Hides Behind A Smile Quotes

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The look in Marlee's eyes was triumphant, and the smile hiding behind her cup of tea said, 'Gotcha'!
Kiera Cass (The Elite (The Selection, #2))
Hide your craziness behind a beautiful smile. That's all you need.
Paulo Coelho
Monsters were supposed to be scary and ugly. They weren’t supposed to hide behind friendly smiles and well-trimmed hair. Goodness, twisted as it might be, was not meant to be locked away in an icy heart and anxious exterior.
Kerri Maniscalco (Stalking Jack the Ripper (Stalking Jack the Ripper, #1))
I hide hurt behind a fake smile. I wear it all the time. Everyone says how I always look so cheerful. Shows what they know I guess.
Ellen Hopkins (Tilt)
I meant does it hurt when you hide every last shred of your individuality and self worth behind acres of silk and cups of powder and smiles that never, no matter how hard you try, reach your eyes?
Melissa de la Cruz (Alex and Eliza (Alex & Eliza, #1))
Monsters were supposed to be scary and ugly. They weren't supposed to hide behind friendly smiles and well-trimmed hair.
Kerri Maniscalco (Stalking Jack the Ripper (Stalking Jack the Ripper, #1))
We all wear masks, some with makeup some with smiles some with wives or husbands cars or clothes we hide from the world and from ourselves we hide from our truths behind our eyes running always from our real but somewhere there where truth meets courage we are waiting to be found
Atticus Poetry (Love Her Wild)
Sometimes you dream strange dreams, impossible and unnatural; you wake up and remember them clearly, and are surprised at a strange fact: you remember first of all that reason did not abandon you during the whole course of your dream; you even remember that you acted extremely cleverly and logically for that whole long, long time when you were surrounded by murderers, when they were being clever with you, concealed their intentions, treated you in a friendly way, though they already had their weapons ready and were only waiting for some sort of sign; you remember how cleverly you finally deceived them, hid from them; then you realize that they know your whole deception by heart and merely do not show you that they know where you are hiding; but you are clever and deceive them again—all that you remember clearly. But why at the same time could your reason be reconciled with such obvious absurdities and impossibilities, with which, among other things, your dream was filled? Before your eyes, one of your murderers turned into a woman, and from a woman into a clever, nasty little dwarf—and all that you allowed at once, as an accomplished fact, almost without the least perplexity, and precisely at the moment when, on the other hand, your reason was strained to the utmost, displaying extraordinary force, cleverness, keenness, logic? Why, also, on awakening from your dream and entering fully into reality, do you feel almost every time, and occasionally with an extraordinary force of impressions, that along with the dream you are leaving behind something you have failed to fathom? You smile at the absurdity of your dream and feel at the same time that the tissue of those absurdities contains some thought, but a thought that is real, something that belongs to your true life, something that exists and has always existed in your heart; it is as if your dream has told you something new, prophetic, awaited; your impression is strong, it is joyful or tormenting, but what it is and what has been told you—all that you can neither comprehend nor recall.
Fyodor Dostoevsky (The Idiot)
Hide your craziness behind a beautiful smile. That's all you need
Paulo Cuelho
Look, when you get your memory back and can divulge all your secrets from the past, we’ll have a sleepover and I’ll tell you everything; but, as far as I’m concerned, until that day arrives, we both have amnesia.” He laughs a full-bodied laugh and I hide my contented smile behind the rim of my coffee cup. “Well, that doesn’t sound so bad for me then,” he teases. “Oh? Why is that?” “Well, because you’ve just given me permission to see you again and now I have a sleepover to look forward to.
Tarryn Fisher (The Opportunist (Love Me with Lies, #1))
Like Batman, all of us hide behind our masks and use them to help define ourselves for others. We all have secret identities of a sort, hidden behind our smiling social-networking profiles or our happy church faces. They're not lies, really. They're just not the whole truth, because we know that most of the people we encounter day-to-day couldn't handle the truth (or perhaps we couldn't handle giving it to them).
Paul Asay (God on the Streets of Gotham: What the Big Screen Batman Can Teach Us about God and Ourselves)
yes, i cut my skin... yes, i have a lot of insecurities... yes, i barely talk... yes, i’m behind in school... yes, i cry alot... yes, i like to be alone... yes, i like smoking... yes, i hide alot of feelings... yes, i fake a smile everyday... and yes, i wish i was dead... for your sake.
Me
Damn! Beautiful and funny. I can’t wait to see what else you’re hiding behind that sexy smile.
M. Leighton (Down to You (The Bad Boys, #1))
Tell me what it is that you are hiding behind your eyes. Tell me of the pain, so I can make it go away. Tell me what it is that you are missing in your life. I want to be the angel who takes care of your soul. Finally I’m alive in your love. There is so much tenderness in your heart. There is so much spirit in your smile. But it is your innocence mixed with mischievousness that I love. I am with you to protect you for the rest of my life. Finally I’m alive in your love. Do not let anything dilute your smile ever again. To see you happy I would do anything, mi amor. You are the woman that I dream of late into the night. It is because of your smile that my life has meaning once again. Finally I’m alive in your love. And every day my love grows stronger for you. And the sadness that I once carried is forever gone. I thank destiny and God for putting you in my life. Since you came into my world, my dreams have all woken up. Finally I’m alive in your love.
José N. Harris (MI VIDA: A Story of Faith, Hope and Love)
Behind this smile in my face Lies the dark shadow of emptiness Hiding from your eyes within my gaze Concealed with sham happiness.
Alexia Chase
There is a part of me that no one ever sees. I hide behind a mask of heavy make-up and ever-changing hair and clothing. I try to reinvent myself. It doesn’t work. There are times when I am bone-crushingly sad. I just want to curl into a ball and hide from the rest of the world. But, I plaster on a smile and play the game for my family and friends. They call me a free spirit. I wish I were free. I feel like I am imprisoned by my own mind.
Julia Crane (Anna)
Sometimes the people who act like they don’t care are really the ones who care the most. They feel so much that it overwhelms them, and to keep from falling apart, they hide behind easy smiles and quick laughter, acting like nothing matters. It’s a defense mechanism, a way to protect themselves from the world. A way to keep from getting hurt.
Lynette Noni (The Gilded Cage (The Prison Healer, #2))
Lots of folks would argue that Bruce hides behind his perfectly coiffed hair and ever-easy smile far more than Batman does underneath his cowl.
Paul Asay (God on the Streets of Gotham: What the Big Screen Batman Can Teach Us about God and Ourselves)
People maybe smiling but look to the eyes because they can’t hide the sorrow, pain, and heartache they're trying to hide behind their smile.
Karon Waddell
My father sighed, hiding behind the sad smile that followed him like a shadow all through his life.
Carlos Ruiz Zafón (The Shadow of the Wind (The Cemetery of Forgotten Books, #1))
You want us to fear you,” she growls at me, speaking now in accented Kenettran. “You think that you can come here and destroy our homes, kill our loved ones—then make us grovel at your feet. You think we will sell you our souls for a few coins.” She lifts her chin. “But I am not afraid of you.” “Is that so?” I tilt my head at her curiously. “You should be.” She challenges me with a smile. “You can’t even bring yourself to spill our blood.” She nods in the direction of Sergio, who has already started to draw his sword. “You have one of your lackeys do it for you. You’re a coward queen, hiding behind your army. But you cannot crush our spirits beneath your Roses’ heels—you cannot win.
Marie Lu (The Midnight Star (The Young Elites, #3))
This was the Karachi now – barbed wires protecting consulates, the pretentious covering themselves with faces of those who were hiding behind those barbed wires. This was Karachi – gaudy and luxurious, with a façade of glamor, ignoring the truth underneath. But Sophie was no cynic, and still loved the city she had returned to. ‘You can’t hate what’s yours,’ she smiled to herself.
Umair Naeem (Drowning Shadows)
The whole of history is the history of murderers. If you become a murderer, fame will be very easy. You can become a prime minister, you can become a president—but these are all masks. Behind them you will find very violent people, terribly violent people hiding, smiling. Those smiles are political, diplomatic. If the mask slips, you will always see Genghis Khan, Tamerlane, Nadir Shah, Napoleon, Alexander, Hitler, hiding behind.
Osho (Creativity (Osho Insights for a New Way of Living))
I'm a simple person who hides a thousand feeling behind the happiest smile.
Goodlifequote
If only they could see the things we hide behind those shining eyes and blissful smiles.
Akshay Vasu
I wonder, with all the flowers in the garden, how many of them ever think of hanging themselves with the garden hose, if ever they can.
Anthony Liccione
His barely there smile warmed me. “You try really hard to hide behind that Ice Queen disguise, but that’s not who I see. I see a girl who had to grow up fast, and a mom who would sacrifice everything for her son. You’re beautiful, Taryn, inside and out, and I want to get to know the woman you keep hidden away.” He lowered his hand and my body ached at the loss. “If you’re willing, I’ll walk through the fire with you.
Lisa Kessler (Ice Moon (Moon, #5))
Was he a pleasant man hiding behind a mask of seeming carelessness or an unpleasant man hiding behind a mask of charm & smiles? Or like most humans, was he a dizzying mix of contradictory charactersticks?
Mary Balogh (First Comes Marriage (Huxtable Quintet #1))
Monsters were supposed to be scary and ugly. They weren’t supposed to hide behind friendly smiles and well-trimmed hair. Goodness, twisted as it might be, was not meant to be locked away in an icy heart and anxious exterior. Grief
Kerri Maniscalco (Stalking Jack the Ripper (Stalking Jack the Ripper, #1))
It was always in his weakest moments the dreams came for him. Unguarded. His defenses breached. His body switched off and his memories took over. She slipped into his head and smiled like she owned every inch of his mind. It wasn’t as though his wife didn’t live there already. She held the real estate of his subconscious. Sneaking in through the cracks and deep holes left behind from her love. In sleep, there was nowhere for Reaper to hide—he could only face his lost love and bask in just how perfect she was.
V. Theia (Resurfaced Passion (Renegade Souls MC Romance Saga #6))
It's easy to hide behind a smile, that's why it is so important to search instead inside the eyes.
Melody Lee (Moon Gypsy)
you have known her for so long you think you know her but she hides herself behind her smile the right one can hear the pain in the sound of her laughter the real one can feel the crave for someone to touch her soul without touching her if she hasn't cried her heart out before you don't say you know her
Aman Raghav (She: Hope, Faith, and Love)
I love you.” He grinned unexpectedly, traced he lower lip with the tip of a finger. “What is more, I know you love me. You hide it from yourself, but I found it in a little corner, tucked away in your mind.” Shea stared up at the teasing smile on his face, then pushed at the solid wall of his chest. “You’re making that up.” Jacques moved off her, then reached down to pull her to her feet. His clothes were scattered everywhere, and he made no move to retrieve them. Shea’s shirt was still hanging open, and her jeans were down around her ankles. Blushing, she pulled them up. His hand stayed hers, preventing her from fastening them. “Do not bother, Shea. The pools are just ahead.” He walked a few feet, then looked back over his shoulder. “I did not make it up, and I know you are staring at my backside.” Shea tossed her mane of red hair so that it flew in all directions. “Any woman in her right mind would stare at your particular backside, so you don’t need to add that to your arrogant list of virtues. And stay out of my mind unless you’re invited.” She was staring, but she couldn’t help it. He was so beautifully masculine. Jacques reached behind him and captured her hand, lacing their fingers together. “But I find the most interesting things in your mind, my love. Things you do not have any intention of telling me.
Christine Feehan (Dark Desire (Dark, #2))
A scratch at the door interrupted us. Colin dropped and rolled under the bed again. One of the maids poked her head in. "Miss?" I tried not to look as if I was hiding a handsome young lad under the mattress. "Yes?" "Lord Jasper sent me up to see if you need help getting ready for a ball." She smiled proudly. "I have a fair hand with a curling iron." "Oh.Thank you." I needed to get Colin out before I ended up naked in the middle of my bedroom. "I,um, could I get some hot water? To wash my face?" "Certainly,miss. I'll have the footmen bring up the bathtub, if you like, before all the fine ladies start calling for their own baths." "That would be great, thanks." I'd never actually been in a full reclining tub before. We had a battered hip bath in the kitchen. The maid curtsied and closed the door behind her. I let out a breath. Colin crawled back out. "They need to sweep under there," he said, sneezing.
Alyxandra Harvey (Haunting Violet (Haunting Violet, #1))
A smile hiding my bitter disappointment, conscious of Jack’s hand on my back.
B.A. Paris (Behind Closed Doors)
Once upon a time, [the guru] said, when God had finished making the world, he wanted to leave behind Him for man a piece of His own divinity, a spark of His essence, a promise to man of what he could become, with effort. He looked for a place to hide this Godhead because, he explained, what man could find too easily would never be valued by him. "Then you must hide the Godhead on the highest mountain peak on earth," said one of His councilors. God shook His head. "No, for man is an adventuresome creature and he will soon enough learn to climb the highest mountain peaks." "Hide it then, O Great One, in the depths of the earth!" "I think not," said God, "for man will one day discover that he can dig into the deepest parts of the earth." "In the middle of the ocean then, Master?" God shook His head. "I've given man a brain, you see, and one day he'll learn to build ships and cross the mightiest oceans." "Where then, Master?" cried His councilors. God smiled. "I'll hide it in the most inaccessible place of all, and the one place that man will never think to look for it. I'll hide it deep inside of man himself.
