Ireland Weather Quotes

We've searched our database for all the quotes and captions related to Ireland Weather. Here they are! All 22 of them:

In Ireland there’s no such thing as bad weather ~~~ only the wrong clothes.
Jan Karon (In the Company of Others (Mitford Years, #11))
These are the ashes of fiery weather, Of nights full of the green stars from Ireland, Wet out of the sea, and luminously wet, Like beautiful and abandonded refugees.
Wallace Stevens (The Collected Poems)
...being a weatherman in Ireland is about the biggest scam going.
Rachel Friedman (The Good Girl's Guide to Getting Lost: A Memoir of Three Continents, Two Friends, and One Unexpected Adventure)
Up and down' is Irish for anything at all--from crying into the dishes to full-blown psychosis. Though, now that I think about, a psychotic is more usually 'not quite herself'.
Anne Enright (Yesterday's Weather)
To me, Gothic fiction is the literary representation of the stormy gloom of the British Isles.
Stewart Stafford
That was the trouble with being too highly born, Finbarr considered. The gods paid too much attention to you. It was ever thus in the Celtic world. Ravens would fly over the house to announce the death of a clan chief, swans would desert the lake. A king’s bad judgement could affect the weather. And if you were a prince, the druids made prophesies about you from before the day you were born; and after that, there was no escape.
Edward Rutherfurd (The Princes of Ireland (The Dublin Saga, #1))
You were silly like us; your gift survived it all: The parish of rich women, physical decay, Yourself. Mad Ireland hurt you into poetry. Now Ireland has her madness and her weather still, For poetry makes nothing happen: it survives In the valley of its making where executives Would never want to tamper, flows on south From ranches of isolation and the busy griefs, Raw towns that we believe and die in; it survives, A way of happening, a mouth.
W.H. Auden
In less than a month it would be the magical feast of Samhain. Some years this took place at the great ceremonial centre of Tara; other years it was held at other places. At Samhain the excess livestock would be slaughtered, the rest put out on the wasteland and later brought into pens, while the High King and his followers set off on their winter rounds. Until then, however, it was a slow and peaceful time. The harvest was in, the weather still warm. It should, for the High King, have been a time of contentment.
Edward Rutherfurd (The Princes of Ireland (The Dublin Saga, #1))
I awaken myself to the greatest lesson Ireland offers: that I must wake up to whatever place I find myself, wake up to its seasons and weather, its heritage and special beauties, its ultimate and indisputable holiness. I have news for you: spring comes everywhere with sweetness and hope. Summer's fullness becomes harvest, then the world sleeps through a dark time. This is the only truth: that just as Ireland is sacred, so all land is sacred, as we are all sacred. This is my news.
Patricia Monaghan (The Red-Haired Girl from the Bog: The Landscape of Celtic Myth and Spirit)
I never met a librarian worth his or her salt who didn't perceive my passion for books. And without exception, each one would lend me a book on a subject we had been discussing. No paperwork, no formalities of any kind, no rules or regulations. My unspoken side of the bargain was to protect them, in two ways; first by keeping the book unharmed - not that easy, especially in bad weather, but when it rained, I carried the book next to my skin. I can tell you now that carrying Gulliver's Travels or Lays of Ancient Rome or Mr. Oscar Wilde's stories or Mr. William Yeat's poems next to my heart gave me a kind of sweet pleasure. The second half of the bargain often nearly broke my heart, but I always kept it - and that was to return the book safe and sound to the library that had lent it. To part company with Mr. Charles Dickens or Mr. William Makepeace Thackeray and his lovely name! - that was harder than saying good-bye to a dear flesh-and-blood companion. But I always did it - and I sent the book by registered post, no small consideration of cost given the peculiar economics of an itinerant storyteller.
Frank Delaney (Ireland)
It seems that unlike the continuous, enduring contentment that we anticipate, our actual happiness with, and in, a place must be a brief and, at least to the conscious mind, apparently haphazard phenomenon: an interval in which we achieve receptivity to the world around us, in which positive thoughts of past and future coagulate and anxieties are allayed. The condition rarely endures for longer than ten minutes. New patterns of anxiety inevitably form on the horizon of consciousness, like the weather fronts that mass themselves every few days off the western coasts of Ireland. The past victory ceases to seem so impressive, the future acquires complications and the beautiful view becomes as invisible as anything which is always around. I was to discover an unexpected continuity between the melancholic self I had been at home and the person I was to be on the island, a continuity quite at odds with the radical discontinuity in the landscape and climate, where the very air seemed to be made of a different and sweeter substance.
