Invisible Thread Quotes

Invisible threads are the strongest ties.

Cities, like dreams, are made of desires and fears, even if the thread of their discourse is secret, their rules are absurd, their perspectives deceitful, and everything conceals something else.

We cannot live for ourselves alone. Our lives are connected by a thousand invisible threads, and along these sympathetic fibers, our actions run as causes and return to us as results.

With cities, it is as with dreams: everything imaginable can be dreamed, but even the most unexpected dream is a rebus that conceals a desire or, its reverse, a fear. Cities, like dreams, are made of desires and fears, even if the thread of their discourse is secret, their rules are absurd, their perspectives deceitful, and everything conceals something else.

I think that when two people are able to weave that kind of invisible thread of understanding and sympathy between each other, that delicate web, they should not risk tearing it. It is too rare, and it lasts too short a time at best....

I felt as if there were invisible threads connecting us - I felt the invisible strands of her hair still winding around me - and thus as she disappeared completely beyond the sea - I still felt it, felt the pain where my heart was bleeding - because the threads could not be severed.

Each memory, good and bad, was another invisible thread that bound them together...It was as simple and complicated as that. Love after children, after you've hurt each other and forgiven each other, bored each other and surprised each other, after you've seen the worst and the best...-well, that sort of love is ineffable. It deserves its own word.

She's my sun and I'm her moon connected by an invisible thread, bound but free.

I really believe that there is an invisible red thread tied between him and me, and that it has stretched and tangled for years — across oceans and lifetimes. I know that it won’t break because our souls are tied.

An invisible thread connects those who are destined to meet, regardless of time, place, and circumstance. The thread may stretch or tangle. But it will never break.” —Ancient Chinese Proverb

I don't know how to stop the atrocities. I don't know how to make people care. But looking into my sister's eyes, we seem to have carved out something between us that none of the madness can touch. Invisible threads.

We share a bond. We do everything together. We have a piece of strong, invisible thread connecting us. It’s indestructible – it can never be broken. The thread is the key item that links us together. We understand each other.

I’m going to follow this invisible red thread until I find myself again… until I finally figure out… who I’m meant to be.

Chinese proverb that said an invisible thread connected those destined to meet, regardless of time, place, and circumstance.

If you make me lunch," he said, "will you put it in a brown paper bag?...Because when I see kids come to school with their lunch in a paper bag, that means that someone cares about them. Miss Laura, can I please have my lunch in a paper bag?

Vee is my un-twin. She's green-eyed, milky blond, and a few pounds over curvy. I'm a smoky-eyed brunette with volumes of curly hair that holds its own against even the best flatiron. And I'm all legs, like a bar stool. But there is an invisible thread the ties us together; both of us swear that tie began long before birth. Both of us swear it will continue to hold for the rest of our lives.

If love is the greatest gift of all-and I believe it is- then the greatest privilege of all is to be able to love someone.

Each memory, good and bad, was another invisible thread that bound them together, even when they were foolishly thinking they could lead separate lives. It was as simple and complicated as that.

I leaned over to cover him with the blanket he had been promising to give away to charity for years, and I kissed his forehead, as if by doing so I could protect him from the invisible threads that kept him away from me, from that tiny apartment, and from my memories. As if I believed that with that kiss I could deceive time and convince it to pass us by, to return some other day, some other life.

He was beautiful, that was always affirmed, but his beauty was hard to fix or to see, for he was always glimmering, flickering, melting, mixing, he was the shape of a shapeless flame, he was the eddying thread of needle-shapes in the shapeless mass of the waterfall. He was the invisible wind that hurried the clouds in billows and ribbons. You could see a bare tree on the skyline bent by the wind, holding up twisted branches and bent twigs, and suddenly its formless form would resolve itself into that of the trickster.

We all have a soul family, the ones that ignite and support our truth. They feed something in us we weren't aware we needed before them. They'll make you face yourself and become raw and authentic. You'll roam but never too far from eachother for the invisible thread of connectedness; once opened can never be locked. They are the ones who will see you through all the important days of your life no matter what tributes and trials you face. They'll just be there, in presence, in synchronicity or in spirit.

We all want relationships that are healthy and resolved, and sometimes that simply doesn't happen. But the beauty of life is that inside these disappointments are hidden the most miraculous of blessings. What we lose and what we might have been pales against what we have.

she and Mattia were united by an invisible, elastic thread, buried under a pile of meaningless things, a thread that could exist only between two people like themselves: two people who had acknowledged their own solitude within the other.

I once read that there is an invisible thread that connects those who are destined to meet, regardless of time, place, or circumstance. The thread may stretch or tangle, but will never break. [...] Please don’t let it break, I silently plead to him. I need to know that some cords can’t be cut.

Solar Eclipse Each morning I wake invisible. I make a needle from a porcupine quill, sew feet to legs, lift spine onto my thighs. I put on my rib and collarbone. I pin an ear to my head, hear the waxwing's yellow cry. I open my mouth for purple berries, stick on periwinkle eyes. I almost know what it is to be seen. My throat enlarges from anger. I make a hand to hold my pain. My heart a hole the size of the sun's eclipse. I push through the dark circle's tattered edge of light. All day I struggle with one hair after another until the moon moves from the face of the sun and there is a strange light as though from a kerosene lamp in a cabin. I pun on a dress, a shawl over my shoulders. My threads knotted and scissors gleaming. Now I know I am seen. I have a shadow. I extend my arms, dance and chant in the sun's new light. I put a hat and coat on my shadow, another larger dress. I put on more shawls and blouses and underskirts until even the shadow has substance

Relationships An invisible red thread connects those who are destined to meet, regardless of time, place, or circumstance. The thread may stretch or tangle, but it will never break.