Dorothy Gilman (A Nun in the Closet)
Gray and Drew sitting side by side, with their muscled physiques taking up a good portion of the booth, look like a comic book come to life. They catch me staring and both say, “What?” at the same time. Smiling, I shake my head. “Nothing. I just had this image of Thor and Captain America having a beer.” They both color at the same time. Which is kind of cute. “Ha!” cries Anna at my side. Her cheeks plump with a wide grin. “I had that Captain America thought about Drew too.” Drew perks up. “You did, huh?” Gray snorts. “Dude, I’ve just been compared to Thor. I totally win.” “What the hell does Thor have? A little hammer?” Drew waves a hand as if to say, please. But Gray smirks. “At least he isn’t hiding behind a wussy shield. Thor is a god. Enough said.” “A boring god with the personality of a post,” Drew volleys. “And you’re saying Captain America isn’t boring? Dude. He doesn’t even understand modern culture. He’s like a 1940s Boy Scout.” Drew and Gray eyeball each other for a second. Then Drew relents with a laugh. “Touché.
Kristen Callihan (The Friend Zone (Game On, #2))
We have the same hiding places—the same dark parts. I see these things in you, because I recognize them in myself. I see the sorrow behind your smile. I see the love behind your anger. I see the reason behind your silence. And I know we have a long way to go, but I want to go there with you.
Amanda Richardson (The Realm of You)
She could see Albert standing at the door, hiding the bakery box behind him with his mischievous smile. When he revealed them, she had hugged him tight. The landlady had brought some expresso and the newlywed Mr. and Mrs. Jacobs had enjoyed their cheesecake tarts in front of the little fireplace with fine Italian coffee. Even so long after Albert’s death, remembering that scene still brought her comfort.
Cece Whittaker (Glorious Christmas (The Serve, #7))
Meanwhile, infants and small children are exceptionally authentic beings because their emotional reactions and their thoughts are raw and honest. If they are happy, they smile, giggle, exclaim in pure joy, and feel excited, motivated, curious, and creative. If they are hurt, they cry, disengage, get angry, seek help and protection, and feel betrayed, sad, scared, lonely, and helpless. They don’t hide behind a mask.
Darius Cikanavicius (Human Development and Trauma: How Childhood Shapes Us into Who We Are as Adults)
Have you ever wondered What happens to all the poems people write? The poems they never let anyone else read? Perhaps they are Too private and personal Perhaps they are just not good enough. Perhaps the prospect of such a heartfelt expression being seen as clumsy shallow silly pretentious saccharine unoriginal sentimental trite boring overwrought obscure stupid pointless or simply embarrassing is enough to give any aspiring poet good reason to hide their work from public view. forever. Naturally many poems are IMMEDIATELY DESTROYED. Burnt shredded flushed away Occasionally they are folded Into little squares And wedged under the corner of An unstable piece of furniture (So actually quite useful) Others are hidden behind a loose brick or drainpipe or sealed into the back of an old alarm clock or put between the pages of AN OBSCURE BOOK that is unlikely to ever be opened. someone might find them one day, BUT PROBABLY NOT The truth is that unread poetry Will almost always be just that. DOOMED to join a vast invisible river of waste that flows out of suburbia. well Almost always. On rare occasions, Some especially insistent pieces of writing will escape into a backyard or a laneway be blown along a roadside embankment and finally come to rest in a shopping center parking lot as so many things do It is here that something quite Remarkable takes place two or more pieces of poetry drift toward each other through a strange force of attraction unknown to science and ever so slowly cling together to form a tiny, shapeless ball. Left undisturbed, this ball gradually becomes larger and rounder as other free verses confessions secrets stray musings wishes and unsent love letters attach themselves one by one. Such a ball creeps through the streets Like a tumbleweed for months even years If it comes out only at night it has a good Chance of surviving traffic and children and through a slow rolling motion AVOIDS SNAILS (its number one predator) At a certain size, it instinctively shelters from bad weather, unnoticed but otherwise roams the streets searching for scraps of forgotten thought and feeling. Given time and luck the poetry ball becomes large HUGE ENORMOUS: A vast accumulation of papery bits That ultimately takes to the air, levitating by The sheer force of so much unspoken emotion. It floats gently above suburban rooftops when everybody is asleep inspiring lonely dogs to bark in the middle of the night. Sadly a big ball of paper no matter how large and buoyant, is still a fragile thing. Sooner or LATER it will be surprised by a sudden gust of wind Beaten by driving rain and REDUCED in a matter of minutes to a billion soggy shreds. One morning everyone will wake up to find a pulpy mess covering front lawns clogging up gutters and plastering car windscreens. Traffic will be delayed children delighted adults baffled unable to figure out where it all came from Stranger still Will be the Discovery that Every lump of Wet paper Contains various faded words pressed into accidental verse. Barely visible but undeniably present To each reader they will whisper something different something joyful something sad truthful absurd hilarious profound and perfect No one will be able to explain the Strange feeling of weightlessness or the private smile that remains Long after the street sweepers have come and gone.
Shaun Tan (Tales from Outer Suburbia)
You're not a wallflower. But you have my permission to hide in corners, my sweet- so long as you take me with you. In fact, I'll insist on it. I warn you, I'm very badly behaved at such affairs- I'll probably debauch you in gazebos, on balconies, beneath staircases, and behind assorted potted plants. And if you complain, I'll simply remind you that you should have known better than to marry a conscienceless rake." Evie's throat arched slightly at the light stroke of his fingers. "I wouldn't complain." Sebastian smiled and nipped tenderly at the side of her neck. "Dutiful little wife," he whispered. "I'm going to be a terrible influence on you. Why don't you give me a kiss, and go upstairs for your bath? By the time you finish, I'll be there with you.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
i can't ask you what you think about me due to the fear of the reply “ i dont ” so i’ll hide behind the timid smiles & simple hellos hoping that one day you’ll notice the shy girl sitting in the corner staring at you in awe - the perks of being invisible
me <3
That was a mite tacky, ma'am ... even for you." Elizabeth let her mouth fall open. "Even for me? What's that supposed to mean?" "It just means that people with" --He stared pointedly-- "your upbringing aren't usually the most polite folks around." ... "Listen Ranslett, if I've offended you I certainly didn't mean t--" "Sure you did. You just meant to do it in a way that would make yourself look bad." He turned to look at her more fully, and his eyes narrowed, though not in malice. “When you’ve got something to say that isn’t kind, Miss Westbrook, there’s no way to couch it so that it is. Or to hide from how it makes you look when you do. That’s something us good ol’ Southern boys learn real quick about women.” His accent thickened, comically so. “Your gender may say things with a smile, all soft and gentle-like, but some of you --- granted, not all --- have a dagger hidden in your skirts. Us country boys may not be as quick as some, ma’am, but it doesn’t take us too long to figure out who those woman are.” He winked at her. “We just check each other’s backs for the bloodstains.” He stood and reached behind him as though feeling for something. “Yep, feelin’ a little sticky back there.
Tamera Alexander (From a Distance (Timber Ridge Reflections, #1))
I enjoy.... laughing for absolutely no reason at all, but I don't allow myself to cry as often as I need to. I have solar-powered confidence and a battery-operated smile. My hobbies include: editing my life story, hiding behind metaphors, and trying to convince my shadow that I'm someone worth following. I don't know much, but I do know this: Heaven is full of music, and God listens to my heartbeat
Rudy Francisco (Helium (Button Poetry))
We stumbled on in the darkness, over big stones and through large puddles, along the one road leading from the camp. The accompanying guards kept shouting at us and driving us with the butts of their rifles. Anyone with very sore feet supported himself on his neighbor's arm. Hardly a word was spoken; the icy wind did not encourage talk. Hiding his mouth behind his upturned collar, the man marching next to me whispered suddenly: "If our wives could see us now! I do hope they are better off in their camps and don't know what is happening to us." That brought thoughts of my own wife to mind. And as we stumbled on for miles, slipping on icy spots, supporting each other time and again, dragging one another up and onward, nothing was said, but we both knew: each of us was thinking of his wife. Occasionally I looked at the sky, where the stars were fading and the pink light of the morning was beginning to spread behind a dark bank of clouds. But my mind clung to my wife's image, imagining it with an uncanny acuteness. I heard her answering me, saw her smile, her frank and encouraging look. Real or not, her look was then more luminous than the sun which was beginning to rise. A thought transfixed me: for the first time in my life I saw the truth as it is set into song by so many poets, proclaimed as the final wisdom by so many thinkers. The truth – that love is the ultimate and the highest goal to which man can aspire. Then I grasped the meaning of the greatest secret that human poetry and human thought and belief have to impart: The salvation of man is through love and in love. I understood how a man who has nothing left in this world still may know bliss, be it only for a brief moment, in the contemplation of his beloved. In a position of utter desolation, when man cannot express himself in positive action, when his only achievement may consist in enduring his sufferings in the right way—an honorable way—in such a position man can, through loving contemplation of the image he carries of his beloved, achieve fulfillment. For the first time in my life I was able to understand the meaning of the words, "The angels are lost in perpetual contemplation of an infinite glory.
Viktor E. Frankl
He took her in his arms then, imagining the life growing inside of her and the future they would have together, a family, more love to fill the absences left by those they'd lost, more love than either of them had ever imagined still possible. The future was so precarious, shadowed by a looming danger neither of them fully understood, and Jem wondered what kind of world his child would be born into. He thought of all the blood that had been shed these last few years, the growing sense among the Shadowhunters he knew that something dark was rising, that this Cold Peace after the war might be only the eerie calm at the eye of the hurricane, those still, silent moments in which it was possible to deceive yourself into imagining the worst was over. He and Tessa have been alive too long to deceive themselves, and he thought about what might happen to a child born at the eye of such a storm. He thought about Tessa, her will and her strength, her refusal to let loss after loss harden her against love, her refusal to hide any longer from the brutality of the mortal world, her determination to fight, to hold on. She too had been a child born of storms, he thought, as had he, as had Will. All three had risen in love through their struggles to find happiness - and without the struggle, would the happiness have been so great? He closed his eyes and pressed a kiss to Tessa's hair. Behind his lids, he did not see darkness but the light of a London morning and Will there, smiling at him. "A new soul made of you and Tessa," Will said. "I can hardly wait to meet such a paragon." "Do you see him too?" Tessa whispered. "I see him," Jem said, and he held her even more tightly against him, the new life they had created together between them.
Cassandra Clare (Ghosts of the Shadow Market)
I hate seeing them hurt you. If I ever face your father again . . . well, he better hope I’m not wearing my Sucker Punch, because I’d knock him to Timbuktu.” “I would pay so much money to see that.” She smiled sadly. “I don’t want you dealing with all of this alone, Keefe. You’ve spent long enough hiding the bruises and scars behind jokes and pranks—” “He never hit me,” Keefe interrupted. “I know. But words cut deeper than goblin throwing stars.
Shannon Messenger (Neverseen (Keeper of the Lost Cities, #4))
That was when I saw it: behind the beauty and fake innocence was something else, something cold and calculating. Even when she smiled, I could see sin so deeply ingrained in her that no cardigan could hide it. [...] To anyone else, she was pure and naive, but this girl was hiding something. I knew only because the same sin had dwelled in me my entire life. The difference was she held it deep within her, and I let mine out of cage on a regular basis.
Jamie McGuire (Walking Disaster (Beautiful, #2))
Let's go over it again, shall we?" "We will not shape-shift in front of your children unless it's an emergency," said Drake. "And if it is an emergency, we will try to find a place to hide, or, if that isn't possible, we will change so that they see our backsides," added Darrius. I stared at Drake. He rolled his eyes. "I did not 'flop around' in front of Jenny. I was behind the couch and she was on the stairs. She saw only my head." He pointed at his skull. "This one! On mein shoulders!" "I know." I waved at them. "Continue." "We will keep shorts or jeans stashed in many locations so that when we shift back into human form, we'll be able to cover our woobies," said Darrius. "Excellent." I looked at Drake and smiled benignly. "How's your rear end?" "Sore," he groused. "Not even Brigid would heal the scratches from that damned cat.
Michele Bardsley (I'm the Vampire, That's Why (Broken Heart, #1))
Mrs Farleigh," he called. She stopped and gave him her shoulder, not quite meeting his eyes. Still wary, and that made him angrier yet. "I want you to trounce me." Her head snapped up. "Pardon?" "It is down to you and me. We are battling it out, to see who will be king of the indifferent shots in this competition. Only one of us will prevail.I shall shoot to win." He really was angry, he realized - furious to imagine her spending her autumns deliberately hiding what she could do, hiding the extent of her ability from the man who should treasure it. It was as if she'd left a vast swath of her ability unclaimed, hidden behind a swirl of feminine smiles. He didn't like the idea. He didn't like it at all.
Courtney Milan (Unclaimed (Turner, #2))
There's nothing exciting about my life," Leyla said. "I mean, you've already seen where I live." I couldn't hide my self-satisfied smile as I looked out at the sun setting between the buildings, fiery orange. "Thanks to my detective skills." "Some people would call that stalking." I thought for a second. "Well, YOU'VE basically assaulted me. Twice." "Let's call it even.
Lucy Gold (Behind the Idol - A K-pop Romance)
He waves away a knight who proffers his cloak, despite being clad only in blood. 'I haven't worn anything in days,' the High King drawls, and if there is something brittle in his eyes, nearly everyone is too awed to notice. 'I don't see why I ought to start now.' 'Modesty?' I force out, playing along, surprised he can joke about the curse, or anything. He gives me a dazzling, insouciant smile. The kind of smile you can hide behind. 'Every part of me is a delight.' My chest hurts, looking at him. I feel like I can't breathe. Though he is in front of me, the pain of losing him hasn't faded.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
The girl beside the window looked up. She had straggly, waist-length, dirty blonde hair, very pale eyebrows and protuberant eyes that gave her a permanently surprised look. Harry knew at once why Neville had chosen to pass this compartment by. The girl gave off an aura of distinct dottiness. Perhaps it was the fact that she had stuck her wand behind her left ear for safekeeping, or that she had chosen to wear a necklace of Butterbeer corks, or that she was reading a magazine upside-down. Her eyes ranged over Neville and came to rest on Harry. She nodded. ‘Thanks,’ said Ginny, smiling at her. Harry and Neville stowed the three trunks and Hedwig’s cage in the luggage rack and sat down. Luna watched them over her upside-down magazine, which was called The Quibbler. She did not seem to need to blink as much as normal humans. She stared and stared at Harry, who had taken the seat opposite her and now wished he hadn’t. ‘Had a good summer, Luna?’ Ginny asked. ‘Yes,’ said Luna dreamily, without taking her eyes off Harry. ‘Yes, it was quite enjoyable, you know. You’re Harry Potter,’ she added. ‘I know I am,’ said Harry. Neville chuckled. Luna turned her pale eyes on him instead. ‘And I don’t know who you are.’ ‘I’m nobody,’ said Neville hurriedly. ‘No you’re not,’ said Ginny sharply. ‘Neville Longbottom – Luna Lovegood. Luna’s in my year, but in Ravenclaw.’ ‘Wit beyond measure is man’s greatest treasure,’ said Luna in a singsong voice. She raised her upside-down magazine high enough to hide her face and fell silent. Harry and Neville looked at each other with their eyebrows raised. Ginny suppressed a giggle.
