butter and spices in clay; strips of marinated venison, smelling of almonds in the northern D'avorian style; grouse from the Seti plains stuffed with bull-berries and sage; baked gourds and fillets of snake from Dal Hon; assorted braised vegetables and four bottles of wine: a Malaz Island white from the Paran Estates, warmed rice wine from Itko Kan, a fullbodied red from Gris, and the orange-tinted belack wine from the Napan Isles. Kalam stood staring at the bounteous apparition, as Stormy, with a grunt, walked over, boots puffing in the dust, and sat down in one of the chairs, reaching for the Grisian red. 'Well,' Quick Ben said, dusting himself off, 'this is nice. Who's the fourth chair for, you think?' Kalam looked up at the looming bulk of the sky keep. 'I'd rather not think about that.' Snorting sounds from Stormy as he launched into the venison strips.
Steven Erikson (The Bonehunters (Malazan Book of the Fallen, #6))
Whirling darkness swallowed him, and in the center of it, at the bottom of an impossibly deep hole, at the very heart of the widdershin void, lay a formless horror—ancient and evil and from which emanated a constant, merciless hunger: never sated, all-consuming, with a particular glee for the sufferings of creatures caught between the gnashing of teeth. His mind fled the horror, but it was a deadly riptide, more powerful than the Boar’s Eye between the Southern Isles of Uden and Parlim, and the harder he tried, the slower he moved…. Fear filled him. Icy, coursing fear that froze his veins and chained his limbs and turned his stomach to acid. His heart fluttered, and for a moment seemed to stop, and in the grips of his terror, he cried for help as he had when a child: “Mother!” Then Thorn’s mind touched his own, and the gaping horror receded, and for a time Murtagh felt himself lost in the vast landscape of Thorn’s thoughts. They were flying, higher and higher, until the ground faded from sight, and above and below were the same: a perfect sphere of sky, with nowhere to land and only clouds for cover. A flock of eagles screamed past, talons extended to tear out eyes, and then they were gone, and it was impossible to tell which direction was up and which down. A timeless while passed, and then a thunder of dragons rose about them: dragons of every shape and color, their scales flashing, their wings thudding until
Christopher Paolini (Murtagh)
Line of AuNor, dragon bold Flows to me from days of old, And through years lost in the mist My blood names a famous list. By Air, by Water, by Fire, by Earth In pride I claim a noble birth. From EmLar Gray, a deadly deed By his flame Urlant was freed, Of fearsome hosts of blighters dark And took his reward: a golden ark! My Mother’s sire knew battle well Before him nine-score villages fell. When AuRye Red coursed the sky Elven arrows in vain would fly, He broke the ranks of men at will In glittering mines dwarves he’d kill. Grandsire he is through Father’s blood A river of strength in fullest flood. My egg was one of Irelia’s Clutch Her wisdom passed in mental touch. Mother took up before ever I woke The parent dragon’s heavy yoke; For me, her son, she lost her life Murderous dwarves brought blackened knife. A father I had in the Bronze AuRel Hunter of renown upon wood and fell He gave his clutch through lessons hard A chance at life beyond his guard. Father taught me where, and when, and how To fight or flee, so I sing now. Wistala, sibling, brilliant green Escaped with me the axes keen We hunted as pair, made our kill From stormy raindrops drank our fill When elves and dwarves took after us I told her “Run,” and lost her thus. Bound by ropes; by Hazeleye freed And dolphin-rescued in time of need I hid among men with fishing boats On island thick with blown sea-oats I became a drake and breathed first fire When dolphin-slaughter aroused my ire. I ran with wolves of Blackhard’s pack Killed three hunters on my track The Dragonblade’s men sought my hide But I escaped through a fangèd tide Of canine friends, assembled Thing Then met young Djer, who cut collar-ring. I crossed the steppes with dwarves of trade On the banks of the Vhydic Ironriders slayed Then sought out NooMoahk, dragon black And took my Hieba daughter back To find her kind; then took first flight Saw NooMoahk buried in honor right. When war came to friends I long had known My path was set, my heart was stone I sought the source of dreadful hate And on this Isle I met my fate Found Natasatch in a cavern deep So I had one more promise to keep. To claim this day my life’s sole mate In future years to share my fate A dragon’s troth is this day pledged To she who’ll see me fully fledged. Through this dragon’s life, as dragon-dame shall add your blood to my family’s fame.
