Island Wedding Quotes

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In the enchanted woodland wild, The Prince shall wed a Fairy child. Dragon, Human, and Fairy, Their union will be bound by three. And when these lovers intertwine, Three races in one child combine. Dragon, Fey, and Humankind, Bound in one bloodline.
Janet Lee Carey (Dragonswood (Wilde Island Chronicles, #2))
If people were to tell other people everything about themselves, we’d live in a dull world.
Tom McCarthy (Satin Island)
But not everyone needs to be a warrior, my dear. Otherwise we’d never have poets, artists, scientists …’ ‘I disagree,’ said Defne into her wine glass. ‘There are moments in life when everyone has to become a warrior of some kind. If you are a poet, you fight with your words; if you are an artist, you fight with your paintings … But you can’t say, “Sorry, I’m a poet, I’ll pass.” You don’t say that when there’s so much suffering, inequality, injustice.
Elif Shafak (The Island of Missing Trees)
It's just that we'd like to think that craziness and sanity are on opposite ends of an ocean, but really they're more like neighboring islands.
Gayle Forman (Sisters in Sanity)
Because we live in a world under siege,” I say. “Life sucks for mages and magicians- you taught me that. Bad things happen to those of us who get involved, but if we didn't fight, we'd be in an even worse state. None of it it’s your fault, any more than it’s the fault of the moon or the stars.” Dervish nods slowly, then arches an eyebrow “The moon or the stars?” “I always get poetic when I'm dealing with self-pitying simpletons.
Darren Shan (Wolf Island (Demonata, #8))
We couldn't bear to be apart. So if Kizuki had lived, I'm sure we would have been together, loving each other, and gradually growing unhappy." Unhappy? Why's that?" With her fingers, Naoko combed her hair back several times. She had taken her barrette off, which made the hair fall over her face when she dropped her head forward. Because we would have had to pay the world back what we owed it," she said, raising her eyes to mine. "The pain of growing up. We didn't pay when we should have, so now the bills are due. Which is why Kizuki did what he did, and why I'm here. We were like kids who grew up naked on a desert island. If we got hungry, we'd just pick a banana; if we got lonely, we'd go to sleep in each other's arms. But that kind of thing doesn't last forever. We grew up fast and had to enter society. Which is why you were so important to us. You were the link connecting us with the outside world. We were struggling through you to fit in with the outside world as best we could. In the end, it didn't work, of course." I nodded. I wouldn't want you to think that we were using you, though. Kizuki really loved you. It just so happened that our connection with you was our first connection with anyone else. And it still is. Kizuki may be dead, but you are still my only link with the outside world. And just as Kizuki loved you, I love you. We never meant to hurt you, but we probably did; we probably ended up making a deep wound in your heart. It never occurred to us that anything like that might happen.
Haruki Murakami (Norwegian Wood)
I'd been to the island on most weekends up until I got shot, and Thomas had often come with me. We'd used some fresh lumber, some material salvaged from the ruined town, and some pontoons made from plastic sheathing and old tractor-tire inner tubes to construct a floating walkway to serve as a dock, anchored to the old pilings that had once supported a much larger structure. Upon completion, I had dubbed it the Whatsup Dock, and Thomas had chucked me twenty feet out into the lake, thus proving his utter lack of appreciation for reference-orientated humour. (And then I'd thrown him forty feet out with magic, once I got dry. Because come on, he's my brother. It was the only thing to do.)
Jim Butcher (Cold Days (The Dresden Files, #14))
What would we do, each of us, if we were young people in 1930s Burgos, caught up in the midst of civil war? It’s easy to claim in hindsight we’d do the right thing. But, in truth, none of us knows where we would be when the fire is raging.
Elif Shafak (The Island of Missing Trees)
Who’s Beth?” Keri asked. “The bartender at your wedding.” “Oh, that’s right. How could I forget when my husband almost got thrown out of our own reception for trying to hire her like a hooker or something.” “What’s a hooker?” Bobby asked. Keri’s island tan flushed pink. “Oops.” “You put it on the end of a fishing pole, dummy,” Brian explained. Bobby frowned. “Uncle Joe tried to hire a worm?
Shannon Stacey (Undeniably Yours (Kowalski Family, #2))
I don’t know why we fight. It takes much too effort to stay mad at you. To dodge your skin in the hallway and leave the kitchen without bringing you a treat. It takes much too effort to stare at the sink so my eyes don’t smile at you in the mirror. It takes much too effort to look away as we undress and lie apart in the now bigger bed. It takes much too effort to stiffen my body because sleepy limbs forget fights and pride is always lost in dreams. It takes much too effort to awaken every hour to make sure we are islands with a gulf of white sheets separating us. I dread the light peeking through the parted curtains and empathise with your groans — I didn’t get any sleep either. I really don’t know why we fight. It takes much too effort to stay mad at one another when it’s so easy for us to love.
Kamand Kojouri
Being left at the altar was not for sissies. Aside from the humiliation and hurt, there were actual logistics to worry about. Odds were if a guy was willing to leave you standing alone in front of three hundred of your closest friends and relatives, not to mention both your mothers, he wasn't going to sweat the little stuff like returning the gifts and paying the caterer.
Susan Mallery (Three Sisters (Blackberry Island, #2))
A sound of laughter was heard-they turned sharply. Vera Claythorne was standing in the yard. She cried out in a high shrill voice, shaken with wild bursts of laughter: "Do they keep bees on this island? Tell me that. Where do we go for honey? Ha! ha!" They stared at her uncomprehendingly. It was as though the sane well-balanced girl had gone mad right before their eyes. She went on in that high unnatural voice: "Don't stare like that! As though you thought I was mad. It's sane enough what I'm asking. Bees, hives, bees! Oh, don't you understand? Haven't you read that idiotic rhyme? It's up in all of your bedrooms-put it there for you to study! We might have come here straightaway if we'd had sense. Seven little soldiers chopping up sticks. And the next verse, I know the whole thing by heart, I tell you! Six little soldier boys playing with a hive. And that's why I'm asking-do they keep bees on this island- isn't it damned funny...?
Agatha Christie (And Then There Were None)
The word wrath jumped out at me. I thought about the alcohol and drugs we’d found in Toby’s room. I thought about the fire on Hawthorne Island and the way the press had lauded Toby as such an outstanding young man.
Jennifer Lynn Barnes (The Hawthorne Legacy (The Inheritance Games, #2))
I cannot think that man is meant to find happiness so easily! Happiness is like one of those palaces on an enchanted island, its gates guarded by dragons. One must fight to gain it; and, in truth, I do not know what I have done to deserve the good fortune of becoming Mercédès, husband.
Alexandre Dumas
He said he would be back and we'd drink wine together He said that everything would be better than before He said we were on the edge of a new relation He said he would never again cringe before his father He said that he was going to invent full-time He said he loved me that going into me He said was going into the world and the sky He said all the buckles were very firm He said the wax was the best wax He said Wait for me here on the beach He said Just don't cry I remember the gulls and the waves I remember the islands going dark on the sea I remember the girls laughing I remember they said he only wanted to get away from me I remember mother saying : Inventors are like poets, a trashy lot I remember she told me those who try out inventions are worse I remember she added : Women who love such are the worst of all I have been waiting all day, or perhaps longer. I would have liked to try those wings myself. It would have been better than this.
Muriel Rukeyser
And she wanted him. And anyway, once a mermaid saved a man, wasn’t he destined to be her true love, with weddings on ships or private islands and happily-ever-afters filled with music and sparkles and talking fish?
Kerry Adrienne (Storm Damaged)
I asked her to leave with me on our wedding night.” “What?” my grandfather said, his composure further weakened. He too had believed this was all a childish bluff and suddenly felt the ground shifting under his feet. “Oh, yes. We could have been in the Epidi Islands by now, or Mur. I would have taken her anywhere she wanted,” Eugenides assured him. “She wouldn’t abandon her people—she knew how Erondites would rule if she did.
Megan Whalen Turner (Return of the Thief (The Queen's Thief, #6))
They were trying to escape. They asked us "Where's the railway?" We'd never seen a railway. They asked "Where's Moscow? Leningrad?" They were asking the wrong people: we'd never heard of those places. We're Ostyaks. People were running away starving. They were given a handful of flour. They mixed it with water and drank it and then they immediately got diarrhea. The things we saw! People were dying everywhere; they were killing each other.... On the island there was a guard named Kostia Venikov, a young fellow. He was courting a pretty girl who had been sent there. He protected her. One day he had to be away for a while, and he told one of his comrades, "Take care of her," but with all the people there the comrade couldn't do much.... People caught the girl, tied her to a poplar tree, cut off her breasts, her muscles, everything they could eat, everything, everything.... They were hungry, they had to eat. When Kostia came back, she was still alive. He tried to save her, but she had lost too much blood.
Nicolas Werth (Cannibal Island: Death in a Siberian Gulag (Human Rights and Crimes against Humanity))
Hope is the wedding of two freedoms, human and divine, in the acceptance of a love that is at once a promise and the beginning of fulfillment.
Thomas Merton (No Man Is an Island)
No man is an island, no woman lives in a vacuum, and as much as we’d like to compartmentalize, our actions and decisions affect those around us… even if that’s not our intention.
Peter Adejimi
How old did someone have to be before they could be put to use to make tea?
