Inverted Commas And Quotes

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To those of us accustomed to newspaper headlines, 'PIZZAS' in inverted commas suggests these might be pizzas, but nobody's promising anything, and if they turn out to be cardboard with a bit of cheese on top, you can't say you weren't warned.
Lynne Truss (Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation)
Mahler put the word schwer beside certain passages in his musical scores. Meaning “difficult.” “Heavy.” We were told this at some point by The Moth, as if it was a warning. He said we needed to prepare for such moments in order to deal with them efficiently, in case we suddenly had to take control of our wits. Those times exist for all of us, he kept saying. Just as no score relies on only one pitch or level of effort from musicians in the orchestra. Sometimes it relies on silence. It was a strange warning to be given, to accept that nothing was safe anymore. “ ‘Schwer,’ ” he’d say, with his fingers gesturing the inverted commas, and we’d mouth the word and then the translation, or simply nod in weary recognition. My sister and I got used to parroting the word back to each other—“schwer.
Michael Ondaatje (Warlight)
And finally, to call to mind the enormous influence which "German philosophy"--I hope you understand its right to inverted commas-
Friedrich Nietzsche
Ruth smiles, which rearranges the lines on her face. She inverts her parentheses and transforms commas into apostrophes. The pattern is that of a woman who has no regrets.
Julie Buxbaum (The Opposite of Love)
A real friend knows your sorrows and happiness by your appearance
Bala Kharel
Because a mother's love is God's greatest joke. And besides - who is to say what is the first and what is the final cause? -that I was living my life in inverted commas. I could pick up my keys and go 'home' where I could 'have sex' with my 'husband' just like lots of other people did. And I didn't seem to mind the inverted commas... This is how we all survive. We default to the oldest scar. So I left the house with a howl of regret for all I had been denied, though there was nothing there I actually wanted. I wanted out of there, that was all. I wanted a larger life. My children are of a different breed. They seem to grow like plants, to be made of twig and blossom and not of meat. There are long stretches of time when I don't know what I am doing, or what I have done - nothing mostly, but sometimes it would be nice to know what kind of nothing that was...I try not to drink before half past five, but I always do drink - from the top of the wine bottle to the last, little drop. It is the only way I know to make the day end.
Anne Enright
I see no objection to its being old," the Princess answered dryly, "but whatever else it is it's not euphonious," she went on, isolating the word euphonious as though between inverted commas, a little affectation to which the Guermantes set were addicted.
PROUST MARCEL (Du côté de chez Swann (À la recherche du temps perdu, #1))
Guts,” never much of a word outside the hunting season, was a favorite noun in literary prose. People were said to have or to lack them, to perceive beauty and make moral distinctions in no other place. “Gut-busting” and “gut-wrenching” were accolades. “Nerve-shattering,” “eye-popping,” “bone-crunching”—the responsive critic was a crushed, impaled, electrocuted man. “Searing” was lukewarm. Anything merely spraining or tooth-extracting would have been only a minor masterpiece. “Literally,” in every single case, meant figuratively; that is, not literally. This film will literally grab you by the throat. This book will literally knock you out of your chair… Sometimes the assault mode took the form of peremptory orders. See it. Read it. Go at once…Many sentences carried with them their own congratulations, Suffice it to say…or, The only word for it is…Whether it really sufficed to say, or whether there was, in fact, another word, the sentence, bowing and applauding to itself, ignored…There existed also an economical device, the inverted-comma sneer—the “plot,” or his “work,” or even “brave.” A word in quotation marks carried a somehow unarguable derision, like “so-called” or “alleged…” “He has suffered enough” meant if we investigate this matter any further, it will turn out our friends are in it, too… Murders, generally, were called brutal and senseless slayings, to distinguish them from all other murders; nouns thus became glued to adjectives, in series, which gave an appearance of shoring them up… Intelligent people, caught at anything, denied it. Faced with evidence of having denied it falsely, people said they had not done it and had not lied about it, and didn’t remember it, but if they had done it or lied about it, they would have done it and misspoken themselves about it in an interest so much higher as to alter the nature of doing and lying altogether. It was in the interest of absolutely nobody to get to the bottom of anything whatever. People were no longer “caught” in the old sense on which most people could agree. Induction, detection, the very thrillers everyone was reading were obsolete. The jig was never up. In every city, at the same time, therapists earned their living by saying, “You’re being too hard on yourself.
