Ireland Love Quotes

It is a long way to Ireland, Janet, and I am sorry to send my little friend on such weary travels: but if I can't do better, how is it to be helped? Are you anything akin to me, do you think, Jane?" I could risk no sort of answer by this time: my heart was still. "Because, he said, "I sometimes have a queer feeling with regard to you - especially when you are near me, as now: it is as if I had a string somewhere under my left ribs, tightly and inextricably knotted to a similar string situated in the corresponding quarter of your little frame. And if that boisterous channel, and two hundred miles or so of land some broad between us, I am afraid that cord of communion will be snapt; and then I've a nervous notion I should take to bleeding inwardly. As for you, - you'd forget me.

The tune was sad, as the best of Ireland was, melancholy and lovely as a lover's tears.

Ireland is a land of poets and legends, of dreamers and rebels. All of these have music woven through and around them. Tunes for dancing or for weeping, for battle or for love.

The heart of an Irishman is nothing but his imagination

Do you know what the difference is between Friendship and Love? Friendship is the photograph, Love is the oil painting.

She’d always loved the mountains, but as she turned back to face the spectacular seascape in the distance, she nearly lost her breath at the diversity of beauty to be found on this ancient, tiny island. She remembered a thought she’d had, just briefly, during her first day ever walking in Ireland, when they were going down through the forest on the way from Glenmalure to Glendalough. I could live my life doing this, she’d thought. And she’d done that, for a while.

When I fell out the window, I knew somebody would catch me. That's what I need to tell you: that I knew the loving world was there all the time. -Patrick Ireland of the Columbine massacre

And my desire,' he said, 'is a desire that is as long as a year; but it is love given to an echo, the spending of grief on a wave, a lonely fight with a shadow, that is what my love and my desire have been to me.

[Kurt Cobain] had a lot of German in him. Some Irish. But no Jew. I think that if he had had a little Jew he would have [expletive] stuck it out.

Oh Ireland my first and only love Where Christ and Caesar are hand in glove!

I once stood in a field in Ireland, alone, a little lost, and wishing for you more than I wished for my next breath. And you came, though I never asked you, you came because you knew I needed you. We don't always do what's right, what's good. Not even for each other. But when it counts, down to the core of it, I believe we do exactly that. What's right and good for each other. There's no rule to that. It's just love." Just love, she thought when he stepped out. She may have been going into her own personal hell to face a killer, but right at that moment she considered herself the luckiest woman in the world.

The few lamps we left on softly illuminate the walls, and I think about all the paper around us, all this love and pain and fear and hope. We’re surrounded by words. Nothing about this moment could be more perfect, because I’m absolutely in love with this room and the people in it, on the wall and otherwise. And with this one boy in particular.

oh he loves her, just as the English loved India & Africa & Ireland; it is the love that is the problem, people treat their lovers badly. but maybe it is just the scenery that is wrong. maybe nothing that happens on stolen ground can expect a happy ending.

When I come out on the road of a morning, when I have had a night's sleep and perhaps a breakfast, and the sun lights a hill on the distance, a hill I know I shall walk across an hour or two thence, and it is green and silken to my eye, and the clouds have begun their slow, fat rolling journey across the sky, no land in the world can inspire such love in a common man.

It's always harder to be the one who's left behind than the one who leaves.

Someday, if not today, you will see that this life is nothing without people to love

I'm completely in love with you. What if I didn't leave, after all?

Of all the earth her heart most full of sorrow because most full of love.

Americans may say they love our accents (I have been accused of sounding 'like Princess Di') but the more thoughtful ones resent and rather dislike us as a nation and people, as friends of mine have found out by being on the edge of conversations where Americans assumed no Englishmen were listening. And it is the English, specifically, who are the targets of this. Few Americans have heard of Wales. All of them have heard of Ireland and many of them think they are Irish. Scotland gets a sort of free pass, especially since Braveheart re-established the Scots' anti-English credentials among the ignorant millions who get their history off the TV.

Every time a traveler goes to Ireland and doesn’t stop at the Cliffs of Moher, a banshee loses her voice.

Yesterday, when I took the stage for the sixth time, I read a poem about unreliable friends, people you love and feel bonded to but can never truly trust. It was about feeling alone and vulnerable, and never being able to fully let your guard down.

The destiny of your soul is not predicated upon acceptance of a specific dogma that happens to be "correct." A loving God does not dole out eternal condemnation because one has selected the wrong doctrine or misinterpreted scripture. On the contrary, your endeavor to understand God and the nature of the universe is a testament to your devotion.

She leaned a shoulder against the tunnel wall and thought of Kellan. A Dragon King. A dragon and a King. A gorgeous man who kissed as if there were no tomorrow and made love skillfully, adeptly. He could have let her die. Instead, he took her on a journey that opened her eyes to an entirely new world both beautiful and frightening.

His mouth descended on hers in a fierce kiss. He seized, he captured. He dominated. And she loved every second of it.

There are hundreds of reasons for Daniel and me to be impossible. History has not been kind to two boys who love each other like we do. But putting that aside. And not even considering the fact that a hundred and fifty years ago, his family was in a small town in Russia and my family was in a similarly small town in Ireland- I can't imagine they could have imagined us here, together. Forgetting our gender, ignoring all the strange roads that led to us being in the same time and place, there is still the simple impossibility of love. That all of our contradicting securities and insecurities, interests and disinterests, beliefs and doubts, could somehow translate into this common uncommon affection should be as impossible as walking to the moon. But instead, I love him.

The cliffs are gorgeous. Breath-stealing, really. But not in the soft endearing way of a sunset or a wobbly new lamb. They're gorgeous like a storm is gorgeous —one of those raw, tempestuous ones that leave you feeling awed and scared at the same time. Ever been trapped in a car during a particularly brutal thunderstorm? The cliffs are that kind of beautiful. Think drama, rage, and peace all packed up into one stunning package.