Jenny Oliver (Four Weddings and a White Christmas (Cherry Pie Island, #5))
Sometimes we'd have that whole river all to ourselves for the longest time. Yonder was the banks and the islands, across the water; and maybe a spark-- which was a candle in a cabin window... It's lovely to live on a raft. We had the sky up there, all speckled with stars, and we used to lay on our backs and look up at them, and discuss about whether they was made or only just happened; Jim he allowed they was made, but I allowed they happened; I judged it would have took too long to make so many. Jim said the moon could 'a' laid them; well, that looked kind of reasonable... because I've seen a frog lay most as many, so of course it could be done. We used to watch the stars that fell, too, and see them streak down. Jim allowed they'd got spoiled and was hove out of the nest. Once or twice of a night we would see a steamboat slipping along in the dark, and now and then she would belch a whole world of sparks up out of her chimbleys, and they would rain down in the river and look awful pretty; then she would turn a corner and her lights would wink out and her powwow shut off and leave the river still again; and by and by her waves would get to us, a long time after she was gone, and joggle the raft a bit, and after that you wouldn't hear nothing for you couldn't tell how long, except maybe frogs or something.
Mark Twain (The Adventures of Huckleberry Finn)
What if you were to get lost,” he pointed out. Oh, that was the final straw. She whirled around. “However could that happen, my lord?” She notched her chin up a bit. “We’re standing on an island. Eventually I would come to an edge.
Julia Quinn (Four Weddings and a Sixpence)
We are all standing on the vagina of our planet, as it births fresh new land right before our very eyes in the form of this beautiful molten lava flowing below us. This island is literally growing in size every day, like a teenager in puberty watching her titties swell…
Kevin Kwan (Lies and Weddings)
The Three-Decker "The three-volume novel is extinct." Full thirty foot she towered from waterline to rail. It cost a watch to steer her, and a week to shorten sail; But, spite all modern notions, I found her first and best— The only certain packet for the Islands of the Blest. Fair held the breeze behind us—’twas warm with lovers’ prayers. We’d stolen wills for ballast and a crew of missing heirs. They shipped as Able Bastards till the Wicked Nurse confessed, And they worked the old three-decker to the Islands of the Blest. By ways no gaze could follow, a course unspoiled of Cook, Per Fancy, fleetest in man, our titled berths we took With maids of matchless beauty and parentage unguessed, And a Church of England parson for the Islands of the Blest. We asked no social questions—we pumped no hidden shame— We never talked obstetrics when the Little Stranger came: We left the Lord in Heaven, we left the fiends in Hell. We weren’t exactly Yussufs, but—Zuleika didn’t tell. No moral doubt assailed us, so when the port we neared, The villain had his flogging at the gangway, and we cheered. ’Twas fiddle in the forc’s’le—’twas garlands on the mast, For every one got married, and I went ashore at last. I left ’em all in couples a-kissing on the decks. I left the lovers loving and the parents signing cheques. In endless English comfort by county-folk caressed, I left the old three-decker at the Islands of the Blest! That route is barred to steamers: you’ll never lift again Our purple-painted headlands or the lordly keeps of Spain. They’re just beyond your skyline, howe’er so far you cruise In a ram-you-damn-you liner with a brace of bucking screws. Swing round your aching search-light—’twill show no haven’s peace. Ay, blow your shrieking sirens to the deaf, gray-bearded seas! Boom out the dripping oil-bags to skin the deep’s unrest— And you aren’t one knot the nearer to the Islands of the Blest! But when you’re threshing, crippled, with broken bridge and rail, At a drogue of dead convictions to hold you head to gale, Calm as the Flying Dutchman, from truck to taffrail dressed, You’ll see the old three-decker for the Islands of the Blest. You’ll see her tiering canvas in sheeted silver spread; You’ll hear the long-drawn thunder ’neath her leaping figure-head; While far, so far above you, her tall poop-lanterns shine Unvexed by wind or weather like the candles round a shrine! Hull down—hull down and under—she dwindles to a speck, With noise of pleasant music and dancing on her deck. All’s well—all’s well aboard her—she’s left you far behind, With a scent of old-world roses through the fog that ties you blind. Her crew are babes or madmen? Her port is all to make? You’re manned by Truth and Science, and you steam for steaming’s sake? Well, tinker up your engines—you know your business best— She’s taking tired people to the Islands of the Blest!
Rudyard Kipling
Waiting for Icarus " He said he would be back and we’d drink wine together He said that everything would be better than before He said we were on the edge of a new relation He said he would never again cringe before his father He said that he was going to invent full-time He said he loved me that going into me He said was going into the world and the sky He said all the buckles were very firm He said the wax was the best wax He said Wait for me here on the beach He said Just don’t cry I remember the gulls and the waves I remember the islands going dark on the sea I remember the girls laughing I remember they said he only wanted to get away from me I remember mother saying : Inventors are like poets, a trashy lot I remember she told me those who try out inventions are worse I remember she added : Women who love such are the Worst of all I have been waiting all day, or perhaps longer. I would have liked to try those wings myself. It would have been better than this.
Muriel Rukeyser (The Collected Poems)
Between the three of us, we’d be fine. It’d be fun. Magic. That’s what those days felt like. Not how Libby made it sound. Sure, there were problems, but what about all those days lying on our bellies in the Coney Island sand reading until the sun set? Or nights spent in a row on our sofa, eating junk food and watching old movies?
Emily Henry (Book Lovers)
What if we are all getting stupid at more or less the same rate and we don’t realize it because we are all declining together? You might argue that we’d see a general fall in IQ scores, but what if it’s not the kind of deterioration that shows up in IQ tests? What if it were reflected in just, say, poor judgment or diminished taste? We
Bill Bryson (The Road to Little Dribbling: More Notes from a Small Island)
It was so awful! And he kept on looking at me and I knew I must get out of bed or he'd come and touch me. I did, too, but when I got out I wasn't me-I was a little white bunny. And he started out of the room and I had to go with him for fear he'd touch me. It felt so horrid, going out with him and looking back at mother there asleep. "We went into the main part of the house, and one of the big front doors was open, and we went out through it. And then he gave a big jump, and so did I, and it took us clear up into the sky. We couldn't fly, but we kept jumping and jumping. "Sometimes we stayed in the sky a little while, jumping from cloud to cloud, and the moon would get closer and closer and bigger and bigger, and its face would change and get horrible and grin at us until it seemed like its mouth was a mile wide and open, to swallow us up. And then we'd come down again and jump from one cliff to another, and the sea would be roaring down under us, and the waves all grey and cold and moving around and boiling like they were mad or afraid. "We went all over the island and sometimes we jumped over the sea to the mainland and back again; and sometimes I tried to get away and run back to Mother - I thought she'd know me even if I was a bunny - but always, whichever way I turned, the hare was there in front of me, and his teeth were shining. "We kept it up all night, and I was so tired and cold and miserable, and so scared. I didn't know whether he would ever let me go home or whether he would take me to Aunt Sarai. Then finally I did get away and the hare chased me!" She broke off, her voice rising again to a wail. "It was so awful! I ran all over the island, into all sorts of queer little places that I never knew were there before - it seems so different after dark - and finally, when two or three times I'd been so tired that I thought I just couldn't go any farther, before he caught me, I saw the house in front of me and the front door still open and I started to run in, and then I thought - what if they'd planned it that way, and Aunt Sarai had come down from her portrait and was inside there in the dark, waiting for me?
Evangeline Walton (Witch House)
As I write, I am reminded of that passage from the Bible—the one that is read at every wedding: “When I was a child, I spake as a child, I understood as a child, I thought as a child.” Now, I understand as an adult. Maybe for the first time in my life. This article would break my mother’s heart, and perhaps even worse, her spirit. That didn’t matter to me a week ago; in fact, I wanted to hurt her then. My only excuse: then I was a child.
Kristin Hannah (Summer Island)
Nobody ever said I don’t know or I’m afraid, and they acted like the masks they wore were their real faces and that they could sustain themselves forever on their own self-assurance—like they really believed they didn’t need anybody else. What was that John Donne poem we’d read in Weinstein’s class, “No Man Is An Island”? Not here. We were a goddamn social archipelago that called itself a community. Why did I feel like I was the only one who lived in a nightmare?
Brendan Kiely (The Gospel of Winter)
At once I understood that I had been looking at things with the right intention but from the wrong angle. My marriage was imperfect and my job lacked meaning, but I had been searching for complicated solutions instead of addressing the common denominator in both equations - me. Moreover, I'd been approaching my life as a zero-sum game. As Alex had just pointed out, meeting my own needs for a change didn't mean my family would collapse or sink into bankruptcy-level debt. There were certain parts of my marriage that might never be fixed - wasn't that what "for better or for worse" was all about? - but that wouldn't necessarily put Sanjay and me on a one-way dinghy to divorce island. And even if we did split, that wouldn't be the end of everything. It would hurt like hell, but it wouldn't erase the good times we'd had My children would still have two parents who loved them and who would not opt out of their lives just because things were hard.
Camille Pagán (I'm Fine and Neither Are You)
The song she heard from the meadow was the same tune as the bird's call.She looked up in the trees.For a moment she thought she'd lost the bird, and she nearly cried out for him, but he fluttered down,landed right at her feet, and grew into a man." "Oh." Meg sighed.She'd always liked that part. "He whistled the tune once more, then the fey man said, 'My lady,will you dance?" "'I will.' She crossed the bridge to the meadow,and danced with the whistler." "Tell us they married," Meg said. "The story doesn't go like that," Poppy reminded. "It should." Meg stroked Tom's blood-clotted hair. I fumbled with the charcoal in my blackened fingers. As the story went, the girl danced through the seasons, but when she wandered home at last and reached her cottage door, she was a shriveled-up old women, for a hundred years had passed while she danced with the whistler,and everyone she'd known in her former life had died. Meg knew how it went.But when our eyes locked, I saw tonight she couldn't bear it. I found another bit of charcoal. "That very spring when the meadow was in bloom,the whistler, who had fey power to transform into a bird and sing any girl he wished to into the wood, chose the one girl who'd followed him so bravely and so far to be his wife. And she lived with him and the fey folk deep in Dragonswood in DunGarrow Castle, a place that blends into the mountainside and cannot be seen with human eyes unless the fairies will it so." I drew the couple hand in hand, rouch sketches on the cave wall; the stone wasn't smooth by any means. "She lived free among the fey folk and never wanted to return to her old life that had been full of hunger and sorrow under her father's roof." I sketched what came next before I could think of it. "A dragon came to their wedding," I said, drawing his right wing so large, I had to use the ceiling. "He lit a bonfire to celebrate their union." I drew the left wing spanning over the couple in the meadow. "And they lived all their lives content in Dragonswood.
