Island Wedding Quotes

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In the enchanted woodland wild, The Prince shall wed a Fairy child. Dragon, Human, and Fairy, Their union will be bound by three. And when these lovers intertwine, Three races in one child combine. Dragon, Fey, and Humankind, Bound in one bloodline.
Janet Lee Carey (Dragonswood (Wilde Island Chronicles, #2))
If people were to tell other people everything about themselves, we’d live in a dull world.
Tom McCarthy (Satin Island)
It's just that we'd like to think that craziness and sanity are on opposite ends of an ocean, but really they're more like neighboring islands.
Gayle Forman (Sisters in Sanity)
Because we live in a world under siege,” I say. “Life sucks for mages and magicians- you taught me that. Bad things happen to those of us who get involved, but if we didn't fight, we'd be in an even worse state. None of it it’s your fault, any more than it’s the fault of the moon or the stars.” Dervish nods slowly, then arches an eyebrow “The moon or the stars?” “I always get poetic when I'm dealing with self-pitying simpletons.
Darren Shan (Wolf Island (The Demonata, #8))
We couldn't bear to be apart. So if Kizuki had lived, I'm sure we would have been together, loving each other, and gradually growing unhappy." Unhappy? Why's that?" With her fingers, Naoko combed her hair back several times. She had taken her barrette off, which made the hair fall over her face when she dropped her head forward. Because we would have had to pay the world back what we owed it," she said, raising her eyes to mine. "The pain of growing up. We didn't pay when we should have, so now the bills are due. Which is why Kizuki did what he did, and why I'm here. We were like kids who grew up naked on a desert island. If we got hungry, we'd just pick a banana; if we got lonely, we'd go to sleep in each other's arms. But that kind of thing doesn't last forever. We grew up fast and had to enter society. Which is why you were so important to us. You were the link connecting us with the outside world. We were struggling through you to fit in with the outside world as best we could. In the end, it didn't work, of course." I nodded. I wouldn't want you to think that we were using you, though. Kizuki really loved you. It just so happened that our connection with you was our first connection with anyone else. And it still is. Kizuki may be dead, but you are still my only link with the outside world. And just as Kizuki loved you, I love you. We never meant to hurt you, but we probably did; we probably ended up making a deep wound in your heart. It never occurred to us that anything like that might happen.
Haruki Murakami (Norwegian Wood)
I'd been to the island on most weekends up until I got shot, and Thomas had often come with me. We'd used some fresh lumber, some material salvaged from the ruined town, and some pontoons made from plastic sheathing and old tractor-tire inner tubes to construct a floating walkway to serve as a dock, anchored to the old pilings that had once supported a much larger structure. Upon completion, I had dubbed it the Whatsup Dock, and Thomas had chucked me twenty feet out into the lake, thus proving his utter lack of appreciation for reference-orientated humour. (And then I'd thrown him forty feet out with magic, once I got dry. Because come on, he's my brother. It was the only thing to do.)
Jim Butcher (Cold Days (The Dresden Files, #14))
Who’s Beth?” Keri asked. “The bartender at your wedding.” “Oh, that’s right. How could I forget when my husband almost got thrown out of our own reception for trying to hire her like a hooker or something.” “What’s a hooker?” Bobby asked. Keri’s island tan flushed pink. “Oops.” “You put it on the end of a fishing pole, dummy,” Brian explained. Bobby frowned. “Uncle Joe tried to hire a worm?
Shannon Stacey (Undeniably Yours (Kowalski Family, #2))
I don’t know why we fight. It takes much too effort to stay mad at you. To dodge your skin in the hallway and leave the kitchen without bringing you a treat. It takes much too effort to stare at the sink so my eyes don’t smile at you in the mirror. It takes much too effort to look away as we undress and lie apart in the now bigger bed. It takes much too effort to stiffen my body because sleepy limbs forget fights and pride is always lost in dreams. It takes much too effort to awaken every hour to make sure we are islands with a gulf of white sheets separating us. I dread the light peeking through the parted curtains and empathise with your groans — I didn’t get any sleep either. I really don’t know why we fight. It takes much too effort to stay mad at one another when it’s so easy for us to love.
Kamand Kojouri
But not everyone needs to be a warrior, my dear. Otherwise we’d never have poets, artists, scientists …’ ‘I disagree,’ said Defne into her wine glass. ‘There are moments in life when everyone has to become a warrior of some kind. If you are a poet, you fight with your words; if you are an artist, you fight with your paintings … But you can’t say, “Sorry, I’m a poet, I’ll pass.” You don’t say that when there’s so much suffering, inequality, injustice.
Elif Shafak (The Island of Missing Trees)
Being left at the altar was not for sissies. Aside from the humiliation and hurt, there were actual logistics to worry about. Odds were if a guy was willing to leave you standing alone in front of three hundred of your closest friends and relatives, not to mention both your mothers, he wasn't going to sweat the little stuff like returning the gifts and paying the caterer.
Susan Mallery (Three Sisters (Blackberry Island, #2))
A sound of laughter was heard-they turned sharply. Vera Claythorne was standing in the yard. She cried out in a high shrill voice, shaken with wild bursts of laughter: "Do they keep bees on this island? Tell me that. Where do we go for honey? Ha! ha!" They stared at her uncomprehendingly. It was as though the sane well-balanced girl had gone mad right before their eyes. She went on in that high unnatural voice: "Don't stare like that! As though you thought I was mad. It's sane enough what I'm asking. Bees, hives, bees! Oh, don't you understand? Haven't you read that idiotic rhyme? It's up in all of your bedrooms-put it there for you to study! We might have come here straightaway if we'd had sense. Seven little soldiers chopping up sticks. And the next verse, I know the whole thing by heart, I tell you! Six little soldier boys playing with a hive. And that's why I'm asking-do they keep bees on this island- isn't it damned funny...?
Agatha Christie (And Then There Were None)
What would we do, each of us, if we were young people in 1930s Burgos, caught up in the midst of civil war? It’s easy to claim in hindsight we’d do the right thing. But, in truth, none of us knows where we would be when the fire is raging.
Elif Shafak (The Island of Missing Trees)
And she wanted him. And anyway, once a mermaid saved a man, wasn’t he destined to be her true love, with weddings on ships or private islands and happily-ever-afters filled with music and sparkles and talking fish?
Kerry Adrienne (Storm Damaged)
The word wrath jumped out at me. I thought about the alcohol and drugs we’d found in Toby’s room. I thought about the fire on Hawthorne Island and the way the press had lauded Toby as such an outstanding young man.
Jennifer Lynn Barnes (The Hawthorne Legacy (The Inheritance Games, #2))
I asked her to leave with me on our wedding night.” “What?” my grandfather said, his composure further weakened. He too had believed this was all a childish bluff and suddenly felt the ground shifting under his feet. “Oh, yes. We could have been in the Epidi Islands by now, or Mur. I would have taken her anywhere she wanted,” Eugenides assured him. “She wouldn’t abandon her people—she knew how Erondites would rule if she did.
Megan Whalen Turner (Return of the Thief (The Queen's Thief, #6))
He said he would be back and we'd drink wine together He said that everything would be better than before He said we were on the edge of a new relation He said he would never again cringe before his father He said that he was going to invent full-time He said he loved me that going into me He said was going into the world and the sky He said all the buckles were very firm He said the wax was the best wax He said Wait for me here on the beach He said Just don't cry I remember the gulls and the waves I remember the islands going dark on the sea I remember the girls laughing I remember they said he only wanted to get away from me I remember mother saying : Inventors are like poets, a trashy lot I remember she told me those who try out inventions are worse I remember she added : Women who love such are the worst of all I have been waiting all day, or perhaps longer. I would have liked to try those wings myself. It would have been better than this.
Muriel Rukeyser
I cannot think that man is meant to find happiness so easily! Happiness is like one of those palaces on an enchanted island, its gates guarded by dragons. One must fight to gain it; and, in truth, I do not know what I have done to deserve the good fortune of becoming Mercédès, husband.
Alexandre Dumas
They were trying to escape. They asked us "Where's the railway?" We'd never seen a railway. They asked "Where's Moscow? Leningrad?" They were asking the wrong people: we'd never heard of those places. We're Ostyaks. People were running away starving. They were given a handful of flour. They mixed it with water and drank it and then they immediately got diarrhea. The things we saw! People were dying everywhere; they were killing each other.... On the island there was a guard named Kostia Venikov, a young fellow. He was courting a pretty girl who had been sent there. He protected her. One day he had to be away for a while, and he told one of his comrades, "Take care of her," but with all the people there the comrade couldn't do much.... People caught the girl, tied her to a poplar tree, cut off her breasts, her muscles, everything they could eat, everything, everything.... They were hungry, they had to eat. When Kostia came back, she was still alive. He tried to save her, but she had lost too much blood.
Nicolas Werth (Cannibal Island: Death in a Siberian Gulag (Human Rights and Crimes against Humanity, 2))
No man is an island, no woman lives in a vacuum, and as much as we’d like to compartmentalize, our actions and decisions affect those around us… even if that’s not our intention.
Peter Adejimi
How old did someone have to be before they could be put to use to make tea?
Jenny Oliver (Four Weddings and a White Christmas (Cherry Pie Island, #5))
What if you were to get lost,” he pointed out. Oh, that was the final straw. She whirled around. “However could that happen, my lord?” She notched her chin up a bit. “We’re standing on an island. Eventually I would come to an edge.
Julia Quinn (Four Weddings and a Sixpence: An Anthology)
Waiting for Icarus " He said he would be back and we’d drink wine together He said that everything would be better than before He said we were on the edge of a new relation He said he would never again cringe before his father He said that he was going to invent full-time He said he loved me that going into me He said was going into the world and the sky He said all the buckles were very firm He said the wax was the best wax He said Wait for me here on the beach He said Just don’t cry I remember the gulls and the waves I remember the islands going dark on the sea I remember the girls laughing I remember they said he only wanted to get away from me I remember mother saying : Inventors are like poets, a trashy lot I remember she told me those who try out inventions are worse I remember she added : Women who love such are the Worst of all I have been waiting all day, or perhaps longer. I would have liked to try those wings myself. It would have been better than this.
Muriel Rukeyser (The Collected Poems)
Between the three of us, we’d be fine. It’d be fun. Magic. That’s what those days felt like. Not how Libby made it sound. Sure, there were problems, but what about all those days lying on our bellies in the Coney Island sand reading until the sun set? Or nights spent in a row on our sofa, eating junk food and watching old movies?
Emily Henry (Book Lovers)
What if we are all getting stupid at more or less the same rate and we don’t realize it because we are all declining together? You might argue that we’d see a general fall in IQ scores, but what if it’s not the kind of deterioration that shows up in IQ tests? What if it were reflected in just, say, poor judgment or diminished taste? We
Bill Bryson (The Road to Little Dribbling: More Notes from a Small Island)
It was so awful! And he kept on looking at me and I knew I must get out of bed or he'd come and touch me. I did, too, but when I got out I wasn't me-I was a little white bunny. And he started out of the room and I had to go with him for fear he'd touch me. It felt so horrid, going out with him and looking back at mother there asleep. "We went into the main part of the house, and one of the big front doors was open, and we went out through it. And then he gave a big jump, and so did I, and it took us clear up into the sky. We couldn't fly, but we kept jumping and jumping. "Sometimes we stayed in the sky a little while, jumping from cloud to cloud, and the moon would get closer and closer and bigger and bigger, and its face would change and get horrible and grin at us until it seemed like its mouth was a mile wide and open, to swallow us up. And then we'd come down again and jump from one cliff to another, and the sea would be roaring down under us, and the waves all grey and cold and moving around and boiling like they were mad or afraid. "We went all over the island and sometimes we jumped over the sea to the mainland and back again; and sometimes I tried to get away and run back to Mother - I thought she'd know me even if I was a bunny - but always, whichever way I turned, the hare was there in front of me, and his teeth were shining. "We kept it up all night, and I was so tired and cold and miserable, and so scared. I didn't know whether he would ever let me go home or whether he would take me to Aunt Sarai. Then finally I did get away and the hare chased me!" She broke off, her voice rising again to a wail. "It was so awful! I ran all over the island, into all sorts of queer little places that I never knew were there before - it seems so different after dark - and finally, when two or three times I'd been so tired that I thought I just couldn't go any farther, before he caught me, I saw the house in front of me and the front door still open and I started to run in, and then I thought - what if they'd planned it that way, and Aunt Sarai had come down from her portrait and was inside there in the dark, waiting for me?
