Excellent Movie Quotes

Singin' in the Rain was most excellent if you like movies where people burst into song and tap-dance. Which I do, though not as much as I like movies where people don't.

Jason took me by the shoulders—not out of anger, or in a clinging way, but as a brother. “Promise me one thing. Whatever happens, when you get back to Olympus, when you’re a god again, remember. Remember what it’s like to be human.” A few weeks ago, I would have scoffed. Why would I want to remember any of this? At best, if I were lucky enough to reclaim my divine throne, I would recall this wretched experience like a scary B-movie that had finally ended. I would walk out of the cinema into the sunlight, thinking Phew! Glad that’s over. Now, however, I had some inkling of what Jason meant. I had learned a lot about human frailty and human strength. I felt…different toward mortals, having been one of them. If nothing else, it would provide me with some excellent inspiration for new song lyrics!

Passion makes you good, but pride stops you to get better.

You think that drinking with a serial killer takes you into the midnight currents of the culture? I say bullshit. There's been twelve TV documentaries, three movies and eight books about me. I'm more popular than any of these designed-by-pedophile pop moppets littering the music television and the gossip columns. I've killed more people than Paris Hilton has desemenated, I was famous before she was here and I'll be famous after she's gone. I am the mainstream. I am, in fact, the only true rock star of the modern age. Every newspaper in America never fails to report on my comeback tours, and I get excellent reviews.

With discipline, you can lose weight, you can excel in work, you can win the war.

Epicurus said you should live for pleasure - adding that nothing brings more pleasure than a little sun and a glass of water. It is on this principle that our conjugal existence has rested for three years, devoted to making love, reading, eating excellent meals, spending a few days in a nice hotel by the sea, visiting out friends (not very many, all without children), going to concerts and movies, sleeping, cultivating our garden.

Societies are mediocre, individuals are excellent.

I think you get the picture. [1976] was a year that like all years, a lot of things happened in. People were on TV or in movies, they wrote songs that were liked more than other songs, while other people excelled at sports, and, as always, a lot of accomplished and famous people died.

I’m not forcing you to do anything. You need to make your own damn decisions . And I'm not playing this game where we ignore reality and pretend to have a normal conversation for a few hours. You need to face reality and stop turning life into a movie. I'm not a puppet in your show. This is real life and you're always trying to ignore it for some cheap fantasy version where no problems exist. That's not noble of you, okay? You're not strong. You're a weak person like the rest of us. You've just learned to excel at avoiding issues. But there are issues . Life has so many freaking issues and if you can't force your own self to face life and make decisions without someone telling you what the hell to do, you're just going to end up another chess piece moved around by others.

Lex,’ I giggled as I shoulder bumped her. ‘So what film have you chosen for our Tuesday movie night?’ ‘I’m thinking “You’re gonna make a terrific character Nick.”’ I answered without hesitation, ‘Basic Instinct.’ ‘O she shoots, she scores in one. An excellent choice to get you started and into the mind-set of a conniving seductress.’ ‘I want to sleep with the guy, not flash him my snatch then ice pick him to death.

If a queen comes to America, crowds fill the station squares, and attendant British journalists rejoice, 'You see: the American Cousins are as respectful to Royalty as we are.' But the Americans have read of queens since babyhood. they want to see one queen, once, and if another came to town next week, with twice as handsome a crown, she would not draw more than two small boys and an Anglophile. Americans want to see one movie star, one giraffe, one jet plance, one murder, but only one. They run up a skyscraper or the fame of generals and evangelists and playwrights in one week and tear them all down in an hour, and the mark of excellence everywhere is 'under new management'.

She put up her posters, which mainly consisted of one five-foot-wide panorama of Diego Luna doing a split on the set of Dirty Dancing: Havana Nights-which Penelope had decided would be an excellent conversation topic, because that is a movie everyone likes.

Joy. The joy of my joy. There through everything. A shocking sense of vitality and beauty present in both happiness and in the midst of pain. The only thing I can think to compare this experience to is the experience of an excellent story—reading a great novel, say, or watching a great movie. The scene before you might be a happy one or a sad one. You might feel uplifted or you might feel heartbroken or you might feel afraid. But whatever you feel, you’re still loving the story. Through prayer, I came to experience both pleasure and sorrow in something like that way. In God, the life of the flesh became the story of the spirit. I loved that story, no matter what. During

The next few minutes were filled with more screams and bangs and crashes than a summer blockbuster movie. The dwarven guards made an excellent show of resisting before collapsing to the ground with defeated groans.

We are taught in this culture that if we can grasp enough pleasurable experiences quickly, one after another, our life will be happy. By following a good game of tennis with a delicious dinner, a fine movie, then wonderful sex and sleep, a good morning jog, a fine hour of meditation, an excellent breakfast, and off to an exciting morning of work, over and over, our happiness will last. Our driven society is masterful at perpetuating this ruse. But will this satisfy the heart?

I always get a little bit irritated when people talk about 'bringing poetry to the people' especially those poet - performers who seem to assume their audience hasn't read anything, as though 'the people' were some ignorant mass incapable of taste. 'Bringing poetry to the people'? Speaking as a people, I go out and get it as long as its available. When people hear any kind of excellence or panache in the use of language in pop songs or movies they notice it, they talk about it. That's because it's available - inescapable, in fact - while my local library is shutting down.

In 2012, I turned fifty-six. Hugh and his longtime girlfriend took me out to dinner. On the way home I remembered a bit of old folklore—probably you’ve heard it—about how to boil a frog. You put it in cold water, then start turning up the heat. If you do it gradually, the frog is too stupid to jump out. I don’t know if it’s true or not, but I decided it was an excellent metaphor for growing old. When I was a teenager, I looked at over-fifties with pity and unease: they walked too slow, they talked too slow, they watched TV instead of going out to movies and concerts, their idea of a great party was hotpot with the neighbors and tucked into bed after the eleven o’clock news. But—like most other fifty-, sixty-, and seventysomethings who are in relative good health—I didn’t mind it so much when my turn came. Because the brain doesn’t age, although its ideas about the world may harden and there’s a greater tendency to run off at the mouth about how things were in the good old days. (I was spared that, at least, because most of my so-called good old days had been spent as a full-bore, straight-on-for-Texas drug addict.) I think for most people, life’s deceptive deliriums begin to fall away after fifty. The days speed up, the aches multiply, and your gait slows down, but there are compensations. In calmness comes appreciation, and—in my case—a determination to be as much of a do-right-daddy as possible in the time I had left. That meant ladling out soup once a week at a homeless shelter in Boulder, and working for three or four political candidates with the radical idea that Colorado should not be paved over.

When you see a white woman and a white man eating dinner together, watching a movie, or drinking at a bar you probably think they are a couple. Not so fast! White people often engage in something called a “platonic friendship.” These arrangements feature a white male who is in love with a white female who needs companionship or access to someone with a car. The relationship is symbiotic for a long time as the white male believes he is making “progress” in his efforts to sleep with the white woman. The white female is in turn rewarded with companionship, someone to help her move, and an excellent “backup” plan in case she is unable to date the male of her choice.

