Island Beach Quotes

We've searched our database for all the quotes and captions related to Island Beach. Here they are! All 100 of them:

The girl who'd taken on a Pirate Lord and his entire island, the girl who'd stolen Asterion horses and raced along the beach in the Red Desert, the girl who'd sat on her own rooftop, watching the sun rise over Avery, the girl who'd felt alive with possibility...that girl was gone.
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
We shall go on to the end, we shall fight in France, we shall fight on the seas and oceans, we shall fight with growing confidence and growing strength in the air, we shall defend our Island, whatever the cost may be, we shall fight on the beaches, we shall fight on the landing grounds, we shall fight in the fields and in the streets, we shall fight in the hills; we shall never surrender, and even if, which I do not for a moment believe, this Island or a large part of it were subjugated and starving, then our Empire beyond the seas, armed and guarded by the British Fleet, would carry on the struggle, until, in God's good time, the New World, with all its power and might, steps forth to the rescue and the liberation of the old.
Winston S. Churchill (The Second World War: Alone)
We shall not flag or fail. We shall go on to the end. We shall fight in France, we shall fight on the seas and oceans, we shall fight with growing confidence and growing strength in the air, we shall defend our island, whatever the cost may be, we shall fight on the beaches, we shall fight on the landing grounds, we shall fight in the fields and in the streets, we shall fight in the hills; we shall never surrender.
Winston S. Churchill
Bilbo’s Last Song Day is ended, dim my eyes, But journey long before me lies. Farewell, friends! I hear the call. The ship's beside the stony wall. Foam is white and waves are grey; Beyond the sunset leads my way. Foam is salt, the wind is free; I hear the rising of the Sea. Farewell, friends! The sails are set, The wind is east, the moorings fret. Shadows long before me lie, Beneath the ever-bending sky, But islands lie behind the Sun That I shall raise ere all is done; Lands there are to west of West, Where night is quiet and sleep is rest. Guided by the Lonely Star, Beyond the utmost harbour-bar, I’ll find the heavens fair and free, And beaches of the Starlit Sea. Ship, my ship! I seek the West, And fields and mountains ever blest. Farewell to Middle-earth at last. I see the Star above my mast!
J.R.R. Tolkien (Bilbo's Last Song (At the Grey Havens))
Siren Song This is the one song everyone would like to learn: the song that is irresistible: the song that forces men to leap overboard in squadrons even though they see beached skulls the song nobody knows because anyone who had heard it is dead, and the others can’t remember. Shall I tell you the secret and if I do, will you get me out of this bird suit? I don’t enjoy it here squatting on this island looking picturesque and mythical with these two feathery maniacs, I don’t enjoy singing this trio, fatal and valuable. I will tell the secret to you, to you, only to you. Come closer. This song is a cry for help: Help me! Only you, only you can, you are unique at last. Alas it is a boring song but it works every time.
Margaret Atwood
I never want to be apart from you,” he said. “I’m going to buy an island and take you there. A ship will come once a month with supplies. The rest of the time it will be just the two of us, wearing leaves and eating exotic fruit and making love on the beach . . .” You’d start a produce export business and organize a local economy within a month,” she said flatly. Harry groaned as he recognized the truth of it. “God. Why do you tolerate me?” Poppy grinned and slid her arms around his neck. “I like the side benefits,” she told him. “And really, it’s only fair since you tolerate me.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
Towards midnight the rain ceased and the clouds drifted away, so that the sky was scattered once more with the incredible lamps of stars. Then the breeze died too and there was no noise save the drip and tickle of water that ran out of clefts and spilled down, leaf by leaf, to the brown earth of the island. The air was cool, moist, and clear; and presently even the sound of the water was still. The beast lay huddled on the pale beach and the stains spread, inch by inch. The edge of the lagoon became a streak of phosphorescence which advanced minutely, as the great wave of the tide flowed. The clear water mirrored the clear sky and the angular bright constellations. The line of phosphorescence bulged about the sand grains and little pebbles; it held them each in a dimple of tension, then suddenly accepted them with an inaudible syllable and moved on. Along the shoreward edge of the shallows the advancing clearness was full of strange, moonbeam-bodied creatures with fiery eyes. Here and there a larger pebble clung to its own air and was covered with a coat of pearls. The tide swelled in over the rain-pitted sand and smoothed everything with a layer of silver. Now it touched the first of the stains that seeped from the broken body and the creatures made a moving patch of light as they gathered at the edge. The water rose further and dressed Simon's coarse hair with brightness. The line of his cheek silvered and the turn of his shoulder became sculptured marble. The strange, attendant creatures, with their fiery eyes and trailing vapours busied themselves round his head. The body lifted a fraction of an inch from the sand and a bubble of air escaped from the mouth with a wet plop. Then it turned gently in the water. Somewhere over the darkened curve of the world the sun and moon were pulling; and the film of water on the earth planet was held, bulging slightly on one side while the solid core turned. The great wave of the tide moved further along the island and the water lifted. Softly, surrounded by a fringe of inquisitive bright creatures, itself a silver shape beneath the steadfast constellations, Simon's dead body moved out towards the open sea.
William Golding (Lord of the Flies)
In this particular tub, two knees jut up like icebergs, while minute brown hairs rise on arms and legs in a fringe of kelp; green soap navigates the tidal slosh of seas breaking on legendary beaches; in faith we shall board our imagined ship and wildly sail among sacred islands of the mad till death shatters the fabulous stars and makes us real. --from "Tale of a Tub", written 1956
Sylvia Plath (The Collected Poems)
The morning was fresh from the rain. The smell of the tide pools was strong. Sweet odors came from the wild grasses in the ravines and from the sand plants on the dunes. I sang as I went down the trail to the beach and along the beach to the sandspit. I felt that the day was an omen of good fortune. It was a good day to begin my new home.
Scott O'Dell (Island of the Blue Dolphins)
it's you. it's you my love, who brought me back here again and again - if only in thoughts - like the never-ending storm on this island, whose winds and waves kiss the beach you walk week after week. you stand as tall as your tower in my mind's eyes, a guiding light, a call home.
MediaWhore (Tired Tired Sea)
She had never before met a man who spoke of the world—of what it was, and how it came to be, or what he thought would become of it—in the way in which other men she knew discussed their jobs, their friends or their weekends at the beach. Being with Chacko made Margaret feel as though her soul had escaped from the narrow confines of her island country into the vast, extravagant spaces of his. He made her feel as though the world belonged to them—as though it lay before them like an opened frog on a dissecting table, begging to be examined. In the year she knew them, before they were married, she discovered a little magic in herself, and for a while felt like a blithe genie released from her lamp. She was perhaps too young to realize that what she assumed was her love for Chacko was actually a tentative, timorous, acceptance of herself.
Arundhati Roy (The God of Small Things)
There were letters on the bottom, letters he'd seen before, on the ship that had carried him from London, the ship that had broken up on the reef that guarded the island. The letters said: NEVER LAND. Peter looked at it. And then he looked around him--at the lagoon; at the rock where the mermaids (Mermaids!) lounged; at the palm-fringed beach; at the tinkling fairy flitting over his head; at his new friends the Mollusks; at the jungle-covered, pirate-infested mountains looming over it all. Then he looked at the board again, and he laughed out loud. 'That's exactly where I am,' he said.
Dave Barry (Peter and the Starcatchers (Peter and the Starcatchers, #1))
Among the many thousands of things that I have never been able to understand, one in particular stands out. That is the question of who was the first person who stood by a pile of sand and said, “You know, I bet if we took some of this and mixed it with a little potash and heated it, we could make a material that would be solid and yet transparent. We could call it glass.” Call me obtuse, but you could stand me on a beach till the end of time and never would it occur to me to try to make it into windows.
Bill Bryson (Notes from a Small Island)
so that the monotonous fall of the waves on the beach, which for the most part beat a measured and soothing tattoo to her thoughts seemed consolingly to repeat over and over again as she sat with the children the words of some old cradle song, murmured by nature, ‘I am guarding you—I am your support," but at other times suddenly and unexpectedly, especially when her mind raised itself slightly from the task actually in hand, had no such kindly meaning, but like a ghostly roll of drums remorsely beat the measure of life, made one think of the destruction of the island and its engulfment in the sea, and warned her whose day had slipped past in one quick doing after another that it was all ephemeral as a rainbow—this sound which had been obscured and concealed under the other sounds suddenly thundered hollow in her ears and made her look up with an impulse of terror.
Virginia Woolf (To the Lighthouse)
Nadine,” said my voice. “You know how people daydream about the Bahamas, with the beaches and palm trees? I don’t know if they really do, no doubt it’s mostly advertising, but you’re the island I think about.
Leif Enger (Virgil Wander)
Memory in these incomparable streets, in mosaics of pain and sweetness, was clear to me now, a unity at last. I remembered small and unimportant things from the past: the whispers of roommates during thunderstorms, the smell of brass polish on my fingertips, the first swim at Folly Beach in April, lightning over the Atlantic, shelling oysters at Bowen's Island during a rare Carolina snowstorm, pigeons strutting across the graveyard at St. Philip's, lawyers moving out of their offices to lunch on Broad Street, the darkness of reveille on cold winter mornings, regattas, the flash of bagpipers' tartans passing in review, blue herons on the marshes, the pressure of the chinstrap on my shako, brotherhood, shad roe at Henry's, camellias floating above water in a porcelain bowl, the scowl of Mark Santoro, and brotherhood again.
Pat Conroy (The Lords of Discipline)
If you simply walk on the beach as we are doing, you have no special color. But if you travel with a purpose, it is different. When you go somewhere important or you return home from a long journey, you build a shape around you and it reaches out ahead to touch your destination.