E.E. Knight (Dragon Champion (Age of Fire, #1))
Land and Sea The brilliant colors are the first thing that strike a visitor to the Greek Isles. From the stunning azure waters and blindingly white houses to the deep green-black of cypresses and the sky-blue domes of a thousand churches, saturated hues dominate the landscape. A strong, constant sun brings out all of nature’s colors with great intensity. Basking in sunshine, the Greek Isles enjoy a year-round temperate climate. Lemons grow to the size of grapefruits and grapes hang in heavy clusters from the vines of arbors that shade tables outside the tavernas. The silver leaves of olive trees shiver in the least sea breezes. The Greek Isles boast some of the most spectacular and diverse geography on Earth. From natural hot springs to arcs of soft-sand beaches and secret valleys, the scenery is characterized by dramatic beauty. Volcanic formations send craggy cliffsides plummeting to the sea, cause lone rock formations to emerge from blue waters, and carve beaches of black pebbles. In the Valley of the Butterflies on Rhodes, thousands of radiant winged creatures blanket the sky in summer. Crete’s Samaria Gorge is the longest in Europe, a magnificent natural wonder rife with local flora and fauna. Corfu bursts with lush greenery and wildflowers, nurtured by heavy rainfall and a sultry sun. The mountain ranges, gorges, and riverbeds on Andros recall the mainland more than the islands. Both golden beaches and rocky countrysides make Mykonos distinctive. Around Mount Olympus, in central Cyprus, timeless villages emerge from the morning mist of craggy peaks and scrub vegetation. On Evia and Ikaria, natural hot springs draw those seeking the therapeutic power of healing waters. Caves abound in the Greek Isles; there are some three thousand on Crete alone. The Minoans gathered to worship their gods in the shallow caves that pepper the remotest hilltops and mountain ranges. A cave near the town of Amnissos, a shrine to Eileithyia, goddess of childbirth, once revealed a treasure trove of small idols dedicated to her. Some caves were later transformed into monasteries. On the islands of Halki and Cyprus, wall paintings on the interiors of such natural monasteries survive from the Middle Ages. Above ground, trees and other flora abound on the islands in a stunning variety. ON Crete, a veritable forest of palm trees shades the beaches at Vai and Preveli, while the high, desolate plateaus of the interior gleam in the sunlight. Forest meets sea on the island of Poros, and on Thasos, many species of pine coexist. Cedars, cypress, oak, and chestnut trees blanket the mountainous interiors of Crete, Cyprus, and other large islands. Rhodes overflows with wildflowers during the summer months. Even a single island can be home to disparate natural wonders. Amorgos’ steep, rocky coastline gives way to tranquil bays. The scenery of Crete--the largest of the Greek Isles--ranges from majestic mountains and barren plateaus to expansive coves, fertile valleys, and wooded thickets.
Laura Brooks (Greek Isles (Timeless Places))
But as his head cleared, Colin heard another sound, so beautiful that he never found rest again; the sound of a horn, like the moon on snow, and another answered it from the limits of the sky; and through the Brollachan ran silver lightnings, and he heard hoofs, and voices calling, “We ride! We ride!” and the whole cloud was silver, so that he could not look. The hoof-beats drew near, and the earth throbbed. Colin opened his eyes. Now the cloud raced over the ground, breaking into separate glories that whispered and sharpened to skeins of starlight, and were horsemen, and at their head was majesty, crowned with antlers, like the sun. But as they crossed the valley, one of the riders dropped behind, and Colin saw that it was Susan. She lost ground, though her speed was no less, and the light that formed her died, and in its place was a smaller, solid figure that halted, forlorn, in the white wake of the riding. The horsemen climbed from the hillside to the air, growing vast in the sky, and to meet them came nine women, their hair like wind. And away they rode together across the night, over the waves, and beyond the isles, and the Old Magic was free for ever, and the moon was new.