And suddenly, she stops moving and looks straight at me. "I'm in love with everything about you". Her words make me suck in my breath, and when I look into her eyes, I see something I haven't noticed in a while—this look of pure understanding that reminds me why I told her my secret in the first place. That sense of wonder, how she looked at me like she couldn't know me well enough.

Someone once told me that Fate will chew you up and spit you out many times, taking you away from those you love and dumping you into places you never wanted to be. It’s up to each of us where we choose to belong.

It’s raining,” she said with a glower out the window. He rose and walked around the island to stand next to her. “Shall we spend the day before a roaring fire making love?

Lost: Heartbeat. Last seen being chased away by an Irishman’s shameless grin. Reward if returned.

Kate giggled. “Excellent choice.” “I always make excellent choices.” “I don’t know about that.” “Of course I do. I picked ye, didn’t I?

I wish to be buried in Ireland, the country of my adoption a country which I loved, which I have dutifully served, and for which I believe I have sacrificed my life.

Ireland made me realize we don’t have a choice who we fall in love with. We fall in love by chance. But staying in love and making it work isn’t something that happens by chance—that’s a choice. And I’ve chosen to love Ireland.

How am I going to tell the kids? How do I tell the man that I love, the man that I swore I’d grow old with that we won’t have that happy ending that he and I have worked so hard for? How do I say goodbye to all of you? How do I let go?

You do realize the message of this play, right?" Tyler asked. "Sure." My arm was still over my eyes. "It's about life on a farm and falling in love and watching the people you love die. So, you know, that's awesome." He ignored the sarcasm. "It's about being alive. About noticing all the little things, because no one ever knows if it's the last time they'll see them.

I know I've got this side of me that wants to grab the yoke form the pilot and & just fly the whole mess into the sea...I love that line. I don't often want to grab the yoke and crash into the sea, but sometimes I do.

And I know I need to invite him over for dinner, because there's no question. This is serious.

Food shouldn’t be that shade of green, lass.” – Faolán MacIntyre

But can you make someone feel the world all around loves them? Can you make them feel the rain is for cooling them, the wind is for drying them, the sun is for warming them?

Dating back to the Iliad, ancient Egypt and beyond, burial rites have formed a critical function in most human societies. Whether we cremate a loved one or inter her bones, humans possess a deep-set instinct to mark death in some deliberate, ceremonial fashion. Perhaps the cruelest feature of forced disappearance as an instrument of war is that it denies the bereaved any such closure, relegating them to a permanent limbo of uncertainty.

But this was Dublin, the nation's capital. The place of my birth and a city I loved at the heart of a country I loathed. A town filled with good-hearted innocents, miserable bigots, adulterous husbands, conniving churchmen, paupers who received no help from the State, and millionaires who sucked the lifeblood from it.

And here is love like a tinsmith's scoop sunk past its glean in the meal-bin. --"Sunlight

If I have not love, I am Nothing.

Submitted for your approval--the curious case of Colleen O’Brien and the gorgeous time traveling Scot who landed in her living room.” – Rod Serling

Love is an elusive fantasy that torments maidens and confounds young men.

Are you serious about leaving?" I touched my aching face. "Yes.But I don't know how." "I'd go with you," Colin said quietly. "Really?" "You know I would." "If you could do anything, what would you do? Would you go back to Ireland?" "Maybe," he said. "I've no family left there but I miss the green hills. I'd love to show them to you, show you Tara and the Cliffs of Moher.We could live in a thatched cottage and keep sheep." I grinned at him. "If you clean up after them." "What would be your perfect day then?" he asked, grinning back at me. "If you don't like my sheep?" "Your cottage sounds nice," I allowed. "I'd like to sleep in late and read as many books as I'd like and drink tea with lemon and eat pineapple slices for breakfast." "No velvet dresses and diamonds?" I rolled my eyes, then stopped when the bruises throbbed. "Ouch.And no, of course not.I don't care about that. Only books." I looked at him shyly. "And you." "That's all right then," he said softly.

Any good history begins in strangeness. The past should not be comfortable. The past should not a familar echo of the present, for if it is familar why revist it? The past should be so strange that you wonder how you and people you know and love could come from such a time.

I had a lovely childhood in Ireland, riding, hunting, and a great big, bare, draughty house with lots and lots of sun in it. If you’ve had a happy childhood, nobody can take that away from you, can they? It was afterwards—when I grew up—that things seemed always to go wrong.

I was taught to love Ireland, but love should not be this hard. Duty, yes. But not love. Maybe that’s my answer. A man won’t suffer or sacrifice for something he doesn’t love. In the end, I suppose it all amounts to what we love the most.

You're a heartbreaker, Katherine Devereaux." "That has nothing to do with me and everything to do with them," I say, blowing on my coffee before sipping it. There's chicory in the brew and I drink it appreciatively while we walk. "I have already had to tell more than one of them that I am not interested in courtship, thinking about courtship, hearing about courtship, or talking about the possibility of courtship. What is it with men thinking every woman they meet must be half in love with them?

I step through origins like a dog turning its memories of wilderness on the kitchen mat: the bog floor shakes, water cheeps and lisps as I walk down rushes and heather. I love this turf-face, it's black incisions, the cooped secrets of process and ritual: -"Kinship

Guns discommode me. Their facility alarms me. Point and kill. Ruin someone's life. Remove at a finger pull deeply loved people, as important in their spheres as the sun in the sky. The very weight of a gun disturbs me-an insolent object, insisting on its own importance.

One cannot think well, love well, or sleep well, if one has not dined well.