But I know he'll call, no matter what shape he's in. Even when I hate him, I love him. Even when he stops calling, I hear his voice. Will is my only brother. Without each other - without the invisible thread that binds us together, no matter how weak or frayed it becomes - we are simply drifting, all alone, without anything like a compass to know where we're headed.

Who he was and who he will be are connected only by the fine, nearly invisible thread of who he is now.

Our job is not to comprehend or control everything, but to learn which story we are in and which of the many things calling out in the world is calling to us. Our job is to be fully alive in the life we have, to pick up the invisible thread of our own story and follow where it leads. Our job is to find the thread of our own dream and live it all the way to the end.

I could hear her babbling away beside me, but I wasn't really paying attention. I could barely focus on anything. My nerve endings seemed to have come alive; they almost jangled with anticipation I was going to see Will. Whatever else, I had that. I could almost feel the miles between us shrinking, as if we were at two ends of some invisible elastic thread.

Algebra applies to the clouds, the radiance of the star benefits the rose--no thinker would dare to say that the perfume of the hawthorn is useless to the constellations. Who could ever calculate the path of a molecule? How do we know that the creations of worlds are not determined by falling grains of sand? Who can understand the reciprocal ebb and flow of the infinitely great and the infinitely small, the echoing of causes in the abyss of being and the avalanches of creation? A mite has value; the small is great, the great is small. All is balanced in necessity; frightening vision for the mind. There are marvelous relations between beings and things, in this inexhaustible whole, from sun to grub, there is no scorn, each needs the other. Light does not carry terrestrial perfumes into the azure depths without knowing what it does with them; night distributes the stellar essence to the sleeping plants. Every bird that flies has the thread of the infinite in its claw. Germination includes the hatching of a meteor and the tap of a swallow's beak breaking the egg, and it guides the birth of the earthworm, and the advent of Socrates. Where the telescope ends, the microscope begins. Which of the two has a greater view? Choose. A bit of mold is a pleiad of flowers; a nebula is an anthill of stars. The same promiscuity, and still more wonderful, between the things of the intellect and material things. Elements and principles are mingled, combined, espoused, multiplied one by another, to the point that the material world, and the moral world are brought into the same light. Phenomena are perpetually folded back on themselves. In the vast cosmic changes, universal life comes and goes in unknown quantities, rolling everything up in the invisible mystery of the emanations, using everything, losing no dream from any single sleep, sowing a microscopic animal here, crumbling a star there, oscillating and gyrating, making a force of light, and an element of thought, disseminated and indivisible dissolving all, that geometric point, the self; reducing everything to the soul-atom; making everything blossom into God; entangling from the highest to the lowest, all activities in the obscurity of a dizzying mechanism, linking the flight of an insect to the movement of the earth, subordinating--who knows, if only by the identity of the law--the evolutions of the comet in the firmament to the circling of the protozoa in the drop of water. A machine made of mind. Enormous gearing, whose first motor is the gnat, and whose last is the zodiac.

Lies I've told my 3 year old recently Trees talk to each other at night. All fish are named either Lorna or Jack. Before your eyeballs fall out from watching too much TV, they get very loose. Tiny bears live in drain pipes. If you are very very quiet you can hear the clouds rub against the sky. The moon and the sun had a fight a long time ago. Everyone knows at least one secret language. When nobody is looking, I can fly. We are all held together by invisible threads. Books get lonely too. Sadness can be eaten. I will always be there.

There was still about them what had always reminded Magnus of an old legend he’d heard of the red thread of fate: that an invisible scarlet thread bound certain people, and however tangled it became, it could not and would not break.

Love ambushed you, it lay in wait, dormant for days or years. It was the red thread, the peach stone, the kiss, the forgiveness. It came after you, it escaped you, it was invisible, it was everything.

Father Brown looked him full in his frowning face. "Yes," he said, "I caught him, with an unseen hook and an invisible line which is long enough to let him wander to the ends of the world, and still to bring him back with a twitch upon the thread.

By the end of the day, the wooden wares are gone, and Adeline’s father gives her a copper sol and says she may buy anything she likes. She goes from stall to stall, eying the pastries and the cakes, the hats and the dresses and the dolls, but in the end, she settles on a journal, parchment bound with waxy thread. It is the blankness of the paper that excites her, the idea that she might fill the space with anything she likes.

What you don’t know about Paris, is that when you live there, over time, an invisible thread forms around your heart, and so when you leave, it always tugs you back.

And yet. There was still something about them that had always reminded Magnus of an old legend he'd heard of the red thread of fate: that an invisible scarlet thread bound certain people, and however tangled it became, it could not and would not break.

I caught him, with an unseen hook and an invisible line which is long enough to let him wander to the ends of the world, and still to bring him back with a twitch upon the thread.

The beginning of a habit is like an invisible thread, but every time we repeat the act we strengthen the strand, add to it another filament, until it becomes a great cable and binds us irrevocably, thought and act.” —ORISON SWETT MARDEN

Before the scientific revolution, [man] did not feel himself isolated by his skin from the world outside to quite the same extent that we do. He was integrated, or mortised into it, each different part of him being united to a different part of it by some invisible thread. In his relation to his environment, the man of the middle ages was rather less like an island, rather more like an embryo.

Through creativity, we are seamlessly connected and sustained as we pull back the veil, revealing beneath our differences and distinctive characteristics, human expression and the human experience are universal. It is the greatness of this experience that connects us together by infinite invisible threads strewn across the globe. This is my responsibility, passion and desire as an artist—my soul purpose.

Rituals are what ground us in our lives, what give us a sense of safety and continuity. In

the things we carry with us from childhood define who we become.