Lyall Watson (Gifts of Unknown Things: A True Story of Nature, Healing, and Initiation from Indonesia's Dancing Island)
The little fishing boat anchors right off the shore of Gili Meno. There are no docks here on this island. You have to roll up your pants, jump off the boat and wade in through the surf on your own power. There's absolutely no way to do this without getting soaking wet or even banged up on the coral, but it's worth all the trouble because the beach here is so beautiful, so special
Elizabeth Gilbert (Eat, Pray, Love)
Imagine that the whole world belongs to you. The birch trees in New Hampshire's White Mountains are yours, and so are the cirrus clouds in the western sky at dusk and the black sand on the beaches of Hawaii's big island. You own everything, my dear sovereign - the paintings in all the museums of the world, as well as the internet and the wild horses and the roads. Please take good care of it all, OK? Be an enlightened monarch who treats your domain with reverent responsibility. And make sure you also enjoy the full measure of fun that comes with such mastery. Glide through life as if all of creation is yearning to honor and entertain you.
Rob Brezsny
It troubles me every time to think my fellow women were the ones who actually gave birth to men with attitudes as stringent as yours.
Christine Lemmon (Portion of the Sea: A wholesome Sanibel small town beach read about discovering an island of your own)
The name Alaska is probably an abbreviation of Unalaska, derived from the original Aleut word agunalaksh, which means "the shores where the sea breaks its back." The war between water and land is never-ending. Waves shatter themselves in spent fury against the rocky bulwarks of the coast; giant tides eat away the sand beaches and alter the entire contour of an island overnight; williwaw winds pour down the side of a volcano like snow sliding off a roof, building to a hundred-mile velocity in a matter of minutes and churning the ocean into a maelstrom where the stoutest vessels founder.
Corey Ford (Where the Sea Breaks Its Back: The Epic Story of Early Naturalist Georg Steller and the Russian Exploration of Alaska)
The raft finally got here,” he said. Calypso snorted. Her eyes might have been red, but it was hard to tell in the moonlight. “You just noticed?” “But if it only shows up for guys you like—” “Don’t push your luck, Leo Valdez,” she said. “I still hate you.” “Okay.” “And you are not coming back here,” she insisted. “So don’t give me any empty promises.” “How about a full promise?” he said. “Because I’m definitely—” She grabbed his face and pulled him into a kiss, which effectively shut him up. For all his joking and flirting, Leo had never kissed a girl before. Well, sisterly pecks on the cheek from Piper, but that didn’t count. This was a real, full-contact kiss. If Leo had had gears and wires in his brain, they would’ve short-circuited. Calypso pushed him away. “That didn’t happen.” “Okay.” His voice sounded an octave higher than usual. “Get out of here.” “Okay.” She turned, wiping her eyes furiously, and stormed up the beach, the breeze tousling her hair. Leo wanted to call to her, but the sail caught the full force of the wind, and the raft cleared the beach. He struggled to align the guidance console. By the time Leo looked back, the island of Ogygia was a dark line in the distance, their campfire pulsing like a tiny orange heart. His lips still tingled from the kiss. That didn’t happen, he told himself. I can’t be in love with an immortal girl. She definitely can’t be in love with me. Not possible. As his raft skimmed over the water, taking him back to the mortal world, he understood a line from the Prophecy better—an oath to keep with a final breath. He understood how dangerous oaths could be. But Leo didn’t care. “I’m coming back for you, Calypso,” he said to the night wind. “I swear it on the River Styx.
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
We shall go on to the end. We shall fight on the seas and oceans, we shall defend our island, whatever the cost may be. We shall fight on the beaches, we shall fight on the landing grounds, we shall fight in the fields and in the streets, we shall fight in the hills; we shall never surrender.
Winston S. Churchill
How strange it must be, thought Tortoise looking out to sea, to have no edge to one's world. We have a beach; we know the shape of our island and just how far we can go. But Turtle can swim away in any direction and keep going -- her world has no limits, no ending. She can, if she chooses, swim on forever and ever and ever.
Benedict Blathwayt (Stories from Firefly Island)
For the cocoa-tree and the island man are both lovers and neighbours of the surf.  ‘The coral waxes, the palm grows, but man departs,’ says the sad Tahitian proverb; but they are all three, so long as they endure, co-haunters of the beach.  The
Robert Louis Stevenson (In the South Seas)
Sri Lanka is a beautiful little island nation parked perilously close to India; a little too hot, a little too humid, and perhaps too expensive, but to its credit are fantastic beaches, strangely melancholy hills, and the ruins of kingdoms past.
Yudhanjaya Wijeratne (Numbercaste)
There is freedom in being a writer and writing. It is fulfilling your function. I used to think freedom meant doing whatever you want. It means knowing who you are, what you are supposed to be doing on this earth, and then simply doing it. It is not getting sidetracked, thinking you shouldn’t write any more about your Jewish family when that’s your role in life: to record their history, who they were in Brooklyn, on Long Island, at Miami Beach—the first generation of American Goldbergs—before it all passes and is gone.
Natalie Goldberg (Writing Down the Bones: Freeing the Writer Within)
A refreshing west coast breeze carried a few clouds toward the main door of the car shop by the ocean's rocky beach on the island.
J.M.K. Walkow (Blazing Night)
There is a time in every woman's life when pink is her favorite color, when anything is believable and the lines separating the possible and impossible are blurred.
Christine Lemmon (Portion of the Sea: A wholesome Sanibel small town beach read about discovering an island of your own)
too young to live, too old to die
Jeffrey Rasley (Island Adventures: Disconnecting in the Caribbean and South Pacific)
A pirate who loots a Spanish treasure fleet and buries a chest full of glittering coins on the beach of some Caribbean island is not a capitalist.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
And as anxious as he was to fulfill this vision, Pug knew that musings were rewarded after patient waiting because things always happen for a reason and not before the time is right.
Jackson Dunes (Pug at the Beach: An Island Dog's Reflections on Life)
For the woman you love, you should be willing to pick up and go anywhere. You aren't defined by your job, son, but by what you make of your life.' If only any of it were that simple.
Kim Law (Ex on the Beach (Turtle Island, #1))
The bright blue sky remained cloudless, and the aquamarine ocean still crashed gently onto the white sand beach, but the scene was suddenly warped. Twisted, as I processed Thad's words.
Lynne Matson (Nil (Nil, #1))
If you have read this far in the chronicle of the Baudelaire orphans - and I certainly hope you have not - then you know we have reached the thirteenth chapter of the thirteenth volume in this sad history, and so you know the end is near, even though this chapter is so lengthy that you might never reach the end of it. But perhaps you do not yet know what the end really means. "The end" is a phrase which refers to the completion of a story, or the final moment of some accomplishment, such as a secret errand, or a great deal of research, and indeed this thirteenth volume marks the completion of my investigation into the Baudelaire case, which required much research, a great many secret errands, and the accomplishments of a number of my comrades, from a trolley driver to a botanical hybridization expert, with many, many typewriter repairpeople in between. But it cannot be said that The End contains the end of the Baudelaires' story, any more than The Bad Beginning contained its beginning. The children's story began long before that terrible day on Briny Beach, but there would have to be another volume to chronicle when the Baudelaires were born, and when their parents married, and who was playing the violin in the candlelit restaurant when the Baudelaire parents first laid eyes on one another, and what was hidden inside that violin, and the childhood of the man who orphaned the girl who put it there, and even then it could not be said that the Baudelaires' story had not begun, because you would still need to know about a certain tea party held in a penthouse suite, and the baker who made the scones served at the tea party, and the baker's assistant who smuggled the secret ingredient into the scone batter through a very narrow drainpipe, and how a crafty volunteer created the illusion of a fire in the kitchen simply by wearing a certain dress and jumping around, and even then the beginning of the story would be as far away as the shipwreck that leftthe Baudelaire parents as castaways on the coastal shelf is far away from the outrigger on which the islanders would depart. One could say, in fact, that no story really has a beginning, and that no story really has an end, as all of the world's stories are as jumbled as the items in the arboretum, with their details and secrets all heaped together so that the whole story, from beginning to end, depends on how you look at it. We might even say that the world is always in medias res - a Latin phrase which means "in the midst of things" or "in the middle of a narrative" - and that it is impossible to solve any mystery, or find the root of any trouble, and so The End is really the middle of the story, as many people in this history will live long past the close of Chapter Thirteen, or even the beginning of the story, as a new child arrives in the world at the chapter's close. But one cannot sit in the midst of things forever. Eventually one must face that the end is near, and the end of The End is quite near indeed, so if I were you I would not read the end of The End, as it contains the end of a notorious villain but also the end of a brave and noble sibling, and the end of the colonists' stay on the island, as they sail off the end of the coastal shelf. The end of The End contains all these ends, and that does not depend on how you look at it, so it might be best for you to stop looking at The End before the end of The End arrives, and to stop reading The End before you read the end, as the stories that end in The End that began in The Bad Beginning are beginning to end now.
Lemony Snicket (The End (A Series of Unfortunate Events, #13))
A sunset, almost formidable in its splendor, would be lingering in the fully exposed sky. Among its imperceptibly changing amassments, one could pick out brightly stained structural details of celestial organisms, or glowing slits in dark banks, or flat, ethereal beaches that looked like mirages of desert islands. I did not know then (as I know perfectly well now) what to do with such things—how to get rid of them, how to transform them into something that can be turned over to the reader in printed characters to have him cope with the blessed shiver—and this inability enhanced my oppression.
Vladimir Nabokov (Speak, Memory)
Australian shrimp barbecue, when the beers and the rums mix with the hard sun headaches and widespread Saturday night violence spreads across the country behind closed front doors. Truth is, Bich said, Australian childhoods are so idyllic and joyous, so filled with beach visits and backyard games of cricket, that Australian adulthoods can’t possibly meet our childhood expectations. Our perfect early lives in this vast island paradise doom us to melancholy because we know, in the hard honest bones beneath our dubious bronze skin, that we will never again be happier than we were once before. She said we live in the greatest country on earth but we’re actually all miserable deep down inside and the junk cures the misery and the junk industry will never die because Australian misery will never die.
