Inventor Girl Quotes

Donegan Bane and Gracious O'Callahan - the Monster Hunters. Adventurers, inventors, authors of Monster Hunting for Beginners and it's sequels, Monster Hunting for Beginners is Probably Inadvisable and Seriously, Dude, Stop Monster Hunting.

I was just turned last week. I'm a librarian." He stilled, as if I'd just told him I was the inventor of the tube top. "I watched a movie about a librarian once. Well, she was a librarian by day, a call girl by--" I stopped him with a quick lift of an eyebrow. "If you finish that sentence, we cannot be friends.

He said he would be back and we'd drink wine together He said that everything would be better than before He said we were on the edge of a new relation He said he would never again cringe before his father He said that he was going to invent full-time He said he loved me that going into me He said was going into the world and the sky He said all the buckles were very firm He said the wax was the best wax He said Wait for me here on the beach He said Just don't cry I remember the gulls and the waves I remember the islands going dark on the sea I remember the girls laughing I remember they said he only wanted to get away from me I remember mother saying : Inventors are like poets, a trashy lot I remember she told me those who try out inventions are worse I remember she added : Women who love such are the worst of all I have been waiting all day, or perhaps longer. I would have liked to try those wings myself. It would have been better than this.

A shark told Dale, “Now we’re going to play the second part of The Gravy Train. This part is called The Middleman. See all the people running around?” With a regal flare he swooped an arm around, gesturing to the people. “You tranquilize them and put them in cages. Once they’re in your cage, they work for you. It doesn’t matter if they’re the people giving off negative or positive energy, it’s all the same. Remember, you tranquilize them, don’t kill them. If you want someone killed, or a whole town for that matter, you must cage the correct people so they’ll do your bidding. Murderers will silence an adversary or your competition. Mercenaries are the best for large-scale killings. This way you don’t have to get your own hands dirty. Not unless you want to that is. If you want a bill passed or rejected, cage a politician. If you want to fulfill your sexual desires, cage any woman, girl, boy—whatever’s your fancy. If you want to make a lot of money, cage musicians, inventors, writers—creative types. As a Middleman, you’ll reap almost all the benefits from their creativity. They’ll even thank you for it as they walk away with their miniscule percentage of the royalties. Musicians, writers, and actors can’t bring their art to the populace unless they’re in your cage, so they’re the easiest to cage, as they’ll walk right into your cage without being tranquilized. In fact, they’ll beg you to allow them to crawl into your cage.

Waiting for Icarus " He said he would be back and we’d drink wine together He said that everything would be better than before He said we were on the edge of a new relation He said he would never again cringe before his father He said that he was going to invent full-time He said he loved me that going into me He said was going into the world and the sky He said all the buckles were very firm He said the wax was the best wax He said Wait for me here on the beach He said Just don’t cry I remember the gulls and the waves I remember the islands going dark on the sea I remember the girls laughing I remember they said he only wanted to get away from me I remember mother saying : Inventors are like poets, a trashy lot I remember she told me those who try out inventions are worse I remember she added : Women who love such are the Worst of all I have been waiting all day, or perhaps longer. I would have liked to try those wings myself. It would have been better than this.