Alan Garner
A buzzing comes across the sky. The red biplane rolls inward across the turquoise water, over a wispy pine isle with a scattering of sailboats close by. Fishing boats make froth lines as they enter the channel below. A windjammer heads out for a sunset cruise promising a marmalade sky. The buzz hardens and bursts into an immense whirling sound above the yachts and sport fishers at the marina docks—the plane now racing its elongated shadow over the waterfront restaurants and bars. A man on bicycle coming round by the schooner wharf looks up with the whoosh of the plane already over the tall palms and roof tin, disappearing now in a muted drone down toward the Southernmost.” From Chapter 1: An Unfinished Sunset
Will Irby (An Unfinished Sunset: The Return of Irish Bly)
She won’t come that way.” Jack’s stepmother stepped out beside him on the large terrace in front of the fortress. All around them, the setting sun painted the sky a brilliant red and purple that only accentuated the jagged cliffs of the isle of Berlengas, jutting out into the sea around them. The wind had risen, slapping the waves into a frenzy. Whitecapped, they dashed themselves against the base of the narrow causeway that connected the Forte São João Batista with the island. “I know that,” said Jack quickly, but despite himself, his eyes turned again to that narrow and twisting stone bridge, the shadows playing tricks on him, presenting him with the image of a carriage, the echo of horses’ hooves against the stone. His stepmother was right: anyone would be mad to attempt the bridge at dusk in a high wind. Under the very best of conditions it would be dangerous. And these were not the best of conditions. If Jane came at all, she would come by sea. “She will come,” said Jack fiercely. “She knows what she’s doing.” His stepmother furled her parasol, tucking it under her arm. “Most of the time.” Before Jack could retort, she added in a voice like vinegar, “I care about her, too, you know.
Lauren Willig (The Lure of the Moonflower (Pink Carnation, #12))
Ancient Ways The Greek Isles are divided into several major chains lying in the Aegean, the Mediterranean, and the Ionian seas. The Cyclades chain alone includes more than two hundred islands clustered in the southern Aegean. In the southeastern Aegean, between Crete and Asia Minor, there are 163 islands known as the Dodecanese chain. Only 26 of these are inhabited; the largest of them is Rhodes, where the world-famous Colossus once stood. The Ionian chain of western Greece (named for the eponymous sea) includes the large island of Corfu. Cyprus lies in the eastern Mediterranean, south of Turkey. Today, Cyprus stands politically divided, with Turkish rule in the north, and a government in the south that remains independent from Greece. However, the island has always been linked culturally and linguistically to Greece, and it shares traditions and ways of life with the smaller islands scattered to its south and west. In the Greek Isles, history blends myth and fact. Historians glean information about the early days of the Greek Isles from the countless ancient stories and legends set there. According to Homer, battleships sailed from the harbors of Kos and Rhodes during the Trojan War. A well-known legend holds that the Argonauts sought refuge from a storm on the island of Anafi in the southeastern Cyclades. The lovely island of Lésvos is mentioned throughout the Homeric epics and in many ancient Greek tales. Tradition has it that the god Helios witnessed the island of Rhodes rising mystically from the sea, and chose it for his home. The ill-fated Daedalus and his son, Icarus, attempted to soar through the skies over the magical island of Crete, where the great god Zeus was born in a mountaintop cave. Villagers still recount how Aphrodite emerged from the sea on a breathtaking stretch of beach near the village of Paphos on Cyprus. Visitors must actually lay eyes on a Greek island to gain a full appreciation for these ancient stories. Just setting foot on one of these islands makes you feel as if you’ve stepped into one of the timeless tales from ancient Greek mythology.