Evangeline Walton (Witch House)
As I write, I am reminded of that passage from the Bible—the one that is read at every wedding: “When I was a child, I spake as a child, I understood as a child, I thought as a child.” Now, I understand as an adult. Maybe for the first time in my life. This article would break my mother’s heart, and perhaps even worse, her spirit. That didn’t matter to me a week ago; in fact, I wanted to hurt her then. My only excuse: then I was a child.
Kristin Hannah (Summer Island)
Sometimes we'd have that whole river all to ourselves for the longest time. Yonder was the banks and the islands, across the water; and maybe a spark-- which was a candle in a cabin window... It's lovely to live on a raft. We had the sky up there, all speckled with stars, and we used to lay on our backs and look up at them, and discuss about whether they was made or only just happened; Jim he allowed they was made, but I allowed they happened; I judged it would have took too long to make so many. Jim said the moon could 'a' laid them; well, that looked kind of reasonable... because I've seen a frog lay most as many, so of course it could be done. We used to watch the stars that fell, too, and see them streak down. Jim allowed they'd got spoiled and was hove out of the nest. Once or twice of a night we would see a steamboat slipping along in the dark, and now and then she would belch a whole world of sparks up out of her chimbleys, and they would rain down in the river and look awful pretty; then she would turn a corner and her lights would wink out and her powwow shut off and leave the river still again; and by and by her waves would get to us, a long time after she was gone, and joggle the raft a bit, and after that you wouldn't hear nothing for you couldn't tell how long, except maybe frogs or something.
Mark Twain (The Adventures of Huckleberry Finn)
At once I understood that I had been looking at things with the right intention but from the wrong angle. My marriage was imperfect and my job lacked meaning, but I had been searching for complicated solutions instead of addressing the common denominator in both equations - me. Moreover, I'd been approaching my life as a zero-sum game. As Alex had just pointed out, meeting my own needs for a change didn't mean my family would collapse or sink into bankruptcy-level debt. There were certain parts of my marriage that might never be fixed - wasn't that what "for better or for worse" was all about? - but that wouldn't necessarily put Sanjay and me on a one-way dinghy to divorce island. And even if we did split, that wouldn't be the end of everything. It would hurt like hell, but it wouldn't erase the good times we'd had My children would still have two parents who loved them and who would not opt out of their lives just because things were hard.
Camille Pagán (I'm Fine and Neither Are You)
The song she heard from the meadow was the same tune as the bird's call.She looked up in the trees.For a moment she thought she'd lost the bird, and she nearly cried out for him, but he fluttered down,landed right at her feet, and grew into a man." "Oh." Meg sighed.She'd always liked that part. "He whistled the tune once more, then the fey man said, 'My lady,will you dance?" "'I will.' She crossed the bridge to the meadow,and danced with the whistler." "Tell us they married," Meg said. "The story doesn't go like that," Poppy reminded. "It should." Meg stroked Tom's blood-clotted hair. I fumbled with the charcoal in my blackened fingers. As the story went, the girl danced through the seasons, but when she wandered home at last and reached her cottage door, she was a shriveled-up old women, for a hundred years had passed while she danced with the whistler,and everyone she'd known in her former life had died. Meg knew how it went.But when our eyes locked, I saw tonight she couldn't bear it. I found another bit of charcoal. "That very spring when the meadow was in bloom,the whistler, who had fey power to transform into a bird and sing any girl he wished to into the wood, chose the one girl who'd followed him so bravely and so far to be his wife. And she lived with him and the fey folk deep in Dragonswood in DunGarrow Castle, a place that blends into the mountainside and cannot be seen with human eyes unless the fairies will it so." I drew the couple hand in hand, rouch sketches on the cave wall; the stone wasn't smooth by any means. "She lived free among the fey folk and never wanted to return to her old life that had been full of hunger and sorrow under her father's roof." I sketched what came next before I could think of it. "A dragon came to their wedding," I said, drawing his right wing so large, I had to use the ceiling. "He lit a bonfire to celebrate their union." I drew the left wing spanning over the couple in the meadow. "And they lived all their lives content in Dragonswood.
Janet Lee Carey (Dragonswood (Wilde Island Chronicles, #2))
He’s threatening us!” Tempest flailed. She slammed Wasp on the back so hard the communal eyeball popped right out of her socket. Wasp snatched it—and with a terrible show of fumbling, intentionally chucked it over her shoulder, right into my lap. I screamed. The sisters screamed, too. Anger, now bereft of guidance, swerved all over the road, sending my stomach into my esophagus. “He’s stolen our eye!” cried Tempest. “We can’t see!” “I have not!” I yelped. “It’s disgusting!” Meg whooped with pleasure. “THIS. IS. SO. COOL!” “Get it off!” I squirmed and tilted my hips, hoping the eye would roll away, but it stayed stubbornly in my lap, staring up at me with the accusatory glare of a dead catfish. Meg did not help. Clearly, she didn’t want to do anything that might interfere with the coolness of us dying in a faster-than-light car crash. “He will crush our eye,” Anger cried, “if we don’t recite our verses!” “I will not!” “We will all die!” Wasp said. “He is crazy!” “I AM NOT!” “Fine, you win!” Tempest howled. She drew herself up and recited as if performing for the people in Connecticut ten miles away: “A dare reveals the path that was unknown!” Anger chimed in: “And bears destruction; lion, snake-entwined!” Wasp concluded: “Or else the princeps never be o’erthrown!” Meg clapped. I stared at the Gray Sisters in disbelief. “That wasn’t doggerel. That was terza rima! You just gave us the next stanza of our actual prophecy!” “Well, that’s all we’ve got for you!” Anger said. “Now give me the eye, quick. We’re almost at camp!” Panic overcame my shock. If Anger couldn’t stop at our destination, we’d accelerate past the point of no return and vaporize in a colorful streak of plasma across Long Island. And yet that still sounded better than touching the eyeball in my lap. “Meg! Kleenex?” She snorted. “Wimp.” She scooped up the eye with her bare hand and tossed it to Anger. Anger shoved the eye in her socket. She blinked at the road, yelled “YIKES!” and slammed on the brakes so hard my chin hit my sternum.
Rick Riordan (The Tower of Nero (The Trials of Apollo, #5))
Where are we going?" "East. To where the sun rises." "Seriously?" He thumped the dash-not too hard-and I actually felt a little burst of warm air. "You've been to Long Beach Island, right?You told me that in an e-mail." "yeah, Surf City." "We have a house in Barnegat Light. I thought we'd go there. We'll have breakfast somewhere and come back. You okay with that?" The beach. In late December. At night. "I'm absolutely fine with it." "So," he said. "So." "We okay?" "I think so," I answered. "I hope we'll be a lot better than that." "Yeah,me,too.
Melissa Jensen (The Fine Art of Truth or Dare)
The Three-Decker "The three-volume novel is extinct." Full thirty foot she towered from waterline to rail. It cost a watch to steer her, and a week to shorten sail; But, spite all modern notions, I found her first and best— The only certain packet for the Islands of the Blest. Fair held the breeze behind us—’twas warm with lovers’ prayers. We’d stolen wills for ballast and a crew of missing heirs. They shipped as Able Bastards till the Wicked Nurse confessed, And they worked the old three-decker to the Islands of the Blest. By ways no gaze could follow, a course unspoiled of Cook, Per Fancy, fleetest in man, our titled berths we took With maids of matchless beauty and parentage unguessed, And a Church of England parson for the Islands of the Blest. We asked no social questions—we pumped no hidden shame— We never talked obstetrics when the Little Stranger came: We left the Lord in Heaven, we left the fiends in Hell. We weren’t exactly Yussufs, but—Zuleika didn’t tell. No moral doubt assailed us, so when the port we neared, The villain had his flogging at the gangway, and we cheered. ’Twas fiddle in the forc’s’le—’twas garlands on the mast, For every one got married, and I went ashore at last. I left ’em all in couples a-kissing on the decks. I left the lovers loving and the parents signing cheques. In endless English comfort by county-folk caressed, I left the old three-decker at the Islands of the Blest! That route is barred to steamers: you’ll never lift again Our purple-painted headlands or the lordly keeps of Spain. They’re just beyond your skyline, howe’er so far you cruise In a ram-you-damn-you liner with a brace of bucking screws. Swing round your aching search-light—’twill show no haven’s peace. Ay, blow your shrieking sirens to the deaf, gray-bearded seas! Boom out the dripping oil-bags to skin the deep’s unrest— And you aren’t one knot the nearer to the Islands of the Blest! But when you’re threshing, crippled, with broken bridge and rail, At a drogue of dead convictions to hold you head to gale, Calm as the Flying Dutchman, from truck to taffrail dressed, You’ll see the old three-decker for the Islands of the Blest. You’ll see her tiering canvas in sheeted silver spread; You’ll hear the long-drawn thunder ’neath her leaping figure-head; While far, so far above you, her tall poop-lanterns shine Unvexed by wind or weather like the candles round a shrine! Hull down—hull down and under—she dwindles to a speck, With noise of pleasant music and dancing on her deck. All’s well—all’s well aboard her—she’s left you far behind, With a scent of old-world roses through the fog that ties you blind. Her crew are babes or madmen? Her port is all to make? You’re manned by Truth and Science, and you steam for steaming’s sake? Well, tinker up your engines—you know your business best— She’s taking tired people to the Islands of the Blest!
Rudyard Kipling
Energy is a science-y term that psychics like to use a lot, though I’m not sure many of us would say we missed our calling as professors or technology gurus. I’ve met my share of mediums, and I’ve never heard any of them confide, “Gosh, I really wanted to be a physicist, but I knew talking to dead people would make me more popular at parties.” Are you out of your mind? If you handed me a radiometer, I’d probably use it as a paperweight. Even when the kids needed help with their science fair projects growing up, it was a group effort at our house—me, Larry, my parents, we’d all pitch in. And believe me when I say that I was rarely the one steering the rocket ship.
Theresa Caputo (There's More to Life Than This: Healing Messages, Remarkable Stories, and Insight About the Other Side from the Long Island Medium)
And much as Lou loved his mother, his adoration of his Eleanor was out of this world. All the affection that had been denied him as a child, all the limitless affection he had to give on his own part and which had never had a chance to expand, came to a head in and about Eleanor. Strong as Mom was, Lou was stronger when it came to his determination to marry Eleanor, and the wedding was set for September, 1933, at the Long Island home of a friend of Eleanor’s. They were to live in an apartment in New Rochelle so as to be near Mom. Mom of course couldn’t understand why Lou didn’t go on living in the house with them so that she could cook and look after him as usual.
Paul Gallico (Lou Gehrig: Pride of the Yankees)
North American LGBT activists, wedded to epistemologies of the closet, often implicitly or explicitly equate this culture of semivisibility with the Global South’s lack of progress. In Sirena Selena, the Puerto Rican novelist Mayra Santos-Febres parodies the North’s conflation of “developing” nations’ electrical power outages and their lack of sexual enlightenment through the words of a Canadian tourist in Santo Domingo. He sighs, “I don’t want to criticize, you know — with all the problems these islands have, it’s understandable that they’re less evolved. . . . You can’t compare our problems with the atrocities a gay man has to face in these countries. . . . It’s all hanky-panky in the dark, like in the fifties in Canada.
Omise'eke Natasha Tinsley (Thiefing Sugar: Eroticism between Women in Caribbean Literature (Perverse Modernities))
Lord Macaulay, ready as ever with a flush of gorgeous hyperbole, evokes the circumstances of the Grub Street authors: Sometimes blazing in gold-laced hats and waistcoats; sometimes lying in bed because their coats had gone to pieces, or wearing paper cravats because their linen was in pawn; sometimes drinking champagne and Tokay with Betty Careless; sometimes standing at the window of an eating-house in Porridge Island, to snuff up the scent of what they could not afford to taste; they knew luxury; they knew beggary; but they never knew comfort. He goes on, ‘They looked on a regular and frugal life with the same aversion which an old gypsy or a Mohawk hunter feels for a stationary abode … They were as untameable, as much wedded to their desolate freedom, as the wild ass.