L.A. Burning is a great ride, a blast of adrenaline, a lightning-paced insider's tour of the movie business with a memorable heroine in the driver's seat. Cody Bonner is a true original--we're rooting for her from page one, and she holds us in suspense to the very end. Excellent. --JOSEPH FINDER, New York Times bestselling author of House on Fire. Some books stay with you long after you finish them, and I can’t get Cody Bonner’s voice out of my head. Tough, resourceful, and hell-bent on revenge for the death of her twin sister, she leads us on a thrilling yet heartbreaking journey through some of LA’s most glittering—and meanest—streets. Unforgettable, original, and highly recommended. —HILARY DAVIDSON, bestselling author of Her Last Breath

This book is fiction and all the characters are my own, but it was inspired by the story of the Dozier School for Boys in Marianna, Florida. I first heard of the place in the summer of 2014 and discovered Ben Montgomery’s exhaustive reporting in the Tampa Bay Times. Check out the newspaper’s archive for a firsthand look. Mr. Montgomery’s articles led me to Dr. Erin Kimmerle and her archaeology students at the University of South Florida. Their forensic studies of the grave sites were invaluable and are collected in their Report on the Investigation into the Deaths and Burials at the Former Arthur G. Dozier School for Boys in Marianna, Florida. It is available at the university’s website. When Elwood reads the school pamphlet in the infirmary, I quote from their report on the school’s day-to-day functions. Officialwhitehouseboys.org is the website of Dozier survivors, and you can go there for the stories of former students in their own words. I quote White House Boy Jack Townsley in chapter four, when Spencer is describing his attitude toward discipline. Roger Dean Kiser’s memoir, The White House Boys: An American Tragedy, and Robin Gaby Fisher’s The Boys of the Dark: A Story of Betrayal and Redemption in the Deep South (written with Michael O’McCarthy and Robert W. Straley) are excellent accounts. Nathaniel Penn’s GQ article “Buried Alive: Stories From Inside Solitary Confinement” contains an interview with an inmate named Danny Johnson in which he says, “The worst thing that’s ever happened to me in solitary confinement happens to me every day. It’s when I wake up.” Mr. Johnson spent twenty-seven years in solitary confinement; I have recast that quote in chapter sixteen. Former prison warden Tom Murton wrote about the Arkansas prison system in his book with Joe Hyams called Accomplices to the Crime: The Arkansas Prison Scandal. It provides a ground’s-eye view of prison corruption and was the basis of the movie Brubaker, which you should see if you haven’t. Julianne Hare’s Historic Frenchtown: Heart and Heritage in Tallahassee is a wonderful history of that African-American community over the years. I quote the Reverend Martin Luther King Jr. a bunch; it was energizing to hear his voice in my head. Elwood cites his “Speech Before the Youth March for Integrated Schools” (1959); the 1962 LP Martin Luther King at Zion Hill, specifically the “Fun Town” section; his “Letter from Birmingham Jail”; and his 1962 speech at Cornell College. The “Negroes are Americans” James Baldwin quote is from “Many Thousands Gone” in Notes of a Native Son. I was trying to see what was on TV on July 3, 1975. The New York Times archive has the TV listings for that night, and I found a good nugget.

GIVE ME THE SONGS OF A NATION” Sing for joy to God our strength; shout aloud to the God of Jacob! Begin the music, strike the timbrel, play the melodious harp and lyre. Psalm 81:1–2 Let these two quotations wash over you:           “I am the art in your arthouses, the ideas in your institutions, the laws in your land, the message in your movies, the thoughts of your teachers, the values your kids value. I affect you. Do you affect me?”—Culture And also this one, from the fifth-century BC Greek musician Damon of Athens:           Give me the songs of a nation, and it matters not who writes its laws. I wish more of us—especially our politicians—realized that ideas have consequences in the real world. When we embrace certain ideals in our movies and songs (sex without restraint, for example, which happened during the “free love” 1970s), it affects our culture in ways that rules and regulations can’t undo. SWEET FREEDOM IN Action Today, don’t let movies, songs, and the arts be dominated by liberals. Instead, arm your Christian children and grandkids with a solid worldview and encourage them to enter these areas boldly and with excellence.

I decided to begin with romantic films specifically mentioned by Rosie. There were four: Casablanca, The Bridges of Madison County, When Harry Met Sally, and An Affair to Remember. I added To Kill a Mockingbird and The Big Country for Gregory Peck, whom Rosie had cited as the sexiest man ever. It took a full week to watch all six, including time for pausing the DVD player and taking notes. The films were incredibly useful but also highly challenging. The emotional dynamics were so complex! I persevered, drawing on movies recommended by Claudia about male-female relationships with both happy and unhappy outcomes. I watched Hitch, Gone with the Wind, Bridget Jones’s Diary, Annie Hall, Notting Hill, Love Actually, and Fatal Attraction. Claudia also suggested I watch As Good as It Gets, “just for fun.” Although her advice was to use it as an example of what not to do, I was impressed that the Jack Nicholson character handled a jacket problem with more finesse than I had. It was also encouraging that, despite serious social incompetence, a significant difference in age between him and the Helen Hunt character, probable multiple psychiatric disorders, and a level of intolerance far more severe than mine, he succeeded in winning the love of the woman in the end. An excellent choice by Claudia.

I took a cinnamon roll and waved it under her nose. “Mmmm,” she said, her eyes still closed. I waved it around some more, totally amused that I was messing with her dreams. “AAAH!” I screamed as Rayna’s head zipped forward and she chomped down on the roll. “Excellent!” she said, sitting up. “Thanks!” “Rayna! You almost bit my finger off!” “You asked for it.” She took another bite. “Mmmm. Oh my God, this is totally better than sex.” She looked at me pointedly. “Would you agree?” “Whoa, subtle much?” “You don’t have to talk about it if you don’t want to.” She knew it was the right thing to say, but her eyes were so clearly dying to know that I laughed out loud. I actually wanted to talk about it now, just to keep it alive in my head. I told her everything. Watching her reactions was like watching a silent movie: Her face registered every detail in IMAX-size emotions. “Am I allowed to have a moment of “ew” for my poor deflowered passenger seat?” she asked when I was finished. I winced and buried my head in my hands. “Um…yeah.” “Thank you.” She paused a moment, then grinned and burst out, “Clea, oh my God!!” “I know. I know.” “So what happens now?” “We go to Tokyo, just like we’d planned.” “What about Ben?” she asked. “Are you going to tell Ben?” I looked at her like she was crazy. “Hello! Not like everything you told me, just-are you going to let him know you’re together?” “I don’t know,” I admitted. “I don’t think so…” “You really think you’re going to be able to hide it?