Love is patient. Love is kind. It bears all things. Love never fails. Love is as strong as death.

We have all been robbed of the land we have loved for a thousand years. Do you not see that, Welshman? Can you not imagine his rage? We were not even conquered. We were deceived.

Secularism should not be equated with Stalinist dogmatism or with the bitter fruits of Western imperialism and runaway industrialisation. Yet it cannot shirk all responsibility for them, either. Secular movements and scientific institutions have mesmerised billions with promises to perfect humanity and to utilise the bounty of planet Earth for the benefit of our species. Such promises resulted not just in overcoming plagues and famines, but also in gulags and melting ice caps. You might well argue that this is all the fault of people misunderstanding and distorting the core secular ideals and the true facts of science. And you are absolutely right. But that is a common problem for all influential movements. For example, Christianity has been responsible for great crimes such as the Inquisition, the Crusades, the oppression of native cultures across the world, and the disempowerment of women. A Christian might take offence at this and retort that all these crimes resulted from a complete misunderstanding of Christianity. Jesus preached only love, and the Inquisition was based on a horrific distortion of his teachings. We can sympathise with this claim, but it would be a mistake to let Christianity off the hook so easily. Christians appalled by the Inquisition and by the Crusades cannot just wash their hands of these atrocities – they should rather ask themselves some very tough questions. How exactly did their ‘religion of love’ allow itself to be distorted in such a way, and not once, but numerous times? Protestants who try to blame it all on Catholic fanaticism are advised to read a book about the behaviour of Protestant colonists in Ireland or in North America. Similarly, Marxists should ask themselves what it was about the teachings of Marx that paved the way to the Gulag, scientists should consider how the scientific project lent itself so easily to destabilising the global ecosystem, and geneticists in particular should take warning from the way the Nazis hijacked Darwinian theories.

I live on an island called Ireland where most of the music is shite. I grew up listening to "Danny Boy"; I grew up hating Danny Boy, and all his siblings and his granny. "The pipes, the pipes are caw-haw-hawing." Anything with pipes or fiddles or even - forgive me, Paul - banjos, I detested. Songs of loss, of love, of going across the sea; songs of defiance and rebellion - I vomited on all of them.

And Samuel could remember hearing of a cousin of his mother’s in Ireland, a knight and rich and handsome, and anyway shot himself on a silken couch, sitting beside the most beautiful woman in the world who loved him. “There’s a capacity for appetite,” Samuel said, “that a whole heaven and earth of cake can’t satisfy.

A ógánaigh... ná bris an ghloine ghlan 'tá eadrainn (ní bhristear gloine gan fuil is pian) óir tá Neamh nó Ifreann thall 'gus cén mhaith Neamh mura mairfidh sé go bráth? ní Ifreann go hIfreann iar-Neimhe... (Impí)

The behaviour of the English people I had run into was making it very difficult to nail down a theory that the reason my trip so far had been such a bizarre success, was that Irish people were crazy. One Englishman had spent a morning on the telephone trying to organise a helicopter to take me out to an island, when a boat was leaving only a few yards away, and here was another, making a two-hour round trip for no reason other than to lend a helping hand. Two of the more eccentric pieces of behaviour hadn't been performed by the Irish, but by my fellow countrymen. However, both Andy and Tony had embraced wholeheartedly a love of the Irish way of living life.

Maybe she'd ended up going to Ireland because whilst visiting her father she'd bumped into an old love from her youth, perhaps even her ex? Such spontaneous acts really only worked with men left over from earlier in your life.

Through discussions, reading, contemplation, and practice I've come to recognize the importance of subtle feelings and symbols. By paying attention to subtle energy, typically in the form of thoughts and feelings, we began to tap into our inner capacity to commune with those we've loved and lost, as well as other streams of consciousness and information.

Grace to me is a little bit of extra help when you're feeling stuck or doomed or, probably, hopefully, out of good ideas on how to save yourself, and how to salvage the situation or the friendship or the whatever it is,” Anne Lamott once told me. “I wish it was accompanied by harp music so you could know that's what was happening, but for me it's that extra pause or that extra breath or that extra minute's patience against all odds.” On that first trip to Ireland, grace—the kick-in-the-pants, clarifying, cosmic-pause-button kind of grace—didn't just have a harp. It had an entire soundtrack...

When I look around at this ‘normal’ life you’re so eager to leave, I don’t see boring or predictable—I see friends who love you and a family that would make any sacrifice for your happiness. I see the kind of security I’ve never had and always wanted. I may have given you access to the world I know best, but you and your family have given me a world that doesn’t exist on a map.

His deep voice drifted to her through the crowd of women. “…my lady when she returns. Och, there ye are, Blossom,” Faolán grinned, standing up and taking her hand so she could ease back into the restaurant booth. “These lasses were just asking if I was a stripper. I told them I doona think so,” he said, his face clouded with uncertainty. “I’m not, am I?” The inquisitive lasses in question flushed scarlet and scattered to the four corners of the room at the murderous look on Colleen’s face. “No, you’re not, but I guess I can see how they’d think that,” she muttered darkly. “What you are is a freaking estrogen magnet.

I never felt Irish. I always felt, ‘I’m English, this is where I come from, and that’s that.’ Because you’d be reminded of that when you went to Ireland: ‘Ye’re not Oirish!’ the locals would say. So it was like, ‘Bloody hell, shot by both sides here.’ I still love that Magazine song – so relevant to me, those lyrics.

First, I have culled evidence that physical death is not the end of the road for any of us. I know this message is critical because I've seen people consumed by fear of death or suffering unbearable grief after losing a loved one. Some can draw into a shell, ceasing all efforts to reach their potential, or even give up on life.

