Irish Wedding Quotes

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An Irish wedding is a tame thing to an Irish funeral.
Mary Deasy (The Hour of Spring (The Irish-Americans))
We sat grown quiet at the name of love; We saw the last embers of daylight die, And in the trembling blue-green of the sky A moon, worn as if it had been a shell Washed by time's waters as they rose and fell About the stars and broke in days and years. I had a thought for no one's but your ears: That you were beautiful, and that I strove To love you in the old high way of love; That it had all seemed happy, and yet we'd grown As weary-hearted as that hollow moon
W.B. Yeats (In the Seven Woods: Being Poems Chiefly of the Irish Heroic Age)
May the road rise to meet you. May the wind be always at your back. May the sun shine warm upon your face. May the rains fall soft upon your fields, and until we meet again, May the Lord hold you in the palm of His hand. Irish blessing
Janice Thompson (Picture Perfect (Weddings by Design #1))
May your neighbors respect you, Trouble neglect you, The angels protect you, And heaven accept you. Irish blessing
Janice Thompson (Picture Perfect (Weddings by Design #1))
May you always walk in sunshine. May you never want for more. May Irish angels rest their wings right beside your door. Irish blessing
Janice Thompson (Picture Perfect (Weddings by Design #1))
In becoming an Irishman, Patrick wedded his world to theirs, his faith to their life…Patrick found a way of swimming down to the depths of the Irish psyche and warming and transforming Irish imagination – making it more humane and more noble while keeping it Irish.” (161)
Thomas Cahill (How the Irish Saved Civilization: The Untold Story of Ireland's Heroic Role from the Fall of Rome to the Rise of Medieval Europe)
May you get all your wishes but one, So you always have something to strive for. Irish blessing
Janice Thompson (Picture Perfect (Weddings by Design #1))
May there always be work for your hands to do. May your purse always hold a coin or two. May the sun always shine on your windowpane. May a rainbow be certain to follow each rain. Irish blessing
Stephen Revell (Picture Perfect (Weddings by Design #1))
May you never forget what is worth remembering, Nor ever remember what is best forgotten. Irish proverb
Janice Thompson (Picture Perfect (Weddings by Design #1))
May you have the hindsight to know where you’ve been, The foresight to know where you’re going, And the insight to know when you’re going too far. Irish proverb
Janice Thompson (Picture Perfect (Weddings by Design #1))
May your troubles be less And your blessings be more And nothing but happiness Come through your door. Irish blessing
Janice Thompson (Picture Perfect (Weddings by Design #1))
A Rock, A River, A Tree Hosts to species long since departed, Mark the mastodon. The dinosaur, who left dry tokens Of their sojourn here On our planet floor, Any broad alarm of their of their hastening doom Is lost in the gloom of dust and ages. But today, the Rock cries out to us, clearly, forcefully, Come, you may stand upon my Back and face your distant destiny, But seek no haven in my shadow. I will give you no hiding place down here. You, created only a little lower than The angels, have crouched too long in The bruising darkness, Have lain too long Face down in ignorance. Your mouths spelling words Armed for slaughter. The rock cries out today, you may stand on me, But do not hide your face. Across the wall of the world, A river sings a beautiful song, Come rest here by my side. Each of you a bordered country, Delicate and strangely made proud, Yet thrusting perpetually under siege. Your armed struggles for profit Have left collars of waste upon My shore, currents of debris upon my breast. Yet, today I call you to my riverside, If you will study war no more. Come, clad in peace and I will sing the songs The Creator gave to me when I And the tree and stone were one. Before cynicism was a bloody sear across your brow And when you yet knew you still knew nothing. The river sings and sings on. There is a true yearning to respond to The singing river and the wise rock. So say the Asian, the Hispanic, the Jew, The African and Native American, the Sioux, The Catholic, the Muslim, the French, the Greek, The Irish, the Rabbi, the Priest, the Sheikh, The Gay, the Straight, the Preacher, The privileged, the homeless, the teacher. They hear. They all hear The speaking of the tree. Today, the first and last of every tree Speaks to humankind. Come to me, here beside the river. Plant yourself beside me, here beside the river. Each of