Alain de Botton (The Art of Travel)
In Memory of W. B. Yeats I He disappeared in the dead of winter: The brooks were frozen, the airports almost deserted, And snow disfigured the public statues; The mercury sank in the mouth of the dying day. What instruments we have agree The day of his death was a dark cold day. Far from his illness The wolves ran on through the evergreen forests, The peasant river was untempted by the fashionable quays; By mourning tongues The death of the poet was kept from his poems. But for him it was his last afternoon as himself, An afternoon of nurses and rumours; The provinces of his body revolted, The squares of his mind were empty, Silence invaded the suburbs, The current of his feeling failed; he became his admirers. Now he is scattered among a hundred cities And wholly given over to unfamiliar affections, To find his happiness in another kind of wood And be punished under a foreign code of conscience. The words of a dead man Are modified in the guts of the living. But in the importance and noise of to-morrow When the brokers are roaring like beasts on the floor of the bourse, And the poor have the sufferings to which they are fairly accustomed And each in the cell of himself is almost convinced of his freedom A few thousand will think of this day As one thinks of a day when one did something slightly unusual. What instruments we have agree The day of his death was a dark cold day. II You were silly like us; your gift survived it all: The parish of rich women, physical decay, Yourself. Mad Ireland hurt you into poetry. Now Ireland has her madness and her weather still, For poetry makes nothing happen: it survives In the valley of its making where executives Would never want to tamper, flows on south From ranches of isolation and the busy griefs, Raw towns that we believe and die in; it survives, A way of happening, a mouth. III Earth, receive an honoured guest: William Yeats is laid to rest. Let the Irish vessel lie Emptied of its poetry. In the nightmare of the dark All the dogs of Europe bark, And the living nations wait, Each sequestered in its hate; Intellectual disgrace Stares from every human face, And the seas of pity lie Locked and frozen in each eye. Follow, poet, follow right To the bottom of the night, With your unconstraining voice Still persuade us to rejoice; With the farming of a verse Make a vineyard of the curse, Sing of human unsuccess In a rapture of distress; In the deserts of the heart Let the healing fountain start, In the prison of his days Teach the free man how to praise.
W.H. Auden
14. He’s denied climate change. Then denied that he denied it.​​ Here’s Trump calling global warming a conspiracy created by the Chinese: The concept of global warming was created by and for the Chinese in order to make U.S. manufacturing non-competitive. @realDonaldTrump – 11:15 AM – 6 Nov 2012 More tweets of him calling global warming a hoax… NBC News just called it the great freeze – coldest weather in years. Is our country still spending money on the GLOBAL WARMING HOAX? @realDonaldTrump – 3:48 PM – 25 Jan 2014 This very expensive GLOBAL WARMING bullshit has got to stop. Our planet is freezing, record low temps,and our GW scientists are stuck in ice @realDonaldTrump – 4:39 PM – 1 Jan 2014 Ice storm rolls from Texas to Tennessee – I’m in Los Angeles and it’s freezing. Global warming is a total, and very expensive, hoax! @realDonaldTrump – 7:13 AM – 6 Dec 2013 Then, during a presidential debate with Hillary Clinton, Trump denied that he said any of this. Here’s the video. Clinton says, “Donald thinks that climate change is a hoax, perpetrated by the Chinese. I think it’s real.” Trump interrupts to say, “I do not say that. I do not say that.” Actually, Donald, you’ve said nothing else. Trump has also said, dozens of times in tweets like this, that global warming sounds like a great idea: It’s freezing and snowing in New York–we need global warming! @realDonaldTrump – 11:24 AM – 7 Nov 2012 Here he is hating wind turbines: It’s Friday. How many bald eagles did wind turbines kill today? They are an environmental & aesthetic disaster. @realDonaldTrump – 12:55 PM – 24 Aug 2012 Trump fought against a “really ugly” offshore wind farm in Scotland because it would mar the view from his Scottish golf resort. My new club on the Atlantic Ocean in Ireland will soon be one of the best in the World – and no-one will be looking into ugly wind turbines! @realDonaldTrump – 5:24 AM – 14 Feb 2014
Guy Fawkes (101 Indisputable Facts Proving Donald Trump Is An Idiot: A brief background of the most spectacularly unqualified person to ever occupy the White House.)