I'm firmly convinced that God is extremely good and that He does love and understand all the world and all the people in it. Does He want to heal me? I can't even answer that. My faith is in the genuineness of God, not in whether He will do this or that to demonstrate His goddness... That's not the nature of my relationship to God.

I remembered Daemon's feather soft kisses on my cheek, and I remembered the clouds parting and the sun shining on a cold February day in Ireland. And as my baby girl was laid on my chest and my husband held my hand, I saw my best friend Kat walk into the sun kissed part in the clouds, hand in hand, along with the last regrets of my past.

And you, Tacitus, observe how I make my grove on an old crannog piled by the fearful dead: a desolate peace. Our mother ground in sour with the blood of her faithful, they lie gargling in her sacred heart as the legions stare from the ramparts. Come back to this 'island of the ocean' where nothing will suffice. Read the inhumed faces of casualty and victim; report us fairly, how we slaughter for the common good and shave the heads of the notorious, how the goddess swallows our love and terror. - Kinship

Then the woman in the bed sat up and looked about her with wild eyes; and the oldest of the old men said: 'Lady, we have come to write down the names of the immortals,’ and at his words a look of great joy came into her face. Presently she, began to speak slowly, and yet eagerly, as though she knew she had but a little while to live, and, in English, with the accent of their own country; and she told them the secret names of the immortals of many lands, and of the colours, and odours, and weapons, and instruments of music and instruments of handicraft they held dearest; but most about the immortals of Ireland and of their love for the cauldron, and the whetstone, and the sword, and the spear, and the hills of the Shee, and the horns of the moon, and the Grey Wind, and the Yellow Wind, and the Black Wind, and the Red Wind. ("The Adoration of the Magi")

The Empire would love to rip Ukraine from Moscow’s bosom, evict the Russian Black Sea Fleet, and establish a US military and/or NATO presence on Russia’s border. Kiev’s membership of the European Union would then not be far off; after which the country could embrace the joys of neoconservatism, receiving the benefits of the standard privatization-deregulation-austerity package and join Portugal, Ireland, Greece, and Spain as an impoverished orphan of the family; but perhaps no price is too great to pay to for being part of glorious Europe and the West!

Ireland Quinn Brady," he finally moved forward with an extended pointer finger to push me back down. "You are exceptional and beautiful and everything I wish I could be. I cant believe that you happened to me, and I promise every tomorrow we have together will be better than the last. This I will tell you over and over and over again until I take my last breath. I love you.

He must have known, or at least suspected, that she was herself a member of the IRA, but they would argue, amiably, about politics as if they were a couple of graduate students, rather than adversaries in a bloody guerrilla war. At one point, Corden-Lloyd told her that he would love to come back and see her in ten years' time, 'and we could all tell each other the whole truth.

The school year progressed slowly. I felt as if I had been in the sixth grade for years, yet it was only October. Halloween was approaching. Coming from Ireland, we had never thought of it as a big holiday, though Sarah and I usually went out trick-or treating. For the last couple of years I had been too sick to go out, but this year Halloween fell on a day when I felt quiet fine. My mother was the one who came up with the Eskimo idea. I put on a winter coat, made a fish out of paper, which I hung on the end of a stick, and wrapped my face up in a scarf. My hair was growing in, and I loved the way the top of the hood rubbed against it. By this time my hat had become part of me; I took it off only at home. Sometimes kids would make fun of me, run past me, knock my hat off, and call me Baldy. I hated this, but I assumed that one day my hair would grow in, and on that day the teasing would end. We walked around the neighborhood with our pillowcase sacks, running into other groups of kids and comparing notes: the house three doors down gave whole candy bars, while the house next to that gave only cheap mints. I felt wonderful. It was only as the night wore on and the moon came out and the older kids, the big kids, went on their rounds that I began to realize why I felt so good. No one could see me clearly. No one could see my face.

What will be lost, and what saved, of our civilization probably lies beyond our powers to decide. No human group has ever figured out how to design its future. That future may be germinating today not in a boardroom in London or an office in Washington or a bank in Tokyo, but in some antic outpost or other -- a kindly British orphanage in the grim foothills of Peru, a house for the dying in a back street of Calcutta run by a fiercely single-minded Albanian nun, an easy-going French medical team at the starving edge of the Sahel, a mission to Somalia by Irish social workers who remember their own Great Hunger, a nursery program to assist convict-mothers at a New York Prison -- in some unheralded corner where a great-hearted human being is committed to loving o9utcasts in an extraordinary way.

My poor scapegoat, I almost love you but would have cast, I know, the stones of silence. I am the artful voyeur of your brain's exposed and darkened combs, your muscles' webbing and all your numbered bones: I who have stood dumb when your betraying sisters, cauled in tar, wept by the railings, who would connive in civilized outrage yet understand the exact and tribal, intimate revenge. -"Punishment

TWO THINGS STRIKE every Irish person when he comes to America, Irish friends tell me: the vastness of the country, and the seemingly endless desire of its people to talk about their personal problems. Two things strike an American when he comes to Ireland: how small it is, and how tight-lipped. An Irish person with a personal problem takes it into a hole with him, like a squirrel with a nut before winter. He tortures himself and sometimes his loved ones, too. What he doesn’t do, if he has suffered some reversal, is vent about it to the outside world. The famous Irish gift of gab is a cover for all the things they aren’t telling you.