you, descendant of some passed on Traveller, has been paid for. You, who gave me my first name, You Pawnee, Apache and Seneca, You Cherokee Nation, who rested with me, Then forced on bloody feet, Left me to the employment of other seekers-- Desperate for gain, starving for gold. You, the Turk, the Swede, the German, the Scot... You the Ashanti, the Yoruba, the Kru, Bought, sold, stolen, arriving on a nightmare Praying for a dream. Here, root yourselves beside me. I am the tree planted by the river, Which will not be moved. I, the rock, I the river, I the tree I am yours--your passages have been paid. Lift up your faces, you have a piercing need For this bright morning dawning for you. History, despite its wrenching pain, Cannot be unlived, and if faced with courage, Need not be lived again. Lift up your eyes upon The day breaking for you. Give birth again To the dream. Women, children, men, Take it into the palms of your hands. Mold it into the shape of your most Private need. Sculpt it into The image of your most public self. Lift up your hearts. Each new hour holds new chances For new beginnings. Do not be wedded forever To fear, yoked eternally To brutishness. The horizon leans forward, Offering you space to place new steps of change. Here, on the pulse of this fine day You may have the courage To look up and out upon me, The rock, the river, the tree, your country. No less to Midas than the mendicant. No less to you now than the mastodon then. Here on the pulse of this new day You may have the grace to look up and out And into your sister's eyes, Into your brother's face, your country And say simply Very simply With hope Good morning.
Maya Angelou
May your troubles be as few and as far apart as my grandmother’s teeth. Irish proverb
Janice Thompson (Picture Perfect (Weddings by Design #1))
Both your friend and your enemy think you will never die. Irish proverb
Janice Thompson (Picture Perfect (Weddings by Design #1))
May your blessings outnumber The shamrocks that grow. And may trouble avoid you Wherever you go. Irish blessing
Stephen Revell (Picture Perfect (Weddings by Design #1))
May God give you . . . For every storm, a rainbow, for every tear, a smile. For every care, a promise, and a blessing in each trial. For every problem life sends, a faithful friend to share. For every sigh, a sweet song, and an answer for each prayer. Irish blessing
Janice Thompson (Picture Perfect (Weddings by Design #1))
May God give you . . . For every storm, a rainbow, for every tear, a smile. For every care, a promise, and a blessing in each trial. For every problem life sends, a faithful friend to share. For every sigh, a sweet song, and an answer for each prayer. Irish blessing
Stephen Revell (Picture Perfect (Weddings by Design #1))
An Irishman walks into a pub,” she begins and the bar went silent. “The bartender asks him, ‘What'll you have?’” Her Irish accent was spot on. “The man says, ‘Give me three pints of Guinness, please.’ The bartender brings him three pints and the man proceeds to alternately sip one, then the other, then the third until they're gone. He then orders three more. “The bartender says, ‘Sir, no need to order as many at a time. I’ll keep an eye on it and when you get low, I'll bring you a fresh one.’ The man replies, ‘You don't understand. I have two brothers, one in Australia and one in the States. We made a vow to each other that every Saturday night we'd still drink together. So right now, me brothers have three Guinness stouts too, and we're drinking together.’ “The bartender thought this a wonderful tradition and every week the man came in and ordered three beers.” January’s playing and voice became more solemn, dramatic. “But one week, he ordered only two.” The crowd oohed and ahhed. “He slowly drank them,” she continued darkly, “and then ordered two more. The bartender looked at him sadly. ‘Sir, I know your tradition, and, agh, I'd just like to say that I'm sorry for your loss.’ “The man looked on him strangely before it finally dawned on him. ‘Oh, me brothers are fine - I just quit drinking.
Fisher Amelie (Thomas & January (Sleepless, #2))
The only difference between an Irish funeral and an Irish wedding is that there’s one less drunk.
Jean Grainger (The Tour)
An elderly man called Keith Mislaid his set of false teeth— They’d been laid on a chair, He’d forgot they were there, Sat down, and was bitten beneath. Irish limerick
Janice Thompson (Picture Perfect (Weddings by Design #1))
Our wedding programs included the Yeats quote, “Being Irish, he had an abiding sense of tragedy, which sustained him through temporary periods of joy.