Trent Dalton (Boy Swallows Universe)
I’ll talk to him any way I want to. Sure, you could try roughing me up, but you might want to stop and think about that, because you won’t always be in that uniform, and you won’t always have your buddies around, and this island—well, it’s an island. If you don’t know it as well as we do, and you don’t know the places to avoid, such as the beaches the pleurodons like, let’s just say a man with enemies could find life a little tricky here.” He stared the man down. “Are you threatening me, Grover?” “Not a threat. Just a warning. This planet is a wild, untamed place. It can be harsh and cruel when you least expect it.
Patrick G. Cox (First into the Fray (Harry Heron #1.5))
Suddenly we were in Hawaii—tropical mountains running down to sparkling seas, sweeping bays, flawless beaches guarded by listing palms, little green and rocky islands standing off the headlands. From time to time we drove through sunny canefields, overlooked by the steep, blue eminence of the Great Dividing Range.
Bill Bryson (In a Sunburned Country)
And Kotick curled up his mustache (it was a beauty) and said, "I am the only white seal that has ever been born on the beaches, and I am the only seal, black or white, who ever thought of looking for new islands.
Rudyard Kipling (The Jungle Book)
I lost Ike,' Aunt Josephine said, 'and I lost Lake Lachrymose. I mean, I didn't really lose it, of course. It's still down in the valley. But I grew up on its shores. I used to swim in it every day. I know which beaches were sandy and which were rocky. I knew all the islands in the middle of its waters and all the caves alongside it's shore. Lake Lachrymose felt like a friend to me. But when it took poor Ike away from me I was too afraid to go near it anymore. I stopped swimming in it. I never went to the beach again. I even put away all my books about it. The only way I can bear to look at it is from the Wide Window in the Library.
Lemony Snicket (The Wide Window (A Series of Unfortunate Events, #3))
He said he would be back and we'd drink wine together He said that everything would be better than before He said we were on the edge of a new relation He said he would never again cringe before his father He said that he was going to invent full-time He said he loved me that going into me He said was going into the world and the sky He said all the buckles were very firm He said the wax was the best wax He said Wait for me here on the beach He said Just don't cry I remember the gulls and the waves I remember the islands going dark on the sea I remember the girls laughing I remember they said he only wanted to get away from me I remember mother saying : Inventors are like poets, a trashy lot I remember she told me those who try out inventions are worse I remember she added : Women who love such are the worst of all I have been waiting all day, or perhaps longer. I would have liked to try those wings myself. It would have been better than this.
Muriel Rukeyser
Around most of its coast the cliffs rise out of the cold sea without the courtesy of a beach. Angered by this rudeness the waves pound on the rock in impotent rage: a ten-thousand-year fit of bad temper that the island ignores with impunity.
Ken Follett (Eye of the Needle)
So many steps a woman takes in her life will not be remembered. And most of her tracks will be erased. But there will always be those certain steps she'll never regret, the ones she'd never forget - those glistening steps she took for herself.
Christine Lemmon (Portion of the Sea: A wholesome Sanibel small town beach read about discovering an island of your own)
If I find any Krauts, can I kill them?” “The Colonel said all but one,” Thomas Hudson said. “Try to save a smart one.” “I’ll give them all IQ tests before I open up.” “Give yourself one.” “Mine’s goddam low or I wouldn’t be here,” Willie said, and he set out. He walked contemptuously and he watched the beach and the country ahead as carefully as a man could watch.
Ernest Hemingway (Islands in the Stream)
She discovered that underneath the aspect of the Rumpled Porcupine, a tortured Marxist was at war with an impossible, incurable Romantic - who forgot the candles, who broke the wine glasses, who forgot the ring. Who made love to her with a passion that took her breath away. She had always thought of herself as a somewhat uninteresting, thick-waisted, thick ankled girl. Not bad-looking. Not special. But when she was with Chacko, old limits were pushed back. Horizons expanded. She had never before met a man who spoke of the workd - of what it was, and how it came to be, or what he thought would become of it - in the way in which other men she knew discussed their jobs, their friends or their weekends at the beach. Being with Chacko made Margaret Kochamma feel as though her soul had escaped from the narrow confines of her island country, into the vast extravagant spaces of his. He made her feel as though the world belonged to them - as though it lay before thm like an opened frog on a dissecting table, begging to be examined.
Arundhati Roy (The God of Small Things)
And here in this other realm she looms over him, vast and sprawling, wildly patchwork and dense. Not just older and bigger. Stronger in many ways: her arms and core are thick with muscled neighborhoods that each have their own rhythms and reputations. Williamsburg, Hasidim enclave and artist haven turned hipster ground zero. Bed Stuy (do or die). Crown Heights, where now the only riots are over seats at brunch. Her jaw is tight with the stubborn ferocity of Brighton Beach's old mobsters and the Rockaways' working-class holdouts against the brutal inevitability of rising seas. But there are spires at Brooklyn's heart, too- perhaps not as grand as his own, and maybe some of hers are actually the airy, fanciful amusement-park towers of Coney Island- but all are just as shining, just as sharp.
N.K. Jemisin (The City We Became (Great Cities, #1))
We shall not flag nor fail. We shall go on to the end. We shall fight in France and on the seas and oceans; we shall fight with growing confidence and growing strength in the air. We shall defend our island whatever the cost may be; we shall fight on beaches, landing grounds, in fields, in streets and on the hills. We shall never surrender and even if, which I do not for the moment believe, this island or a large part of it were subjugated and starving, then our empire beyond the seas, armed and guarded by the British Fleet, will carry on the struggle until in God's good time the New World with all its power and might, sets forth to the liberation and rescue of the Old.
Winston S. Churchill
Maybe George was fooling himself. Maybe old people always fooled themselves, pretending that the world was going to hell because it was easier than admitting they were being left behind, that the future was pulling away from the beach and they were standing on their little island bidding it good riddance, knowing in their hearts that there was nothing left for them to do but sit around on the shingle waiting for the big disease to come out of the undergrowth.
Mark Haddon (A Spot of Bother)
Word of my arrival spread as soon as I walked out of the ocean. Our beach is on the North Shore of Long Island, and it’s enchanted so most people can’t even see it. People don’t just appear on the beach unless they’re demigods or gods or really, really lost pizza delivery guys. (It’s happened—but that’s another story.) Anyway, that afternoon the lookout on duty was Connor Stoll from the Hermes cabin. When he spotted me, he got so excited he fell out of his tree. Then he blew the conch horn to signal the camp and ran to greet me. Connor had a crooked smile that matched his crooked sense of humor. He’s a pretty nice guy, but you should always keep one hand on your wallet when he’s around, and do not, under any circumstances, give him access to shaving cream unless you want to find your sleeping bag full of it. He’s got curly brown hair and is a little shorter than his brother, Travis, which is the only way I can tell them apart. They are both so unlike my old enemy Luke it’s hard to believe they’re all sons of Hermes. “Percy!” he yelled. “What happened? Where’s Beckendorf ?
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
I still remember the winter sky that evening. Whenever I worked in my sea garden and I saw a sunset like that, I'd think back to Bantham Beach. It was as if the sun had been torn open. Everything was scarlet. The clouds were flames, so wild and vibrant that blue didn't look like a color anymore. The sea and land served as a mirror. The ribbed sand was on fire. So were the stones and maroon rock pools. The pink crests of the waves. The burning hump of Burgh Island.
Rachel Joyce (The Love Song of Miss Queenie Hennessy (Harold Fry, #2))
It’s not a hometown, actually, it’s a home island. “It’s the same size and shape as Manhattan,” Arthur tells people at parties all his life, “except with a thousand people.” Delano Island is between Vancouver Island and mainland British Columbia, a straight shot north from Los Angeles. The island is all temperate rain forest and rocky beaches, deer breaking into vegetable gardens and leaping in front of windshields, moss on low-hanging branches, the sighing of wind in cedar trees.
Emily St. John Mandel (Station Eleven)
A forbidding-looking place, certainly, but that only made it seem the more pitiful. It was the refuge of twenty-two men who, at that very moment, were camped on a precarious, storm-washed spit of beach, as helpless and isolated from the outside world as if they were on another planet. Their plight was known only to the six men in this ridiculously little boat, whose responsibility now was to prove that all the laws of chance were wrong—and return with help. It was a staggering trust.
Alfred Lansing (Endurance: Shackleton's Incredible Voyage)
Although most earlier versions of pastoral had been set in never-never lands, and although The Tempest contains only one allusion to the actual New World, its setting is not wholly fanciful. We begin with a commonplace event of the age: a ship caught in a storm and beached on an uninhabited island. It is like an Elizabethen news report.
Leo Marx (The Machine in the Garden: Technology and the Pastoral Ideal in America)
Joel!’ Emily howled. ‘Let him go or I swear you’ll regret it!’ ‘Are you threatening me, child?’ ‘Yes!’ Emily shouted. ‘These may be your Islands, but if you don’t release Joel right now, I promise you, the moment I get my powers back, you’ll pay for what you’ve done to him!’ ‘No one threatens me!’ Pounding waves of fury rose up around Nā-maka-o-Kaha‘i and crashed noisily to the beach, crushing the rowing boat into splinters and throwing wet sand in the air. The small fish swimming around her ducked into the protection of her seaweed dress. Nā-maka-o-Kaha‘i moved as close to the shore as she dared and spat at Emily with ocean foam. ‘You listen to me, you insolent child. Tell Pele she will surrender to me or I will drown this boy in my depths and let the ocean life feed on his bones! You have one day!’ She rose higher above her waterspout before diving down into the swirling centre. Joel was sucked in after her as the waterspout spun across the ocean surface before disappearing into its depths. ‘Joel!’ Emily cried.
Kate O'Hearn (Pegasus and the Rise of the Titans: Book 5)
Casa de Campo has got beaches the way the rest of the Island has got problems. These, though, have no merengue, no little kids, nobody trying to sell you chicharrones, and there’s a massive melanin deficit in evidence. Every fifty feet there’s at least one Eurofuck beached out on a towel like some scary pale monster that the sea’s vomited up.
