Ireland Home Quotes

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these walls heard me when no one else could. they gave my words a home, kept them safe. cheered, cried, listened. changed my life for the better. it wasn't enough. but they heard every last word.
Tamara Ireland Stone (Every Last Word)
Though the last glimpse of Erin with sorrow I see, Yet wherever thou art shall seem Erin to me; In exile thy bosom shall still be my home, And thine eyes make my climate wherever we roam.
Thomas Moore
He saw the black water and the declining sun and the swan dipping down, its white wings flashing, and slowing and slowing till silver ripples carried it home. It was a scene which seemed the heart of this land. The lowing sun and the one star waking, white wings on a black water, and the smell of rain, and the long lane fading where a voice comes in the falling night. --Ireland, said Scrotes. --Yes, this is Ireland.
Jamie O'Neill (At Swim, Two Boys)
On a long flight, after periods of crisis and many hours of fatigue, mind and body may become disunited until at times they seem completely different elements, as though the body were only a home with which the mind has been associated but by no means bound. Consciousness grows independent of the ordinary senses. You see without assistance from the eyes, over distances beyond the visual horizon. There are moments when existence appears independent even of the mind. The importance of physical desire and immediate surroundings is submerged in the apprehension of universal values. For unmeasurable periods, I seem divorced from my body, as though I were an awareness spreading out through space, over the earth and into the heavens, unhampered by time or substance, free from the gravitation that binds to heavy human problems of the world. My body requires no attention. It's not hungry. It's neither warm or cold. It's resigned to being left undisturbed. Why have I troubled to bring it here? I might better have left it back at Long Island or St. Louis, while the weightless element that has lived within it flashes through the skies and views the planet. This essential consciousness needs no body for its travels. It needs no plane, no engine, no instruments, only the release from flesh which circumstances I've gone through make possible. Then what am I – the body substance which I can see with my eyes and feel with my hands? Or am I this realization, this greater understanding which dwells within it, yet expands through the universe outside; a part of all existence, powerless but without need for power; immersed in solitude, yet in contact with all creation? There are moments when the two appear inseparable, and others when they could be cut apart by the merest flash of light. While my hand is on the stick, my feet on the rudder, and my eyes on the compass, this consciousness, like a winged messenger, goes out to visit the waves below, testing the warmth of water, the speed of wind, the thickness of intervening clouds. It goes north to the glacial coasts of Greenland, over the horizon to the edge of dawn, ahead to Ireland, England, and the continent of Europe, away through space to the moon and stars, always returning, unwillingly, to the mortal duty of seeing that the limbs and muscles have attended their routine while it was gone.
Charles A. Lindbergh (The Spirit of St. Louis)
Just remember, it's an easy place to be at home in, Ireland. I think the people are very skilled at relating. I notice, watching the different nationalities on the mountain, the fluidity of interaction the Irish people have with the visitors, and with each other. It's a skill that's less developed in other nationalities, and it's so instinctive it doesn't even look like a skill.
Pete McCarthy
At three o'clock this afternoon Evelyn Wastneys died. I am Evelyn Wastneys, and I died, standing at the door of an old country home in Ireland...
Mrs. George de Horne Vaizey (The Lady of the Basement Flat)
I grew up back and forth between the British Isles: England, Ireland, Scotland, Wales. I spent short periods of time in France, Italy, and South Africa. This is my first time in the States. I was disappointed by Atlanta at first — I'd wanted to live in New York-but it's grown on me.” Everything about Kaidan was exciting and exotic. This was my first time traveling away from home, and he'd already seen so much. I ate my apple, glad it was crisp and not soft. “Which was your favorite place?” I asked. “I've never been terribly attached to any place. I guess it would have to be...here.” I stopped midchew and examined his face. He wouldn't look at me. He was clenching his jaw, tense. Was he serious or was he teasing me? I swallowed my bite. “The Texas panhandle?” I asked. “No.” He seemed to choose each word with deliberate care. “I mean here in this car. With you.” Covered in goose bumps, I looked away from him and stared straight ahead at the road, letting my hand with the apple fall to my lap. He cleared his throat and tried to explain. “I've not talked like this with anyone, not since I started working, not even to the only four people in the world who I call friends. You have Patti, and even that boyfriend of yours. So this has been a relief of sort. Kind of...nice.” He cleared his throat again. Oh, my gosh. Did we just have a moment? I proceeded with caution, hoping not to ruin it. “It's been nice for me, too,” I said. “I've never told Jay anything. He has no idea. You're the only one I've talked to about it all, except Patti, but it's not the same. She learned the basics from the nun at the convent where I was born.” “You were born in a convent,” he stated. “Yes.” “Naturally.
Wendy Higgins (Sweet Evil (Sweet, #1))
If the Britannica has taught me anything, it's to be more careful. I don't want to turn into an unseemly noun or verb or adjective someday. I don't want to be like Charles Boycott, the landlord in Ireland who refused to lower rents during a famine, leading to the original boycott. I don't want to be like Charles Lynch, who headed an irregular court that hung loyalists during the Revolutionary War. I can't have "Jacobs" be a verb that means staying home all the time or washing your hands too frequently.
A.J. Jacobs (The Know-It-All)
I made my first home there and had been happy, because to be alienated in one's own country, in one's own hometown, among one's kin and peers, was problematic, but nothing could be more natural than to be alienated in a foreign country, and so there I had at last naturalized my estrangement. This may be one of the underappreciated pleasures of travel: of being at last legitimately lost and confused.
