Irene Passing Quotes

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For those who pass it without entering, the city is one thing; it is another for those who are trapped by it and never leave. There is the city where you arrive for the first time; and there is another city which you leave never to return. Each deserves a different name; perhaps I have already spoken of Irene under other names; perhaps I have spoken only of Irene.
Italo Calvino (Invisible Cities)
Deep within everyone's heart there always remains a sense of longing for that hour, that summer, that one brief moment of blossoming. For several weeks or months, rarely longer, a beautiful young woman lives outside ordinary life. She is intoxicated. She feels as if she exists beyond time, beyond its laws; she experiences not the monotonous succession of days passing by, but moments of intense, almost desperate happiness.
Irène Némirovsky (Jezebel)
Have you ever stopped to think, Clare,” Irene demanded, “how much unhappiness and downright cruelty are laid to the loving-kindness of the Lord? And always by His most ardent followers, it seems.
Nella Larsen (Passing)
It was the most brilliant exhibition of conversational weightlifting that Irene had ever seen.
Nella Larsen (Passing)
Irene Redfield wished, for the first time in her life, that she had not been born a Negro. For the first time she suffered and rebelled because she was unable to disregard the burden of race. It was, she cried silently, enough to suffer as a woman, an individual, on one’s own account, without having to suffer for the race as well. It was a brutality, and undeserved.
Nella Larsen (Passing)
easy for people who aren’t in risky jobs to pass judgment—and come to a lot of wrong conclusions—when someone pulls back.
Irene Hannon (Buried Secrets (Men of Valor #1))
Security. Was it just a word? If not, then was it only by the sacrifice of other things, happiness, love, or some wild ecstasy that she had never known, that it could be obtained? And did too much driving, too much faith in safety and permanence, unfit one for these other things? Irene didn't know, couldn't decide, though for a long time she sat questioning and trying to understand. Yet all the while, in spite of her searchings and feelings of frustration, she was aware that, to her, security was the most important and desired thing in life. Not for any of the others, or for all of them, would she exchange it. She wanted only to be tranquil. Only, unmolested, to be allowed to direct for their own best good the lives of her sons and her husband.
Nella Larsen (Passing)
But it’s true, ’Rene. Can’t you realize that I’m not like you a bit? Why, to get the things I want badly enough, I’d do anything, hurt anybody, throw anything away. Really, ’Rene, I’m not safe.” Her voice as well as the look on her face had a beseeching earnestness that made Irene vaguely uncomfortable.
Nella Larsen (Passing)
Young People! Do not gloat about your youth, because you have a long and treacherous path to negotiate before you reach the truly lovely part of your life. Your fisrt decades are one long, tiring, demeaning struggle for at least a short turn at the control level. Every day you get savaged by your own wishes. When you finally calm down and accept your lot, you are middle-aged, and happiness most definitely lies more closely ahead, but you still have a few years to go, passing through most arduous longing and regret.
Irene Dische (The Empress of Weehawken)
Irene is a name for a city in the distance, and if you approach, it changes. For those who pass it without entering, the city is one thing; it is another for those who are trapped by it and never leave. There is the city where you arrive for the first time; and there is another city which you leave never to return. Each deserves a different name; perhaps I have already spoken of Irene under other names; perhaps I have spoken only of Irene. — Invisible Cities, Italo Calvino
Italo Calvino (Invisible Cities)
All the evidence of our crimes,” Irene snapped back. “You think someone else won’t figure it out? You think Daniel’s dad will just let us go, because—what? Because family just gets a free pass on international art theft? Because you want us to keep going?
Grace D. Li (Portrait of a Thief)
Later, when she examined her feeling of annoyance, Irene admitted, a shade reluctantly, that it arose from a feeling of being outnumbered, a sense of aloneness, in her adherence to her own class and kind; not merely in the great thing of marriage, but in the whole pattern of her life as well.