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
Universe, tell me about the time when the world was kind, when words didn't shatter the soul and leave people bleeding into the crease of their smile. tell me about the time when people wouldn't hide behind sarcasm or humor to mask themselves from dying slowly on the inside. Universe, tell me the names of all the stars in your sky, because I may have met one the other night. His presence in my thoughts, his touch in my heart and no longer a dream but laying next to me now. There are marks on my body from the energy of our light. He is broken, like me, a fallen star. Yet, aspires to soar and believes he can fly. I too believe in dreams. Universe, do you think you can do something about all the lonely souls? the broken? the fallen stars? There are so many of us. And what about the hurt? the pain? the restlessness? Or is this all part of something bigger, a lesson to be learnt? so we can become a part of you? Universe, it’s me, Please hear my soul speak, my heart beat, I've learnt my lesson. Forgive me. Offer me redemption or bring me back to you. Universe, are you there?
Rina Nath
Our first kiss, the first touch of our heating lips, the yearning reciprocating from both sides, I was lost in everything. But I had a sudden feeling of eyes staring at our acts and unnecessary muttering. I could feel it even with my closed eyes. So far the sober girl in me resisted and my palms struggled to escape. David realized my condition and he left me be. I could see anger in his eyes for the crowd around but he stayed calm for my sake. My heart purred. ‘I am lost now!’ He sat next to me and didn’t bother to look at anyone around. Though, we knew many looked upon us and then they turned their faces away. He was horny. I could see his bulge behind his winter suit. I avoided looking and forced myself to gaze into his eyes instead. His pair was fixed on mine, reading mine. I gave a wide smile in an attempt to hide my lust although it was clearly written over my face.
Delicious David (Isabelle)
It was some time before she heard galloping behind her, and then she did ease up, instinctively wheeling Javelin around to see the blur of horse and rider coming down the path. Arin slowed, and sidled alongside Kestrel. The horses whickered. Arin looked at her, at the smile she couldn’t hide, and his face seemed to hold equal parts frustration and amusement. “You are a bad liar,” she told him. He laughed. She found it hard to look at him then, and her gaze dropped to his stallion. Her eyes widened. “That is the horse you chose?” “He is the best,” Arin said seriously. “He is my father’s.” “I won’t hold that against the horse.” It was Kestrel’s turn to laugh.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
The back of my neck breaks out in a sweat, and I’m getting nervous. Why is he just standing there, staring at me? “What do you want?” I press, my tone curt. He opens his mouth but then closes it swallowing. “Pike, Jesus—” “The day you left,” he blurts out, and I stop. I wait, listening as a look of fear crosses his eyes. “The house was so empty,” he continues. “Like a quiet that was never there before. I couldn’t hear your footsteps upstairs or your hairdryer or anticipate you walking into a room. You were gone. Everything was…” he drops his eyes, “gone.” A ball lodges in my throat, and I feel tears threaten, but I tense my jaw, refusing to let it out. “But I could still feel you,” he whispers. “You were still everywhere. The container of cookies in the fridge, the backsplash you picked out, the way you put all my pictures back in the wrong spot after you dusted my bookshelves.” He smiles to himself. “But I couldn’t rearrange them, because you were the last to touch them, and I wanted everything the way you had it.” My chin trembles, and I fold my arms over my chest, hiding my balled fists under my arms. He pauses and then goes on. “Nothing would ever go back to the way it was before you came into my house. I didn’t want it to.” He shakes his head. “I went to work, and I came home, and I stayed there every night and all weekend, every weekend, because that’s where we were together. That’s where I could still feel you.” He steps closer, dropping his voice. “That’s where I could wrap myself up in you and hang on to every last thread in that house that proved you were mine for just a little while.” His tone grows thick, and I see his eyes water. “I really thought I was doing what was best,” he says, knitting his brow. “I thought I was taking advantage of you, because you’re young and beautiful and so happy and hopeful despite everything you’d been through. You made me feel like the world was a big place again.” My breathing shakes, and I don’t know what to do. I hate that he’s here. I hate that I love that he’s here. I hate him. “I couldn’t steal your life from you and keep you to myself, you know?” he explains. “But then I realized that you’re not happy or hopeful or making me feel good because you’re young. You are those things and you’re capable of those things, because you’re a good person. It’s who you are.” A tear spills over, gliding down my cheek. “Baby,” he whispers, his hands shaking. “I hope you love me, because I love you like crazy, and I’m going to want you the rest of my life. I tried to stay away, because I thought it was the right thing, but I fucking can’t. I need you, and I love you. This doesn’t happen twice, and I’m not going to be stupid again. I promise.” My chin trembles, and something lodges in my throat, and I try to hold it in, but I can’t. My face cracks, and I break down, turning away from him. The tears come like a goddamn waterfall, and I hate him. I fucking hate him. His arms are around me in a second, and he hugs me from behind, burying his face in my neck. “I’m sorry I took so long,” he whispers in my ear.
Penelope Douglas (Birthday Girl)
We are so scared to fail that we fail to try, we are so fearful of being seen that we hide our heart behind a fake smile, we are so anxious of change that we close the door to it…and yet all these thoughts and emotions can be used as tools to reinforce our strength and individual impact upon the world. We move toward an enlightened way of being when we guide ourselves from a place of lack toward a place of fullness, and from a place of comfort to a place of growth.
Christine Evangelou (Rocks Into Roses: Life Lessons and Inspiration for Personal Growth)
The One who has done the greatest thing of all for you, must be concerned about you in everything, and though the clouds are thick and you cannot see His face, you know He is there. 'Behind a frowning providence He hides a smiling face.' Now hold on to that. You say that you do not see His smile. I agree that these earth born clouds prevent my seeing Him, but He is there and He will never allow anything finally harmful to take place. Nothing can happen to you but what He allows, I do not care what it may be, some great disappointment, perhaps, or it may be an illness, it may be a tragedy of some sort, I do not know what it is, but you can be certain of this, that God permits that thing to happen to you because it is ultimately for your good. 'Now no chastening for the present seemeth to be joyous, but grievous; nevertheless afterward it yieldeth the peaceable fruit of righteousness...' (Hebrews 12. 11)." (Spiritual Depression Its Causes and Cure, 145)
D. Martyn Lloyd-Jones
Bonjour, Monsieur Fraser. She inclined her veil gracefully, more to hide the broad smile on her face than in greeting, I thought. I see you have made the acquaintance of Bouton. Are you perhaps in search of your wife? This seeming to be my cue, I sidled out of the office door behind her. My devoted spouse glanced from Bouton to the office door, plainly drawing conclusions. And just how long have ye been standin' there,Sassenach? he asked dryly. Long enough, I said, with the smug self-assurance of one in Bouton's good books.
Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
Are you falling asleep before midnight?" Cassie leaned over the edge of the couch to look at Jack. He was stretched out on the floor, his head resting against a pillow near the center of the couch, his eyes closed. She was now wide awake and headache free. He wasn't in so good a shape. "The new year is eighteen minutes away." "Come kiss me awake in seventeen minutes." She blinked at that lazy suggestion, gave a quick grin, and dropped Benji on his chest. He opened one eye to look up at her as he settled his hand lightly on the kitten. "That's a no?" She smiled. She was looking forward to dating him, but she was smart enough to know he'd value more what he had to work at. He sighed. "That was a no. How much longer am I going to be on the fence with you?" "Is that a rhetorical question or do you want an answer?" If this was the right relationship God had for her future, time taken now would improve it, not hurt it. She was ready to admit she was tired of being alone. He scratched Benji under the chin and the kitten curled up on his chest and batted a paw at his hand. "Rhetorical. I'd hate to get my hopes up." She leaned her chin against her hand, looking down at him. "I like you, Jack." "You just figured that out?" "I'll like you more when you catch my mouse." "The only way we are going to catch T.J. is to turn this place into a cheese factory and help her get so fat and slow that she can no longer run and hide." Or you could move your left hand about three inches to the right right and catch her." Jack opened one eye and glanced toward his left. The white mouse was sitting motionless beside the plate he had set down earlier. "Let her have the cheeseburger. You put mustard on it." "You're horrible." He smiled. "I'm serious." "So am I." Jack leaned over, caught Cassie's foot, and tumbled her to the floor. "Oops." "That wasn't fair. You scared my mouse." Jack set the kitten on the floor. "Benji, go get her mouse." The kitten took off after it. "You're teaching her to be a mouser." "Working on it. Come here. You owe me a kiss for the new year." "Do I?" She reached over to the bowl of chocolates on the table and unwrapped a kiss. She popped the chocolate kiss into his mouth. "I called your bluff." He smiled and rubbed his hand across her forearm braced against his chest. "That will last me until next year." She glanced at the muted television. "That's two minutes away." "Two minutes to put this year behind us." He slid one arm behind his head, adjusting the pillow. She patted his chest with her hand. "That shouldn't take long." She felt him laugh. "It ended up being a very good year," she offered. "Next year will be even better." "Really? Promise?" "Absolutely." He reached behind her ear and a gold coin reappeared. "What do you think? Heads you say yes when I ask you out, tails you say no?" She grinned at the idea. "Are you cheating again?" She took the coin. "This one isn't edible," she realized, disappointed. And then she turned it over. "A real two-headed coin?" "A rare find." He smiled. "Like you." "That sounds like a bit of honey." "I'm good at being mushy." "Oh, really?" He glanced over her shoulder. "Turn up the TV. There's the countdown." She grabbed for the remote and hit the wrong button. The TV came on full volume just as the fireworks went off. Benji went racing past them spooked by the noise to dive under the collar of the jacket Jack had tossed on the floor. The white mouse scurried to run into the jacket sleeve. "Tell me I didn't see what I think I just did." "I won't tell you," Jack agreed, amused. He watched the jacket move and raised an eyebrow. "Am I supposed to rescue the kitten or the mouse?
Dee Henderson (The Protector (O'Malley, #4))
And so I make my way across the room steadily, carefully. Hands shaking, I pull the string, lifting my blinds. They rise slowly, drawing more moonlight into the room with every inch And there he is, crouched low on the roof. Same leather jacket. The hair is his, the cheekbones, the perfect nose . . . the eyes: dark and mysterious . . . full of secrets. . . . My heart flutters, body light. I reach out to touch him, thinking he might disappear, my fingers disrupted by the windowpane. On the other side, Parker lifts his hand and mouths: “Hi.” I mouth “Hi” back. He holds up a single finger, signalling me to hold on. He picks up a spiral-bound notebook and flips open the cover, turning the first page to me. I recognize his neat, block print instantly: bold, black Sharpie. I know this is unexpected . . . , I read. He flips the page. . . . and strange . . . I lift an eyebrow. . . . but please hear read me out. He flips to the next page. I know I told you I never lied . . . . . . but that was (obviously) the biggest lie of all. The truth is: I’m a liar. I lied. I lied to myself . . . . . . and to you. Parker watches as I read. Our eyes meet, and he flips the page. But only because I had to. I wasn’t supposed to fall in love with you, Jaden . . . . . . but it happened anyway. I clear my throat, and swallow hard, but it’s squeezed shut again, tight. And it gets worse. Not only am I a liar . . . I’m selfish. Selfish enough to want it all. And I know if I don’t have you . . . I hold my breath, waiting. . . . I don’t have anything. He turns another page, and I read: I’m not Parker . . . . . . and I’m not going to give up . . . . . . until I can prove to you . . . . . . that you are the only thing that matters. He flips to the next page. So keep sending me away . . . . . . but I’ll just keep coming back to you. Again . . . He flips to the next page. . . . and again . . . And the next: . . . and again. Goose bumps rise to the surface of my skin. I shiver, hugging myself tightly. And if you can ever find it in your (heart) to forgive me . . . There’s a big, black “heart” symbol where the word should be. I will do everything it takes to make it up to you. He closes the notebook and tosses it beside him. It lands on the roof with a dull thwack. Then, lifting his index finger, he draws an X across his chest. Cross my heart. I stifle the happy laugh welling inside, hiding the smile as I reach for the metal latch to unlock my window. I slowly, carefully, raise the sash. A burst of fresh honeysuckles saturates the balmy, midnight air, sickeningly sweet, filling the room. I close my eyes, breathing it in, as a thousand sleepless nights melt, slipping away. I gather the lavender satin of my dress in my hand, climb through the open window, and stand tall on the roof, feeling the height, the warmth of the shingles beneath my bare feet, facing Parker. He touches the length of the scar on my forehead with his cool finger, tucks my hair behind my ear, traces the edge of my face with the back of his hand. My eyes close. “You know you’re beautiful? Even when you cry?” He smiles, holding my face in his hands, smearing the tears away with his thumbs. I breathe in, lungs shuddering. “I’m sorry,” he whispers, black eyes sincere. I swallow. “I know why you had to.” “Doesn’t make it right.” “Doesn’t matter anymore,” I say, shaking my head. The moon hangs suspended in the sky, stars twinkling overhead, as he leans down and kisses me softly, lips meeting mine, familiar—lips I imagined, dreamed about, memorized a mil ion hours ago. Then he wraps his arms around me, pulling me into him, quelling every doubt and fear and uncertainty in this one, perfect moment.