Rebecca Solnit (A Book of Migrations: Some Passages in Ireland)
think my father is like the Holy Trinity with three people in him, the one in the morning with the paper, the one at night with the stories and the prayers, and then the one who does the bad thing and comes home with the smell of whiskey and wants us to die for Ireland.
Frank McCourt (Angela's Ashes)
Most criminals are stupid. They creep $500,000 homes in the Garden District, load up two dozen bottles of gin, whiskey, vermouth, and Collins mix in a $2,000 Irish linen tablecloth and later drink the booze and throw the tablecloth away.
James Lee Burke (Heaven's Prisoners (Dave Robicheaux, #2))
The girl who had left Ireland was gone to the bottom of the ocean with the rest of them.
Hazel Gaynor (The Girl Who Came Home)
...And said in wonderment My love I have finally come home...
A. Norman Jeffares (Ireland's Love Poems)
A landscape fossilized, It's stone-wall patternings Repeated before our eyes In the stone walls of Mayo. Before I turned to go He talked about persistence, A congruence of lives, How, stubbed and cleared of stones, His home accrued growth rings Of iron, flint and bronze - "Belderg
Seamus Heaney (North)
There was always a big party on the night before anyone left for the States. They called it an American wake, because the whole community stayed up to keep the emigrants company through their last night on the island, just as they would have bidden farewell to a soul beginning the long journey towards eternity. There was almost no chance that anyone present would ever see the departed again
Cole Moreton (Hungry for Home: Leaving the Blaskets - A Journey from the Edge of Ireland)
Scarlett O'Hara's father, Thomas, is an Irish immigrant who names his plantation Tara, after the home of the High Kings in Ireland. In an appealing nod to the "luck of the Irish," we read that Thomas O'Hara won his lands in a card game!
Rashers Tierney (F*ck You, I'm Irish: Why We Irish Are Awesome)
I thought it would be a good thing to follow John Redmond’s words. I thought for my mother’s sake, her gentle soul, for the sake of my own children, I might go out and fight for to save Europe so that we might have the Home Rule in Ireland in the upshot. I came out to fight for a country that doesn’t exist, and now, Willie, mark my words, it never will.
Sebastian Barry (A Long Long Way (Dunne Family #3))
At last he said, “I’ve been fourteen years on the police force. I’ve learned from seasoned veterans. I’ve handled all types of criminal cases. But my wife, newly arrived from the backwoods of Ireland, manages to tie up all my unsolved cases for me with apparently no effort at all. I should just quit my job and stay home looking after the babies while you go out to work for us.
Rhys Bowen (The Family Way (Molly Murphy, #12))
Someone once told me that when people leave Ireland, they never go back. I couldn't bear the thought of never going back. So I stayed.
Amy Harmon (What the Wind Knows)
The atomic bomb brings the men home from every quarter of the earth because the war is not so much over as stunned back into history...
Sebastian Barry (The Whereabouts of Eneas McNulty (McNulty Family))
I would’ve loved to return to me home of Ireland, but Joshua never made the bloody pikes he was flogged for.
Sharon Robards (A Woman Transported)
She was never home. Irie was stuck between a rock and a hard place, like Ireland, like Israel, like India.
Zadie Smith (White Teeth)
All Renaissance drama, especially the works of Marlowe and Shakespeare, is profoundly concerned with shifting power relations within society. The individual was a new force in relation to the state. The threat of rebellion, of the overturning of established order, was forcefully brought home to the Elizabethan public by the revolt of the Earl of Essex, once the Queen's favourite. The contemporary debate questioned the relationship between individual life, the power and authority of the state, and the establishing of moral absolutes. Where mediaeval drama was largely used as a means of showing God's designs, drama in Renaissance England focuses on man, and becomes a way of exploring his weaknesses, depravities, flaws - and qualities.
Ronald Carter (The Routledge History of Literature in English: Britain and Ireland)
It has taken almost half my life away from Ireland for me to truly feel what home really is, and it is not what I was expecting. In the end it was not a place, or a past, or any sort of single, dazzling epiphany. It was all the little things. Cold butter spread thick on sweet wheaten bread or hot, subsiding potatoes; the scent of wet, black soil; a bushy spine of grass on a one-track road; wide iron gates leading to high beech corridors; the chalky smell of a cow's wet muzzle, and, most of all, in Seamus Heaney's words, the sound of rivers in the trees.
Trish Deseine (Home: Recipes from Ireland)
The school year progressed slowly. I felt as if I had been in the sixth grade for years, yet it was only October. Halloween was approaching. Coming from Ireland, we had never thought of it as a big holiday, though Sarah and I usually went out trick-or treating. For the last couple of years I had been too sick to go out, but this year Halloween fell on a day when I felt quiet fine. My mother was the one who came up with the Eskimo idea. I put on a winter coat, made a fish out of paper, which I hung on the end of a stick, and wrapped my face up in a scarf. My hair was growing in, and I loved the way the top of the hood rubbed against it. By this time my hat had become part of me; I took it off only at home. Sometimes kids would make fun of me, run past me, knock my hat off, and call me Baldy. I hated this, but I assumed that one day my hair would grow in, and on that day the teasing would end. We walked around the neighborhood with our pillowcase sacks, running into other groups of kids and comparing notes: the house three doors down gave whole candy bars, while the house next to that gave only cheap mints. I felt wonderful. It was only as the night wore on and the moon came out and the older kids, the big kids, went on their rounds that I began to realize why I felt so good. No one could see me clearly. No one could see my face.
