Isis Papers Quotes

I love you," she said. "You made me fall in love with you. I don't care how tall you are or what color your hair is-I care about you. You make me laugh. You're smart. You're gentle. And you're real, you're a real person, not some jock with a facade that's going to fall apart when I get to know him. I know you already, and I love you, you idiot. I don't care what you do with toilet paper.

The destruction of Black males now is indirect, so that the Black male victims themselves can be led to participate in - and then be blamed for- their own mass deaths.

We do not realize that the massive deaths of Black males constitute the genocide of Black people (as it takes Black males to make Black babies and ensure future Black generations).

The chain of events begins with the denial of full scale employment and advancement to Black males so that they cannot adequately support themselves, their wives and their children.

Most important, Black males must help one another to understand that they are being led by the dynamic of white supremacy to inflict extreme damage upon themselves, one another and ultimately the Black race. Black males must understand that, contrary to what is said, the war being conducted in urban centers is not against drugs but against Black males- for the purpose of white genetic survival.

(It must be realized that no Black males manufacture the chemicals for drug use, nor do any Black males manufacture guns.)

Melanin is the black pigment which permits skins to appear other than white (black, brown, red and yellow). Melanin pigment coloration is the norm for the hue-man family. If there are non-white readers who disagree with this presentation of white rejection of the white-skinned self, may I refer you to the literature on the currently developing sun-tanning parlors.

The destruction of Black males for the purpose of white genetic survival is the reason behind the ever-increasing disparity between the \ number of Black females entering and graduating from high schools and institutions of higher education compared to the far lesser number of Black males.

Whoever is born on a day I forget to send a message to Antony will die a beggar. Bring ink and paper, Charmian. Welcome, my good Alexas. Charmian, did I ever love Caesar as much as this? Oh, that splendid Caesar! May you choke on any other sentiments like that! Say, “That splendid Antony.” The courageous Caesar! By Isis, I’ll give you bloody teeth if you ever compare Caesar with Antony, my best man among men.

It should surprise no one that the life of the writer--such as it is--is colorless to the point of sensory deprivation. Many writers do little else but sit in small rooms recalling the real world. This explains why so many books describe the author's childhood. A writer's childhood may well have been the occasion of his only firsthand experience. Writers read literary biography, and surround themselves with other writers, deliberately to enforce in themselves the ludicrous notion that a reasonable option for occupying yourself on the planet until your life span plays itself out is sitting in a small room for the duration, in the company of pieces of paper.

We're all so happy you're feeling better, Miss McIntosh. Looks like you still have a good bump on your noggin, though," she says in her childlike voice. Since there is no bump on my noggin, I take a little offense but decide to drop it. "Thanks, Mrs. Poindexter. It looks worse than it feels. Just a little tender." "Yeah, I'd say the door got the worst of it," he says beside me. Galen signs himself in on the unexcused tardy sheet below my name. When his arm brushes against mine, it feels like my blood's turned into boiling water. I turn to face him. My dreams really do not do him justice. Long black lashes, flawless olive skin, cut jaw like an Italian model, lips like-for the love of God, have some dignity, nitwit. He just made fun of you. I cross my arms and lift my chin. "You would know," I say. He grins, yanks my backpack from me, and walks out. Trying to ignore the waft of his scent as the door shuts, I look to Mrs. Poindexter, who giggles, shrugs, and pretends to sort some papers. The message is clear: He's your problem, but what a great problem to have. Has he charmed he sense out of the staff here, too? If he started stealing kids' lunch money, would they also giggle at that? I growl through clenched teeth and stomp out of the office. Galen is waiting for me right outside the door, and I almost barrel into him. He chuckles and catches my arm. "This is becoming a habit for you, I think." After I'm steady-after Galen steadies me, that is-I poke my finger into his chest and back him against the wall, which only makes him grin wider. "You...are...irritating...me," I tell him. "I noticed. I'll work on it." "You can start by giving me my backpack." "Nope." "Nope?" "Right-nope. I'm carrying it for you. It's the least I can do." "Well, can't argue with that, can I?" I reach around for it, but he moves to block me. "Galen, I don't want you to carry it. Now knock it off. I'm late for class." "I'm late for it too, remember?" Oh, that's right. I've let him distract me from my agenda. "Actually, I need to go back to the office." "No problem. I'll wait for you here, then I'll walk you to class." I pinch the bridge of my nose. "That's the thing. I'm changing my schedule. I won't be in your class anymore, so you really should just go. You're seriously violating Rule Numero Uno." He crosses his arms. "Why are you changing your schedule? Is it because of me?" "No." "Liar." "Sort of." "Emma-" "Look, I don't want you to take this personally. It's just that...well, something bad happens every time I'm around you." He raises a brow. "Are you sure it's me? I mean, from where I stood, it looked like your flip-flops-" "What were we arguing about anyway? We were arguing, right?" "You...you don't remember?" I shake my head. "Dr. Morton said I might have some short-term memory loss. I do remember being mad at you, though." He looks at me like I'm a criminal. "You're saying you don't remember anything I said. Anything you said." The way I cross my arms reminds me of my mother. "That's what I'm saying, yes." "You swear?" "If you're not going to tell me, then give me my backpack. I have a concussion, not broken arms. I'm not helpless." His smile could land him a cover shoot for any magazine in the country. "We were arguing about which beach you wanted me to take you to. We were going swimming after school." "Liar." With a capital L. Swimming-drowning-falls on my to-do list somewhere below giving birth to porcupines. "Oh, wait. You're right. We were arguing about when the Titanic actually sank. We had already agreed to go to my house to swim.