It’s something I call an invisible thread. It is, as the old Chinese proverb tells us, something that connects two people who are destined to meet, regardless of time and place and circumstance. Some legends call it the red string of fate; others, the thread of destiny.

An invisible thread connects those who are destined to meet, regardless of time, place, and circumstance. The thread may stretch or tangle. But it will never break.

There is an invisible thread that binds lovers' hearts; it synchronizes their heart beats.

It seemed to be suspended by some invisible thread, like a toy bird hanging from the ceiling.

wondered if he felt that invisible thread attaching us, too, if he chased me because I tugged at it. Because it hurt when one of us got too far away.

Still, I'm not convinced that you were right, Dai--that it's such a bad thing, a useless enterprise to reel and reel out my memory at night. Some part of me, the human part of me, is kept alive by this, I think. Like water flushing a wound, to prevent it from closing. I am a lucky one, like Chiyo says. I made a terrible mistake. In Gifu, in my raggedy clothes, I had an unreckonable power. I didn't know it at the time. But when I return to the stairwell now, I can feel them webbing around me: my choices, their infinite variety, spiraling out of my hands, my invisible thread. Regret is a pilgrimage back to the place where I was free to choose. It's become my sanctuary here in Nowhere Mill. A threshold where I still exist.

At the heart of his paper was the notion that fairy tales relieved us of our need for order and allowed us impossible, irrational desires. Magic was real, that was his thesis. This thesis was at the very center of chaos theory — if the tiniest of actions reverberated throughout the universe in invisible and unexpected ways, changing the weather and the climate, then anything was possible. The girl who sleeps for a hundred years does so because of a single choice to thread a needle. The golden ball that falls down the well rattles the world, changing everything. The bird that drops a feather, the butterfly that moves its wings, all of it drifts across the universe, through the woods, to the other side of the mountain. The dust you breathe in was once breathed out. The person you are, the weather around you, all of it a spell you can’t understand or explain.

the cow crossly shook her head and craned her neck, mooing plaintively, and beyond the black barns of Meliuzeievo the stars twinkled, and invisible threads of sympathy stretched between them and the cow as if there were cattle sheds in other worlds where she was pitied. Everything

Sometimes you know that you are destined to die, but somehow you are given a parenthesis after the punctuation mark: more years, more time that wasn’t meant for you but still was meant for you, a bridge stretching out into the stars, a confidence built of invisible threads, a miracle.

If there is anything certain in life, it is this. Time doesn't always heal. Not really. I know they say it does, but that is not true. What time does is to trick you into believing that you have healed, that the hurt of a great loss has lessened. But a single word, a note of a song, a fragrance, a knife point of dawn light across an empty room, any one of these things will take you back to that one moment you have never truly forgotten. These small things are the agents of memory. They are the sharp needle points piercing the living fabric of your life. Life, my children, isn't linear where the heart is concerned. It is filled with invisible threads that reach out from your past and into your future. These threads connect every second we have lived and breathed. As your own lives move forward and as the decades pass, the more of these threads are cast. Your task is to weave them into a tapestry, one that tells the story of the time we shared.

The Red String of Fate is an old East-Asian belief. It is said the heavens tie a red cord around the little fingers of those ordained to be together. It is an invisible thread that connects those who are destined to meet, regardless of time, place or circumstance. The thread may stretch or tangle, but it will never break.

It is possible for the rich to sin by coveting the privileges of the poor. The poor has always being the favorites of god" I caught him’ [the thief] with an unseen hook and an invisible line which is long enough to let him wander to the ends of the world and still bring him back with a twitch upon the thread.” Do you know last year, when I thought I was going to have a child, I'd decided to have it brought up a Catholic? I hadn't thought about religion before; I haven't since; but just at that time, when I was was waiting for the birth, I thought, 'That's the one thing I can give her. It doesn't seem to have done me much good, but my child shall have it.' Charm is the great English blight. It does not exist outside these damp islands. It spots and kills anything it touches. It kills love; it kills art; I greatly fear, my dear Charles, it has killed you

Mother Nature knit a careful plan in place, and if you pulled one thread of it loose, the whole thing could unravel. These insects that made most people run in fear were the invisible glue of the earth that held us all together.

Men, like planets, have both a visible and an invisible history. The astronomer threads the darkness with strict deduction, accounting so for every visible arc in the wanderer's orbit; and the narrator of human actions, if he did his work with the same completeness, would have to thread the hidden pathways of feeling and thought which lead up to every moment of action, and to those moments of intense suffering which take the quality of action--like the cry of Prometheus, whose chained anguish seems a greater energy than the sea and sky he invokes and the deity he defies.

A dream is not to be taken lightly. A dream is a powerful ally, coming to your aid. A magic tale, written in invisible ink. A golden thread, tying together the worlds.

Vivian once told me about a Chinese proverb that said an invisible thread connected those destined to meet, regardless of time, place, and circumstance. I felt the phantom tug of that thread now, stretching between us and vibrating with the promise of something only fate could deliver. I used to think we wouldn't be together if her father hadn't forced us together. I was wrong. A part of me would always find my way to her. She was my North Star, the brightest jewel in my sky.

Except for the child, woman’s creation is so often invisible, especially today. We are working at an arrangement in form, of the myriad disparate details of housework, family routine and social life. It is a kind of intricate game of cat’s-cradle we manipulate on our fingers, with invisible threads. How can one point to this constant tangle of household chores, errands and fragments of human relationships, as a creation? It is hard even to think of it as purposeful activity, so much of it is automatic.