The Empire would love to rip Ukraine from Moscow’s bosom, evict the Russian Black Sea Fleet, and establish a US military and/or NATO presence on Russia’s border. Kiev’s membership of the European Union would then not be far off; after which the country could embrace the joys of neoconservatism, receiving the benefits of the standard privatization-deregulation-austerity package and join Portugal, Ireland, Greece, and Spain as an impoverished orphan of the family;

This book tells my story. I’m writing it in Ireland, in a house on a hillside. The house sits low in the landscape between a holy well and the site of an Iron Age dwelling. It was built of stones ploughed out of the fields by men who knew how to raise them with their hands and to lock one stone to the next so each was firm. It’s a lone house on the foothills of the last mountain on the Dingle peninsula, the westernmost point in mainland Europe. At night the sky curves above it like a dark bowl, studded with stars. … From the moment I crossed the mountain, I fell in love with the place, which was more beautiful than any I’d ever seen. And with a way of looking at life that was deeper, richer, and wiser than any I’d known before.

You turn the lights on and off here and if you can’t sleep and want something to read there are books in the living room…” her voice broke off. “Wait. Can you read?” His chin took a slight tilt upward. “Aye,” Faolán replied, his voice cool, “in English, Gaelic, Latin, or French. My Welsh is a bit rusty, and I doona remember any of the Greek I was taught except for words not fit for a lady’s ears. I can also count all the way up to…” He looked down and wiggled his large bare toes, “…twenty.” – Faolán MacIntyre

As we have seen, French culture and language interacted with native English culture for several generations after the Norman Conquest. A common word such as 'castle' is a French loan word, for example; and the whole romance tradition comes from the French. But this sensibility, culture, and language becomes integrated with native culture. As well as the beginnings of what came to be called a courtly love tradition, we can find in Early Middle English (around the time that Layamon was writing Brut) the growth of a local tradition of songs and ballads.

Robert Burton's The Anatomy of Melancholy (1621) was a profoundly important analysis of human states of mind - a kind of early philosophical/ psychological study. He sees 'melancholy' as part of the human condition, especially love melancholy and religious melancholy. His concerns are remarkably close to those which Shakespeare explores in his plays. Ambition, for example, Burton describes as 'a proud covetousness or a dry thirst of Honour, a great torture of the mind, composed of envy, pride and covetousness, a gallant madness' - words which could well be applied to Macbeth.

You could simply tell them you prefer silver." For this is the customary offering in Ireland, at least for the courtly fae. Almost every species of Folk disdains human metals, yet the Irish fae are unique in their ability to tolerate---and, indeed, to love---silver. It is said that they fill their vast, dark forests with silver mirrors like jewels, which drink in the little sun and starlight that penetrates the boughs and reflect it back at the will of the Folk; it is also said that they use silver to construct fantastical staircases that wind up and up those vast trunks, and bridges that hang between them like delicate necklaces.

Eve.” He waited a beat. “I once stood in a field in Ireland, alone, a little lost, and wishing for you more than I wished for my next breath. And you came, though I never asked you, you came because you knew I needed you. We don’t always do what’s right, what’s good. Not even for each other. But when it counts, down to the core of it, I believe we do exactly that. What’s right and good for each other. “There’s no rule to that, Eve. It’s just love.” Just love, she thought when he stepped out. She may have been going into her own personal hell to face a killer, but right at that moment she considered herself the luckiest woman in the world.

IRELAND Spenserian Sonnet abab, bcbc, cdcd, ee What is it about the Kelly velvet hillsides and the hoary avocado sea, The vertical cliffs where the Gulf Stream commences its southern bend, Slashing like a sculptor gone mad or a rancorous God who’s angry, Heaving galaxies of lichen shrouded stones for potato farmers to tend, Where the Famine and the Troubles such haunting aspects lend, Music and verse ring with such eloquence in their whimsical way, Let all, who can hear, rejoice as singers’ intonations mend, Gaelic souls from Sligo and Trinity Green to Cork and Dingle Bay, Where fiddle, bodhran, tin whistle, and even God, indulge to play, Ould sod to Beckett, Wilde and Yeats, Heaney and James Joyce, In this verdant, welcoming land, ‘tis the poet who rules the day. Where else can one hear a republic croon in so magnificent a voice? Primal hearts of Celtic chieftains pulse, setting inspiration free, In genial confines of chic caprice, we’re stirred by synchronicity.

If you need to reach me, or send me anything I'll hopefully have access to email, but who knows how alert I'll be...Please don't ask too many questions about what the logistics look like, or where and when I'll be where and when- we just don't know that right now and will not for a little while. FOR INSTANCE: Good message: Wish Max well! No need to reply! Bad message: When is Max going to the bathroom, and in what city -- I'd like to bring my schnauzer to visit him; he's a good luck healing massage schnauzer from Ireland. Is Max going to die? How often will Max die? Can he attend my event in four months? I love all of you very much, and am extremely grateful for your support.

The Renaissance did not break completely with mediaeval history and values. Sir Philip Sidney is often considered the model of the perfect Renaissance gentleman. He embodied the mediaeval virtues of the knight (the noble warrior), the lover (the man of passion), and the scholar (the man of learning). His death in 1586, after the Battle of Zutphen, sacrificing the last of his water supply to a wounded soldier, made him a hero. His great sonnet sequence Astrophel and Stella is one of the key texts of the time, distilling the author's virtues and beliefs into the first of the Renaissance love masterpieces. His other great work, Arcadia, is a prose romance interspersed with many poems and songs.