Lucy Grealy (Autobiography of a Face)
These walls heard me when no one else could. They gave my words a home, kept them safe. Cheered, cried, listened. Changed my life for the better. It wasn’t enough. But they heard every last word.
Tamara Ireland Stone (Every Last Word)
With a snort, Trevor responded, “A amadáin? It means you fool, but it’s really a polite Irish way of calling someone an asshole. Since there are no assholes in Ireland, we don’t really have a word for them, so that’s what we say.” His expression was so serious, Cassandra couldn’t help but burst out laughing. “I’ll have to remember that one. I know a few back home.” “A few assholes or Irishmen?
Cecilia Aubrey (Countermeasure (Countermeasure, #1))
Kevin's mother Kayleigh Day and Riko's uncle Tetsuji Moriyama created the sport roughly thirty years ago while Kayleigh was studying abroad in Fukui, Japan. What started as an experiment spread from their campus to local street teams, then across the ocean to the rest of the world. Kayleigh brought it home with her to Ireland after completing her degree and the United States picked it up soon after.
Nora Sakavic
There they clambered onto a radiator and peered out the high window through their tears to watch a car leaving with their baby. The marks on the radiator from their shoes were visible up to as late as 2017.
Paul Jude Redmond (The Adoption Machine: The Dark History of Ireland’s Mother & Baby Homes and the Inside Story of How ‘Tuam 800’ Became a Global Scandal)
If there is a single ‘smoking gun’ piece of evidence that destroys all the excuses the nuns make, such as underfunding, lack of understanding of hygiene, and victim blaming, then the Castlepollard mortality rates are that evidence.
Paul Jude Redmond (The Adoption Machine: The Dark History of Ireland’s Mother & Baby Homes and the Inside Story of How ‘Tuam 800’ Became a Global Scandal)
It’s odd that I never realized this is so much what I want. A home. A place where people I enjoy and who enjoy me will come when they like. Will feel comfortable and easy. Maybe it wasn’t solitude I was looking for after all when I so rashly flew to Ireland. It was what I’ve had over these last hours. Companionship, laughter, foolishness, and well, romance. I suppose I didn’t realize it because I never let myself really wish for it. Now without even the wish, here it is.
Nora Roberts (Jewels of the Sun (Gallaghers of Ardmore, #1))
They opened a place in Irishness for the diasporas that were, in many ways, the truest products of its history. It brought home the reality that had been obscured in the idea of emigration as tragedy and shame: we are a hyphenated people.
Fintan O'Toole (We Don't Know Ourselves: A Personal History of Modern Ireland)
Let me see: There's Miss Garnnett in Ireland, in June of 1770; Miss Nightjar in Swansea on April 3, 1901; Miss Avocet and Miss Bunting together in Derbyshire on Saint Swithin's Day of 1867; Miss Treecreeper I don't remmeber where exactly-- oh, and dear Miss Finch.
Ransom Riggs (Miss Peregrine's Home for Peculiar Children (Miss Peregrine's Peculiar Children, #1))
I think my father is like the Holy Trinity with three people in him, the one in the morning with the paper, the one at night with the stories and the prayers, and then the one who does the bad thing and comes home with the smell of whiskey and wants us to die for Ireland.
Frank McCourt (Angela's Ashes (Scholastic ELT Reader) (Scholastic Readers))
It has taken almost half my life away from Ireland for me to truly feel what home really is, and it is not what I was expecting. In the end it was not a place, or a past, or any sort of single, dazzling epiphany. It was all the little things. Cold butter spread thick on sweet wheaten bread or hot, subsiding potatoes; the scent of wet, black soil; a bushy spine of grass on a one-track road; wife iron gates leading to high beech corridors; the chalky smell of a cow's wet muzzle, and, most of all, in Seamus Heaney's words, the sound of rivers in the trees.
Trish Deseine (Home: Recipes from Ireland)
In eighteenth-century Britain, many female friends enjoyed intense relationships, which they celebrated in romantic terms. Some probably compensated for stiff and formal relations with parents by forging close bonds with same-sex friends. In one case, Eleanor Butler and Sarah Ponsonby ran away from their families in Ireland to set up home together in Wales, where they would live in mutual harmony for more than fifty years. Known as the Ladies of Llangollen, they attracted visitors from far and wide who venerated their romantic story with never a hint that the friendship might be anything other than platonic
Wendy Moore (How to Create the Perfect Wife: Britain's Most Ineligible Bachelor and His Enlightened Quest to Train the Ideal Mate)
Story time. In September of 1869, there was a terrible fire at the Avondale coal mine near Plymouth, Pennsylvania. Over 100 coal miners lost their lives. Horrific conditions and safety standards were blamed for the disaster. It wasn’t the first accident. Hundreds of miners died in these mines every year. And those that didn’t, lived in squalor. Children as young as eight worked day in and out. They broke their bodies and gave their lives for nothing but scraps. That day of the fire, as thousands of workers and family members gathered outside the mine to watch the bodies of their friends and loved ones brought to the surface, a man named John Siney stood atop one of the carts and shouted to the crowd: Men, if you must die with your boots on, die for your families, your homes, your country, but do not longer consent to die, like rats in a trap, for those who have no more interest in you than in the pick you dig with. That day, thousands of coal miners came together to unionize. That organization, the Workingmen’s Benevolent Association, managed to fight, for a few years at least, to raise safety standards for the mines by calling strikes and attempting to force safety legislation. ... Until 1875, when the union was obliterated by the mine owners. Why