It was that or be shipped off to a family cottage in Ireland with all my cousins, who are either moaning about the weather,
Sue Wallman (See How They Lie)
Living in London, it’s easy to forget that people can talk to each other. I walk my dogs around Wapping past hundreds of people on pavements and in parks and it is very rare a smile is exchanged or the silence broken. I occasionally get ‘Are you Graham Norton?’ ‘Love the show’ or a simple ‘Faggot!’ but for most people making their way through the capital, you soon learn that people generally only speak to you when they are (a) crazy, (b) want money, or (c) both. We quickly learn the rules and for the most part they work. In Ireland it is impossible to imagine not saying hello or commenting on the weather. When I first started going back home again, it would always take me a day or two to stop thinking everyone I met was trying to sell me something or explaining why they needed £2 to get the train. I know this is true of rural communities the world over, but talking seems to be something we in Ireland are especially gifted at. There are nights in the pub when my friends look on in slack-jawed incomprehension as someone opens their mouth and a torrent of words tumble free. Usually they don’t have anything to say. Their gate fell down. Who put it there. The man who fixed it. The general state of gates in the area. I will then remember an ‘interesting’ fact about my own gate. They will know the man who owned the forge where they made it. Are they a relation of the man who delivers the stuff? And so it goes. A seamless gush of phrases and banter as traditional as a sing-song or drink-driving. It is talking for the pure pleasure of it and not to communicate a single thing. It is the human equivalent of barking or birdsong.
Graham Norton (The Life and Loves of a He Devil)
Someone had said that in Ireland there’s no such thing as bad weather—only the wrong clothes.
Jan Karon (In the Company of Others)
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Stephenie Meyer (Beyond Exclusion: Intersections of Ethnicity, Sex, and Society under English law in Medieval Ireland (Medieval Identities: Socio-cultural Spaces, 10))
I lived in Ireland. This meant it was only summer for 24 hours and the rest of the time it’s freezing.
Elizabeth McGivern (Amy Cole Has Lost Her Mind (Amy Cole, #1))
A lighthouse is the product of optimism, applied with cold rationality. Haulbowline is built on rock and the belief that technology will make our lives fuller and longer. We need not be shoved around by nature; we can build things to help us hold a place in it. I realise that, just like a castle or a fort, a lighthouse is defensive architecture. Haulbowline defends cargo against fog, fishermen from heavy weather and, in some broader way, lighthouses stand against general chaos, the violence tossed up by a world at spin. Haulbowline guards a different border than the one on the map, it holds the line between order and chaos.
Garrett Carr (The Rule of the Land: Walking Ireland's Border)
Eugene Peterson speaks of the “God-dominated imagination” that developed in David as he spent his days and nights watching sheep on the Judean hillsides.19 It appears that something similar happened in Patrick. In the lush, green hills of western Ireland, in the towering clouds that rolled across the big sky, even in the most inclement of weather, Patrick sensed the presence of a Creator who hadn’t seemed very real or relevant or necessary in his earlier life of ease. For all its disadvantages, the shepherd’s life leaves plenty of time to think and pray, and Patrick used his time to great advantage. Far from wallowing in self-pity, Patrick celebrated his enslavement, the very shock he needed to bring him to his senses. Throughout his Confession, Patrick’s language is shot through with the confidence that, whatever his circumstances, God was doing good things in his life. He viewed his kidnapping and slavery as God’s direct work; this work, however, was not merely punitive but remedial, not evidence that God had forsaken him, but that God wished to draw Patrick to himself. So rather than growing bitter, Patrick allowed God’s chastisement to do its work in him. His enslavement, he believed, was a hard mercy, but a mercy nonetheless. From the very beginning of the Confession, we get a glimpse of Patrick’s indomitable joy. His tone echoed that of Paul, who wrote from prison,
Jonathan Rogers (Saint Patrick (Christian Encounters))
The top sash on the window was lowered and in the room the damp weather that was neither rain nor not-rain but a cloud-lining that was Ireland in December.
Niall Williams (Time of the Child: A Novel)
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