Molly touches Vivian’s shoulder, frail and bony under her thin silk cardigan. She half turns, half smiles, her eyes brimming with tears. Her hand flutters to her clavicle, to the silver chain around her neck, the claddagh charm—those tiny hands clasping a crowned heart: love, loyalty, friendship—a never-ending path that leads away from home and circles back. What a journey Vivian and this necklace have taken, Molly thinks: from a cobblestoned village on the coast of Ireland to a tenement in New York to a train filled with children, steaming westward through farmland, to a lifetime in Minnesota. And now to this moment, nearly a hundred years after it all began, on the porch of an old house in Maine

How beautiful, how beautiful you streamed upon my sight, In glory and in grandeur, as a gorgeous sunset-light! How softly, soul-subduing, fell your words upon mine ear, Like low aerial music when some angel hovers near! What tremulous, faint ecstasy to clasp your hand in mine, Till the darkness fell upon me of a glory too divine! The air around grew languid with our intermingled breath, And in your beauty's shadow I sank motionless as death. I saw you not, I heard not, for a mist was on my brain--I only felt that life could give no joy like that again. And this was love--I knew it not, but blindly floated on, And now I'm on the ocean waste, dark, desolate, alone; The waves are raging round me-- I'm reckless where they guide; No hope is left to lighten me, no strength to stem the tide. As a leaf along the torrent, a cloud across the sky, As dust upon the whirlwind, so my life is drifting by. The dream that drank the meteor's light--the form from Heav'n has flown-- The vision and the glory, they are passing--they are gone. Oh! Love is frantic agony, and life one throb of pain; Yet I would bear its darkest woes to dream again.

I don’t seem to have said enough about the compensating or positive element of exposure to travel. Just as you discover that stupidity and cruelty are the same everywhere, you find that the essential elements of humanism are the same everywhere, too. Punjabis in Amritsar and Lahore are equally welcoming and open-minded, even though partition means the amputation of Punjab as well as of the subcontinent. There are a heartening number of atheists and agnostics in the six counties of Northern Ireland, even though Ulster as well as Ireland has been divided. Most important of all, the instinct for justice and for liberty is just as much “innate” in us as are the promptings of tribalism and sexual xenophobia and superstition. People know when they are being lied to, they know when their rulers are absurd, they know they do not love their chains; every time a Bastille falls one is always pleasantly surprised by how many sane and decent people were there all along. There’s an old argument about whether full bellies or empty bellies lead to contentment or revolt: it’s an argument not worth having. The crucial organ is the mind, not the gut. People assert themselves out of an unquenchable sense of dignity.

Shakespeare's plays do not present easy solutions. The audience has to decide for itself. King Lear is perhaps the most disturbing in this respect. One of the key words of the whole play is 'Nothing'. When King Lear's daughter Cordelia announces that she can say 'Nothing' about her love for her father, the ties of family love fall apart, taking the king from the height of power to the limits of endurance, reduced to 'nothing' but 'a poor bare forked animal'. Here, instead of 'readiness' to accept any challenge, the young Edgar says 'Ripeness is all'. This is a maturity that comes of learning from experience. But, just as the audience begins to see hope in a desperate and violent situation, it learns that things can always get worse: Who is't can say 'I am at the worst?' … The worst is not So long as we can say 'This is the worst.' Shakespeare is exploring and redefining the geography of the human soul, taking his characters and his audience further than any other writer into the depths of human behaviour. The range of his plays covers all the 'form and pressure' of mankind in the modern world. They move from politics to family, from social to personal, from public to private. He imposed no fixed moral, no unalterable code of behaviour. That would come to English society many years after Shakespeare's death, and after the tragic hypothesis of Hamlet was fulfilled in 1649, when the people killed the King and replaced his rule with the Commonwealth. Some critics argue that Shakespeare supported the monarchy and set himself against any revolutionary tendencies. Certainly he is on the side of order and harmony, and his writing reflects a monarchic context rather than the more republican context which replaced the monarchy after 1649. It would be fanciful to see Shakespeare as foretelling the decline of the Stuart monarchy. He was not a political commentator. Rather, he was a psychologically acute observer of humanity who had a unique ability to portray his observations, explorations, and insights in dramatic form, in the richest and most exciting language ever used in the English theatre.

It was around the time of the divorce that all traces of decency vanished, and his dream of being the next great Southern writer was replaced by his desire to be the next published writer. So he started writing these novels set in Small Town Georgia about folks with Good American Values who Fall in Love and then contract Life-Threatening Diseases and Die. I'm serious. And it totally depresses me, but the ladies eat it up. They love my father's books and they love his cable-knit sweaters and they love his bleachy smile and orangey tan. And they have turned him into a bestseller and a total dick. Two of his books have been made into movies and three more are in production, which is where his real money comes from. Hollywood. And, somehow, this extra cash and pseudo-prestige have warped his brain into thinking that I should live in France. For a year.Alone.I don't understand why he couldn't send me to Australia or Ireland or anywhere else where English is the native language.The only French word I know is oui, which means "yes," and only recently did I learn it's spelled o-u-i and not w-e-e. At least the people in my new school speak English.It was founded for pretentious Americans who don't like the company of their own children. I mean, really. Who sends their kid to boarding school? It's so Hogwarts. Only mine doesn't have cute boy wizards or magic candy or flying lessons. Instead,I'm stuck with ninety-nine other students. There are twenty-five people in my entire senior class, as opposed to the six hundred I had back in Atlanta. And I'm studying the same things I studied at Clairemont High except now I'm registered in beginning French. Oh,yeah.Beginning French. No doubt with the freshman.I totally rock.

...we have seen that the priests regard the state as an enemy to be exploited, it is only natural that our politicians do likewise. Thus, although patriotism is held in greater esteem in this country than in any other country in the world, there is no other country in the world where patriotism is less in evidence among politicians and among the general mass of the community. For patriotism and the state are so closely allied that love of one is necessarily love of the other. And if any man considers the state an enemy and an institution to be exploited, it follows naturally that he is no patriot. Thus the amazed tourist will see that it is very fashionable for Irish politicians who are not in the government to denounce the government and then when they get into the government it is equally fashionable for them to use the powers of government for the purpose of robbing the country.