Have you talked about how many children you’d like to have?” “Yes, sir,” Marlboro Man said. “And?” Father Johnson prodded. “I’d like to have six or so,” Marlboro Man answered, a virile smile spreading across his face. “And what about Ree?” Father Johnson asked. “Well, she says she’d like to have one,” Marlboro Man said, looking at me and touching my knee. “But I’m workin’ on her.” Father Johnson wrinkled his brow. “How do you and Ree resolve conflict?” “Well…,” Marlboro Man replied. “To tell you the truth, we haven’t really had much conflict to speak of. We get along pretty darn well.” Father Johnson looked over his glasses. “I’m sure you can think of something.” He wanted some dirt. Marlboro Man tapped his boot on the sterile floor of Father Johnson’s study and looked His Excellence straight in the eye. “Well, she fell off her horse once when we went riding together,” he began. “And that upset her a little bit. And a while back, I dragged her to a fire with me and it got a little dicey…” Marlboro Man and I looked at each other. It was the largest “conflict” we’d had, and it had lasted fewer than twelve hours. Father Johnson looked at me. “How did you deal with that, Ree?” I froze. “Uh…uh…” I tapped my Donald Pliner mule on the floor. “I told him how I felt. And after that it was fine.” I hated every minute of this. I didn’t want to be examined. I didn’t want my relationship with Marlboro Man to be dissected with generic, one-size-fits-all questions. I just wanted to drive around in his pickup and look at pastures and curl up on the couch with him and watch movies. That had been going just fine for us--that was the nature of our relationship. But Father Johnson’s questioning was making me feel defensive, as if we were somehow neglecting our responsibility to each other if we weren’t spending every day in deep, contemplative thought about the minutiae of a future together. Didn’t a lot of that stuff just come naturally over time? Did it really serve a purpose to figure it out now? But Father Johnson’s interrogation continued: “What do you want for your children?” “Have you talked about budgetary matters?” “What role do your parents play in your life?” “Have you discussed your political preferences? Your stances on important issues? Your faith? Your religion?” And my personal favorite: “What are you both going to do, long term, to nurture each other’s creativity?” I didn’t have an answer for him there. But deep down, I knew that, somehow, gravy would come into play.

But there were problems. After the movie came out I couldn’t go to a tournament without being surrounded by fans asking for autographs. Instead of focusing on chess positions, I was pulled into the image of myself as a celebrity. Since childhood I had treasured the sublime study of chess, the swim through ever-deepening layers of complexity. I could spend hours at a chessboard and stand up from the experience on fire with insight about chess, basketball, the ocean, psychology, love, art. The game was exhilarating and also spiritually calming. It centered me. Chess was my friend. Then, suddenly, the game became alien and disquieting. I recall one tournament in Las Vegas: I was a young International Master in a field of a thousand competitors including twenty-six strong Grandmasters from around the world. As an up-and-coming player, I had huge respect for the great sages around me. I had studied their masterpieces for hundreds of hours and was awed by the artistry of these men. Before first-round play began I was seated at my board, deep in thought about my opening preparation, when the public address system announced that the subject of Searching for Bobby Fischer was at the event. A tournament director placed a poster of the movie next to my table, and immediately a sea of fans surged around the ropes separating the top boards from the audience. As the games progressed, when I rose to clear my mind young girls gave me their phone numbers and asked me to autograph their stomachs or legs. This might sound like a dream for a seventeen-year-old boy, and I won’t deny enjoying the attention, but professionally it was a nightmare. My game began to unravel. I caught myself thinking about how I looked thinking instead of losing myself in thought. The Grandmasters, my elders, were ignored and scowled at me. Some of them treated me like a pariah. I had won eight national championships and had more fans, public support and recognition than I could dream of, but none of this was helping my search for excellence, let alone for happiness. At a young age I came to know that there is something profoundly hollow about the nature of fame. I had spent my life devoted to artistic growth and was used to the sweaty-palmed sense of contentment one gets after many hours of intense reflection. This peaceful feeling had nothing to do with external adulation, and I yearned for a return to that innocent, fertile time. I missed just being a student of the game, but there was no escaping the spotlight. I found myself dreading chess, miserable before leaving for tournaments. I played without inspiration and was invited to appear on television shows. I smiled.

Have you ever seen The Lord of The Rings?” He nodded while taking a sip of his coffee. “Yes, I know. This ring reminds you of that movie, but unfortunately this is real. Anybody can look up The Seal of Solomon on the internet, and see for themselves the legend behind it. So it’s realistic to believe the possibility of its existence, where Tolkien’s story is pure fantasy, an excellent one, but not real.

The keystroke to open the Preferences dialog box in every Apple program — Mail, Safari, iMovie, Photos, TextEdit, Preview, and on and on — is always the same: -comma. Better yet, that standard is catching on in other apps, too, like Word, Excel, and PowerPoint.

Where's the trendy new book celebrating a girl who learned how to quilt? Where's the movie about a girl who changed the world with her volunteerism? When the stories that glorify "women's work" make millions, that's when we can start being proud of ourselves. But today, the fact that we are so proud of girls who excel in math shows how much we still value math, not how much we've come to value girls.

He convinced John Stainton to agree that there would be no CGI (computer-generated imagery) wildlife in the movie. We didn’t want to pretend to react to an animal in front of a green screen, and then have computer graphic technicians complete the shot later. That was how Hollywood would normally have done it, but that wasn’t an option for Steve. “All the animals have to be real,” he insisted to the executives at MGM. “I’m doing all of my own stunts. Otherwise, I am not interested.” I always believed that Steve would excel at anything he put his mind to, and a movie would be no different. The camera loved him. As talks ground on at MGM, we came up with a title: Crocodile Hunter: Collision Course. But mostly we had phone calls and meetings. The main sticking point was that no insurance company would touch us. No underwriter would write a policy for a project that required Steve to be working with real live crocodiles. As negotiations seemed to be grinding to a halt, we were all feeling frustrated. Steve looked around at John, Judi, and the others. He could see that everybody had gotten a bit stretched on all our various projects. He decided we needed a break. He didn’t lead us into the bush this time. Instead, Steve said a magic word. “Samoa.” “Sea snakes?” I asked. “Surfing,” he said.

The day before we headed out was an unusually warm day. Shasta had a hard time of it. Bindi wrapped her in wet towels to help her cool off. Every few minutes she would raise her head and bark a bit. The last couple of years, Shasta’s back had been out so bad that I would wheelbarrow her around. She always liked sleeping in the car. I think it made her excited to be going on a trip. That night she seemed so restless that I put her in the car and kissed her good night. I knew she’d be happiest there. In the morning, we were off to our first official day of filming the movie. Steve put the last few things together in the zoo. I went out to get Shasta organized for staying with a friend. She was still asleep. “Good morning, lazybones,” I said. I bent down to give her a kiss on the forehead. Then I realized she wasn’t there. Sometime during the night, Shasta had died. She was seventeen and a half years old, the only dog I ever had. She went through nine months of quarantine to join me in Australia. She had been a loyal friend and an excellent guard dog. Bindi and I said good-bye to Shasta together. We discussed the circle of life and collected a few of Shasta’s favorite things. She would be buried with her favorite blanket. I knew I’d never have another dog. Now Sui was the only dog in the family.