Nella Larsen (The Complete Fiction of Nella Larsen: Passing, Quicksand, and The Stories)
Rainy Nights I like the town on rainy nights When everything is wet — When all the town has magic lights And streets of shining jet! When all the rain about the town Is like a looking-glass, And all the lights are upside down Below me as I pass. In all the pools are velvet skies, And down the dazzling street A fairy city gleams and lies In beauty at my feet.
Irene Thompson
Checking out shoes when looking for Lesbians is an elimination device, a negative marker. Lesbians wear sensible shoes whenever possible. Irene and I have learned to pass right by a woman who looks like a Lesbian from head to ankle, but wears flimsy shoes with pointed toes and heels. She is sure to mention a husband by her second sentence. So, what does a Lesbian look like? Well, we saw two old women drive into a campground in a large motorhome. One dog and no men accompanied them. These are Lesbian-positive clues. We seldom see old women in campgrounds unless they are accompanied by old men. They walked the dog, each wearing a long “ladies” winter coat and lipstick. We casually intercepted them. “Nice dog,” says Irene. The dog growled. We mentioned the movie about nuclear war on TV the night before. “They should go to Russia. Show it to the Communists,” they angrily replied. We walked on. If they were Lesbians, I did not want to know. “Not Lesbians,” pronounced my expert. “There are Lesbians who wear ‘ladies’ coats and Lesbians who wear lipstick. There are even Lesbians who prefer nuclear war to “Godless Communism”; but Lesbians would not let their dog growl at a woman without correcting it.
Julia Penelope (Finding the Lesbians: Personal Accounts from Around the World)
People in books were always so charming, and all their thoughts and actions so comprehensible. They all invariably had a clear, well-defined object in life, and strove through a few hundred engrossing pages to attain this object. They were all noble and generous, and their lives were bright and beautiful. What interesting and delightful moments Irene had passed in their society! They had made her laugh and cry and suffer and rejoice, and had entertained her with the brilliancy of their wit. How dull and colourless real people had appeared beside these heroes and heroines of fiction.
Aimée Dostoyevsky (The Emigrant)
This, Irene told her, was the year 1927 in the city of New York, and hundreds of white people of Hugh Wentworth’s type came to affairs in Harlem, more all the time. So many that Brian had said: “Pretty soon the colored people won’t be allowed in at all, or will have to sit in Jim Crowed sections.
Nella Larsen (The Complete Fiction of Nella Larsen: Passing, Quicksand, and The Stories)
there will be singing in the morning and singing in the night singing in the days of want and singing in the days of plenty singing alone and singing with ghosts singing old songs and singing new songs we will remember songs we haven’t heard yet songs that haven’t been dreamt yet songs no one has found the words for songs sung on the road and songs sung in bed songs sung while weeping and songs sung while waiting songs for breath and sun and light and moon and earth and water songs for sustenance we will sing impossible songs indecipherable songs songs that cannot be heard and songs that cannot be shared we will sing songs without words silent songs and screaming songs songs that tremble and songs we can embrace song and i live in each other’s skins song and i breathe each other’s breath take refuge in each other passing silver fire light between each other’s lips hot and cold at once naming and un- naming freeing ourselves taking wing song and i spiraling in the sky i would like to die singing let there be song in my throat spilling out let my last breath be song (first published in the online journal, Rabbit and Rose, Issue 02)
Ire'ne Lara Silva
So what made you think he was a ghost?” Maggie interrupted. “The next time I saw him it was five years later, and he hadn’t aged at all. Then a few years passed, and I saw him again. He looked exactly the same, same blue jeans and white shirt, same everything right down to the 50s hair do with the duck butt in the back. Pardon the language, Miss Honeycutt.” Gus gave a sheepish grin. “I just didn’t know what else to call it. “I’m well aware of what a duck’s butt is Gus,” Aunt Irene said primly. "A duck's butt?" Shad hooted. Rising from his seat he squatted down and waddled around the table, shaking his skinny butt wildly. "That's what this move is called, Maggie, a duck's butt." "Shadrach, sit down." Gus smiled to soften the reprimand. Maggie tried not to laugh and ended up snorting instead. Aunt Irene looked at her sharply, and Maggie quickly changed the subject.