Music and dance. What I have written must surely suggest a people cursed by Heaven,... No people on earth, I am persuaded, loves music so well, nor dance, nor oratory, though the music falls strangely on my ears... More than once I have been at Mr. Treacy's when at close of dinner, some traveling harper would be called in, blind as often as not, his fingernails kept long and the mysteries of his art hidden in their horny ridges. The music would come to us with the sadness of a lost world, each note a messenger sent wandering among the Waterford goblets. Riding home late at night, past tavern or alehouse, I would hear harps and violins, thudding feet rising to a frenzy. I have seen them dancing at evening on fairdays, in meadows decreed by custom for such purposes, their bodies swift-moving, and their faces impassive but bright-eyed, intent. I have watched them in silence, reins held loosely in my hand, and have marveled at the stillness of my own body, my shoulders rigid and heavy.

Henry Fielding, a highly successful satiric dramatist until the introduction of censorship in 1737, began his novel-writing career with Shamela, a pastiche of Pamela, which humorously attacked the hypocritical morality which that novel displayed. Joseph Andrews (1742) was also intended as a kind of parody of Richardson; but Fielding found that his novels were taking on a moral life of their own, and he developed his own highly personal narrative style - humorous and ironic, with an omniscient narrative presence controlling the lives and destinies of his characters. Fielding focuses more on male characters and manners than Richardson. In doing so, he creates a new kind of hero in his novels. Joseph Andrews is chaste, while Tom Jones in Tom Jones (1749) is quite the opposite. Tom is the model of the young foundling enjoying his freedom (to travel, to have relationships with women, to enjoy sensual experience) until his true origins are discovered. When he matures, he assumes his social responsibilities and marries the woman he has 'always' loved, who has, of course, like a mediaeval crusader's beloved, been waiting faithfully for him. Both of these heroes are types, representatives of their sex. There is a picaresque journey from innocence to experience, from freedom to responsibility. It is a rewriting of male roles to suit the society of the time. The hero no longer makes a crusade to the Holy Land, but the crusade is a personal one, with chivalry learned on the way, and adventure replacing self-sacrifice and battle.

I never met a librarian worth his or her salt who didn't perceive my passion for books. And without exception, each one would lend me a book on a subject we had been discussing. No paperwork, no formalities of any kind, no rules or regulations. My unspoken side of the bargain was to protect them, in two ways; first by keeping the book unharmed - not that easy, especially in bad weather, but when it rained, I carried the book next to my skin. I can tell you now that carrying Gulliver's Travels or Lays of Ancient Rome or Mr. Oscar Wilde's stories or Mr. William Yeat's poems next to my heart gave me a kind of sweet pleasure. The second half of the bargain often nearly broke my heart, but I always kept it - and that was to return the book safe and sound to the library that had lent it. To part company with Mr. Charles Dickens or Mr. William Makepeace Thackeray and his lovely name! - that was harder than saying good-bye to a dear flesh-and-blood companion. But I always did it - and I sent the book by registered post, no small consideration of cost given the peculiar economics of an itinerant storyteller.

BROADBENT [stiffly]. Devil is rather a strong expression in that connexion, Mr Keegan. KEEGAN. Not from a man who knows that this world is hell. But since the word offends you, let me soften it, and compare you simply to an ass. [Larry whitens with anger]. BROADBENT [reddening]. An ass! KEEGAN [gently]. You may take it without offence from a madman who calls the ass his brother--and a very honest, useful and faithful brother too. The ass, sir, is the most efficient of beasts, matter-of-fact, hardy, friendly when you treat him as a fellow-creature, stubborn when you abuse him, ridiculous only in love, which sets him braying, and in politics, which move him to roll about in the public road and raise a dust about nothing. Can you deny these qualities and habits in yourself, sir? BROADBENT [goodhumoredly]. Well, yes, I'm afraid I do, you know. KEEGAN. Then perhaps you will confess to the ass's one fault. BROADBENT. Perhaps so: what is it? KEEGAN. That he wastes all his virtues--his efficiency, as you call it--in doing the will of his greedy masters instead of doing the will of Heaven that is in himself. He is efficient in the service of Mammon, mighty in mischief, skilful in ruin, heroic in destruction. But he comes to browse here without knowing that the soil his hoof touches is holy ground. Ireland, sir, for good or evil, is like no other place under heaven; and no man can touch its sod or breathe its air without becoming better or worse. It produces two kinds of men in strange perfection: saints and traitors. It is called the island of the saints; but indeed in these later years it might be more fitly called the island of the traitors; for our harvest of these is the fine flower of the world's crop of infamy. But the day may come when these islands shall live by the quality of their men rather than by the abundance of their minerals; and then we shall see. LARRY. Mr Keegan: if you are going to be sentimental about Ireland, I shall bid you good evening. We have had enough of that, and more than enough of cleverly proving that everybody who is not an Irishman is an ass. It is neither good sense nor good manners. It will not stop the syndicate; and it will not interest young Ireland so much as my friend's gospel of efficiency. BROADBENT. Ah, yes, yes: efficiency is the thing. I don't in the least mind your chaff, Mr Keegan; but Larry's right on the main point. The world belongs to the efficient.