Katie Klein (Cross My Heart (Cross My Heart, #1))
Nope. You didn’t miss much.” “Somehow, I find that hard to believe.” Thalia raised her shoulders in an attempt to sit up, but settled back down with a groan. Clarke gently placed a rolled-up blanket behind her. “Thanks,” she muttered and surveyed Clarke for a moment before she spoke again. “Okay, what’s wrong?” Clarke gave her a bemused smile. “Nothing! I’m just so happy you’re feeling better.” “Please. You can’t hide anything from me. You know I always manage to get your secrets out of you,” Thalia deadpanned. “You can start by telling me where you found the medicine.” “Octavia
Kass Morgan (The 100 (The 100, #1))
It bothered me to hear other people call her beautiful, say they loved her body. My heart would race and involuntarily my teeth began their grinding motion behind the smile I’d stretch across my face to hide my jealousy and indignation, imagining her nipple between my lips, a quick lick, the back of her neck in the palm of my hand, my mouth on hers, she kissing me with such nuance I’d never catch my breath. Who did she remind me of? On what molecular level did Jane set off that deep intracellular chime and clanging that kept me in this persistent shivery state, and ongoing electrocution?
Laurie Weeks (Zipper Mouth)
I’m a migrant worker picking frozen peas, and a clodhopper hiding behind a white sheet. I’m a shootout at Ruby Ridge, and a freefall of flames. I am closed for the winter, and crawling in my playpen. I am cold, and quick chatter and beautiful smiles. I am a man missing a limb, and lettuce and tomatoes. I am a palace, and fresh milk and goat cheese. I’m the great emptiness among Cubans, and a job that requires the auditing of truth and lies. I’m a confounding calm that will shatter fear and complacency, and a town full of self-defined renegades and recluses. I’m a public execution, and a lanky husband waiting by the checkout.
Brian D'Ambrosio (Fresh Oil and Loose Gravel: Road Poetry by Brian D'Ambrosio 1998-2008)
I take the comb from a pocket of my new dress and then hesitate. If I begin to untangle my nimbus of snarls, he will see how badly my hair is matted and be reminded of where he found me. He stands. Good. He will leave, and then I will be able to wrangle my hair alone. But instead he steps behind me and takes the comb from my hands. 'Let me do that,' he says, taking strands of my hair in his fingers. 'It's the colour of primroses.' My shoulders tense. I am unused to people touching me. 'You don't need to-' I start. 'It's no trouble,' he says. 'I had three older sisters brushing and braiding mine, no matter how I howled. I had to learn to do theirs, in self-defence. And my mother...' His fingers are clever. He holds each lock at the base, slowly teasing out the knots at the very end and then working backward to the scalp. Under his hands, it becomes smooth ribbons. If I had done this, I would have yanked half of it out in frustration. 'Your mother...,' I echo, prompting him to continue in a voice that shakes only a little. He begins to braid, sweeping my hair up so that thick plaits become something like his circlet, wrapping around my head. 'When we were in the mortal world, away from her servants, she needed help arranging it.' His voice is soft. This, along with the slightly painful pull against my scalp, the brush of his fingertips against my neck as he separates a section, the slight frown of concentration on his face, is overwhelming. I am not accustomed to someone being this close. When I look up, his smile is all invitation. We are no longer children, playing games and hiding beneath his bed, but I feel as though this is a different kind of game, one where I do not understand the rules. With a shiver, I take up the mirror from the dresser. In this hair, and with this dress, I look pretty. The kind of pretty that allows monsters to deceive people into forests, into dances where they will find their doom.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
Peridots and periwinkle blue medallions Gilded galleons spilled across the ocean floor Treasure somewhere in the sea and he will find where Never mind the questions there's no answer for The roll of the harbor wake The songs that the rigging makes The taste of the spray he takes And he learns to give He aches and he learns to live He stakes all his silver On a promise to be free Mermaids live in colonies All his sea dreams come to me City satins left at home I will not need them I believe him when he tells of loving me Something truthful in the sea all lies will find you Leave behind your streets he said and come to me Come down from the neon lights Come down from the tourist sights Run down till the rain delights You do not hide Sunlight will renew your pride Skin white by skin golden Like a promise to be free Dolphins playing in the sea All his sea dreams come to me Seabird I have seen you fly above the pilings I am smiling at your circles in the air I will come and sit by you while he lies sleeping Fold your fleet wings I have brought some dreams to share A dream that you love someone A dream that the wars are done A dream that you tell no one but the gray sea They'll say that you're crazy And a dream of a baby Like a promise to be free Children laughing out to sea All his sea dreams come to me
Joni Mitchell
DEAR MAMA, I’m sorry it’s taken me so long to write. Every time I try to write to you and Papa I realize I’m not saying the things that are in my heart. That would be O.K., if I loved you any less than I do, but you are still my parents and I am still your child. I have friends who think I’m foolish to write this letter. I hope they’re wrong. I hope their doubts are based on parents who loved and trusted them less than mine do. I hope especially that you’ll see this as an act of love on my part, a sign of my continuing need to share my life with you. I wouldn’t have written, I guess, if you hadn’t told me about your involvement in the Save Our Children campaign. That, more than anything, made it clear that my responsibility was to tell you the truth, that your own child is homosexual, and that I never needed saving from anything except the cruel and ignorant piety of people like Anita Bryant. I’m sorry, Mama. Not for what I am, but for how you must feel at this moment. I know what that feeling is, for I felt it for most of my life. Revulsion, shame, disbelief—rejection through fear of something I knew, even as a child, was as basic to my nature as the color of my eyes. No, Mama, I wasn’t “recruited.” No seasoned homosexual ever served as my mentor. But you know what? I wish someone had. I wish someone older than me and wiser than the people in Orlando had taken me aside and said, “You’re all right, kid. You can grow up to be a doctor or a teacher just like anyone else. You’re not crazy or sick or evil. You can succeed and be happy and find peace with friends—all kinds of friends—who don’t give a damn who you go to bed with. Most of all, though, you can love and be loved, without hating yourself for it.” But no one ever said that to me, Mama. I had to find it out on my own, with the help of the city that has become my home. I know this may be hard for you to believe, but San Francisco is full of men and women, both straight and gay, who don’t consider sexuality in measuring the worth of another human being. These aren’t radicals or weirdos, Mama. They are shop clerks and bankers and little old ladies and people who nod and smile to you when you meet them on the bus. Their attitude is neither patronizing nor pitying. And their message is so simple: Yes, you are a person. Yes, I like you. Yes, it’s all right for you to like me too. I know what you must be thinking now. You’re asking yourself: What did we do wrong? How did we let this happen? Which one of us made him that way? I can’t answer that, Mama. In the long run, I guess I really don’t care. All I know is this: If you and Papa are responsible for the way I am, then I thank you with all my heart, for it’s the light and the joy of my life. I know I can’t tell you what it is to be gay. But I can tell you what it’s not. It’s not hiding behind words, Mama. Like family and decency and Christianity. It’s not fearing your body, or the pleasures that God made for it. It’s not judging your neighbor, except when he’s crass or unkind. Being gay has taught me tolerance, compassion and humility. It has shown me the limitless possibilities of living. It has given me people whose passion and kindness and sensitivity have provided a constant source of strength. It has brought me into the family of man, Mama, and I like it here. I like it. There’s not much else I can say, except that I’m the same Michael you’ve always known. You just know me better now. I have never consciously done anything to hurt you. I never will. Please don’t feel you have to answer this right away. It’s enough for me to know that I no longer have to lie to the people who taught me to value the truth. Mary Ann sends her love. Everything is fine at 28 Barbary Lane. Your loving son, MICHAEL
Armistead Maupin (More Tales of the City (Tales of the City #2))
Hello,” he smiled warmly and his big, brown eyes twinkled. “I’m James. James Brown.” “Nice one,” she giggled. “Yes, my parents thought so too.” “So, James Brown, how can I help you?” “I think, perhaps, that it works in the opposite direction. I’m your new regional manager.” “Ah,” Eleanor said, turning slightly pink. “And that probably wasn’t the best introduction!
Debbie McGowan (Hiding Behind The Couch)
Do you mind?” Elizabeth glanced at the cigar, smiled, and started to shake her head, then she stopped, assailed by a memory of him standing in a garden nearly two years ago. He’d been about to light one of those cheroots when he saw her standing there, watching him. She remembered it so clearly, she could still see the golden flame illuminating his chiseled features as he cupped his hands around it, lighting the cigar. Her smile wobbled a little with the piercing memory, and she lifted her eyes from the unlit cigar to Ian’s face, wondering if he remembered it, too. His eyes met hers in polite inquiry, flicked to the unlit cigar, and moved back to her face. He did not remember; she could see that he didn’t. “No, I don’t mind at all,” she said, hiding her disappointment behind a smile.
Judith McNaught (Almost Heaven (Sequels, #3))
After he'd gone, I slammed the door shut and, after the day I had, wasn't the least bit surprised to see my closet door open and Whitley stick his head out. "Son of hibachi," I muttered. Now I would have to add burning all of my clothes to my list of things to do. "What?" He exited the closet with a smile. "I don't even get a hello?" I held up a finger. "Wait right here." He shrugged. I shut the door behind me and marched back into the living room and pointed at Dr. Wendell. "You. Come with me. Now." Wide-eyed, he rose from the couch and followed me to my door. Before I opened it, I turned to him. "You said part of your job was to protect me, right?" He nodded, his brow knit in lines of confusion. "Just to prove how bad you suck at your job, look at this." I swung open the door and Whitley waved from his perch at the end of my bed. Dr. Wendell's mouth dropped and he took a step back. "Wait. What is-who is that?" "That"-I gestured to the boy on my bed-"is Whitley, aka Zeami, aka the psycho who tried to kill me, steal my powers, and burnt down my house." Whitley smiled. "Guilty as charged." I folded my arms and glared at Dr. Wendell. "If you're supposedly protecting me, how could you let my past-life murderer walk right into my bedroom and hide out in my closet?" Dr. Wendell shook his head, his skin a shade paler than it had been moments ago. "But I-I didn't-how-" He looked at Whitley. "How did you get in here?" Whitley rolled his eyes. "Through the door. Duh." Dr. Wendell pushed me behind him, bringing his shaking fists in front of his face. "It doesn't matter. If you want to kill Rileigh, you're going to have to get past me.
Cole Gibsen (Senshi (Katana, #2))
How are things going with your brothers?” “The judge set a date to hear me out after graduation. Mrs.Collins has been prepping me.” “That is awesome!” “Yeah.” “What’s wrong?” “Carrie and Joe hired a lawyer and I lost visitation.” Echo placed her delicate hand over mine.“Oh, Noah. I am so sorry." I’d spent countless hours on the couch in the basement, staring at the ceiling wondering what she was doing. Her laughter, her smile, the feel of her body next to mine, and the regret that I let her walk away too easily haunted me. Taking the risk, I entwined my fingers with hers. Odds were I’d never get the chance to be this close again. "No, Mrs. Collins convinced me the best thing to do is to keep my distance and follow the letter of the law." "Wow, Mrs. Collins is a freaking miracle worker. Dangerous Noah Hutchins on the straight and narrow. If you don’t watch out she’ll ruin your rep with the girls." I lowered my voice. "Not that it matters. I only care what one girl thinks about me." She relaxed her fingers into mine and stroked her thumb over my skin. Minutes into being alone together, we fell into each other again, like no time had passed. I could blame her for ending us, but in the end, I agreed with her decision. “How about you, Echo? Did you find your answers?” “No.” If I continued to disregard breakup rules, I might as well go all the way. I pushed her curls behind her shoulder and let my fingers linger longer than needed so I could enjoy the silky feel. “Don’t hide from me, baby. We’ve been through too much for that.” Echo leaned into me, placing her head on my shoulder and letting me wrap an arm around her. “I’ve missed you, too, Noah. I’m tired of ignoring you.” “Then don’t.” Ignoring her hurt like hell. Acknowledging her had to be better. I swallowed, trying to shut out the bittersweet memories of our last night together. “Where’ve you been? It kills me when you’re not at school.” “I went to an art gallery and the curator showed some interest in my work and sold my first piece two days later. Since then, I’ve been traveling around to different galleries, hawking my wares.” “That’s awesome, Echo. Sounds like you’re fitting into your future perfectly. Where did you decide to go to school?” “I don’t know if I’m going to school.” Shock jolted my system and I inched away to make sure I understood. “What the fuck do you mean you don’t know? You’ve got colleges falling all over you and you don’t fucking know if you want to go to school?” My damned little siren laughed at me. “I see your language has improved.” Poof—like magic, the anger disappeared. “If you’re not going to school, then what are your plans?” "I’m considering putting college off for a year or two and traveling cross-country, hopping from gallery to gallery.” “I feel like a dick. We made a deal and I left you hanging. I’m not that guy who goes back on his word. What can I do to help you get to the truth?” Echo’s chest rose with her breath then deflated when she exhaled. Sensing our moment ending, I nuzzled her hair, savoring her scent. She patted my knee and broke away. “Nothing. There’s nothing you can do.” "I think it’s time that I move on. As soon as I graduate, this part of my life will be over. I’m okay with not knowing what happened.” Her words sounded pretty, but I knew her better. She’d blinked three times in a row.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
So, having at last met a foe I could not defeat, I fled,” he said in disgust. “Rather than face you in my weakness, I thought to leave you behind, to forget about you, which I thought was surely possible. After all, how could one human overwhelm me with feelings in such a short period of time?” He smiled bitterly, shaking his head at his own foolishness. “You told me once I haunted your dreams,” he said softly. “With you gone, I have lived for those moments stolen from your sleep. I wanted you to remember me so that no other man could touch you the way I had. The very possibility drove me mad. When I learned you’d gone to Texas, my first thought was to destroy Jabril Karim before his eyes could so much as look upon you, lest he even think to take you for his own.” A cloud covered the moon high above, hiding his face until only the silver gleam of his eyes was visible as he met her gaze. “I have been mastered at last, sweet Cyn, helpless in the face of that most human of failings. I love you.