Amy Chozick (Chasing Hillary: On the Trail of the First Woman President Who Wasn't)
There’s an Irish blessing that I think fits well here,” Kathleen said. “May love and laughter light your days, and warm your heart and home.
Julie James (It Happened One Wedding (FBI/US Attorney, #5))
ah' he says 'I didn't think you had the local accent.' I wonder what he expects. Top o' the morning and to be sure, to be sure and shamrocks and leprechauns
Lucy Foley (The Guest List)
May those who love us, love us. And for those who don’t love us, May God turn their hearts. And if he cannot turn their hearts, May he turn their ankles, So we may know them by their limping. Irish saying
Janice Thompson (Picture Perfect (Weddings by Design #1))
There are good ships and there are wood ships, the ships that sail the sea. But the best ships are friendships, and may they always be. A toast to your coffin. May it be made of hundred-year-old oak. And may we plant the tree together tomorrow. Here’s to Eve, the mother of us all, and here’s to Adam, who was Johnny-on-the-spot when the leaf began to fall. Give a man a match and he’ll be warm for a minute, but set him on fire and he’ll be warm for the rest of his life. Leprechauns, castles, good luck, and laughter. Lullabies, dreams, and love ever after. Poems and songs with pipes and drums. A thousand welcomes when anyone comes . . . That’s the Irish for you!
Stephen Revell (Picture Perfect (Weddings by Design #1))
Nazi persecution didn’t limit itself to race. Religion, national origin, alternative lifestyles, persons with disabilities—all were targets. How would you characterize the Slavs? Gypsies? Moors? All the lines get blurred. Even within Judaism, there are many races. There are Negro Jews in Ethiopia and Middle Eastern Jews in Iraq. There have been Jews in Japan since the 1860s. Poland was fractionally Jewish, but there were still three and a half million Jews living there in the 1930s.” “But still, today it all seems so incomprehensible.” Ben raised his eyebrows. “Incomprehensible because we’re Americans? Land of the free and home of the brave? Let’s not kid ourselves. We’ve authored our own chapters in the history of shame, periods where the world looked at us and shook its head. Early America built an economy based on slavery and it was firmly supported by law. Read the Supreme Court’s decision in Dred Scott. We trampled entire cultures of Native Americans. ‘No Irish Need Apply’ was written on factory gates in nineteenth-century New York.” Ben shook his head. “We’d like to think we’re beyond such hatred, but the fact is, we can never let our guard down. That’s why this case is so important. To you and to me. It’s another reminder of what can happen when evil is allowed to incubate. Find a reason to turn your nose up at a culture, to denigrate a people because they’re different, and it’s not such a giant leap from ethnic subjugation to ethnic slaughter.” Catherine
Ronald H. Balson (Once We Were Brothers (Liam Taggart & Catherine Lockhart, #1))
I don't like to make mistakes. Which is why I haven't been with a man before now." He as thrown off balance so quickly and completely, he coud hear his own brain stumble. "Well,that's...that's wise." He took one definite step back, like a chessman going from square to square. "It's interesting that makes you nervous," she said, countering his move. "I'm not nervous,I'm...finished up here, it seems." He tried another tactic, stepped to the side. "Interesting," she continued, mirroring his move, "that it would make you nervous,or uneasy if you prefer, when you've been...I think it's safe to use the term 'hitting on me' since we met." "I don't think that's the proper term at all." Since he seemed to be boxed into a corner,he decided he was really only standing his ground. "I acted in a natural way regarding a physical attraction. But-" "And now that I've reacted in a natural way, you've felt the reins slip out of your hands and you're panicked." "I'm certainly not panicked." He ignored the terror gripping claws into his belly and concentrated on annoyance. "Back off, Keeley." "No." With her eyes locked on his, she stepped in.Checkmate. His back was hard up against a stall door and he'd been maneuvered there by a woman half his weight.It was mortifying. "This isn't doing either of us any credit." It took a lot of effort when the blood was rapidly draining out of his head, but he made his voice cool and firm. "The fact is I've rethought the matter." "Have you?" "I have,yes,and-stop it," he ordered when she ran the palms of her hands up over his chest. "You're hearts pounding," she murmured. "So's mine.Should I tell you what goes on inside my head,inside my body when you kiss me" "No." He barely managed a croak this time. "And it's not going to happen again." "Bet?" She laughed, rising up just enough to nip his chin. How could she have known how much fun it was to twist a man into aroused knots? "Why don't you tell me about this