Introducing Baby To The World Quotes

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She’d struck Esk once before – the blow a baby gets to introduce it to the world and give it a rough idea of what to expect from life.
Terry Pratchett (Equal Rites (Discworld, #3; Witches, #1))
Babies need not to be taught a trade, but to be introduced to a world. To put the matter shortly, woman is generally shut up in a house with a human being at the time when he asks all the questions that there are, and some that there aren't. It would be odd if she retained any of the narrowness of a specialist. Now if anyone says that this duty of general enlightenment (even when freed from modern rules and hours, and exercised more spontaneously by a more protected person) is in itself too exacting and oppressive, I can understand the view. I can only answer that our race has thought it worth while to cast this burden on women in order to keep common-sense in the world. But when people begin to talk about this domestic duty as not merely difficult but trivial and dreary, I simply give up the question. For I cannot with the utmost energy of imagination conceive what they mean. When domesticity, for instance, is called drudgery, all the difficulty arises from a double meaning in the word. If drudgery only means dreadfully hard work, I admit the woman drudges in the home, as a man might drudge at the Cathedral of Amiens or drudge behind a gun at Trafalgar. But if it means that the hard work is more heavy because it is trifling, colorless and of small import to the soul, then as I say, I give it up; I do not know what the words mean. To be Queen Elizabeth within a definite area, deciding sales, banquets, labors and holidays; to be Whiteley within a certain area, providing toys, boots, sheets, cakes. and books, to be Aristotle within a certain area, teaching morals, manners, theology, and hygiene; I can understand how this might exhaust the mind, but I cannot imagine how it could narrow it. How can it be a large career to tell other people's children about the Rule of Three, and a small career to tell one's own children about the universe? How can it be broad to be the same thing to everyone, and narrow to be everything to someone? No; a woman's function is laborious, but because it is gigantic, not because it is minute. I will pity Mrs. Jones for the hugeness of her task; I will never pity her for its smallness.
G.K. Chesterton (What's Wrong with the World)
I’m going to have a shower, then maybe we can get some lunch out; and then, baby, then we can come back and make it all night long!’ She vanished through the door, and David heard water running in the bathroom.
Jackie Collins (The World is Full of Married Men: introduced by Fanny Blake)
Ingram was, in 1988, Chairman of the Republican Party in Olympia, Washington, the chief civil deputy in the local sheriffs department, well-regarded, highly religious, and responsible for warning children in school assemblies of the dangers of drugs. Then came the nightmare moment when one of his daughters—after a highly emotional session at a fundamentalist religious retreat—leveled the first of many charges, each more ghastly than the previous, that Ingram had sexually abused her, impregnated her, tortured her, made her available to other sheriff’s deputies, introduced her to satanic rites, dismembered and eaten babies
Carl Sagan (The Demon-Haunted World: Science as a Candle in the Dark)
Every generation of children instinctively nests itself in nature, no matter matter how tiny a scrap of it they can grasp. In a tale of one city child, the poet Audre Lord remembers picking tufts of grass which crept up through the paving stones in New York City and giving them as bouquets to her mother. It is a tale of two necessities. The grass must grow, no matter the concrete suppressing it. The child must find her way to the green, no matter the edifice which would crush it. "The Maori word for placenta is the same word for land, so at birth the placenta is buried, put back in the mothering earth. A Hindu baby may receive the sun-showing rite surya-darsana when, with conch shells ringing to the skies, the child is introduced to the sun. A newborn child of the Tonga people 'meets' the moon, dipped in the ocean of Kosi Bay in KwaZulu-Natal. Among some of the tribes of India, the qualities of different aspects of nature are invoked to bless the child, so he or she may have the characteristics of earth, sky and wind, of birds and animals, right down to the earthworm. Nothing is unbelonging to the child. "'My oldest memories have the flavor of earth,' wrote Frederico García Lorca. In the traditions of the Australian deserts, even from its time in the womb, the baby is catscradled in kinship with the world. Born into a sandy hollow, it is cleaned with sand and 'smoked' by fire, and everything -- insects, birds, plants, and animals -- is named to the child, who is told not only what everything is called but also the relationship