Ireland Green Quotes

I heard you went to Ireland...I haven't seen it in many years. Is it still green then, and beautiful? Wet as a bath sponge and mud to the knees but, aye, it was green enough.

When I come out on the road of a morning, when I have had a night's sleep and perhaps a breakfast, and the sun lights a hill on the distance, a hill I know I shall walk across an hour or two thence, and it is green and silken to my eye, and the clouds have begun their slow, fat rolling journey across the sky, no land in the world can inspire such love in a common man.

Romantic Ireland's dead and gone It's with O' Leary in the grave (September 1913)

Waiting until everything is perfect before making a move is like waiting to start a trip until all the traffic lights are green.

James Joyce called Ireland the “sow that eats her farrow,” but Ireland has nothing on American capitalism.

Food shouldn’t be that shade of green, lass.” – Faolán MacIntyre

These are the ashes of fiery weather, Of nights full of the green stars from Ireland, Wet out of the sea, and luminously wet, Like beautiful and abandonded refugees.

She blinked once, then twice, and yet again, sure what she viewed was just another part of this fantasy world that she had stepped into when her feet touched the green grass of Ireland.

Are you serious about leaving?" I touched my aching face. "Yes.But I don't know how." "I'd go with you," Colin said quietly. "Really?" "You know I would." "If you could do anything, what would you do? Would you go back to Ireland?" "Maybe," he said. "I've no family left there but I miss the green hills. I'd love to show them to you, show you Tara and the Cliffs of Moher.We could live in a thatched cottage and keep sheep." I grinned at him. "If you clean up after them." "What would be your perfect day then?" he asked, grinning back at me. "If you don't like my sheep?" "Your cottage sounds nice," I allowed. "I'd like to sleep in late and read as many books as I'd like and drink tea with lemon and eat pineapple slices for breakfast." "No velvet dresses and diamonds?" I rolled my eyes, then stopped when the bruises throbbed. "Ouch.And no, of course not.I don't care about that. Only books." I looked at him shyly. "And you." "That's all right then," he said softly.

Okay. You go first. Do you really think I look like a camel?’ “No. I think you look like Rockefeller Center at Christmas, Japan in cherry blossom season, and the thousand vivid shades of green in the wild moors of Northern Ireland, all rolled into one.

Ireland is so saturated with green that it's the things that not green catch one's eye: the roads, walls, shorelines, even sheep, seem to have been placed as contrast, strategically positioned to organize the vast expansion of green... In Ireland, you can bask in fact that you have been benevolently outnumbered by these first and better life forms. Standing in a peat bog in Dingle, you can not help wondering what Ireland was like before you and other primates scrambled upon its shore.

Ireland in shades of black and green under the gibbous moon. Ireland under the canopy of grey cloud, under the crow's wing and the helicopter blade. A night ride over the Lagan valley and the bandit country of South Armagh. The music in my head was Mahler's Ninth Symphony, which opens with a hesitant syncopated motif evocative of Mahler's irregular heartbeat.

The gorse was in bloom, the fuchsia hedges were already budding; wild green hills, mounds of peat; yes, Ireland is green, very green, but its green is not only the green of meadows, it is the green of moss - certainly here, beyond Roscommon, toward County Mayo - and Moss is the plant of resignation, of forsakenenness. The country is forsaken, it is being slowly but steadily depopulated...

... and she never told anyone in Ireland that London was exciting. She never told them that she liked the crowds, the way they surged around and made so many things seem possible. Even if nothing ever actually happened, it never stopped feeling likely, inevitable, that your life was about to change, if you turned a street corner, struck up a conversation, got off the Tube a few stops early to see what the buildings looked like in Willesden Green or Clapham Common.

The fairy or fantastic world replaces the classical Hades (or Hell) in Sir Orfeo, and Sir Gawain and the Green Knight takes this fantasy element to new heights. Sir Gawain is one of the Knights of the Round Table, the followers of King Arthur, who is so much of a presence in English history, myth and literature.

And Ireland itself? Is the largest open-air penal colony in history

My old man left Ireland's stone, green fields to migrate to the glass, concrete canyons of New York in 1950.

No. I think you look like Rockefeller Center at Christmas, Japan in cherry blossom season, and the thousand vivid shades of green in the wild moors of Northern Ireland, all rolled into one.

But mostly, when I think of Piggly Wiggly, I think about how the big get bigger by eating the small. Piggly Wiggly swallowed up the small-town grocery stores only to be swallowed itself by the likes of Walmart, which will in turn be swallowed by the likes of Amazon. James Joyce called Ireland the “sow that eats her farrow,” but Ireland has nothing on American capitalism. I give Piggly Wiggly two and a half stars.

Did you know ‪#‎Leprechauns‬ didn't start out in Ireland as those short little redheaded guys sporting green felt suits? #Leprechauns were once fierce warriors who protected the coast from marauders and defended the land. Then Christianity showed up and decided to do away with all that, and they downplayed the heroic actions of those warriors to the extent that we see them as the iconic little guys with pots of gold today. Nothing quite like a group of gossiping Christians to turn the tide on historical events, huh? Have a look at my story and see how magic reveals the true nature of one Michael McKnight, the ‪#‎Leprechaun‬ of Three Wishes. Treat yourself to a St. Patrick's Day Lunchbox Romance

Two literary figures bridge the gap between the mediaeval age and the Renaissance. They are Sir Thomas Malory, the author of Le Morte D'Arthur, and the first 'poet-laureate', John Skelton. In their entirely separate ways, they made distinctive contributions to the history of literature and to the growth of English as a literary language. ........ Le Morte D'Arthur is, in a way, the climax of a tradition of writing, bringing together myth and history, with an emphasis on chivalry as a kind of moral code of honour. The supernatural and fantastic aspects of the story, as in Sir Gawain and the Green Knight, are played down, and the more political aspects, of firm government and virtue, emphasised. It was a book for the times. The Wars of the Roses ended in the same year as Le Morte D'Arthur was published. Its values were to influence a wide readership for many years to come. There is sadness, rather than heroism, in Arthur's final battle.. ...... John Skelton is one of the unjustly neglected figures of literature. His reputation suffered at the hands of one of the earliest critics of poetry, George Puttenham, and he is not easily categorised in terms of historical period, since he falls between clearly identified periods like 'mediaeval' and 'Renaissance'. He does not fit in easily either because of the kinds of poetry he wrote. But he is one of the great experimenters, and one of the funniest poets in English.

They play at gods,' said Piedar Dooly, and spat. 'French and English alike. Gods out of hell would you say, harrowing green land for their tennis courts and dressing lapdogs in treasure that would keep half Ireland in bread for a year. The heroes of Tara would have put them face to schisty face and used them for millstones.