Renata Adler (Speedboat)
The term ‘race’ has deliberately been placed within inverted commas in order to stress that it is not a scientific term. Whereas it was for some time fashionable to divide humanity into four main races, and racial labels are still used to classify people in some countries (such as the USA), modern genetics tends not to speak of races. There are two principal reasons for this. First, there has always been so much interbreeding between human populations that it would be meaningless to talk of fixed boundaries between races. Second, the distribution of hereditary physical traits does not follow clear boundaries (Cavalli-Sforza et al., 1994). In other
Thomas Hylland Eriksen (Ethnicity and Nationalism: Anthropological Perspectives (Anthropology, Culture and Society))
She paused on the pavement, and remembered that Diva had not yet expressed regret about the worsted, and that she still "popped" as much as ever. Thus Diva deserved a punishment of some sort, and happily, at that very moment she thought of a subject on which she might be able to make her uncomfortable. The street was full, and it would be pretty to call up to her, instead of ringing her bell, in order to save trouble to poor overworked Janet. (Diva only kept two servants, though of course poverty was no crime.) "Diva darling!" she cooed. Diva's head looked out like a cuckoo in a clock preparing to chime the hour. "Hullo!" she said. "Want me?" "May I pop up for a moment, dear?" said Miss Mapp. "That's to say if you're not very busy." "Pop away," said Diva. She was quite aware that Miss Mapp said "pop" in crude inverted commas, so to speak, for purposes of mockery, and so she said it herself more than ever. "I'll tell my maid to pop down and open the door.
E.F. Benson
Looking at the sky, he suddenly saw that it had become black. Then white again, but with great rippling circles. The circles were vultures wheeling around the sun. The vultures disappeared, to be replaced by checkers squares ready to be played on. On the board, the pieces moved around incredibly rapidly, winning dozens of games every minute. They were scarcely lined up before they started rushing at each other again, banging into each other, forming fighting combinations, wiping the other side out in the wink of an eye. Then the squares scattered, giving way to the grille of a crossword puzzle, and here, too, words flashed, drove each other away, clustered, were erased. They were all very long words, like Catalepsy, Thunderbird, Superrequeteriquísímo and Anticonstitutionally. The grille faded away, and suddenly the whole sky was covered with linked words, long sentences full of semicolons and inverted commas. For the space of a few seconds, there was this gigantic sheet of paper on which were written sentences that moved forward jerkily, changing their meaning, modifying their construction, altering completely as they advanced. It was beautiful, so beautiful that nothing like that had ever been read anywhere, and yet it was impossible to decipher the writing. It was all about death, or pity, or the incredible secrets that are hidden somewhere, at one of the farthest points of time. It was about water, too, about vast lakes floating just above the mountains, lakes shimmering under the cold wind. For a split second, Y. M. H., by screwing up his eyes, managed to read the writing, but it vanished with lightning speed and he could not be sure. It seemed to go like this: There's no reason to be afraid. No, there's no reason to be afraid. There's no reason to be afraid. There's no reason to be afraid. No. No, there's no reason to be afraid. No, there's no reason to be afraid.
J.M.G. Le Clézio (The Book of Flights)
The first oversees tour Then it was make-or-break time for me. We went to [Australia] New Zealand, Alice Springs. This was the real hard crunch, the hard end of being the Princess of Wales. There were thousands of press following us. We were away six weeks and the first day we went to this school in Alice Springs. It was hot, I was jet-lagged, being sick. I was too thin. The whole world was focusing on me every day. I was in the front of the papers. I thought that this was just so appalling, I hadn’t done something specific like climb Everest or done something wonderful like that. However, I came back from this engagement and I went to my lady-in-waiting, cried my eyes out and said: ‘Anne, I’ve got to go home, I can’t cope with this.’ She was devastated, too, because it was her first job. So that first week was such a traumatic week for me, I learned to be royal in inverted commas in one week. I was thrown into the deep end. Now I prefer it that way. Nobody ever helped me at all. They’d be there to criticize me, but never there to say ‘Well done.