Isis in Darkness, he writes. The Genesis. It exalts him simply to form the words. He will exist for her at last, he will be created by her, he will have a place in her mythology after all. It will not be what he once wanted: not Osiris, not a blue-eyed god with burning wings. His are humbler metaphors. He will only be the archaeologist; not part of the main story, but the one who stumbles upon it afterwards, making his way for his own obscure and battered reasons through the jungle, over the mountains, across the desert, until he discovers at last the pillaged and abandoned temple. In the ruined sanctuary, in the moonlight, he will find the Queen of Heaven and Earth and the Underworld lying in shattered white marble on the floor. He is the one who will sift through the rubble, groping for the shape of the past. He is the one who will say it has meaning. That too is a calling, that also can be a fate. He picks up a filing-card, jots a small footnote on it in his careful writing, and replaces it neatly in the mosaic of paper he is making across his desk. His eyes hurt. He closes them and rests his forehead on his two fisted hands, summoning up whatever is left of his knowledge and skill, kneeling beside her in the darkness, fitting her broken pieces back together.

the research? “So many people, I did not know them all. They studied my work. They asked me questions. I told the ISI about it when I got home. A major like you, he was. You can check.” The major did not want to make more work for himself. And it was true, the story as it had been narrated and understood was all in the files. “Why did you go back to America?” he demanded, looking at a sheet of paper. “I was invited to present a paper at a conference that was cosponsored by the Institute of Electrical and Electronics Engineers. It was a great honor for me, and for my university. You can ask them.” He held out his cell phone again, so that Major Nadeem could make a call to verify, but the major shook his head. They spent several more hours like this, going through the major episodes of Dr. Omar’s career. When they came to his most recent work on computer-security algorithms, Dr. Omar apologized that he could not talk about this work in any detail because it had been classified as “top secret” by the Pakistani military. The major found nothing of interest. Dr. Omar was very careful, then and always. The major asked him to sign a paper, and to report any suspicious contacts, and Dr. Omar assured him that he would. The Pakistani authorities never came after him again. That was three years before his world went white.   Omar al-Wazir had multiple binary identities, it could be said. He was a Pakistani but also, in some sense, a man tied to the West. He was a Pashtun from the raw tribal area of South Waziristan, but he was also a modern man. He was a secular scientist and also a Muslim, if not quite a believer. His loyalties might indeed have been confused before the events of nearly two years ago, but not now. Sometimes Dr. Omar grounded himself by recalling the spirit of his father, Haji Mohammed. He remembered the old man shaking his head when Omar took wobbly practice shots with an Enfield rifle, missing the target nearly every time. The look on the father’s face asked: How can this be my oldest son, this boy who cannot shoot? But Haji Mohammed had taught him the code of manhood, just the same. Omar had learned the

So, if people don't want a war - are opposed to a war - how do you get away with it? You change public opinion and manufacture consent, that's how. You construct a carefully organised deception. A well-crafted and perfectly executed lie. Stage a false flag attacks, created by our own security services, blame it on terrorists, blow up British or US soldiers, bomb our buildings, fly planes into them, lie about weapons of mass destruction that can annihilate us in forty-five minutes flat. And bombard people with it in the media. Terrorists! Terrorism! Cells! Al-Qaeda! Isis! So every single time you turn on the new or read a paper, it's there. Despite the fact that statistically, you're more likely to be killed in a car accident or by your own bathtub than killed by a terrorist! And all the while, they're hiding the real reasons. Oil and gas. Gold. Regime change. Land. Power. Money. So they carry on until the public gets scared and angry, and yes, let's bomb these bastards! And how dare these people threaten and attack us! Then they want the war. The public are practically begging for it by then! Like George Orwell said, "The people believe what the media tells them". And if you control the media, the money, the politics, and the military, you control the whole systems.

And when it comes to analysis, the ISI has a poor record. ‘They saw everything through pre-determined ideological prisms, rather like the KBG during the Cold War,’ a senior British official who worked with the ISI for decades told me. ‘Frankly,’ he added. ‘None of their analysis was worth the paper it was written on.