IRELAND Spenserian Sonnet abab, bcbc, cdcd, ee What is it about the Kelly velvet hillsides and the hoary avocado sea, The vertical cliffs where the Gulf Stream commences its southern bend, Slashing like a sculptor gone mad or a rancorous God who’s angry, Heaving galaxies of lichen shrouded stones for potato farmers to tend, Where the Famine and the Troubles such haunting aspects lend, Music and verse ring with such eloquence in their whimsical way, Let all, who can hear, rejoice as singers’ intonations mend, Gaelic souls from Sligo and Trinity Green to Cork and Dingle Bay, Where fiddle, bodhran, tin whistle, and even God, indulge to play, Ould sod to Beckett, Wilde and Yeats, Heaney and James Joyce, In this verdant, welcoming land, ‘tis the poet who rules the day. Where else can one hear a republic croon in so magnificent a voice? Primal hearts of Celtic chieftains pulse, setting inspiration free, In genial confines of chic caprice, we’re stirred by synchronicity.

The great festival of Lughnasa was held at Carmun once every three years. The site of Carmun was eerie. In a land of wild forest and bog, it was an open grassy space that stretched, green and empty, halfway to the horizon. Lying some distance west of the point where, if you were following it upstream, the Liffey’s course began to retreat eastwards on the way to its source in the Wicklow Mountains, the place was absolutely flat, except for some mounds in which ancestral chiefs were buried. The festival lasted a week. There were areas reserved for food and livestock markets, and another where fine clothes were sold; but the most important quarter was where a large racetrack was laid out on the bare turf.

The writing style which is most natural for you is bound to echo the speech you heard when a child. English was the novelist Joseph Conrad's third language, and much of that seems piquant in his use of English was no doubt colored by his first language, which was Polish. And lucky indeed is the writer who has grown up in Ireland, for the English spoken there is so amusing and musical. I myself grew up in Indianapolis, where common speech sounds like a band saw cutting galvanized tin, and employs a vocabulary as unornamental as a monkey wrench. In some of the more remote hollows of Appalachia, children still grow up hearing songs and locutions of Elizabethan times. Yes, and many Americans grow up hearing a language other than English, or an English dialect a majority of Americans cannot understand. All these varieties of speech are beautiful, just as the varieties of butterflies are beautiful. No matter what your first language, you should treasure it all your life. If it happens not to be standard English, and if it shows itself when you write standard English, the result is usually delightful, like a very pretty girl with one eye that is green and one that is blue. I myself find that I trust my own writing most, and others seem to trust it most, too, when I sound most like a person from Indianapolis, which is what I am. What alternatives do I have? The one most vehemently recommended by teachers has no doubt been pressed on you, as well: to write like cultivated Englishmen of a century or more ago.

You don’t believe in leprechauns. A myth you say they be. You don’t believe in pots-o-gold, or four-leaf-clover tea. You don’t believe the rainbow’s end alights on treasured finds. They are illusions meant for fools you say ‘ave lost their minds. You don’t believe in whispering your wishes to the wind, where on St. Patrick’s holiday they blow t’wards Ireland. You don’t believe in magic spells or longings coming true. Yet, head-to-toe you dress in green on Patty’s Day, you do.

ROBERT DEVEREAUX, EARL OF ESSEX, was taken to the place of execution at Tower Green on February 25, 1601. Standing before the crowd in a scarlet waistcoat, Essex made his last speech—a rather long one—with eloquence and dignity, claiming his sins “more numerous than the hairs on his head.” He was still speaking when the executioner struck his first blow. It took two more to sever Devereaux’s head. Despite his undisputed treason, Essex was remembered kindly by the English people. Nearly two years after his death, Londoners were still singing a ballad lauding their “great and celebrated noble warrior,” called “Essex’s Last Good Night.” In Ireland he was likewise revered, considered by many rebel chiefs as an ally, and by the common people as the only one of the queen’s commanders who had come over to their side.

I’ll tell you what was the first division of Ireland. It came from the time the people who worshipped the goddess Danu was hammered by the Milesians—d’you know about the Milesians?” “A race of mighty men taller than Roman spears,” quoted Ronan. “Hah! You’re not as green as you’re cabbage-looking. Up from Spain they came thousands of years ago, thousands. And they had spears, whereas the Danu people only had spells. And a spell is like your arse—it has its uses, but not in a fight.” “I said you came to the right house,” said Myrtle. “And when the Spanish defeated them, they made a treaty, and the Milesians took all of Ireland above the ground, and the Danu took all below the ground, where they are living still—that was the first political division of Ireland. Did you know that?” “We were taught it at school,” said Ronan. “And did you never think to question that you were taught as a historical fact that people live like sprites under the ground of Ireland?

Glenskehy is outside Dublin, tucked away in the Wicklow mountains near nothing very much. I'd lived half my life in Wicklow without getting any closer to it than the odd signpost. It turned out to be that kind of place: a scatter of houses getting old around a once-a-month church and a pub and a sell-everything shop, small and isolated enough to have been overlooked even by the desperate generation trawling the countryside for homes they can afford. Eight o'clock on a Thursday morning, and the main street - to use both words loosely - was postcard-perfect and empty, just one old woman pulling a shopping trolley past a worn granite monument to something or other, little sugared-almond houses lined up crookedly behind her, and the hills rising green and brown and indifferent over it all. I could imagine someone getting killed there, but a farmer in a generations-old fight over a boundary fence, a woman whose man had turned savage with drink and cabin fever, a man sharing a house with his brother forty years too long: deep-rooted, familiar crimes old as Ireland, nothing to make a detective as experienced as Sam sound like that.