Amy Harmon (Slow Dance in Purgatory (Purgatory, #1))
Sometimes silence is not an indicator of not caring, but a way to give time and space to the one who's hurting. Only judge when time passes ad the void widens such that the chasm cannot be bridged.
Irene fantopoulos
Miss Hendricks, I received word of Adabelle Williams’s passing on to glory and of you staying on with my children. I know they are not your responsibility, but from what I hear, you weren’t given much choice. Thank you for your Christian kindness in helping those in need. Tell Ollie Elizabeth I’m depending on her. Keep the boys in line with a switch if you have to. Please let me know how they are doing. It seems so unfair for them to lose both their mother and their Miss Ada without their father to comfort them. Yet I must believe God knows best even if it seems a hard thing. I don’t know how long you intend to stay, but if it could be until I return home, that would be greatly appreciated. If you need anything at all, ask George and Irene Latham. Sincerely, Frank Gresham
Anne Mateer (Wings of a Dream)
Sometimes silence is not an indicator of not caring, but a way to give time and space to the one who is hurting. Only judge when time passes and the void widens such that the chasm cannot be bridged.
Irene fantopoulos
It wasn’t, this mild weather, a bit Christmasy, Irene Redfield was thinking, as she turned out of Seventh Avenue into her own street. She didn’t like it to be warm and springy when it should have been cold and crisp, or grey and cloudy as if snow was about to fall. The weather, like people, ought to enter into the spirt of the season.
Nella Larsen (Passing)
What, she wondered, could be the reason for such persistent attention? Had she, in her haste in the taxi, put her hat on backwards? Guardedly she felt at it. No. Perhaps there was a streak of powder somewhere on her face. She made a quick pass over it with her handkerchief. Something wrong with her dress? She shot a glance over it. Perfectly all right. What was it? Again she looked up, and for a moment her brown eyes politely returned the stare of the other’s black ones, which never for an instant fell or wavered. Irene made a little mental shrug. Oh well, let her look! She tried to treat the woman and her watching with indifference, but she couldn’t. All her efforts to ignore her, it, were futile. She stole another glance. Still looking. What strange languorous eyes she had! And gradually there rose in Irene a small inner disturbance, odious and hatefully familiar. She laughed softly, but her eyes flashed. Did that woman, could that woman, somehow know that here before her very eyes on the roof of the Drayton sat a Negro? Absurd! Impossible! White people were so stupid about such things for all that they usually asserted that they were able to tell; and by the most ridiculous means, finger-nails, palms of hands, shapes of ears, teeth, and other equally silly rot. They always took her for an Italian, a Spaniard, a Mexican, or a gipsy. Never, when she was alone, had they even remotely seemed to suspect that she was a Negro. No, the woman sitting there staring at her couldn’t possibly know. Nevertheless, Irene felt, in turn, anger, scorn, and fear slide over her. It wasn’t that she was ashamed of being a Negro, or even of having it declared. It was the idea of being ejected from any place, even in the polite and tactful way in which the Drayton would probably do it, that disturbed her.
Nellla Larson
Irene doubted the genuineness of it, seeing herself only as a means to an end where Clare was concerned. Nor could it be said that she had even the slight artistic or sociological interest in the race that some members of other races displayed. She hadn’t. No, Clare Kendry cared nothing for the race. She only belonged to it.
Nella Larsen (Passing)
the world can’t hurt you if you just ignore everything that’s wrong with it; well, not until it kills you anyway.
Irene Gallo (Worlds Seen in Passing: Ten Years of Tor.com Short Fiction)
One thing Irene has learned in her fifty-seven years is that no matter how hideous something seems at first, with the passing of time comes habituation and then acceptance. What Irene is living through now is abhorrent. But the world is filled with deceptions and betrayals—nearly every life has one—and yet the sun still rises and sets, the world continues on.
Elin Hilderbrand (Winter in Paradise (Paradise #1))