D.B. Reynolds (Jabril (Vampires in America, #2))
Dawn cackles as she guides me through the all-glass porch. Thinner, paler Reina shuffles about behind Dawn, watching as I slip my boots off. Although she tries to hide her hands, her fingers flicker nervously. I place my boots neatly on the floor of the porch beside the other pairs in the shadows under the coats. Music drifts through to us from a distant room – it’s the Beach Boys’ California Dreamin’. Dawn looks at me and I smile – they’ve put the record on for me. Dawn nods along happily. ‘Hear you’re a surfer boy!’ she says and she mimics riding a wave.
Carla H. Krueger (Slaughterhouse)
Oh, crap. The last person she wanted to run into this morning when she had to be super-professional was Hot Pool Guy. Before she had a chance to hide behind a plant or something, his gaze connected with hers and held her hostage. He flashed a smile and headed her way. Shit. She got to her feet thinking she'd say a quick hello before telling him she was meeting someone and excuse herself. Look away from those amazing dark eyes before you get yourself in trouble. She forced her attention down. And found a logo on the breast pocket of his white polo shirt. Word. Heritage. Fund. Kill her now.
Robin Bielman (His Million Dollar Risk (Take a Risk, #3))
But there’s never been anyone? Really?” Sarah shrugs. “Penny and I were tutored at home when we were young . . . but in year ten, there was this one boy.” I rub my hands together. “Here we go—tell me everything. I want all the sick, lurid details. Was he a footballer? Big and strong, captain of the team, the most popular boy in school?” I could see it. Sarah’s delicate, long and lithe, but dainty, beautiful—any young man would’ve been desperate to have her on his arm. In his lap. In his bed, on the hood of his car, riding his face . . . all of the above. “He was captain of the chess team.” I cover my eyes with my hand. “His name was Davey. He wore these adorable tweed jackets and bow ties, he had blond hair, and was a bit pale because of the asthma. He had the same glasses as I and he had a different pair of argyle socks for every day of the year.” “You’re messing with me, right?” She shakes her head. “Argyle socks, Sarah? I am so disappointed in you right now.” “He was nice,” she chides. “You leave my Davey alone.” Then she laughs again—delighted and free. My cock reacts hard and fast, emphasis on hard. It’s like sodding granite. “So what happened to old Davey boy?” “I was alone in the library one day and he came up and started to ask me to the spring social. And I was so excited and nervous I could barely breathe.” I picture how she must’ve looked then. But in my mind’s eyes she’s really not any different than she is right now. Innocent, sweet, and so real she couldn’t deceive someone if her life depended on it. “And then before he could finish the question, I . . .” I don’t realize I’m leaning toward her until she stops talking and I almost fall over. “You . . . what?” Sarah hides behind her hands. “I threw up on him.” And I try not to laugh. I swear I try . . . but I’m only human. So I end up laughing so hard the car shakes and I can’t speak for several minutes. “Christ almighty.” “And I’d had fish and chips for lunch.” Sarah’s laughing too. “It was awful.” “Oh you poor thing.” I shake my head, still chuckling. “And poor Davey.” “Yes.” She wipes under her eyes with her finger. “Poor Davey. He never came near me again after that.” “Coward—he didn’t deserve you. I would’ve swam through a whole lake of puke to take a girl like you to the social.” She smiles so brightly at me, her cheeks maroon and round like two shiny apples. “I think that’s the nicest thing anyone’s ever said to me.” I wiggle my eyebrows. “I’m all about the compliments.
Emma Chase (Royally Matched (Royally, #2))
Merry Christmas,Ja-" To which he immediately cut her off with a very testy, "Bloody hell it is." Though he did halt his progress to offer her a brief smile, adding, "Good to see you,Molly," then in the very same breath, "Where's that worthless brother of mine?" She was surprised enough to ask, "Ah,which brother would that be?" when she knew very well he would never refer to Edward or Jason, whom the two younger brothers termed the elders, in that way.But then,Jason shared everything with her about his family, so she knew them as well as he did. So his derogatory answer didn't really add to her surprise. "The infant." She winced at his tone,though, as well as his expression, which had reverted to deadly menace at mention of the "infant." Big,blond, and handsome, James Malory was,just like his elder brothers, and rarely did anyone actually see him looking angry. When James was annoyed with someone, he usually very calmly ripped the person to shreds with his devilish wit, and by his inscrutable expression, the victim had absolutely no warning such pointed barbs would be headed his or her way. The infant, or rather, Anthony, had heard James's voice and, unfortunately, stuck his head around the parlor door to determine James's mood, which wasn't hard to misinterpret with the baleful glare that came his way. Which was probably why the parlor door immediately slammed shut. "Oh,dear," Molly said as James stormed off. Through the years she'd become accustomed to the Malorys' behavior, but a times it still alarmed her. What ensued was a tug of war in the reverse, so to speak, with James shoving his considerable weight against the parlor door, and Anthony on the other side doing his best to keep it from opening. Anthony managed for a bit. He wasn't as hefty as his brother, but he was taller and well muscled. But he must have known he couldn't hold out indefinitely, especially when James started to slam his shoulder against the door,which got it nearly half open before Anthony could manage to slam it shut again. But what Anthony did to solve his dilemma produced Molly's second "Oh,dear." When James threw his weight against the door for the third time, it opened ahead of him and he unfortunately couldn't halt his progress into the room. A rather loud crash followed. A few moments later James was up again suting pine needles off his shoulders. Reggie and Molly,alarmed by the noise, soon followed the men into the room. Anthony had picked up his daughter Jamie who had been looking at the tree with her nursemaid and was now holding her like a shield in front of him while the tree lay ingloriously on its side. Anthony knew his brother wouldn't risk harming one of the children for any reason, and the ploy worked. "Infants hiding behind infants, how apropos," James sneered. "Is,aint it?" Anthony grinned and kissed the top of his daughter's head. "Least it works." James was not amused, and ordered, barked, actually. "Put my niece down." "Wouldn't think of it, old man-least not until I find out why you want to murder me." Anthony's wife, Roslynn, bent over one of the twins, didn't turn about to say, "Excuse me? There will be no murdering in front of the children.
Johanna Lindsey (The Holiday Present)
Well, guys”—he spread his arms—“I could thank Reyna all day long. She has given so much to the legion. She’s been the best mentor and friend. She can never be replaced. On the other hand, I’m up here all alone now, and we have an empty praetor’s chair. So I’d like to take nominations for—” Lavinia started the chant: “HA-ZEL! HA-ZEL!” The crowd quickly joined in. Hazel’s eyes widened. She tried to resist when those sitting around her pulled her to her feet, but her Fifth Cohort fan club had evidently been preparing for this possibility. One of them produced a shield, which they hoisted Hazel onto like a saddle. They raised her overhead and marched her to the middle of the senate floor, turning her around and chanting, “HAZEL! HAZEL!” Reyna clapped and yelled right along with them. Only Frank tried to remain neutral, though he had to hide his smile behind his fist. “Okay, settle down!” he called at last. “We have one nomination. Are there any other—?” “HAZEL! HAZEL!” “Any objections?” “HAZEL! HAZEL!” “Then I recognize the will of the Twelfth Legion. Hazel Levesque, you are hereby promoted to praetor!” More wild cheering. Hazel looked dazed as she was dressed in Reyna’s old cloak and badge of office, then led to her chair. Seeing Frank and Hazel side by side, I had to smile. They looked so right together—wise and strong and brave. The perfect praetors. Rome’s future was in good hands. “Thank you,” Hazel managed at last. “I—I’ll do everything I can to be worthy of your trust. Here’s the thing, though. This leaves the Fifth Cohort without a centurion, so—” The entire Fifth Cohort started chanting in unison: “LAVINIA! LAVINIA!” “What?” Lavinia’s face turned pinker than her hair. “Oh, no. I don’t do leadership!” “LAVINIA! LAVINIA!” “Is this a joke? Guys, I—” “Lavinia Asimov!” Hazel said with a smile. “The Fifth Cohort read my mind. As my first act as praetor, for your unparalleled heroism in the Battle of San Francisco Bay, I hereby promote you to centurion—unless my fellow praetor has any objections?” “None,” Frank said. “Then come forward, Lavinia!
Rick Riordan (The Tyrant's Tomb (The Trials of Apollo, #4))
You didn’t trust me.” “Having spent a great deal of time playing the fool myself,” Cardan says, “I recognized your game. Not at first, but long before Jude. She didn’t want to believe me, and I am never going to tire of crowing about being right.” “So you didn’t think I was really allied with Randalin?” Cardan smiles. “No,” he says. “But I wasn’t certain which of your allies were actually on your side. And I was rather hoping you’d let us lock you up and protect you.” “You could have given me some sort of hint!” Oak says. Cardan raises a single eyebrow. Oak shakes his head. “Yes, well, fine. I could have done the same. And fine, you were losing blood.” Cardan makes a gesture as though tossing off Oak’s words. “I have little experience of dispensing brotherly wisdom, but I know a great deal about mistakes. And about hiding behind a mask.” He saluted with his wineglass. “Some might say that I still do, but they would be wrong. To those I love, I am myself. Too much myself, sometimes.” Oak laughs. “Jude wouldn’t say that.” Cardan takes a deep swallow of plum-dark wine, looking pleased with himself. “She would but she’d be lying. But, most important”—he raises a single finger— “I knew what you were up to before she did.” The a second. “And if you decide you want to risk your life, perhaps you could also risk a little personal discomfort and let your family in on your plans.” Oak lets out a long sigh. “I will take that under advisement.
Holly Black (The Prisoner's Throne (The Stolen Heir Duology, #2))
Where dost thou stand behind them all, my lover, hiding thyself in the shadows? They push thee and pass thee by on the dusty road, taking thee for naught. I wait here weary hours spreading my offerings for thee, while passers-by come and take my flowers, one by one, and my basket is nearly empty. The morning time is past, and the noon. In the shade of evening my eyes are drowsy with sleep. Men going home glance at me and smile and fill me with shame. I sit like a beggar maid, drawing my skirt over my face, and when they ask me, what it is I want, I drop my eyes and answer them not. Oh, how, indeed, could I tell them that for thee I wait, and that thou hast promised to come. How could I utter for shame that I keep for my dowry this poverty. Ah, I hug this pride in the secret of my heart. I sit on the grass and gaze upon the sky and dream of the sudden splendour of thy coming---all the lights ablaze, golden pennons flying over thy car, and they at the roadside standing agape, when they see thee come down from thy seat to raise me from the dust, and set at thy side this ragged beggar girl a-tremble with shame and pride, like a creeper in a summer breeze. But time glides on and still no sound of the wheels of thy chariot. Many a procession passes by with noise and shouts and glamour of glory. Is it only thou who wouldst stand in the shadow silent and behind them all? And only I who would wait and weep and wear out my heart in vain longing?
Rabindranath Tagore (Gitanjali)
As soon as we arrived home, I told Bliss I was going to take a shower. Sundays were a two-show day, so I certainly needed it. I let her go in first to brush her teeth. I waited for the water to turn on, then leapt into action. I found Hamlet’s feathered cat toy (the only reason she would ever willingly get close to Bliss), and hid it underneath the bed. Then I went to the closet and found the suit coat pocket where I’d hidden the ring. I popped open the box to look at it one more time. It wasn’t much. I was only an actor, after all. But Bliss wasn’t one to wear much jewelry any way. It was simple and sparkling, and I hoped she would love it as much as I loved her. A popping sensation filled my gut like those silly candy rocks that Bliss loved. What if I was pushing her too fast? No. No, I’d thought this out. It was the best way. I opened the top drawer of the nightstand, and slid the ring box toward the back. The water in the bathroom shut off, and I went back to the closet, shucking my shirt. I tossed it in the hamper at the same time Bliss walked in the room. She came up behind me and placed a hand on my bare back. She pressed a small kiss on my shoulder and asked, “Get Hamlet for me before you shower?” I smiled, and nodded. Bliss was so determined to make Hamlet like her that she played with the cat for at least half an hour before bed every night. Hamlet would stick around for as long as Bliss waved that feathered toy in the air, but the minute Bliss tried to touch her, she was gone. I found Hamlet in the kitchen, hiding underneath the kitchen table. I reached a hand down, and she butted her head against my fingers, purring. I picked her up at the same time that Bliss asked, “Babe, have you seen the cat toy?” I walked into the room, and deposited Hamlet on the bed. She hunkered down and eyed Bliss with distrust. “Where did you see it last?” I asked her. “I thought I’d left it on the dresser, but I can’t find it. “ I petted Hamlet once to keep her calm, then placed a quick kiss on Bliss’s cheek. “I don’t know, honey. Are you sure you didn’t leave it somewhere else?” She sighed, and started looking in other spots around the room. I turned and hid my smile as I left. I nipped into the bathroom and turned the shower on. I waited a few seconds, went back in the hallway.
Cora Carmack
Prabhakar was waiting for me at the bus station, smiling happily through the rain. He led me through the people gathered at the bus station, past shops selling cheap household items and eating places where pakoras were being fried in bubbling oil. The brands and consumerism of urban India had disappeared, and although I felt an acute sense of displacement, I was oddly comforted by the rough utilitarianism of the place, which reminded me of the India I had grown up in. There were no cafes where I could hide my loneliness behind a cup of coffee and an open laptop, no shopping aisles where I could wander, picking out items that momentarily created an image of a better life. There was no escape here except through human relationships, and for that I was utterly dependent on Prabhakar speeding through the rain on his motorcycle.