Separated from everyone, in the fifteenth dungeon, was a small man with fiery brown eyes and wet towels wrapped around his head. For several days his legs had been black, and his gums were bleeding. Fifty-nine years old and exhausted beyond measure, he paced silently up and down, always the same five steps, back and forth. One, two, three, four, five, and turn . . . an interminable shuffle between the wall and door of his cell. He had no work, no books, nothing to write on. And so he walked. One, two, three, four, five, and turn . . . His dungeon was next door to La Fortaleza, the governor’s mansion in Old San Juan, less than two hundred feet away. The governor had been his friend and had even voted for him for the Puerto Rican legislature in 1932. This didn’t help much now. The governor had ordered his arrest. One, two, three, four, five, and turn . . . Life had turned him into a pendulum; it had all been mathematically worked out. This shuttle back and forth in his cell comprised his entire universe. He had no other choice. His transformation into a living corpse suited his captors perfectly. One, two, three, four, five, and turn . . . Fourteen hours of walking: to master this art of endless movement, he’d learned to keep his head down, hands behind his back, stepping neither too fast nor too slow, every stride the same length. He’d also learned to chew tobacco and smear the nicotined saliva on his face and neck to keep the mosquitoes away. One, two, three, four, five, and turn . . . The heat was so stifling, he needed to take off his clothes, but he couldn’t. He wrapped even more towels around his head and looked up as the guard’s shadow hit the wall. He felt like an animal in a pit, watched by the hunter who had just ensnared him. One, two, three, four, five, and turn . . . Far away, he could hear the ocean breaking on the rocks of San Juan’s harbor and the screams of demented inmates as they cried and howled in the quarantine gallery. A tropical rain splashed the iron roof nearly every day. The dungeons dripped with a stifling humidity that saturated everything, and mosquitoes invaded during every rainfall. Green mold crept along the cracks of his cell, and scarab beetles marched single file, along the mold lines, and into his bathroom bucket. The murderer started screaming. The lunatic in dungeon seven had flung his own feces over the ceiling rail. It landed in dungeon five and frightened the Puerto Rico Upland gecko. The murderer, of course, was threatening to kill the lunatic. One, two, three, four, five, and turn . . . The man started walking again. It was his only world. The grass had grown thick over the grave of his youth. He was no longer a human being, no longer a man. Prison had entered him, and he had become the prison. He fought this feeling every day. One, two, three, four, five, and turn . . . He was a lawyer, journalist, chemical engineer, and president of the Nationalist Party. He was the first Puerto Rican to graduate from Harvard College and Harvard Law School and spoke six languages. He had served as a first lieutenant in World War I and led a company of two hundred men. He had served as president of the Cosmopolitan Club at Harvard and helped Éamon de Valera draft the constitution of the Free State of Ireland.5 One, two, three, four, five, and turn . . . He would spend twenty-five years in prison—many of them in this dungeon, in the belly of La Princesa. He walked back and forth for decades, with wet towels wrapped around his head. The guards all laughed, declared him insane, and called him El Rey de las Toallas. The King of the Towels. His name was Pedro Albizu Campos.

Let the nations be glad and sing for joy…. —Psalm 67:4 (KJV) My wife was poring over a map of Europe. “Look, Danny. My homeland is a tiny little country. I had no idea it was so small.” “I know, you could put maybe half a dozen Irelands inside the state of Texas.” It may be small, but Ireland has made a huge impression on the world. More than a dozen US presidents and some thirty-four million Americans trace their roots to Ireland, including my own auburn bride. Officially, Saint Patrick’s Day honors the missionary who came to Ireland about 1,600 years ago. There he started hundreds of churches and baptized thousands, thus raising the moral profile of Ireland. But most of his life is a mystery and forgotten. Unofficially, Saint Patrick’s Day is everybody’s opportunity to be Irish for a day, regardless of religion or nationality. By the simple act of wearing green, I can be lucky or bonny or practice a bit of blarney. In short, I can be happy for a day. There are many ways to celebrate the day. Some daring types dye their hair green or wear shamrock tattoos. Others march in parades or attend Irish festivals, where they dance an Irish jig or enjoy an Irish stew. More serious types demonstrate for green causes or go to spiritual retreats, where they pray for missionaries. Yes, I will wear green today, so I don’t get pinched. And I will listen to some fine Irish music, starting with my favorite, “Danny Boy.” I will also pray for some of my former students who are currently missionaries in Ireland. Most of all, I will try to be happy for the day. That’s what it’s really all about, isn’t it? And if I can be happy for one day, why not every day? There is much to be happy about, God. Help me find a reason to sing with joy every day. —Daniel Schantz Digging Deeper: Ps 16:9; Is 55:12

Ready yourselves!' Mullone heard himself say, which was strange, he thought, for he knew his men were prepared. A great cry came from beyond the walls that were punctuated by musket blasts and Mullone readied himself for the guns to leap into action. Mullone felt a tremor. The ground shook and then the first rebels poured through the gates like an oncoming tide. Mullone saw the leading man; both hands gripping a green banner, face contorted with zeal. The flag had a white cross in the centre of the green field and the initials JF below it. John Fitzstephen. Then, there were more men behind him, tens, then scores. And then time seemed to slow. The guns erupted barely twenty feet from them. Later on, Mullone would remember the great streaks of flame leap from the muzzles to lick the air and all of the charging rebels were shredded and torn apart in one terrible instant. Balls ricocheted on stone and great chunks were gouged out by the bullets. Blood sprayed on the walls as far back as the arched gateway, limbs were shorn off, and Mullone watched in horror as a bloodied head tumbled down the sloped street towards the barricade. 'Jesus sweet suffering Christ!' Cahill gawped at the carnage as the echo of the big guns resonated like a giant's beating heart. Trooper O'Shea bent to one side and vomited at the sight of the twitching, bleeding and unrecognisable lumps that had once been men. A man staggered with both arms missing. Another crawled back to the gate with a shattered leg spurting blood. The stench of burnt flesh and the iron tang of blood hung ripe and nauseating in the oppressive air. One of the low wooden cabins by the wall was on fire. A blast of musketry outside the walls rattled against the stonework and a redcoat toppled backwards onto the cabin's roof as the flames fanned over the wood. 'Here they come again! Ready your firelocks! Do not waste a shot!' Johnson shouted in a steady voice as the gateway became thick with more rebels. He took a deep breath. 'God forgive us,' Corporal Brennan said. 'Liberty or death!' A rebel, armed with a blood-stained pitchfork, shouted over-and-over.

THE RETURN OF THE GODS Like a white bird upon the wind, the sail of the boat of Manannan mac Lir (Pronounced Mananarn mak Leer), the Son of the Sea, flew across the sparkling waves filled with the breeze that blew Westward to the Islands of the Blessed. The Sun Goddess above him smiled down with warmth upon her friend. The fish in the ocean danced for him beneath the turquoise water; the porpoises leapt above the waves to greet him. Upon the wind was a smell of sweetness, the smell of apple blossom in the Spring of the morning of the world. And in the prow of the boat sat Lugh (Pronounced Loo) the long-armed; strumming on his harp, he sang the Song of Creation. And as they drew closer to the green hills of Ireland, the holy land of Ireland, the Shee came out of their earth-barrow homes and danced for joy beneath the Sun. For hidden in a crane-skin sack at the bottom of the boat was the Holy Cup of Blessedness. Long had been her journeying through lands strange and far. And all who drank of that Cup, dreamed the dreams of holy truth, and drank of the Wine of everlasting life. And deep within the woods, in a green-clad clearing, where the purple anemone and the white campion bloomed, where primroses still lingered on the shadowed Northern side, a great stag lifted up his antlered head and sniffed the morning. His antlers seven-forked spoke of mighty battles fought and won, red was his coat, the colour of fire, and he trotted out of his greenwood home, hearing on the wind the song of Lugh. And in her deep barrow home, the green clad Goddess of Erin, remembered the tongue that she had forgotten. She remembered the secrets of the weaving of spells, She remembered the tides of woman and the ebb and flow of wave and Moon. She remembered the people who had turned to other Gods and coming out of her barrow of sleep, her sweet voice echoed the verses of Lugh and the chorus of Manannan. And the great stag of the morning came across the fields to her and where had stood the Goddess now stood a white hind. And the love of the God was returned by the Goddess and the larks of Anghus mac Og hovering above the field echoed with ecstasy the Song of Creation. And in the villages and towns the people came out of their houses, hearing the sweet singing and seeking its source. And children danced in the streets with delight. And they went down to the shore, the Eastern shore, where rises the Sun of the Morning, and awaited the coming of Manannan and Lugh, the mast of their boat shining gold in the Sun. The sea had spoken, the Eastern dawn had given up her secret, the Gods were returning, the Old Ones awakening, joy was returning unto the sleeping land.  