Andrew Morton (Diana: Her True Story in Her Own Words)
In the introduction to my 2001 best-selling book Beyond Prozac, I wrote that within so-called developed societies, much emotional and psychological distress has for decades been re-packaged as ‘mental disorders’. I wrote that I would refer to ‘mental illness/mental disorders’ within inverted commas, to illustrate ‘my disquiet at the widespread acceptance of these terms without debate about what the terms mean and what might be better words to use’.[3] I added that the experiences themselves were real and valid in their own right. This situation continues to this day. None of the psychiatric diagnoses have any scientific validity.[4] Throughout this book series therefore, I also use inverted commas when referring to these commonly accepted concepts. I do this to signify that these are not what they are claimed to be; they are not verified medical illnesses.
Terry Lynch (The Systematic Corruption of Global Mental Health: Prescribed Drug Dependence)
He put a fresh sheet in and, after spending a few moments wishing he were doing something quite different, typed: Gregory: But this is really qutie farcical. Like all the other lines of dialogue he had so far evolved, it struck him as not only in need of instant replacement, but as requiring a longish paragraph of negative stage direction in the faint hope of getting it said ordinarily, and not ordinarily in inverted commas, either. Experimentally, he typed: (Say this without raising your chin or opening your eyes wide or tilting your face or putting on that look of vague affront you use when you think you are "underlining the emergence of a new balance of forces in the scheme of the action" like the producer told you or letting your mind focus more than you can help on sentences like "Mr. Recktham managed to breathe some life into the wooden and conventional part of Gregory" or putting any more expression into it than as if you were reading aloud something you thought was pretty boring (and not as if you were doing an imitation of someone on a stage reading aloud something he thought was pretty boring, either) or hesitating before or after "quite" or saying "fusskle" instead of "farcical".) Breathing heavily, Bowen now x-ed out his original line of dialogue and typed: Gregory: You're just pulling my leg.
Kingsley Amis (I Like It Here)
Incidentally, when you put inverted commas around a word in this way, as I just did around the word 'sick,' it means that you don't really believe that the word in question is true. In this case, I know that you weren't really sick that day; you just felt like having a morning off to watch children's television in your pajamas. Hence 'sick,' instead of, well, sick. If you really want to annoy someone, you can make little inverted commas by holding up two fingers of each hand and twitching them gently, as though you're tickling an invisible elf under the armpits. For example, when your mother calls you for dinner, and dinner turns out to be boiled fish and broccoli, you can say to her, 'Well, I'll just eat my 'dinner,' then,' and do the little fingers sign. She'll love it. Seriously, I can hear her laughing already.
John Connolly (The Gates (Samuel Johnson, #1))
So, I reject the capitalization of ‘black’. When, out of a lack of anything more suitable, we are driven to use terms that should be contested – terms that are, in the words of Stuart Hall, ‘under erasure’ – we should be seeking to destabilize them. It’s the reason that throughout this book I frequently place inverted commas around ‘black’ and ‘white’, intentionally disrupting the comfort with which we rely on that terminology. It’s for this same reason that I flinch when I hear the term ‘mixed race’, that most pernicious of racial classifications. While I completely understand why some people use the phrase to describe themselves (there are few satisfactory alternatives), any argument that insists that someone must use a term that exists to reinforce the ‘truth’ status of a system that is chaotic, nonsensical and violent, a term that further perpetuates the idea that race is a biological reality, is really not the neutral, commonsense position it might claim to be.
Emma Dabiri (What White People Can Do Next: From Allyship to Coalition)
If you really want to annoy someone, you can make little inverted commas by holding up two fingers of each hand and twitching them gently, as though you're tickling an invisible elf under the armpits. For example, when your mother calls you for dinner, and dinner turns out to be boiled fish and broccoli, you can say to her, "Well, I'll just eat my 'dinner', then," and do the little fingers sign. She'll love it. Seriously. I can hear her laughing already.
John Connolly (The Gates (Samuel Johnson, #1))
Incidentally, when you put inverted commas around a word in this way, as I just did around the word 'sick,' it means that you don't really believe that the word in question is true. In this case, I know that you weren't' really sick that day; you just felt like having a morning off to watch children's television in your pajamas. Hence 'sick,' instead of, well, sick. If you really want to annoy someone, you can make little inverted commas by holding up two fingers of each hand and twitching them gently, as though you're tickling an invisible elf under the armpits. For example, when your mother calls you for dinner, and dinner turns out to be boiled fish and broccoli, you can say to her, 'Well, I'll just eat my 'dinner,' then,' and do the little fingers sign. She'll love it. Seriously, I can hear her laughing already.
John Connolly (The Gates (Samuel Johnson, #1))