Many of the one-liners teach volumes. Some summarize excellence in an entire field in one sentence. As Josh Waitzkin (page 577), chess prodigy and the inspiration behind Searching for Bobby Fischer, might put it, these bite-sized learnings are a way to “learn the macro from the micro.” The process of piecing them together was revelatory. If I thought I saw “the Matrix” before, I was mistaken, or I was only seeing 10% of it. Still, even that 10%—“ islands” of notes on individual mentors—had already changed my life and helped me 10x my results. But after revisiting more than a hundred minds as part of the same fabric, things got very interesting very quickly. For the movie nerds among you, it was like the end of The Sixth Sense or The Usual Suspects: “The red door knob! The fucking Kobayashi coffee cup! How did I not notice that?! It was right in front of me the whole time!” To help you see the same, I’ve done my best to weave patterns together throughout the book, noting where guests have complementary habits, beliefs, and recommendations. The completed jigsaw puzzle is much greater than the sum of its parts.

Don’t know if you have any hobbies.” She nodded. “I do. I may have to take a break from it for a bit while I’m out here, but normally when I have a light day on campus, I go to a class . . .” I waited. “It’s . . . pole dancing.” I stopped breathing, but at least I didn’t choke. Nodding, I took a sip of my wine to block my face, which I was pretty sure had turned the shade of a beet. “So, like Flashdance? Welder by day, dancer by night?” I barked out, feeling a stirring in my pants that was wholly inappropriate for my roomie, who’d been talking about diode lasers a minute earlier. She’s a goddamn pole dancer. She chuckled and crossed her arms over her chest as though trying to keep me from picturing her dancing. “Excellent movie reference. But no, that’s not even close to what I do.” It hardly mattered. My brain was stuck. Like a white-hot strobe had blinded me to everything except Sarah wearing lingerie and grinding on a pole under hot lights. For me. Stop picturing it. Fuck! “Cool,” I finally managed to say with a straight face. Like it meant nothing. She nodded. Like it meant nothing. Then she spread some brie cheese on a cracker and took a bite. I choked out an excuse and went to the bathroom to get a grip. This will be okay. It will. It has to be. In the bathroom, I splashed some cold water on my face and took a hard look at myself in the mirror. What was happening? I hadn’t been this jacked up over a woman anytime in the past two years. My emotions had been buried in caverns so deep I felt confident they were gone for good. I was fine with that. It made no sense. Or . . . maybe it did. I’ve always been competitive as fuck. If I’m told I can’t have something, I want it all the more and do anything in my power to make it mine. That had to be what was happening here. It was all in my head. I knew she was off limits, so the competitive motherfucker in me started bucking against that. I just needed to get my head together and think of her like any other human who happened to be using my second bedroom. When I got back to the table, Sarah looked up at me with a thin slice of Parma ham twirled around her fork and put the bit into her mouth. I had no defensible reason to focus on her lips or the soft contour of her jaw while she chewed. She swallowed and smiled at me. “I figured I should get a head start on eating while you were gone. In case you had more questions.” “Good plan. Maybe we should focus on the food for a few minutes, or we could be here all night.” I bit into a slider and closed my eyes at how delicious the slow-roasted meat tasted on the brioche bun. Who needed to cook when someone else could make food that tasted like this? It was how I’d become addicted to takeout and why I rarely ate at home anymore. That, and I spent a lot of time at work. Sarah finished the last of the cheesy bread and wiped her lips gingerly on a napkin before looking right at me with those gorgeous eyes. “This is weird, right? It’s not just me?” I tilted my head, trying to read her expression and decipher her meaning. “Could you be specific? She waved her hands between us. “This. Us. We’re in our thirties and we’re roommates. I don’t know about you, but I haven’t had a roommate for about ten years. Does it freak you out a little bit?” Yes, but not for the reasons she meant.

Mind is not necessarily dependent on the education process. Mind possesses of itself all eloquence, beauty, and poetry. Mind has the power to express prose. Spirit, God, is heard when the human mind’s noise is silent. We are all capable of more than we do. The action of Soul confers the freedom that explains excellent impromptu speeches, admirable movie scripts, or meaningful texts.

Given the FEC’s previous refusal to grant Citizens United a media exception to disseminate its John Kerry movie, there was a high probability that Hillary: The Movie would meet a similar fate in 2008. Citizens United probably knew that the FEC was likely to claim that considering its exclusively negative tone and laser-like focus on Senator Clinton, Hillary: The Movie amounted to a 90-minute campaign commercial well within the BCRA definitions of “electioneering,” and as such could neither be aired on broadcast outlets nor advertised over the airways within the applicable time limits. This presented an obvious marketing challenge. Were it limited to only movie theater screenings and online DVD sales, the film’s audience would be considerably narrower than intended. Citizens United surely realized that the only way to proceed with its plans to market political documentaries was to change the rules of the game. In December 2007, Citizens United brought suit against the FEC in the United States District Court for the District of Columbia. The purpose of the suit was to secure an injunction prohibiting the FEC from enforcing the electioneering provisions of the BCRA with regard to Hillary: The Movie. To that end, Citizens United made a First Amendment challenge, claiming that the BRCA’s bans on electioneering communications amounted to an unconstitutional infringement on its members’ freedom of speech. Moreover, the group alleged that because in its view its electioneering activities could not be banned, the disclosure requirements of the BCRA were also unconstitutional. First Amendment speech protections have long clashed with the restrictions imposed by campaign finance regulations. The general conflict in American campaign finance case law is that restrictions on contribution and/or spending are viewed by some as unreasonable restrictions on political speech, which has traditionally garnered significant protection (for an excellent summary, see: La Raja 2008, Ch. 3).

When I turned twenty-one, having hardly started working as an actor, I was asked to do a reading with Elia Kazan, practically the biggest director in the world in both stage and screen, for a new movie he was casting. It was called America, America, and it was going to tell the story of a young Greek man’s journey to the States. They were trying to find a young actor, relatively unknown, probably ethnic looking, to play the lead role. I thought I had a shot at it. I don’t know if I would have excelled at it, but I felt I had a real chance because I fit the description. But I was late and I missed the audition. I went there and they were gone and it was over. They got somebody else.

But the arbitrary cuts, edits, and other changes the studio bosses made before releasing that movie were a bitter lesson for my friend, who valued creative control of his work as paramount. When he went on to make a movie based on another script of his own, a big Hollywood studio offered him a standard deal whereby the studio financed the project and held the power to change the film before its release. He refused the deal—his artistic integrity was more important. Instead my friend “bought” creative control by going off on his own and putting every penny of his profits from the first film into this second project. When he was almost done, his money ran out. He went looking for loans, but bank after bank turned him down. Only a last-minute loan from the tenth bank he implored saved the project. The film was Star Wars.