Laura Brooks (Greek Isles (Timeless Places))
Birds can’t fly. That’s why they have wings. To help them fly.” She pointed to Damian. “He can’t fly. That’s why he has wings. Because he can’t fly.” My brain squealed in pain. “I don’t understand.” The sprite was clearly frustrated and unsure of how to proceed. “How do you fly now?” “I just call the wind and push myself along.” A dozen wind sprites gaped at me, utterly horrified. “You what?” “I use lift?” I responded, completely at a loss. The sprite came close, and spoke in calm, reassuring tones, as if to a very stupid person. “You are a djinn. You are like us. You are like the wind. The wind doesn’t need lift. The wind doesn’t have wings. The wind is.” I was exasperated. “Fine. So how does the wind go where it wants to go?” “The wind decides where it wants to go and goes. It is the wind. This is the wind’s world.” “You’re going to have to explain.” The sprite flitted around me. “Where do you want to go? Just choose.” I picked a point in the sky and strained my muscles. Nothing happened. “Well?” The sprite raised her eyebrows. “I’m trying!” “Decide what you want. Reach out. Draw it to you.” I thought of the sky. Then I thought of Rhiannon. Of the palace. Of the isle. Reaching forth with something inside of me, I pulled. The world came rushing toward me, and I exploded through the sky. The air shook as I passed, and I pulled as hard as I could. Shock waves curled around me. I was alone at first, and then surrounded by sprites, spiraling in a celestial dance. Reaching out to my right, I pulled again, turning at an impossible speed. I should have blacked out, but I was unfazed. The sprites followed, a second behind. I am of this realm. I’d been told that when I’d arrived, but now I understood. I was the wind. This whole time, I had been fighting against myself, yet my body was the sky. I was limitless. Looking back, Damian was a distant speck. Any farther, and I would lose sight of him forever. I turned back and pulled, soaring in a rage of turbulence. I overshot and had to try again, slowing myself as I approached. “Hell,” he said, otherwise speechless. I was electrified. Flying before had drained me. This filled me with power, and I felt as if I could explode.
Veronica Douglas (Wicked Wish (Dragon's Gift: The Storm #1))
A cold east wind wailed over the waste; a white fog like curd lay on the water, and the surface of the saltings, clinging to the surface and rising scarce above three feet from it. Here and there it lifted itself in a vaporous column, and moved along in the wind like a white spectral woman, nodding her head and waving her arms cumbered with wet drapery. Above, the sky was clear, and a fine crescent moon sparkled in it without quenching the keenness of the stars. Cassiopeia was glorious in her chair, Orion burned sideways over Mersea Isle. No red gleam was visible to-night from the tavern window at the City, the veil of fog hung over it and curtained it off. To the north-west was a silvery glow at the horizon, then there rose a pure ray as of returning daylight, it was answered by a throb in the north-east, then it broke into two rays, and again united and spread, and suddenly was withdrawn. Mehalah had often seen the Aurora, and she knew that the signals portended increased cold or bad weather.
Sabine Baring-Gould (Mehalah: A story of the salt marshes (The Landmark library))
An isle of near-permanent twilight, the home world of her breed of Fae … A land of Dusk.
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
Bryce rode the elevator up to her floor, mulling everything over in the silence. She’d meant what she said to Hunt—she didn’t think her father was behind Danika’s and the pack’s deaths. She had little doubt he’d killed others, though. And would do anything to keep his crown. The Autumn King was a courtesy title in addition to her father’s role as a City Head—as for all the seven Fae Kings. No kingdom was truly their own. Even Avallen, the green isle ruled by the Stag King, still bowed to the Republic. The Fae had coexisted with the Republic since its founding, answerable to its laws, but ultimately left to govern themselves and retain their ancient titles of kings and princes and the like. Still respected by all—and feared. Not as much as the angels, with their destructive, hideous storm-and-sky powers, but they could inflict pain if they wished. Choke the air from your lungs or freeze you or burn you from the inside out. Solas knew Ruhn and his two friends could raise Hel when provoked.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
Drunk as drunk on turpentine From your open kisses, Your wet body wedged Between my wet body and the strake Of our boat that is made of flowers, Feasted, we guide it - our fingers Like tallows adorned with yellow metal - Over the sky's hot rim, The day's last breath in our sails. Pinned by the sun between solstice And equinox, drowsy and tangled together We drifted for months and woke With the bitter taste of land on our lips, Eyelids all sticky, and we longed for lime And the sound of a rope Lowering a bucket down its well. Then, We came by night to the Fortunate Isles, And lay like fish Under the net of our kisses.