But then night would fall, revealing the sky’s hidden treasure—the stars, after all, weren’t gone during the day, merely obscured—and his loneliness would recede, supplanted by the sense that the universe, for all its inscrutable vastness, was not a hard, indifferent place in which some things were alive and others not and all that happened was a kind of accident, governed by the cold hand of physical law, but a web of invisible threads in which everything was connected to everything else, including him.

Yet I believed then and I believe now that there is something in the universe that brings people who need each other together. There is something that helps two wildly disparate people somehow forge a bond. Maybe it is precisely the thing that haunts us most that makes us reach out to others we think can provide some solace.

ECK is the golden thread, so fine as to be invisible yet so strong as to be unbreakable, which binds together all beings in all planes, in all universes, throughout all time and beyond time into eternity.

I realize some people might not understand why the paper bags were important. But to me, they showed that someone had taken the time to make me lunch. Someone had actually thought of me; someone cared about me.

Yet surely that story she had imagined was a real thing? If you created a story with your mind surely it was just as much there as a piece of needlework that you created with your fingers? You could not see it with your bodily eyes, that was all....the invisible world must be saturated with the stories that men tell both in their minds and by their lives. They must be everywhere, these stories, twisting together, penetrating existence like air breathed into the lungs, and how terrible, how awful, thought Henrietta, if the air breathed should be foul. How dare men live, how dare they think or imagine, when every action and every thought is a tiny thread to ar or enrich that tremendous tapestried story that man weaves on the loom that God has set up, a loom that stretches from heaven above to hell below, and from side to side of the universe...

I found my father asleep in his dining-room armchair, with a blanket over his legs and his favorite book open in his hands--a copy of Voltaire's Candide, which he reread a couple of times a year, the only times I heard him laugh heartily. I observed him: his hair was gray, thinning, and the skin on his face had begun to sag around his cheekbones. I looked at that man whom I had once imagined almost invincible; he now seemed fragile, defeated without knowing it. Perhaps we were both defeated. I leaned over to cover him with the blanket he had been promising to give away to charity for years, and I kissed his forehead, as if by doing so I could protect him from the invisible threads that kept him away from me, from that tiny apartment, and from my memories, as if I believed that with that kiss I could deceive time and convince it to pass us by, to return some other day, some other life.

Reading about declining owl populations led him to deforestation which led to soil erosion which led to ocean pollution which led to coral bleaching, everything warming, melting, and dying faster than scientists predicted, every system on the planet connected by countless invisible threads to every other:

In her dance, she controlled the bright paper birds with invisible wires and threads. She played the human: heavy, tied to earth. Her dances weren't pretty or delightful, but they were magical, [...] They called her a dancer and a puppeteer and an artist. They might have called her a witch, and not the good kind either.

Through many a long day you'll be taught That what you once did without thinking, As easy as if it were eating or drinking, Must be done in order: one! two! three! But truly, this though factory of ours Is like some weaver's masterpiece: One treadle stirs a thousand threads, This way and that the shuttles whistle, Threads flow invisibly, one ... Read morestroke Ties a thousand knots .... The philosopher steps in And proves to you it had to be so; The first was so, the second was so, And therefore the third and fourth were so. If the first and second hadn't existed, The third and fourth would never have existed. And this is praised by every scholar, But never a one becomes a weaver. To know and describe a living thing You first get rid of all its spirit: Then the parts are all in the palm of your hand, And all that you lack is the spirit that binds them! Encheiresis naturae, chemists call it, And fool themselves and never know it

one single thread of gold tied me to you

But sometimes we are not drawn to that which is different from what we know and fear. Sometimes we are drawn to that which is exactly the same.

Are we or are we not on an invisible spinning top, whipped by a thread of sunlight, on a grain of crazed sand which turns and turns without ever knowing why, without ever reaching a destination, as if it enjoyed turning like that, to make us feel a little colder or warmer, and make us die (often feeling that we have merely carried out a series of meaningless gestures) after fifty or sixty years?

Easton, maybe I’ve been presumptuous in thinking…but if I wasn’t,” I whisper as his body cradles mine without contact, the invisible thread between us strengthening, “if I wasn’t—” Using our clasped hands, he jerks me flush to him, his breath hitting my ear a second before his heated declaration. “If you weren’t so determined to keep me out of your bed, I’d be fucking the breath out of you right now, Natalie.

[Loki] was beautiful, that was always affirmed, but his beauty was hard to fix or to see, for he was always glimmering, flickering, melting, mixing, he was the shape of a shapeless flame, he was the eddying thread of needle-shapes in the shapeless mass of the waterfall. He was the invisible wind that hurried the clouds in billows and ribbons...He was amused and dangerous, neither good nor evil. Thor was the classroom bully raised to the scale of growling thunder and whipping rain. Odin was Power, was in power. Ungraspable Loki flamed amazement and pleased himself. The gods needed him because he was clever, because he solved problems. When they needed to break bargains they rashly made, mostly with giants, Loki showed them the way out. He was the god of endings. He provided resolutions for stories -- if he chose to. The endings he made often led to more problems. There are no altars to Loki, no standing stones, he had no cult. In myths he was always the third of the trio, Odin, Hodur, Loki. In myths, the most important comes first of three. But in fairy tales, and folklore, where these three gods also play their parts, the rule of three is different; the important player is the third, the *youngest* son, Loki.