Your new challenge is to redesign your time allocations. Your strategic focus determines where your time resources will be mainly invested. Prioritise acting out your own script, make your own movie instead of spending too much time watching others at work through the TV. It is surprising the number of unsuccessful people who spend all their time resources on the social media platforms following the lives of the successful. Make the news, be the leader and let others follow you. Align you priorities and balance your activities.

In 2 Corinthians 4:6-7, Paul wrote, “For it is the God who commanded light to shine out of darkness, who has shone in our hearts to give the light of the knowledge of the glory of God in the face of Jesus Christ. But we have this treasure in earthen vessels, that the excellence of the power may be of God and not of us.” And that brings us full circle to where we started in this chapter: at the end of the day there is no human explanation for the growth of the church. The world thinks we’re odd and bizarre. We’re the losers. We’re the privy pots. And yet, through the mouths of Paul and other misfits across the centuries, the church inexplicably moves in the history of the world with immense power beyond anything else. The gospel alone turns sinners into saints by transplanting men and women from the kingdom of darkness into the kingdom of God’s dear Son—from eternal death to everlasting life. That is power to create new beings fit for God’s presence and glory. If we brought a bus load of movie stars, corporate titans, or Ivy League professors into our church (assuming they’d condescend to get on a bus), they’d look at us and laugh: “These people can’t change the world!” No, we can’t. But for those who remain faithful to the whole truth of Christianity, God is changing the world through us. He’s been doing it through all history.

The story of a marriage was an excellent way to fulfill the goal of discussing class without discussing class, and to tell an audience that they were upwardly mobile.

Excellent films do exist on the subject, however, and one is a pure marriage movie in which Newman and Woodward make it work. Mr. and Mrs. Bridge exists to tell moviegoers that the marriage of their parents—especially if they were those tragic dogsbodies, Midwesterners—were fogbound. The film depicts a steady relationship that has no real communication between its couple

Positioning yourself and effective branding should not be left to sports and movie stars. Your need a personal coach, manager or mentor otherwise your expertise, skills or talent will not go far. You might have what it takes but sometimes you lack strategy and some finer elements.

A hallmark of a healthy creative culture is that its people feel free to share ideas, opinions, and criticisms. Lack of candor, if unchecked, ultimately leads to dysfunctional environments. So how can a manager ensure that his or her working group, department, or company is embracing candor? I look for ways to institutionalize it by putting mechanisms in place that explicitly say it is valuable. In this chapter, we will look into the workings of one of Pixar’s key mechanisms: the Braintrust, which we rely upon to push us toward excellence and to root out mediocrity. The Braintrust, which meets every few months or so to assess each movie we’re making, is our primary delivery system for straight talk. Its premise is simple: Put smart, passionate people in a room together, charge them with identifying and solving problems, and encourage them to be candid with one another. People who would feel obligated to be honest somehow feel freer when asked for their candor; they have a choice about whether to give it, and thus, when they do give it, it tends to be genuine.

Cinematographers offering their services in the wedding function have to measure just like the administrators within the movie industry. They shoot videos with a goal in mind of creating an excellent story from starting to finish

The only thing I was still looking forward to was marriage. Before I was taken, it was all I thought about, what I daydreamed about, what I dreamed about still. My parents were happy together, and I saw the romances in movies. Maybe that’s why I gave my affection so freely: I wanted desperately to be loved. With that thought in my head, I looked up… And I saw him. Before I could check my thoughts, She asked me who I thought was so handsome. I hated being caught like that. But it was just admiration from afar. Surely that was harmless. There’s this boy on the beach. He’s tall and has dirty blonde hair. He’s very good-looking. She wanted to know what was so special about him. I don’t know. Maybe the expression on his face. He looks sad but hopeful somehow. Like he’s thinking about a million questions, but knows he has the answer to every one. She commented that that was a lot to observe in less than five minutes. I’ve become an excellent people-watcher. She laughed. I wondered if She could sense me rolling my eyes

Hey, Doc, we better back up. We don’t have enough road to get up to eighty-eight,” I quoted as I slid into the passenger seat. “‘Roads?’” he replied in an excellent impression of Christopher Lloyd’s eccentric scientist. “‘Where we’re going, we don’t need roads!’” The call-and-response rituals of geeks were a thing of beauty, and allowed said geeks to identify each other across time and space.

An old Chevy, I think,” he was going on now. “It’s supposed to be back soon, though. Not really the same without it, is it?” He actually sounded genuinely mournful. I was surprised to find myself battling back a quick, involuntary smile. He did seem to be more interesting than your average, run-of-the-mill BMOC. I had to give him that. Get a grip, O’Connor, I chastised myself. “Absolutely not,” I said, giving my head a semi-vigorous nod. That ought to move him along, I thought. You may not be aware of this fact, but agreeing with people is often an excellent way of getting them to forget all about you. After basking in the glow of agreement, most people are then perfectly content to go about their business, remembering only the fact that someone agreed and allowing the identity of the person who did the actual agreeing to fade into the background. This technique almost always works. In fact, I’d never known it not to. There was a moment of silence. A silence in which I could feel the BMOC’s eyes upon me. I kept my own eyes fixed on the top of the carless column. But the longer the silence went on, the more strained it became. At least it did on my side. This guy was simply not abiding by the rules. He was supposed to have basked and moved on by now. “You don’t have the faintest idea what I’m talking about, do you?” he said at last. I laughed before I quite realized what I’d done. “Not a clue,” I said, turning to give him my full attention for the very first time, an action I could tell right away spelled trouble. You just had to do it, didn’t you? I thought. He was even better looking when I took a better look. He flashed me a smile, and I felt my pulse kick up several notches. My brain knew perfectly well that that smile had not been invented just for me. My suddenly-beating-way-too-fast heart wasn’t paying all that much attention to my brain, though. “You must be new, then,” he commented. “I’d remember you if we’d met before.” All of a sudden, his face went totally blank. “I cannot believe I just said that,” he said. “That is easily the world’s oldest line.” “If it isn’t, it’s the cheesiest,” I said. He winced. “I’d ask you to let me make it up to you, but I’m thinking that would make things even worse.” “You’d be thinking right.” This time he was the one who laughed, the sound open and easy, as if he was genuinely enjoying the joke on himself. In retrospect I think it was that laugh that did it. That finished the job his smile had started. You just didn’t find all that many guys, all that many people, who were truly willing to laugh at themselves. “I’m Alex Crawford,” he said. “Jo,” I said. “Jo O’Connor.” At this Alex actually stuck out his hand. His eyes, which I probably don’t need to tell you were this pretty much impossible shade of blue, focused directly on my face. “Pleased to meet you, Jo O’Connor.” I watched my hand move forward to meet his, as if it belonged to a stranger and was moving in slow motion. At that exact moment, an image of the robot from the movie Lost in Space flashed through my mind. Arms waving frantically in the air, screaming, “Danger! Danger!” at the top of its inhuman lungs. My hand kept moving anyhow. Our fingers connected. I felt the way Alex’s wrapped around mine, then tightened. Felt the way that simple action caused a flush to spread across my cheeks and a tingle to start in the palm of my hand and slowly begin to work its way up my arm. To this day, I’d swear I heard him suck in a breath, saw his impossibly blue eyes widen. As if, at the exact same moment I looked up at him, he’d discovered something as completely unexpected as I had, gazing down. He released me. I stuck my hand behind my back. “Pleased to meet you, Jo O’Connor,” he said again. Not quite the way he had the first time.