Janet Lee Carey (Dragonswood (Wilde Island Chronicles, #2))
He’s threatening us!” Tempest flailed. She slammed Wasp on the back so hard the communal eyeball popped right out of her socket. Wasp snatched it—and with a terrible show of fumbling, intentionally chucked it over her shoulder, right into my lap. I screamed. The sisters screamed, too. Anger, now bereft of guidance, swerved all over the road, sending my stomach into my esophagus. “He’s stolen our eye!” cried Tempest. “We can’t see!” “I have not!” I yelped. “It’s disgusting!” Meg whooped with pleasure. “THIS. IS. SO. COOL!” “Get it off!” I squirmed and tilted my hips, hoping the eye would roll away, but it stayed stubbornly in my lap, staring up at me with the accusatory glare of a dead catfish. Meg did not help. Clearly, she didn’t want to do anything that might interfere with the coolness of us dying in a faster-than-light car crash. “He will crush our eye,” Anger cried, “if we don’t recite our verses!” “I will not!” “We will all die!” Wasp said. “He is crazy!” “I AM NOT!” “Fine, you win!” Tempest howled. She drew herself up and recited as if performing for the people in Connecticut ten miles away: “A dare reveals the path that was unknown!” Anger chimed in: “And bears destruction; lion, snake-entwined!” Wasp concluded: “Or else the princeps never be o’erthrown!” Meg clapped. I stared at the Gray Sisters in disbelief. “That wasn’t doggerel. That was terza rima! You just gave us the next stanza of our actual prophecy!” “Well, that’s all we’ve got for you!” Anger said. “Now give me the eye, quick. We’re almost at camp!” Panic overcame my shock. If Anger couldn’t stop at our destination, we’d accelerate past the point of no return and vaporize in a colorful streak of plasma across Long Island. And yet that still sounded better than touching the eyeball in my lap. “Meg! Kleenex?” She snorted. “Wimp.” She scooped up the eye with her bare hand and tossed it to Anger. Anger shoved the eye in her socket. She blinked at the road, yelled “YIKES!” and slammed on the brakes so hard my chin hit my sternum.
Rick Riordan (The Tower of Nero (The Trials of Apollo, #5))
His former mother-in-law attempted to ease the new couple’s burdens by bestowing on them a wedding present in the form of a household slave. In a town where one in five families owned enslaved people, it was a traditional gift. Adams balked. “A slave cannot live in my house,” he declared, insisting, “If she comes, she must be free.” Emancipated, Surrey remained a fixture at the Adams address for nearly fifty years. In conjunction with a Rhode Island doctor, Adams began to formulate a campaign against slavery.
Stacy Schiff (The Revolutionary: Samuel Adams)
Where are we going?" "East. To where the sun rises." "Seriously?" He thumped the dash-not too hard-and I actually felt a little burst of warm air. "You've been to Long Beach Island, right?You told me that in an e-mail." "yeah, Surf City." "We have a house in Barnegat Light. I thought we'd go there. We'll have breakfast somewhere and come back. You okay with that?" The beach. In late December. At night. "I'm absolutely fine with it." "So," he said. "So." "We okay?" "I think so," I answered. "I hope we'll be a lot better than that." "Yeah,me,too.
Melissa Jensen (The Fine Art of Truth or Dare)
The islander Eliza Brock recorded in her journal what she called the “Nantucket Girl’s Song”: Then I’ll haste to wed a sailor, and send him off to sea, For a life of independence, is the pleasant life for me. But every now and then I shall like to see his face, For it always seems to me to beam with manly grace, With his brow so nobly open, and his dark and kindly eye, Oh my heart beats fondly towards him whenever he is nigh. But when he says “Goodbye my love, I’m off across the sea,” First I cry for his departure, then laugh because I’m free.
Nathaniel Philbrick (In the Heart of the Sea: The Tragedy of the Whaleship Essex (National Book Award Winner))
He arranged the ceremony for two o'clock in the afternoon a week before she was to leave. The exam had gone well and she was almost certain that she would qualify. Because other couples to be married came with family and friends, their ceremony seemed brisk and over quickly and caused much curiosity among those waiting because they had come alone. On their journey to Coney Island on the train that afternoon Tony raised the question for the first time of when they might marry in church and live together. 'I have money saved,' he said, 'so we could get an apartment and then move to the house when it's ready.' 'I don't mind,' she said. 'I wish we were going home together now.' He touched her hand. 'So do I,' he said. 'And the ring looks great on your finger.' She looked down at the ring. 'I'd better remember to take it off before Mrs Kehoe sees it.' The ocean was rough and grey and the wind blew white billowing clouds quickly across the sky. They moved slowly along the boardwalk and down the pier, where they stood watching the fishermen. As they walked back and sat eating hot dogs at Nathan's, Eilis spotted someone at the next table checking out her wedding ring. She smiled at herself. 'Will we ever tell our children that we did this?' she asked.
Colm Tóibín (Brooklyn (Eilis Lacey, #1))
And much as Lou loved his mother, his adoration of his Eleanor was out of this world. All the affection that had been denied him as a child, all the limitless affection he had to give on his own part and which had never had a chance to expand, came to a head in and about Eleanor. Strong as Mom was, Lou was stronger when it came to his determination to marry Eleanor, and the wedding was set for September, 1933, at the Long Island home of a friend of Eleanor’s. They were to live in an apartment in New Rochelle so as to be near Mom. Mom of course couldn’t understand why Lou didn’t go on living in the house with them so that she could cook and look after him as usual.
Paul Gallico (Lou Gehrig: Pride of the Yankees)
North American LGBT activists, wedded to epistemologies of the closet, often implicitly or explicitly equate this culture of semivisibility with the Global South’s lack of progress. In Sirena Selena, the Puerto Rican novelist Mayra Santos-Febres parodies the North’s conflation of “developing” nations’ electrical power outages and their lack of sexual enlightenment through the words of a Canadian tourist in Santo Domingo. He sighs, “I don’t want to criticize, you know — with all the problems these islands have, it’s understandable that they’re less evolved. . . . You can’t compare our problems with the atrocities a gay man has to face in these countries. . . . It’s all hanky-panky in the dark, like in the fifties in Canada.
Omise'eke Natasha Tinsley (Thiefing Sugar: Eroticism between Women in Caribbean Literature (Perverse Modernities))
My father became High King, and my mother his queen, yet this island on which you stand, this place … my mother claimed it for herself. The very island where she had once served as a slave became her domain, her sanctuary. The Daglan female who’d ruled it before her had chosen it for its natural defensive location, the mists that kept it veiled from the others. So, too, did my mother. But more than that, she told me many times that she and her heirs were the only ones worthy of tending this island. Nesta murmured to Azriel, “The Prison was once a royal territory?” Bryce didn’t care—and Azriel didn’t reply. Silene had glossed over how Theia and Fionn had used the Trove and Cauldron against the Asteri, and why the Hel had she come to this planet if not to learn about that? Yet once again, Silene’s memory plowed forward. And with the Daglan gone, as the centuries passed, as the Tithe was no longer demanded of us or the land, our powers strengthened. The land strengthened. It returned to what it had been before the Daglan’s arrival millennia before. We returned to what we’d been before that time, too, creatures whose very magic was tied to this land. Thus the land’s powers became my mother’s. Dusk, twilight—that’s what the island was in its long-buried heart, what her power bloomed into, the lands rising with it. It was, as she said, as if the island had a soul that now blossomed under her care, nurtured by the court she built here. Islands, like those they’d seen in the carvings, rose up from the sea, lush and fertile.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Lord Macaulay, ready as ever with a flush of gorgeous hyperbole, evokes the circumstances of the Grub Street authors: Sometimes blazing in gold-laced hats and waistcoats; sometimes lying in bed because their coats had gone to pieces, or wearing paper cravats because their linen was in pawn; sometimes drinking champagne and Tokay with Betty Careless; sometimes standing at the window of an eating-house in Porridge Island, to snuff up the scent of what they could not afford to taste; they knew luxury; they knew beggary; but they never knew comfort. He goes on, ‘They looked on a regular and frugal life with the same aversion which an old gypsy or a Mohawk hunter feels for a stationary abode … They were as untameable, as much wedded to their desolate freedom, as the wild ass.
Henry Hitchings (Defining the World: The Extraordinary Story of Dr. Johnson's Dictionary)
Battered by shifing currents and a cold, unrelenting wind, we sailed past deserted islands crowded with pines and a ghost tree growing staight out of the water, its gaunt trunk and scrawny branches raised heavenward like an outcast pleading for his life. Now, having reached the north shore, we were doggedly searching for the hidden rivulet that would take us into The Peak. We were trapped in muddy water barbed with grasses and covered with thick green algae, which broke apart in clumps, then, after we'd edged through, resealed, erasing all signs of our passing. The wind had dissipated - strange, as it'd been so turbulent minutes ago out on the lake. Dense trees surrounded us, packed like hordes of stranded prisoners. There wasn't a single bird, not a scuttle through the branches, not a cry - as if everything alive had fled.
