Intro Words For Quotes

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Perényi had found in the garden everything from sexual politics and class struggle to culinary fashion and, particularly relevant to me, ecological insight. The garden in other words, was better approached as an arena than a refuge. --Intro by Michael Pollan
Frank Kingdon Ward (In the Land of the Blue Poppies: The Collected Plant-Hunting Writings of Frank Kingdon Ward (Modern Library Gardening))
Relly fired off the opening riff. Butt laid down the beat, old doom and new joy mixed together. "I wait till I, like fire, shall rise," Jerod sang. And then again, louder, wailing sure and true. I was the last one to join in. I had a bass line all wroked out, of course. I'd been waiting weeks for this momment. My fingers colosed on the strings, pressed them hard to the frets. Butt and Relly were locked in, repeating the four-bar intro. Louder and louder, fierce as a war cry. "Ok," I whispered into the pounding noise. I joined in, doubling Relly at first, then splitting off to coil our riffs together. It was great, it was huge, it was endless. The song rose, churning and sucking everything in like a cyclone. "The will my voice in great goodbyes," Jerod screamed from the speakers. "Join to the chorus of the skies." Silence was inside me, riding the Ghost Metal tornado. Right at the center, at the heart of the song. I didn't need a voice. I had a bass. I didn't need to hear myself talk or sing. Jerod could make the words for me. Or maybe it was Silence herself, pouring out through the PA system. Either way, any way, They were my words. And all the world would hear them.
Leander Watts (Beautiful City of the Dead)
Fans of the Peanuts comic strip may also remember Snoopy beginning his novel again and again, always starting with the line 'It was a dark and stormy night' ... In fact, since 1982, San Jose State University has run a writing contest inspired by 'It was a dark and stormy night' ... Charles Dickens opens stave one of A Christmas Carol with 'Once upon a time' ... Similarly, James Joyce's A Portrait of the Artist As a Young Man begins: 'Once upon a time' ... and Madeleine L'Engle begins A Wrinkle in Time with the very words 'It was a dark and stormy night.' (From Intro by Francine Prose)
Christopher R. Beha (The Writer's Notebook II: Craft Essays from Tin House)
Okay, so I shouldn't have fucked with her on the introduction thing. Writing nothing except, Saturday night. You and me. Driving lessons and hot sex ... in her notebook probably wasn't the smartest move. But I was itching to make Little Miss Perfecta stumble in her introduction of me. And stumbling she is. "Miss Ellis?" I watch in amusement as Perfection herself looks up at Peterson. Oh, she's good. This partner of mine knows how to hide her true emotions, something I recognize because I do it all the time. "Yes?" Brittany says, tilting her head and smiling like a beauty queen. I wonder if that smile has ever gotten her out of a speeding ticket. "It's your turn. Introduce Alex to the class." I lean an elbow on the lab table, waiting for an introduction she has to either make up or fess up she knows less than crap about me. She glances at my comfortable position and I can tell from her deer-in-the-headlights look I've stumped her. "This is Alejandro Fuentes," she starts, her voice hitching the slightest bit. My temper flares at the mention of my given name, but I keep a cool facade as she continues with a made-up introduction. "When he wasn't hanging out on street corners and harassing innocent people this summer, he toured the inside of jails around the city, if you know what I mean. And he has a secret desire nobody would ever guess." The room suddenly becomes quiet. Even Peterson straightens to attention. Hell, even I'm listening like the words coming out of Brittany's lying, pink-frosted lips are gospel. "His secret desire," she continues, "is to go to college and become a chemistry teacher, like you, Mrs. Peterson." Yeah, right. I look over at my friend Isa, who seems amused that a white girl isn't afraid of giving me smack in front of the entire class. Brittany flashes me a triumphant smile, thinking she's won this round. Guess again, gringa. I sit up in my chair while the class remains silent. "This is Brittany Ellis," I say, all eyes now focused on me. "This summer she went to the mall, bought new clothes so she could expand her wardrobe, and spent her daddy's money on plastic surgery to enhance her, ahem, assets." It might not be what she wrote, but it's probably close enough to the truth. Unlike her introduction of me. Chuckles come from mis cuates in the back of the class, and Brittany is as stiff as a board beside me, as if my words hurt her precious ego. Brittany Ellis is used to people fawning all over her and she could use a little wake-up call. I'm actually doing her a favor. Little does she know I'm not finished with her intro. "Her secret desire," I add, getting the same reaction as she did during her introduction, "is to date a Mexicano before she graduates." As expected, my words are met by comments and low whistles from the back of the room. "Way to go, Fuentes," my friend Lucky barks out. "I'll date you, mamacita, " another says. I give a high five to another Latino Blood named Marcus sitting behind me just as I catch Isa shaking her head as if I did something wrong. What? I'm just having a little fun with a rich girl from the north side. Brittany's gaze shifts from Colin to me. I take one look at Colin and with my eyes tell him game on. Colin's face instantly turns bright red, resembling a chile pepper. I have definitely invaded his territory.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