rethinking?" "I'm not going to take advantage of your-of the situation." That,she thought,was wonderfully sweet. "At the moment,I seem to have the advantage.This time you're trembling,Brian." The hell he was.How could he be trembling when he couldn't feel his own legs? "I won't be responsible.I won't use your inexperience.I won't do this." The last was said on a note of desperation and he pushed her aside. "I'm responsible for myself.And I think I've just proven to both of us,that if and when I decide you'll be the one, you won't have a prayer." She drew a deep, satisfied breath. "Knowing that's incredibly flattering." "Arousing a man doesn't take much skill, Keeley. We're cooperative creatures in that area." If he'd expected that to scratch at her pride,and cut into her power,he was mistaken. She only smiled,and the smile was full of secret female knowledge. "If that was true between us, if that were all that's between us, we'd be naked on the tack room floor right now." She saw the change in his eyes and laughed delightedly. "Already thought of that one, have you? We'll just hold that thought for another time.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
wedding rings’, a safe adventure that united all newcomers. These were young families no longer fearful of getting into debt: avid consumers since they possessed almost nothing; children of poor Irish, Italian, Jewish and other immigrants convinced that all their dreams for the future were about to come true. Levittown and communities like it nurtured a social change that was to turn traditional America on its head: the start of the move to the suburbs, the end of the old city and the old countryside. Another beginning, an elderly American once told me, was the advent of new cars. For him it all started with the cars, or rather their colours. He traced it back to the autumn of 1954, when he noticed people thronging in front of local car showrooms. Something extraordinary was
Geert Mak (In America: Travels with John Steinbeck)
HE DO THE POLICE IN DIFFERENT VOICES: Part I THE BURIAL OF THE DEAD First we had a couple of feelers down at Tom's place, There was old Tom, boiled to the eyes, blind, (Don't you remember that time after a dance, Top hats and all, we and Silk Hat Harry, And old Tom took us behind, brought out a bottle of fizz, With old Jane, Tom's wife; and we got Joe to sing 'I'm proud of all the Irish blood that's in me, 'There's not a man can say a word agin me'). Then we had dinner in good form, and a couple of Bengal lights. When we got into the show, up in Row A, I tried to put my foot in the drum, and didn't the girl squeal, She never did take to me, a nice guy - but rough; The next thing we were out in the street, Oh it was cold! When will you be good? Blew in to the Opera Exchange, Sopped up some gin, sat in to the cork game, Mr. Fay was there, singing 'The Maid of the Mill'; Then we thought we'd breeze along and take a walk. Then we lost Steve. ('I turned up an hour later down at Myrtle's place. What d'y' mean, she says, at two o'clock in the morning, I'm not in business here for guys like you; We've only had a raid last week, I've been warned twice. Sergeant, I said, I've kept a decent house for twenty years, she says, There's three gents from the Buckingham Club upstairs now, I'm going to retire and live on a farm, she says, There's no money in it now, what with the damage don, And the reputation the place gets, on account off of a few bar-flies, I've kept a clean house for twenty years, she says, And the gents from the Buckingham Club know they're safe here; You was well introduced, but this is the last of you. Get me a woman, I said; you're too drunk, she said, But she gave me a bed, and a bath, and ham and eggs, And now you go get a shave, she said; I had a good laugh, couple of laughs (?) Myrtle was always a good sport'). treated me white. We'd just gone up the alley, a fly cop came along, Looking for trouble; committing a nuisance, he said, You come on to the station. I'm sorry, I said, It's no use being sorry, he said; let me get my hat, I said. Well by a stroke of luck who came by but Mr. Donovan. What's this, officer. You're new on this beat, aint you? I thought so. You know who I am? Yes, I do, Said the fresh cop, very peevish. Then let it alone, These gents are particular friends of mine. - Wasn't it luck? Then we went to the German Club, Us We and Mr. Donovan and his friend Joe Leahy, Heinie Gus Krutzsch Found it shut. I want to get home, said the cabman, We all go the same way home, said Mr. Donovan, Cheer up, Trixie and Stella; and put his foot through the window. The next I know the old cab was hauled up on the avenue, And the cabman and little Ben Levin the tailor, The one who read George Meredith, Were running a hundred yards on a bet, And Mr. Donovan holding the watch. So I got out to see the sunrise, and walked home. * * * * April is the cruellest month, breeding lilacs out of the dead land....