Marisha Pessl
So much of the most important personal news I'd received in the last several years had come to me by smartphone while I was abroad in the city that I could plot on a map, could represent spatially the events, such as they were, of my early thirties. Place a thumbtack on the wall or drop a flag on Google Maps at Lincoln Center, where, beside the fountain, I took a call from Jon informing me that, for whatever complex of reasons, a friend had shot himself; mark the Noguchi Museum in Long Island City, where I read the message ("Apologies for the mass e-mail...") a close cousin sent out describing the dire condition of her newborn; waiting in line at the post office on Atlantic, the adhan issuing from the adjacent mosque, I received your wedding announcement and was shocked to be shocked, crushed, and started a frightening multi week descent, worse for being so embarrassingly cliched; while in the bathroom at the SoHo Crate and Barrel--the finest semipublic restroom in lower Manhattan--I learned I'd been awarded a grant that would take me overseas for a summer, and so came to associate the corner of Broadway and Houston with all that transpired in Morocco; at Zucotti Park I heard my then-girlfriend was not--as she'd been convinced--pregnant; while buying discounted dress socks at the Century 21 department store across from Ground Zero, I was informed by text that a friend in Oakland had been hospitalized after the police had broken his ribs. And so on: each of these experiences of reception remained, as it were, in situ, so that whenever I returned to a zone where significant news had been received, I discovered that the news and an echo of its attendant affect still awaited me like a curtain of beads.
Ben Lerner (10:04)
Reader, I married him. It turned out the sounds I heard coming from the attic weren't the screams of Mr Rochester's mad wife Bertha. It wasn't the wife who burned to death in the fire that destroyed Thornfield Hall and blinded my future husband when he tried to save her. After we'd first got engaged, he'd had to admit that he was already married, and we'd broken off our engagement. He'd asked me to run away with him anyway. Naturally, I'd refused. But later, after we were properly married, he insisted that it hadn't happened that way. It turned out there had been no wife. It turned out that it had been a parrot, screaming in the attic. The parrot had belonged to his wife. She had got it in the islands, where she had also contracted the tropical fever that killed her. She'd died long before I came to work for him as a governess. That was never Bertha, in the attic.
Francine Prose (The Mirror: A Short Story from the collection, Reader, I Married Him)
I’m sorry,” said Peter. “It’s my fault for coming this way. We’re lost. I’ve never seen this place in my life before.” The Dwarf gave a low whistle between his teeth. “Oh, do let’s go back and go the other way,” said Susan. “I knew all along we’d get lost in these woods.” “Susan!” said Lucy, reproachfully, “don’t nag at Peter like that. It’s so rotten, and he’s doing all he can.” “And don’t you snap at Su like that, either,” said Edmund. “I think she’s quite right.” “Tubs and tortoiseshells!” exclaimed Trumpkin. “If we’ve got lost coming, what chance have we of finding our way back? And if we’re to go back to the Island and begin all over again--even supposing we could--we might as well give the whole thing up. Miraz will have finished with Caspian before we get there at that rate.” “You think we ought to go on?” said Lucy. “I’m not sure the High King is lost,” said Trumpkin. “What’s to hinder this river being the Rush?” “Because the Rush is not in a gorge,” said Peter, keeping his temper with some difficulty.
C.S. Lewis (Prince Caspian (Chronicles of Narnia, #2))
Torn The internet’s all show, no actual cunnilingus has transpired between us. This has been smoke signals from eye to eye. And just like the telegraph, the telephone gave us a means to the ends of staying ever closer to home, ever farther from the ear we’d dot-dash or whisper into, what a sad story for flesh, marooned. First by the womb, then the word traveled fast and free of lips, now your hips can thrive in my brain without entering my life. I might as well be on the moon. The evolution of communication’s to mythologize togetherness as we drift entropically apart. That’s what the kids call a thesis statement. But god you’re hot, and your crescendo of breath so fully apes the real deal, is it possible we can be islanded and still come to prefer absence to presence, the digital to the palpable? I fear the question answers itself by nodding to the fact that I can write a poem and you read it with no hand having touched metal or paper or words that don’t dissolve as soon as a switch is thrown. Half of my soul says, Get used to it. The other million percent begs, Don’t.
Bob Hicok
What are you so worried about? What makes you think if we got together that we’d even stay together? We wouldn’t, most likely. Nothing is permanent, especially in this town. Everything is just another set, waiting to be dismantled and hauled to the dumpster. We’d hook up, have some fun for a few weeks, a few laughs, nothing wrong with that. And then we’d go out separate ways. It would end the way most things end. I’d think about you for a while. Maybe you’d think about me. I’d ache for you a little bit, the way one does when things are over, even things that aren’t meant to be. I’d get busy with my life. You’d get busy with yours. We’d say we’d keep in touch. But we never would. And when people asked, we’d say we had a thing once, you and me. One minute it was, and the next it wasn’t. It didn’t mean it wasn’t real. It just wasn’t forever. And years later maybe we’d run into each other on the street somewhere, and you’d barely remember my name. And I’d barely remember yours. I’d say to you, hey, remember how you once loved me? And you’d say sorry, not really. And I’d say yeah, me neither.
Paullina Simons (Inexpressible Island (End of Forever, #3))
The chamber was a cool, chill black- as if we'd stepped inside the mind of some sleeping beast. And within its round space gleamed glittering islands of light. Of jewels. Ten thousand years' worth of treasure. It was neatly organised, in podiums and open drawers and busts and racks. 'The family jewels,' Rhys said with a devious grin. ... ...carved into the rock was an entire wall of crowns. They each had their own resting place, lined with black velvet, each illuminated by- 'Glowworms,' Rhys told me as the tiny, bluish globs crusted in the arches of each nook seemed to glitter like the entire night sky. In fact... What I'd taken for small faelights in the ceiling high above... It was all glowworms. Pale blue and turquoise, their light as silken as moonlight, illumining the jewels with ancient, silent fire. 'Pick one,' Rhys whispered in my ear. 'A glowworm?' He nipped at my earlobe. 'Smartass.' He steered me back toward the wall of crowns, each wholly different- as individual as skulls. 'Pick whichever crown you like.' 'I can't just- take one.' 'You must certainly can. They belong to you.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
A letter from John Pearl asking for news of Chicago. As if I had any to give him. I know no more about it than he does. He wanted to go to New York but now sounds nostalgic and writes with deep distaste about his "peeling environment." "Peeling furniture, peeling walls, posters, bridges, everything is peeling and scaling in South Brooklyn. We moved here to save money, but I'm afraid we'd better start saving ourselves and move out again. It's the treelessness, as much as anything, that hurts me. The unnatural, too human deadness." I'm sorry for him. I know what he feels, the kind of terror, and the danger he sees of the lack of the human in the too-human. We find it, as others before us have found it in the last two hundred years, and we bolt for "Nature." It happens in all cities. And cities are "natural," too. He thinks he would be safer in Chicago, where he grew up. Sentimentality! He doesn't mean Chicago. It is no less inhuman. He means his father's house and the few blocks adjacent. Away from these and a few other islands, he would be just as unsafe. But even such a letter buoys me up. It gives me a sense of someone else's recognition of the difficult, the sorrowful, what to others is merely neutral, the environment.
Saul Bellow (Dangling Man)
Scrubby evergreen bushes released a strong scent of resin and honey; forests of pine gave way to gentle south-facing vineyards disturbed only by the ululation of early summer cicadas. Sitting up tall on the seat, she craned around eagerly to see what plants thrived naturally. It was a wild and romantic place, Laurent de Fayols had written, the whole island once bought as a wedding gift to his wife by a man who had made his fortune in the silver mines of Mexico. One of three small specks in the Mediterranean known as the Golden Isles, after the oranges, lemons, and grapefruit that glowed like lamps in their citrus groves. There were few reference works in English that offered information beyond superficial facts about the island, and those she had managed to find were old. The best had been published in 1880, by a journalist called Adolphe Smith. Ellie had been struck by the loveliness of his "description of the most Southern Point of the French Riviera": 'The island is divided into seven ranges of small hills, and in the numerous valleys thus created are walks sheltered from every wind, where the umbrella pines throw their deep shade over the path and mingle their balsamic odor with the scent of the thyme, myrtle and the tamarisk.
Deborah Lawrenson (The Sea Garden)
seemed relentless. ‘We can’t leave yet,’ Laura said reluctantly. ‘We have to try to disable this ship. H.I.V.E. has no chance while this thing is floating out here raining missiles down on the island.’ Wing knew that Laura was right, but at the same time he needed to find Cypher. He was not prone to letting his emotions control him but the burning anger he felt when he visualised that black glass mask was fierce and relentless. He had no idea what Cypher was hoping to achieve with his assault on the school, but he knew that he was going to stop him, or die trying. ‘We must return to the island,’ Wing replied. ‘Once the situation there is resolved we can worry about this ship.’ ‘I know you want to go after him, Wing,’ Laura said, ‘but we have to do this first.’ ‘Or we could just do both,’ Shelby said, knowing that if Wing and Laura started to argue it would just be a competition to see who could be most stubborn. A very long, very boring competition that they really didn’t have time for right now. ‘What do you propose?’ Wing asked. ‘Well, why don’t you take the boat back to the island and we’ll stay here and try to disable this thing,’ Shelby said. ‘Splitting up seems ill advised at this point,’ Wing said calmly. ‘Maybe, but what other choice do we have? And besides, what makes you think we’d need your help anyway?’ Shelby said with a grin.