Pablo Neruda (100 Love Sonnets and Twenty Love Poems)
Ken Wharfe In 1987, Ken Wharfe was appointed a personal protection officer to Diana. In charge of the Princess’s around-the-clock security at home and abroad, in public and in private, Ken Wharfe became a close friend and loyal confidant who shared her most private moments. After Diana’s death, Inspector Wharfe was honored by Her Majesty Queen Elizabeth II at Buckingham Palace and made a Member of the Victorian Order, a personal gift of the sovereign for his loyal service to her family. His book, Diana: Closely Guarded Secret, is a Sunday Times and New York Times bestseller. He is a regular contributor with the BBC, ITN, Sky News, NBC, CBS, and CNN, participating in numerous outside broadcasts and documentaries for BBC--Newsnight, Channel 4 News, Channel 5 News, News 24, and GMTV. Diana looked out toward the Isle of Wight, anxious by now to set off on her walk to the Old Harry Rocks at the western extremity of Studland Bay. I gave her a personal two-way radio and a sketch map of the shoreline she could expect to see, indicating a landmark near some beach huts at the far end of the bay, a tavern or pub, called the Bankes Arms, where I would meet her. She set off at once, a tall figure clad in a pair of blue denim jeans, a dark-blue suede jacket, and a soft scarf wrapped loosely around her face to protect her from the chilling, easterly spring wind. I stood and watched as she slowly dwindled in the distance, her head held high, alone apart from busy oyster catchers that followed her along the water’s edge.
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
Ken Wharfe In 1987, Ken Wharfe was appointed a personal protection officer to Diana. In charge of the Princess’s around-the-clock security at home and abroad, in public and in private, Ken Wharfe became a close friend and loyal confidant who shared her most private moments. After Diana’s death, Inspector Wharfe was honored by Her Majesty Queen Elizabeth II at Buckingham Palace and made a Member of the Victorian Order, a personal gift of the sovereign for his loyal service to her family. His book, Diana: Closely Guarded Secret, is a Sunday Times and New York Times bestseller. He is a regular contributor with the BBC, ITN, Sky News, NBC, CBS, and CNN, participating in numerous outside broadcasts and documentaries for BBC--Newsnight, Channel 4 News, Channel 5 News, News 24, and GMTV. My memory of Diana is not her at an official function, dazzling with her looks and clothes and the warmth of her manner, or even of her offering comfort among the sick, the poor, and the dispossessed. What I remember best is a young woman taking a walk in a beautiful place, unrecognized, carefree, and happy. Diana increasingly craved privacy, a chance “to be normal,” to have the opportunity to do what, in her words, “ordinary people” do every day of their lives--go shopping, see friends, go on holiday, and so on--away from the formality and rituals of royal life. As someone responsible for her security, yet understanding her frustration, I was sympathetic. So when in the spring of the year in which she would finally be separated from her husband, Prince Charles, she yet again raised the suggestion of being able to take a walk by herself, I agreed that such a simple idea could be realized. Much of my childhood had been spent on the Isle of Purbeck in Dorset, a county in southern England approximately 120 miles from London; I remembered the wonderful sandy beaches of Studland Bay, on the approach to Poole Harbour. The idea of walking alone on miles of almost deserted sandy beach was something Diana had not even dared dream about. At this time she was receiving full twenty-four-hour protection, and it was at my discretion how many officers should be assigned to her protection. “How will you manage it, Ken? What about the backup?” she asked. I explained that this venture would require us to trust each other, and she looked at me for a moment and nodded her agreement. And so, early one morning less than a week later, we left Kensington Palace and drove to the Sandbanks ferry at Poole in an ordinary saloon car. As we gazed at the coastline from the shabby viewing deck of the vintage chain ferry, Diana’s excitement was obvious, yet not one of the other passengers recognized her. But then, no one would have expected the most photographed woman in the world to be aboard the Studland chain ferry on a sunny spring morning in May. As the ferry docked after its short journey, we climbed back into the car and then, once the ramp had been lowered, drove off in a line of cars and service trucks heading for Studland and Swanage. Diana was driving, and I asked her to stop in a sand-covered area about half a mile from the ferry landing point. We left the car and walked a short distance across a wooded bridge that spanned a reed bed to the deserted beach of Shell Bay. Her simple pleasure at being somewhere with no one, apart from me, knowing her whereabouts was touching to see. Diana looked out toward the Isle of Wight, anxious by now to set off on her walk to the Old Harry Rocks at the western extremity of Studland Bay. I gave her a personal two-way radio and a sketch map of the shoreline she could expect to see, indicating a landmark near some beach huts at the far end of the bay, a tavern or pub, called the Bankes Arms, where I would meet her.