between the child and each creature. Story and song weave the child into the subtle world of the Dreaming, the nested knowledge of how the child belongs. "The threads which tie the child to the land include its conception site and the significant places of the Dreaming inherited through its parents. Introduced to creatures and land features as to relations, the child is folded into the land, wrapped into country, and the stories press on the child's mind like the making of felt -- soft and often -- storytelling until the feeling of the story of the country is impressed into the landscape of the child's mind. "That the juggernaut of ants belongs to a child, belligerently following its own trail. That the twitch of an animal's tail is part of a child's own tale or storyline, once and now again. That on the papery bark of a tree may be written the songline of a child's name. That the prickles of a thornbush may have dynamic relevance to conscience. That a damp hollow by the riverbank is not an occasional place to visit but a permanent part of who you are. This is the beginning of belonging, the beginning of love. "In the art and myth of Indigenous Australia, the Ancestors seeded the country with its children, so the shimmering, pouring, circling, wheeling, spinning land is lit up with them, cartwheeling into life.... "The human heart's love for nature cannot ultimately be concreted over. Like Audre Lord's tufts of grass, will crack apart paving stones to grasp the sun. Children know they are made of the same stuff as the grass, as Walt Whitman describes nature creating the child who becomes what he sees: There was a child went forth every day And the first object he look'd upon, that object he became... The early lilacs became part of this child... And the song of the phoebe-bird... In Australia, people may talk of the child's conception site as the origin of their selfhood and their picture of themselves. As Whitman wrote of the child becoming aspects of the land, so in Northern Queensland a Kunjen elder describes the conception site as 'the home place for your image.' Land can make someone who they are, giving them fragments of themselves.
Jay Griffiths (A Country Called Childhood: Children and the Exuberant World)
In any group of dolphins you’ll find cliques and posses, duos and trios and quartets, mothers and babies and spinster aunts, frisky bands of horny teenage males, wily hunters, burly bouncers, sage elders—and their associations are anything but random. Dolphins are strategists. They’re also highly social chatterboxes who recognize themselves in the mirror, count, cheer, giggle, feel despondent, stroke each other, adorn themselves, use tools, make jokes, play politics, enjoy music, bring presents on a date, introduce themselves, rescue one another from dangerous situations, deduce, infer, manipulate, improvise, form alliances, throw tantrums, gossip, scheme, empathize, seduce, grieve, comfort, anticipate, fear, and love—just like us.
Susan Casey (Voices in the Ocean: A Journey into the Wild and Haunting World of Dolphins)
easy thing for a spirit to get used to. It is very confining, very limiting. So the child will cry out at suddenly being so limited. Hear this cry. Understand it. And give your children as much of a sense of “unlimitedness” as you possibly can. Next, introduce them to the world you have created with gentleness and care. Be full of care—that is to say, be careful—of what you put into their memory storage units. Children remember everything they see, everything they experience. Why do you spank your children the moment they exit the womb? Do you really imagine this is the only way to get their engines going? Why do you take your babies away from their mothers minutes after they have been separated from the only life-form they have known in all of their present existence? Will not the measuring and the weighing and the prodding and the poking wait for just a moment while the newly born experience the safety and the comfort of that which
Neale Donald Walsch (The Complete Conversations with God)
And, so, what was it that elevated Rubi from dictator's son-in-law to movie star's husband to the sort of man who might capture the hand of the world's wealthiest heiress? Well, there was his native charm. People who knew him, even if only casually, even if they were predisposed to be suspicious or resentful of him, came away liking him. He picked up checks; he had courtly manners; he kept the party gay and lively; he was attentive to women but made men feel at ease; he was smoothly quick to rise from his chair when introduced, to open doors, to light a lady's cigarette ("I have the fastest cigarette lighter in the house," he once boasted): the quintessential chivalrous gent of manners. The encomia, if bland, were universal. "He's a very nice guy," swore gossip columnist Earl Wilson, who stayed with Rubi in Paris. ""I'm fond of him," said John Perona, owner of New York's El Morocco. "Rubi's got a nice personality and