Movie producers have a lot to answer for, again. Part of the prejudice lies in the way fighting is portrayed in movies. More often than not the star Martial Arts fighter is cast as an individual of some Asian descent, while the villain – a nefarious Englishman - sits in a mansion giving orders. I know several excellent English Martial Artists and not one of them wears a monocle or has attempted to take over the world. Yet.

You said that like a movie title.” “I know. I was thinking of Bill and Ted.” “You think our sex life is like an ‘80s stoner comedy?” Billy grinned. “No, but I do think it’s an Excellent Adventure.

A lot of authors become discouraged with negative reviews. The important thing to remember is that there will always be that one person or a couple of people that will hate something just because it does not suit their interests. Friends have almost figuratively talked my ears off over why I should "be into" Star Trek and The Lord of the Rings. They put up good arguments; however, I'm still not convinced. Why? The Lord of the Rings and Star Trek are not my interests. I've had friends that were not into comic book movies (one of my interests) and friends often get upset with each other because some of their interests are not the same. It's not a friendship issue... everyone has different interests and that's fine... everyone is different and life is interesting because of that. Debates spark interests and they bring up excellent things about life and work and they bring up issues with life and work that you may not have noticed before. Therefore, if you get a bad review, I know that it is not easy, but do not take it to heart.

Chapter 2: The Blinders of the Senses: Awakening from the Sensory Dream Close your eyes and imagine standing in a garden. The air is fragrant with the scent of flowers, and the sun's warmth kisses your skin. You hear the rustle of leaves, the chirping of birds, and the distant hum of life. This sensory symphony envelops you, defining your experience of the world around you. But what if I told you that this symphony is both a blessing and a limitation? Welcome to the chapter where we pull back the curtain on the senses—the windows through which we perceive reality. These senses are our gateways to the world, allowing us to touch, taste, hear, see, and smell. They are our connection to the external, the bridge that links us to the physical universe. However, in their splendor lies a trap—a trap that keeps us tethered to the surface of existence. Picture this: you're in a theater, engrossed in a captivating movie. The screen and the story before you are so compelling that you forget you're sitting in a theater, watching a mere projection. In the same way, our senses project a vivid reality that captivates us, making us forget that they're just a means of perception, not the ultimate truth. Our senses act as both guides and misguides. They offer us a glimpse into the world, but they also distort reality. They're like a paintbrush in the hands of an artist, creating a beautiful but partial picture. We become so focused on this picture that we overlook the canvas on which it's painted—the canvas of consciousness. Consider the blind spots in your eyes. These are spots where you literally cannot see, yet your brain fills in the gaps seamlessly, creating a complete image. Similarly, our senses have "blind spots" when it comes to the inner world of thoughts, emotions, and consciousness. They excel at perceiving the external, but they struggle to illuminate the internal. Herein lies the paradox: while our senses are our windows to the world, they can also be our blinders, keeping us from seeing the whole picture. Just as a map provides information about the terrain but not the essence of a place, our senses provide data about the world but not the essence of our being. So, how do we escape this sensory dream and peer beyond the blinders? The answer lies in a shift of focus. We must turn our attention inwards, away from the dazzling spectacle of the external world. It's here, in the quietude of introspection, that we can begin to untangle the threads of our consciousness from the threads of sensation. In the coming pages, we'll delve into the paradox of perception and introspection. We'll journey through the ways our senses illuminate the external and yet leave us in the dark about the internal. And most importantly, we'll explore the profound power of looking beyond the surface, awakening to a reality that transcends the sensory landscape. So, get ready to peel back the layers of perception, to unveil the subtle dance between our senses and our consciousness. As we journey through this chapter, remember: just as a photograph captures a moment in time, our senses capture a moment in reality. But to grasp the essence of existence, we must go beyond the snapshot and embrace the living, breathing symphony of

The novel you are about to read has sometimes been criticized for explaining too much, and thus destroying some of the movie's mystery. (Rock Hudson stormed out of the premiere complaining "Can someone tell me what the hell this is all about?") But I am quite unrepentant: the printed text has to give much more detail than can be shown on the screen. And I have compounded the felony by writing 2010 (also made into an excellent movie by Peter Hyams), 2061 and 3001. No trilogy should have more than four volumes, so I promise that 3001 is indeed the Final Odyssey!

Great writers and my mom never used food as an object. Instead it was a medium, a catalyst to mend hearts, to break down barriers, to build relationships. Mom's cooking fed body and soul. She used to quip, "If the food is good, there's no need to talk about the weather." That was my mantra for years---food as meal and conversation, a total experience. I leaned my forehead against the glass and thought again about Emma and the arrowroot. Mom had highlighted it in my sophomore English class. "Jane Fairfax knew it was given with a selfish heart. Emma didn't care about Jane, she just wanted to appear benevolent." "That girl was stupid. She was poor and should've accepted the gift." The football team had hooted for their spokesman. "That girl's name was Jane Fairfax, and motivation always matters." Mom's glare seared them. I tried to remember the rest of the lesson, but couldn't. I think she assigned a paper, and the football team stopped chuckling. Another memory flashed before my eyes. It was from that same spring; Mom was baking a cake to take to a neighbor who'd had a knee replacement. "We don't have enough chocolate." I shut the cabinet door. "We're making an orange cake, not chocolate." "Chocolate is so much better." "Then we're lucky it's not for you. Mrs. Conner is sad and she hurts and it's spring. The orange cake will not only show we care, it'll bring sunshine and spring to her dinner tonight. She needs that." "It's just a cake." "It's never just a cake, Lizzy." I remembered the end of that lesson: I rolled my eyes----Mom loathed that----and received dish duty. But it turned out okay; the batter was excellent. I shoved the movie reel of scenes from my head. They didn't fit in my world. Food was the object. Arrowroot was arrowroot. Cake was cake. And if it was made with artisan dark chocolate and vanilla harvested by unicorns, all the better. People would crave it, order it, and pay for it. Food wasn't a metaphor---it was the commodity---and to couch it in other terms was fatuous. The one who prepared it best won.