Love ambushed you, it lay in wait, dormant for days or years. It was the red thread, the peach stone, the kiss, the forgiveness. It came after you, it escaped you, it was invisible, it was everything, even to someone at the very end of their life,

Some things you carry around inside you as though they were part of your blood and bones, and when that happens, there’s nothing you can do to forget …But I had never been much of a believer. If anything, I believed that things got worse before they got better. I believed good people suffered... people who have faith were so lucky; you didn’t want to ruin it for them. You didn’t want to plant doubt where there was none. You had to treat suck individuals tenderly and hope that some of whatever they were feeling rubs off on you Those who love you will love you forever, without questions or boundaries or the constraints of time. Daily life is real, unchanging as a well-built house. But houses burn; they catch fire in the middle of the night. The night is like any other night of disaster, with every fact filtered through a veil of disbelief. The rational world has spun so completely out of its orbit, there is no way to chart or expect what might happen next At that point, they were both convinced that love was a figment of other people’s imaginations, an illusion fashioned out of smoke and air that really didn’t exist Fear, like heat, rises; it drifts up to the ceiling and when it falls down it pours out in a hot and horrible rain True love, after all, could bind a man where he didn’t belong. It could wrap him in cords that were all but impossible to break Fear is contagious. It doubles within minutes; it grows in places where there’s never been any doubt before The past stays with a man, sticking to his heels like glue, invisible and heartbreaking and unavoidable, threaded to the future, just as surely as day is sewn to night He looked at girls and saw only sweet little fuckboxes, there for him to use, no hearts involved, no souls, and, most assuredly no responsibilities. Welcome to the real world. Herein is the place where no one can tell you whether or not you’ve done the right thing. I could tell people anything I wanted to, and whatever I told them, that would be the truth as far as they were concerned. Whoever I said I was, well then, that’s who id be The truths by which she has lived her life have evaporated, leaving her empty of everything except the faint blue static of her own skepticism. She has never been a person to question herself; now she questions everything Something’s, are true no matter how hard you might try to bloc them out, and a lie is always a lie, no matter how prettily told You were nothing more than a speck of dust, good-looking dust, but dust all the same Some people needed saving She doesn’t want to waste precious time with something as prosaic as sleep. Every second is a second that belongs to her; one she understands could well be her last Why wait for anything when the world is so cockeyed and dangerous? Why sit and stare into the mirror, too fearful of what may come to pass to make a move? At last she knows how it feels to take a chance when everything in the world is at stake, breathless and heedless and desperate for more She’ll be imagining everything that’s out in front of them, road and cloud and sky, all the elements of a future, the sort you have to put together by hand, slowly and carefully until the world is yours once more

And to the flour add water, only a thin stream whispering gathered rains of a reticent winter. And to the flour add oil, only a glistening thread snaking through ridges and ravines of what sifts through your fingers, what sinks, moist and burdened between your palms. And in the kneading hinge forward, let the weight of what you carry on your shoulders, the luster of your language, shade of your story press into the dough. And to the dough bring the signature of your fingertips, stretch the canvas before you, summer linen of wheat and autumn velvet of olive oil, smooth like a map of silence and fragrance, of invisible terrains of memory.

It is only through an altered state of consciousness that a lesser being can see into the invisible and the immaterial. In our understanding, middling, certain substances are known to alter the manner a choice has been made. Some drugs will make one decide things one normally would not.’ ‘And choices are our domain,’ explained another Master. ‘The fabric of reality is stringed together by the unseen Threads of choice and consequence. As actors, storytellers and audience of reality, we cannot afford reality to unwire.

Life can be long or short, it is impossible to know, but every once in a while an entire life is spent in one night, the night when the windows are open and you can hear the last of the crickets’ call, when there is a chill in the air and the stars are bright, when nothing else matters, when a single kiss lasts longer than a lifetime, when you do not think about the future or the past, or whether or not you are walking through a dream rather than the real world, when everything you have always wanted and everything you are fated to mourn forever are tied together with black thread and then sewn with your own hand, when in the morning, as you wake and see the mountain in the distance, you will understand that whether or not you’ve made a mistake, whether or not you will lose all that you have, this is what it means to be human.

And yet, in Raissa, at every moment there is a child in a window who laughs seeing a dog that has jumped on a shed to bite into a piece of polenta dropped by a stonemason who has shouted from the top of the scaffolding, "Darling, let me dip into it," to a young servant-maid who holds up a dish of ragout under the pergola, happy to serve it to the umbrella-maker who is celebrating a successful transaction, a white lace parasol bought to display at the races by a great lady in love with an officer who has smiled at her taking the last jump, happy man, and still happier his horse, flying over the obstacles, seeing a francolin flying in the sky, happy bird freed from its cage by a painter happy at having painted it feather by feather, speckled with red and yellow in the illumination of that page in the volume where the philosopher says: "Also in Raissa, city of sadness, there runs an invisible thread that binds one living being to another for a moment, then unravels, then is stretched again between moving points as it draws new and rapid patterns so that at every second the unhappy city contains a happy city unaware of its own existence.

I’ve spent hours and hours with women who suffer from an array of mental illnesses, and there’s a common thread that runs through all of them. They’re strong and incredibly resilient people. They battle an invisible and silent disease every single day of their lives, and they fight hard.

John Donne's 'A Valediction: forbidding mourning' concerns a sea voyage, and uses the image of a circle as an antidote to the abyss of loss and separation. He pictures the invisible but precious bonds which link carer and cared-for, lover and beloved in an attachment relationship as slender threads of gold.

All of our stories, as much as they are about anything, are about loss. And, perhaps, they are about what might have been. I wanted happy, loving parents who danced waltzes in the living room. I wanted children of my own, desperately. We all want relationships that are healthy and resolved, and sometimes that simply doesn’t happen. But the beauty of life is that inside these disappointments are hidden the most miraculous of blessings. What we lose and what might have been pales against what we have.