T.S. Eliot (The Waste Land Facsimile)
Bridezellia was like General Patton she had an Operations Room, HQ established in her sitting room. Wall charts, to do lists, pictures, contact lists, mood charts, a calendar, list of dates and jobs were marked off with daily duties in her thick black diary. Her second in command was Saoirse, her local wedding planner. Nothing was going to be left to chance and nobody was going to ruin her prefect day. No expense was to be spared and fools were not suffered gladly. Raised voices were constantly heard in her phone calls to suppliers. Her personality changed and she became a hot head, losing her patience easily. Nobody entered her sitting room, the twilight zone without an invitation
Annette J. Dunlea
I remember a woman called Máirín na Yanks Ni Mhurchú, who owned a shop near Mrs Hurley's.... I used to buy chocolate from her when I first came here, and sometimes we'd meet on the roads, picking blackberries. A few years ago, shortly before she died, she was interviewed for an Irish language television series. It was called Bibeanna, which is the Irish word for the wraparound aprons women here used to wear in the house and the farmyard. They were made of dark fabric, patterned with little flowers. I remember watching the series on television and thinking that Máirín's quiet voice hadn't changed since I'd first heard it. Sitting by her fire, wrapped in her flowery apron, she described her life, looking back on her childhood and the years she'd spent in her shop. She talked about the pleasure she took in the company of neighbours who'd drop in for a chat. Then she summed it all up in a sentence. 'I'm calm and easy in myself; I take each day as it comes and I keep my door open.
Felicity Hayes-McCoy (The House on an Irish Hillside)
A girl in Los Angeles that I thought was Australian but was Kiwi told me I could tell everyone when I got back to England I'd met a girl from New Zealand. I told her I was Irish and we'd made the same mistake!
Stewart Stafford
The Four Courts Irish pub was where we held all our memorials. It had a unique place in my heart because a bunch of assassins had tried to kill me inside the place a long time ago. Bryce wasn’t read into our program, but he believed in what we did, even if he didn’t know what that was. We’d shown up one day toasting a fallen soldier, and then we’d kept showing up, until he’d pulled me aside one afternoon. He’d seen us keeping to ourselves, knowing we didn’t want to be disturbed, and had told me if we wanted privacy the next time, the bar was ours. He’d never asked any questions, and being located so close to the CIA, I’m sure he thought that was where we worked, and I didn’t disabuse him of the notion. All I knew was that when I showed up, he shut down the bar. He flipped the sign on the door to closed and said, “I’ll be serving the drinks.” “I appreciate that. I really do.” I’d initially tried to pay to rent the place, but he was having none of it. He didn’t even let us pay for our drinks.
Brad Taylor (The Devil's Ransom (Pike Logan, #17))
is better to trust in the Lord than to put confidence in man,’” she read. “‘It is better to trust in the Lord than to put confidence in princes.’ We do what we can do, but we’re only human. Place your trust in God now, and look to Him.
Cheryl St. John (The Wedding Journey (Irish Brides, #1))
Perhaps opening his heart to the Lord could be the first step in opening his life to a chance at happiness again.
Cheryl St. John (The Wedding Journey (Irish Brides, #1))
He’d been running from this for so long. Words resonated in his heart—clear and unmistakable. Be still and know that I am God. In other words, stop running from the memories.