Mark Walden (The Overlord Protocol (H.I.V.E., #2))
So to avoid the twin dangers of nostalgia and despairing bitterness, I'll just say that in Cartagena we'd spend a whole month of happiness, and sometimes even a month and a half, or even longer, going out in Uncle Rafa's motorboat, La Fiorella, to Bocachica to collect seashells and eat fried fish with plantain chips and cassava, and to the Rosary Islands, where I tried lobster, or to the beach at Bocagrande, or walking to the pool at the Caribe Hotel, until we were mildly burned on our shoulders, which after a few days started peeling and turned freckly forever, or playing football with my cousins, in the little park opposite Bocagrande Church, or tennis in the Cartagena Club or ping-pong in their house, or going for bike rides, or swimming under the little nameless waterfalls along the coast, or making the most of the rain and the drowsiness of siesta time to read the complete works of Agatha Christie or the fascinating novels of Ayn Rand (I remember confusing the antics of the architect protagonist of The Fountainhead with those of my uncle Rafael), or Pearl S. Buck's interminable sagas, in cool hammocks strung up in the shade on the terrace of the house, with a view of the sea, drinking Kola Roman, eating Chinese empanadas on Sundays, coconut rice with red snapper on Mondays, Syrian-Lebanese kibbeh on Wednesdays, sirloin steak on Fridays and, my favourite, egg arepas on Saturday mornings, piping hot and brought fresh from a nearby village, Luruaco, where they had the best recipe.
Héctor Abad Faciolince (El olvido que seremos)
I pushed Mom off me and slapped Audrey across her wet face. I know! But I was just so mad. “I pray for you,” Audrey said. “Pray for yourself,” I said. “My mother’s too good for you and those other mothers. You’re the one everyone hates. Kyle is a juvie who doesn’t do sports or any extracurriculars. The only friends he has are because he gives them drugs and because he’s funny when he’s making fun of you. And your husband is a drunk who has three DUIs but he gets off because he knows the judge, and all you care about is that nobody finds out, but it’s too late because Kyle tells the whole school everything.” Audrey said quickly, “I am a Christian woman so I will forgive that.” “Give me a break,” I said. “Christians don’t talk the way you talked to my mother.” I got into the car, shut the door, turned off Abbey Road, and just started whimpering. I was sitting in an inch of water, but I didn’t care. The reason I was so scared had nothing to do with a sign or a stupid mudslide or because Mom and I didn’t get invited to stupid Whidbey Island, like we’d ever want to go anywhere with those jerks in a million years, but because I knew, I just knew, that now everything was going to be different. Mom got in and shut the door. “You’re supercool,” she said. “You know that?” “I hate her,” I said. What I didn’t say, because I didn’t need to, because it was implied, and really, I can’t tell you why, because we’d never kept secrets from him before, but me and Mom both just understood: we weren’t going to tell Dad.
Maria Semple (Where'd You Go, Bernadette)
when she saw Emmanuel walking towards us. ‘What is it?’ I asked, reaching out to stop her from leaving. She looked at me, then blinked. ‘He’s not the kind of man you want to get involved with, is all I need to say – I just—’ She broke off, shook her head and hurried away, and I was left staring after her retreating back and wondering what she meant. As we drove home, there was none of the easy silence we’d shared on the way to the market. Though this time it was me who was being reticent. I couldn’t help thinking about what that woman had said to me. The warning she had given me. Of course, I wasn’t at all ready or willing to enter into any kind of relationship so soon after my husband’s death, but it got me worried nonetheless. Who was this man that I had welcomed into my home? Shared my meals with? Had I been wrong to put my trust in him? Was I so in need of a friend that I had looked for one in the wrong place? Was Emmanuel, with his quiet, sombre ways and his irreverent humour, someone I needed to worry about? Because in a way that’s what I had been hoping – that we’d be friends. That’s what today had felt like. Besides, he was the first person I’d met here who seemed to really understand the kind of pain I was in. He turned to me as we were driving. ‘Is everything okay, Charlotte?’ It was always a surprise when he said my name, and I startled. Shook my head. The women’s warning racing through my head. He’s not the kind of man you want to get involved with. What had she meant by that? Had she meant that he was some kind of adulterer? Or was it something else? There had been something in the woman’s eyes that had seemed to imply that the warning ran deeper than that.
Lily Graham (The Island Villa)
North American LGBT activists, wedded to epistemologies of the closet, often implicitly or explicitly equate this culture of semivisibility with the Global South’s lack of progress. In Sirena Selena, the Puerto Rican novelist Mayra Santos-Febres parodies the North’s conflation of “developing” nations’ electrical power outages and their lack of sexual enlightenment through the words of a Canadian tourist in Santo Domingo. He sighs, “I don’t want to criticize, you know — with all the problems these islands have, it’s understandable that they’re less evolved. . . . You can’t compare our problems with the atrocities a gay man has to face in these countries. . . . It’s all hanky-panky in the dark, like in the fifties in Canada.”5 But the “dark” or semivisibility of Caribbean same-sex sexuality can be something other than a blackout. It can also read as the “tender and beautiful” night that Ida Faubert imagines in “Tropical Night,” a space of alternative vision that nurtures both eroticism and resistance. The tactically obscured has been crucial to Caribbean and North American slave societies, in which dances, ceremonies, sexual encounters, abortions, and slave revolts all took place under the cover of night. Calling on this different understanding of the half seen, Édouard Glissant exhorts scholars engaging Caribbean cultures to leave behind desires for transparency and instead approach with respect for opacity: a mode of seeing in which the difference of the other is neither completely visible nor completely hidden, neither overexposed nor erased.6 The difference that Glissant asks us to (half ) look at is certainly not that of sexuality (since it is never mentioned) nor of gender (since he includes in his work a diatribe against feminism).
Omise'eke Natasha Tinsley (Thiefing Sugar: Eroticism between Women in Caribbean Literature (Perverse Modernities))
Sidney, is that what you girls go for these days?” Kathleen asked, pointing toward her oldest son. “All this scruffy whatnot?” Well, nothing like putting her on the spot here. Personally, Sidney thought that the dark hint of scruff along Vaughn’s angular jaw looked fine. Better than fine, actually. She would, however, rather be trapped for the next thirty-six hours in a car with the crazy pregnant lady before admitting that in front of him. “I generally prefer clean-shaven men.” She shrugged—sorry—when Vaughn gave her the side-eye as he began setting the table. “See? If you don’t believe me, at least listen to her,” Kathleen said, while peeling a carrot over a bowl at the island. “If you want to find a woman of quality, you can’t be running around looking like you just rolled out of bed.” “I’ll keep that in mind. But for now, the ‘scruffy whatnot’ stays. I need it for an undercover role,” Vaughn said. Surprised to hear that, Sidney looked over as she dumped the tomatoes into a large salad bowl filled with lettuce. “You’re working undercover now?” “Well, I’m not in the other identity right this second,” Vaughn said. “I’m kind of guessing my mother would be able to ID me.” Thank you, yes, she got that. “I meant, how does that work?” Sidney asked him. “You just walk around like normal, being yourself, when you’re not . . . the other you?” “That’s exactly how it works. At least, when we’re talking about a case that involves only part-time undercover work.” “But what if I were to run into the other you somewhere? Say . . . at a coffee shop.” A little inside reference there. “If I called you ‘Vaughn’ without realizing that you were working, wouldn’t that blow your cover?” “First of all, like all agents who regularly do undercover work, I tell my friends and family not to approach me if they happen to run into me somewhere—for that very reason. Second of all, in this case, the ‘other me’ doesn’t hang out at coffee shops.” “Where does the other you hang out?” Sidney asked. Not to contribute to his already healthy ego, but this was pretty interesting stuff. “In dark, sketchy alleys doing dark, sketchy things,” Vaughn said as he set the table with salad bowls. “So the other you is a bad guy, then.” Sidney paused, realizing something. “Is what you’re doing dangerous?” “The joke around my office is that the agents on the white-collar crime squad never do anything dangerous.” Sidney noticed that wasn’t an actual answer to her question
Julie James (It Happened One Wedding (FBI/US Attorney, #5))
I’d met Madison, as I’ve already mentioned, two months earlier, in Budapest. I’d been at a conference. She’d been there with some girlfriends. We’d got talking in the hotel bar. An anthropologist, she’d said; that’s … exotic. Not at all, I’d replied; I work for an incorporated business, in a basement. Yes, she said, but … But what? I asked. Dances, and masks, and feathers, she eventually responded: that’s the essence of your work, isn’t it? I mean, even if you’re writing a report on workplace etiquette, or how to motivate employees or whatever, you’re seeing it all through a lens of rituals, and rites, and stuff. It must make the everyday all primitive and strange—no? I saw what she was getting at; but she was wrong. For anthropologists, even the exotic’s not exotic, let alone the everyday. In his key volume Tristes Tropiques, Claude Lévi-Strauss, the twentieth century’s most brilliant ethnographer, describes pacing the streets, all draped with new electric cable, of Lahore’s Old Town sometime in the nineteen-fifties, trying to piece together, long after the event, a vanished purity—of local colour, texture, custom, life in general—from nothing but leftovers and debris. He goes on to describe being struck by the same impression when he lived among the Amazonian Nambikwara tribe: the sense of having come “too late”—although he knows, from having read a previous account of life among the Nambikwara, that the anthropologist (that account’s author) who came here fifty years earlier, before the rubber-traders and the telegraph, was struck by that impression also; and knows as well that the anthropologist who, inspired by the account that Lévi-Strauss will himself write of this trip, shall come back in fifty more will be struck by it too, and wish—if only!—that he could have been here fifty years ago (that is, now, or, rather, then) to see what he, Lévi-Strauss, saw, or failed to see. This leads him to identify a “double-bind” to which all anthropologists, and anthropology itself, are, by their very nature, prey: the “purity” they crave is no more than a state in which all frames of comprehension, of interpretation and analysis, are lacking; once these are brought to bear, the mystery that drew the anthropologist towards his subject in the first place vanishes. I explained this to her; and she seemed, despite the fact that she was drunk, to understand what I was saying. Wow, she murmured; that’s kind of fucked. 2.8 When I arrived at Madison’s, we had sex. Afterwards,