ClothingLowPrice store, all the t-shirts, sweatshirts, hoodies, tank tops, mug that you could be looking for. With a best 7 of Sport, movies, characters, quotes… ClothingLowPrice is an exclusive store for the world’s best animal themed apparels such as lion, donkey, mouse and so on. ClothingLowPrice Shop makes sure to offer customers the high-quality trendy apparels yet budget-friendly products as well as excellent customer service you can’t find anywhere else. We understand what ClothingLowPrice Shop takes to make your shopping experience a joy; that’s why we do everything we can to make sure you get not only the best prices, but the best service too. In fact, there is 75% of the designs produced by our artists, but 25% of the awesome design ideas come from you, our customers. Hence, if you think you’ve got a great idea, please send us your idea design via support@clothinglowprice.com and there’s a good chance that you will be able to wear your coolest thoughts.

The perfect man. Excellent taste in clothes and music, no corporate types, a dimple, a respectable-looking outside wrapper with a bad boy streak. Must love puppies, travel, rain, and eighties movies. Must hate golf. He’s got to be an excellent cook, a big reader, know all my favorite podcasts, and make me laugh. Frat bros are a no.

Why go to the movie theater at all, audiences have asked over the past few years, when movie tickets, snacks, and a babysitter can easily cost a hundred bucks and there is so much good TV to watch and so many apps on their tablets to interact with? Moviegoing is no longer a habit the way it used to be, particularly for people ages eighteen through forty-nine. They saw two fewer films per year on average in 2016 than they did in 2012. When they do go to the cinema, modern consumers increasingly prefer to know what they’re in for, which means a brand-name franchise. Even big-budget, star-driven action movies with stellar reviews, like Tom Cruise’s excellent Edge of Tomorrow, have struggled. And in the same year, Star Wars: The Force Awakens destroyed box-office records by essentially re-creating a movie from forty years ago.

Consider an actual city park in contrast to a faux public space like Universal CityWalk, which one passes through upon leaving the Universal Studios theme park. Because it interfaces between the theme park and the actual city, CityWalk exists somewhere in between, almost like a movie set, where visitors can consume the supposed diversity of an urban environment while enjoying a feeling of safety that results from its actual homogeneity. In an essay about such spaces, Eric Holding and Sarah Chaplin call CityWalk “a ‘scripted space’ par excellence, that is, a space which excludes, directs, supervises, constructs, and orchestrates use.”13 Anyone who has ever tried any funny business in a faux public space knows that such spaces do not just script actions, they police them. In a public space, ideally, you are a citizen with agency; in a faux public space, you are either a consumer or a threat to the design of the place.

No, I'll mostly be watching you, anyway.’ His fingers traced patterns across the skin of my arm, raising goosebumps. ‘Will you cry?’ ‘Probably,’ I admitted, ‘if I'm paying attention.’ ‘I won't distract you then.’ But I felt his lips on my hair, and it was very distracting. The movie eventually captured my interest, thanks in large part to Marcel whispering Romeo's lines in my ear-his irresistible, velvet voice made the actor's voice sound week and coarse by comparison. And I did cry, to his amusement, when Juliet woke and found her new husband dead. ‘I'll admit, I do sort of envy him here, ‘Marcel said, drying the tears with a lock of my hair. ‘She's very pretty.’ He made a disgusted sound. ‘I don't envy him the girl-just the ease of the suicide,’ he clarified in a teasing tone. ‘You humans have it so easy! All you have to do is throw down one tiny vial of plant extracts…’ ‘What?’ I gasped. ‘It's something I had to think about once, and I knew from Chiaz's experience that it wouldn't be simple. I'm not even sure how many ways Chiaz tried to kill himself in the beginning… after he realized what he'd become…’ His voice, which had grown serious, turned light again. ‘And he's still in excellent health.’ I twisted around so that I could read his face. ‘What are you talking about?’ I demanded. ‘What do you mean, this something you had to think about once?’ ‘Last spring, when you were… nearly killed…’ He paused to take a deep breath, snuggling to return to his teasing tone. ‘Of course, I was trying to focus on finding you alive, but part of my mind was making contingency plans. As I said, it's not as easy for me as it is for a human.’ For one second, the memory of my last trip to Phoenix washed over my head and made me feel dizzy. I could see it all so clearly-the the blinding sun, the heat waves coming off the concrete as I ran with desperate haste to find the sadistic angel who wanted to torture me to death. James, waiting in the mirrored room with my mother as his hostage-or so I'd thought. I hadn't known it was all a ruse. Just as James hadn't known that Marcel was racing to save me; Marcel made it in time, but it had been a close one. Unthinkingly, my fingers traced the crescent-shaped scar on my hand that was always just a few degrees cooler than the rest of my skin. I shook my head as if I could shake away the bad memories and tried to grasp what Marcel meant. My stomach plunged uncomfortably. ‘Contingency plans?’ I repeated. ‘Well, I wasn't going to live without you.’ He rolled his eyes as if that fact were childishly obvious. ‘But I wasn't sure how to do it- I knew Emmah and Joh would never help… so I was thinking maybe I would go to Italy and do something to provoke the Ministry.’ I didn't want to believe he was serious, but his golden eyes were brooding, focused on something far away in the distance as he contemplated ways to end his own life. Abruptly, I was furious. ‘What is Vulture?’ I demanded. ‘The Ministry is a family,’ he explained, his eyes still remote. ‘A very old, very powerful family of our kind. They are the closest thing our world has to a royal family, I suppose. Chiaz lived with them briefly in his early years, in Italy, before he settled in America-do you remember the story?’ ‘Of course, I remember.

Dammit. Forgot my clothes. Again. My brain truly is the Bermuda triangle. Info comes in and poof, it vanishes. I have excellent recall for the oddest things. Mating rituals? Check. Football stats? Locked and loaded. Movie quotes? Branded in my skull. My classes at Braxton? Freaking ghost town with tumbleweeds blowing through it. That plane has flown over thr triangle and disappeard.

Warhol never tires himself. The agnostic isn't going to tire himself out working for the glory of God, or to prove his existence. Warhol isn't going to tire himself out proving the existence of art. Because, fundamentally, there is no need. We no more need the pathos of art than we need the pathos of suffering or the pathos of desire. A Stoic trait, this. What is good about Warhol is that he is Stoical, agnostic, puritanical and heretical all at the same time. Having all the qualities, he generously credits all around him with them. The world is there, and it's excellent. People are there, and they're OK. They have no need to believe in what they are doing, they're perfect. He is the best, but everyone's a genius. Never before has the privilege of the creator been quashed in such a way, by a kind of maximalist irony. And all without contempt or demagogy: there is in him a kind of airy innocence, a gracious form of the abolition of privileges. There is in him something of the Cathars and the theory of the Perfect.

Opening and closing images frame our whole lives, like birth and death. But I’m really talking about the dynamic phase of our lives when we’re making our way in the world. The opening image is when we’re eighteen, say, and our closing image is when we’re about fifty. We all have thirty-two years to get our closing image right, and hardly anyone succeeds. When we’re on our deathbed, will we be proud of our closing image, or tormented by it? That’s the challenge of the movie of our life. That’s when we know if we’re going to heaven or hell. That’s the Final Judgment.