is completely masculine," attested a New York clubgoer. "He has a lot of men friends, which, I suppose, is unusual. Aly Khan, for instance, has few male friends. But everyone I know thinks Rubi is a good guy." "He is one of the nicest guys I know," declared that famed chum of famed playboys Peter Lawford. "A really charming man- witty, fun to be with, and a he-man." There were a few tricks to his trade. A society photographer judged him with a professional eye thus: "He can meet you for a minute and a month later remember you very well." An author who played polo with him put it this way: "He had a trick that never failed. When he spoke with someone, whether man or woman, it seemed as if the rest of the world had lost all interest for him. He could hang on the words of a woman or man who spoke only banalities as if the very future of the world- and his future, especially- depended on those words." But there was something deeper to his charm, something irresistible in particular when he turned it on women. It didn't reveal itself in photos, and not every woman was susceptible to it, but it was palpable and, when it worked, unforgettable. Hollywood dirt doyenne Hedda Hoppe declared, "A friend says he has the most perfect manners she has ever encountered. He wraps his charm around your shoulders like a Russian sable coat." Gossip columnist Shelia Graham was chary when invited to bring her eleven-year-old daughter to a lunch with Rubi in London, and her wariness was transmitted to the girl, who wiped her hand off on her dress after Rubi kissed it in a formal greeting; by the end of lunch, he had won the child over with his enthusiastic, spontaneous manner, full of compliments but never cloying. "All done effortlessly," Graham marveled. "He was probably a charming baby, I am sure that women rushed to coo over him in the cradle." Elsa Maxwell, yet another gossip, but also a society gadabout and hostess who claimed a key role in at least one of Rubi's famous liaisons, put it thus: "You expect Rubi to be a very dangerous young man who personifies the wolf. Instead, you meet someone who is so unbelievably charming and thoughtful that you are put off-guard before you know it." But charm would only take a man so far. Rubi was becoming and international legend not because he could fascinate a young girl but because he could intoxicate sophisticated women. p124
Shawn Levy (The Last Playboy : the High Life of Porfirio Rubirosa)
You should be kissed and often, and by someone who knows how.’ Let me introduce myself. I’m River. I’m your current boyfriend. Cross my heart and hope to die—not really, but you know what I mean. There are three things about you that caught my attention: First, you’re smart, too smart for me, but for some reason, you don’t care. Two, if you had wings, they’d be the colors of the rainbow. Three, you touch me, and I have peace. You’re a River-whisperer. Dad told me to take care of Mom, be a good brother to Rae, and wait for Anastasia. He somehow knew you were mine. Where are you from? Apparently, everywhere. Do you know how cool I think you are? Growing up moving around must have been hard, but it created a woman who looks at someone and sees underneath to the parts others don’t. What are you doing after this? I hope after this night, in the future, we’ll be together, in some city, crazy in love. Please tell me you’re single. You aren’t single, Anastasia. You’re mine. Also… I’m not a serial killer. True. Or an alien. (People in Walker really dig that stuff.) True. Or a player. I had my moments. Or a douchebag. Again, had some moments. Or a dick. Okay…maybe once or twice. I’m just the guy in front of you on a snow-covered mountain, baring his soul to the most beautiful girl in the world. You have dreams and I get it. I’ll wait for you forever. No matter how long it takes for us to come back to a place where we can be together for real. Your first reaction to this note may be to run as far as you can, but you only live once, and we can’t lose what we have. Fate has a way of bringing people together, and, baby girl, we’re meant to be. Kappa Boy AKA River Tate AKA Snake AKA Fake River AKA Anastasia’s Man
Ilsa Madden-Mills (The Revenge Pact (Kings of Football, #1))
A week before my due date, Marlboro Man had to preg-test a hundred cows. Preg-testing cows, I would learn in horror that warm June morning, does not involve the cow urinating on a test stick and waiting at least three minutes to read the result. Instead, a large animal vet inserts his entire arm into a long disposable glove, then inserts the gloved arm high into the rectum of a pregnant cow until the vet’s arm is no longer visible. Once his arm is deep inside the cow’s nether regions, the vet can feel the size and angle of the cow’s cervix and determine two things: 1. Whether or not she is pregnant. 