Junot Díaz (This Is How You Lose Her)
Stacy stepped into the forest and immediately took a deep breath of the pine- and spruce-scented air she’d come to love. She’d seen pictures in books and newspapers of countries and cities around the world. She’d seen photos of tropical islands and beaches and mountain biomes. But she couldn’t imagine any biome more beautiful than their taiga forest.
StacyPlays (Guardians of the Taiga (Wild Rescuers, #1))
Passing through the orchard, Mr. Clutter proceeded along beside the river, which was shallow here and strewn with islands—midstream beaches of soft sand, to which, on Sundays gone by, hot-weather Sabbaths when Bonnie had still “felt up to things,” picnic baskets had been carted, family afternoons whiled away waiting for a twitch at the end of a fishline.
Truman Capote (In Cold Blood)
Today it bordered more on the liked-quite-a-bit side of the scale. She stood on the beach at Lighthouse Point on Belle Island. The waves raced up the gentle slope of sand and lapped at her bare feet. This had to be her favorite spot, especially in the early morning hours when all she would pass was an occasional jogger or shell collector. The lighthouse was no
Kay Correll (Wish Upon a Shell (Lighthouse Point #1))
Over the last decades, the travel industry and media have unwittingly teamed up to create the gap this book aspires to fill. I read a lot of travel sections, travel sites, and travel magazines, and I realized one day I was getting punch-drunk on how fantastic everything was. There s just so much Escape, Undiscovered, Quaint, Top 10 Most Amazing . . . , Secret Beaches, Incredible Islands, Savvy, Frugal, Best Ever. These adjectives just don t connect with most of my experiences on the road life, misadventure, and a dose of Murphy s Law often get in the way.
Doug Lansky (The Titanic Awards: Celebrating the Worst of Travel)
The captain had risen earlier than usual and set out down the beach, his cutlass swinging under the broad skirts of the old blue coat, his brass telescope under his arm, his hat tilted back upon his head. I remember his breath hanging like smoke in his wake as he strode off, and the last sound I heard of him as he turned the big rock was a loud snort of indignation, as though
Robert Louis Stevenson (Treasure Island)
We shall not flag or fail. We shall go on to the end. We shall fight in France. We shall fight on the seas and oceans. We shall fight with growing strength in the air. We shall defend our island, whatever the cost may be. We shall fight on the beaches. We shall fight on the landing grounds. We shall fight in the fields and in the streets. We shall fight in the hills. We shall never surrender.
Winston S. Churchill
He reached the foot of the embankment, and waved with one arm, shouting at the few cars moving along the westbound carriageway. None of the drivers could see him, let alone hear his dry-throated croak, and Maitland stopped, conserving his strength. lie tried to climb the embankment, but within a few steps collapsed in a heap on the muddy slope. Deliberately, he turned his back to the motorway and for the first time began to inspect the island. 'Maitland, poor man, you're marooned here like Crusoe - If you don't look out you'll be beached here for ever...' He had spoken no more than the truth. This patch of abandoned ground left over at the junction of three motorway routes was literally a deserted island. Angry with himself, Maitland lifted the crutch to strike this meaningless soil.
J.G. Ballard (Concrete Island)
We had a lazy voyage, stopping at Fiji and other islands, and finally arrived at Honolulu. It was far more sophisticated than we had imagined with masses of hotels and roads and motor-cars. We arrived in the early morning, got into our rooms at the hotel, and straight away, seeing out of the window the people surfing on the beach, we rushed down, hired our surf-boards, and plunged into the sea.
Agatha Christie (Agatha Christie: An Autobiography)
You should be worried," says Hassan. "I have seen worse monsters than you, Anderson. I have seen what nobody should see. I have felt what nobody should feel. I know what nobody should know. What would it be to me to see this knife in your throat? Nothing. What would it be for me to see you as dead as this deer? Nothing. What would it be to me to see you lying dead among the jetsam on the beach?
David Almond (Island)
Oh, I’m sorry!” he said. “I just fell out of the sky. I constructed a helicopter in midair, burst into flames halfway down, crash-landed and barely survived. But by all means – let’s talk about your dining table!” He snatched up a half-melted goblet. “Who puts a dining table on the beach where innocent demigods can crash into it? Who does that?” The girl clenched her fists. Leo was pretty sure she was going to march down the crater and punch him in the face. Instead she looked up at the sky. “REALLY?” she screamed at the empty blue. “You want to make my curse even worse? Zeus! Hephaestus! Hermes! Have you no shame?” “Uh …” Leo noticed that she’d just picked three gods to blame, and one of them was his dad. He figured that wasn’t a good sign. “I doubt they’re listening. You know, the whole split-personality thing—” “Show yourself!” the girl yelled at the sky, completely ignoring Leo. “It’s not bad enough I am exiled? It’s not bad enough you take away the few good heroes I’m allowed to meet? You think it’s funny to send me this—this charbroiled runt of a boy to ruin my tranquillity? This is NOT FUNNY! Take him back!” “Hey, Sunshine,” Leo said. “I’m right here, you know.” She growled like a cornered animal. “Do not call me Sunshine! Get out of that hole and come with me now so I can get you off my island!” “Well, since you asked so nicely …” Leo didn’t know what the crazy girl was so worked up about, but he didn’t really care. If she could help him leave this island, that was totally fine by him. He clutched his charred sphere and climbed out of the crater. When he reached the top, the girl was already marching down the shoreline. He jogged to catch up. She gestured in disgust at the burning wreckage. “This was a pristine beach! Look at it now.” “Yeah, my bad,” Leo muttered. “I should’ve crashed on one of the other islands. Oh, wait – there aren’t any!” She snarled and kept walking along the edge of the water.
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
Life, liberty and the pursuit of happy hour, the long weekend, the all-inclusive island resort, the sunny beach vacation. Happiness is somewhere else, someplace with boat drinks, some secret, distant state of bliss which if they were given would bore them in minutes.
Geoffrey Wood
To make sure none followed where you led I used my hair to cover our tracks. Sun set on the island of our bed night rose eating echoes and we were beached there, in tangles of flicker, candles whispering at our driftwood backs. Your eyes above me afraid of the promises I might keep regretting the truth we did say less than the lie we didn't, I went in deep, I went in deep, to fight the past for you. Now we both know sorrows are the seeds of loving. Now we both know I will live and I will die for this love. -Sadiq Khan, Sufi poet
Gregory David Roberts (Shantaram)
I know this sounds like quite a pile. I know, too, that some of you will wonder why I don't just buy a Kindle. I see your point, but the trouble is that to do so would be to forgo the pleasure of the moment when, years in the future, sand falls from the pages of an old book, and you suddenly remember the Isle of Wight and A Passage to India, a Greek island and The Map of Love, or whatever. For me, a ghostly trace of Ambre Solaire rising from the pages of a sun-bleached paperback is a way back to the past: to favourite stories as much as to favourite beaches.
Rachel Cooke
As I write these lines I lift my eyes and look seaward.  I am on the beach of Waikiki on the island of Oahu.  Far, in the azure sky, the trade-wind clouds drift low over the blue-green turquoise of the deep sea.  Nearer, the sea is emerald and light olive-green.  Then comes the reef, where the water is all slaty purple flecked with red.  Still nearer are brighter greens and tans, lying in alternate stripes and showing where sandbeds lie between the living coral banks.  Through and over and out of these wonderful colours tumbles and thunders a magnificent surf.
Jack London (The Cruise of the Snark (Illustrated) (Annotated))
I'm still young and therefore I don't know as much about the world as an adult, yet I'm no longer a child and not yet a lady, but lingering between the two, like in that state called purgatory, only for a young girl no longer a child and a woman, I call it a state of temporary frustration.
Christine Lemmon (Portion of the Sea: A wholesome Sanibel small town beach read about discovering an island of your own)
It was some time before I could summon resolution to go down through the trees and bushes upon the flank of the headland to the beach. At last I did it at a run; and as I emerged from the thicket upon the sand, I heard some other body come crashing after me. At that I completely lost my head with fear, and began running along the sand. Forthwith there came the swift patter of soft feet in pursuit. I gave a wild cry, and redoubled my pace. Some dim, black things about three or four times the size of rabbits went running or hopping up from the beach towards the bushes as I passed.
H.G. Wells (The Island of Dr. Moreau)
Anywhere you wanted to travel to?” ‘I’m suffocated by the darkness and this question. I wish I was brave enough to have travelled. Now that I don’t have time to go anywhere, I want to go everywhere: I want to get lost in the deserts of Saudi Arabia; find myself running from the bats under the Congress Avenue Bridge in Austin, Texas; stay overnight on Hashima Island, this abandoned coal-mining facility in Japan sometimes known as Ghost Island; travel the Death Railway in Thailand, because even with a name like that, there’s a chance I can survive the sheer cliffs and rickety wooden bridges; an everywhere else. I want to climb every last mountain, row down every last river, explore every last cave, cross every last bridge, run across last beach, visit every last town, city, country. Everywhere. I should’ve done more than watch documentaries and video blogs about these places.
Adam Silvera (They Both Die at the End (Death-Cast #1))
We must go home!", said the Snork. "Not yet!" begged the Snork Maiden. "We haven't had the time to explore the cliff on the other side properly! We haven't even bathed!" "We can wait a little and see what happens, can't we?" said Moomintroll. "It would be such a pity to go home just when we've discovered this island!" "But if there's a storm we shan't be able to go at all!" said the Snork, brightly. "That would be wonderful!" burst out Sniff. "We could stay here for ever and ever." "Quiet children, I must think," said Moominpappa. He went down to the beach and sniffed the air, turned his head in all directions and wrinkled his forehead.