Henry Hitchings (Defining the World: The Extraordinary Story of Dr Johnson's Dictionary)
So much of the most important personal news I'd received in the last several years had come to me by smartphone while I was abroad in the city that I could plot on a map, could represent spatially the events, such as they were, of my early thirties. Place a thumbtack on the wall or drop a flag on Google Maps at Lincoln Center, where, beside the fountain, I took a call from Jon informing me that, for whatever complex of reasons, a friend had shot himself; mark the Noguchi Museum in Long Island City, where I read the message ("Apologies for the mass e-mail...") a close cousin sent out describing the dire condition of her newborn; waiting in line at the post office on Atlantic, the adhan issuing from the adjacent mosque, I received your wedding announcement and was shocked to be shocked, crushed, and started a frightening multi week descent, worse for being so embarrassingly cliched; while in the bathroom at the SoHo Crate and Barrel--the finest semipublic restroom in lower Manhattan--I learned I'd been awarded a grant that would take me overseas for a summer, and so came to associate the corner of Broadway and Houston with all that transpired in Morocco; at Zucotti Park I heard my then-girlfriend was not--as she'd been convinced--pregnant; while buying discounted dress socks at the Century 21 department store across from Ground Zero, I was informed by text that a friend in Oakland had been hospitalized after the police had broken his ribs. And so on: each of these experiences of reception remained, as it were, in situ, so that whenever I returned to a zone where significant news had been received, I discovered that the news and an echo of its attendant affect still awaited me like a curtain of beads.
Ben Lerner (10:04)
When I deliver Spirit’s messages, I have no filter—zero, zip, none. I picture my cranium like spaghetti in a colander. My brain’s the pasta, the water is the information pouring over and through it, and then the messages come right out of the holes that are my voice, expression, and mannerisms. I should learn to watch my mouth, though. A lot of times there’s no proper way to say the stuff Spirit tells me, so I just blurt it out. I was doing a restaurant venue of eighty people, and there was a girl there who lost her brother. I turned to her and said, “Your brother wants you to get rid of your boyfriend. He’s no good.” But get this—the boyfriend was sitting right next to her! So I announced that if I had four slashed tires at the end of the group, we’d all know who did it. The girl broke up with the guy four months later, but that’s beside the point. Or is it?
Theresa Caputo (There's More to Life Than This: Healing Messages, Remarkable Stories, and Insight About the Other Side from the Long Island Medium)
Reader, I married him. It turned out the sounds I heard coming from the attic weren't the screams of Mr Rochester's mad wife Bertha. It wasn't the wife who burned to death in the fire that destroyed Thornfield Hall and blinded my future husband when he tried to save her. After we'd first got engaged, he'd had to admit that he was already married, and we'd broken off our engagement. He'd asked me to run away with him anyway. Naturally, I'd refused. But later, after we were properly married, he insisted that it hadn't happened that way. It turned out there had been no wife. It turned out that it had been a parrot, screaming in the attic. The parrot had belonged to his wife. She had got it in the islands, where she had also contracted the tropical fever that killed her. She'd died long before I came to work for him as a governess. That was never Bertha, in the attic.
Francine Prose (The Mirror: A Short Story from the collection, Reader, I Married Him)
Torn The internet’s all show, no actual cunnilingus has transpired between us. This has been smoke signals from eye to eye. And just like the telegraph, the telephone gave us a means to the ends of staying ever closer to home, ever farther from the ear we’d dot-dash or whisper into, what a sad story for flesh, marooned. First by the womb, then the word traveled fast and free of lips, now your hips can thrive in my brain without entering my life. I might as well be on the moon. The evolution of communication’s to mythologize togetherness as we drift entropically apart. That’s what the kids call a thesis statement. But god you’re hot, and your crescendo of breath so fully apes the real deal, is it possible we can be islanded and still come to prefer absence to presence, the digital to the palpable? I fear the question answers itself by nodding to the fact that I can write a poem and you read it with no hand having touched metal or paper or words that don’t dissolve as soon as a switch is thrown. Half of my soul says, Get used to it. The other million percent begs, Don’t.
Bob Hicok
What are you so worried about? What makes you think if we got together that we’d even stay together? We wouldn’t, most likely. Nothing is permanent, especially in this town. Everything is just another set, waiting to be dismantled and hauled to the dumpster. We’d hook up, have some fun for a few weeks, a few laughs, nothing wrong with that. And then we’d go out separate ways. It would end the way most things end. I’d think about you for a while. Maybe you’d think about me. I’d ache for you a little bit, the way one does when things are over, even things that aren’t meant to be. I’d get busy with my life. You’d get busy with yours. We’d say we’d keep in touch. But we never would. And when people asked, we’d say we had a thing once, you and me. One minute it was, and the next it wasn’t. It didn’t mean it wasn’t real. It just wasn’t forever. And years later maybe we’d run into each other on the street somewhere, and you’d barely remember my name. And I’d barely remember yours. I’d say to you, hey, remember how you once loved me? And you’d say sorry, not really. And I’d say yeah, me neither.
Paullina Simons (Inexpressible Island (End of Forever, #3))
A letter from John Pearl asking for news of Chicago. As if I had any to give him. I know no more about it than he does. He wanted to go to New York but now sounds nostalgic and writes with deep distaste about his "peeling environment." "Peeling furniture, peeling walls, posters, bridges, everything is peeling and scaling in South Brooklyn. We moved here to save money, but I'm afraid we'd better start saving ourselves and move out again. It's the treelessness, as much as anything, that hurts me. The unnatural, too human deadness." I'm sorry for him. I know what he feels, the kind of terror, and the danger he sees of the lack of the human in the too-human. We find it, as others before us have found it in the last two hundred years, and we bolt for "Nature." It happens in all cities. And cities are "natural," too. He thinks he would be safer in Chicago, where he grew up. Sentimentality! He doesn't mean Chicago. It is no less inhuman. He means his father's house and the few blocks adjacent. Away from these and a few other islands, he would be just as unsafe. But even such a letter buoys me up. It gives me a sense of someone else's recognition of the difficult, the sorrowful, what to others is merely neutral, the environment.
Saul Bellow (Dangling Man)
Scrubby evergreen bushes released a strong scent of resin and honey; forests of pine gave way to gentle south-facing vineyards disturbed only by the ululation of early summer cicadas. Sitting up tall on the seat, she craned around eagerly to see what plants thrived naturally. It was a wild and romantic place, Laurent de Fayols had written, the whole island once bought as a wedding gift to his wife by a man who had made his fortune in the silver mines of Mexico. One of three small specks in the Mediterranean known as the Golden Isles, after the oranges, lemons, and grapefruit that glowed like lamps in their citrus groves. There were few reference works in English that offered information beyond superficial facts about the island, and those she had managed to find were old. The best had been published in 1880, by a journalist called Adolphe Smith. Ellie had been struck by the loveliness of his "description of the most Southern Point of the French Riviera": 'The island is divided into seven ranges of small hills, and in the numerous valleys thus created are walks sheltered from every wind, where the umbrella pines throw their deep shade over the path and mingle their balsamic odor with the scent of the thyme, myrtle and the tamarisk.
Deborah Lawrenson (The Sea Garden)
He arranged the ceremony for two o'clock in the afternoon a week before she was to leave. The exam had gone well and she was almost certain that she would qualify. Because other couples to be married came with family and friends, their ceremony seemed brisk and over quickly and caused much curiosity among those waiting because they had come alone. On their journey to Coney Island on the train that afternoon Tony raised the question for the first time of when they might marry in church and live together. 'I have money saved,' he said, 'so we could get an apartment and then move to the house when it's ready.' 'I don't mind,' she said. 'I wish we were going home together now.' He touched her hand. 'So do I,' he said. 'And the ring looks great on your finger.' She looked down at the ring. 'I'd better remember to take it off before Mrs Kehoe sees it.' The ocean was rough and grey and the wind blew white billowing clouds quickly across the sky. They moved slowly along the boardwalk and down the pier, where they stood watching the fishermen. As they walked back and sat eating hot dogs at Nathan's, Eilis spotted someone at the next table checking out her wedding ring. She smiled at herself. 'Will we ever tell our children that we did this?' she asked.
Colm Tóibín (Brooklyn)
seemed relentless. ‘We can’t leave yet,’ Laura said reluctantly. ‘We have to try to disable this ship. H.I.V.E. has no chance while this thing is floating out here raining missiles down on the island.’ Wing knew that Laura was right, but at the same time he needed to find Cypher. He was not prone to letting his emotions control him but the burning anger he felt when he visualised that black glass mask was fierce and relentless. He had no idea what Cypher was hoping to achieve with his assault on the school, but he knew that he was going to stop him, or die trying. ‘We must return to the island,’ Wing replied. ‘Once the situation there is resolved we can worry about this ship.’ ‘I know you want to go after him, Wing,’ Laura said, ‘but we have to do this first.’ ‘Or we could just do both,’ Shelby said, knowing that if Wing and Laura started to argue it would just be a competition to see who could be most stubborn. A very long, very boring competition that they really didn’t have time for right now. ‘What do you propose?’ Wing asked. ‘Well, why don’t you take the boat back to the island and we’ll stay here and try to disable this thing,’ Shelby said. ‘Splitting up seems ill advised at this point,’ Wing said calmly. ‘Maybe, but what other choice do we have? And besides, what makes you think we’d need your help anyway?’ Shelby said with a grin.
Mark Walden (The Overlord Protocol (H.I.V.E., #2))
So to avoid the twin dangers of nostalgia and despairing bitterness, I'll just say that in Cartagena we'd spend a whole month of happiness, and sometimes even a month and a half, or even longer, going out in Uncle Rafa's motorboat, La Fiorella, to Bocachica to collect seashells and eat fried fish with plantain chips and cassava, and to the Rosary Islands, where I tried lobster, or to the beach at Bocagrande, or walking to the pool at the Caribe Hotel, until we were mildly burned on our shoulders, which after a few days started peeling and turned freckly forever, or playing football with my cousins, in the little park opposite Bocagrande Church, or tennis in the Cartagena Club or ping-pong in their house, or going for bike rides, or swimming under the little nameless waterfalls along the coast, or making the most of the rain and the drowsiness of siesta time to read the complete works of Agatha Christie or the fascinating novels of Ayn Rand (I remember confusing the antics of the architect protagonist of The Fountainhead with those of my uncle Rafael), or Pearl S. Buck's interminable sagas, in cool hammocks strung up in the shade on the terrace of the house, with a view of the sea, drinking Kola Roman, eating Chinese empanadas on Sundays, coconut rice with red snapper on Mondays, Syrian-Lebanese kibbeh on Wednesdays, sirloin steak on Fridays and, my favourite, egg arepas on Saturday mornings, piping hot and brought fresh from a nearby village, Luruaco, where they had the best recipe.
Héctor Abad Faciolince (El olvido que seremos)
I pushed Mom off me and slapped Audrey across her wet face. I know! But I was just so mad. “I pray for you,” Audrey said. “Pray for yourself,” I said. “My mother’s too good for you and those other mothers. You’re the one everyone hates. Kyle is a juvie who doesn’t do sports or any extracurriculars. The only friends he has are because he gives them drugs and because he’s funny when he’s making fun of you. And your husband is a drunk who has three DUIs but he gets off because he knows the judge, and all you care about is that nobody finds out, but it’s too late because Kyle tells the whole school everything.” Audrey said quickly, “I am a Christian woman so I will forgive that.” “Give me a break,” I said. “Christians don’t talk the way you talked to my mother.” I got into the car, shut the door, turned off Abbey Road, and just started whimpering. I was sitting in an inch of water, but I didn’t care. The reason I was so scared had nothing to do with a sign or a stupid mudslide or because Mom and I didn’t get invited to stupid Whidbey Island, like we’d ever want to go anywhere with those jerks in a million years, but because I knew, I just knew, that now everything was going to be different. Mom got in and shut the door. “You’re supercool,” she said. “You know that?” “I hate her,” I said. What I didn’t say, because I didn’t need to, because it was implied, and really, I can’t tell you why, because we’d never kept secrets from him before, but me and Mom both just understood: we weren’t going to tell Dad.