Cheryl St. John (The Wedding Journey (Irish Brides, #1))
Meeting the Marches *Hector March, the Earl March (b.1817) His beloved wife, Charlotte, is deceased. He divides his time between his Sussex estate, Bellmont Abbey, and his London home where he is active in Parliamentary debate, particularly over the question of Irish Home Rule. His hobbies are Shakespearean studies and quarrelling with his hermit. His children are: Frederick, Viscount Bellmont “Monty” (b. 1846) Married to Adelaide Walsingham. Resides in London. Represents Blessingstoke as a Member of Parliament. Lady Olivia Peverell (b.1847) Married to Sir Hastings Peverell. Resides in London where she is a prominent political hostess. Hon. Benedick March (b.1848) Married to Elizabeth Pritchett. Manages the Home Farm at Bellmont Abbey and is acknowledged to be Julia’s favourite brother. His two eldest children, Tarquin and Perdita, make an appearance in two of Lady Julia’s adventures. Lady Beatrice “Bee” Baddesley (b. 1850) Married to Sir Arthur Baddesley, noted Arthurian scholar. Resides in Cornwall. Lady Rupert “Nerissa” Haverford (b.1851) Married to Lord Rupert Haverford, third son of the Duke of Lincoln. Divides her time between London and her father-in-law’s estate near Nottingham. Lady Bettiscombe “Portia” (b.1853) Widow. Mother to Jane the Younger. Resides in London. Hon. Eglamour March (b.1854) Known as Plum to the family. Unmarried. A gifted artist, he resides in London where he engages in a bit of private enquiry work for Nicholas Brisbane. Hon. Lysander March (b.1855) Married to Violanthe, his turbulent Neapolitan bride. He is a composer. Lady Julia Brisbane (b.1856) Widow of Sir Edward Grey. Married to Nicholas Brisbane. Her husband permits her to join him in his work as a private enquiry agent against his better judgment. Hon. Valerius March (b.1862) Unmarried. His desire to qualify as a physician has led to numerous arguments with his father. He pursues his studies in London. *Note regarding titles: as the daughters of an earl, the March sisters are styled “Lady”. This title is retained when one of them marries a baronet, knight, or plain gentleman, as is the case with Olivia, Beatrice, and Julia. As Portia wed a peer, she takes her husband’s title, and as Nerissa married into a ducal family, she takes the style of her husband and is addressed as Lady Rupert. Their eldest brother, Frederick, takes his father’s subsidiary title of Viscount Bellmont as a courtesy title until he succeeds to the earldom. (It should be noted his presence in Parliament is not a perk of this title. Unlike his father who sits in the House of Lords, Bellmont sits in the House of Commons as an elected member.) The younger brothers are given the honorific “The Honourable”, a courtesy which is written but not spoken aloud.
Deanna Raybourn (Silent Night (Lady Julia Grey, #5.5))
The summers were a sight better, for we moved—the lot of us—outdoors to my father’s booleys. These were makeshift structures, long and narrow, and thatched with rushes, built new each year and set in the midst of our upland pastures amongst our herds. Aye, we lived with our animals, somethin’ the English could never fathom. But it was a marvelous thing, livin’ so close to the land with the very beasts that were so great a source of our wealth. ’Twas very green and the weather soft, and the booley house smelled of fresh rushes. The women would spin and weave. And sometimes we’d hunt with our hounds, or hawk with our falcons. There
Robin Maxwell (The Wild Irish: A Novel of Elizabeth I and the Pirate O'Malley)
Italian or Irish or Nigerian American. We wore Brooks Brothers or Izod or Polo or Levi’s, we opened our mouth and said one word about abortion or taxes or God or radical Islam or military service or Bush or Obama or Fox or NPR or we said we were from Mississippi or North Dakota or the West Village or Boulder and within the time it took to say “box” we were in one. We’d somehow gotten to be straight white males or gay African American females first, and human beings second, and if you claimed the eschewment of label you’d be mocked, dismissed, labeled as a naive rube from beyond the Adirondacks. “How
Roland Merullo (Dinner with Buddha: A Novel)
Faith, lassie, did you really think you could steal my schooner and get away with it? Did you really think I wouldn’t show up to give my daughter away at her own wedding? Good God, what the devil is this world coming to?” She froze, not daring to breathe, to hope, to think; she felt his arm sliding under her gloved hand, heard his melodious Irish voice echoing through her senses and every joyous cell in her awakening body; she blinked once, twice, and slowly, looked up—into a face she hadn’t seen in seven long years and thought never to see again. A handsome face framed in chestnut hair gone gray at the temples; a youthful face, lit by a mirthful grin and Irish eyes now filling with tears of joy and love; a beloved face, a cherished face, the face of the one man whose love and forgiveness meant more to her than anyone else’s in the whole, entire world. “Dadd-e-e-e-e-e-e!” she cried, and threw herself into his embrace. And as he swung her around and around, she saw beyond him, gathered in a circle and now rushing forward, her family.