Tove Jansson (Finn Family Moomintroll (The Moomins, #3))
Waiting for Icarus " He said he would be back and we’d drink wine together He said that everything would be better than before He said we were on the edge of a new relation He said he would never again cringe before his father He said that he was going to invent full-time He said he loved me that going into me He said was going into the world and the sky He said all the buckles were very firm He said the wax was the best wax He said Wait for me here on the beach He said Just don’t cry I remember the gulls and the waves I remember the islands going dark on the sea I remember the girls laughing I remember they said he only wanted to get away from me I remember mother saying : Inventors are like poets, a trashy lot I remember she told me those who try out inventions are worse I remember she added : Women who love such are the Worst of all I have been waiting all day, or perhaps longer. I would have liked to try those wings myself. It would have been better than this.
Muriel Rukeyser (The Collected Poems)
The Chorus Line: The Birth of Telemachus, An Idyll Nine months he sailed the wine-red seas of his mother's blood Out of the cave of dreaded Night, of sleep, Of troubling dreams he sailed In his frail dark boat, the boat of himself, Through the dangerous ocean of his vast mother he sailed From the distant cave where the threads of men's lives are spun, Then measured, and then cut short By the Three Fatal Sisters, intent on their gruesome handcrafts, And the lives of women also are twisted into the strand. And we, the twelve who were later to die by his hand At his father's relentless command, Sailed as well, in the dark frail boats of ourselves Through the turbulent seas of our swollen and sore-footed mothers Who were not royal queens, but a motley and piebald collection, Bought, traded, captured, kidnapped from serfs and strangers. After the nine-month voyage we came to shore, Beached at the same time as he was, struck by the hostile air, Infants when he was an infant, wailing just as he wailed, Helpless as he was helpless, but ten times more helpless as well, For his birth was longed-for and feasted, as our births were not. His mother presented a princeling. Our various mothers Spawned merely, lambed, farrowed, littered, Foaled, whelped and kittened, brooded, hatched out their clutch. We were animal young, to be disposed of at will, Sold, drowned in the well, traded, used, discarded when bloomless. He was fathered; we simply appeared, Like the crocus, the rose, the sparrows endangered in mud. Our lives were twisted in his life; we also were children When he was a child, We were his pets and his toythings, mock sisters, his tiny companions. We grew as he grew, laughed also, ran as he ran, Though sandier, hungrier, sun-speckled, most days meatless. He saw us as rightfully his, for whatever purpose He chose, to tend him and feed him, to wash him, amuse him, Rock him to sleep in the dangerous boats of ourselves. We did not know as we played with him there in the sand On the beach of our rocky goat-island, close by the harbour, That he was foredoomed to swell to our cold-eyed teenaged killer. If we had known that, would we have drowned him back then? Young children are ruthless and selfish: everyone wants to live. Twelve against one, he wouldn't have stood a chance. Would we? In only a minute, when nobody else was looking? Pushed his still-innocent child's head under the water With our own still-innocent childish nursemaid hands, And blamed it on waves. Would we have had it in us? Ask the Three Sisters, spinning their blood-red mazes, Tangling the lives of men and women together. Only they know how events might then have had altered. Only they know our hearts. From us you will get no answer.
Margaret Atwood (The Penelopiad)
Along the western coast of the Sahara desert, about half way between the Canary Islands and the Cape Verde Islands, lays a sand spit called Cape Barba’s. In 1441, ships attached to Estêvão da Gama’s fleet were sent by Prince Henry to explore the coastline south of Cape Barba’s, which, five years earlier, was the farthest point reached by any of Prince Henry’s captains. Although there are some conflicting stories regarding the discoveries of the mid-Atlantic islands, it is safe to assume that in 1501 João da Nova discovered Ascension Island. The desolate island remained deserted until it was rediscovered two years later on Ascension Day by Alfonso de Albuquerque. He was also the first European to discover the Red Sea and the Persian Gulf.
Hank Bracker
Darren says his mum told him a secret recently about Australians. She said this secret would make him a rich man. She said the greatest secret about Australia is the nation's inherent misery. Bich Dang laughs at the ads on telly with Paul Hogan putting another shrimp on the barbie. She said foreign visitors should rightfully be advised about what happens five hours later at that Australian shrimp barbecue, when the beers and the rums mix with the hard sun headaches and widespread Saturday night violence spreads across the country behind closed front doors. Truth is, Bich said, Australian childhoods are so idyllic and joyous, so filled with beach visits and backyard games of cricket, that Australian adulthoods can’t possibly meet our childhood expectations. Our perfect early lives in this vast island paradise doom us to melancholy because we know, in the hard honest bones beneath our dubious bronze skin, that we will never again be happier than we were once before. She said we live in the greatest country on earth but we’re actually all miserable deep down inside and the junk cures the misery and the junk industry will never die because Australian misery will never die.
Trent Dalton (Boy Swallows Universe)
There are certain things that you have to be British, or at least older than me, or possibly both, to appreciate: skiffle music, salt-cellars with a single hole, Marmite (an edible yeast extract with the visual properties of an industrial lubricant), Gracie Fields singing “Sally,” George Formby doing anything, jumble sales, making sandwiches from bread you’ve sliced yourself, really milky tea, boiled cabbage, the belief that household wiring is an interesting topic for conversation, steam trains, toast made under a gas grill, thinking that going to choose wallpaper with your mate constitutes a reasonably fun day out, wine made out of something other than grapes, unheated bedrooms and bathrooms, erecting windbreaks on a beach (why, pray, are you there if you need a windbreak?), and cricket. There may be one or two others that don’t occur to me at the moment.
Bill Bryson (Notes from a Small Island)
A swaddled silence would be over the island, nights like that: if they complained, or had to cry for some lesion or cramp, it was baffled by the thick mists and all you heard was the tide, slapping ever sideways along the strand, viscous, reverberating; then seltzering back to sea, violently salt, leaving a white skin on the sand it hadn't taken. And only occasionally above the mindless rhythm, from across the narrow strait, over on the great African continent itself, a sound would arise to make the fog colder, the night darker, the Atlantic more menacing: if it were human it could have been called laughter, but it was not human. It was a product of alien secretions, boiling over into blood already choked and heady; causing ganglia to twitch, the field of night-vision to be grayed into shapes that threatened, putting an itch into every fiber, an unbalance, a general sensation of error that could only be nulled by those hideous paroxysms, those fat, spindle-shaped bursts of air up the pharynx, counter-irritating the top of the mouth cavity, filling the nostrils, easing the prickliness under the jaw and down the center-line of the skull: it was the cry of the brown hyena called the strand wolf, who prowled the beach singly or with companions in search of shellfish, dead gulls, anything flesh and unmoving.
Thomas Pynchon (V.)
I spent an hour yesterday watching the ladies bathe. What a sight! What a hideous sight! The two sexes used to bathe together here. But now they are kept separate by means of signposts, preventive nets, and a uniformed inspector – nothing more depressingly grotesque can be imagined. However, yesterday, from the place where I was standing in the sun, with my spectacles on my nose, I could contemplate the bathing beauties at my leisure. The human race must indeed have become absolutely moronic to have lost its sense of elegance to this degree. Nothing is more pitiful than these bags in which women encase their bodies, and these oilcloth caps! What faces! What figures! And what feet! Red, scrawny, covered with corns and bunions, deformed by shoes, long as shuttles or wide as washerwomen’s paddles. And in the midst of everything, scrofulous brats screaming and crying. Further off, grandmas knitting and respectable old gentlemen with gold-rimmed spectacles reading newspapers, looking up from time to time between lines to savor the vastness of the horizon with an air of approval. The whole thing made me long all afternoon to escape from Europe and go live in the Sandwich Islands or the forests of Brazil. There, at least, the beaches are not polluted by such ugly feet, by such foul-looking specimens of humanity.
Gustave Flaubert (Selected Letters)
I draw myself up next to her and look at her profile, making no effort to disguise my attention, here, where there is only Puck to see me. The evening sun loves her throat and her cheekbones. Her hair the color of cliff grass rises and falls over her face in the breeze. Her expression is less ferocious than usual, less guarded. I say, “Are you afraid?” Her eyes are far away on the horizon line, out to the west where the sun has gone but the glow remains. Somewhere out there are my capaill uisce, George Holly’s America, every gallon of water that every ship rides on. Puck doesn’t look away from the orange glow at the end of the world. “Tell me what it’s like. The race.” What it’s like is a battle. A mess of horses and men and blood. The fastest and strongest of what is left from two weeks of preparation on the sand. It’s the surf in your face, the deadly magic of November on your skin, the Scorpio drums in the place of your heartbeat. It’s speed, if you’re lucky. It’s life and it’s death or it’s both and there’s nothing like it. Once upon a time, this moment — this last light of evening the day before the race — was the best moment of the year for me. The anticipation of the game to come. But that was when all I had to lose was my life. “There’s no one braver than you on that beach.” Her voice is dismissive. “That doesn’t matter.” “It does. I meant what I said at the festival. This island cares nothing for love but it favors the brave.” Now she looks at me. She’s fierce and red, indestructible and changeable, everything that makes Thisby what it is. She asks, “Do you feel brave?” The mare goddess had told me to make another wish. It feels thin as a thread to me now, that gift of a wish. I remember the years when it felt like a promise. “I don’t know what I feel, Puck.” Puck unfolds her arms just enough to keep her balance as she leans to me, and when we kiss, she closes her eyes. She draws back and looks into my face. I have not moved, and she barely has, but the world feels strange beneath me. “Tell me what to wish for,” I say. “Tell me what to ask the sea for.” “To be happy. Happiness.” I close my eyes. My mind is full of Corr, of the ocean, of Puck Connolly’s lips on mine. “I don’t think such a thing is had on Thisby. And if it is, I don’t know how you would keep it.” The breeze blows across my closed eyelids, scented with brine and rain and winter. I can hear the ocean rocking against the island, a constant lullaby. Puck’s voice is in my ear; her breath warms my neck inside my jacket collar. “You whisper to it. What it needs to hear. Isn’t that what you said?” I tilt my head so that her mouth is on my skin. The kiss is cold where the wind blows across my cheek. Her forehead rests against my hair. I open my eyes, and the sun has gone. I feel as if the ocean is inside me, wild and uncertain. “That’s what I said. What do I need to hear?” Puck whispers, “That tomorrow we’ll rule the Scorpio Races as king and queen of Skarmouth and I’ll save the house and you’ll have your stallion. Dove will eat golden oats for the rest of her days and you will terrorize the races each year and people will come from every island in the world to find out how it is you get horses to listen to you. The piebald will carry Mutt Malvern into the sea and Gabriel will decide to stay on the island. I will have a farm and you will bring me bread for dinner.” I say, “That is what I needed to hear.” “Do you know what to wish for now?” I swallow. I have no wishing-shell to throw into the sea when I say it, but I know that the ocean hears me nonetheless. “To get what I need.