Maria Semple (Where'd You Go, Bernadette)
when she saw Emmanuel walking towards us. ‘What is it?’ I asked, reaching out to stop her from leaving. She looked at me, then blinked. ‘He’s not the kind of man you want to get involved with, is all I need to say – I just—’ She broke off, shook her head and hurried away, and I was left staring after her retreating back and wondering what she meant. As we drove home, there was none of the easy silence we’d shared on the way to the market. Though this time it was me who was being reticent. I couldn’t help thinking about what that woman had said to me. The warning she had given me. Of course, I wasn’t at all ready or willing to enter into any kind of relationship so soon after my husband’s death, but it got me worried nonetheless. Who was this man that I had welcomed into my home? Shared my meals with? Had I been wrong to put my trust in him? Was I so in need of a friend that I had looked for one in the wrong place? Was Emmanuel, with his quiet, sombre ways and his irreverent humour, someone I needed to worry about? Because in a way that’s what I had been hoping – that we’d be friends. That’s what today had felt like. Besides, he was the first person I’d met here who seemed to really understand the kind of pain I was in. He turned to me as we were driving. ‘Is everything okay, Charlotte?’ It was always a surprise when he said my name, and I startled. Shook my head. The women’s warning racing through my head. He’s not the kind of man you want to get involved with. What had she meant by that? Had she meant that he was some kind of adulterer? Or was it something else? There had been something in the woman’s eyes that had seemed to imply that the warning ran deeper than that.
Lily Graham (The Island Villa)
North American LGBT activists, wedded to epistemologies of the closet, often implicitly or explicitly equate this culture of semivisibility with the Global South’s lack of progress. In Sirena Selena, the Puerto Rican novelist Mayra Santos-Febres parodies the North’s conflation of “developing” nations’ electrical power outages and their lack of sexual enlightenment through the words of a Canadian tourist in Santo Domingo. He sighs, “I don’t want to criticize, you know — with all the problems these islands have, it’s understandable that they’re less evolved. . . . You can’t compare our problems with the atrocities a gay man has to face in these countries. . . . It’s all hanky-panky in the dark, like in the fifties in Canada.”5 But the “dark” or semivisibility of Caribbean same-sex sexuality can be something other than a blackout. It can also read as the “tender and beautiful” night that Ida Faubert imagines in “Tropical Night,” a space of alternative vision that nurtures both eroticism and resistance. The tactically obscured has been crucial to Caribbean and North American slave societies, in which dances, ceremonies, sexual encounters, abortions, and slave revolts all took place under the cover of night. Calling on this different understanding of the half seen, Édouard Glissant exhorts scholars engaging Caribbean cultures to leave behind desires for transparency and instead approach with respect for opacity: a mode of seeing in which the difference of the other is neither completely visible nor completely hidden, neither overexposed nor erased.6 The difference that Glissant asks us to (half ) look at is certainly not that of sexuality (since it is never mentioned) nor of gender (since he includes in his work a diatribe against feminism).
Omise'eke Natasha Tinsley (Thiefing Sugar: Eroticism between Women in Caribbean Literature (Perverse Modernities))
Sidney, is that what you girls go for these days?” Kathleen asked, pointing toward her oldest son. “All this scruffy whatnot?” Well, nothing like putting her on the spot here. Personally, Sidney thought that the dark hint of scruff along Vaughn’s angular jaw looked fine. Better than fine, actually. She would, however, rather be trapped for the next thirty-six hours in a car with the crazy pregnant lady before admitting that in front of him. “I generally prefer clean-shaven men.” She shrugged—sorry—when Vaughn gave her the side-eye as he began setting the table. “See? If you don’t believe me, at least listen to her,” Kathleen said, while peeling a carrot over a bowl at the island. “If you want to find a woman of quality, you can’t be running around looking like you just rolled out of bed.” “I’ll keep that in mind. But for now, the ‘scruffy whatnot’ stays. I need it for an undercover role,” Vaughn said. Surprised to hear that, Sidney looked over as she dumped the tomatoes into a large salad bowl filled with lettuce. “You’re working undercover now?” “Well, I’m not in the other identity right this second,” Vaughn said. “I’m kind of guessing my mother would be able to ID me.” Thank you, yes, she got that. “I meant, how does that work?” Sidney asked him. “You just walk around like normal, being yourself, when you’re not . . . the other you?” “That’s exactly how it works. At least, when we’re talking about a case that involves only part-time undercover work.” “But what if I were to run into the other you somewhere? Say . . . at a coffee shop.” A little inside reference there. “If I called you ‘Vaughn’ without realizing that you were working, wouldn’t that blow your cover?” “First of all, like all agents who regularly do undercover work, I tell my friends and family not to approach me if they happen to run into me somewhere—for that very reason. Second of all, in this case, the ‘other me’ doesn’t hang out at coffee shops.” “Where does the other you hang out?” Sidney asked. Not to contribute to his already healthy ego, but this was pretty interesting stuff. “In dark, sketchy alleys doing dark, sketchy things,” Vaughn said as he set the table with salad bowls. “So the other you is a bad guy, then.” Sidney paused, realizing something. “Is what you’re doing dangerous?” “The joke around my office is that the agents on the white-collar crime squad never do anything dangerous.” Sidney noticed that wasn’t an actual answer to her question
Julie James (It Happened One Wedding (FBI/US Attorney, #5))
I’d met Madison, as I’ve already mentioned, two months earlier, in Budapest. I’d been at a conference. She’d been there with some girlfriends. We’d got talking in the hotel bar. An anthropologist, she’d said; that’s … exotic. Not at all, I’d replied; I work for an incorporated business, in a basement. Yes, she said, but … But what? I asked. Dances, and masks, and feathers, she eventually responded: that’s the essence of your work, isn’t it? I mean, even if you’re writing a report on workplace etiquette, or how to motivate employees or whatever, you’re seeing it all through a lens of rituals, and rites, and stuff. It must make the everyday all primitive and strange—no? I saw what she was getting at; but she was wrong. For anthropologists, even the exotic’s not exotic, let alone the everyday. In his key volume Tristes Tropiques, Claude Lévi-Strauss, the twentieth century’s most brilliant ethnographer, describes pacing the streets, all draped with new electric cable, of Lahore’s Old Town sometime in the nineteen-fifties, trying to piece together, long after the event, a vanished purity—of local colour, texture, custom, life in general—from nothing but leftovers and debris. He goes on to describe being struck by the same impression when he lived among the Amazonian Nambikwara tribe: the sense of having come “too late”—although he knows, from having read a previous account of life among the Nambikwara, that the anthropologist (that account’s author) who came here fifty years earlier, before the rubber-traders and the telegraph, was struck by that impression also; and knows as well that the anthropologist who, inspired by the account that Lévi-Strauss will himself write of this trip, shall come back in fifty more will be struck by it too, and wish—if only!—that he could have been here fifty years ago (that is, now, or, rather, then) to see what he, Lévi-Strauss, saw, or failed to see. This leads him to identify a “double-bind” to which all anthropologists, and anthropology itself, are, by their very nature, prey: the “purity” they crave is no more than a state in which all frames of comprehension, of interpretation and analysis, are lacking; once these are brought to bear, the mystery that drew the anthropologist towards his subject in the first place vanishes. I explained this to her; and she seemed, despite the fact that she was drunk, to understand what I was saying. Wow, she murmured; that’s kind of fucked. 2.8 When I arrived at Madison’s, we had sex. Afterwards,
Tom McCarthy (Satin Island)
Gerald and I saw the Azore Islands, Talcahuano, Tumbez, San Francisco, and Nome from afar while the captain and officers rowed to shore for fresh food and fresh whalers. Even at Nome, not two days ago, Gerald and I watched the Alaskan town from the ship. We saw Talcahuano at night, the town alive with lights and torches. We heard music across the water. People celebrated an event on shore. We thought it might be a wedding. We imagined walking the clay, brick roads, ordering crabs and clams near the sea, sampling the local exotic fruits and plants growing in their vibrant colors and prickly skins, and of course, seducing the dark- skinned indigenous women emanating macadamia oil, musk, and leafy air. Merihim laughed at our children’s eyes and said to act like men, not like guttersnipes at a bakery window.
Lily H. Tuzroyluke (Sivulliq: Ancestor)
On a Sunday morning in October 1993, sitting outside on Frank's wobbly picnic table, under an endlessly clear sky and within sight of the million-dollar view we'd paid fifty-five dollars for, it was decided. The four of us would come back to Drummond Island together every year on the first weekend in October unless we were either pregnant or dead. Of all the possibilities fate might decide to heave in our direction, those were the only two we could imagine keeping us away.
Mardi Jo Link (The Drummond Girls: A Story of Fierce Friendship Beyond Time and Chance)
My argument is simply this: that we – by nature, as children, on an uninhabited island, when war breaks out, when crisis hits – have a powerful preference for our good side. I will present the considerable scientific evidence showing just how realistic a more positive view of human nature is. At the same time, I’m convinced it could be more of a reality if we’d start to believe it.
Rutger Bregman (Humankind: A Hopeful History)
The typhoon that hit us wasn’t the worst we’d ever experienced, but we were all so much weaker in our bodies and minds that the impact was just one more remorseless blow.
Lisa See (The Island of Sea Women)
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Party Rentals Staten Island
The kids stood together on the dock, watching as the sun came up over the horizon. Brooklynn hugged Sammy and Yasmina as Kenji punched Darius playfully on the arm. Darius smiled. Darius thought back to the story he was trying to tell the other kids, back at the camp, back before everything fell apart. “We thought it’d be fun,” Darius said, sitting down. It seemed like ages since he had been off his feet. “We thought we’d be safe. But we didn’t realize the horror waiting for us on the island. Claws…teeth…screaming. So much screaming. But we’ll keep fighting. That’s the promise we make every day we get. That despite all the hardships, you never give up. We will survive. We will get home. Because no matter what happens…no matter what this place throws at us next…none of us are in this alone.
Steve Behling (Camp Cretaceous, Volume One: The Deluxe Junior Novelization (Jurassic World: Camp Cretaceous))
I didn’t know how it had happened. Maybe we’d forgotten the rules of normal society. Maybe we’d finally given ourselves over to the wildness of the island. Or maybe we’d been savage our wholes lives, rash and animalistic in the inside, and never known it till now.
Chandra Prasad (Damselfly)
In 1846, a Danish physician named Peter Panum witnessed a measles epidemic on the Faroe Islands, a remote archipelago north of Scotland, and drew some keen inferences about how the ailment seemed to pass from person to person, with a delay of about two weeks (what we’d now call an incubation period) between exposure and symptoms.
David Quammen (Spillover: Animal Infections and the Next Human Pandemic)
The tone of his voice sent a chill down my spine. The old man sounded scared. Out of all the insane things we’d dealt with since Marella had found Jonas in the jungle, he’d never once sounded scared of anything. Nervous? Yes. Worried? Hell freaking yes. But scared? Never. The dude fucking walked into the jungle to commit suicide because he thought he was a burden to his family.
Logan Jacobs (Monster Girl Islands 4 (Monster Girl Islands, #4))
Living with Justin in his childhood home, my love and I had formed an island—a nation-state of two, sleepy and safe. We had only planned to stay with his family for a few weeks after the wedding—three months had passed. Days in our private culture were peaceful, smooth as a frozen lake, our souls stilled. This life with my in-laws was a comfortable hibernation, easy.
Aspen Matis (Your Blue Is Not My Blue: A Missing Person Memoir)
You still haven't told me how you came to be in that airport, I said to Madison as we lay in bed one evening. There's lots of things I haven't told you, she replied. If people were to tell other people everything about themselves, we'd live in a dull world. If knowing everything about a person were the be-all and end-all of human interaction, she said, we'd just carry memory-sticks around and plug them into one another when we met. We could have little ports, slits on our sides, like extra mouths or ears or sex organs, and we'd slip these sticks in and upload, instead of talking or screwing or whatever. Would you like that, Mr Anthropologist? No, I told her; I don't want to know everything about you. This was true: I hadn't asked her very much about herself at all her family, her background, any of that stuff not back in Budapest when we'd first met, and not since, either. Our liaison had been based throughout on minimum exchange of information. I don't want to know everything about you, I repeated. I just want to know what you were doing in Turin. I wasn't in Turin, she said again. Torino-Caselle, I replied; whatever. Why? she asked. I'm intrigued, I told her. What, professionally? she goaded me. That's right, I said: professionally. Well then you'll have to pay me, she said.