Danelle Harmon (My Lady Pirate (Heroes of the Sea #3))
Q: What’s the difference between an Irish wedding and an Irish wake? A: One less drunk.
Scott McNeely (Ultimate Book of Jokes: The Essential Collection of More Than 1,500 Jokes)
His lordship has something
Patrick Taylor (An Irish Country Wedding (Irish Country #7))
going to be a hard place to leave, but Ballymena was no
Patrick Taylor (An Irish Country Wedding (Irish Country #7))
Seamus clapped his hands together and rubbed them. “Great. Now for the next order of business: your wedding. Specifically, you need to write your vows.” “I’m working on it.” My grandfather winced and said, “That’s a tired excuse. How hard can it be for you to write four or five lines?” “Can it be a limerick? Mary Catherine is Irish, after all.” “So are we. If you do a limerick, she’ll slug you. After I get the first crack at you.” I tried to hide my smile as I said, “There once was a girl from Tipperary. Her body was not terribly hairy. She—” My grandfather punched me in the arm and walked away.
James Patterson (The Russian (Michael Bennett #13))
Through the morning and into the afternoon, the customers continued to come into the bakery, buying boxes and bags of green alligator bread, leprechaun-hat cookies, shamrock-shaped coffee cakes, Irish soda bread, and hot cross buns.
Mary Jane Clark (That Old Black Magic (Wedding Cake Mystery, #4))
The other times, in the rare snatches of time we’d had alone together, I saw a different side of the Irish enforcer than I ever had before. He wasn’t softer, because he didn’t have that in him. If anything, he was more intense, scary almost in his laser focus. But that focus was all on me. As if his entire world had narrowed to the dimensions of my body, and his only motive in life was to get to the bottom of my soul.
Giana Darling (Dead Man Walking (The Fallen Men, #6))
If madness is the mark of female singleness, the delirium is spreading. The percentage of married women across all races is decreasing.6 Despite this shift, society’s views on women and marriage have hardly changed since the Irish essayist George Bernard Shaw wrote, at the start of the twentieth century: “It is a woman’s business to get married as soon as possible, and a man’s to keep unmarried as long as possible.”7 Singleness and its associated freedoms are viewed as a man’s game. And a woman without a wedding band, or at the very least an adoring male partner to signal her worthiness, is to be viewed as warily as a steak without a USDA stamp—something must be rotten there.
Tamara Winfrey Harris (The Sisters Are Alright: Changing the Broken Narrative of Black Women in America)
The two grandmas did all the cooking—all day long, it seemed to me—moving slowly around each other in the narrow kitchen and producing pierogies or wedding soup or Irish soda bread, stuffed cabbage, roasts, meatballs, cookies, iced layer cakes. Like chefs in some commercial kitchen, they cooked constantly, in no particular order and with no particular meal in mind. Just the endless turning out of something good to eat.
Alice McDermott (Absolution)
What’s the difference between an Irish wedding and an Irish wake?” he said, upbeat. “Not now,” Siobhán said. “One less drunk,” Ciarán exclaimed.
Carlene O'Connor (Murder in an Irish Village (An Irish Village Mystery, #1))
Home should be like a soft cushion to fall upon at the end of a hard day.
Carlene O'Connor (Murder at an Irish Wedding (An Irish Village Mystery, #2))
Golden feathers began to fly through the air, and the wedding guests could not at first make sense of it. The oíche sidhe kept whacking and whacking until the serving girl split apart like an overripe plum and became what she had been long ago, though neither she nor the mother who raised her had guessed it---a golden raven, one of the three enchanted birds that the prince had released to bring strife to the kingdom. The serving girl flitted out the window, free at last, while the oíche sidhe dusted their hands and went smilingly back into hiding. They stopped pomading chickens and turning pajamas into evening wear, which was ultimately a relief to the duchess, who had been down to her last nightgown. As for the prince, the serving girl's disappearance finally gave him a purpose in life. He retreated to the wilderness to learn magic from witches and any Folk who would teach him. Eventually he succeeded in turning himself into a raven, whereupon he flew off in search of his beloved. In the northeast of Ireland it is said that he is still searching for his golden bride to this day, and that if you listen closely, you can hear her name in the croaking of the ravens.