was the union broken so easily? Because they were out in the open. They were playing by the rules. How can you win a deliberately unfair game when the rules are written by your opponent? The answer is you can’t. You will never win. Not as long as you follow their arbitrary guidelines. This is a new lesson to me. She’s been teaching me so many things, about who I am. About what I am. What I really am. About what must be done. Anyway, during this same time, it is alleged a separate, more militant group of individuals had formed in secret. The Molly Maguires. Named after a widow in Ireland who fought against predatory landlords, the coal workers of Pennsylvania became something a little more proactive, supposedly assassinating over two dozen coal mine supervisors and managers. ... Until Pinkerton agents, hired by the same mine owners, infiltrated the group and discovered their identities. Several of the alleged Mollies ended up publicly hanged. Others disappeared. You get the picture. So, that’s another type of secret society. The yeah-we’re-terrorists-but-we-strongly-feel-we’re-justified-and-fuck-you-if-you-don’t-agree society. So, what’s the moral of this little history lesson? This sort of thing happens all day, every day across the universe. It happens in Big Ways, and it happens in little ways, too. The strong stomp on the weak. The weak fight back, usually within the boundaries of the rat trap they find themselves confined. They almost always remain firmly stomped. But sometimes, the weak gather in secret. They make plans. They work outside the system to effect change. Like the Mollies, they usually end up just as stomped as everyone else. But that’s just life. At least they fucking tried. They died with their boots on, as much as I hate that expression. They died with their boots on for their people, their family, not for some rich, nameless organization that gives no shits whether they live or die. Or go extinct. Or are trapped for a millennia after they’re done being used. In my opinion, that’s the only type of society that’s worth joining, worth fighting for. Sure, you’re probably gonna die. But if you find yourself in such a position where such an organization is necessary, what do you have to lose? How can you look at yourself if you don’t do everything you can? And that brings us to the door you’re standing in front of right now. What does all this have to do with what you’re going to find on the other side? Nothing!
Matt Dinniman (The Eye of the Bedlam Bride (Dungeon Crawler Carl, #6))
Molly touches Vivian’s shoulder, frail and bony under her thin silk cardigan. She half turns, half smiles, her eyes brimming with tears. Her hand flutters to her clavicle, to the silver chain around her neck, the claddagh charm—those tiny hands clasping a crowned heart: love, loyalty, friendship—a never-ending path that leads away from home and circles back. What a journey Vivian and this necklace have taken, Molly thinks: from a cobblestoned village on the coast of Ireland to a tenement in New York to a train filled with children, steaming westward through farmland, to a lifetime in Minnesota. And now to this moment, nearly a hundred years after it all began, on the porch of an old house in Maine
Christina Baker Kline (Orphan Train)
We beat them with stones at first, and they had guns. Our people had to go and get guns. Wouldn’t they have been right stupid people to stand there? Our people got shotguns at first and then got better weapons. And then the British, who were supposed to protect us, came in and raided our homes. What way could you fight? So you went down and you blew them up.
Patrick Radden Keefe (Say Nothing: A True Story of Murder and Memory in Northern Ireland)
The greatest part of the tragedy is that there was actually plenty of food in Ireland itself. The country produced great quantities of eggs, cereals and meats of every type, and brought in large hauls of food from the sea, but almost all went for export. So 1.5 million people needlessly starved. It was the greatest loss of life anywhere in Europe since the Black Death.
Bill Bryson (At Home: A Short History of Private Life)
Britches,” John Cabot murmured. To Vanderbilt, he said in a low voice, “It’s fascinating—the connections of their speech with Elizabethan England, Scotland, and Ireland, as well as Africa, significantly. Their speech, the construction of their homes, their methods of farming, their musical instruments, all of it hardly evolved from earlier eras across oceans. Like a time capsule here in the hollows of the Blue Ridge.
Joy Jordan-Lake (Under a Gilded Moon)
Say Joe what’s the dope about this war business?” “I guess they are in for it this time. . . . I’ve known it was coming ever since the Agadir incident.” “Jez I like to see somebody wallop the pants off England after the way they wont give home rule to Ireland.” “We’d have to help em. . . . Any way I dont see how this can last long. The men who control international finance wont allow it. After all it’s the banker who holds the purse strings.” “We wouldn’t come to the help of England, no sir, not after the way they acted in Ireland and in the Revolution and in the Civil War. . . . ” “Joey you’re getting all choked up with that history you’re reading up in the public library every night. . . . You follow the stock quotations and keep on your toes and dont let em fool you with all this newspaper talk about strikes and upheavals and socialism. . . . I’d like to see you make good Joey. . . . Well I guess I’d better be going.
John Dos Passos (Manhattan Transfer: A Novel)
We beat them with stones at first, and they had guns. Our people had to go and get guns. Wouldn’t they have been right stupid people to stand there? Our people got shotguns at first and then got better weapons. And then the British, who were supposed to protect us, came in and raided our homes. What way could you fight? So you went down and you blew them up. That was the only thing left. If they hadn’t interfered with us, there probably would be no Provo army today.