Maggie Stiefvater (The Scorpio Races)
The gruff murmur, irregularly broken by the taking out of pipes and the putting in of pipes which had kept on assuring her, though she could not hear what was said (as she sat in the window which opened on the terrace), that the men were happily talking; this sound, which had lasted now half an hour and had taken its place soothingly in the scale of sounds pressing on top of her, such as the tap of balls upon bats, the sharp, sudden bark now and then, "How's that? How's that?" of the children playing cricket, had ceased; so that the monotonous fall of the waves on the beach, which for the most part beat a measured and soothing tattoo to her thoughts and seemed consolingly to repeat over and over again as she sat with the children the words of some old cradle song, murmured by nature, "I am guarding you––I am your support," but at other times suddenly and unexpectedly, especially when her mind raised itself slightly from the task actually in hand, had no such kindly meaning, but like a ghostly roll of drums remorselessly beat the measure of life, made one think of the destruction of the island and its engulfment in the sea, and warned her whose day had slipped past in one quick doing after another that it was all ephemeral as a rainbow––this sound which had been obscured and concealed under the other sounds suddenly thundered hollow in her ears and made her look up with an impulse of terror.
Virginia Woolf (To the Lighthouse)
Faolan stretched out on the blanket, propping his head on one elbow thoughtfully. “Eire is fine enough, I suppose,” he began, “but if I could have one wish, I’d show ye my Highlands. I’d take ye to the tops of the mountains and show ye where the golden eagles nest. I want ye to see the sun rise and set over the moors. I want to make love to ye in the heather with the warm sun beating down on us.” His eyes widened as an idea occurred to him. “We could sail out to one of the far islands and have it all to ourselves, like Adam and Eve in our very own Eden. I’d take ye walking on the beach in the moonlight, and I wouldna have to share ye with anyone but the selkies.” He gave her hand a gentle squeeze. “I’d teach ye to ride and hunt and fish, mo ruadh, and bank the fires to keep ye warm through the cold winter months.” With a blissful sigh, he pulled her tight against him and buried his face in the crook of her neck. “‘Twould be heaven for sure,” he said, and she could hear the smile in his voice when his lips brushed her ear, “pizza or no.
Shannon MacLeod (Rogue on the Rollaway)
That yes you commit to as reader and writer is the current that hums through all the work. Of course, you might say yes and then come up against an iceberg. No, you suddenly say definitively. And there you are. What do you do next? I can’t answer that for you, but I do know you eventually have to do something—or freeze to death. See if you can chip away at even a little of the mass in front of you—or try standing up on it. Does it support you? In a weeklong cold winter workshop in Taos I read aloud this passage from Richard Nelson’s The Island Within: The first section of road follows the bay’s edge, behind a strip of tall, leafless alders. When we’re about halfway around, a bald eagle in dark, youthful plumage sails down to a fish carcass on the beach just ahead. He seems careless or unafraid—quite different from the timid, sharp-eyed elders—so I leash Shungnak to the bike, drop my pack, and try to sneak in for a closer look. Using a driftwood pile as a screen, I stalk within fifty feet of the bird, but he spots me peering out between the logs.
Natalie Goldberg (Thunder and Lightning: Cracking Open the Writer's Craft)
Where are we going?" "East. To where the sun rises." "Seriously?" He thumped the dash-not too hard-and I actually felt a little burst of warm air. "You've been to Long Beach Island, right?You told me that in an e-mail." "yeah, Surf City." "We have a house in Barnegat Light. I thought we'd go there. We'll have breakfast somewhere and come back. You okay with that?" The beach. In late December. At night. "I'm absolutely fine with it." "So," he said. "So." "We okay?" "I think so," I answered. "I hope we'll be a lot better than that." "Yeah,me,too.
Melissa Jensen (The Fine Art of Truth or Dare)
When Franz returned to himself, he seemed still to be in a dream. He thought himself in a sepulchre, into which a ray of sunlight in pity scarcely penetrated. He stretched forth his hand, and touched stone; he rose to his seat, and found himself lying on his bournous in a bed of dry heather, very soft and odoriferous. The vision had fled; and as if the statues had been but shadows from the tomb, they had vanished at his waking. He advanced several paces towards the point whence the light came, and to all the excitement of his dream succeeded the calmness of reality. He found that he was in a grotto, went towards the opening, and through a kind of fanlight saw a blue sea and an azure sky. The air and water were shining in the beams of the morning sun; on the shore the sailors were sitting, chatting and laughing; and at ten yards from them the boat was at anchor, undulating gracefully on the water. There for some time he enjoyed the fresh breeze which played on his brow, and listened to the dash of the waves on the beach, that left against the rocks a lace of foam as white as silver. He was for some time without reflection or thought for the divine charm which is in the things of nature, specially after a fantastic dream; then gradually this view of the outer world, so calm, so pure, so grand, reminded him of the illusiveness of his vision, and once more awakened memory. He recalled his arrival on the island, his presentation to a smuggler chief, a subterranean palace full of splendor, an excellent supper, and a spoonful of hashish. It seemed, however, even in the very face of open day, that at least a year had elapsed since all these things had passed, so deep was the impression made in his mind by the dream, and so strong a hold had it taken of his imagination. Thus every now and then he saw in fancy amid the sailors, seated on a rock, or undulating in the vessel, one of the shadows which had shared his dream with looks and kisses. Otherwise, his head was perfectly clear, and his body refreshed; he was free from the slightest headache; on the contrary, he felt a certain degree of lightness, a faculty for absorbing the pure air, and enjoying the bright sunshine more vividly than ever.
Alexandre Dumas (The Count of Monte Cristo)
I would walk round that beautiful, unspoilt little island, with its population of under a hundred and where there isn’t a single tarmac road, thinking about how he would truly sound. Perhaps the quietness of the island helped me do so. ‘Everybody thinks he’s French,’ I said to myself as I walked across the great stones that littered the beach at Rushy Bay, or stomped over the tussocky grass of Heathy Hill, with its famous dwarf pansies. ‘The only reason people think Poirot is French is because of his accent,’ I muttered. ‘But he’s Belgian, and I know that French-speaking Belgians don’t sound French, not a bit of it.’" "I also was well aware of Brian Eastman’s advice to me before I left for Bryher: ‘Don’t forget, he may have an accent, but the audience must be able to understand exactly what he’s saying.’ There was my problem in a nutshell." "To help me, I managed to get hold of a set of Belgian Walloon and French radio recordings from the BBC. Poirot came from Liège in Belgium and would have spoken Belgian French, the language of 30 per cent of the country’s population, rather than Walloon, which is very much closer to the ordinary French language. To these I added recordings of English-language stations broadcasting from Belgium, as well as English-language programmes from Paris. My principal concern was to give my Poirot a voice that would ring true, and which would also be the voice of the man I heard in my head when I read his stories. I listened for hours, and then gradually started mixing Walloon Belgian with French, while at the same time slowly relocating the sound of his voice in my body, moving it from my chest to my head, making it sound a little more high-pitched, and yes, a little more fastidious. After several weeks, I finally began to believe that I’d captured it: this was what Poirot would have sounded like if I’d met him in the flesh. This was how he would have spoken to me – with that characteristic little bow as we shook hands, and that little nod of the head to the left as he removed his perfectly brushed grey Homburg hat. The more I heard his voice in my head, and added to my own list of his personal characteristics, the more determined I became never to compromise in my portrayal of Poirot.
David Suchet (Poirot and Me)
But first: Kip Mdang, I would like you to have this, as a token of my esteem, a promise of my affection, an affirmation of my readiness to follow your star wherever you wander with it, an acknowledgement of my willingness to raise an island for you whenever you need one, and…” Fitzroy took a deep breath. “And a statement of something I have never quite dared say in its full simplicity before, which is that I love you.” Before Cliopher could say anything—before Cliopher could do anything—Fitzroy tugged off his signet ring and placed it on the palm of Cliopher’s hand. Cliopher looked at his fanoa. “That’s the Imperial Seal,” he said, but even without looking down he had closed his hand around the ring. It was warm in his hand from Fitzroy’s body-heat, his inner fire. “It is,” said Fitzroy. “And you know very well that there is not another person in all the Nine Worlds and the lands beyond whom I would trust with it.” “I don’t know what to say,” Cliopher said, knowing his face and his heart were both open as the proverbial shell on the beach. Now Fitzroy smiled, a curving, splendid smile, a Fitzroy Angursell smile. “‘Thank you’ will be quite sufficient, my dear Kip. Seeing as you’ve already done all the hard work of taking down the empire and creating a home for me.
Victoria Goddard (At the Feet of the Sun (Lays of the Hearth-Fire, #2))
There is one last way to break with your past and begin a new stage of your career journey, which is to take some advice that appears at the end of the 1964 film Zorba the Greek. Zorba, the great lover of life, is sitting on the beach with the repressed and bookish Basil, an Englishman who has come to a tiny Greek island with the hope of setting up a small business. The elaborate cable system that Zorba has designed and built for Basil to bring logs down the mountainside has just collapsed on its very first trial. Their whole entrepreneurial venture is in complete ruins, a failure before it has even begun. And that is the moment when Zorba unveils his philosophy of life to Basil: ZORBA: Damn it boss, I like you too much not to say it. You’ve got everything except one thing: madness! A man needs a little madness, or else… BASIL: Or else? ZORBA:…he never dares cut the rope and be free. Basil then stands up and, completely out of character, asks Zorba to teach him how to dance. The Englishman has finally learned that life is there to be lived with passion, that risks are there to be taken, the day is there to be seized. To do otherwise is a disservice to life itself. Zorba’s words are one of the great messages for the human quest in search of the good life. Most of us live bound by our fears and inhibitions. Yet if we are to move beyond them, if we are to cut the rope and be free, we need to treat life as an experiment and discover the little bit of madness that lies within us all.