2. How far along she is. With this information, Marlboro Man decides whether to rebreed the nonpregnant cows, and in which pasture to place the pregnant cows; cows that became bred at the same time will stay in the same pasture so that they’ll all give birth in approximately the same time frame. Of course, I understood none of this as I watched the doctor insert the entire length of his arm into a hundred different cows’ bottoms. All I knew is that he’d insert his arm, the cow would moo, he would pull out his arm, and the cow would poop. Unintentionally, each time a new cow would pass through the chute, I’d instinctively bear down. I was just as pregnant as many of the cows. My nether regions were uncomfortable enough as it was. The thought of someone inserting their… It was more than I probably should have signed up for that morning. “God help me!” I yelped as Marlboro Man and I pulled away from the working area after the last cow was tested. “What in the name of all that is holy did I just witness?” “How’d you like that?” Marlboro Man asked, smiling a satisfied smile. He loved introducing me to new ranching activities. The more shocking I found them, the better. “Seriously,” I mumbled, grasping my enormous belly as if to protect my baby from the reality of this bizarre, disturbing world. “That was just…that was like nothing I’ve ever seen before!” It made the rectal thermometer episode I’d endured many months earlier seem like a garden party. Marlboro Man laughed and rested his hand on my knee. It stayed there the rest of the drive home. At eleven that night, I woke up feeling strange. Marlboro Man and I had just drifted off to sleep, and my abdomen felt tight and weird. I stared at the ceiling, breathing deeply in an effort to will it away. But then I put two and two together: the whole trauma of what I’d seen earlier in the day must have finally caught up with me. In my sympathy for the preg-tested cows, I must have borne down a few too many times. I sat up in bed. I was definitely in labor.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Unintentionally, each time a new cow would pass through the chute, I’d instinctively bear down. I was just as pregnant as many of the cows. My nether regions were uncomfortable enough as it was. The thought of someone inserting their… It was more than I probably should have signed up for that morning. “God help me!” I yelped as Marlboro Man and I pulled away from the working area after the last cow was tested. “What in the name of all that is holy did I just witness?” “How’d you like that?” Marlboro Man asked, smiling a satisfied smile. He loved introducing me to new ranching activities. The more shocking I found them, the better. “Seriously,” I mumbled, grasping my enormous belly as if to protect my baby from the reality of this bizarre, disturbing world. “That was just…that was like nothing I’ve ever seen before!” It made the rectal thermometer episode I’d endured many months earlier seem like a garden party. Marlboro Man laughed and rested his hand on my knee. It stayed there the rest of the drive home.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Babies need not to be taught a trade, but to be introduced to a world.
G.K. Chesterton (What's Wrong With the World)
...an unlikely group pieced together these past few weeks from parties and family references, friend-of-friend happenstance, and (in one case, just now being introduced) sheer, scarcely tolerable intrusiveness-five people who, in normal life back home, would have been satisfied never to have known one another. Five young expatriates hunch around an undersized cafe table: a moment of total insignificance, and not without a powerful whiff of cliche. Unless you were one of them. Then this meaningless, overdrawn moment may (then or later) seem to be somehow the summation of both an era and your own youth, your undeniably defining afternoon (though you can hardly say that aloud without making a joke of it). Somehow this one game of Sincerity becomes the distilled recollection of a much longer series of events. It persistantly rises to the surface of your memory-that afternoon when you fell in love with a person or a place or a mood, when you savored the power of fooling everyone, when you discovered some great truth about the world, when (like a baby duck glimpsing your quacking mother's waddling rear for the first time) an indelible brand was seared into your heart, which is, of course, a finate space with limited room for searing. Despite its insignificance, there was this moment, this hour or two, this spring afternoon blurring into evening on a cafe patio in a Central European capital in the opening weeks of its post-Communist era. The glasses of liqueur. The diamond dapples of light between oval, leaf-shaped shadows, like optical illusions. The trellised curve of the cast-iron fence seperating the patio from its surrounding city square. The uncomfortable chair. Someday this too will represent someone's receding, cruelly unattainable golden age. (4-5)
Arthur Phillips (Prague)
the blow a baby gets to introduce it to the world and give it a rough idea of what to expect from life.