Patrick Radden Keefe (Say Nothing: A True Story of Murder and Memory in Northern Ireland)
Music and dance. What I have written must surely suggest a people cursed by Heaven,... No people on earth, I am persuaded, loves music so well, nor dance, nor oratory, though the music falls strangely on my ears... More than once I have been at Mr. Treacy's when at close of dinner, some traveling harper would be called in, blind as often as not, his fingernails kept long and the mysteries of his art hidden in their horny ridges. The music would come to us with the sadness of a lost world, each note a messenger sent wandering among the Waterford goblets. Riding home late at night, past tavern or alehouse, I would hear harps and violins, thudding feet rising to a frenzy. I have seen them dancing at evening on fairdays, in meadows decreed by custom for such purposes, their bodies swift-moving, and their faces impassive but bright-eyed, intent. I have watched them in silence, reins held loosely in my hand, and have marveled at the stillness of my own body, my shoulders rigid and heavy.
Thomas Flanagan (The Year of the French)
Lowlanders who left Scotland for Ireland between 1610 and 1690 were biologically compounded of many ancestral strains. While the Gaelic Highlanders of that time were (as they are probably still) overwhelmingly Celtic in ancestry, this was not true of the Lowlanders. Even if the theory of 'racial' inheritance of character were sound, the Lowlander had long since become a biological mixture, in which at least nine strains had met and mingled in different proportions. Three of the nine had been present in the Scotland of dim antiquity, before the Roman conquest: the aborigines of the Stone Ages, whoever they may have been; the Gaels, a Celtic people who overran the whole island of Britain from the continent around 500 B.C.; and the Britons, another Celtic folk of the same period, whose arrival pushed the Gaels northward into Scotland and westward into Wales. During the thousand years following the Roman occupation, four more elements were added to the Scottish mixture: the Roman itself—for, although Romans did not colonize the island, their soldiers can hardly have been celibate; the Teutonic Angles and Saxons, especially the former, who dominated the eastern Lowlands of Scotland for centuries; the Scots, a Celtic tribe which, by one of the ironies of history, invaded from Ireland the country that was eventually to bear their name (so that the Scotch-Irish were, in effect, returning to the home of some of their ancestors); and Norse adventurers and pirates, who raided and harassed the countryside and sometimes remained to settle. The two final and much smaller components of the mixture were Normans, who pushed north after they had dealt with England (many of them were actually invited by King David of Scotland to settle in his country), and Flemish traders, a small contingent who mostly remained in the towns of the eastern Lowlands. In addition to these, a tenth element, Englishmen—themselves quite as diverse in ancestry as the Scots, though with more of the Teutonic than the Celtic strains—constantly came across the Border to add to the mixture.
James G. Leyburn (Scotch-Irish: A Social History)
Eventually the potato's undeniable advantages over grain would convert all of northern Europe, but outside of Ireland the process was never anything less than a struggle. ... Louis (XVI) hatched an ingenious promotional scheme. He ordered a field of potatoes planted on the royal grounds and then posted his most elite guard to protect the crop during the day. He sent the guards home at midnight, and in due course the local peasants, suddenly convinced of the crop's value, made off in the night with the royal tubers.
Michael Pollan (The Botany of Desire: A Plant's-Eye View of the World)
The two billion people who speak English these days live mainly in countries where they’ve learned English as a foreign language. There are only around 400 million mother-tongue speakers – chiefly living in the UK, Ireland, USA, Canada, Australia, New Zealand, South Africa, and the countries of the Caribbean. This means that for every one native speaker of English there are now five non-native speakers. The centre of gravity in the use of English has shifted, therefore. Once upon a time, it would have been possible to say, in terms of number of speakers, that the British ‘owned’ English. Then it was the turn of the Americans. Today, it’s the turn of those who have learned English as a foreign language, who form the vast majority of users. Everyone who has taken the trouble to learn English can be said to ‘own’ it now, and they all have a say in its future. So, if most of them say such things as informations and advices, it seems inevitable that one day some of these usages will become part of international standard English, and influence the way people speak in the ‘home’ countries. Those with a nostalgia for linguistic days of old may not like it, but it will not be possible to stop such international trends.
David Crystal (Making Sense of Grammar)
I painlessly came to realize that the reverence I felt for the holiness of life is not ever likely to be entirely at home in organized religion. It was later, when I was able to travel farther , that the presence of holiness and mystery seemed, as far as my vision was able to see, to descend into the windows of Chartres, the stone peasant figures of Autun, the tall sheets of gold on the walls of Torcello that reflected the light of the sea; in the frescoes of Piero, of Giotto; in the shell of a church wall in Ireland still standing on a floor of sheep-cropped grass with no ceiling other than he changing sky.