Tom McCarthy (Satin Island)
In a crowded cave, one grenade might do the work of twenty bullets. Sword-wielding officers beheaded dozens of willing victims. There were reports of children forming into a circle and tossing a live hand grenade, one to another, until it exploded and killed them all. In a cave filled with Japanese soldiers and civilians, Yamauchi recalled, a sergeant ordered mothers to keep their infants quiet, and when they were unable to do so, he told them, “Kill them yourself or I’ll order my men to do it.” Several mothers obeyed.94 As the Japanese perimeter receded toward the island’s northern terminus at Marpi Point, civilians who had thus far resisted the suicide order were forced back to the edge of a cliff that dropped several hundred feet onto a rocky shore. In a harrowing finale, many thousands of Japanese men, women, and children took that fateful last step. The self-destructive paroxysm could not be explained by deference to orders, or by obeisance to the death cult of imperial bushido. Suicide, the Japanese of Saipan earnestly believed, was the sole alternative to a fate worse than death. The Americans were not human beings—they were something akin to demons or beasts. They were the “hairy ones,” or the “Anglo-American Demons.” They would rape the women and girls. They would crush captured civilians under the treads of their tanks. The marines were especially dreaded. According to a story circulated widely among the Japanese of Saipan, all Marine Corps recruits were compelled to murder their own parents before being inducted into service. It was said that Japanese soldiers taken prisoner would suffer hideous tortures—their ears, noses, and limbs would be cut off; they would be blinded and castrated; they would be cooked and fed to dogs. Truths and half-truths were shrewdly wedded to the more outrageous and far-fetched claims. Japanese newspapers reproduced photographs of Japanese skulls mounted on American tanks. A cartoon appearing in an American servicemen’s magazine, later reproduced and translated in the Japanese press, had suggested that marine enlistees would receive a “Japanese hunting license,” promising “open season” on the enemy, complete with “free ammunition and equipment—with pay!”95 Other cartoons, also reproduced in Japan, characterized the Japanese as monkeys, rats, cockroaches, or lice. John Dower’s study War Without Mercy explored the means by which both American and Japanese propaganda tended to dehumanize the enemy. Among the Japanese, who could not read or hear any dissenting views, the excesses of American wartime rhetoric and imagery lent credibility to the implication that a quick suicide was the path of least suffering. Saipan was the first Pacific battlefield in which Americans had encountered a large civilian population. No one had known what to expect. Would women and children take up weapons and hurl themselves at the Americans?
Ian W. Toll (The Conquering Tide: War in the Pacific Islands, 1942–1944)
After several minutes, Mary Anne blew her nose and said, “I just don’t think I can help with the search. It might be therapy, but I wouldn’t be able to keep my mind on it. I know it’s childish, but all I can think of are the horrible things I said to Dawn.” “And Stacey won’t be able to help,” I added as my tears dried. “Not unless her father springs her from New York.” “What about you, Kristy?” asked Dawn. “Do you want to come out in the boat with my family? We’d be glad to have you.” I started to say, “Sure!” when I remembered something. “Uh-oh,” I said instead. I felt my face flush. “What?” asked the others.
Ann M. Martin (Baby-sitters' Island Adventure (The Baby-Sitters Club Super Special, #4))
The tone of his voice sent a chill down my spine. The old man sounded scared. Out of all the insane things we’d dealt with since Marella had found Jonas in the jungle, he’d never once sounded scared of anything. Nervous? Yes. Worried? Hell freaking yes. But scared? Never. The dude fucking walked into the jungle to commit suicide because he thought he was a burden to his family.
Logan Jacobs (Monster Girl Islands 4 (Monster Girl Islands, #4))
We’re planning a trip to a little oceanside town on Vancouver Island; we’d like to do a little storm-watching. I think it’s just what I need to get out of this rut I seem stuck in, ocean air brings me to life.
T.L. SCHICK (BREATHE.)
arm around her. “My mother wants to see our wedding. She wants to see her grandchild. She wants to work for the island. She just would not leave now. They have it wrong. At the hospital
Nancy Thayer (All the Days of Summer)
The sea was a collector of things. It took things we cherished—most things we’d forgotten—and I still found myself drawn to her, unable to resist her call, needing to step into the graveyard of the lost, wild, and treasured.
Nicole Fiorina (Bone Island: Book of Danvers (Tales of Weeping Hollow, #2))
We’d become two desperate souls stripped of control with the cruel desire to tangle artfully together, sort of like a punishing kiss.
Nicole Fiorina (Bone Island: Book of Danvers (Tales of Weeping Hollow, #2))
No matter my shape, I wear my dresses. I don’t let my dresses wear me.” I also thought it to be the same for scars. After all, there were only ever two options. We could either wear our scars with dignity to tell the world where we’d come from and that we survived, or let these heavy things wear us.
Nicole Fiorina (Bone Island: Book of Danvers (Tales of Weeping Hollow, #2))
It was all so difficult, she felt, and Adelaide didn’t know how to explain why she wanted to decorate her flat with peonies and plants and color-coordinated stacks of books while simultaneously wanting her life to end. She wanted to be here, on this earth—to squeeze her friends’ hands on their wedding days, to kiss their babies, to send care packages to her family for their birthdays. But she also just wanted to die. To leave. If she felt more secure in her faith—safer in the knowledge that heaven existed, that she was guaranteed entry—she would have done it. She would have left. But she didn’t want to go to hell or the Bad Place or that island in Lost. Right now, she just wanted to not live and be safe.
Genevieve Wheeler (Adelaide)
I’m sorry,” he says. And when his eyes meet mine, his words carry much more weight. Years of it. I drop my gaze, searching for some kind of appropriate answer when I realize something. The kind of something that freezes me in place. Why isn’t Hunter wearing his wedding ring?
Emma St. Clair (Merritt and Her Childhood Crush (Oakley Island, #2))
We'd hardly stepped three feet outside when Bee gasped, pointing to the garden to our right. "Henry!" she exclaimed, surveying hundreds of delicate light green leaves that had pushed up from the soil in grand formation, showcasing a carpet of tiny lavender-colored flowers, with dark purple centers. Bee looked astonished. "How did they... where did they come from?" Henry shook his head. "I noticed them two weeks ago. They just appeared." Bee turned to me, and upon seeing my confused face, she offered an explanation. "They're wood violets," she said. "I haven't seen them on the island since..." "They're very rare," Henry said, filling the void that Bee had left when her voice trailed off. "You can't plant them, for they won't grow. They have to choose you." Bee's eyes met Henry's, and she smiled, a gentle, forgiving smile. It warmed me to see it. "Evelyn has a theory about these flowers," she said, pausing as if to pull a dusty memory off a shelf in her mind, handling it with great care. "Yes," she said, the memory in plain view. "She used to say they grow where they are needed, that they signal healing, and hope. It's ridiculous, isn't it, Henry, to think that violets can know," Bee continued. Henry nodded. "Harebrained," he said in agreement. Bee shook her head in disbelief. "And to see them in bloom, in March of all months..." Henry nodded. "I know." Neither took their eyes off the petals before them, so fragile, yet in great numbers stalwart and determined.
Sarah Jio (The Violets of March)
I believed there were two ways a person could go weak in the knees, all strength gone with the threat of collapsing to the floor. One way was from being swept by love ... because we entrusted the other person with catching us. The other was from being ripped apart by heartbreak ... because they were gone, and we no longer cared what we’d hit on the way down. We were already broken.
Nicole Fiorina (Bone Island: Book of Danvers (Tales of Weeping Hollow, #2))
Time and time again Billy Collins takes a mundane situation and spirals it out into something that is by turns humorous and poignant as in his poem "Imperial Garden", one of my favorites in this new collection: It was at the end of dinner, the two of us in a red booth maintaining our silence, when I decided to compose a message for the fortune cookie you were soon to receive. Avoid mulishness when choosing a position on the great board game of life was my mean-spirited contribution to the treasury of Confucian wisdom. But while we waited for the cookies, the slices of oranges, and the inescapable pot of watery tea, I realized that by mulishness I meant your refusal to let me have my own way every time I wanted it. I watched you looking off to the side— your mass of dark hair, your profile softened by lamplight— and then I made up a fortune for myself. He who acts like a jerk on an island of his own creation will have only the horizon for a friend. I seemed to be getting worse at this, I seemed to be getting worse at this, I thought, as the cookies arrived at the table along with the orange slices and a teapot painted with tigers menacingly peering out from the undergrowth. The restaurant was quiet then. The waiter returned to looking out at the street, a zither whimpered in the background, and we turned to our cookies, cracking the brittle shells, then rolling into little balls the tiny scrolls of our destinies before dropping them, unread, into our cups of tea— a little good-luck thing we’d been doing ever since we met.