Tom McCarthy (Satin Island)
It’s a foolish thing to try to love, when the one you really love, the one you’re born to love, is lost somewhere in the same square circle of a city. It’s a desperate, foolish thing to try to love someone at all. Love doesn’t try: love is immediate, and inescapable. The mention of Karla’s name was fire, inside, and my heart wouldn’t stop reminding me. We were castaways, Karla and I, because we were cast out, both of us. Lisa and all the other bright people we loved, or tried to love, were volunteers, sailing to the Island City on dreams. Karla and I crawled onto the sand from ships we’d sunk ourselves. I was a broken thing. I was a lonely, broken thing. Maybe Karla was, too, in her own way.
Gregory David Roberts (The Mountain Shadow)
Time and time again Billy Collins takes a mundane situation and spirals it out into something that is by turns humorous and poignant as in his poem "Imperial Garden", one of my favorites in this new collection: It was at the end of dinner, the two of us in a red booth maintaining our silence, when I decided to compose a message for the fortune cookie you were soon to receive. Avoid mulishness when choosing a position on the great board game of life was my mean-spirited contribution to the treasury of Confucian wisdom. But while we waited for the cookies, the slices of oranges, and the inescapable pot of watery tea, I realized that by mulishness I meant your refusal to let me have my own way every time I wanted it. I watched you looking off to the side— your mass of dark hair, your profile softened by lamplight— and then I made up a fortune for myself. He who acts like a jerk on an island of his own creation will have only the horizon for a friend. I seemed to be getting worse at this, I seemed to be getting worse at this, I thought, as the cookies arrived at the table along with the orange slices and a teapot painted with tigers menacingly peering out from the undergrowth. The restaurant was quiet then. The waiter returned to looking out at the street, a zither whimpered in the background, and we turned to our cookies, cracking the brittle shells, then rolling into little balls the tiny scrolls of our destinies before dropping them, unread, into our cups of tea— a little good-luck thing we’d been doing ever since we met.
Billy Collins (Whale Day: And Other Poems)
wished they’d take over if it meant we’d finally have peace. In huts like this with shutters made of cottonwood and roofs of coco palms and thatch, we feared nothing but the overseers’ whips. Nothing British could be worse.
Vanessa Riley (Island Queen)
Hope is the wedding of two freedoms, human and divine, in the acceptance of a love that is at once a promise and the beginning of fulfillment.
Thomas Merton (No Man Is an Island)
This was the best part of a first kiss. The anticipation. The clamoring hearts and the tentative sighs. The searching eyes and the luxury of knowing that something wonderful was about to happen. And when Matt's lips grazed my cheek, I closed my eyes and knew that, yes, I was exactly where I was supposed to be. And when he kissed me, ah... at last, I knew that in his arms was exactly where I planned to stay. All my senses swirled and merged into one big arc of longing as he held me tight. His kiss was perfect. Full of promise and hope and cravings that I couldn't wait to satisfy even while knowing I could never get enough of him. The Universe, just to make sure that we'd gotten the message, sent fireworks into the sky overhead, bursting with shimmering light. Or maybe it was just Clancy and the guys from the fire station starting the Lilac Festival show, but either way, there were definitely fireworks.
Tracy Brogan (My Kind of Perfect (Trillium Bay, #3))
I first tried a cheesesteak spring roll ten years ago at my cousin's wedding at the Four Seasons in Philadelphia, and though I wasn't as unconvinced as Shauna, I had my doubts. That Philadelphians could bastardize a menu item didn't surprise me- this is, after all, the city that invented The Schmitter, a sandwich made of sliced beef, cheese, grilled salami, more cheese, tomatoes, fried onions, more cheese, and some sort of Thousand Island sauce- but the fact that the Four Seasons found it worthy of their fancy-pants menu intrigued me. One bite and I knew I'd struck gold. The cheesy meat and onion filling oozed out of the crisp, fried wonton wrapper, enhancing the celebrated cheesesteak flavor with a sophisticated crunch. This weekend, I'm doing a similar riff, but instead of spring rolls, I'm using arancini, the Sicilian fried risotto balls that are usually stuffed with mozzarella and meat ragu. Instead, I will stuff mine with sautéed chopped beef, provolone, and fried onions and mushrooms. The crispy, saffron-scented rice balls will ooze with unctuous cheesesteak flavor, and I will secure my place among the culinary legends.
Dana Bate (The Girls' Guide to Love and Supper Clubs)
Battered by shifing currents and a cold, unrelenting wind, we sailed past deserted islands crowded with pines and a ghost tree growing staight out of the water, its gaunt trunk and scrawny branches raised heavenward like an outcast pleading for his life. Now, having reached the north shore, we were doggedly searching for the hidden rivulet that would take us into The Peak. We were trapped in muddy water barbed with grasses and covered with thick green algae, which broke apart in clumps, then, after we'd edged through, resealed, erasing all signs of our passing. The wind had dissipated - strange, as it'd been so turbulent minutes ago out on the lake. Dense trees surrounded us, packed like hordes of stranded prisoners. There wasn't a single bird, not a scuttle through the branches, not a cry - as if everything alive had fled.
Marisha Pessl
The waitress serving the wedding party was a short young blonde. She took their orders efficiently and delivered everyone’s food correctly. "If only she knew my story," Melora mused. then she thought again, "Better yet, maybe she’s in the middle of her own story." Who knew what things might have happened already on the island to this typical college-age waitress.
Marie Zhuikov (Plover Landing)
The waitress serving the wedding party was a short young blonde. She took their orders efficiently and delivered everyone’s food correctly. "If only she knew my story," Melora mused. then she thought again, "Better yet, maybe she’s in the middle of her own story." Who knew what things might have happened already on the island to this typical college-age waitress.
Marie Zhuikov (Plover Landing)
week of taverns soon qualified him for another year of night-cellars. Such was the life of Savage, of Boyse, and of a crowd of others. Sometimes blazing in gold-laced hats and waistcoats; sometimes lying in bed because their coats had gone to pieces, or wearing paper cravats because their linen was in pawn; sometimes drinking Champagne and Tokay with Betty Careless; sometimes standing at the window of an eating-house in Porridge island, to snuff up the scent of what they could not afford to taste; they knew luxury; they knew beggary; but they never knew comfort. These men were irreclaimable. They looked on a regular and frugal life with the same aversion which an old gipsy or a Mohawk hunter feels for a stationary abode, and for the restraints and securities of civilised communities. They were as untameable, as much wedded to their desolate freedom, as the wild ass.
Samuel Johnson (Complete Works of Samuel Johnson)
If we were all perfect in our pasts then we’d have nothing to hope for in our futures.
Jenny Oliver (The Grand Reopening of Dandelion Café (Cherry Pie Island, #1))
Just like that. It had been almost seven years since the legions left our shores, having declared the Island of the Mighty sufficiently conquered. In all that time, the Romans had not returned to Prydain, the island they called Britannia in their strident native tongue. Of course, the traders had never left—they’d been here before Caesar had set foot on our shore, and they’d stayed when he’d departed, “triumphant.” Since that time, we’d been left in peace.
Lesley Livingston (The Valiant (The Valiant, #1))
In a few more weeks, the ferry that runs between the island and the mainland would shut down for a couple of months. Then we’d be trapped. Deranged killers and psychos would have a field day before the first thaw. And no one would know until it was too late. Hadn’t I seen that scenario in a movie? I shuddered at the thought. “So why do you think the owners wanted to sell the place?” I asked. “Because it’s haunted.
Rachel Hawthorne (Snowed In)
We’ve got things under control here.” “‘We’?” Kerry repeated. “Shouldn’t you be out sampling cake or agonizing over invitation fonts? Assuming you don’t have clients to design interiors for.” “I have clients,” Fiona replied easily, honest joy beaming from her every pore. “Very happy ones. Trust me, after running McCrae Interiors, I can juggle Fiona’s Finds and planning a wedding at the same time with my eyes closed.” Kerry gave her sister a hard time--it was what they did--but she was truly happy for Fiona, with both her new business success and her lovely and loving relationship with their longtime family friend, Ben Campbell. Fiona had sold a successful business in Manhattan to return home and start over. She’d just opened a small design studio in a converted cottage near the harbor, focusing on recycling and repurposing antique and vintage items into something fresh and new. Her designs were both eco-friendly and wallet friendly, and the Cove had embraced her return home and her new business with equal enthusiasm. “Remember you said that,” Kerry commented. “When it’s go time on the big aisle walk and you’re still running around like a crazy person trying to pull everything together at the last second, I don’t want to hear about it.” Fiona batted her eyelashes again as she took an extralong sip on the straw in her glass of lemon water. “I’m the epitome of a happy, relaxed bride. McCrae girls don’t do bridezilla. Well, Hannah didn’t, Alex was lovely, and I’m charming of course.” She looked at Kerry over the tip of her straw, smiling sweetly. “We’ll reserve final judgment until it’s your turn.” “Har, har,” Kerry said, but Fiona was high on wedding crack again so she let her run with it. “Besides, after handling weddings for Logan, Hannah, and the Grace-Delia double do out on that island, this will be a cakewalk. Ha!” Fiona went on, then laughed. “Cakewalk.” “You’re a designer? And you do weddings?” Maddy turned on her stool and spun Fiona on hers until they were facing each other. She gripped Fiona’s forearms and grinned. “Hello, my new best and dearest friend.” “Oh, brother.” Kerry surrendered, tossing her towel on the bar.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
I jogged along the deck to the stern, tracking the shipwreck as it disappeared beneath our wake. Then, just as I was starting to wonder if we’d need climbing gear to get onto the island, its steep cliffs sloped down to meet us. We rounded a headland to enter a rocky half-moon bay. In the distance I saw a little harbor bobbing with colorful fishing boats, and beyond it a town set into a green bowl of land. A patchwork of sheep-speckled fields spread across hills that rose away to meet a high ridge, where a wall of clouds stood like a cotton parapet. It was dramatic and beautiful, unlike any place I’d seen. I felt a little thrill of adventure as we chugged into the bay, as if I were sighting land where maps had noted only a sweep of undistinguished blue.
Ransom Riggs (Miss Peregrine's Home for Peculiar Children (Miss Peregrine's Peculiar Children, #1))
My hands are clammy. It’s a terrible kind of anticipation, not knowing what we’re walking into. The last time I felt this way I was in the waiting rooms at Ellis Island. We were tired, and Mam wasn’t well, and we didn’t know where we were going or what kind of life we would have. But now I can see all I took for granted: I had a family. I believed that whatever happened, we’d be together. A policeman blows a whistle
Christina Baker Kline (Orphan Train)
Soon after joining the agency, Marks set out to lessen the danger. His first step was to get rid of the codes that the agency had been using to communicate with its people in the field. They had come from MI6, which, for the first two years of SOE’s existence, had controlled its wireless circuits and provided its sets and coding. Marks was dismayed by the simplicity of the codes, which were based on classic English poems by Shakespeare and others that were “so familiar that an educated German was quite capable of recognizing them and guessing the cipher.” To replace them, he wrote poems of his own, ranging from ribald verses to tender love poems. He gave one of the latter, entitled “The Life That I Have,” to a twenty-one-year-old agent named Violette Szabo, who, after being parachuted into France in 1942, was eventually captured, tortured, and killed by the Gestapo. It read: The life that I have Is all that I have And the life that I have Is yours. The love that I have Of the life that I have Is yours and yours and yours. A sleep I shall have A rest I shall have Yet death will be but a pause For the peace of my years In the long green grass Will be yours and yours and yours. Since then, the poem has developed a life of its own. It has been used in a movie about Szabo’s life, found in poetry anthologies, reprinted on a 9/11 victims’ website, and recited by Chelsea Clinton and Marc Mezvinsky at their wedding in 2010. “Every code,” Marks would later say, “has a human face.