Terry Pratchett (Equal Rites (Discworld, #3))
When you become a master of two worlds (say, engineering and business), you can bring them together in a way that will a) introduce hot ideas to each other, so they can have idea sex and make idea babies that no one has seen before, and b) create a competitive advantage because you can move between worlds, speak both languages, connect the tribes, mash the elements to spark fresh creative insight until you wake up with the epiphany that changes your life.
Som Bathla (Think Out of The Box: Generate Ideas on Demand, Improve Problem Solving, Make Better Decisions, and Start Thinking Your Way to the Top)
Delilah discretely checked her watch, wondering how long she needed to stay in order to politely tap out and call it a night. At least another half hour. No, make that twenty minutes. She wouldn’t survive another half hour. She was so focused on appearing focused on Jeff, that she felt the harsh shove at her hip before she saw anything. Jostled to the side, she looked up, startled, already having figured out that someone had slid into the booth next to her, mercilessly bumping her out of the way. She could not have been more surprised to see Brandon or the sweet smile that spread across his face at the sight of her. Blinking a few times, she rapidly took in the scene, once again regretting that she hadn’t finished that second forget spell on him. She also saw that Jeff was just mortified by the intrusion. At least it shut him up for a moment. Before she could think of anything to say, Brandon gave her a sad pitying look and odd words started tumbling from his lips. “Lilah, baby, come home.” “Huh?” What the hell was he talking about? Jeff’s spine got straighter, if that was possible. He huffed and crossed his arms. Brandon gazed deeply into her eyes and kept talking. “We miss you.” We? “Delilah,” Jeff’s tone demanded attention and both she and Brandon turned to face the other man. “Do you know this . . . gentleman?” Clearly ‘gentleman’ was not what he thought Brandon was. Delilah thought maybe ‘insane asylum inmate’ was a better option. What did Brandon mean, ‘we’? She took a sip of her drink to cover for her confusion. Brandon put his right hand out across the table as though to introduce himself, his left arm snaked possessively around Delilah’s shoulders, but she was too confused to react. “I’m Brandon Stewart. Delilah’s husband.” Immediately she choked. Husband? Her wide eyes swung to his face, only to find that he looked perfectly serious. He gave her a sad smile as Jeff voiced her concerns. “Husband?” Brandon didn’t take his eyes off hers. Even as she sat there choking on her drink. Not that he volunteered to hit her on the back or ask if she was going to survive. He just looked sad. “Baby, have you been dating again? You know the doctors think that’s a bad idea.” Then, he turned his sympathetic face to Jeff, “She isn’t well.” That was it! Her anger poured out in her voice, which she barely managed to keep from screeching above the noise level and broadcasting to the entire bar. “Brandon!” Jeff looked taken aback. “You know him? Are you married?” “No!” She shook her head violently. What was Brandon doing? He made his next play before she could form words. “She’s not only married, we have a family.” He shifted his weight, pressing intimately along her from shoulder to thigh, as he fished in his pants pocket for his wallet. He drew out the leaning and fishing a little longer than necessary. Especially considering she was boiling mad. She was married? To him? He deftly plucked a studio portrait of two small children, clearly his own. Delilah had to hand it to him, the little blonde-haired, blue-eyed cuties could easily have been hers. One boy and one girl smiled at the camera, sweet and perfect for all the world, heads pressed together. Brandon made sure she saw the photo before he handed it over to Jeff. “That’s our Tiger and Muffin there. Well,” He smiled like he was all chagrined, “Tyler and Madison.” Then he turned to her, still sweet and sad. “You can’t do this again, baby. Come home.” She simmered, but didn’t speak.