Billy Collins (Whale Day: And Other Poems)
This was the best part of a first kiss. The anticipation. The clamoring hearts and the tentative sighs. The searching eyes and the luxury of knowing that something wonderful was about to happen. And when Matt's lips grazed my cheek, I closed my eyes and knew that, yes, I was exactly where I was supposed to be. And when he kissed me, ah... at last, I knew that in his arms was exactly where I planned to stay. All my senses swirled and merged into one big arc of longing as he held me tight. His kiss was perfect. Full of promise and hope and cravings that I couldn't wait to satisfy even while knowing I could never get enough of him. The Universe, just to make sure that we'd gotten the message, sent fireworks into the sky overhead, bursting with shimmering light. Or maybe it was just Clancy and the guys from the fire station starting the Lilac Festival show, but either way, there were definitely fireworks.
Tracy Brogan (My Kind of Perfect (Trillium Bay, #3))
I first tried a cheesesteak spring roll ten years ago at my cousin's wedding at the Four Seasons in Philadelphia, and though I wasn't as unconvinced as Shauna, I had my doubts. That Philadelphians could bastardize a menu item didn't surprise me- this is, after all, the city that invented The Schmitter, a sandwich made of sliced beef, cheese, grilled salami, more cheese, tomatoes, fried onions, more cheese, and some sort of Thousand Island sauce- but the fact that the Four Seasons found it worthy of their fancy-pants menu intrigued me. One bite and I knew I'd struck gold. The cheesy meat and onion filling oozed out of the crisp, fried wonton wrapper, enhancing the celebrated cheesesteak flavor with a sophisticated crunch. This weekend, I'm doing a similar riff, but instead of spring rolls, I'm using arancini, the Sicilian fried risotto balls that are usually stuffed with mozzarella and meat ragu. Instead, I will stuff mine with sautéed chopped beef, provolone, and fried onions and mushrooms. The crispy, saffron-scented rice balls will ooze with unctuous cheesesteak flavor, and I will secure my place among the culinary legends.
Dana Bate (The Girls' Guide to Love and Supper Clubs)
wished they’d take over if it meant we’d finally have peace. In huts like this with shutters made of cottonwood and roofs of coco palms and thatch, we feared nothing but the overseers’ whips. Nothing British could be worse.
Vanessa Riley (Island Queen)
I know Marlon left you a part of the island, but we’d like to ask you to give it back because if everybody keeps theirs, there won’t be an island left.
Whoopi Goldberg (Bits and Pieces: My Mother, My Brother, and Me)
for a loop. I never expected that. A while later, an attorney for the family called me and said, “I know Marlon left you a part of the island, but we’d like to ask you to give it back
Whoopi Goldberg (Bits and Pieces: My Mother, My Brother, and Me)
He realized the human genome, which is essentially the entirety of our heredity information, which programs cell growth, was changing, becoming corrupted.” “By what?” “By what?” Jenkins laughed. “By everything. By what we’d already done to the earth, and by all that we would do in the coming centuries. Mammal extinction. Deforestation. Loss of polar sea ice. Ozone. Increased carbon dioxide levels in the atmosphere. Acid rain. Ocean dead zones. Overfishing. Offshore oil drilling. Wars. The creation of a billion gasoline-burning automobiles. The nuclear disasters—Fukushima, Three Mile Island, Chernobyl. The two-thousand-plus intentional nuclear bomb detonations in the name of weapons testing. Toxic waste dumping. Exxon Valdez. BP’s Gulf oil spill. All the poisons we put into our food and water every day. “Since the Industrial Revolution, we’ve treated our world like it was a hotel room and we were rock stars. But we aren’t rock stars. In the scheme of evolutionary forces, we are a weak, fragile species. Our genome is corruptible, and we so abused this planet that we ultimately corrupted that precious DNA blueprint that makes us human.
Blake Crouch (Pines: Wayward Pines: 1 (The Wayward Pines Trilogy))
shook my head and sighed, knowing he was right. If we were late, Kaden would be pissed, regardless of the information we’d secured. Unfortunately, the unnatural silence of the island was not a good indicator of his mood.
Amber V. Nicole (The Book of Azrael (Gods & Monsters, #1))
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You still haven't told me how you came to be in that airport, I said to Madison as we lay in bed one evening. There's lots of things I haven't told you, she replied. If people were to tell other people everything about themselves, we'd live in a dull world. If knowing everything about a person were the be-all and end-all of human interaction, she said, we'd just carry memory-sticks around and plug them into one another when we met. We could have little ports, slits on our sides, like extra mouths or ears or sex organs, and we'd slip these sticks in and upload, instead of talking or screwing or whatever. Would you like that, Mr Anthropologist? No, I told her; I don't want to know everything about you. This was true: I hadn't asked her very much about herself at all her family, her background, any of that stuff not back in Budapest when we'd first met, and not since, either. Our liaison had been based throughout on minimum exchange of information. I don't want to know everything about you, I repeated. I just want to know what you were doing in Turin. I wasn't in Turin, she said again. Torino-Caselle, I replied; whatever. Why? she asked. I'm intrigued, I told her. What, professionally? she goaded me. That's right, I said: professionally. Well then you'll have to pay me, she said.
Tom McCarthy (Satin Island)
Molly. If people could choose and control their dreams, why would anyone ever be awake? We’d all be on a Greek island drinking free cocktails and having sex with Aidan Turner.
Katy Brent (The Murder After the Night Before)
Emery bailed me out again, arranging for me to commute to the University of Rhode Island’s Graduate School of Oceanography to finish my doctorate. Meanwhile, Rainnie said not to worry about a job—I was such a great talker that he’d hire me to promote Alvin in the ocean science community. If only there was another sunken H-bomb to search for, we’d get all the attention we need, I remember Bill saying—and I told him that if only Alvin could find Titanic, everyone would want to use it.
Robert D. Ballard (Into the Deep: A Memoir from the Man Who Found the Titanic)
her American son became the forefather of many Icelanders. Their American adventure did not change the world – the colonists were too few and the European prizes were too rich. Yet, as a newly discovered Milanese document reveals, knowledge of the continent’s existence was passed down by Nordic sailors.[*16] A Danish king Harthacnut still ruled England, recognizing as his heir the Aethling Edward, son of Aethelred, later celebrated for saintly piety as the Confessor. But on 8 June 1042 Harthacnut, attending a wedding in London, raised a toast to the bride and ‘suddenly fell to the earth with an awful convulsion’. The saintly Edward probably poisoned him. Edward was supported by the prince blinder, mass-scalper and kingmaker Godwin of Wessex, who, married to Canute’s sister-in-law, had helped destroy his father and killed at least one brother. But now they soothed these crimes with marriage: Edward married Godwin’s daughter Edith and raised his son Harold to earl. When Godwin died, Harold, half Anglo-Saxon, half Dane, succeeded as the first potentate of the kingdom, earl of Wessex. Since Edward had no children, who would inherit England? The island was on the edge of Europe, but Canute’s Roman trip showed how this Scando-Britannic empire was now linked by Mediterranean trade routes to Asia. Two coins from a resurgent China have been found in Edward’s England, while in Egypt the Mad Caliph, al-Hakim, had gone much further, contacting the new Chinese emperor.
Simon Sebag Montefiore (The World: A Family History of Humanity)
For the wedding weekend, Andrew was staying at her grandmother’s house while she stayed in her childhood bedroom—it was the house rule that only married couples could co-bed. She had gone over there to visit him and say good night and they’d ended up having silent, frantic sex, during which Andrew kept saying, “Take it, you rich bitch. Take it, you fucking JAP.” Their relationship was over soon after that. Not that Jenny disagreed with his assessment, or his disgust. But she’d been exposed, and he’d spat where she was vulnerable, and then there were his statutory crimes, and then there was his interest in polyamory, decades before it became Brooklyn de rigueur, and so it had to end.
Taffy Brodesser-Akner (Long Island Compromise)
After more than thirty years of traveling to Oahu, I no longer gasp when I see the wafting palm trees out the plane window or feel quite as awed by the sight of Diamond Head, the volcanic mountain that sits like a massive green bulwark southeast of Waikiki. What I feel now is the exhilaration of familiarity. I am oriented to this place in ways I’d never have imagined for myself as a kid. Though I remain just a visitor, I do know this one island very well, just as I know this one man who introduced me to it, through our regular and committed returns. I feel like I know every bend in the highway that leads from the airport to the North Shore. I know where to go for excellent shave ice and Korean barbecue. I can recognize the scent of plumeria in the air and take delight in the underwater shadow of a manta ray flapping its way through shallow water. I’m well-acquainted with the quiet waters of Hanauma Bay, where we first showed our toddlers how to swim, and the windy sea cliffs at Lanai Lookout, where my husband goes to remember his beloved mother and grandmother, whose ashes he scattered there. A couple of years ago, to celebrate our wedding anniversary, Barack and I made a special trip to Honolulu, and he surprised me with a celebratory dinner out on the town. He’d rented a private space on the rooftop terrace of a hotel by the ocean and hired a small band to play.
Michelle Obama (The Light We Carry: Overcoming in Uncertain Times)
We’d like you to write an exposé on your mother.” Joan
Kristin Hannah (Summer Island)
For my vacation rental business, Escape Club, we had a session to brainstorm how we could make the business more successful. It yielded modest results. A few days later, I called the team back and asked a different question: “What is something Escape Club can provide that no one else on the island is doing?” The results were amazing. Within thirty minutes we had come up with really powerful ideas, including exclusive access to services like a miniature golf course and renting the company’s pontoon—something no one else had on the island. We also decided to offer luxury services like Westin Heavenly beds and to develop a consistent feel between properties. Lastly, we realized that we could link up the properties for weddings and other events. The results of all this? We were able to cross-promote our properties and get a higher return rate of customers.