Eudora Welty (On Writing (Modern Library))
ODYSSEUS AS A YOUTH AT HOME WITH HIS MOTHER ODYSSEUS THE HERO OF ITHACA ADAPTED FROM THE THIRD BOOK OF THE PRIMARY SCHOOLS OF ATHENS, GREECE BY MARY E. BURT Author of "Literary Landmarks," "Stories from Plato," "Story of the German Iliad," "The Child-Life Reading Study"; Editor of "Little Nature Studies"; Teacher in the John A. Browning School, New York City AND ZENAÏDE A. RAGOZIN Author of "The Story of Chaldea," "The Story of Assyria," "The Story of Media, Babylon, and Persia," "The Story of Vedic India"; Member of the Royal Asiatic Society of Great Britain and Ireland, of the American Oriental Society, of the Société Ethnologique of Paris, etc. CHARLES SCRIBNER'S SONS NEW YORK CHICAGO BOSTON COPYRIGHT, 1898, BY CHARLES SCRIBNER'S SONS
Homer (Odysseus, the Hero of Ithaca Adapted from the Third Book of the Primary Schools of Athens, Greece)
Peace cannot require Palestinians to acquiesce to the denial of what was done to them. Neither can it require Israeli Jews to view their own presence in Palestine as illegitimate or to change their belief in their right to live there because of ancient historical and spiritual ties. Peace, rather, must be based on how we act toward each other now. It is unacceptable for a Palestinian to draw on his history of oppression and suffering to justify harming innocent Israeli civilians. It is equally unacceptable for an Israeli to invoke his belief in an ancient covenant between God and Abraham to justify bulldozing the home and seizing the land of a Palestinian farmer. The 1998 Good Friday Agreement, which proposes a political framework for a resolution to the conflict in Ireland, and which was overwhelmingly endorsed in referendums, sets out two principles from which Palestinians and Israelis could learn. First “[i]t is recognized that victims have a right to remember as well as to contribute to a changed society.” Second, whatever political arrangements are freely and democratically chosen for the governance of Northern Ireland, the power of the government “shall be exercised with rigorous impartiality on behalf of all the people in the diversity of their identities and traditions and shall be founded on the principles of full respect for, and equality of civil, political, social, and cultural rights, of freedom from discrimination for all citizens, and of parity of esteem and of just and equal treatment for the identity, ethos, and aspirations of both communities.” Northern Ireland is still a long way from achieving this ideal, but life has vastly improved since the worst days of “the Troubles” and it is a paradise on earth compared to Palestine/Israel.
Ali Abunimah (One Country: A Bold Proposal to End the Israeli-Palestinian Impasse)
It had been obvious to me from a young age that my parents didn’t like one another. Couples in films and on television performed household tasks together and talked fondly about their shared memories. I couldn’t remember seeing my mother and father in the same room unless they were eating. My father had “moods.” Sometimes during his moods my mother would take me to stay with her sister Bernie in Clontarf, and they would sit in the kitchen talking and shaking their heads while I watched my cousin Alan play Ocarina of Time. I was aware that alcohol played a role in these incidents, but its precise workings remained mysterious to me. I enjoyed our visits to Bernie’s house. While we were there I was allowed to eat as many digestive biscuits as I wanted, and when we returned, my father was either gone out or else feeling very contrite. I liked it when he was gone out. During his periods of contrition he tried to make conversation with me about school and I had to choose between humoring and ignoring him. Humoring him made me feel dishonest and weak, a soft target. Ignoring him made my heart beat very hard and afterward I couldn’t look at myself in the mirror. Also it made my mother cry. It was hard to be specific about what my father’s moods consisted of. Sometimes he would go out for a couple of days and when he came back in we’d find him taking money out of my Bank of Ireland savings jar, or our television would be gone. Other times he would bump into a piece of furniture and then lose his temper. He hurled one of my school shoes right at my face once after he tripped on it. It missed and went in the fireplace and I watched it smoldering like it was my own face smoldering. I learned not to display fear, it only provoked him. I was cold like a fish. Afterward my mother said: why didn’t you lift it out of the fire? Can’t you at least make an effort? I shrugged. I would have let my real face burn in the fire too. When he came home from work in the evening I used to freeze entirely still, and after a few seconds I would know with complete certainty if he was in one of the moods or not. Something about the way he closed the door or handled his keys would let me know, as clearly as if he yelled the house down. I’d say to my mother: he’s in a mood now. And she’d say: stop that. But she knew as well as I did. One day, when I was twelve, he turned up unexpectedly after school to pick me up. Instead of going home, we drove away from town, toward Blackrock. The DART went past on our left and I could see the Poolbeg towers out the car window. Your mother wants to break up our family, my father said. Instantly I replied: please let me out of the car. This remark later became evidence in my father’s theory that my mother had poisoned me against him.
Sally Rooney (Conversations with Friends)
It seems that unlike the continuous, enduring contentment that we anticipate, our actual happiness with, and in, a place must be a brief and, at least to the conscious mind, apparently haphazard phenomenon: an interval in which we achieve receptivity to the world around us, in which positive thoughts of past and future coagulate and anxieties are allayed. The condition rarely endures for longer than ten minutes. New patterns of anxiety inevitably form on the horizon of consciousness, like the weather fronts that mass themselves every few days off the western coasts of Ireland. The past victory ceases to seem so impressive, the future acquires complications and the beautiful view becomes as invisible as anything which is always around. I was to discover an unexpected continuity between the melancholic self I had been at home and the person I was to be on the island, a continuity quite at odds with the radical discontinuity in the landscape and climate, where the very air seemed to be made of a different and sweeter substance.
Alain de Botton (The Art of Travel)
Glenskehy is outside Dublin, tucked away in the Wicklow mountains near nothing very much. I'd lived half my life in Wicklow without getting any closer to it than the odd signpost. It turned out to be that kind of place: a scatter of houses getting old around a once-a-month church and a pub and a sell-everything shop, small and isolated enough to have been overlooked even by the desperate generation trawling the countryside for homes they can afford. Eight o'clock on a Thursday morning, and the main street - to use both words loosely - was postcard-perfect and empty, just one old woman pulling a shopping trolley past a worn granite monument to something or other, little sugared-almond houses lined up crookedly behind her, and the hills rising green and brown and indifferent over it all. I could imagine someone getting killed there, but a farmer in a generations-old fight over a boundary fence, a woman whose man had turned savage with drink and cabin fever, a man sharing a house with his brother forty years too long: deep-rooted, familiar crimes old as Ireland, nothing to make a detective as experienced as Sam sound like that.