Siddhartha Deb (The Beautiful and the Damned: A Portrait of the New India)
I do love you.” He said it suddenly, raising his head so his black eyes could meet her startled green ones. “I mean it, Shea. I do not just need you, I love you. I know everything about you, I have been in your head, shared your memories, shared your dreams and your ideas. I know you think I need you and that is why I am with you, but it is much more than that. I love you.” He grinned unexpectedly, traced her lower lip with the tip of a finger. “What is more, I know you love me. You hide it from yourself, but I found it in a little corner, tucked away in your mind.” Shea stared up at the teasing smile on his face, then pushed at the solid wall of his chest. “You’re making that up.” Jacques moved off her, then reached down to pull her to her feet. His clothes were scattered everywhere, and he made no move to retrieve them. Shea’s shirt was still hanging open, and her jeans were down around her ankles. Blushing, she pulled them up. His hands stayed hers, preventing her from fastening them. “Do not bother, Shea. The pools are just ahead.” He walked a few feet, then looked back over his shoulder. “I did not make it up, and I know you are staring at my backside.” Shea tossed her mane of red hair so that it flew in all directions. “Any woman in her right mind would stare at your particular backside, so you don’t need to add that to your arrogant list of virtues. And stay out of my mind unless you’re invited.” She was staring, but she couldn’t help it. He was so beautifully masculine. Jacques reached behind him and captured her hand, lacing their fingers together. “But I find the most interesting things in your mind, my love. Things you do not have any intention of telling me.
Christine Feehan (Dark Desire (Dark, #2))
There was Bonnie, the rabbit. His fur was a bright blue, his squared-off muzzle held a permanent smile, and his wide and chipped pink eyes were thick-lidded, giving him a perpetually worn-out expression. His ears stuck up straight, crinkling over at the top, and his large feet splayed out for balance. He held a red bass guitar, blue paws poised to play, and around his neck was a bow tie that matched the instrument’s fiery color. Chica the Chicken was more bulky and had an apprehensive look, thick black eyebrows arching over her purple eyes and her beak slightly open, revealing teeth, as she held out a cupcake on a platter. The cupcake itself was somewhat disturbing, with eyes set into its pink frosting and teeth hanging out over the cake, a single candle sticking out the top. “I always expected the cupcake to jump off the plate.” Carlton gave a half laugh and cautiously stepped up to Charlie’s side. “They seem taller than I remember,” he added in a whisper. “That’s because you never got this close as a kid.” Charlie smiled, at ease, and stepped closer. “You were busy hiding under tables,” Jessica said from behind them, still some distance away. Chica wore a bib around her neck with the words LET’S EAT! set out in purple and yellow against a confetti-covered background. A tuft of feathers stuck up in the middle of her head. Standing between Bonnie and Chica was Freddy Fazbear himself, namesake of the restaurant. He was the most genial looking of the three, seeming at ease where he was. A robust, if lean, brown bear, he smiled down at the audience, holding a microphone in one paw, sporting a black bow tie and top hat. The only incongruity in his features was the color of his eyes, a bright blue that surely no bear had ever had before him. His mouth hung open, and his eyes were partially closed, as though he had been frozen in song.
Scott Cawthon (The Silver Eyes: Five Nights at Freddy’s (Original Trilogy Book 1) (Five Nights At Freddy's))
It was some time before she heard galloping behind her, and then she did ease up, instinctively wheeling Javelin around to see the blur of horse and rider coming down the path. Arin slowed, and sidled alongside Kestrel. The horses whickered. Arin looked at her, at the smile she couldn’t hide, and his face seemed to hold equal parts frustration and amusement. “You are a bad liar,” she told him. He laughed. She found it hard to look at him then, and her gaze dropped to his stallion. Her eyes widened. “That is the horse you chose?” “He is the best,” Arin said seriously. “He is my father’s.” “I won’t hold that against the horse.” It was Kestrel’s turn to laugh. “Come.” Arin nudged the stallion forward. “Let’s not be late,” he said, and yet, without discussing it, they rode more slowly than was allowed on the path. Kestrel no longer doubted that ten years ago Arin had been in a position much like hers: one of wealth, ease, education. Although she was aware she had not won the right to ask him a question, and didn’t even want to voice her creeping worry, Kestrel couldn’t bear remaining silent. “Arin,” she said, searching his face. “Was it my house? I mean, the villa. Did you live there, before the war?” He yanked on the reins. His stallion ground to a halt. When he spoke, Arin’s voice was like the music he had asked her to play. “No,” he said. “That family is gone.” They rode on in silence until Arin said, “Kestrel.” She waited, then realized that he wasn’t speaking to her, exactly. He was simply saying her name, considering it, exploring the syllables of the Valorian word. She said, “I hope you’re not going to pretend you don’t know what it means.” He shot her a wry, sidelong look. “A kestrel is a hunting hawk.” “Yes. The perfect name for a warrior girl.” “Well.” His smile was slight, but it was there. “I suppose neither of us is the person we were believed we would become.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Elizabeth snapped awake in a terrified instant as the door to her bed chamber was flung open near dawn, and Ian stalked into the darkened room. “Do you want to go first, or shall I?” he said tightly, coming to stand at the side of her bed. “What do you mean?” she asked in a trembling voice. “I mean,” he said, “that either you go first and tell me why in hell you suddenly find my company repugnant, or I’ll go first and tell you how I feel when I don’t know where you are or why you want to be there!” “I’ve sent word to you both nights.” “You sent a damned note that arrived long after nightfall both times, informing me that you intended to sleep somewhere else. I want to know why!” He has men beaten like animals, she reminded herself. “Stop shouting at me,” Elizabeth said shakily, getting out of bed and dragging the covers with her to hide herself from him. His brows snapped together in an ominous frown. “Elizabeth?” he asked, reaching for her. “Don’t touch me!” she cried. Bentner’s voice came from the doorway. “Is aught amiss, my lady?” he asked, glaring bravely at Ian. “Get out of here and close that damned door behind you!” Ian snapped furiously. “Leave it open,” Elizabeth said nervously, and the brave butler did exactly as she said. In six long strides Ian was at the door, shoving it closed with a force that sent it crashing into its frame, and Elizabeth began to vibrate with terror. When he turned around and started toward her Elizabeth tried to back away, but she tripped on the coverlet and had to stay where she was. Ian saw the fear in her eyes and stopped short only inches in front of her. His hand lifted, and she winced, but it came to rest on her cheek. “Darling, what is it?” he asked. It was his voice that made her want to weep at his feet, that beautiful baritone voice; and his face-that harsh, handsome face she’d adored. She wanted to beg him to tell her what Robert and Wordsworth had said were lies-all lies. “My life depends on this, Elizabeth. So does yours. Don’t fail us,” Robert had pleaded. Yet, in that moment of weakness she actually considered telling Ian everything she knew and letting him kill her if he wanted to; she would have preferred death to the torment of living with the memory of the lie that had been their lives-to the torment of living without him. “Are you ill?” he asked, frowning and minutely studying her face. Snatching at the excuse he’d offered, she nodded hastily. “Yes. I haven’t been feeling well.” “Is that why you went to London? To see a physician?” She nodded a little wildly, and to her bewildered horror he started to smile-that lazy, tender smile that always made her senses leap. “Are you with child, darling? Is that why you’re acting so strangely?” Elizabeth was silent, trying to debate the wisdom of saying yes or no-she should say no, she realized. He’d hunt her to the ends of the earth if he believed she was carrying his babe. “No! He-the doctor said it is just-just-nerves.” “You’ve been working and playing too hard,” Ian said, looking like the picture of a worried, devoted husband. “You need more rest.” Elizabeth couldn’t bear any more of this-not his feigned tenderness or his concern or the memory of Robert’s battered back. “I’m going to sleep now,” she said in a strangled voice. “Alone,” she added, and his face whitened as if she had slapped him. During his entire adult life Ian had relied almost as much on his intuition as on his intellect, and at that moment he didn’t want to believe in the explanation they were both offering. His wife did not want him in her bed; she recoiled from his touch; she had been away for two consecutive nights; and-more alarming than any of that-guilt and fear were written all over her pale face. “Do you know what a man thinks,” he said in a calm voice that belied the pain streaking through him, “when his wife stays away at night and doesn’t want him in her bed when she does return?
Judith McNaught (Almost Heaven (Sequels, #3))
She sat and watched the dockhand when it was sunny and she sat and watched him when it rained. Or when it was foggy, which is what it was nearly every morning at eight o’clock. This morning was none of the above. This morning was cold. The pier smelled of fresh water and of fish. The seagulls screeched overhead, a man’s voice shouted. Where is my brother to help me, my sister, my mother? Pasha, help me, hide in the woods where I know I can find you. Dasha, look what’s happened. Do you even see? Mama, Mama. I want my mother. Where is my family to ask things of me, to weigh on me, to intrude on me, to never let me be silent or alone, where are they to help me through this? Deda, what do I do? I don’t know what to do. This morning the dockhand did not go over to see his friend at the next pier for a smoke and a coffee. Instead, he walked across the road and sat next to her on the bench. This surprised her. But she said nothing, she just wrapped her white nurse’s coat tighter around herself, and fixed the kerchief covering her hair. In Swedish he said to her, “My name is Sven. What’s your name?” After a longish pause, she replied. “Tatiana. I don’t speak Swedish.” In English he said to her, “Do you want a cigarette?” “No,” she replied, also in English. She thought of telling him she spoke little English. She was sure he didn’t speak Russian. He asked her if he could get her a coffee, or something warm to throw over her shoulders. No and no. She did not look at him. Sven was silent a moment. “You want to get on my barge, don’t you?” he asked. “Come. I will take you.” He took her by her arm. Tatiana didn’t move. “I can see you have left something behind,” he said, pulling on her gently. “Go and retrieve it.” Tatiana did not move. “Take my cigarette, take my coffee, or get on my barge. I won’t even turn away. You don’t have to sneak past me. I would have let you on the first time you came. All you had to do was ask. You want to go to Helsinki? Fine. I know you’re not Finnish.” Sven paused. “But you are very pregnant. Two months ago it would have been easier for you. But you need to go back or go forward. How long do you plan to sit here and watch my back?” Tatiana stared into the Baltic Sea. “If I knew, would I be sitting here?” “Don’t sit here anymore. Come,” said the longshoreman. She shook her head. “Where is your husband? Where is the father of your baby?” “Dead in the Soviet Union,” Tatiana breathed out. “Ah, you’re from the Soviet Union.” He nodded. “You’ve escaped somehow? Well, you’re here, so stay. Stay in Sweden. Go to the consulate, get yourself refugee protection. We have hundreds of people getting through from Denmark. Go to the consulate.” Tatiana shook her head. “You’re going to have that baby soon,” Sven said. “Go back, or move forward.” Tatiana’s hands went around her belly. Her eyes glazed over. The dockhand patted her gently and stood up. “What will it be? You want to go back to the Soviet Union? Why?” Tatiana did not reply. How to tell him her soul had been left there? “If you go back, what happens to you?” “I die most likely,” she barely whispered. “If you go forward, what happens to you?” “I live most likely.” He clapped his hands. “What kind of a choice is that? You must go forward.” “Yes,” said Tatiana, “but how do I live like this? Look at me. You think, if I could, I wouldn’t?” “So you’re here in the Stockholm purgatory, watching me move my paper day in and day out, watching me smoke, watching me. What are you going to do? Sit with your baby on the bench? Is that what you want?” Tatiana was silent. The first time she laid eyes on him she was sitting on a bench, eating ice cream. “Go forward.” “I don’t have it in me.” He nodded. “You have it. It’s just covered up. For you it’s winter.” He smiled. “Don’t worry. Summer’s here. The ice will melt.” Tatiana struggled up from the bench. Walking away, she said in Russian, “It’s not the ice anymore, my seagoing philosopher. It’s the pyre.
Paullina Simons (Tatiana and Alexander (The Bronze Horseman, #2))
I was going to ask you,’ Nita said, ‘whether all that was what I thought it was.’ ‘If you thought that dogs now finally have their own version of the One,’ said the Transcendent Pig, ‘then the answer is yes.’ Kit was shaking his head. ‘I can’t believe it,’ he whispered. ‘Are you trying to tell me that my dog—my dog was—’ ‘Is. Yes, it’s the “spell-it-backward” joke again,’ the Pig said, with some resignation. ‘The One just loves those old jokes. The older, the better.’ It raised its bristly eyebrows. ‘Making a big BANG! and running off to hide behind the nearest chunk of physical existence, like some kid ringing the doorbell at Halloween. And the puns. Don’t get It started on the puns...you’ll be there forever.’ It smiled. ‘Literally. But what did you expect? Your dog started making universes out of nothing. That wasn’t a slight tip-off?’ ‘And not just making them,’ Nita said. ‘Saving them.’ ‘Or saving one person,’ Kit said. ‘It’s the same thing, I’m told,’ said the Pig, and it vanished.