Story time. In September of 1869, there was a terrible fire at the Avondale coal mine near Plymouth, Pennsylvania. Over 100 coal miners lost their lives. Horrific conditions and safety standards were blamed for the disaster. It wasn’t the first accident. Hundreds of miners died in these mines every year. And those that didn’t, lived in squalor. Children as young as eight worked day in and out. They broke their bodies and gave their lives for nothing but scraps. That day of the fire, as thousands of workers and family members gathered outside the mine to watch the bodies of their friends and loved ones brought to the surface, a man named John Siney stood atop one of the carts and shouted to the crowd: Men, if you must die with your boots on, die for your families, your homes, your country, but do not longer consent to die, like rats in a trap, for those who have no more interest in you than in the pick you dig with. That day, thousands of coal miners came together to unionize. That organization, the Workingmen’s Benevolent Association, managed to fight, for a few years at least, to raise safety standards for the mines by calling strikes and attempting to force safety legislation. ... Until 1875, when the union was obliterated by the mine owners. Why was the union broken so easily? Because they were out in the open. They were playing by the rules. How can you win a deliberately unfair game when the rules are written by your opponent? The answer is you can’t. You will never win. Not as long as you follow their arbitrary guidelines. This is a new lesson to me. She’s been teaching me so many things, about who I am. About what I am. What I really am. About what must be done. Anyway, during this same time, it is alleged a separate, more militant group of individuals had formed in secret. The Molly Maguires. Named after a widow in Ireland who fought against predatory landlords, the coal workers of Pennsylvania became something a little more proactive, supposedly assassinating over two dozen coal mine supervisors and managers. ... Until Pinkerton agents, hired by the same mine owners, infiltrated the group and discovered their identities. Several of the alleged Mollies ended up publicly hanged. Others disappeared. You get the picture. So, that’s another type of secret society. The yeah-we’re-terrorists-but-we-strongly-feel-we’re-justified-and-fuck-you-if-you-don’t-agree society. So, what’s the moral of this little history lesson? This sort of thing happens all day, every day across the universe. It happens in Big Ways, and it happens in little ways, too. The strong stomp on the weak. The weak fight back, usually within the boundaries of the rat trap they find themselves confined. They almost always remain firmly stomped. But sometimes, the weak gather in secret. They make plans. They work outside the system to effect change. Like the Mollies, they usually end up just as stomped as everyone else. But that’s just life. At least they fucking tried. They died with their boots on, as much as I hate that expression. They died with their boots on for their people, their family, not for some rich, nameless organization that gives no shits whether they live or die. Or go extinct. Or are trapped for a millennia after they’re done being used. In my opinion, that’s the only type of society that’s worth joining, worth fighting for. Sure, you’re probably gonna die. But if you find yourself in such a position where such an organization is necessary, what do you have to lose? How can you look at yourself if you don’t do everything you can? And that brings us to the door you’re standing in front of right now. What does all this have to do with what you’re going to find on the other side? Nothing!

Because,' he said, 'I sometimes have a queer feeling with regard to you, especially when you are near me, as now; it is as if I had a string somewhere under my left ribs, tightly and inextricably knotted to a similar string situation in the corresponding quarter of your little frame. And if that boisterous channel, and two hundred miles or so of land, come broad between us, I am afraid that cord of communion will be snapped; and the nI've a nervous notion I should take to bleeding inwardly. As for you, you'd forget me.' 'That I never would, sir; you know -,' impossible to proceed. [...] The vehemence of emotion, stirred by grief and love within me, was claiming mastery, and struggling for full sway and asserting a right to predominate - to overcome, to live, rise, and reign at last; yes, and to speak. 'I grieve to leave Thornfield; I love Thornfield; I love it, because I have lived in it a full and delightful life, momentarily at least. I have not been trampled on. I have not been petrified. I have not been buried with inferior minds, and excluded from every glimpse of communion with what is bright, and energetic, and high. I have talked, face to face, with what I reverence; with what I delight in, with an origin, a vigorous, and expanded mind. I have known you, Mr. Rochester; and it strikes me with terror and anguish to feel I absolutely must be torn from you forever. I see the necessity of departure; and it is like looking on the necessity of death.' 'Where do you see the necessity?' he asked, suddenly. 'Where? You, sir, have placed it before me.' 'In what shape?' 'In the shape of Miss Ingram; a noble and beautiful woman, your bride.' 'My bride! What bride? I have no bride!' 'But you will have.' 'Yes; I will! I will!' He set his teeth. 'Then I must go; you have said it yourself.' 'No; you must stay! I swear it, and the oath shall be kept.' 'I tell you I must go!' I retorted, roused to something like passion. 'Do you think I can stay to become nothing to you? Do you think I am an automation? a machine without feelings? and can bear to have my morsel of bread snatched from my lips, and my drop of living water dashed from my cup? Do you think, because I am poor, obscure, plain, and little, I am soulless and heartless? You think wrong! I have as much soul as you, and full as much heart! And if God had gifted me with some beauty, and much wealth, I should have made it hard for you to leave me, as it is now for me to leave you. I am not talking to you now through the medium of custom, conventionalities, nor even of mortal flesh; it is my spirit that addresses your spirits; just as if both had passed through the grace, and we stood at God's feel, equal - as we are!' 'As we are!' repeated Mr. Rochester - 'so,' he added, including me in his arms, gathering me to his breast, pressing his lips on my lips; 'so, Jane!' 'Yes, so, sir,' I rejoined; 'and yet not so; for you are a married man, or as good as a married man, and we'd to one inferior to you - to one with whom you have no sympathy - whom I do not believe you truly love; for I have seen and heard you sneer at her. I would scorn such a union; therefore I am better than you - let me go!' 'Where, Jane? to Ireland?' 'Yes - to Ireland. I have spoke my mind, and can go anywhere now.' 'Jane, be still; don't struggle so, like a wild, frantic bird that is tending its own plumage in its desperation.' 'I am no bird; and no net ensnares me; I am a free human being, with an independent will; which I now exert to leave you.' Another effort set me at liberty, and I stood erect before him. 'And your will shall decide your destiny,' he said; 'I offer you my hand, my heart, and a share of all my possessions.' 'You play a farce, which I merely taught at.' 'I ask you to pass through life at my side - to be my second self, and best earthly companion.' [...] 'Do you doubt me, Jane?' 'Entirely.' 'You have no faith in me?' 'Not a whit.