Tana French (The Likeness)
In the arc of an unremarkable life, a life whose triumphs are small and personal, whose trials are ordinary enough, as tempered in their pain as in their resolution of pain, the claim of exclusivity in love requires both a certain kind of courage and a good dose of delusion. Irish Mary, Eva's sister, would have been happy enough to accept my father's ring, I suppose, had Eva not chosen to stay in Ireland and marry Tom. My mother's first fiancé would have married her gladly if he hadn't been kept too long overseas by the Navy, if my father hadn't beaten him home, on points, a full year before. It might have been Cody or John in the car with your father, that day on Long Island. I might have been gone. Those of us who claim exclusivity in love do so with a liar's courage: there are a hundred opportunities, thousands over the years, for a sense of falsehood to seep in, for all that we imagine as inevitable to become arbitrary, for our history together to reveal itself as only a matter of chance and happenstance, nothing irrepeatable, or irreplaceable, the circumstantial mingling of just one of the so many million with just one more.
Alice McDermott (Charming Billy)
...the letters begin to cross vast spaces in slow sailing ships and everything becomes still more protracted and verbose, and there seems no end to the space and the leisure of those early nineteenth century days, and faiths are lost and the life of Hedley Vicars revives them; aunts catch cold but recover; cousins marry; there is the Irish famine and the Indian Mutiny, and both sisters remain, to their great, but silent grief, for in those days there were things that women hid like pearls in their breasts, without children to come after them. Louisa, dumped down in Ireland with Lord Waterford at the hunt all day, was often very lonely; but she stuck to her post, visited the poor, spoke words of comfort (‘I am sorry indeed to hear of Anthony Thompson's loss of mind, or rather of memory; if, however, he can understand sufficiently to trust solely in our Saviour, he has enough’) and sketched and sketched. Thousands of notebooks were filled with pen and ink drawings of an evening, and then the carpenter stretched sheets for her and she designed frescoes for schoolrooms, had live sheep into her bedroom, draped gamekeepers in blankets, painted Holy Families in abundance, until the great Watts exclaimed that here was Titian's peer and Raphael's master! At that Lady Waterford laughed (she had a generous, benignant sense of humour); and said that she was nothing but a sketcher; had scarcely had a lesson in her life—witness her angel's wings, scandalously unfinished. Moreover, there was her father's house for ever falling into the sea; she must shore it up; must entertain her friends; must fill her days with all sorts of charities, till her Lord came home from hunting, and then, at midnight often, she would sketch him with his knightly face half hidden in a bowl of soup, sitting with her notebook under a lamp beside him. Off he would ride again, stately as a crusader, to hunt the fox, and she would wave to him and think, each time, what if this should be the last? And so it was one morning. His horse stumbled. He was killed. She knew it before they told her, and never could Sir John Leslie forget, when he ran down-stairs the day they buried him, the beauty of the great lady standing by the window to see the hearse depart, nor, when he came back again, how the curtain, heavy, Mid-Victorian, plush perhaps, was all crushed together where she had grasped it in her agony.
Virginia Woolf
Psychologically, the difference it makes is almost inexpressible. Once you own your home, free and clear, what is there left for anyone--landlords, employers, banks--to threaten you with? What hold does anyone have over you? One can do without practically anything else, if necessary. We would always be able to scrape together enough money for food, between us, and there is no other material fear as primal or as paralyzing as the thought of losing one's home. With that fear eliminated, we would be free. I'm not saying that owning a house makes life into some kind of blissful paradise; simply that it makes the difference between freedom and enslavement." He must have read the look on my face. "We're in Ireland, for heaven's sake," he said, with a touch of impatience. "If you know any history at all, what could possibly be clearer? The one crucial thing the British did was to claim the land as their own, to turn the Irish from owners into tenants. Once that was done, then everything else followed naturally: confiscation of crops, abuse of tenants, eviction, emigration, famine, the whole litany of wretchedness and serfdom, all inflicted casually and unstoppably because the dispossessed had no solid ground on which to stand and fight. I'm sure my own family was as guilty as any. There may well be an element of poetic justice in the fact that I found myself looking at the other side of the coin. But I didn't feel the need simply to accept it as my just deserts.
Tana French (The Likeness)
I don’t know what it was about menopause, specifically, that caused me all of a sudden to become a gatherer of “found objects.” But now, wherever I went in this bleakly untamed and often inhospitable landscape in the wild western extremes of Ireland, I seemed to hear things calling out to me. I was rooting for something — I didn’t know what. For fragments of myself, perhaps; my life, my loves. For fragments which reflected something of myself back at me — whatever I might be becoming now, at this turbulent, shapeshifting time of my life. And all the fragments I seemed to need came from this new place, from the ancient, uncompromising earth around me: that land which I walked compulsively, day after day after day. I would come home from the woods reverently carrying strangely shaped sticks, from the lough with pebbles and water-bird feathers, from the beach with seashells and mermaid’s purses — as if I were reassembling myself from elements of the land itself. After the deep dissolutions of menopause, I was refashioning myself from those calcinated ashes; I was growing new bones. It’s something we all have to do at this time in our lives; somehow, with whatever tools are available to us, we have to begin to curate the vision of the elder we will become. It’s an act of bricolage. And so now I had become like the bright-eyed, cackling magpies which regularly ransacked our garden: a collector — though not of trinkets, but of clues. I was gathering them together in the safety of my new nest. The clues were there in the pieces; those clues are threaded through this book. Scattered in shadowy corners and brightly lit windows, these objects I’ve selected are so much more than random gatherings of whatever it was that I happened to come across in my wanderings. They’re so much more than mere clutter. They are active choices, carefully selected objects that mirror my sense of myself as a shapeshifting, storied creature. Because the clues to our re-memberings are in the stories, and the stories are always born from the land.