Calypso took pity on him in some ways. She sent her invisible servants to leave bowls of stew and goblets of apple cider at the edge of the garden. She even sent him a few new sets of clothes—simple, undyed cotton pants and shirts that she must have made on her loom. They fit him so well, Leo wondered how she’d gotten his measurements. Maybe she just used her generic pattern for SCRAWNY MALE. Anyway, he was glad to have new threads, since his old ones were pretty smelly and burned up. Usually Leo could keep his clothes from burning when he caught fire, but it took concentration. Sometimes back at camp, if he wasn’t thinking about it, he’d be working on some metal project at the hot forge, look down, and realize his clothes had burned away, except for his magic tool belt and a smoking pair of underwear. Kind of embarrassing. Despite the gifts, Calypso obviously didn’t want to see him. One time he poked his head inside the cave and she freaked out, yelling and throwing pots at his head. Yeah, she was definitely on Team Leo. He ended up pitching a more permanent camp near the footpath, where the beach met the hills. That way he was close enough to pick up his meals, but Calypso didn’t have to see him and go into a pot-throwing rage.

It’s never over. How can something be over that is the essence of what it means to go on in perpetuity—the vicious familial line that runs on an invisible string, linking us to our past and to our future, to what we embrace and to what we try to deny? Take the proverbial scissors and snip at it if you dare, but you’re snipping into thin air because the thread lies inside. To sever it would mean the end of breath and the end of life, which, to some, is just another beginning. Thus the cycle continues. So it wasn’t over. It never is and never will be.

She stands there, rooted to the spot at the top of the subway steps until he’s out of sight, holds her breath and waits to feel the thread snap, the world shudder back into shape, waits for the fear and the loss and knowledge that it was just a fluke, a cosmic error, a mistake, that it is over now, that it will never happen again. But she doesn’t feel any of those things. All she feels is joy, and hope.

In the book Miss Rona, copyright 1974,” Brandy says, “Rona Barrett—who got her enormous breasts when she was nine years old and wanted to cut them off with scissors—she tells us in the prologue of her book that she’s like this animal, cut open with all its vital organs glistening and quivering, you know, like the liver and the large intestine. Such visuals, everything sort of dripping and pulsating. Anyway, she could wait for someone to sew her back up, but she knows no one will. She has to take a needle and thread and sew herself up.” “Gross,” says Seth. “Miss Rona says nothing is gross,” Brandy says. “Miss Rona says the only way to find true happiness is to risk being completely cut open.

What is this thing of intangible substance that wreaks consequential havoc on our lives? What is this sensitive thread that runs through heart and mind, and when given the slightest tremor grasps hold of all sanity, dragging the afflicted down to insufferable depths or flinging him weightless to euphoric heights? What is this magic we would deem imagination, fantasy, or pretend if not for the evidence of power manifest by human consequences? Effortlessly controlling us, it affects the infected in an instant. It takes but one word, one thought, one act to become immersed. To stop it is hopeless. To stifle it, demanding. To think to master it is both improbable and pretentious. What is this invisible hand that blinds our eyes and reigns hearts with a string? It is nature's drug and poison we call emotion.

Because these two electrons are “entangled,” that is, their wave functions beat in unison, their wave functions are connected by an invisible “thread” or umbilical cord. Whatever happens to one automatically has an effect on the other. (This means, in some sense, that what happens to us automatically affects things instantaneously in distant corners of the universe, since our wave functions were probably entangled at the beginning of time. In some sense there is a web of entanglement that connects distant corners of the universe, including us.)

If enough individuals are full of despair and anger in their hearts, there will be violence in the streets. If enough individuals are full of greed and fear in their hearts, there will be racism and oppression in society. You can't remove the external social symptoms without treating the corresponding internal personal diseases...Pope Francis draws our attention to the 'invisible thread' of the market, which he describes as 'the mentality of profit at any price, with no concern for social exclusion or the destruction of nature.' This mentality generates inequality, which in turn generates 'a violence which no police, military, or intelligence resources can control'...changed individuals cross racial, religious, ethnic, class or political boundaries to build friendships. These friendship work like sutures, healing wounds in the social fabric. They 'humanize the other,' making it harder for groups to stereotype or scapegoat. They create little zones where the beloved community is manifest...They help people envision the common good--a situation where all are safe, free, and able to thrive. As my friend Shane Claiborne says, our problem isn't that rich people don't care about poor people; it's that all too often, rich people don't know any poor people. Knowing one another makes interpersonal change and reconciliation possible. (p. 167-168)

Basket of Figs” Bring me your pain, love. Spread it out like fine rugs, silk sashes, warm eggs, cinnamon and cloves in burlap sacks. Show me the detail, the intricate embroidery on the collar, tiny shell buttons, the hem stitched the way you were taught, pricking just a thread, almost invisible. Unclasp it like jewels, the gold still hot from your body. Empty your basket of figs. Spill your wine. That hard nugget of pain, I would suck it, cradling it on my tongue like the slick seed of pomegranate. I would lift it tenderly, as a great animal might carry a small one in the private cave of the mouth. Ellen Bass, Mules of Love (BOA Editions Ltd.; 1st edition (April 1, 2002)

The little wooden bird is gone. The last of her past life, carried away with the dead. For months, she will keep reaching for the bird, hand drifting to her pocket the way it might to a stubborn curl, a motion born of so much habit. She cannot seem to remind her fingers it is gone, cannot seem to remind her heart, which stutters a little every time she finds the pocket empty. But, there, blooming amid the sorrow, is a terrible relief. Every moment since she left Villion, she has feared the loss of this last token. Now that it is gone, there is a guilty gladness tucked among the grief. This last, brittle thread to her old life has broken, and Addie has been set well, and truly and forcibly free.