In 1944-1945, Dr Ancel Keys, a specialist in nutrition and the inventor of the K-ration, led a carefully controlled yearlong study of starvation at the University of Minnesota Laboratory of Physiological Hygiene. It was hoped that the results would help relief workers in rehabilitating war refugees and concentration camp victims. The study participants were thirty-two conscientious objectors eager to contribute humanely to the war effort. By the experiment's end, much of their enthusiasm had vanished. Over a six-month semi-starvation period, they were required to lose an average of twenty-five percent of their body weight." [...] p193 p193-194 "...the men exhibited physical symptoms...their movements slowed, they felt weak and cold, their skin was dry, their hair fell out, they had edema. And the psychological changes were dramatic. "[...] p194 "The men became apathetic and depressed, and frustrated with their inability to concentrate or perform tasks in their usual manner. Six of the thirty-two were eventually diagnosed with severe "character neurosis," two of them bordering on psychosis. Socially, they ceased to care much about others; they grew intensely selfish and self-absorbed. Personal grooming and hygiene deteriorated, and the men were moody and irritable with one another. The lively and cooperative group spirit that had developed in the three-month control phase of the experiment evaporated. Most participants lost interest in group activities or decisions, saying it was too much trouble to deal with the others; some men became scapegoats or targets of aggression for the rest of the group. Food - one's own food - became the only thing that mattered. When the men did talk to one another, it was almost always about eating, hunger, weight loss, foods they dreamt of eating. They grew more obsessed with the subject of food, collecting recipes, studying cookbooks, drawing up menus. As time went on, they stretched their meals out longer and longer, sometimes taking two hours to eat small dinners. Keys's research has often been cited often in recent years for this reason: The behavioral changes in the men mirror the actions of present-day dieters, especially of anorexics.

When in 1944 the Nazis failed to meet her as agreed in Madrid (a meeting at which she might have been interrogated about the whole Bay of Biscay incident), she wrote them the angriest, most spoiled entitled-girl letter that has likely ever been penned: “Absolutely livid about the uselessness of the journey which was expensive and disagreeable. You let me down.” To the Nazis! Who then apologized and asked very nicely to keep working with her! What a queen. After

Inventor and businesswoman Harriet Strong (1844 – 1926) said “I’d train every girl so that instead of prefacing some innovation by saying ‘A man suggested this,’ she would rely upon her own judgment. Left destitute by her husband’s suicide with four daughters to raise, Strong also said “It is quite possible for every gentlewoman to make herself familiar with business methods, papers, etc.; to prepare herself for any and all emergencies, so that if the head of the household be removed, the home that he established may be kept intact, may be preserved on its financial basis.

Finding the right mentor is not always easy. But we can locate role models in a more accessible place: the stories of great originals throughout history. Human rights advocate Malala Yousafzai was moved by reading biographies of Meena, an activist for equality in Afghanistan, and of Martin Luther King, Jr. King was inspired by Gandhi as was Nelson Mandela. In some cases, fictional characters can be even better role models. Growing up, many originals find their first heroes in their most beloved novels where protagonists exercise their creativity in pursuit of unique accomplishments. When asked to name their favorite books, Elon Musk and Peter Thiel each chose “Lord of the Rings“, the epic tale of a hobbit’s adventures to destroy a dangerous ring of power. Sheryl Sandberg and Jeff Bezos both pointed to “A Wrinkle in Time“ in which a young girl learns to bend the laws of physics and travels through time. Mark Zuckerberg was partial to “Enders Game“ where it’s up to a group of kids to save the planet from an alien attack. Jack Ma named his favorite childhood book as “Ali Baba and the Forty Thieves“, about a woodcutter who takes the initiative to change his own fate. … There are studies showing that when children’s stories emphasize original achievements, the next generation innovates more.… Unlike biographies, in fictional stories characters can perform actions that have never been accomplished before, making the impossible seem possible. The inventors of the modern submarine and helicopters were transfixed by Jules Vern’s visions in “20,000 Leagues Under the Sea” and “The Clippership of the Clouds”. One of the earliest rockets was built by a scientist who drew his motivation from an H.G. Wells novel. Some of the earliest mobile phones, tablets, GPS navigators, portable digital storage desks, and multimedia players were designed by people who watched “Star Trek” characters using similar devices. As we encounter these images of originality in history and fiction, the logic of consequence fades away we no longer worry as much about what will happen if we fail… Instead of causing us to rebel because traditional avenues are closed, the protagonist in our favorite stories may inspire originality by opening our minds to unconventional paths.