Sharon Blackie (Hagitude: Reimagining the Second Half of Life)
THE RETURN OF THE GODS Like a white bird upon the wind, the sail of the boat of Manannan mac Lir (Pronounced Mananarn mak Leer), the Son of the Sea, flew across the sparkling waves filled with the breeze that blew Westward to the Islands of the Blessed. The Sun Goddess above him smiled down with warmth upon her friend. The fish in the ocean danced for him beneath the turquoise water; the porpoises leapt above the waves to greet him. Upon the wind was a smell of sweetness, the smell of apple blossom in the Spring of the morning of the world. And in the prow of the boat sat Lugh (Pronounced Loo) the long-armed; strumming on his harp, he sang the Song of Creation. And as they drew closer to the green hills of Ireland, the holy land of Ireland, the Shee came out of their earth-barrow homes and danced for joy beneath the Sun. For hidden in a crane-skin sack at the bottom of the boat was the Holy Cup of Blessedness. Long had been her journeying through lands strange and far. And all who drank of that Cup, dreamed the dreams of holy truth, and drank of the Wine of everlasting life. And deep within the woods, in a green-clad clearing, where the purple anemone and the white campion bloomed, where primroses still lingered on the shadowed Northern side, a great stag lifted up his antlered head and sniffed the morning. His antlers seven-forked spoke of mighty battles fought and won, red was his coat, the colour of fire, and he trotted out of his greenwood home, hearing on the wind the song of Lugh. And in her deep barrow home, the green clad Goddess of Erin, remembered the tongue that she had forgotten. She remembered the secrets of the weaving of spells, She remembered the tides of woman and the ebb and flow of wave and Moon. She remembered the people who had turned to other Gods and coming out of her barrow of sleep, her sweet voice echoed the verses of Lugh and the chorus of Manannan. And the great stag of the morning came across the fields to her and where had stood the Goddess now stood a white hind. And the love of the God was returned by the Goddess and the larks of Anghus mac Og hovering above the field echoed with ecstasy the Song of Creation. And in the villages and towns the people came out of their houses, hearing the sweet singing and seeking its source. And children danced in the streets with delight. And they went down to the shore, the Eastern shore, where rises the Sun of the Morning, and awaited the coming of Manannan and Lugh, the mast of their boat shining gold in the Sun. The sea had spoken, the Eastern dawn had given up her secret, the Gods were returning, the Old Ones awakening, joy was returning unto the sleeping land.  
Sarah Owen (Paganism: A Beginners Guide to Paganism)
Fifty Best Rock Documentaries Chicago Blues (1972) B. B. King: The Life of Riley (2014) Devil at the Crossroads (2019) BBC: Dancing in the Street: Whole Lotta Shakin’ (1996) BBC: Story of American Folk Music (2014) The Weavers: Wasn’t That a Time! (1982) PBS: The March on Washington (2013) BBC: Beach Boys: Wouldn’t It Be Nice (2005) The Wrecking Crew (2008) What’s Happening! The Beatles in the U.S.A. (1964) BBC: Blues Britannia (2009) Rolling Stones: Charlie Is My Darling—Ireland 1965 (2012) Bob Dylan: Dont Look Back (1967) BBC: The Motown Invasion (2011) Rolling Stones: Sympathy for the Devil (1968) BBC: Summer of Love: How Hippies Changed the World (2017) Gimme Shelter (1970) Rumble: The Indians Who Rocked the World (2017) Cocksucker Blues (1972) John Lennon & the Plastic Ono Band: Sweet Toronto (1971) John and Yoko: Above Us Only Sky (2018) Gimme Some Truth: The Making of John Lennon’s “Imagine” Album (2000) Echo in the Canyon (2018) BBC: Prog Rock Britannia (2009) BBC: Hotel California: LA from the Byrds to the Eagles (2007) The Allman Brothers Band: After the Crash (2016) BBC: Sweet Home Alabama: The Southern Rock Saga (2012) Ain’t in It for My Health: A Film About Levon Helm (2010) BBC: Kings of Glam (2006) Super Duper Alice Cooper (2014) New York Dolls: All Dolled Up (2005) End of the Century: The Story of the Ramones (2004) Fillmore: The Last Days (1972) Gimme Danger: The Stooges (2016) George Clinton: The Mothership Connection (1998) Fleetwood Mac: Rumours (1997) The Who: The Kids Are Alright (1979) The Clash: New Year’s Day ’77 (2015) The Decline of Western Civilization (1981) U2: Rattle and Hum (1988) Neil Young: Year of the Horse (1997) Ginger Baker: Beware of Mr. Baker (2012) AC/DC: Dirty Deeds (2012) Grateful Dead: Long, Strange Trip (2017) No Direction Home: Bob Dylan (2005) Hip-Hop Evolution (2016) Joan Jett: Bad Reputation (2018) David Crosby: Remember My Name (2019) Zappa (2020) Summer of Soul (2021)
Marc Myers (Rock Concert: An Oral History as Told by the Artists, Backstage Insiders, and Fans Who Were There)
A survey by the Irish Countrywomen’s Association discovered that ‘one-third of a woman’s life was spent carrying water to her home’.
Fintan O'Toole (We Don't Know Ourselves: A Personal History of Modern Ireland)