Lynne Olson (Last Hope Island: Britain, Occupied Europe, and the Brotherhood That Helped Turn the Tide of War)
Almost as soon as we got our baby home, we packed her up to leave. Bindi was six days old when she embarked on her first film shoot (actually, her second, if you count filming her birth). Steve, Bindi, and I headed off for the United States, with a stop first at Australia’s Double Island to film turtles. We drove through the Double Island sand dunes, spending a day filming on the area’s spectacular beaches. Bindi did marvelously. Some of the four-wheel driving was a bit rough, so I would lean over her capsule in the back of the four-wheel drive, helping to hold her head, so that the bouncing of the truck wouldn’t jostle her around too much. Once we arrived on location, she was absolutely content. Fraser, one of the assistants on the shoot, stayed with Bindi while Steve and I filmed. Then we’d walk around behind the camera to hug and kiss her, and I could feed her. She didn’t squeak or squawk. I swear she seemed to keep quiet when John called out “Rolling!
Terri Irwin (Steve & Me)
And your husband? Where is he?” I was tempted to tell him it was none of his business. After all, we’d paid for the tickets, hadn’t we? “He’s in New York. Waiting for us.” “He’d better be,” the man said. “If he doesn’t come to collect you from Ellis Island, they’ll just send you straight home again. They don’t want women and children who’ll be a burden on the state.
Rhys Bowen (Murphy's Law (Molly Murphy #1))
We’d come a long way since our days of sleeping on the ground. Just a couple castaways playing house.
Tracey Garvis Graves (On the Island (On the Island, #1))
The Confessor laughed gently. “How very sweet. But you’re not quite one of them, are you, Cass? You’re worth more than any of them. This Piper, at least, must have realized what you could be worth to them, or he’d have killed you as soon as he got hold of you, to be rid of Zach.” She cocked her head slightly as she stared at me. “Though I’m beginning to wonder whether I didn’t overestimate you. Whether we all didn’t. I’m sure you have your moments. I’m guessing we have you to thank for the evacuation of most of the islanders; probably the fire at New Hobart, too. But I’m surprised at your blind spots. You still haven’t harnessed what you’re capable of, it seems.” She’d drawn even closer to us, but as always it was her mental presence that was most confronting. The calculation behind her still eyes; the probing that made me want to wince. “You’re disappointing, Cass. Like these machines. It turns out they’re not everything we might have hoped. Oh, they’re great for storing the information. It’s all in there.” She waved vaguely at the stacks of machines below. “You should have seen the record chambers at Wyndham, before Zach and I had it moved into the computers here. They had the information, but it was so unwieldy. Now, if I need to find something straightforward, it’s phenomenally good. Think of the thousands of clerks we’d need, all scuttling about with millions of files, just to keep track of the basic details. With the computer, it’s all synthesized, in one system. Like a live thing. So I can tap into it, interact with it, use the information as fluently as thinking. If we’d stayed with paper records, we’d never have been able to do what we’ve done.” “And what a tragic loss that would be.
Francesca Haig (The Fire Sermon (The Fire Sermon, #1))
Sometimes people just aren't strong enough
Jenny Oliver (Four Weddings and a White Christmas (Cherry Pie Island, #5))
Nobody ever said I don’t know or I’m afraid, and they acted like the masks they wore were their real faces and that they could sustain themselves forever on their own self-assurance—like they really believed they didn’t need anybody else. What was that John Donne poem we’d read in Weinstein’s class, “No Man Is An Island”? Not here. We were a goddamn social archipelago that called itself a community. Why did I feel like I was the only one who lived in a nightmare?
Brendan Kiely (The Gospel of Winter)
It never ceased to amaze me how disinterested half the knights were in our own history, in taking advantage of the extraordinary gifts we’d been handed the night we were tapped into Rose & Grave. To them, it was just another privilege they’d been born into, like admission to Eli or their Long Island mansions. Did they have any idea how much more it was to…other people?
Diana Peterfreund (Banned From the Tomb (Secret Society Girl, #2.1))
planning the wedding. “We’ll
Julie Ortolon (Falling for You (Pearl Island Trilogy, #1))
She was making a shawl for the child. The knitting was so intricate that it looked like one of the wedding veils worn in his grandparents’ day. Then, the women had said the yarn should be so fine that you should be able to pull the veil through a wedding ring.
Ann Cleeves (White Nights (Shetland Island, #2))
crumpet. Fifty years later, Michener and the Yanks show up. Then come the travel hacks, who have to justify their fancy rooms and plane fare by telling us this shithole is paradise.” He stubbed out his cigarette. “Come to think of it, paradise probably is a shithole. The missionaries sold a pup with that one, too. At least I hope they did, because I’m certainly not headed there.” We motored back to our yacht mooring. In twenty-four hours we’d be flying off the island. As we walked out on the pier, our legs still vibrating from five hours in the fun car, I asked Roger if he planned to come with me to Cook’s next landfall. “To New Zealand? Good God, that’s a pup even the Frogs couldn’t sell me.” I told him that French explorers barely went to New Zealand, and the first who had gone there ended up being eaten by Maori. Roger laughed. “Frog legs?
Tony Horwitz (Blue Latitudes: Boldly Going Where Captain Cook Has Gone Before)
Traveling with us did have its advantages. Before Barack’s presidency was over, our girls would enjoy a baseball game in Havana, walk along the Great Wall of China, and visit the Christ the Redeemer statue in Rio one evening in magical, misty darkness. But it could also be a pain in the neck, especially when we were trying to tend to things unrelated to the presidency. Earlier in Malia’s junior year, the two of us had gone to spend a day visiting colleges in New York City, for instance, setting up tours at New York University and Columbia. It had worked fine for a while. We’d moved through NYU’s campus at a brisk pace, our efficiency aided by the fact that it was still early and many students were not yet up for the day. We’d checked out classrooms, poked our heads into a dorm room, and chatted with a dean before heading uptown to grab an early lunch and move on to the next tour. The problem is that there’s no hiding a First Lady–sized motorcade, especially on the island of Manhattan in the middle of a weekday. By the time we finished eating, about a hundred people had gathered on the sidewalk outside the restaurant, the commotion only breeding more commotion. We stepped out to find dozens of cell phones hoisted in our direction as we were engulfed by a chorus of cheers. It was beneficent, this attention—“Come to Columbia, Malia!” people were shouting—but it was not especially useful for a girl who was trying quietly to imagine her own future. I knew immediately what I needed to do, and that was to bench myself—to let Malia go see the next campus without me, sending Kristin Jones, my personal assistant, as her escort instead. Without me there, Malia’s odds of being recognized went down. She could move faster and with a lot fewer agents. Without me, she could maybe, possibly, look like just another kid walking the quad. I at least owed her a shot at that. Kristin, in her late twenties and a California native, was like a big sister to both my girls anyway. She’d come to my office as a young intern, and along with Kristen Jarvis, who until recently had been my trip director, was instrumental in our family’s life, filling some of these strange gaps caused by the intensity of our schedules and the hindering nature of our fame. “The Kristins,” as we called them, stood in for us often. They served as liaisons between our family and Sidwell, setting up meetings and interacting with teachers, coaches, and other parents when Barack and I weren’t able. With the girls, they were protective, loving, and far hipper than I’d ever be in the eyes of my kids. Malia and Sasha trusted them implicitly, seeking their counsel on everything from wardrobe and social media to the increasing proximity of boys. While Malia toured Columbia that afternoon, I was put into a secure holding area designated by the Secret Service—what turned out to be the basement of an academic building on campus—where I sat alone and unnoticed until it was time to leave, wishing I’d at least brought a book to read.
Michelle Obama (Becoming)
I finally snapped out of it when I realized we’d started walking uphill. I blinked and looked around. Fewer trees. More rocks. Ahead? Pitch black. I had to crane my neck way back to see stars dotting the night sky. "A mountain.” “Hmm?” Daniel said. I jumped, and realized he was right beside me. Probably had been for a while. He put his hand on my back to steady me and said, “What’d you say?” “I know why I couldn’t see lights from the treetop. There’s a mountain in the way.” “Damn.” Daniel lowered his voice. “Corey’s not going to be able to make it up that. Not tonight.” “I don’t think any of us could make it up that tonight. Except maybe the two-time island wrestling champ.” I struggled for a smile. “Don’t count on it. I’m running on fumes here.
Kelley Armstrong (The Calling (Darkness Rising, #2))
In a crowded cave, one grenade might do the work of twenty bullets. Sword-wielding officers beheaded dozens of willing victims. There were reports of children forming into a circle and tossing a live hand grenade, one to another, until it exploded and killed them all. In a cave filled with Japanese soldiers and civilians, Yamauchi recalled, a sergeant ordered mothers to keep their infants quiet, and when they were unable to do so, he told them, “Kill them yourself or I’ll order my men to do it.” Several mothers obeyed.94 As the Japanese perimeter receded toward the island’s northern terminus at Marpi Point, civilians who had thus far resisted the suicide order were forced back to the edge of a cliff that dropped several hundred feet onto a rocky shore. In a harrowing finale, many thousands of Japanese men, women, and children took that fateful last step. The self-destructive paroxysm could not be explained by deference to orders, or by obeisance to the death cult of imperial bushido. Suicide, the Japanese of Saipan earnestly believed, was the sole alternative to a fate worse than death. The Americans were not human beings—they were something akin to demons or beasts. They were the “hairy ones,” or the “Anglo-American Demons.” They would rape the women and girls. They would crush captured civilians under the treads of their tanks. The marines were especially dreaded. According to a story circulated widely among the Japanese of Saipan, all Marine Corps recruits were compelled to murder their own parents before being inducted into service. It was said that Japanese soldiers taken prisoner would suffer hideous tortures—their ears, noses, and limbs would be cut off; they would be blinded and castrated; they would be cooked and fed to dogs. Truths and half-truths were shrewdly wedded to the more outrageous and far-fetched claims. Japanese newspapers reproduced photographs of Japanese skulls mounted on American tanks. A cartoon appearing in an American servicemen’s magazine, later reproduced and translated in the Japanese press, had suggested that marine enlistees would receive a “Japanese hunting license,” promising “open season” on the enemy, complete with “free ammunition and equipment—with pay!”95 Other cartoons, also reproduced in Japan, characterized the Japanese as monkeys, rats, cockroaches, or lice. John Dower’s study War Without Mercy explored the means by which both American and Japanese propaganda tended to dehumanize the enemy. Among the Japanese, who could not read or hear any dissenting views, the excesses of American wartime rhetoric and imagery lent credibility to the implication that a quick suicide was the path of least suffering. Saipan was the first Pacific battlefield in which Americans had encountered a large civilian population. No one had known what to expect. Would women and children take up weapons and hurl themselves at the Americans?
Ian W. Toll (The Conquering Tide: War in the Pacific Islands, 1942–1944)
Found it,” Einen said. Their very large boxes, sealed with glowing hieroglyphs, were at the bottom. Einen recognized them by the designations written on the tops of the boxes in the desert language: ‘Islander’ and ‘Northerner’. Pulling them out of the rack, the friends thought about what they should do next. Then it dawned on Hadjar and he simply touched the hieroglyph. His blue bracelet flashed, and then the seal disappeared, melting away like a slight haze. The sword lying inside the box soothed his tense nerves better than any herbal tincture ever could. As soon as Mountain Wind was back in his calloused hand, confidence welled up in Hadjar’s soul: no obstacle in his path could stop him or even slow him down. The old leather wallet with his friends’ wedding bracelets reassured his aching heart. ‘The Black Gates’ Patriarch’s ring, the fairy’s tears, and little Serra’s gift were almost insignificant compared to those two most important things. Although, after looking at the sword, Hadjar tied the wallet to his belt first. There were many swords in this world after all... “I don’t think you’re allowed to do what you want here,” someone behind him said. Hadjar turned around. He realized that he’d been lost in his own thoughts for a while. The sounds of merriment had long since subsided. The central hall, which had resembled a tavern and a brothel at the same time, was now empty. All the practitioners wearing blue amulets had bared their weapons and crowded behind Glen. He was still lazily sipping from his mug, but his gaze was tenacious. The leader of the fifty ‘guinea pigs’, selected by Karissa, was ready to fight. To the death. Einen, who’d somehow managed to put his people’s traditional outfit on, stood next to Hadjar. In his hand, the spear-staff, which hadn’t exposed its deadly stinger yet, swayed dangerously. “Put those things back and go to bed,” Glen said bossily. “You shouldn’t steal from people who’ve sheltered you.” “We haven’t stolen anything,” Einen snapped in reply, “we’ve just taken back our things.” “There’s nothing of yours here.” “The names on the boxes beg to differ,” Hadjar stated calmly. They met Glen’s eyes. By the Evening Stars, the undersized rogue was one of the few people who could withstand Hadjar’s gaze. “It seems that children from the north and the islands can’t count,” Glen said more forcefully. “I’ll give you one more chance. Put-” “Put a dog’s reproductive organ down your throat,” Einen spat on the floor. His friend’s cursing made Hadjar open his mouth in surprise. Apparently, the stress of the recent weeks had really affected the usually calm islander. “How many newbies have you cheated like this so far? You make them think that they can’t take their things back, and then you send them to their deaths.