Diane Duane (Wizards at War (Young Wizards, #8))
Okay, so I shouldn't have fucked with her on the introduction thing. Writing nothing except, Saturday night. You and me. Driving lessons and hot sex ... in her notebook probably wasn't the smartest move. But I was itching to make Little Miss Perfecta stumble in her introduction of me. And stumbling she is. "Miss Ellis?" I watch in amusement as Perfection herself looks up at Peterson. Oh, she's good. This partner of mine knows how to hide her true emotions, something I recognize because I do it all the time. "Yes?" Brittany says, tilting her head and smiling like a beauty queen. I wonder if that smile has ever gotten her out of a speeding ticket. "It's your turn. Introduce Alex to the class." I lean an elbow on the lab table, waiting for an introduction she has to either make up or fess up she knows less than crap about me. She glances at my comfortable position and I can tell from her deer-in-the-headlights look I've stumped her. "This is Alejandro Fuentes," she starts, her voice hitching the slightest bit. My temper flares at the mention of my given name, but I keep a cool facade as she continues with a made-up introduction. "When he wasn't hanging out on street corners and harassing innocent people this summer, he toured the inside of jails around the city, if you know what I mean. And he has a secret desire nobody would ever guess." The room suddenly becomes quiet. Even Peterson straightens to attention. Hell, even I'm listening like the words coming out of Brittany's lying, pink-frosted lips are gospel. "His secret desire," she continues, "is to go to college and become a chemistry teacher, like you, Mrs. Peterson." Yeah, right. I look over at my friend Isa, who seems amused that a white girl isn't afraid of giving me smack in front of the entire class. Brittany flashes me a triumphant smile, thinking she's won this round. Guess again, gringa. I sit up in my chair while the class remains silent. "This is Brittany Ellis," I say, all eyes now focused on me. "This summer she went to the mall, bought new clothes so she could expand her wardrobe, and spent her daddy's money on plastic surgery to enhance her, ahem, assets." It might not be what she wrote, but it's probably close enough to the truth. Unlike her introduction of me. Chuckles come from mis cuates in the back of the class, and Brittany is as stiff as a board beside me, as if my words hurt her precious ego. Brittany Ellis is used to people fawning all over her and she could use a little wake-up call. I'm actually doing her a favor. Little does she know I'm not finished with her intro. "Her secret desire," I add, getting the same reaction as she did during her introduction, "is to date a Mexicano before she graduates." As expected, my words are met by comments and low whistles from the back of the room. "Way to go, Fuentes," my friend Lucky barks out. "I'll date you, mamacita, " another says. I give a high five to another Latino Blood named Marcus sitting behind me just as I catch Isa shaking her head as if I did something wrong. What? I'm just having a little fun with a rich girl from the north side. Brittany's gaze shifts from Colin to me. I take one look at Colin and with my eyes tell him game on. Colin's face instantly turns bright red, resembling a chile pepper. I have definitely invaded his territory.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
A bout of nerves crept up my spine and I tilted my head at him, hoping I was imagining the heat spreading over my cheeks to spare myself the embarrassment of blushing merely because he was piercing me with those chocolate eyes that I had never noticed were so amazing. “What are you staring at?” “Can I take you to prom?” He asked me. Just like that, no hesitation or insecurity to be found in his tone or facial expression. His confidence caught me completely off guard and I gaped at him in a stunned silence for almost twenty full seconds. His expression never faltered, though. He just watched my mouth work to make some sort of intelligible sound, waiting for my answer as he oozes at least the illusion of complete calm. “Huh?” I blurted in an embarrassingly high-pitched squeak. I sounded like a chipmunk and his smirk made me turn a deep shade of red. “Um… Uh… Prom?” I managed, eloquent as ever. He laughed at me fondly, nodding his head. “Yeah, prom.” Shock was not a deep enough word to describe what I was feeling over this proposal. This was Jim, the kid who swore up and down he would rather gouge out his eyes with a grapefruit spoon than put on dress clothes and he was offering to take me to a place where flannel shirts and ratty jeans were unacceptable and dance me around a room in uncomfortable shoes all night long? This couldn’t be real life. But it was real life. I was sitting in the car with him with my mouth hanging open like a fish waiting for him to laugh and tell me he was kidding, that there was no way he was going to put on a tie for my benefit, and he was sitting right there, a slightly nervous look crossing his features over my dumbstruck expression. Breathe, Lizzie, I scolded myself. Answer him! Say yes! You could have knocked me over with a feather and I was very relieved to be sitting down in a car so I could prevent anything humiliating from happening. Having already proved I could not trust my voice to answer him I jerkily nodded my head as my mouth grew into a Cheshire cat sized smile. I turned my face away and hid behind my hair as if I could hide my excitement from the world. Jim was visibly euphoric and that only made me want to squeal even more. He was excited to take me out. How cool was that?
Melissa Simmons (Best Thing I Never Had (Anthology))
Nobody ever talked about what a struggle this all was. I could see why women used to die in childbirth. They didn't catch some kind of microbe, or even hemorrhage. They just gave up. They knew that if they didn't die, they'd be going through it again the next year, and the next. I couldn't understand how a woman might just stop trying, like a tired swimmer, let her head go under, the water fill her lungs. I slowly massaged Yvonne's neck, her shoulders, I wouldn't let her go under. She sucked ice through threadbare white terry. If my mother were here, she'd have made Melinda meek cough up the drugs, sure enough. "Mamacita, ay," Yvonne wailed. I didn't know why she would call her mother. She hated her mother. She hadn't seen her in six years, since the day she locked Yvonne and her brother and sisters in their apartment in Burbank to go out and party, and never came back. Yvonne said she let her boyfriends run a train on her when she was eleven. I didn't even know what that meant. Gang bang, she said. And still she called out, Mama. It wasn't just Yvonne. All down the ward, they called for their mothers. ... I held onto Yvonne's hands, and I imagined my mother, seventeen years ago, giving birth to me. Did she call for her mother?...I thought of her mother, the one picture I had, the little I knew. Karin Thorvald, who may or may not have been a distant relation of King Olaf of Norway, classical actress and drunk, who could recite Shakespeare by heart while feeding the chickens and who drowned in the cow pond when my mother was thirteen. I couldn't imagine her calling out for anyone. But then I realized, they didn't mean their own mothers. Not those weak women, those victims. Drug addicts, shopaholics, cookie bakers. They didn't mean the women who let them down, who failed to help them into womanhood, women who let their boyfriends run a train on them. Bingers and purgers, women smiling into mirrors, women in girdles, women in barstools. Not those women with their complaints and their magazines, controlling women, women who asked, what's in it for me? Not the women who watched TV while they made dinner, women who dyed their hair blond behind closed doors trying to look twenty-three. They didn't mean the mothers washing dishes wishing they'd never married, the ones in the ER, saying they fell down the stairs, not the ones in prison saying loneliness is the human condition, get used to it. They wanted the real mother, the blood mother, the great womb, mother of a fierce compassion, a woman large enough to hold all the pain, to carry it away. What we needed was someone who bled, someone deep and rich as a field, a wide-hipped mother, awesome, immense, women like huge soft couches, mothers coursing with blood, mothers big enough, wide enough, for us to hide in, to sink down to the bottom of, mothers who would breathe for is when we could not breathe anymore, who would fight for us, who would kill for us, die for us. Yvonne was sitting up, holding her breath, eyes bulging out. It was the thing she should not do. "Breathe," I said in her ear. "Please, Yvonne, try." She tried to breathe, a couple of shallow inhalations, but it hurt too much. She flopped back on the narrow bed, too tired to go on. All she could do was grip my hand and cry. And I thought of the way the baby was linked to her, as she was linked to her mother, and her mother, all the way back, insider and inside, knit into a chain of disaster that brought her to this bed, this day. And not only her. I wondered what my own inheritance was going to be. "I wish I was dead," Yvonne said into the pillowcase with the flowers I'd brought from home. The baby came four hours later. A girl, born 5:32 PM.
Janet Fitch (White Oleander)
He was taking another hit from his short-and-squat of Goose when his eyes skipped to the arched doorway of the room. Jane hesitated as she glanced inside, her white coat opening as she leaned to the side, as if she were looking for him. When their eyes met, she smiled a little. And then a lot. His first impulse was to hide his own grin behind his Goose. But then he stopped himself. New world order. Come on, smile, motherfucker, he thought. Jane gave a short wave and played it cool, which was what they usually did when they were together in public. Turning away, she headed over to the bar to make herself something. “Hold up, cop,” V murmured, putting his drink down and bracing his cue against the table. Feeling like he was fifteen, he put his hand-rolled between his teeth and tucked his wife-beater tightly into the waistband of his leathers. A quick smooth of the hair and he was . . . well, as ready as he could be. He approached Jane from behind just as she struck up a convo with Mary—and when his shellan pivoted around to greet him, she seemed a little surprised that he’d come up to her. “Hi, V . . . How are—” Vishous stepped in close, putting them body to body, and then he wrapped his arms around her waist. Holding her with possession, he slowly bent her backward until she gripped his shoulders and her hair fell from her face. As she gasped, he said exactly what he thought: “I missed you.” And on that note, he put his mouth on hers and kissed the ever-living hell out of her, sweeping one hand down to her hip as he slipped his tongue in her mouth, and kept going and going and going . . . He was vaguely aware that the room had fallen stone silent and that everything with a heartbeat was staring at him and his mate. But whatever. This was what he wanted to do, and he was going to do it in front of everyone—and the king’s dog, as it turned out. Because Wrath and Beth came in from the foyer. As Vishous slowly righted his shellan, the catcalls and whistling started up, and someone threw a handful of popcorn like it was confetti. “Now that’s what I’m talkin’ ’bout,” Hollywood said. And threw more popcorn. Vishous cleared his throat. “I have an announcement to make.” Right. Okay, there were a lot of eyes on the pair of them. But he was so going to suck up his inclination to bow out. Tucking his flustered and blushing Jane into his side, he said loud and clear: “We’re getting mated. Properly. And I expect you all to be there and . . . Yeah, that’s it.” Dead. Quiet. Then Wrath released the handle on George’s harness and started to clap. Loud and slow. “About. Fucking. Time.
J.R. Ward (Lover Unleashed (Black Dagger Brotherhood, #9))
When he finally pulled his mouth from hers an eternity later, their breaths were coming in mingled gasps. Feeling almost bereft, Elizabeth surfaced slightly from the sensual Eden where he had sent her, and forced her heavy eyelids to open so that she could look at him. Stretched out beside her on the sofa, he was leaning over her, his tanned face hard and dark with passion, his amber eyes smoldering. Lifting his hand, he tenderly brushed a golden lock of hair off her cheek, and he tried to smile, but his breathing was as ragged as hers. Unaware of the effort he was making to keep their passion under control, Elizabeth let her gaze drop to his finely chiseled mouth, and she watched him draw an unsteady breath. “Don’t,” he warned her in a husky, tender voice, “look at my mouth unless you want it on yours again.” Too naïve to know how to hide her feelings, Elizabeth lifted her green eyes to his, and her longing for his kiss was in their soft depths. Ian drew a steadying breath, and yielded to temptation again, gently telling her how to show him what she wanted. “Put your hand around my neck,” he whispered tenderly. Her long fingers lifted to his nape, and he lowered his mouth to hers, so close their breaths mingled. Understanding finally dawned, and Elizabeth put firmer pressure on his nape. And even though she was braced for it, the shock of his parted lips on hers again was wild, indescribable sweetness. This time it was Elizabeth who touched her tongue to his lips, and when she felt him shudder, instinct told her she was doing something right. I told him the same thing, and he jerked his mouth from hers. “Don’t do this, Elizabeth,” he warned. In answer, she tightened her hand at his nape and at the same time turned into his arms. His mouth came down hard on hers, but instead of struggling, her body arched against him and she drew his tongue into her mouth. Against her breasts, she felt his heart slam into his ribs, and he began kissing her with unleashed passion, his tongue tangling with hers, then plunging and slowly retreating in some wildly exciting, forbidden rhythm that made the blood roar in Elizabeth’s ears. His hand slid up her side to her breast, covering it possessively, and Elizabeth jumped in shocked protest. “Don’t,” he whispered against her lips. “God, don’t. Not yet…” Stunned into stillness by the harsh need in his voice, Elizabeth gazed up into his face as he lifted his head, his eyes moving restlessly over the bodice of her dress. Despite his protest, his hand was still, and in her befuddled senses, she finally realized he was honoring his promise to stop whenever she asked him to stop. Helpless to stop or encourage him, she looked at the masculine fingers, still and tanned against her white shirt, then she dragged her eyes to his. Heat was beating behind them, and with a silent moan, Elizabeth curled her hand behind his head and turned into his body.
Judith McNaught (Almost Heaven (Sequels, #3))
There," he said, admiring his own handiwork. "Good as new." Violet glanced at the ridiculously huge Band-Aids on her knees and looked at him doubtfully. "You really think so? 'Good as new'?" He smiled. "I think I did pretty good. It's not my fault you can't walk." She narrowed her eyes at him. She wanted to tell him that it was his fault, that she would never have tripped if he'd just stayed the same old Jay he'd always been, gangly and childlike. But she knew that she was being irrational. He was bound to grow up eventually; she'd just never imagined that he'd grow up so well. Instead she accused him: "Well, maybe if you hadn't pushed me I wouldn't have fallen." She made the outlandish accusation with a completely straight face. He shook his head. "You'll never be able to prove it. There were no witnesses-it's just your word against mine." She giggled and hopped down. "Yeah, well, who's gonna believe you over me? Weren't you the one who shoplifted a candy bar from the Safeway?" She limped over to the sink while she taunted him with her words, and she washed the dirt from the minor scrapes on her palms. "Whatever! I was seven. And I believe you were the one who handed it to me and told me to hide it in my sleeve. Technically that makes you the mastermind of that little operation, doesn't it?" He came up behind her, and reaching around her, he poured some of the antibacterial wash onto her hands. She was taken completely off guard by the intimate gesture. She froze as she felt his chest pressing against her back until that was all she could think about for the moment and she temporarily forgot how to speak. She watched as the red scrapes fizzed with white bubble from the disinfectant. He leaned over her shoulder, setting the bottle down and pulling her hands up toward him. He blew on them too. Violet didn't even notice the sting this time. And then it was over. He released her hands, and as she stood there, dazed, he handed her a clean towel to dry them on. When she turned around to face him, she realized that she had been the only one affected by the moment, that his touch had been completely innocent. He was looking at her like he was waiting for her to say something, and she was suddenly aware that her mouth was still open. She finally gathered her wits enough to speak again. "Yeah, well, maybe if you hadn't done it right in front of the cashier, we might have gotten away with it. Instead, you go both of us grounded for stealing." He didn't miss a beat, and he seemed unaware of her temporary lapse. "And some might say that our grounding saved us from a life of crime." She hung the towel over the oven's door handle. "Maybe it saved me, but the jury's still out on you. I always though you were kind of a bad seed." He gave her a questioning look. "Seriously, a 'bad seed,' Vi? When did you turn ninety and start saying things like 'bad seed'?" She pushed him as she walked by, even though he really wasn't in her way. He gave her a playful shove from behind and teased her, "Don't make me trip you again." Now more than ever, Violet hoped that this crush of hers passed soon, so she could get back to the business of being just fiends. Otherwise, this was going to be a long-and painful-year.