Savannah Kade
In the years directly following World War II—the time when modern childhood began in earnest—the toy boom began in earnest too. In 1940, toy sales were a modest $ 84 million; by 1960, they had reached $ 1.25 billion. Many classic children’s toys were invented during this era, including Silly Putty (1950) and Mr. Potato Head (1952). And the pickings back then were paltry compared to today, when playrooms as well stocked as Emily’s are increasingly common. In Parenting, Inc. (2008), Pamela Paul writes that toy industry sales “for babies between birth and age two alone” were over $ 700 million annually. According to the Toy Industry Association, domestic sales of kids’ toys were $ 21.2 billion in 2011, a figure that didn’t include video games. Such oceans of plenty have had unintended consequences. In Huck’s Raft, Steven Mintz notes that toys before the twentieth century were primarily social in nature—jump ropes, marbles, kites, balls. “Modern manufactured toys,” on the other hand, “implied a solitariness that was not a part of childhood before the twentieth century.” He’s thinking of Crayons, for instance, introduced in 1903. Or Tinker Toys (1914), Lincoln Logs (1916), or Legos (1932).
Jennifer Senior (All Joy and No Fun: The Paradox of Modern Parenthood)
The Magic of Fairy Tales: Sparking Imagination and Learning Fairy tales have been an integral part of childhood for centuries, blending adventure, life lessons, and imaginative escapism. Whether reading a short fairy tale before bed or diving into a long fairy tale, these stories entertain, teach, and connect generations. From baby fairy tales to more complex children's fairy tales, there’s something for everyone in the world of fairy tales. Starting with Baby Fairy Tales For young children, baby fairy tales introduce them to the enchanting world of storytelling. These simple, repetitive tales are easy for toddlers to follow. Short fairy tales are ideal for this age group, offering quick narratives that engage without overwhelming. Whether it’s a tale of magical creatures or friendly giants, these stories spark early imagination. Bedtime is a perfect time for these soothing stories, helping children relax before sleep. The Power of Educational Fairy Tales As children grow, educational fairy tales blend entertainment with important life lessons. Aesop’s fairy tales, for example, combine engaging plots with moral teachings. Fables like “The Tortoise and the Hare” or “The Boy Who Cried Wolf” teach patience, honesty, and consequences. These tales, often featuring animals, encourage critical thinking. Aesop's fairy tales are perfect because they are short, making them ideal for young readers or bedtime. Exploring Animal Fairy Tales Another favorite genre is animal fairy tales, where animals take human-like traits and embark on adventures. These stories teach empathy, cooperation, and teamwork. For instance, animals helping each other solve problems or overcome challenges promotes friendship and kindness. Animal fairy tales are especially engaging for young children, who can relate to the characters while learning important values. Fantasy Fairy Tales: Unlocking Imagination Fantasy fairy tales are perhaps the most magical. Filled with dragons, witches, and brave heroes, these tales transport readers into realms where anything is possible. Fantasy stories encourage children to use their imagination and learn about courage and resourcefulness. Famous tales like Cinderella or Snow White offer exciting adventures, teaching life lessons through magical escapism. Cultural Tales: Keloğlan and Heidi Fairy Tales Fairy tales also provide a window into different cultures. Keloğlan fairy tales offer Turkish folklore, with the clever Keloğlan outwitting his adversaries. These tales teach creativity and resilience. Similarly, Heidi's fairy tales bring the Swiss Alps to life, teaching lessons about family, kindness, and nature. Grandfather Scary Stories and Sleep Stories For older children, grandfather scary stories offer thrills and suspense. These stories help children safely face their fears. Meanwhile, sleep fairy tales and sleep stories offer a calming end to the day, assisting children to unwind before bedtime. In conclusion, fairy tales—whether short, long, educational, or fun—spark creativity, teach values, and foster emotional growth. By sharing these stories, we create lasting memories that will inspire future generations.
Ruzgar