Roman Krznaric (How to Find Fulfilling Work (The School of Life))
We are not doing it for Jagen. We are doing it for our kind.” “We?” Rayna snaps. “What Gift do you have, Grom? Oh, that’s right. You and Nalia get to stay safely behind while me and Galen and Emma drown an entire island.” Oh, heck no. “Um, I’m not killing anyone,” I say, raising my hand. “Not humans, not Syrena.” “It’s a good thing your Gift isn’t deadly then, isn’t it?” Rayna sneers. “I have an idea. You can give the humans their last meal. That would be special, wouldn’t it?” “How would you like to go without eating for a while?” I shoot back. I could use my Gift to send the fish away from her, or I could just bust all her teeth out. Maturity seems to be evaporating into the air. I wonder if her Gift includes pushing all my buttons in rapid-point-five seconds. But then, I know her animosity is really toward Grom, not me. All I’m doing is feeding her anxiety. Galen tucks a tendril of my hair behind my ear. It’s enough to distract me and he knows it. I give him a sour look for interfering, but he grins. “You don’t have to kill anyone, angelfish. In fact, we need your help to save them.” He seems to be telling me something with his eyes, but I’m not picking up on it. I’d love to blame it on the pain meds. “Doesn’t that kind of miss the point?” Rayna says. “Of course not,” Galen says. “Our objective is to rescue our kind, not kill the humans. We can do that without destroying them.” Everyone is all ears, but Galen is not ready to divulge his plan just yet. He stands. “Highness, tell the Archives we will meet with them to discuss our terms.” “Terms?” Grom says. “This isn’t negotiable, Galen. They need us. It’s our duty as Royals.” Galen shrugs. “As far as I’m concerned, it’s entirely negotiable. And we’re not Royals anymore, not until I hear it from their lips.” He turns to Antonis. “And tell them that in view of recent events, the council must come here, on land. There is no reason for us to doubt that this is a trap to recapture us.” Antonis chuckles. I get the feeling that this is all an amusing game to him. But then, old people have earned the right to be amused by everything. And I’m pretty sure he’s the oldest person I know. “Young Prince Galen, I am at your service.” With that, my grandfather leaves. I turn away as he begins to finagle the shorts from his skinny waist on his way down the beach.
Anna Banks (Of Triton (The Syrena Legacy, #2))
I have, myself, full confidence that if all do their duty, if nothing is neglected, and if the best arrangements are made, as they are being made, we shall prove ourselves once again able to defend our island home, to ride out the storm of war, and to outlive the menace of tyranny, if necessary for years, if necessary alone. At any rate, that is what we are going to try to do. That is the resolve of His Majesty’s Government – every man of them. That is the will of Parliament and the nation. The British Empire and the French Republic, linked together in their cause and in their need, will defend to the death their native soil, aiding each other like good comrades to the utmost of their strength. Even though large tracts of Europe and many old and famous States have fallen or may fall into the grip of the Gestapo and all the odious apparatus of Nazi rule, we shall not flag or fail. We shall go on to the end. We shall fight in France, we shall fight on the seas and oceans, we shall fight with growing confidence and growing strength in the air, we shall defend our island, whatever the cost may be. We shall fight on the beaches, we shall fight on the landing grounds, we shall fight in the fields and in the streets, we shall fight in the hills; we shall never surrender, and even if, which I do not for a moment believe, this island or a large part of it were subjugated and starving, then our Empire beyond the seas, armed and guarded by the British Fleet, would carry on the struggle, until, in God’s good time, the new world, with all its power and might, steps forth to the rescue and the liberation of the old.
Anthony McCarten (Darkest Hour: How Churchill Brought us Back from the Brink)
Nick,' he corrected quietly. 'As to your emotions, they show in your face, in those amazing eyes. One day soon those eyes will change colour and glow for me.' 'They already have done,' Joanna snapped, rage surfacing. 'I never liked you, Mr Martella, and now I can only think I hate you. If I should ever know that you're coming here again I'll make quite sure I'm a long way off!' He took one menacing step towards her and Joanna backed away, her expression of loathing making his face harden frighteningly. 'I will not touch you,' he grated angrily. 'I will merely tell you this: J leave for America tomorrow. I shall be there for two months. When I return I intend to come for you.' The thought of people in the house left Joanna's head entirely. Her hands clenched at her sides and her considerable temper surfaced over grief, fear and utter bewilderment. 'If you were the last man in the universe I wouldn't consent to be near you!' she shouted. 'You've taken away everything I've ever wanted. You've even sneaked up and taken my father. Now I can never go to Santa Marta again!' 'I know you love the island,' he said with surprising quiet. 'Your father told me. We will live there and you will see your father whenever you care to walk down the beach to his house.' 'I'll see him when he comes over to England,' Joanna corrected bitterly. 'One thing is for sure, though: after today I'll never see you again! Forget the mad idea about me, Mr Martella, because I'd rather die!' 'You will not die, Joanna,' he said silkily, 'unless it is the small death that lovers die in each other's arms. And I intend to be your lover. In two months I will be back.
Patricia Wilson (Dark Illusion)
I'm going to kiss you if that's okay," he said. "It won't be our first kiss," she said. "No," he said. "I let one slip at the restaurant. I thought about apologizing to you for that, but I didn't feel sorry." And with that, he kissed her. One very soft, very sweet kiss. The kiss was fleeting but it left a big ache for more in its wake. Adrienne gasped, taking in the cool sea air, and then Thatcher kissed her again. Even softer, even shorter. The third time, he stayed. They were kissing. His mouth opened and Adrienne tasted his tongue, sweet and tangy like the lime in his drink. She felt like she was going to burst apart into eighty-two pieces of desire. Like the best lovers, Thatcher moved slowly- for right now, on the blanket, it was only about the kissing. Not since high school had kissing been this intense. It went on and on. They stopped to look at each other. Adrienne ran her fingertips over his pale eyebrows, she cupped his neck inside the collar of his shirt. He touched her ears and kissed the corners of her eyes, and Adrienne thought about how she had come right out with the truth about her mother at dinner and how unusual that was. And just as she began to worry that there was something different this time, something better, of a finer quality than the other relationships she had found herself in, she and Thatcher started kissing again, and the starting again was even sweeter. Yes, Adrienne thought. Something was different this time. How much time passed? An hour? Two? Of lying on the blanket kissing Thatcher Smith, the man who had handed her a new life on this island. Adrienne felt herself drifting to sleep, she felt him kiss her eyelids closed-
Elin Hilderbrand (The Blue Bistro)
Are you chuckling yet? Because then along came you. A big, broad meat eater with brash blond hair and ruddy skin that burns at the beach. A bundle of appetites. A full, boisterous guffaw; a man who tells knock know jokes. Hot dogs - not even East 86th Street bratwurst but mealy, greasy big guts that terrifying pink. Baseball. Gimme caps. Puns and blockbuster movies, raw tap water and six-packs. A fearless, trusting consumer who only reads labels to make sure there are plenty of additives. A fan of the open road with a passion for his pickup who thinks bicycles are for nerds. Fucks hard and talks dirty; a private though unapologetic taste for porn. Mysteries, thrillers, and science fiction; a subscription to National Geographic. Barbecues on the Fourth of July and intentions, in the fullness of time, to take up golf. Delights in crappy snack foods of ever description: Burgles. Curlies. Cheesies. Squigglies - you're laughing - but I don't eat them - anything that looks less like food than packing material and at least six degrees of separation from the farm. Bruce Springsteen, the early albums, cranked up high with the truck window down and your hair flying. Sings along, off-key - how is it possible that I should be endeared by such a tin ear?Beach Boys. Elvis - never lose your roots, did you, loved plain old rock and roll. Bombast. Though not impossibly stodgy; I remember, you took a shine to Pearl Jam, which was exactly when Kevin went off them...(sorry). It just had to be noisy; you hadn't any time for my Elgar, my Leo Kottke, though you made an exception for Aaron Copeland. You wiped your eyes brusquely at Tanglewood, as if to clear gnats, hoping I didn't notice that "Quiet City" made you cry. And ordinary, obvious pleasure: the Bronx Zoo and the botanical gardens, the Coney Island roller coaster, the Staten Island ferry, the Empire State Building. You were the only New Yorker I'd ever met who'd actually taken the ferry to the Statue of Liberty. You dragged me along once, and we were the only tourists on the boat who spoke English. Representational art - Edward Hopper. And my lord, Franklin, a Republican. A belief in a strong defense but otherwise small government and low taxes. Physically, too, you were such a surprise - yourself a strong defense. There were times you were worried that I thought you too heavy, I made so much of your size, though you weighed in a t a pretty standard 165, 170, always battling those five pounds' worth of cheddar widgets that would settle over your belt. But to me you were enormous. So sturdy and solid, so wide, so thick, none of that delicate wristy business of my imaginings. Built like an oak tree, against which I could pitch my pillow and read; mornings, I could curl into the crook of your branches. How luck we are, when we've spared what we think we want! How weary I might have grown of all those silly pots and fussy diets, and how I detest the whine of sitar music!