Colin C. Campbell (Start. Scale. Exit. Repeat.: Serial Entrepreneurs' Secrets Revealed!)
Her dream was for her artworks to be part of the Smithsonian, but there was also a cottage on Amelia Island and an image of the earth as seen from the moon. No wedding dress or engagement ring factored into this little collage. It didn’t bother me, but it bothered me.
Tayari Jones (An American Marriage)
Yet within all the enveloping layers of myth and meme, a small stubborn truth remains: the inarguable fact of their persistence. Their presence in our world enlarges the boundaries of what it means to be human. Holding fast to a few square miles of their planet, they declare their independence. With eyes as shrewd as any explorer’s, the Sentinelese look at all that we have to offer them⁠—our planes, our plastics, our inflatable boats, and our waterproof Bibles⁠—and say: Thanks anyway. We’d rather not.
Adam Goodheart (The Last Island: Discovery, Defiance, and the Most Elusive Tribe on Earth)
week of taverns soon qualified him for another year of night-cellars. Such was the life of Savage, of Boyse, and of a crowd of others. Sometimes blazing in gold-laced hats and waistcoats; sometimes lying in bed because their coats had gone to pieces, or wearing paper cravats because their linen was in pawn; sometimes drinking Champagne and Tokay with Betty Careless; sometimes standing at the window of an eating-house in Porridge island, to snuff up the scent of what they could not afford to taste; they knew luxury; they knew beggary; but they never knew comfort. These men were irreclaimable. They looked on a regular and frugal life with the same aversion which an old gipsy or a Mohawk hunter feels for a stationary abode, and for the restraints and securities of civilised communities. They were as untameable, as much wedded to their desolate freedom, as the wild ass.
Samuel Johnson (Complete Works of Samuel Johnson)
planning the wedding. “We’ll
Julie Ortolon (Falling for You (Pearl Island Trilogy, #1))
I jogged along the deck to the stern, tracking the shipwreck as it disappeared beneath our wake. Then, just as I was starting to wonder if we’d need climbing gear to get onto the island, its steep cliffs sloped down to meet us. We rounded a headland to enter a rocky half-moon bay. In the distance I saw a little harbor bobbing with colorful fishing boats, and beyond it a town set into a green bowl of land. A patchwork of sheep-speckled fields spread across hills that rose away to meet a high ridge, where a wall of clouds stood like a cotton parapet. It was dramatic and beautiful, unlike any place I’d seen. I felt a little thrill of adventure as we chugged into the bay, as if I were sighting land where maps had noted only a sweep of undistinguished blue.
Ransom Riggs (Miss Peregrine's Home for Peculiar Children (Miss Peregrine's Peculiar Children, #1))
He’d left her stranded in front of three hundred wedding guests, wearing a white dress and glass slippers like some deranged Cinderella, while he caught a plane to the Cayman Islands with a knock-kneed stripper named Chrysanthemum Greene and several million dollars embezzled from the Stardust Savings and Loan.
Lori Wilde (Rules of the Game (Stardust, Texas, #2))
I'm going to explode," my dad says, rubbing his stomach gleefully. He's just put down a massive sandwich piled with corned beef, pastrami, chopped liver, and Swiss cheese, with a slide of crispy onion strings and a vanilla malt. "Tilt," I say, making the time-out signal with my hands. I managed to get three-quarters of the way through a turkey club with no tomatoes and Thousand Island instead of mayo, with a pile of extra-crispy fries and a chocolate phosphate. Not to mention the bucket of pickles, and the soup, chicken with kreplach and noodles for him, sweet-and-sour cabbage for me.
Stacey Ballis (Wedding Girl)
We’ve got things under control here.” “‘We’?” Kerry repeated. “Shouldn’t you be out sampling cake or agonizing over invitation fonts? Assuming you don’t have clients to design interiors for.” “I have clients,” Fiona replied easily, honest joy beaming from her every pore. “Very happy ones. Trust me, after running McCrae Interiors, I can juggle Fiona’s Finds and planning a wedding at the same time with my eyes closed.” Kerry gave her sister a hard time--it was what they did--but she was truly happy for Fiona, with both her new business success and her lovely and loving relationship with their longtime family friend, Ben Campbell. Fiona had sold a successful business in Manhattan to return home and start over. She’d just opened a small design studio in a converted cottage near the harbor, focusing on recycling and repurposing antique and vintage items into something fresh and new. Her designs were both eco-friendly and wallet friendly, and the Cove had embraced her return home and her new business with equal enthusiasm. “Remember you said that,” Kerry commented. “When it’s go time on the big aisle walk and you’re still running around like a crazy person trying to pull everything together at the last second, I don’t want to hear about it.” Fiona batted her eyelashes again as she took an extralong sip on the straw in her glass of lemon water. “I’m the epitome of a happy, relaxed bride. McCrae girls don’t do bridezilla. Well, Hannah didn’t, Alex was lovely, and I’m charming of course.” She looked at Kerry over the tip of her straw, smiling sweetly. “We’ll reserve final judgment until it’s your turn.” “Har, har,” Kerry said, but Fiona was high on wedding crack again so she let her run with it. “Besides, after handling weddings for Logan, Hannah, and the Grace-Delia double do out on that island, this will be a cakewalk. Ha!” Fiona went on, then laughed. “Cakewalk.” “You’re a designer? And you do weddings?” Maddy turned on her stool and spun Fiona on hers until they were facing each other. She gripped Fiona’s forearms and grinned. “Hello, my new best and dearest friend.” “Oh, brother.” Kerry surrendered, tossing her towel on the bar.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
You can take the Governor’s pinnace; that’s small, but it’s seaworthy.” Grey fumbled through the drawer of his desk. “I’ll write an order for the dockers to hand it over to you.” “Aye, we’ll need the boat—I canna risk the Artemis; as she’s Jared’s—but I think we’d best steal it, John.” Jamie’s brows were drawn together in a frown. “I wouldna have ye be involved wi’ me in any visible way, aye? You’ll be having trouble enough with things, without that.” Grey smiled unhappily. “Trouble? Yes, you might call it trouble, with four plantation houses burnt, and over two hundred slaves gone—God knows where! But I vastly doubt that anyone will take notice of my social acquaintance, under the circumstances. Between fear of the Maroons and fear of the Chinaman, the whole island is in such a panic that a mere smuggler is the most negligible of trivialities.” “It’s a great relief to me to be thought trivial,” Jamie said, very dryly. “Still, we’ll steal the boat. And if we’re taken, ye’ve never heard my name or seen my face, aye?” Grey stared at him, a welter of emotions fighting for mastery of his features, amusement, fear, and anger among them. “Is that right?” he said at last. “Let you be taken, watch them hang you, and keep quiet about it—for fear of smirching my reputation? For God’s sake, Jamie, what do you take me for?
Diana Gabaldon (Voyager (Outlander, #3))
My hands are clammy. It’s a terrible kind of anticipation, not knowing what we’re walking into. The last time I felt this way I was in the waiting rooms at Ellis Island. We were tired, and Mam wasn’t well, and we didn’t know where we were going or what kind of life we would have. But now I can see all I took for granted: I had a family. I believed that whatever happened, we’d be together. A policeman blows a whistle
Christina Baker Kline (Orphan Train)
She considers a tray of flaky 'jesuites,' their centers redolent of frangipani cream, decorated with violet buds preserved in clouds of black crystal sugar. Or 'dulce de leche' tarts- caramelized swirls on a 'pate sucree' crust, glowing with chocolate, tiny muted peaks, ruffles of white pastry like Edwardian collars. But nothing seems special enough and nothing seems right. Nothing seems like Stanley. Avis brings out the meticulous botanical illustrations she did in school, pins them all around the kitchen like a room from Audubon's house. She thinks of slim layers of chocolate interspersed with a vanilla caramel. On top she might paint a frosted forest with hints of white chocolate, dashes of rosemary subtle as deja vu. A glissando of light spilling in butter-drops from one sweet lime leaf to the next. On a drawing pad she uses for designing wedding cakes, she begins sketching ruby-throated hummingbirds in flecks of raspberry fondant, a sub-equatorial sun depicted in neoclassical butter cream. At the center of the cake top, she draws figures regal and languid as Gauguin's island dwellers, meant to be Stanley, Nieves, and child. Their skin would be cocoa and coffee and motes of cherry melded with a few drops of cream. Then an icing border of tiny mermaids, nixies, selkies, and seahorses below, Pegasus, Icarus, and phoenix above.
Diana Abu-Jaber (Birds of Paradise)
Iceberg wedges with a homemade Thousand Island dressing and bacon bits. Prime rib, slow roasted in a very forgiving technique I developed after years of trying to make it for weddings and parties where the timing of the meal can be drastically changed based on length of ceremony, or toasts, or how well the venue staff can change over a room. Twice-baked potatoes, creamed spinach. I have a stack of crepes already made, ready to be turned into crepes suzette with butter and brown sugar and orange zest and flambeed with Grand Marnier, because if you go all old school, something needs to be set on fire. With homemade vanilla bean gelato to cut the richness, of course!
Stacey Ballis (Out to Lunch)
Just like that. It had been almost seven years since the legions left our shores, having declared the Island of the Mighty sufficiently conquered. In all that time, the Romans had not returned to Prydain, the island they called Britannia in their strident native tongue. Of course, the traders had never left—they’d been here before Caesar had set foot on our shore, and they’d stayed when he’d departed, “triumphant.” Since that time, we’d been left in peace.
Lesley Livingston (The Valiant (The Valiant, #1))