Harry’s other presents were much more satisfactory than Dobby’s odd socks — with the obvious exception of the Dursleys’, which consisted of a single tissue, an all-time low — Harry supposed they too were remembering the Ton-Tongue Toffee. Hermione had given Harry a book called Quidditch Teams of Britain and Ireland; Ron, a bulging bag of Dungbombs; Sirius, a handy penknife with attachments to unlock any lock and undo any knot; and Hagrid, a vast box of sweets including all Harry’s favorites: Bertie Bott’s Every Flavor Beans, Chocolate Frogs, Drooble’s Best Blowing Gum, and Fizzing Whizbees. There was also, of course, Mrs. Weasley’s usual package, including a new sweater (green, with a picture of a dragon on it — Harry supposed Charlie had told her all about the Horntail), and a large quantity of homemade mince pies.

[re: the "green martyrs"] But the saintly recluse does not intend to wall himself off from holy intercourse with his fellow humans. A little out of the way, he will still be available to those who walk the extra mile to find insight, instruction, and baptism.

[re: the "green martyrs"] But the saintly recluse does not intend to wall himself off from holy intercourse with his fellow humans. A little out of the way, he will still be available to those who walk the extra mile to find insight, instruction, and baptism. ... So the wished-for extremes of the Green martyrdom were largely - and quickly -abandoned in favor of monasticism, a movement, which though it could support and even nurture oddity and eccentricity subjected such tendencies to a social contract. Since Ireland had no cities, these monastic establishments grew rapidly into the first population centers, hubs of unprecedented prosperity, art, and learning.

Wendell pushed the door open. Light. It was full morning, and my vision flooded with color. Primarily green, but there was also the yellow of moss and lichened stone, the violet of bluebells clustered at the edge of the forest, the gold of sunbeams, and the rich azure of the sky. The door opened onto a hill in a small clearing, beyond which a wall of trees nodded their boughs in the wind, as if in greeting. The air was wet from a recent rain and heavy with the smell of green and growing things--- all as I remembered.

If we assess the results of this swift foray into the ancient Celtic literature, we can conclude the following: dwarfs are handsome or ugly, hostile or helpful, sometimes thieves or kidnappers. They inhabit kingdoms that are located on islands, in lakes, or in the sea, or are even underground. They live in communities there that are headed by a king. They celebrate festivals, play music, ride small horses, possess magical objects, and have supernatural powers. It appears they are excellent craftsmen. It is important that we underscore the fact that this image of the dwarf owes much to the romances, and the ancient features it contains no longer hold any value. It is obvious that there are several races of dwarfs—as the terms corr and afanc attest—who are deeply entangled with the otherworld, which does not seem to be restricted only to the land of Faery, and on this point the Celtic dwarfs and the dwarfs of the romances are opposites. But through the channel of the Matter of Britain, a veritable bridge set down between the Celtic world and the Romance world, certain peculiarities of these dwarfs from green Ireland and Wales have crossed over into France and combined with other motifs—motifs which, in this case, stem from the Germanic world.

Young Samuel Hamilton came from the north of Ireland and so did his wife. He was the son of small farmers, neither rich nor poor, who had lived on one landhold and in one stone house for many hundreds of years. The Hamiltons managed to be remarkably well educated and well read; and, as is so often true in that green country, they were connected and related to very great people and very small people, so that one cousin might be a baronet and another cousin a beggar.

The men were not watering the grass; they were spraying it an emerald green. This was Ireland in an atomizer. The workers were coloring the dead, hurrying to finish before the Crown Prince's gaze would zoom by, perhaps peering through the bullet-proofed, tinted, heavily-armored glass of his German car. So much about the Kingdom concerned outward appearances. Veneer was as important as substance, perhaps more so.

Pragmatists fear losing the body. Idealists fear losing the soul. It’s the soul of Ireland that’s at risk, Piggy. For goddsakes, the country is becoming fuckin’ Paddyland. Planet Ireland. Every castle and historic site has a ticket booth and fence thrown around it. Where’s the giant mouse with the green ears? He can’t be long away, is he, Piggy?

He trails off, looking up at the sky. He’s got one of those ruddy complexions that reddens easily, I’ve noticed. I imagine him herding sheep on the moors of Scotland or Ireland, somewhere misty and rugged, wearing a cream-colored wool cable-knit sweater and green Wellies, maybe smoking a pipe.

Alas! for poor Erin that some are still seen, Who would dye the grass red from their hatred to green; Yet, oh! when you're up, and they're down, let them live, Then yield them that mercy which they would not give. Arm of Erin, be strong! but be gentle as brave; And uplifted to strike, be still ready to save; Let no feeling of vengeance presume to defile The cause of, or men of, the Emerald Isle.

Books of the sages of the ages reflect upon in stages; like honey their words on the tongue give due savour.” {Source: A Green Desert Father}

Despite an icy northeast wind huffing across the bay I sneak out after dark, after my mother falls asleep clutching her leather Bible, and I hike up the rutted road to the frosted meadow to stand in mist, my shoes in muck, and toss my echo against the moss-covered fieldstone corners of the burned-out church where Sunday nights in summer for years Father Thomas, that mad handsome priest, would gather us girls in the basement to dye the rose cotton linen cut-outs that the deacon’s daughter, a thin beauty with short white hair and long trim nails, would stitch by hand each folded edge then steam-iron flat so full of starch, stiffening fabric petals, which we silly Sunday school girls curled with quick sharp pulls of a scissor blade, forming clusters of curved petals the younger children assembled with Krazy glue and fuzzy green wire, sometimes adding tissue paper leaves, all of us gladly laboring like factory workers rather than have to color with crayon stubs the robe of Christ again, Christ with his empty hands inviting us to dine, Christ with a shepherd's staff signaling to another flock of puffy lambs, or naked Christ with a drooping head crowned with blackened thorns, and Lord how we laughed later when we went door to door in groups, visiting the old parishioners, the sick and bittersweet, all the near dead, and we dropped our bikes on the perfect lawns of dull neighbors, agnostics we suspected, hawking our handmade linen roses for a donation, bragging how each petal was hand-cut from a pattern drawn by Father Thomas himself, that mad handsome priest, who personally told the Monsignor to go fornicate himself, saying he was a disgruntled altar boy calling home from a phone booth outside a pub in North Dublin, while I sat half-dressed, sniffing incense, giddy and drunk with sacrament wine stains on my panties, whispering my oath of unholy love while wiggling uncomfortably on the mad priest's lap, but God he was beautiful with a fine chiseled chin and perfect teeth and a smile that would melt the Madonna, and God he was kind with a slow gentle touch, never harsh or too quick, and Christ how that crafty devil could draw, imitate a rose petal in perfect outline, his sharp pencil slanted just so, the tip barely touching so that he could sketch and drink, and cough without jerking, without ruining the work, or tearing the tissue paper, thin as a membrane, which like a clean skin arrived fresh each Saturday delivered by the dry cleaners, tucked into the crisp black vestment, wrapped around shirt cardboard, pinned to protect the high collar.