Kirill Klevanski (Sea of Sorrow (Dragon Heart, #5))
After several minutes, Mary Anne blew her nose and said, “I just don’t think I can help with the search. It might be therapy, but I wouldn’t be able to keep my mind on it. I know it’s childish, but all I can think of are the horrible things I said to Dawn.” “And Stacey won’t be able to help,” I added as my tears dried. “Not unless her father springs her from New York.” “What about you, Kristy?” asked Dawn. “Do you want to come out in the boat with my family? We’d be glad to have you.” I started to say, “Sure!” when I remembered something. “Uh-oh,” I said instead. I felt my face flush. “What?” asked the others.
Ann M. Martin (Baby-sitters' Island Adventure (The Baby-Sitters Club Super Special, #4))
a country so minuscule, it didn't even have a capital city. If the sea birds were quiet, one end of the island could easily hear what was going on at the other end without much of a problem.
Mia Caldwell (Paris and the Prince (Royal Weddings Book 1))
If we were all perfect in our pasts, then we'd have nothing to hope for in our futures
Jenny Oliver (The Grand Reopening of Dandelion Café (Cherry Pie Island, #1))
Other than James. I knew if I could win him, I would have everything I ever wanted. A husband, kids.” Her voice broke and she lifted a hand to wipe tears from her eyes. “I told him that your mother had moved on. Said she’d never really cared for him.” Ouch. It wasn’t merely that he’d chosen her Ginny over her mother; Ginny really had stolen him. “I take it Mom had done no such thing?” “She was planning to look for a job in Jacksonville when she got out of college. It’s a long drive, but within driving distance of here. She wanted to marry him.” “But you married him first.” Andie didn’t have to ask; she knew. Ginny had married James the spring that her mother had been a junior in college. “She didn’t come for the wedding, of course. Only Mama. Athena had passed away from an overdose a couple months before, and Grandmother wasn’t healthy enough to make the drive.” They’d originally been from a small town in northeast Georgia. Andie’s grandmother hadn’t passed away until Andie was seven, and she and Cassie had never visited her. She seemed to remember Cassie going to the funeral, though. Alone. “Mama couldn’t forgive Cassie for not coming down for the wedding, especially after losing Athena earlier in the year. She didn’t know what had transpired between us.” That made sense. So Cassie had lost the love of her life, her sister, and her mother all at the same time. Not to mention her other sister dying that same year and her father the year before. No wonder she was
Kim Law (Ex on the Beach (Turtle Island, #1))
Ritual characterizes every aspect of life here, and even mundane, daily activities take on an ageless quality. The daily rhythm begins at dawn, as the fishermen launch boats from countless harbors, an event that has taken place for centuries. The women go to market, exchanging greetings and comments. Ritual rules the care and time taken with every detail of the midday meal, from the hearty seafood appetizers to the strong, syrupy coffee that marks the end of the feast. The day winds down with the evening stroll, a tradition thoroughly ingrained in the culture of the Greek Isles. In villages and towns throughout the islands, sunset brings cooler air and draws people from their homes and the beaches for an enjoyable evening walk through town squares, portside promenades, and narrow streets. Ancient crafts still flourish in the artisans’ studios and in tidy homes of countless mountain villages and ports. Embroidery--traditionally the province of Greek women--is created by hand to adorn the regional costumes worn during festivals. Artists craft delicate silver utensils, engraved gems, blown glass, and gold jewelry. Potters create ceramic pieces featuring some of the same decorative patterns and mythological subjects that captured their ancestors’ imagination. Weddings, festivals, saints’ days. And other celebrations with family and friends provide a backdrop for grave and energetic Greek dancing. For centuries--probably ever since people have lived on the islands--Greek islanders have seized every opportunity to play music, sing, and dance. Dancing in Greece is always a group activity, a way to create and reinforce bonds among families, friends, and communities, and island men have been dancing circle dances like the Kalamatianos and the Tsamikos since antiquity. Musicians accompany revelers on stringed instruments like the bouzouki--the modern equivalent of the lyre. While traditional attire is reserved mainly for festive occasions, on some islands people still sport these garments daily. On Lefkada and Crete, it is not unusual to find men wearing vraka, or baggy trousers, and vests, along with the high boots known as stivania. Women wear long, dark, pleated skirts woven on a traditional loom, and long silk scarves or kerchiefs adorn their heads. All the garments are ornamented by hand with rich brocades and elaborate embroidery. All over the Greek Isles, Orthodox priests dress in long black robes, their shadowy figures contrasting with the bright whites, blues, and greens of Greek village architecture.
Laura Brooks (Greek Isles (Timeless Places))
I'm going to explode," my dad says, rubbing his stomach gleefully. He's just put down a massive sandwich piled with corned beef, pastrami, chopped liver, and Swiss cheese, with a slide of crispy onion strings and a vanilla malt. "Tilt," I say, making the time-out signal with my hands. I managed to get three-quarters of the way through a turkey club with no tomatoes and Thousand Island instead of mayo, with a pile of extra-crispy fries and a chocolate phosphate. Not to mention the bucket of pickles, and the soup, chicken with kreplach and noodles for him, sweet-and-sour cabbage for me.
Stacey Ballis (Wedding Girl)
He’d left her stranded in front of three hundred wedding guests, wearing a white dress and glass slippers like some deranged Cinderella, while he caught a plane to the Cayman Islands with a knock-kneed stripper named Chrysanthemum Greene and several million dollars embezzled from the Stardust Savings and Loan.
Lori Wilde (Rules of the Game (Stardust, Texas, #2))
Captain Joseph Frye One of the nicest parks in present day downtown Tampa, Florida, is the Cotanchobee Fort Brooke Park. The 5-acre park, which lies between the Tampa Bay Times Forum (Amalie Arena) and the mouth of the Hillsborough River at the Garrison Channel, is used for many weddings and special events such as the dragon boat races and the duck race. Few people give thought to the historic significance of the location, or to Captain Joseph Frye, considered Tampa’s first native son, who was born there on June 14, 1826. Going to sea was a tradition in the Frye family, starting with his paternal great-grandfather Samuel Frye from East Greenwich, Rhode Island, who was the master of the sloop Humbird. As a young man, Joseph attended the United States Naval Academy and graduated with the second class in 1847. Starting as an Ensign, he served as a commissioned officer in the U.S. Navy until the Civil War, at which time he resigned and took a commission as a Lieutenant in the Confederate Navy. The Ten Years’ War, also known as “the Great War,” which started in 1868 became the first of three wars of Cuban Independence. In October 1873, following the defeat of the Confederacy and five years into the Cuban revolution, Frye became Captain of a side-wheeler, the S/S Virginius. His mission was to take guns and ammunition, as well as approximately 300 Cuban rebels to Cuba, with the intent of fighting the Spanish army for Cuban Independence. Unfortunately, the mission failed when the ship was intercepted by the Spanish warship Tornado. Captain Frye and his crew were taken to Santiago de Cuba and given a hasty trial and before a British warship Commander, hearing of the incident, could intervene, they were sentenced to death. After thanking the members of his crew for their service, Captain Frye and fifty-three members of his crew were put to death by firing squad, and were then decapitated and trampled upon by the Spanish soldiers. However, the British Commander Sir Lambton Lorraine of HMS Niobe did manage to save the lives of a few of the remaining crewmembers and rebels.
Hank Bracker
She considers a tray of flaky 'jesuites,' their centers redolent of frangipani cream, decorated with violet buds preserved in clouds of black crystal sugar. Or 'dulce de leche' tarts- caramelized swirls on a 'pate sucree' crust, glowing with chocolate, tiny muted peaks, ruffles of white pastry like Edwardian collars. But nothing seems special enough and nothing seems right. Nothing seems like Stanley. Avis brings out the meticulous botanical illustrations she did in school, pins them all around the kitchen like a room from Audubon's house. She thinks of slim layers of chocolate interspersed with a vanilla caramel. On top she might paint a frosted forest with hints of white chocolate, dashes of rosemary subtle as deja vu. A glissando of light spilling in butter-drops from one sweet lime leaf to the next. On a drawing pad she uses for designing wedding cakes, she begins sketching ruby-throated hummingbirds in flecks of raspberry fondant, a sub-equatorial sun depicted in neoclassical butter cream. At the center of the cake top, she draws figures regal and languid as Gauguin's island dwellers, meant to be Stanley, Nieves, and child. Their skin would be cocoa and coffee and motes of cherry melded with a few drops of cream. Then an icing border of tiny mermaids, nixies, selkies, and seahorses below, Pegasus, Icarus, and phoenix above.
Diana Abu-Jaber (Birds of Paradise)
Iceberg wedges with a homemade Thousand Island dressing and bacon bits. Prime rib, slow roasted in a very forgiving technique I developed after years of trying to make it for weddings and parties where the timing of the meal can be drastically changed based on length of ceremony, or toasts, or how well the venue staff can change over a room. Twice-baked potatoes, creamed spinach. I have a stack of crepes already made, ready to be turned into crepes suzette with butter and brown sugar and orange zest and flambeed with Grand Marnier, because if you go all old school, something needs to be set on fire. With homemade vanilla bean gelato to cut the richness, of course!
Stacey Ballis (Out to Lunch)
God has also come through for my clients directly—though one time, He made Himself known in a way that I couldn’t understand at first. I didn’t know anything about the woman I was reading, and she had a quiet demeanor so we didn’t really talk much before. One of the first things I said to her was, “There’s a husband energy here. Did you lose your spouse?” She told me she never married, so I moved on, but this husband figure wouldn’t leave me alone—he even kept showing me a plain, gold wedding band. I passed, and we moved on to other messages, including how she has a spiritual gift like mine. Then during the last fifteen minutes of her reading, I felt a tremendous sense of peace and saw the overwhelming white light with golden edges that always bowls me over. “Call me crazy, but I feel God is present,” I said. I felt different from when I channel a normal husband energy; it felt higher than your loved ones, higher than a guide or angel. God said to tell her, “Thank you for doing my work.” The woman thanked me for the reading, and I didn’t think about it too much after that. Cut to a few months later, and I was about to read another client when she said, “I heard you gave Sister Mary Catherine the most amazing reading.” I was like, Sister Mary who? Apparently, the first woman was a nun—with psychic abilities, no less—but more than anything, the husband energy now made sense! At first, it didn’t feel like God because Spirit makes me feel the bond that the person shares with the soul, but nuns believe they are married to Christ. Plus, He showed me the wedding band. But when we didn’t connect with that, God made Himself a lot more obvious! Sheesh, talk about a blond moment on my part.
Theresa Caputo (There's More to Life Than This: Healing Messages, Remarkable Stories, and Insight About the Other Side from the Long Island Medium)
Ibiza wedding - An island based wedding association and specialized cooking business. We advocate particular events, Ibiza catering, Ibiza wedding at little cost.
I’m sorry,” said Peter. “It’s my fault for coming this way. We’re lost. I’ve never seen this place in my life before.” The Dwarf gave a low whistle between his teeth. “Oh, do let’s go back and go the other way,” said Susan. “I knew all along we’d get lost in these woods.” “Susan!” said Lucy, reproachfully, “don’t nag at Peter like that. It’s so rotten, and he’s doing all he can.” “And don’t you snap at Su like that, either,” said Edmund. “I think she’s quite right.” “Tubs and tortoiseshells!” exclaimed Trumpkin. “If we’ve got lost coming, what chance have we of finding our way back? And if we’re to go back to the Island and begin all over again--even supposing we could--we might as well give the whole thing up. Miraz will have finished with Caspian before we get there at that rate.” “You think we ought to go on?” said Lucy. “I’m not sure the High King is lost,” said Trumpkin. “What’s to hinder this river being the Rush?” “Because the Rush is not in a gorge,” said Peter, keeping his temper with some difficulty.