Mr. Tridden told them how it had been twenty years ago, the band playing on that ornate stand at night, the men pumping air into their brass horns, the plump conductor flinging perspiration from his baton, the children and fireflies running in the deep grass, the ladies with long dresses and high pompadours treading the wooden xylophone walks with men in choking collars. There was the walk now, all softened into a fiber mush by the years. The lake was silent and blue and serene, and fish peacefully threaded the bright reeds, and the motorman murmured on and on, and the children felt it was some other year, with Mr. Tridden looking wonderfully young, his eyes lighted like small bulbs, blue and electric. It was a drifting, easy day, nobody rushing, and the forest all about, the sun held in one position, as Mr. Tridden's voice rose and fell, and a darning needle sewed along the air, stitching, restitching designs both holden and invisible. A bee settled into a flower, humming and humming.

About sexuality of English mice. A warm perfume is growing little by little in the room. An orchard scent, a caramelized sugar scent. Mrs. MOUSE roasts apples in the chimney. The apple fruits smell grass of England and the pastry oven. On a thread drawn in the flames, the apples, from the buried autumn, turn a golden color and grind in tempting bubbles. But I have the feeling that you already worry. Mrs. MOUSE in a Laura Ashley apron, pink and white stripes, with a big purple satin bow on her belt, Mrs. MOUSE is certainly not a free mouse? Certainly she cooks all day long lemon meringue tarts, puddings and cheese pies, in the kitchen of the burrow. She suffocates a bit in the sweet steams, looks with a sigh the patched socks trickling, hanging from the ceiling, between mint leaves and pomegranates. Surely Mrs. MOUSE just knows the inside, and all the evening flavours are just good for Mrs. MOUSE flabbiness. You are totally wrong - we can forgive you – we don’t know enough that the life in the burrow is totally communal. To pick the blackberries, the purplish red elderberries, the beechnuts and the sloes Mr. and Mrs. MOUSE escape in turn, and glean in the bushes the winter gatherings. After, with frozen paws, intoxicated with cold wind, they come back in the burrow, and it’s a good time when the little door, rond little oak wood door brings a yellow ray in the blue of the evening. Mr. and Mrs. MOUSE are from outside and from inside, in the most complete commonality of wealth and climate. While Mrs. MOUSE prepares the hot wine, Mr. MOUSE takes care of the children. On the top of the bunk bed Thimoty is reading a cartoon, Mr. MOUSE helps Benjamin to put a fleece-lined pyjama, one in a very sweet milky blue for snow dreams. That’s it … children are in bed …. Mrs. MOUSE blazes the hot wine near the chimney, it smells lemon, cinnamon, big dry flames, a blue tempest. Mr. and Mrs. MOUSE can wait and watch. They drink slowly, and then .... they will make love ….You didn’t know? It’s true, we need to guess it. Don’t expect me to tell you in details the mice love in patchwork duvets, the deep cherry wood bed. It’s just good enough not to speak about it. Because, to be able to speak about it, it would need all the perfumes, all the silent, all the talent and all the colors of the day. We already make love preparing the blackberries wine, the lemon meringue pie, we already make love going outside in the coldness to earn the wish of warmness and come back. We make love downstream of the day, as we take care of our patiences. It’s a love very warm, very present and yet invisible, mice’s love in the duvets. Imagine, dream a bit ….. Don’t speak too badly about English mice’s sexuality …..

Conversation was like an unspooling of invisible fiber that was shot into the air as a stream of sound, that entered the bodies of other people through their ears, that went from those humans to others, and from them to yet more. Thoughts, feelings, and conjectures, stories, jokes, and slander were nothing but thinly spun threads that tied the insides of people together long after speaking had ended, so that communities were nothing more than humans held together in this way, in large, intricate, imperceptible webs whose function was not so much to restrict movement as to connect each individual to every other. Needing such a connection people would always find a way to talk, if they could. It was not for this reason that those in the camp had ceased speaking but because, rather, there was simply no longer anything for them to say. The diaphanous threads which in ordinary life had been so easily spun had been dissolved now, leaving nothing left to unspool, and each and every person in the camp had to sit silently alone, lost inside themselves, unable, in any way, to connect. Ganga

Nonconformity is an affront to those in the mainstream. Our impulse is to dismiss this lifestyle, create reasons why it can’t work, why it doesn’t even warrant consideration. Why not? Living outdoors is cheap and can be afforded by a half year of marginal employment. They can’t buy things that most of us have, but what they lose in possessions, they gain in freedom. In Somerset Maugham’s The Razor’s Edge, lead character Larry returns from the First World War and declares that he would like to “loaf.”23 The term “loafing” inadequately describes the life he would spend traveling, studying, searching for meaning, and even laboring. Larry meets with the disapproval of peers and would-be mentors: “Common sense assured…that if you wanted to get on in this world, you must accept its conventions, and not to do what everybody else did clearly pointed to instability.” Larry had an inheritance that enabled him to live modestly and pursue his dreams. Larry’s acquaintances didn’t fear the consequences of his failure; they feared his failure to conform. I’m no maverick. Upon leaving college I dove into the workforce, eager to have my own stuff and a job to pay for it. Parents approved, bosses gave raises, and my friends could relate. The approval, the comforts, the commitments wound themselves around me like invisible threads. When my life stayed the course, I wouldn’t even feel them binding. Then I would waiver enough to sense the growing entrapment, the taming of my life in which I had been complicit. Working a nine-to-five job took more energy than I had expected, leaving less time to pursue diverse interests. I grew to detest the statement “I am a…” with the sentence completed by an occupational title. Self-help books emphasize “defining priorities” and “staying focused,” euphemisms for specialization and stifling spontaneity. Our vision becomes so narrow that risk is trying a new brand of cereal, and adventure is watching a new sitcom. Over time I have elevated my opinion of nonconformity nearly to the level of an obligation. We should have a bias toward doing activities that we don’t normally do to keep loose the moorings of society. Hiking the AT is “pointless.” What life is not “pointless”? Is it not pointless to work paycheck to paycheck just to conform? Hiking the AT before joining the workforce was an opportunity not taken. Doing it in retirement would be sensible; doing it at this time in my life is abnormal, and therein lay the appeal. I want to make my life less ordinary.