Lionel Shriver (We Need to Talk About Kevin)
Well this wasn’t Vegas, and this wasn’t Disneyland, this was ‘Erotica- The Theme Park – featuring Femdom World, Slave World, Bondage World, Spanking World – and so much more!’ -according to the brochure Jillian and Rebecca handed me with great fanfare the next day. -This is a beautiful brochure, I said – very- -Glossy , said Rebecca. -Right, I studied it some more – so is this…I mean – legal? I mean, is it for real? -O yes, they said. -Well. Wow, I guess. -Wow is right, they said. Jillian had been on some trip with one of her many very rich and very ugly men friends, and they had shown her the place. (no she didn’t say to what extent she was ’shown’ the place. She was very tight lipped about it, -wanted everything to be a surprise, she said) To be aware of Erotica-The Theme Park, and its Hotel Ecstasy you need money, connections, and more. In fact you need at least a 100 ft yacht to dock at its private Marina. And no I can’t tell you where it is, otherwise they will revoke my membership pass and kill my first born. But let’s say - it’s on an island, with warm water ,pure white sand beaches, it’s for the very rich, and it’s not far , by private helicopter from certain well known islands in let’s say, the Caribbean.
Germaine Gibson (Theme Park Erotica)
Roosevelt wouldn't interfere even when he found out that Moses was discouraging Negroes from using many of his state parks. Underlying Moses' strikingly strict policing for cleanliness in his parks was, Frances Perkins realized with "shock," deep distaste for the public that was using them. "He doesn't love the people," she was to say. "It used to shock me because he was doing all these things for the welfare of the people... He'd denounce the common people terribly. To him they were lousy, dirty people, throwing bottles all over Jones Beach. 'I'll get them! I'll teach them!' ... He loves the public, but not as people. The public is just The Public. It's a great amorphous mass to him; it needs to be bathed, it needs to be aired, it needs recreation, but not for personal reasons -- just to make it a better public." Now he began taking measures to limit use of his parks. He had restricted the use of state parks by poor and lower-middle-class families in the first place, by limiting access to the parks by rapid transit; he had vetoed the Long Island Rail Road's proposed construction of a branch spur to Jones Beach for this reason. Now he began to limit access by buses; he instructed Shapiro to build the bridges across his new parkways low -- too low for buses to pass. Bus trips therefore had to be made on local roads, making the trips discouragingly long and arduous. For Negroes, whom he considered inherently "dirty," there were further measures. Buses needed permits to enter state parks; buses chartered by Negro groups found it very difficult to obtain permits, particularly to Moses' beloved Jones Beach; most were shunted to parks many miles further out on Long Island. And even in these parks, buses carrying Negro groups were shunted to the furthest reaches of the parking areas. And Negroes were discouraged from using "white" beach areas -- the best beaches -- by a system Shapiro calls "flagging"; the handful of Negro lifeguards [...] were all stationed at distant, least developed beaches. Moses was convinced that Negroes did not like cold water; the temperature at the pool at Jones Beach was deliberately icy to keep Negroes out. When Negro civic groups from the hot New York City slums began to complain about this treatment, Roosevelt ordered an investigation and an aide confirmed that "Bob Moses is seeking to discourage large Negro parties from picnicking at Jones Beach, attempting to divert them to some other of the state parks." Roosevelt gingerly raised the matter with Moses, who denied the charge violently -- and the Governor never raised the matter again.
Robert A. Caro (The Power Broker: Robert Moses and the Fall of New York)
How I Got That Name Marilyn Chin an essay on assimilation I am Marilyn Mei Ling Chin Oh, how I love the resoluteness of that first person singular followed by that stalwart indicative of “be," without the uncertain i-n-g of “becoming.” Of course, the name had been changed somewhere between Angel Island and the sea, when my father the paperson in the late 1950s obsessed with a bombshell blond transliterated “Mei Ling” to “Marilyn.” And nobody dared question his initial impulse—for we all know lust drove men to greatness, not goodness, not decency. And there I was, a wayward pink baby, named after some tragic white woman swollen with gin and Nembutal. My mother couldn’t pronounce the “r.” She dubbed me “Numba one female offshoot” for brevity: henceforth, she will live and die in sublime ignorance, flanked by loving children and the “kitchen deity.” While my father dithers, a tomcat in Hong Kong trash— a gambler, a petty thug, who bought a chain of chopsuey joints in Piss River, Oregon, with bootlegged Gucci cash. Nobody dared question his integrity given his nice, devout daughters and his bright, industrious sons as if filial piety were the standard by which all earthly men are measured. * Oh, how trustworthy our daughters, how thrifty our sons! How we’ve managed to fool the experts in education, statistic and demography— We’re not very creative but not adverse to rote-learning. Indeed, they can use us. But the “Model Minority” is a tease. We know you are watching now, so we refuse to give you any! Oh, bamboo shoots, bamboo shoots! The further west we go, we’ll hit east; the deeper down we dig, we’ll find China. History has turned its stomach on a black polluted beach— where life doesn’t hinge on that red, red wheelbarrow, but whether or not our new lover in the final episode of “Santa Barbara” will lean over a scented candle and call us a “bitch.” Oh God, where have we gone wrong? We have no inner resources! * Then, one redolent spring morning the Great Patriarch Chin peered down from his kiosk in heaven and saw that his descendants were ugly. One had a squarish head and a nose without a bridge Another’s profile—long and knobbed as a gourd. A third, the sad, brutish one may never, never marry. And I, his least favorite— “not quite boiled, not quite cooked," a plump pomfret simmering in my juices— too listless to fight for my people’s destiny. “To kill without resistance is not slaughter” says the proverb. So, I wait for imminent death. The fact that this death is also metaphorical is testament to my lethargy. * So here lies Marilyn Mei Ling Chin, married once, twice to so-and-so, a Lee and a Wong, granddaughter of Jack “the patriarch” and the brooding Suilin Fong, daughter of the virtuous Yuet Kuen Wong and G.G. Chin the infamous, sister of a dozen, cousin of a million, survived by everbody and forgotten by all. She was neither black nor white, neither cherished nor vanquished, just another squatter in her own bamboo grove minding her poetry— when one day heaven was unmerciful, and a chasm opened where she stood. Like the jowls of a mighty white whale, or the jaws of a metaphysical Godzilla, it swallowed her whole. She did not flinch nor writhe, nor fret about the afterlife, but stayed! Solid as wood, happily a little gnawed, tattered, mesmerized by all that was lavished upon her and all that was taken away!
Marilyn Chin
Listen, you don't have to get up or anything. Galen just...uh...went for a swim. He'll be back real soon." I look between them and past the beach. I shake my head. "What? What's wrong, Emma?" he asks. I like Toraf. He seems genuinely concerned about me, without ever having met me. Rayna looks as if she might want to stomp on my head and finish the job I started with the cafeteria door. "Storm," I say. The one syllable word polka-dots my vision. Toraf smiles. "He'll be back before the storm. Can I get you anything? Something to eat? Something to drink?" "A taxi?" Rayna pitches in. "Go to the kitchen, Rayna," he says. "Unless you're ready to go find an island?" I'm not sure how far away the kitchen is, but it seems like she stomps for a good five minutes. Finding an island doesn't really seem like a fitting punishment for being rude, but since I do have a head injury, I give them the benefit of the doubt. Plus, there's always the possibility that I imagined the whole thing. "Do you mind if I sit?" Toraf says. I shake my head. He eases onto the edge of the couch and pulls the blanket back over me. I hope he takes my nod for "Thanks." He crouches down and whispers, "Listen, Emma. Before Galen gets back. There's something I want to ask you. Oh, don't worry, it's a yes or no question. No talking involved." I hope he takes my nod for "Sure, why not? You're nice." He glances around, as if he's about to rob me instead of ask a question. "Do you feel...uh...tingly...when you're around Galen?" This time, I hope he takes my wide-eyed nod for "Ohmysweetgoodness, how did you know that?" "I knew it!" he hisses. "Listen, I'd appreciate it if you didn't mention it to Galen. You'll both be better off if he figures it out on his own. Promise?" I hope he takes my nod for "This is the strangest dream I've ever had." Everything goes black.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Excerpt from Storm’s Eye by Dean Gray With a final drag and drop, Jordan Rayne sent his latest creation winging its way toward the publisher. He looked up, squinted at that little clock in the right hand corner of his monitor, and removed his glasses to rub the bridge of his nose. His cover art was finished and shipped, just in time for lunch. He sighed and stood, rolling his shoulders and bending side to side, his back cracking in protest as the muscles loosened after having been hunched over the screen for so long. Sam raised his head, tilting it enquiringly at him, and Jordan laughed. “Yeah, I know what you want, some lunch and a nice long walk along the beach, hmm?” Jordan smiled fondly at the furry ball of energy he’d saved from certain death. With his mom’s recent death it was just Sam and him in the house. Sometimes he wondered what kept him here, now that the last thread tethering him to the island was severed. Sam limped over and nuzzled at his hand. When Jordan had first found him out on the main road, hurt and bleeding, he hadn’t been sure the pooch would make it. Taylor, his best friend and the local vet, had done what she could. At the time, Jordan simply didn’t have the deep pockets for the fancy surgery needed to mend Sam’s leg perfectly, he could barely afford the drugs to keep his mom in treatment. So they’d patched him up as well as they could, Taylor extending herself further than he could ever repay, and hoped for the best. The dog had made a startling recovery, urged on by plenty of rest and good food and lots of love, and had flourished, the slight limp now barely noticeable. Jordan’s conscience still twinged as he watched Sam limp over to his dish, but he had barely been keeping things together at the time. He had done the best he could. He’d done his best to find Sam’s real owners as well, papering downtown Bar Harbor with a hand-drawn sketch of the dog, but to no avail. The only thing it had prompted was one kind soul wanting to buy the illustration. But no one had ever come forward to claim the “goldendoodle,” which Taylor had told him was a golden retriever/standard poodle cross. Who had a dog breed like that anyway? Summer people! Jordan shook his head, grinning at the dog’s foolish antics, weaving in and around his legs like he was still a little pup instead of the fifty-pound fuzzball he actually was now. So without meaning to at all, Sam had drifted into Jordan’s life and stayed, a loyal, faithful companion.
Dean Gray