Greg realised these weren’t his closing images at all. They were the opening images of the new movie of his life, the movie he’d be happy to watch on an infinite loop. His life would be a collection of the most wondrous pearls scattered over a beach of gold in this new Eden. He’d have to polish every moment, to make each gleam and shine like a perfect mirror because he might be seeing himself reflected back in those mirror moments. Forever.

On the most basic level, Toy Story 2 was a wakeup call. Going forward, the needs of a movie could never again outweigh the needs of our people. We needed to do more to keep them healthy. As soon as we wrapped the film, we set about addressing the needs of our injured, stressed-out employees and coming up with strategies to prevent future deadline pressures from hurting our workers again. These strategies went beyond ergonomically designed workstations, yoga classes, and physical therapy. Toy Story 2 was a case study in how something that is usually considered a plus—a motivated, workaholic workforce pulling together to make a deadline—could destroy itself if left unchecked. Though I was immensely proud of what we had accomplished, I vowed that we would never make a film that way again. It was management’s job to take the long view, to intervene and protect our people from their willingness to pursue excellence at all costs. Not to do so would be irresponsible.

When she remembered certain events, they were unconnected and random, a flash of color spilling out of her mother’s body, a broken string on a guitar. They came back to her in waves and then receded for months or even years before they would return. She looked up from her drink and Eric was staring at her, his face calm and radiant. “You were always the best Fang,” he said, “at least I think so.” “There’s no best Fang,” she said, “we’re all exactly the same.” A few weeks earlier, just as the naked pictures fiasco had begun to subside, Annie’s parents had called, ecstatic. Annie was reading a four-page note from Minda, two pages of which were a sestina that used the repeating words Fang, blossom, locomotive, tongue, movie, and bi-curious. She was happy to put the note down. “Excellent news,” her father said, and Annie could hear her mother in the background saying, “Excellent news.” “What’s that?” Annie said. “We got an e-mail from the MCA in Denver. They are very interested in exhibiting one of our pieces.” “That’s great,” Annie said. “Congratulations. Is it new?” “It’s so effing new,” Mr. Fang said, “it’s only just happened.” “Wow,” Annie said. “I know, wow, exactly, wow,” her father said.

he pressed a bit more firmly, but he didn’t hold them long. When he pulled back he said, “I have excellent manners.” “You seem to,” she agreed. “I must be drunk. I’m kissing a stranger in a bar.” “I think we’ve gotten to be pretty good friends,” he said. “We know each other’s darkest, most embarrassing secrets.” “We don’t know each other well enough to be kissing in a bar.” “Listen,” he said. “Did I mention I’m staying here tonight? I probably shouldn’t be driving. I’m going to check in and then come back here. We could have a drink or seltzer together, or I could take you upstairs, if you want to. We could watch a movie or something. Talk. Have drinks and not worry about anything. Whatever you like. Be less alone.” “That would be completely nuts,” she said. “You do this sort of thing a lot?” He shook his head. “Not in years. When I was younger, I was game for a lot of stupid things, but then eventually you grow up a little. Something like this didn’t occur to me when I came over here, bought you a drink. What do you think?” “I think you’re lying,” she said.

Visualization is basically the process of making a movie in your mind. You want to see yourself in many different situations, using your martial arts skills or your de-escalation skills to walk away from specific conflicts victoriously. The key to successful visualization is that you always see yourself being victorious. You don’t want to visualize yourself screwing up or making mistakes. Visualizing yourself losing or messing up, is like practicing your martial arts skills incorrectly, over and over again.

Guys, I’m not in labor. I just moved too quickly, OK?’’ Aisling said. ‘‘Take your hands off her,’’ Drake said in a low voice that sounded very much like a growl. Jim sucked in its breath, sitting up to watch. ‘‘I’m not hurting her,’’ Gabriel answered, bending over her belly as he continued to gently prod her. ‘‘I’m simply trying to ascertain if she’s in labor or not. Aisling, is the pain sharp or dull?’’ The door opened, and Gabriel’s two bodyguards, Tipene and Maata, entered. Behind them came one of Drake’s men, a thick-necked, redheaded man named István. The latter picked up on Gabriel’s question. ‘‘Aisling is in pain? She is having the baby?’’ ‘‘I should examine you more fully,’’ Gabriel said, smiling at Aisling as he took her hand. ‘‘Do not worry, Aisling. I have delivered many dragons over the centuries. My mother is a very good midwifeand has taught me well.’’ Drake snatched up her other hand. ‘‘You will not examine my mate any further! We have an excellent green-dragon midwife who is attending her. Now, get away from her before I have you removed!’’ Aisling looked perfectly fine to me. She rolled her eyes, casting a pleading look skyward. I might not have experience in this area, but it was clear to me that she was not in labor. I shot a glare at Gabriel, grinding my teeth just a little at the stupidity of what was normally such a bright man, my fingers itching to pry his hand from Aisling’s. ‘‘I will tell you once more—remove your hands from her!’’ Drake’s voice got even more menacing. ‘‘Gabriel, I think she would know if she was in labor,’’ I said, nudging the dragon of mydreams a bit more forcefully. ‘‘A voice of reason at last,’’ Aisling said, giving me a smile. ‘‘Guys, I’m not—’’ István turned in the doorway and bellowed out of it. ‘‘Pál! Call the midwife! Aisling is in labor! I will call Nora and Rene. They wish to be here, yes? Should I boil water?’’ He evidently asked the last bit of Maata, who, as the female member of Gabriel’s attendants, was obviously expected to know the answer. Maata looked surprised. ‘‘Would it make you feel better to boil water?’’ she asked. István nodded his head vigorously. ‘‘It is done, is it not? The boiling of water? It is important. I saw it in a movie.’’ ‘‘Then, by all means, boil water,’’ she answered. István nodded again, announced to the room in general, ‘‘I boil water!’’ and rushed out to suit action to word. Pál, the second of Drake’s two redheaded bodyguards, slammed into István as he was leaving, scattering apologies as he dashed into the room, a cell phone in his hand. ‘‘The midwife’s phone is busy!’’ he said, offering the phone to Drake as proof. ‘‘Oh, man, if there’s going to be baby juice and blood and guck, I’m getting out of here,’’ Jim said, sidling around the clutch of people that surrounded Aisling. ‘‘I’m going to Amelie’s to be with Cecile. Someone tell me when it’s all over.’’ ‘‘Hello, can anyone hear me? I’m not in labor!’’ Aisling said. ‘‘What should I do?’’ Pál asked Drake, shaking the phone at him. ‘‘It is busy! Busy! How can it be busy?’’ A little wisp of smoke escaped Drake’s nose as he glared at the phone. ‘‘It should not be busy. Go fetch her. There is no business she can have as important as this.’’ Pál didn’t stop to answer; he just bolted from the room. ‘‘Oh, for the love of Pete! I’m not in pain! And unless dragons have some sort ofpainless labor, a notion your mother vehemently says is false, then I’m not having the baby,’’ Aisling said, but was drowned out by Maata asking if Gabriel needed help at the same time Tipene offered to take overmidwife phone duty.