The fact is that, after the Easter Rising and the War of Independence, the Irishmen who’d fought in the Great War didn’t fit the new way the country imagined itself. If the British were our sworn enemies, why had two hundred thousand Irishmen gone off to fight alongside them? If our history was the struggle to escape from British oppression, what were we doing helping Britain out, fighting and dying on her behalf? The existence of these soldiers seemed to argue against this new thing called Ireland. And so, first of all, they were turned into traitors. Then, in a quite systematic way, they were forgotten.’ The boys listen palely, the lucent grass-green of the empty park shimmering around them. ‘It’s a good example of how history works,’ Howard says. ‘We tend to think of it as something solid and unchanging, appearing out of nowhere etched in stone like the Ten Commandments. But history, in the end, is only another kind of story, and stories are different from the truth. The truth is messy and chaotic and all over the place. Often it just doesn’t make sense. Stories make things make sense, but the way they do that is to leave out anything that doesn’t fit. And often that is quite a lot.

Over me green branches hang A blackbird leads the loud song; Above my penlined booklet I hear a fluting bird-throng. The cuckoo pipes a clear call Its dun cloak hid in deep dell; Praise to God for this goodness That in woodland I write well.

The feeling of freedom, driving into scenery as green and lush as a postcard of Ireland was close to bliss.

Ashton took her hand, resting his other palm against her waist. He moved in a slow tempo, giving her time to pick up each foot in the dance step. But every time he attempted to turn her, her feet seemed to tangle together. “I’m so clumsy,” she apologized. “My feet won’t move the way I want them to.” She lacked the physical ability to keep the rhythm, and it heightened her frustration. “I don’t even know what I was thinking. No one waltzes this slowly.” He didn’t deny it, but his hand pressed lightly at her waist, turning her once more. “You knew it wouldn’t be easy.” “You’re right. And besides that, I only took my first steps a week ago. It could take months before I’m nimble enough to dance.” In answer to that, the earl lifted her up and held her body aloft while he spun her in the waltz step. The sudden motion caught her unawares, and she began to laugh. “You cannot lift me up in a ballroom, Lord Ashton. Please put me down.” Her cheeks were flushed with embarrassment, though the Irishman didn’t seem to care. He stopped spinning her, but held her up a moment longer. “Iain,” he corrected. But he did not set her down just yet. He kept his arms beneath her hips, and Rose was caught up in his green eyes. He stared at her with unveiled interest, and his dark hair framed a chiseled face. She could half-imagine him carrying her across the garden and laying her down against the grass before he kissed her again. The thought brought her attention back to his firm mouth. She had enjoyed his kiss, and it had soothed her pride to know that she’d kindled his interest. It had been so long since she’d seen Thomas, she didn’t know what remained between them. But it felt good to have a man watching her as if he wanted her. “Iain,” she murmured. He brought her down, but the entire time, her body was pressed close to his. She kept her arms upon his shoulders a moment longer before she took slow, limping steps back to the garden bench. Why did she allow her imagination to trespass into thoughts of what could never be? He needed an heiress who would return with him to Ireland. Not a woman like her. They were friends, and that was all.

I’ve already asked you to marry me, Rose. This may simply hasten our wedding.” But then Iain sat down and drew up a chair for her to sit across from him. “Have you an answer for me?” She wanted to say yes, but was afraid of all the obstacles between them. “You still don’t think I’m strong enough to endure Ireland, do you?” “No. You would not be happy at Ashton as it stands now. But I could marry you and let you stay here, in England. At least until it’s safer for you to join me, or until I’ve restored order to our lands.” His offer was meant to protect her, she was certain. And yet, she didn’t feel it was right to live apart. “How long do you imagine that would be?” He shook his head, lifting his shoulders in a shrug. “I cannot say, Rose. All I know is that the thought of watching you wed another man is something I can’t endure. And if I tried to wed an heiress for her money, I would regret every moment. It’s not fair to her. Or to you.” Iain removed her glove, edging her palm with his thumb. The caress echoed through her body, and she warmed to his touch. His green eyes locked on hers, and he knelt down before her. “Marry me, Rose.” “I do care about you Iain,” she murmured. “But there are many decisions we need to discuss. Like how you will get food for your tenants when you have no money. I don’t even know how much money our family has or if I have a dowry at all.” Every time she’d tried to speak with her mother, Lady Penford could give her no answers. Lily had written to their land steward but had no more information than before. “Cain Sinclair has offered to donate some food and supplies. We also spoke of other ways to restore Ashton.” Though his response should have reassured her, she hadn’t missed the uncertainty in his tone. And though she did want to be with Iain, she worried about their future. He rose from his knees and sat down across from her. “If you are asking all these questions, I can only assume you are considering it.” She was, but she couldn’t quite dispel her fears. “I might.” With a daring smile, she added, “Perhaps you should convince me.” He pulled his chair closer so that their knees touched. Then he cupped her face and kissed her softly. Yearning awakened within her, and she responded, kissing him back with all her unspoken feelings. She did love this man and wanted to be with him. But never did she want him to look upon her with regret. Her

So you intend to find a bride with the help of my grandmother, is that it?” She wondered what sort of woman he hoped to woo. It wasn’t going to be easy, for few women would marry a man who wanted her for nothing but money. Only someone quite desperate. Ireland lay in ruins, and it was unlikely that any woman would want to live there. “Indeed. Unless you change your mind, that is.” He reached out and took her gloved hand. His touch lingered upon her, warming the kidskin glove. When he stared into her eyes, she had a sudden rash thought that he was about to kiss her. Right here, in front of her footman and Beauregard. “Keep your hands to yourself, Mr. Donovan. Or I shall be forced to whack you with a parasol.” “Or a rake,” he suggested cheerfully. He winked at her, and she relaxed when she realized that he was only teasing her. “I could be quite lethal with gardening tools. You don’t want to imagine what I would do with a pair of shears.” He winced and made a face. “You terrify me.” Her smile widened. “You should be scared. I can be quite fierce when provoked.” “I can easily believe that.” His green eyes locked upon hers. “You are a strong woman, Lady Rose. You would tell everyone to go and kiss the devil’s backside before you’d turn away from your family or those who need you. Am I wrong?