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
Ken Wharfe In 1987, Ken Wharfe was appointed a personal protection officer to Diana. In charge of the Princess’s around-the-clock security at home and abroad, in public and in private, Ken Wharfe became a close friend and loyal confidant who shared her most private moments. After Diana’s death, Inspector Wharfe was honored by Her Majesty Queen Elizabeth II at Buckingham Palace and made a Member of the Victorian Order, a personal gift of the sovereign for his loyal service to her family. His book, Diana: Closely Guarded Secret, is a Sunday Times and New York Times bestseller. He is a regular contributor with the BBC, ITN, Sky News, NBC, CBS, and CNN, participating in numerous outside broadcasts and documentaries for BBC--Newsnight, Channel 4 News, Channel 5 News, News 24, and GMTV. And so, early one morning less than a week later, we left Kensington Palace and drove to the Sandbanks ferry at Poole in an ordinary saloon car. As we gazed at the coastline from the shabby viewing deck of the vintage chain ferry, Diana’s excitement was obvious, yet not one of the other passengers recognized her. But then, no one would have expected the most photographed woman in the world to be aboard the Studland chain ferry on a sunny spring morning in May. As the ferry docked after its short journey, we climbed back into the car and then, once the ramp had been lowered, drove off in a line of cars and service trucks heading for Studland and Swanage. Diana was driving, and I asked her to stop in a sand-covered area about half a mile from the ferry landing point. We left the car and walked a short distance across a wooded bridge that spanned a reed bed to the deserted beach of Shell Bay. Her simple pleasure at being somewhere with no one, apart from me, knowing her whereabouts was touching to see. Diana looked out toward the Isle of Wight, anxious by now to set off on her walk to the Old Harry Rocks at the western extremity of Studland Bay. I gave her a personal two-way radio and a sketch map of the shoreline she could expect to see, indicating a landmark near some beach huts at the far end of the bay, a tavern or pub, called the Bankes Arms, where I would meet her. She set off at once, a tall figure clad in a pair of blue denim jeans, a dark-blue suede jacket, and a soft scarf wrapped loosely around her face to protect her from the chilling, easterly spring wind. I stood and watched as she slowly dwindled in the distance, her head held high, alone apart from busy oyster catchers that followed her along the water’s edge. It was a strange sensation watching her walking away by herself, with no bodyguards following at a discreet distance. What were my responsibilities here? I kept thinking. Yet I knew this area well, and not once did I feel uneasy. I had made this decision--not one of my colleagues knew. Senior officers at Scotland Yard would most certainly have boycotted the idea had I been foolish enough to give them advance notice of what the Princess and I were up to.
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
We were now receiving daily very accurate weather reports from the Bracknell Weather Centre in the UK. These gave us the most advanced precision forecast available anywhere in the world. The meteorologists were able to determine wind strengths to within five knots accuracy at every thousand feet of altitude. Our lives would depend on these forecasts back up the mountain. Each morning, the entire team would crowd eagerly around the laptop to see what the skies were bringing--but it did not look good. Those early signs of the monsoon arriving in the Himalayas, the time when the strong winds over Everest’s summit begin to rise, didn’t seem to be coming. All we could do was wait. Our tents were very much now home to us at base camp. We had all our letters and little reminders from our families. I had a seashell I had taken from a beach on the Isle of Wight, in which Shara had written my favorite verse--one I had depended on so much through the military. “Be sure of this, that I am with you always, even unto the end of the earth.” Matthew 28:20. I reread it every night at base camp before I went to sleep. There was no shame in needing any help up here.