Quintus stared at me. ‘My boy, you need lessons from your friend on seeing clearly. I am Daedalus.’ There were a lot of answers I might’ve given, from ‘I knew that’ to ‘LIAR!’ to ‘Yeah right, and I’m Zeus.’ The only thing I could think to say was, ‘But you’re not an inventor! You’re a swordsman!’ ‘I am both,’ Quintus said. ‘And an architect. And a scholar. I also play basketball pretty well for a guy who didn’t start until he was two thousand years old. A real artist must be good at many things.’ ‘That’s true,’ Rachel said. ‘Like I can paint with my feet as well as my hands.’ ‘You see?’ Quintus said. ‘A girl of many talents.’ ‘But you don’t even look like Daedalus,’ I protested. ‘I saw him in a dream, and…’ Suddenly a horrible thought dawned on me. ‘Yes,’ Quintus said. ‘You’ve finally guessed the truth.’ ‘You’re an automaton. You made yourself a new body.’ ‘Percy,’ Annabeth said uneasily, ‘that’s not possible. That – that can’t be an automaton.

I wanna hear about yer brothers," Mira said.  "Are they all like Lucien?" Charles made a noise of amusement.  "Thank God, no.  I'm the second oldest, and then there's Gareth.  He's the black sheep of the family and leads a group of ne'er do wells who've styled themselves after the Hellfire Club and call themselves the Den of Debauchery.  Gareth is irresponsible and dissolute, and Lucien despairs of him ever making anything of himself besides a general public nuisance — but I have rather more faith in him than that." "And what do the villagers call him?" "The Wild One." "He sounds fun," Mira said.  "Is he betrothed?" Charles laughed.  "No mama in her right mind would want their daughter married to Gareth.  His reputation is not undeserved."  He leaned back, his elbows sinking into the sand, the sun warming his upturned face.  "And then of course there's Andrew, my youngest brother, who aspires to be an inventor and is, according to the last letter I received from him, hoping to construct a flying machine." "A flying machine?" cried both girls in unison. "Yes.  A preposterous notion, isn't it?  However, I suppose that if anyone can do it, Andrew can.  He has a clever brain, and did very well at Oxford." "What's his nickname?" "The Defiant One." "Why?" "Because he is fiery and independent, and is ever at odds with Lucien." There was long silence.  And then, softly, Amy said, "And what did the villagers call you, Charles?" Everything stilled inside him.  He sat up, feeling a sudden rush of self-loathing and loss.  "The Beloved One," he said quietly.  Head bent, he picked up a handful of sand, letting it trickle out through his fingers.  "Because I always did everything right, always lived up to what everyone expected of me, always succeeded at whatever I put my mind to — and never let anyone down."  He turned his face toward the salty breeze.  "Until now." Even

Charlotte held out her hand. She was somewhat surprised when Linnet suddenly embraced her. "Keep those claws sharp, kitten. I hope we'll meet again soon." Hugging the girl tightly, Charlotte felt her throat closing and her eyes pricking with heat. "I hope so too.

There are several books on Walter Potter---one is called Sweet Death: A Feast With Kittens; another, The Victorian Visionary: Inventor of Kitsch. There are some on carnivals, fairgrounds, prison murals, prison art, and a hefty book with a title in gold, Portraits of Icons: From Alexamenos Graffito to Peter Blake's Sgt. Pepper. There are also books I have seen before, books I used to, until very recently when I lost my suitcase, own. One is a book on the abstract expressionist Bernice Bing; colors from her piece Burney Falls cascade down the spine---deep red, tinged with orange, outlined in black against white, brown and peach like skin. There's a book on the performance artist Senga Nengudi too, and another on the painter Amrita Sher-Gil. I take this last one off the shelf, and it falls open to a middle page, which has a picture of her painting Three Girls on it. I stand there for a moment, looking at the three girls' faces: calm, patiently waiting. They are huddled close together, as though perhaps they are sisters, but I don't think they could be; they look too different. I had a postcard of this painting taped to my wall while I was growing up. It was blank on the other side, but I kept it because I had found it tucked in the wooden frame of one of Dad's paintings. It went missing at some point, but while I had it, I looked at it often and felt that I knew---like really knew, as though I had a sense about these things---that the girls depicted were vampires, and that they were still out there in the world, looking exactly the same as when Sher-Gil painted them in 1935, and that I would one day meet them. The painting, I decided when I was a child, depicted the three girls quietly waiting for three brothers to come out of a house so that they could eat them.