Heather Fawcett (Emily Wilde's Encyclopaedia of Faeries (Emily Wilde, #1))
My introduction to the Roman Catholic world was a full immersion baptism in the heady milieu of an Irish—American wedding. The man I was dating, who later became my husband, had invited me to attend the wedding ceremony of a high—school classmate, consisting of a weekend of dinners, parties and, of course, church. It was one of our first dates, a fact that now seems rich with God’s good humor.
Kathleen Norris (The Quotidian Mysteries: Laundry, Liturgy and "Women's Work")
We cannot permit ourselves to live our lives in fear of what may happen or we’d not care to leave our beds each day. Though at the moment that would suit me entirely fine!” he chuckled and held her close.
Leigh Ann Edwards (A Witch's Life (Irish Witch, #5))
She had only one really cool find through her research, but it was a beauty. Lily Mullin, their father’s Irish immigrant maternal great-grandmother, had been a cook at the home of one of Philadelphia’s most prominent families. She’d disappeared from the household at the next census, but Natalie later discovered her in the home of her great-great-grandfather, John McKeller—as his wife. How, Natalie mused, did one rise from a young cook’s apprentice—sixteen years old!—to become the wife of a man who was heir to a fortune and years older? Whatever the story, she was certain it was a romantic one: Lily and John had gone on to have nine children, all of whom were alive to celebrate their parents’ fiftieth wedding anniversary.
Mariah Stewart (An Invincible Summer (Wyndham Beach #1))
In the wake of the Great Famine of 1847, nearly one million immigrants fled Ireland for the United States. Among them was a farmer from Wexford County, Patrick Kehoe. Leaving his wife and seven children behind until he could establish himself in the New World, he first settled in Howard County, Maryland, where he found work as a stonemason. In 1850, he sent for his oldest son, Philip, a strapping seventeen-year-old. The rest of the family followed in 1851. By then, Michigan Fever—as the great surge of settlers during the 1830s came to be known—had subsided. Still, there was plenty of cheap and attractive land to be had for pioneering immigrants from the East. In 1855, Philip Kehoe, then twenty-two, left his family in Maryland and journeyed westward, settling in Lenawee County, roughly one hundred miles southeast of Bath. For two years, he worked as a hired hand, saving enough money to purchase 80 acres of timberland. That land became the basis of what would eventually expand into a flourishing 490-acre farm.1 In late 1858, he wed his first wife, twenty-six-year-old Mary Mellon, an Irish orphan raised by her uncle, a Catholic priest, who brought her to America when she was twenty. She died just two and a half years after her marriage, leaving Philip with their two young daughters, Lydia and a newborn girl named after her mother.2 Philip married again roughly three years later, in 1864. His second wife, twenty-nine at the time of their wedding, was the former Mary McGovern, a native New Yorker who had immigrated to Michigan with her parents when she was five. By the time of her death in 1890, at the age of fifty-five, she had borne Philip nine children: six girls and three boys. From the few extant documents that shed light on Philip Kehoe’s life during the twenty-six years of his second marriage, a picture emerges of a shrewd, industrious, civic-minded family man, an epitome of the immigrant success story.
Harold Schechter (Maniac: The Bath School Disaster and the Birth of the Modern Mass Killer)
1 Too-Ra-Loo-Ra-Loo-Ral May you have no frost on your spuds, No worms on your cabbage. May your goat give plenty of milk. If you inherit a donkey, may she be in foal. Irish saying There’s no denying the fact that my grandpa Aengus shaped the way I look at life. The man had a saying for everything. If I fell and scraped my knee, he mended it with an Irish proverb: “For every storm, a rainbow, for every tear, a smile.” If I woke up with a head cold, he had an Irish
Janice Thompson (Picture Perfect (Weddings by Design #1))
Hand fasting was an old Irish tradition in which the bride and groom’s hands would literally be tied together during the ceremony. It’s where tying the knot came from.
Carlene O'Connor (Murder at an Irish Wedding (An Irish Village Mystery, #2))