Bear Grylls (Mud, Sweat and Tears)
mantra, while the plane continued its fall from the cloudless sky. Snow watched the cool-headed pilot in
Karen Donahue (Murder on the Isle of Capri, Italy (Ryan-Hunter #4))
Srog bowed. “My lady, truth be told, after all these wars, I dearly miss Silesia. I ache to return, to rebuild. But for you, I would do anything. If the Upper Isles is where I am needed, then it is to the Upper Isles that I shall go. I shall rule in your name.” Gwen nodded back, satisfied. “Excellent. I know you shall do a fine job of it. Keep Tirus imprisoned. Keep an eye on the sons. And get these stubborn people to like us, will you?” Everyone in the room laughed. Gwen sighed, exhausted. Matters of court never seemed to end. “Well, if that is all, then I would like to go and participate—” Before she could finish the words, the doors to the hall opened yet again, and Gwen was shocked to see two young girls enter, perhaps twelve and ten, followed by Steffen, who nodded
Morgan Rice (A Rite of Swords/A Sky of Spells/A Grant of Arms (The Sorcerer's Ring, #7-9))
Dexter, of course, is made of sterner stuff than any mere mortal, and imploring looks from a beautiful woman have never had any power over Our Wicked Warrior. And it was an absurd idea, something far too strange even to contemplate—me, a bodyguard? It was out of the question. And yet somehow, when the workday ended that evening and all good wage slaves trotted dutifully away to hearth and home, I found myself on the balcony of a suite at the Grove Isle Hotel, sipping a mojito and watching as a spectacular sunset blew up the sky behind us, reflecting orange and red and pink onto the water of Biscayne Bay. There was a tray of cheese and fresh fruit on the table beside me, and the Glock was an uncomfortable lump in my side, and I was filled with wonder at the unavoidable notion that Life makes no sense at all, especially when things have taken a sudden and extravagant turn into surreal and unearned luxury. Terror, pain, and nausea I can understand, but this? I could only assume I was being set up for something even worse. Still, the mojito was very good, and one of the cheeses had a very nice bite to it. I wondered if anyone ever really got used to living like this. It didn’t seem possible; weren’t we all made to sweat and suffer and endure painful hardship as we toiled endlessly in the vile cesspit of life on earth? How did sharp cheese, fresh strawberries, and utter luxury fit in with that?
Jeff Lindsay (Dexter's Final Cut (Dexter, #7))
Ken Wharfe In 1987, Ken Wharfe was appointed a personal protection officer to Diana. In charge of the Princess’s around-the-clock security at home and abroad, in public and in private, Ken Wharfe became a close friend and loyal confidant who shared her most private moments. After Diana’s death, Inspector Wharfe was honored by Her Majesty Queen Elizabeth II at Buckingham Palace and made a Member of the Victorian Order, a personal gift of the sovereign for his loyal service to her family. His book, Diana: Closely Guarded Secret, is a Sunday Times and New York Times bestseller. He is a regular contributor with the BBC, ITN, Sky News, NBC, CBS, and CNN, participating in numerous outside broadcasts and documentaries for BBC--Newsnight, Channel 4 News, Channel 5 News, News 24, and GMTV. It was a strange sensation watching her walking away by herself, with no bodyguards following at a discreet distance. What were my responsibilities here? I kept thinking. Yet I knew this area well, and not once did I feel uneasy. I had made this decision--not one of my colleagues knew. Senior officers at Scotland Yard would most certainly have boycotted the idea had I been foolish enough to give them advance notice of what the Princess and I were up to. Before Diana disappeared from sight, I called her on the radio. Her voice was bright and lively, and I knew instinctively that she was happy, and safe. I walked back to the car and drove slowly along the only road that runs adjacent to the bay, with heath land and then the sea to my left and the waters of Poole Harbour running up toward Wareham, a small market town, to my right. Within a matter of minutes, I was turning into the car park of the Bankes Arms, a fine old pub that overlooks the bay. I left the car and strolled down to the beach, where I sat on an old wall in the bright sunshine. The beach huts were locked, and there was no sign of life. To my right I could see the Old Harry Rocks--three tall pinnacles of chalk standing in the sea, all that remains, at the landward end, of a ridge that once ran due east to the Isle of Wight. Like the Princess, I, too, just wanted to carry on walking. Suddenly, my radio crackled into life: “Ken, it’s me--can you hear me?” I fumbled in the large pockets of my old jacket, grabbed the radio, and said, “Yes. How is it going?” “Ken, this is amazing, I can’t believe it,” she said, sounding truly happy. Genuinely pleased for her, I hesitated before replying, but before I could speak she called again, this time with that characteristic mischievous giggle in her voice. “You never told me about the nudist colony!” she yelled, and laughed raucously over the radio. I laughed, too--although what I actually thought was “Uh-oh!” But judging from her remarks, whatever she had seen had made her laugh. At this point, I decided to walk toward her, after a few minutes seeing her distinctive figure walking along the water’s edge toward me. Two dogs had joined her and she was throwing sticks into the sea for them to retrieve; there were no crowd barriers, no servants, no police, apart from me, and no overattentive officials. Not a single person had recognized her. For once, everything for the Princess was “normal.” During the seven years I had worked for her, this was an extraordinary moment, one I shall never forget.