Kimberly Derting (The Body Finder (The Body Finder, #1))
Just how important a close moment-to-moment connection between mother and infant can be was illustrated by a cleverly designed study, known as the “double TV experiment,” in which infants and mothers interacted via a closed-circuit television system. In separate rooms, infant and mother observed each other and, on “live feed,” communicated by means of the universal infant-mother language: gestures, sounds, smiles, facial expressions. The infants were happy during this phase of the experiment. “When the infants were unknowingly replayed the ‘happy responses’ from the mother recorded from the prior minute,” writes the UCLA child psychiatrist Daniel J. Siegel, “they still became as profoundly distressed as infants do in the classic ‘flat face’ experiments in which mothers-in-person gave no facial emotional response to their infant’s bid for attunement.” Why were the infants distressed despite the sight of their mothers’ happy and friendly faces? Because happy and friendly are not enough. What they needed were signals that the mother is aligned with, responsive to and participating in their mental states from moment to moment. All that was lacking in the instant video replay, during which infants saw their mother’s face unresponsive to the messages they, the infants, were sending out. This sharing of emotional spaces is called attunement. Emotional stress on the mother interferes with infant brain development because it tends to interfere with the attunement contact. Attunement is necessary for the normal development of the brain pathways and neurochemical apparatus of attention and emotional selfregulation. It is a finely calibrated process requiring that the parent remain herself in a relatively nonstressed, non-anxious, nondepressed state of mind. Its clearest expression is the rapturous mutual gaze infant and mother direct at each other, locked in a private and special emotional realm, from which, at that moment, the rest of the world is as completely excluded as from the womb. Attunement does not mean mechanically imitating the infant. It cannot be simulated, even with the best of goodwill. As we all know, there are differences between a real smile and a staged smile. The muscles of smiling are exactly the same in each case, but the signals that set the smile muscles to work do not come from the same centers in the brain. As a consequence, those muscles respond differently to the signals, depending on their origin. This is why only very good actors can mimic a genuine, heartfelt smile. The attunement process is far too subtle to be maintained by a simple act of will on the part of the parent. Infants, particularly sensitive infants, intuit the difference between a parent’s real psychological states and her attempts to soothe and protect the infant by means of feigned emotional expressions. A loving parent who is feeling depressed or anxious may try to hide that fact from the infant, but the effort is futile. In fact, it is much easier to fool an adult with forced emotion than a baby. The emotional sensory radar of the infant has not yet been scrambled. It reads feelings clearly. They cannot be hidden from the infant behind a screen of words, or camouflaged by well-meant but forced gestures. It is unfortunate but true that we grow far more stupid than that by the time we reach adulthood.
Gabor Maté (Scattered: How Attention Deficit Disorder Originates and What You Can Do About It)
The same song was playing the second I met my ex–best friend and the moment I realized I’d lost her. I met my best friend at a neighborhood cookout the year we would both turn twelve. It was one of those hot Brooklyn afternoons that always made me feel like I'd stepped out of my life and onto a movie set because the hydrants were open, splashing water all over the hot asphalt. There wasn't a cloud in the flawless blue sky. And pretty black and brown people were everywhere. I was crying. ‘What a Wonderful World’ was playing through a speaker someone had brought with them to the park, and it reminded me too much of my Granny Georgina. I was cupping the last snow globe she’d ever given me in my small, sweaty hands and despite the heat, I couldn’t help imagining myself inside the tiny, perfect, snow-filled world. I was telling myself a story about what it might be like to live in London, a place that was unimaginably far and sitting in the palm of my hands all at once. But it wasn't working. When Gigi had told me stories, they'd felt like miracles. But she was gone and I didn't know if I'd ever be okay again. I heard a small voice behind me, asking if I was okay. I had noticed a girl watching me, but it took her a long time to come over, and even longer to say anything. She asked the question quietly. I had never met anyone who…spoke the way that she did, and I thought that her speech might have been why she waited so long to speak to me. While I expected her to say ‘What’s wrong?’—a question I didn’t want to have to answer—she asked ‘What are you doing?’ instead, and I was glad. “I was kind of a weird kid, so when I answered, I said ‘Spinning stories,’ calling it what Gigi had always called it when I got lost in my own head, but my voice cracked on the phrase and another tear slipped down my cheek. To this day I don’t know why I picked that moment to be so honest. Usually when kids I didn't know came up to me, I clamped my mouth shut like the heavy cover of an old book falling closed. Because time and taught me that kids weren't kind to girls like me: Girls who were dreamy and moony-eyed and a little too nice. Girls who wore rose-tonted glasses. And actual, really thick glasses. Girls who thought the world was beautiful, and who read too many books, and who never saw cruelty coming. But something about this girl felt safe. Something about the way she was smiling as she stuttered out the question helped me know I needn't bother with being shy, because she was being so brave. I thought that maybe kids weren't nice to girls like her either. The cookout was crowded, and none of the other kids were talking to me because, like I said, I was the neighborhood weirdo. I carried around snow globesbecause I was in love with every place I’d never been. I often recited Shakespeare from memory because of my dad, who is a librarian. I lost myself in books because they were friends who never letme down, and I didn’t hide enough of myself the way everyone else did, so people didn’t ‘get’ me. I was lonely a lot. Unless I was with my Gigi. The girl, she asked me if it was making me feel better, spinning the stories. And I shook my head. Before I could say what I was thinking—a line from Hamlet about sorrow coming in battalions that would have surely killed any potential I had of making friends with her. The girl tossed her wavy black hair over her shoulder and grinned. She closed her eyes and said 'Music helps me. And I love this song.' When she started singing, her voice was so unexpected—so bright and clear—that I stopped crying and stared at her. She told me her name and hooked her arm through mine like we’d known each other forever, and when the next song started, she pulled me up and we spun in a slow circle together until we were both dizzy and giggling.
Ashley Woodfolk (When You Were Everything)
I thought I'd never find you," Luce heard her past self say. "We will always find each other," Daniel answered, lifting her off the ground and squeezing her closer. "Always." "Hey,you two!" A voice shouted from a doorway in a neighboring building. "Are you coming?" Across the square from the empty lot, a small group of people were being herded into a solid stone building by a guy whose face Luce couldn't make out. That was where Luschka and Daniel were headed. It must have been their plan all along, to take shelter from the bombs together. "Yes," Luschka called to the others. She looked at Daniel. "Let's go with them." "No." His voice was curt. Nervous. Luce knew that tone all too well. "We'll be safer off the street. Isn't this why we agreed to meet here?" Daniel turned to look back behind them, his eyes sweeping right past the place where Luce was hiding. When the sky lit up with another round of golden-red explosions, Luschka screamed and buried her face in Daniel's chest. So Luce was the only one who saw his expression. Something was weighing on him. Something greater than fear of the bombs. Oh no. "Daniil!" A boy near the building was still holding open the door to the shelter. "Luschka! Daniil!" Everyone else was already inside. That was when Daniil spun Luschka around, pulled her ear close to his lips. In her shadowy hiding place, Luce ached to know what he was whispering. If he was saying any of the things Daniel ever told her when she was upset or overwhelmed. She wanted to run to them, to pull Luschka away-but she couldn't. Something deep inside her would not budge. She fixed on Luschka's expression as if her whole life depended on it. Maybe it did. Lsuchka nodded as Daniil spoke, and her face changed from terrified to calm, alost peaceful. She closed her eyes. She nodded one more time. Then she tipped back her head, and a smile spread slowly across her lips. A smile? But why? How? It was almost like she knew what was about to happen? Daniil held her in his arms and dipped her low. He leaned in for another kiss, pressing his lips firmly against hers, running his hands through her hair, then down her sides, across every inch of her. It was so passionate that Luce blushed, so intimate she couldn't breathe, so gorgeous that she couldn't tear her eyes away.Not for a second. Not even when Luschka screamed. And burst into a column of searing white flame.
Lauren Kate (Passion (Fallen, #3))
Chet couldn’t wipe away his smile. “I have learned much since we parted ways, and one of those lessons is that a static force, even in mass, can be crushed by a dynamic one.” Wellington‘s face stiffened. “What kind of foolish talk is that?” “You will find out. On the Fourth of July, as you sit here in your governor’s mansion pandering to your public servants—using them to climb into more power, you will learn what it feels like to have everything you believe in shatter before your very eyes.” Wellington shifted irritably in his seat. “What sort of riddle is that, Chet? You and I have been in this political game our entire lives. You know how it works, and that’s not going to change. Ever. One party controls the knobs of politics with one hand, and the other party controls the knobs with the other hand. But they are all one body, members of a political ruling class. That’s what we do. This isn’t anything new.” Chet pushed his brows over his eyes in a gaze that could melt steel. “You will not be able to stop the ramifications of its impact. This thing I’m about to unleash upon you, I’m doing to you because you are an evil man. I used to be, I’ll give you that. But I changed, luckily, before death found me. And I will not let you get away with what you are doing to this country.” Wellington was aghast. “So you’re involved with terrorism now, are you? What are you going to do?” Chet shook his head. “The truth isn’t something you can hide from people. They all feel it even if they don’t understand the intentions behind the madness.” Wellington was in a near panic in anticipation over what Chet was planning. “I can have you followed, you know. Everyone you speak to will be monitored. Surely you know that? And who are you to decide what the best position for anything is? You don’t have a right to make decisions for the masses. If you were sitting in my seat, perhaps. But you’re not.” “If you hadn’t cheated, I would be in your chair.” Chet pierced Wellington with his squinted eyes. “And because of that, I have decided that you aren’t able to make decisions for the masses either, and I’ll see to it that you won’t continue to do so.” Chet pushed back his chair and stood up dramatically. “Enjoy this office because you won’t be here long.” Wellington contorted his face in panic. “What are you doing? What’s going to happen? Tell me at least that much! Was it so bad between us that we can’t reason with each other? Maybe we could make a deal. What if I make you my presidential running mate?” Chet didn’t answer. He headed for the door, unsure as to why he had said that last part. He still didn’t really know what was going to happen. But with Rick Stevens headed down in a few days with a multimillion dollar car, anything was possible. But now Wellington would know that Chet was behind the crazy driver who refused to pull over.
Rich Hoffman
Suddenly he felt his foot catch on something and he stumbled over one of the trailing cables that lay across the laboratory floor. The cable went tight and pulled one of the instruments monitoring the beam over, sending it falling sideways and knocking the edge of the frame that held the refractive shielding plate in position. For what seemed like a very long time the stand wobbled back and forth before it tipped slowly backwards with a crash. ‘Take cover!’ Professor Pike screamed, diving behind one of the nearby workbenches as the other Alpha students scattered, trying to shield themselves behind the most solid objects they could find. The beam punched straight through the laboratory wall in a cloud of vapour and alarm klaxons started wailing all over the school. Professor Pike scrambled across the floor towards the bundle of thick power cables that led to the super-laser, pulling them from the back of the machine and extinguishing the bright green beam. ‘Oops,’ Franz said as the emergency lighting kicked in and the rest of the Alphas slowly emerged from their hiding places. At the back of the room there was a perfectly circular, twenty-centimetre hole in the wall surrounded by scorch marks. ‘I am thinking that this is not being good.’ Otto walked cautiously up to the smouldering hole, glancing nervously over his shoulder at the beam emitter that was making a gentle clicking sound as it cooled down. ‘Woah,’ he said as he peered into the hole. Clearly visible were a series of further holes beyond that got smaller and smaller with perspective. Dimly visible at the far end was what could only be a small circle of bright daylight. ‘Erm, I don’t know how to tell you this, Franz,’ Otto said, turning towards his friend with a broad grin on his face, ‘but it looks like you just made a hole in the school.’ ‘Oh dear,’ Professor Pike said, coming up beside Otto and also peering into the hole. ‘I do hope that we haven’t damaged anything important.’ ‘Or anyone important,’ Shelby added as she and the rest of the Alphas gathered round. ‘It is not being my fault,’ Franz moaned. ‘I am tripping over the cable.’ A couple of minutes later, the door at the far end of the lab hissed open and Chief Dekker came running into the room, flanked by two guards in their familiar orange jumpsuits. Otto and the others winced as they saw her. It was well known already that she had no particular love for H.I.V.E.’s Alpha stream and she seemed to have a special dislike for their year in particular. ‘What happened?’ she demanded as she strode across the room towards the Professor. Her thin, tight lips and sharp cheekbones gave the impression that she was someone who’d heard of this thing called smiling but had decided that it was not for her. ‘There was a slight . . . erm . . . malfunction,’ the Professor replied with a fleeting glance in Franz’s direction. ‘Has anyone been injured?’ ‘It doesn’t look like it,’ Dekker replied tersely, ‘but I think it’s safe to say that Colonel Francisco won’t be using that particular toilet cubicle again.’ Franz visibly paled at the thought of the Colonel finding out that he had been in any way responsible for whatever indignity he had just suffered. He had a sudden horribly clear vision of many laps of the school gym somewhere in his not too distant future.
Mark Walden (Aftershock (H.I.V.E., #7))