glory, at the Science Museum of London. Charles Babbage was a well-known scientist and inventor of the time. He had spent years working on his Difference Engine, a revolutionary mechanical calculator. Babbage was also known for his extravagant parties, which he called “gatherings of the mind” and hosted for the upper class, the well-known, and the very intelligent.4 Many of the most famous people from Victorian England would be there—from Charles Darwin to Florence Nightingale to Charles Dickens. It was at one of these parties in 1833 that Ada glimpsed Babbage’s half-built Difference Engine. The teenager’s mathematical mind buzzed with possibilities, and Babbage recognized her genius immediately. They became fast friends. The US Department of Defense uses a computer language named Ada in her honor. Babbage sent Ada home with thirty of his lab books filled with notes on his next invention: the Analytic Engine. It would be much faster and more accurate than the Difference Engine, and Ada was thrilled to learn of this more advanced calculating machine. She understood that it could solve even harder, more complex problems and could even make decisions by itself. It was a true “thinking machine.”5 It had memory, a processor, and hardware and software just like computers today—but it was made from cogs and levers, and powered by steam. For months, Ada worked furiously creating algorithms (math instructions) for Babbage’s not-yet-built machine. She wrote countless lines of computations that would instruct the machine in how to solve complex math problems. These algorithms were the world’s first computer program. In 1840, Babbage gave a lecture in Italy about the Analytic Engine, which was written up in French. Ada translated the lecture, adding a set of her own notes to explain how the machine worked and including her own computations for it. These notes took Ada nine months to write and were three times longer than the article itself! Ada had some awesome nicknames. She called herself “the Bride of Science” because of her desire to devote her life to science; Babbage called her “the Enchantress of Numbers” because of her seemingly magical math

They were also pretty fearsome fighters: trained in lightning-fast combat with staves, canes, knives, spears, swords, even their bare hands, the girls used their smaller, more lithe frames to their advantage against large male opponents. Thus prepped, kunoichi could infiltrate the homes of high-ranking men as maids, geisha, or friends in ways that no other spy could. Black Widow, eat your heart out.

plenty of instances of the persecution of inventors, even to quite a late date. It is impossible, of course, to say how many good things were lost to the world by the pig-headedness which discouraged new inventions. It is marvellous to think what progress single men made, who had to begin almost at the beginning, and learn for themselves what every intelligent boy or girl now finds ready for him in the Cyclopædia. It is very clear that the same beginnings were made again and again by some of the early inventors. Then, what they learned had been almost forgotten. There was no careful record of their experiments, or, if any, it was in one manuscript, and that was not accessible to people trying to follow in their steps. "I have laid out for you," said Uncle Fritz, "some of the early accounts of Friar Bacon,—Roger

plenty of instances of the persecution of inventors, even to quite a late date. It is impossible, of course, to say how many good things were lost to the world by the pig-headedness which discouraged new inventions. It is marvellous to think what progress single men made, who had to begin almost at the beginning, and learn for themselves what every intelligent boy or girl now finds ready for him in the Cyclopædia. It is very clear that the same beginnings were made again and again by some of the early inventors. Then, what they learned had been almost forgotten. There was no careful record of their experiments, or, if any, it was in one manuscript, and that was not accessible to people trying to follow in their steps.

Timothy Leary had done it, to the consternation of the FBI, and even worse so had the inventor of the orgone accumulator, that accursèd post-Freudian who had had the temerity to try to teach good American boys and girls about sex—