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
Dusk settles over the bayou, and the black silhouettes of cypress trees stand knee-deep in the murky water, like a painting, set against the burnt orange and pink sky. Twinkling fireflies add enchanting animation to the surrounding stillness. The Spanish moss slung over branches, reaching down for the glassy surface below, is mirrored by its reflection, like looking at a parallel, upside down world. “As above, so below.” “What’s that?” “I don’t remember where I heard it. It just makes me think of the duality of things, sometimes. Good and evil. Black and white.” “Balance.
Keri Lake (The Isle of Sin and Shadows)
Reapers dwelled on every eternal isle in the world: the Bone Quarter here, the Catacombs in the Eternal City, the Summerlands in Avallen … Each of the sacred, sleeping domains guarded by a fierce monarch. Hunt had never met the Under-King of Lunathion—and hoped he never would. He had as little as possible to do with the Under-King’s Reapers, too. Half-lifes, people called them. Humans and Vanir who had once been alive, who had faced death and offered their souls to the Under-King as his private guards and servants instead. The cost: to live forever, unaging and unkillable, but never again to be able to sleep, eat, fuck. Vanir did not mess with them.
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
your Starborn bloodline specifically hailed from a small isle a few miles from the mainland. And while the mainland had all manner of climes, the isle existed in beautiful, near-permanent twilight. But only a select few in the entirety of your world could shift from their humanoid forms to animal ones.
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
And while the mainland had all manner of climes, the isle existed in beautiful, near-permanent twilight.
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
Arianrhod herself, whose name meant Silver Wheel, perhaps was worshiped by the common folk as incarnation as well as priestess of the moon, the benevolent silver sky-lady herself, come down from her pale bright chariot in the heavens to watch more closely over the tides she ruled, and make them gentle to the coasts of men. Such mystic, mighty song and incantation to control or invoke the elements may have been the rites practices by all the dwellers on those sacred isles around Britain of which Plutarch tells us; on one of which, he says, the Dethroned Father of the Gods sleeps among his men, since sleep is the fetter forged for Him. But those are things lost in mystery, and sages and historians quarrel over the fringes of them, happy in the seemingly barren strife.
Evangeline Walton (The Mabinogion Tetralogy: The Prince of Annwn, The Children of Llyr, The Song of Rhiannon, The Island of the Mighty)
The heavens declare the glory of God; the skies proclaim the work of his hands.” “Now, that’s beautiful.” “It’s Psalm 19. Verse 1.
Grace Greene (Beach Rental (Emerald Isle, NC #1))
If it’s of any interest to you, your Starborn bloodline specifically hailed from a small isle a few miles from the mainland.
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
When at last they broke apart, Skylark looked different again, as he seemed to every time she laid her eyes upon him. A new character was there, a softer one, a stronger one, one with more empathy, hope, and faith in life. Her own feeling for him evolved and grew alongside it. She felt it bursting through the soil of her earthen heart just like the plants before them, unfurling up into the never-ending sky.
Brooke Dennehy Lakin (The Emerald Isle: The Courtship (Alliances of the Crystal Realms Sagas))