Her pace was slow, and after a moment, she glimpsed him. Iain straightened in the water, unable to stop his smile. Well, now. Wasn’t this an interesting dilemma? “You have me at a disadvantage, a chara.” He took a few steps closer, unable to resist teasing her. Now the water was at his waistline, and Rose put up her hands. “Stop,” she commanded. “I didn’t realize you were here. There’s no need to . . . leave the water.” Her face held a lovely blush, and he rather wanted to see what she would do now. “I’ll just go now.” Oh, no. He wasn’t about to let this opportunity escape. “I had just finished swimming,” he said. “If you’d like to take your turn, the water is all yours. Though, I must say, it’s a bit cold now.” “I wasn’t planning to swim.” He took another step closer, and this time, the water grazed his hip bones. Rose scrunched her eyes shut. “No, you needn’t come any farther.” He rather wondered if she would sneak a glimpse if he were to leave the lake. He took another step forward, baring a bit more of himself. When she didn’t respond, he guessed that she was indeed hiding her eyes. “I do need my clothes,” he pointed out. “And they are on the shore at the moment. I’ll go and fetch them.” This time, he strode out of the water, fully bared. God almighty, it was cold. He watched Rose closely as he continued toward his clothes, but she kept both hands covering her eyes. He couldn’t be certain, but it almost looked as if there was a slight space between her fingers. Was is possible that she was staring at him? “Are you enjoying the view, a chara?” he asked as he reached for his smallclothes and trousers. “I am not looking at you.” “So you say.” He smiled to himself as he dressed. When he was half-clothed, he returned toward her horse. Aye, he could have finished putting on his shirt and the remainder of his clothing, but he wanted to see her reaction, to tease her a little more. “You can look now.” She did, and promptly shut her eyes again. “You are not dressed, Lord Ashton.” “All the important bits are. And it’s not as if you haven’t seen me in this state before.” She let out a groan. “Really, now. Must you behave in such a villainous manner?” “I would only be a villain if I pulled you from that horse and threw you in the lake.” He had no intention of doing so, but the slight gasp she emitted made it clear that she wasn’t quite so certain. “Don’t you dare.” He approached the horse while her eyes were still closed and reached up, pulling her down to stand before him. Rose squealed, and tried to fight him, but he held her steady. “Now, a chara, I wouldn’t do such a thing to you.” “You took me off the horse.” “So I did. You were wanting to walk, were you not?” He kept her standing, knowing full well that his body was still wet from the lake. “Your skin is freezing,” she pointed out. “The water was too cold.” “It’s England. It will never get warm,” he felt compelled to remind her. And he was accustomed to swimming in frigid water, for it wasn’t at all warm in Ireland, either. But the longer he held her waist, the more she had an effect upon him. Her eyes remained closed, her lips slightly parted. Her reddish-brown hair was caught up in a pretty green bonnet, and she wore a riding habit that revealed the dip in her waist and the curve of her hips. Iain kept his arms around her, enjoying the temptation before him. There was no denying that Lady Rose was a stunningly beautiful woman, one he wanted to touch. Not yours, he warned himself. But she wasn’t fighting his hands upon her waist. And although she gave a slight shiver, she didn’t seem frightened of him. “I’m not going to harm you, Lady Rose,” he reminded her. “You can open your eyes.” After a moment, she did. “I cannot believe you were swimming naked in the lake. Did you think no one would come along?” He shrugged. “I don’t suppose I cared if anyone did.

... It strikes me that if I'm in such a febrile and imaginative mood I ought to take advantage of it with some serious writing exercises or at least a few ideas for stories, if only to demonstrate that I'm not treating this here commonplace book solely as a journal to record my most recent attacks of jitters! Maybe I should roll my sleeves up and attempt as least an opening practice paragraph or two of this confounded novel I'm pretending to be writing. Let's see how it looks. Marblehead: An American Undertow By Robert D. Black Iron green, the grand machinery of the Atlantic grates foam gears against New England with the rhythmic thunder of industrial percussion. A fine dust of other lands and foreign histories is carried in suspension on its lurching, slopping mechanism: shards of bright green glass from Ireland scoured blunt and opaque by brine, or sodden splinters of armada out of Spain. The debris of an older world, a driftwood of ideas and people often changed beyond all recognition by their passage, clatters on the tideline pebbles to deposit unintelligible grudges, madnesses and visions in a rank high-water mark, a silt of fetid dreams that further decompose amid the stranded kelp or bladder-wrack and pose risk of infection. Puritans escaping England's murderous civil war cast broad-brimmed shadows onto rocks where centuries of moss obscured the primitive horned figures etched by vanished tribes, and after them came the displaced political idealists of many nations, the religious outcasts, cults and criminals, to cling with grim determination to a damp and verdant landscape until crushed by drink or the insufferable weight of their accumulated expectations. Royalist cavaliers that fled from Cromwell's savage interregnum and then, where their puritanical opponents settled the green territories to the east, elected instead to establish themselves deep in a more temperate South, bestowing their equestrian concerns, their courtly mannerisms and their hairstyles upon an adopted homeland. Heretics and conjurors who sought new climes past the long shadow of the stake; transported killers and procurers with their slates wiped clean in pastures where nobody knew them; sour-faced visionaries clutching Bunyan's chapbook to their bosoms as a newer and more speculative bible, come to these shores searching for a literal New Jerusalem and finding only different wilderness in which to lose themselves and different game or adversaries for the killing. All of these and more, bearing concealed agendas and a hundred diverse afterlives, crashed as a human surf of Plymouth Rock to fling their mortal spray across the unsuspecting country, individuals incendiary in the having lost their ancestral homelands they were without further longings to relinquish. Their remains, ancient and sinister, impregnate and inform the factory-whistle furrows of oblivious America.