They sat eating ham sandwiches and fresh strawberries and waxy oranges and Mr. Tridden told them how it had been twenty years ago, the band playing on that ornate stand at night, the men pumping air into their brass horns, the plump conductor flinging perspiration from his baton, the children and fireflies running in the deep grass, the ladies with long dresses and high pompadours treading the wooden xylophone walks with men in choking collars. There was the walk now, all softened into a fiber mush by the years. The lake was silent and blue and serene, and fish peacefully threaded the bright reeds, and the motorman murmured on and on, and the children felt it was some other year, with Mr. Tridden looking wonderfully young, his eyes lighted like small bulbs, blue and electric. It was a drifting, easy day, nobody rushing, and the forest all about, the sun held in one position, as Mr. Tridden's voice rose and fell, and a darning needle sewed along the air, stitching, restitching designs both golden and invisible. A bee settled into a flower, humming and humming. The trolley stood like an enchanted calliope, simmering where the sun fell on it. The trolley was on their hands, a brass smell, as they ate ripe cherries. The bright odor of the trolley blew from their clothes on the summer wind.

Have you ever been in a place where history becomes tangible? Where you stand motionless, feeling time and importance press around you, press into you? That was how I felt the first time I stood in the astronaut garden at OCA PNW. Is it still there? Do you know it? Every OCA campus had – has, please let it be has – one: a circular enclave, walled by smooth white stone that towered up and up until it abruptly cut off, definitive as the end of an atmosphere, making room for the sky above. Stretching up from the ground, standing in neat rows and with an equally neat carpet of microclover in between, were trees, one for every person who’d taken a trip off Earth on an OCA rocket. It didn’t matter where you from, where you trained, where your spacecraft launched. When someone went up, every OCA campus planted a sapling. The trees are an awesome sight, but bear in mind: the forest above is not the garden’s entry point. You enter from underground. I remember walking through a short tunnel and into a low-lit domed chamber that possessed nothing but a spiral staircase leading upward. The walls were made of thick glass, and behind it was the dense network you find below every forest. Roots interlocking like fingers, with gossamer fungus sprawled symbiotically between, allowing for the peaceful exchange of carbon and nutrients. Worms traversed roads of their own making. Pockets of water and pebbles decorated the scene. This is what a forest is, after all. Don’t believe the lie of individual trees, each a monument to its own self-made success. A forest is an interdependent community. Resources are shared, and life in isolation is a death sentence. As I stood contemplating the roots, a hidden timer triggered, and the lights faded out. My breath went with it. The glass was etched with some kind of luminescent colourant, invisible when the lights were on, but glowing boldly in the dark. I moved closer, and I saw names – thousands upon thousands of names, printed as small as possible. I understood what I was seeing without being told. The idea behind Open Cluster Astronautics was simple: citizen-funded spaceflight. Exploration for exploration’s sake. Apolitical, international, non-profit. Donations accepted from anyone, with no kickbacks or concessions or promises of anything beyond a fervent attempt to bring astronauts back from extinction. It began in a post thread kicked off in 2052, a literal moonshot by a collective of frustrated friends from all corners – former thinkers for big names gone bankrupt, starry-eyed academics who wanted to do more than teach the past, government bureau members whose governments no longer existed. If you want to do good science with clean money and clean hands, they argued, if you want to keep the fire burning even as flags and logos came down, if you understand that space exploration is best when it’s done in the name of the people, then the people are the ones who have to make it happen.

Paint in several colors was squeezed out of tubes and mixed and applied to woven fabric stretched on a wooden frame so artfully we say we see a woman hanging out a sheet rather than oil on canvas. Ana Teresa Fernandez’s image on that canvas is six feet tall, five feet wide, the figure almost life-size. Though it is untitled, the series it’s in has a title: Telaraña. Spiderweb. The spiderweb of gender and history in which the painted woman is caught; the spiderweb of her own power that she is weaving in this painting dominated by a sheet that was woven. Woven now by a machine, but before the industrial revolution by women whose spinning and weaving linked them to spiders and made spiders feminine in the old stories. In this part of the world, in the creation stories of the Hopi, Pueblo, Navajo, Choctaw, and Cherokee peoples, Spider Grandmother is the principal creator of the universe. Ancient Greek stories included an unfortunate spinning woman who was famously turned into a spider as well as the more powerful Greek fates, who spun, wove, and cut each person’s lifeline, who ensured that those lives would be linear narratives that end. Spiderwebs are images of the nonlinear, of the many directions in which something might go, the many sources for it; of the grandmothers as well as the strings of begats. There’s a German painting from the nineteenth century of women processing the flax from which linen is made. They wear wooden shoes, dark dresses, demure white caps, and stand at various distances from a wall, where the hanks of raw material are being wound up as thread. From each of them, a single thread extends across the room, as though they were spiders, as though it came right out of their bellies. Or as though they were tethered to the wall by the fine, slim threads that are invisible in other kinds of light. They are spinning, they are caught in the web. To spin the web and not be caught in it, to create the world, to create your own life, to rule your fate, to name the grandmothers as well as the fathers, to draw nets and not just straight lines, to be a maker as well as a cleaner, to be able to sing and not be silenced, to take down the veil and appear: all these are the banners on the laundry line I hang out.