C.S. Lewis (Prince Caspian (Chronicles of Narnia, #2))
You know, if you’d told me a year ago that the world might end because of an ancient breed of flesh-eating spiders, I might have believed that. But if you’d told me that the world was almost going to end because of an ancient breed of flesh-eating spiders and that, when it didn’t end, we’d all end up on an island off the coast of Maine and your husband would still be working as a defense lawyer? That,
Ezekiel Boone (Zero Day (The Hatching, #3))
You can take the Governor’s pinnace; that’s small, but it’s seaworthy.” Grey fumbled through the drawer of his desk. “I’ll write an order for the dockers to hand it over to you.” “Aye, we’ll need the boat—I canna risk the Artemis; as she’s Jared’s—but I think we’d best steal it, John.” Jamie’s brows were drawn together in a frown. “I wouldna have ye be involved wi’ me in any visible way, aye? You’ll be having trouble enough with things, without that.” Grey smiled unhappily. “Trouble? Yes, you might call it trouble, with four plantation houses burnt, and over two hundred slaves gone—God knows where! But I vastly doubt that anyone will take notice of my social acquaintance, under the circumstances. Between fear of the Maroons and fear of the Chinaman, the whole island is in such a panic that a mere smuggler is the most negligible of trivialities.” “It’s a great relief to me to be thought trivial,” Jamie said, very dryly. “Still, we’ll steal the boat. And if we’re taken, ye’ve never heard my name or seen my face, aye?” Grey stared at him, a welter of emotions fighting for mastery of his features, amusement, fear, and anger among them. “Is that right?” he said at last. “Let you be taken, watch them hang you, and keep quiet about it—for fear of smirching my reputation? For God’s sake, Jamie, what do you take me for?
Diana Gabaldon (Voyager (Outlander, #3))
We’d known enough girls jilted by Americans promising marriage and plane tickets. Two girls in my neighborhood had babies by men who had returned to the United States and left false addresses. The faces of their mixed-race kids declared their humiliation to everyone.
Shawna Yang Ryan (Green Island)
It had been often commented upon that Vibe offspring tended to be crazy as bedbugs. ‘Fax’s brother Cragmont had run away with a trapeze girl, then brought her back to New York to get married, the wedding being actually performed on trapezes, groom and best man, dressed in tails and silk opera hats held on with elastic, swinging upside down by their knees in perfect synchrony across the perilous Æther to meet the bride and her father, a carnival “jointee” or concessionaire, in matched excursion from their own side of the ring, bridesmaids observed at every hand up twirling by their chins in billows of spangling, forty feet above the faces of the guests, feathers dyed a deep acid green sweeping and stirring the cigar smoke rising from the crowd. Cragmont Vibe was but thirteen that circus summer he became a husband and began what would become, even for the day, an enormous family. The third brother, Fleetwood, best man at this ceremony, had also got out of the house early, fast-talking his way onto an expedition heading for Africa. He kept as clear of political games as of any real scientific inquiry, preferring to take the title of “Explorer” literally, and do nothing but explore. It did not hurt Fleetwood’s chances that a hefty Vibe trust fund was there to pick up the bills for bespoke pith helmets and meat lozenges and so forth. Kit met him one spring weekend out at the Vibe manor on Long Island. “Say, but you’ve never seen our cottage,” ‘Fax said one day after classes. “What are you doing this weekend? Unless there’s another factory girl or pizza princess or something in the works.” “Do I use that tone of voice about the Seven Sisters material you specialize in?” “I’ve nothing against the newer races,” ‘Fax protested. “But you might like to meet Cousin Dittany anyway.” “The one at Smith.” “Mount Holyoke, actually.” “Can’t wait.” They arrived under a dourly overcast sky. Even in cheerier illumination, the Vibe mansion would have registered as a place best kept clear of—four stories tall, square, unadorned, dark stone facing looking much older than the known date of construction. Despite its aspect of abandonment, an uneasy tenancy was still pursued within, perhaps by some collateral branch of Vibes . . . it was unclear. There was the matter of the second floor. Only the servants were allowed there. It “belonged,” in some way nobody was eager to specify, to previous occupants. “Someone’s living there?” “Someone’s there.” . . . from time to time, a door swinging shut on a glimpse of back stairway, a muffled footfall . . . an ambiguous movement across a distant doorframe . . . a threat of somehow being obliged to perform a daily search through the forbidden level, just at dusk, so detailed that contact with the unseen occupants, in some form, at some unannounced moment, would be inevitable . . . all dustless and tidy, shadows in permanent possession, window-drapes and upholstery in deep hues of green, claret, and indigo, servants who did not speak, who would or could not meet one’s gaze . . . and in the next room, the next instant, waiting . . . “Real nice of you to have me here, folks,” chirped Kit at breakfast. “Fellow sleeps like a top. Well, except . . .” Pause in the orderly gobbling and scarfing. Interest from all around the table. “I mean, who came in the room in the middle of the night like that?” “You’re sure,” said Scarsdale, “it wasn’t just the wind, or the place settling.” “They were walking around, like they were looking for something.” Glances were exchanged, failed to be exchanged, were sent out but not returned. “Kit, you haven’t seen the stables yet,” Cousin Dittany offered at last. “Wouldn’t you like to go riding?
Thomas Pynchon (Against the Day)
A honeymoon doesn’t need to be an exotic, luxurious trip to some far-flung paradise island, though. It just needs to be a chance for the newly wedded couple to enjoy some quality time together at the start of their married life.
George Mahood (How Not to Get Married: Confessions of a Wedding Photographer)
The orange wave was real. Layton and the NDP won 103 seats on May 2, 2011, and for the first and only time in its history, the party formed the official opposition with Layton at the helm. It was a huge accomplishment for the NDP, but for Jack Layton there was very little time to celebrate. The cancer had returned. It was about to race through his body. Just one hundred and twelve days after election night, the battle against it ended. On August 22, just before five in the morning, my phone rang. I've been around long enough to know that when the phone rings in the middle of the night the odds are it's not good news. It wasn't. "Jack just passed away. We will be announcing it publicly in a few hours. Perhaps you could make it known before then." I got up, showered, and dressed. I drove into Toronto from our home in Stratford thinking about those last conversations we'd had during the campaign. In St. John's after that interview had ended, I'd thanked him for being so frank about his health and his hopes in the few days we'd just spent together. Standing on the dock I'd told him that while he and I had done many interviews in the years before, all my questions in those past years had been so predictable. Before I could say anything, he smiled and looked at me. "And all my answers were so predictable too." We both laughed. It was so true. But 2011 had been different. I parked my car and walked into the studio where Heather Hiscox was hosting her morning show and, to her surprise, I sat down, unannounced, beside her. She could tell something wasn't right and, on air, she asked me what was up. "Jack Layton has just died." Heather's face said it all. She was shocked and saddened, just like so many Canadians of all political stripes were, as they found out in that same moment. A person's life have been stolen from them at the pinnacle of their professional career. The country was instantly in mourning. Two weeks later, Layton's widow, Olivia Chow, returned with me to the spot on Toronto Island where they had been married twenty-three years before and talked about what the final moments had been like. "It was very difficult, but he had no fear. He had no fear. He was ready, so I thought, okay. So we held him.
Peter Mansbridge (Off the Record)
The chamber was a cool, chill black- as if we'd stepped inside the mind of some sleeping beast. And within its round space gleamed glittering islands of light. Of jewels. Ten thousand years' worth of treasure. It was neatly organised, in podiums and open drawers and busts and racks. 'The family jewels,' Rhys said with a devious grin. ... ...carved into the rock was an entire wall of crowns. They each had their own resting place, lined with black velvet, each illuminated by- 'Glowworms,' Rhys told me as the tiny, bluish globs crusted in the arches of each nook seemed to glitter like the entire night sky. In fact... What I'd taken for small faelights in the ceiling high above... It was all glowworms. Pale blue and turquoise, their light as silken as moonlight, illumining the jewels with ancient, silent fire. 'Pick one,' Rhys whispered in my ear. 'A glowworm?' He nipped at my earlobe. 'Smartass.' He steered me back toward the wall of crowns, each wholly different- as individual as skulls. 'Pick whichever crown you like.' 'I can't just- take one.' 'You must certainly can. They belong to you.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
Everywhere in Scotland, statistically speaking, June is your best bet in terms of when to visit.
Jenny Colgan (An Island Wedding)
The men made war, he thought, not for the first time. The women suffered, and fought for the peace.
Jenny Colgan (An Island Wedding)
You marry for money, you earn it.
Jenny Colgan (An Island Wedding)
Three days after their wedding they were standing at the base of Liffey Falls, at the brisk death of winter, watching an airborne river thrash its way earthward. The water tumbled through high ridges, crowded with the princes of the island's wetter wildernesses: blackheart sassafras, dappled leatherwoods, contortions of mossy myrtles. Giant stringybarks rose above them all, their gum-topped crowns fighting for space in the clouds. The forest loomed, wet-dark and thickly green in the morning dew, and through the ancient roots of its trees the Liffey ran and broke and fell to splash the boots of the gazing newlyweds. p.68
Robbie Arnott (Limberlost)
His former mother-in-law attempted to ease the new couple’s burdens by bestowing on them a wedding present in the form of a household slave. In a town where one in five families owned enslaved people, it was a traditional gift. Adams balked. “A slave cannot live in my house,” he declared, insisting, “If she comes, she must be free.” Emancipated, Surrey remained a fixture at the Adams address for nearly fifty years. In conjunction with a Rhode Island doctor, Adams began to formulate a campaign against slavery.
Stacy Schiff (The Revolutionary: Samuel Adams)
We should call someone. The sheriff’s office. Is there a sheriff on the island? Or is it the police? Who’s in charge of roadkill here?
Pippa Grant (The Worst Wedding Date (Three BFFs and a Wedding #1))
After more than thirty years of traveling to Oahu, I no longer gasp when I see the wafting palm trees out the plane window or feel quite as awed by the sight of Diamond Head, the volcanic mountain that sits like a massive green bulwark southeast of Waikiki. What I feel now is the exhilaration of familiarity. I am oriented to this place in ways I’d never have imagined for myself as a kid. Though I remain just a visitor, I do know this one island very well, just as I know this one man who introduced me to it, through our regular and committed returns. I feel like I know every bend in the highway that leads from the airport to the North Shore. I know where to go for excellent shave ice and Korean barbecue. I can recognize the scent of plumeria in the air and take delight in the underwater shadow of a manta ray flapping its way through shallow water. I’m well-acquainted with the quiet waters of Hanauma Bay, where we first showed our toddlers how to swim, and the windy sea cliffs at Lanai Lookout, where my husband goes to remember his beloved mother and grandmother, whose ashes he scattered there. A couple of years ago, to celebrate our wedding anniversary, Barack and I made a special trip to Honolulu, and he surprised me with a celebratory dinner out on the town. He’d rented a private space on the rooftop terrace of a hotel by the ocean and hired a small band to play.
Michelle Obama (The Light We Carry: Overcoming in Uncertain Times)
I believed there were two ways a person could go weak in the knees, all strength gone with the threat of collapsing to the floor. One way was from being swept by love ... because we entrusted the other person with catching us. The other was from being ripped apart by heartbreak ... because they were gone, and we no longer cared what we’d hit on the way down. We were already broken.
Nicole Fiorina (Bone Island: Book of Danvers (Tales of Weeping Hollow, #2))
Island we’d lost our Internet access to insolvency months ago.
Donald E. Westlake (The Scared Stiff)
Because we would have had to pay the world back what we owed it," she said, raising her eyes to mine. "The pain of growing up. We didn't pay when we should have, so now the bills are due. Which is why Kizuki did what he did, and why I'm here. We were like kids who grew up naked on a desert island. If we got hungry, we'd just pick a banana; if we got lonely, we'd go to sleep in each other's arms. But that kind of thing doesn't last forever. We grew up fast and had to enter society. Which is why you were so important to us. You were the link connecting us with the outside world. We were struggling through you to fit in with the outside world as best we could. In the end, it didn't work, of course.
Murakami Haruki