... It strikes me that if I'm in such a febrile and imaginative mood I ought to take advantage of it with some serious writing exercises or at least a few ideas for stories, if only to demonstrate that I'm not treating this here commonplace book solely as a journal to record my most recent attacks of jitters! Maybe I should roll my sleeves up and attempt as least an opening practice paragraph or two of this confounded novel I'm pretending to be writing. Let's see how it looks. Marblehead: An American Undertow By Robert D. Black Iron green, the grand machinery of the Atlantic grates foam gears against New England with the rhythmic thunder of industrial percussion. A fine dust of other lands and foreign histories is carried in suspension on its lurching, slopping mechanism: shards of bright green glass from Ireland scoured blunt and opaque by brine, or sodden splinters of armada out of Spain. The debris of an older world, a driftwood of ideas and people often changed beyond all recognition by their passage, clatters on the tideline pebbles to deposit unintelligible grudges, madnesses and visions in a rank high-water mark, a silt of fetid dreams that further decompose amid the stranded kelp or bladder-wrack and pose risk of infection. Puritans escaping England's murderous civil war cast broad-brimmed shadows onto rocks where centuries of moss obscured the primitive horned figures etched by vanished tribes, and after them came the displaced political idealists of many nations, the religious outcasts, cults and criminals, to cling with grim determination to a damp and verdant landscape until crushed by drink or the insufferable weight of their accumulated expectations. Royalist cavaliers that fled from Cromwell's savage interregnum and then, where their puritanical opponents settled the green territories to the east, elected instead to establish themselves deep in a more temperate South, bestowing their equestrian concerns, their courtly mannerisms and their hairstyles upon an adopted homeland. Heretics and conjurors who sought new climes past the long shadow of the stake; transported killers and procurers with their slates wiped clean in pastures where nobody knew them; sour-faced visionaries clutching Bunyan's chapbook to their bosoms as a newer and more speculative bible, come to these shores searching for a literal New Jerusalem and finding only different wilderness in which to lose themselves and different game or adversaries for the killing. All of these and more, bearing concealed agendas and a hundred diverse afterlives, crashed as a human surf on Plymouth Rock to fling their mortal spray across the unsuspecting country, individuals incendiary in that having lost their ancestral homelands they were without further longings to relinquish. Their remains, ancient and sinister, impregnate and inform the factory-whistle furrows of oblivious America.

The enemy government quickly realised that the economic policy of the Dáil was as great a danger to them as its political policy, that in fact the elected Government of Ireland stood for social and economical deliverance, no less than for political deliverance.Without finance, however, the policy would be inoperative.The enemy must, therefore, at all costs prevent our getting the necessary funds. He attempted, certainly—and with a renewed determination and savagery.’ — Letter from Michael Collins to Éamon deValera on 10 February 1920

It is the badge of the Order of St. Patrick, founded in 1783, but the national badge since 1801. Pale or Cambridge blue, not green, is the true national colour of Ireland.

WILL ST LEGER: I remember when I was up on the plinth – I remember getting the dirtiest look from Ciarán Cuffe as he wheeled his bike into Kildare Street looking up at me. I think he was really annoyed. I think he said something to media about that, ‘It’s all very well climbing up there, but this took years to come about’ – all this kind of stuff. I was saying to Buzz afterwards, the fucking cheek of them. This is the same party who chained themselves to fucking trees on O’Connell Street because of sparrows when they were not a coalition partner. They had done the exact same thing five years beforehand for trees that had to be replaced. I was like, by the time they even say the words ‘Green Party’, that many number of trees in South America would disappear. Get the fuck over yourselves. Know what I mean? Green Party, what do they know? I was never in any political party so I had no trust in them, even though I knew them all from my days with Friends of the Earth. Did Ciarán Cuffe have any memory of that? CIARÁN CUFFE: No.

So twined is mine own self with thine, that the love could not die whilst my heart told me thou still lived. It is green yet, and strong, and hath waited only for this day. When I saw Aedan, and knew that thou wast nearby, my soul didst rise up and fly!

for Fucks sakes are ya waiting for any particular shade of green?

My favorite one was at a traffic light if the car in front wasn’t moving she would have said “for Fucks sakes are ya waiting for any particular shade of green?

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Young as the Morning, Old as the Sea" "I wanna lay by a lake in Norway, I I wanna walk through Swedish fields of green I wanna see the forests of Finland, I I wanna sail on a boat on the Baltic sea I wanna feel the Russian winter, I I wanna go to my Polish grandmother's home I wanna see Hungarian lanterns, I I wanna walk on a road that leads to Rome I wanna be free as the winds that blow past me Clear as the air that I breath Young as the morning And old as the sea I wanna lose myself in the Scottish highlands The west coast of Ireland The Cornish breeze I wanna rest my bones in the Spanish sunshine The Italian coastline is calling me To be free as the birds that fly past me Light as the fish in the sea To be wise as the mountains And tall as the trees I wanna be sunny and bright as a sunrise Happy and full as the moon I'm fleeting like fireworks fading too soon

Young as the Morning, Old as the Sea" "I wanna lay by a lake in Norway, I I wanna walk through Swedish fields of green I wanna see the forests of Finland, I I wanna sail on a boat on the Baltic sea I wanna feel the Russian winter, I I wanna go to my Polish grandmother's home I wanna see Hungarian lanterns, I I wanna walk on a road that leads to Rome I wanna be free as the winds that blow past me Clear as the air that I breath Young as the morning And old as the sea I wanna lose myself in the Scottish highlands The west coast of Ireland The Cornish breeze I wanna rest my bones in the Spanish sunshine The Italian coastline is calling me To be free as the birds that fly past me Light as the fish in the sea To be wise as the mountains And tall as the trees I wanna be sunny and bright as a sunrise Happy and full as the moon I'm fleeting like fireworks fading too soon

Forrest was well satisfied with their progress. At their present rate of speed, they would reach Gretna Green well before dark. He was less satisfied with his handling of Ellie, however. She would not allow him to put her off much longer, he knew. The truth was, after coming so close to ruining his happiness once, he wished to be secure of her before taking any more chances. Once across the border, he could simply declare her his wife before witnesses and have no further fears of her escaping him. It was underhanded, even cowardly, he admitted, but it was also nearly foolproof. He recalled what Ellie had said about leaving for Ireland and was doubly grateful to Sir George for his timing. If he had waited until even the next day to follow Ellie to Warwickshire, she might already have been gone! No, he would play it safe this time. Once she was wedded to him he would have ample time to court her properly. Besides, he did not think she was indifferent to him, in spite of her present —and justifiable —irritation. He chafed for the moment when he could have her all to himself, to hold her, to... He urged the horses faster.

Eugene Peterson speaks of the “God-dominated imagination” that developed in David as he spent his days and nights watching sheep on the Judean hillsides.19 It appears that something similar happened in Patrick. In the lush, green hills of western Ireland, in the towering clouds that rolled across the big sky, even in the most inclement of weather, Patrick sensed the presence of a Creator who hadn’t seemed very real or relevant or necessary in his earlier life of ease. For all its disadvantages, the shepherd’s life leaves plenty of time to think and pray, and Patrick used his time to great advantage. Far from wallowing in self-pity, Patrick celebrated his enslavement, the very shock he needed to bring him to his senses. Throughout his Confession, Patrick’s language is shot through with the confidence that, whatever his circumstances, God was doing good things in his life. He viewed his kidnapping and slavery as God’s direct work; this work, however, was not merely punitive but remedial, not evidence that God had forsaken him, but that God wished to draw Patrick to himself. So rather than growing bitter, Patrick allowed God’s chastisement to do its work in him. His enslavement, he believed, was a hard mercy, but a mercy nonetheless. From the very beginning of the Confession, we get a glimpse of Patrick’s indomitable joy. His tone echoed that of Paul, who wrote from prison,

I slid back into my mind and slid once more to my worlds. The wind and the green of Ireland flooded back to me and the clouds moved in from the sea. I threw my head back to the skies and smiled. I could hear the stream nearby and wasted no time seeking it out. She called to me and I listened. I found the stream and I followed through the wood. How I missed my forest, my cottage, my realm. How I wished for nothing else, but to stay there until I died.

Feeling obscurely reassured, she turned over and fell asleep. Chapter 6 The next morning Maura was awakened by the tapping of rain against the glass sliding doors. It came as a surprise, but Maura realized it shouldn’t have: it must rain all the time in Ireland, to keep all those fields so green. Still, she was glad she’d had a day of sunshine first. If it had stayed cold and grey, like the day she’d arrived, she might have turned tail and run. She lay listening to the sounds: the rain, of course, but also the clinking of pans and plates in the kitchen above, and the young voices as the Keohane children pounded down the hall and out the door. She thought she heard the rumble of a male voice as well—Ellen’s husband? She didn’t want to move, but she knew Ellen would probably be waiting breakfast on her, and surely her landlady had other things to do today. She checked the clock: 8:00. That meant she’d had no more than six hours of sleep, after a long day yesterday. The night before, Jimmy and Mick had offered her a job at the pub. And by the light of day she still thought she wanted it. She could stay longer. It wouldn’t be much of a vacation, working all the time, but she’d never had any vacations anyway, so nothing new there. She wouldn’t be seeing much of Ireland, but she’d never been a fan of touristy things back home in Boston, and she didn’t plan to join groups of gawping tourists here. And she’d get to know some real people. But there were a lot of things that were murky, starting with how long Jimmy

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few years ago I visited County Galway in Ireland. I traveled through seaside towns along the rocky coast and took a boat out to the lonely Aran Islands at the mouth of Galway Bay. I loved the lush green sheep meadows of the countryside, the smell of peat fires wafting through misty rain, the cozy pubs where we had gingerbread and strong tea. Ever since that visit, I’ve loved Irish music and literature—especially the folklore of leprechauns, fairies, and legendary Irish heroes and heroines. So now I want to share Ireland with you. Get ready for a journey to the enchanted countryside of Galway, to a time a hundred and fifty years ago, when mysterious creatures still hid in the forests and hills. Be careful not to let them see you, or you might be turned into a skunk or a weasel!

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I’ll James you, you foxy-faced drippings of a cankered __, you poxy bastarding whore’s melt, I put it to myself, and thought it worth it to hit him a belt; but, when all is said and done, I was but sixteen and he was a grown man and had come through Borstal institutions, mostly, I would say, by sucking up to bullying big bollixes the likes of Dale, not by letting his backstraps down—he was too ugly for that, but maybe some of these bastards would get a bit of a drop. I was no country Paddy from the middle of the Bog of Allen to be frightened to death by a lot of Liverpool seldom-fed bastards, nor was I one of your wrap-the-green-flag-round-me junior Civil Servants that came into the IRA from the Gaelic League, and well ready to die for their country any day of the week, purity in their hearts, truth on their lips, for the glory of God and the honour of Ireland. No, be Jesus, I was from Russell Street, North Circular Road, Dublin, from the Northside where, be Jesus, the likes of Dale wouldn’t make a dinner for them, where the whole of this pack of Limeys would be scruff-hounds would be et, bet, and threw up again __et without salt. I’ll James you, you bastard. Then the smile had to fade and the joke was rejected and the gentleness refused, never a better nor my own sweet self, and it wasn’t off the stones I licked. The old fellow would beat the best of them round our way and him only my height now, though fully grown a hell of a long time. James, be Jesus, prepare to meet thy Jesus. And I just stood up, held up a bag and said, ‘Finished work,’ and the screw nodded, though I hadn’t said ‘sir’ because I hadn’t time.

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Well, they’re your ancestors. It wasn’t until the fifth century that the Scotti came over from Ireland and established the kingdom of Dalriada in southwest Scotland. They fought the Picts and intermarried with them for centuries, until Kenneth MacAlpine defeated the last Pictish king and became king of the Scots and the Picts in 824.

Instead of the Irish love of liberty warming America, the winds of republican slavery blew back to Ireland. The Irish had faded from Green to white, bleached by, as O'Connell put it, something in the "atmosphere" of America.

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-Let America Be America Again- Let America be America again. Let it be the dream it used to be. Let it be the pioneer on the plain Seeking a home where he himself is free. (America never was America to me.) Let America be the dream the dreamers dreamed— Let it be that great strong land of love Where never kings connive nor tyrants scheme That any man be crushed by one above. (It never was America to me.) O, let my land be a land where Liberty Is crowned with no false patriotic wreath, But opportunity is real, and life is free, Equality is in the air we breathe. (There's never been equality for me, Nor freedom in this "homeland of the free.") Say, who are you that mumbles in the dark? And who are you that draws your veil across the stars? I am the poor white, fooled and pushed apart, I am the Negro bearing slavery's scars. I am the red man driven from the land, I am the immigrant clutching the hope I seek— And finding only the same old stupid plan Of dog eat dog, of mighty crush the weak. I am the young man, full of strength and hope, Tangled in that ancient endless chain Of profit, power, gain, of grab the land! Of grab the gold! Of grab the ways of satisfying need! Of work the men! Of take the pay! Of owning everything for one's own greed! I am the farmer, bondsman to the soil. I am the worker sold to the machine. I am the Negro, servant to you all. I am the people, humble, hungry, mean— Hungry yet today despite the dream. Beaten yet today—O, Pioneers! I am the man who never got ahead, The poorest worker bartered through the years. Yet I'm the one who dreamt our basic dream In the Old World while still a serf of kings, Who dreamt a dream so strong, so brave, so true, That even yet its mighty daring sings In every brick and stone, in every furrow turned That's made America the land it has become. O, I'm the man who sailed those early seas In search of what I meant to be my home— For I'm the one who left dark Ireland's shore, And Poland's plain, and England's grassy lea, And torn from Black Africa's strand I came To build a "homeland of the free." The free? Who said the free? Not me? Surely not me? The millions on relief today? The millions shot down when we strike? The millions who have nothing for our pay? For all the dreams we've dreamed And all the songs we've sung And all the hopes we've held And all the flags we've hung, The millions who have nothing for our pay— Except the dream that's almost dead today. O, let America be America again— The land that never has been yet— And yet must be—the land where every man is free. The land that's mine—the poor man's, Indian's, Negro's, ME— Who made America, Whose sweat and blood, whose faith and pain, Whose hand at the foundry, whose plow in the rain, Must bring back our mighty dream again. Sure, call me any ugly name you choose— The steel of freedom does not stain. From those who live like leeches on the people's lives, We must take back our land again, America! O, yes, I say it plain, America never was America to me, And yet I swear this oath— America will be! Out of the rack and ruin of our gangster death, The rape and rot of graft, and stealth, and lies, We, the people, must redeem The land, the mines, the plants, the rivers. The mountains and the endless plain— All, all the stretch of these great green states— And make America again!

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