gee i like to think of dead" gee i like to think of dead it means nearer because deeper firmer since darker than little round water at one end of the well       it's too cool to be crooked and it's too firm to be hard but it's sharp and it's thick and it loves,      every old thing falls in rosebugs and jackknives and kittens and pennies they all sit there looking at each other having the fastest time because they've never met before dead's more even than how many ways of sitting on your head your unnatural hair has in the morning dead's clever too like POF goes the alarm off and the little striker having the best time tickling away every- body's brain so everybody just puts out their finger and they stuff the poor thing all full of fingers dead has a smile like the nicest man you've never met who maybe winks at you in a streetcar and you pretend you don't but really you do see and you are My how glad he winked and hope he'll do it again or if it talks about you somewhere behind your back it makes your neck feel all pleasant and stoopid      and if dead says may i have this one and was never intro- duced you say Yes because you know you want it to dance with you and it wants to and it can dance and Whocares dead's fine like hands do you see that water flowerpots in windows but they live higher in their house than you so that's all you see but you don't want to dead's happy like the way underclothes All so differ- ently solemn and inti and sitting on one string dead never says my dear,Time for your musiclesson and you like music and to have somebody play who can but you know you never can and why have to? dead's nice like a dance where you danced simple hours and you take all your prickley-clothes off and squeeze- into-largeness without one word      and you lie still as anything      in largeness and this largeness begins to give you,the dance all over again and you,feel all again all over the way men you liked made you feel when they touched you(but that's not all)because largeness tells you so you can feel what you made,men feel when,you touched,them dead's sorry like a thistlefluff-thing which goes land- ing away all by himself on somebody's roof or some- thing where who-ever-heard-of-growing and nobody expects you to anyway dead says come with me he says(and why ever not)into the round well and see the kitten and the penny and the jackknife and the rosebug                                 and you say Sure you say  (like that)  sure i'll come with you you say for i like kittens i do and jackknives i do and pennies i do and rosebugs i do E.E. Cummings, 100 Selected Poems. (Grove Press, January 10, 1994) Originally published 1954.
E.E. Cummings (100 Selected Poems)
The task of evangelism looks different if we think in this transformed way. Rather than trying to learn all of the right words, have all of the right booklets, anticipate all of the right questions, and memorize all of the right intros and Scripture, we should approach evangelism with wisdom. This means that we become people who incarnate the gospel and speak of it freely because our hearts and minds have been captivated by it. Becoming people of wisdom and compassion is the prerequisite for any evangelistic technique.
Randy Newman (Questioning Evangelism: Engaging People's Hearts the Way Jesus Did)
In a foreign language, a lot of social and psychological conditioning gets thrown out the window. First, you begin to interact with people who do not know you outside of the target language. The blank canvas effect here is true of any new people you meet, in general. Second, every language is a world unto itself. It is common to hear people comment on the particularity of an individual’s foreign language skills. “She speaks French well. His Spanish is formal or funny. I want to hear them speak Arabic.” In other words, people expect there to be some differences between the native-language version of yourself and the target-language version. If you want to exaggerate these differences, then more power to you. As the saying in the intro goes, the multiple personalities effect with people who speak more than one language is real but bears none of the oft associated pathology.
Benjamin Batarseh (The Art of Learning a Foreign Language: 25 Things I Wish They Told Me)
For dead little bunny, and myself, soon dead
Qiu Miaojin (Last Words from Montmartre)
Charlie leaned toward Termite and said, “Pal, don’t let Monk wink at you. He spent time in a monastery with about a hundred other men dressed in robes and . . . well, you know what they say.” Termite looked at Davis. “No kidding?” Davis nodded but never took his eyes off his burgers, which were getting close to perfect. “About two hours outside of Seville, up in the mountains.” Charlie’s little wink and comment did two things: it got me out of having to brush off Davis, and it gave Davis an intro. In a sense, Charlie was watching my back. I wondered if he’d do that if he knew the whole truth. “A monastery,” Termite repeated. “Why’d you want to do something stupid like that?” Davis turned and chewed on his answer before he spoke it. “I was arguing with God.” Charlie spoke up. “Which is a lot harder when you don’t speak for five years.” Termite looked confused. “He took a vow of silence,” I explained. Termite’s eyes grew big, he looked at the floor, at all of us, then back at Davis. “You didn’t say a single word to another
Charles Martin (When Crickets Cry)
The word “introvert” is a combination of two Latin words: intro, meaning inward and vertere, meaning turning.
Joshua Moore (INTROVERT: I Am An Introvert: The Power of Introverts and Introverted Leadership.: A survival guide on managing stress and emotional anxiety for quiet people (The Art of Growth Book 8))
blockchain is generally considered to be an immutable and distributed ledger of data. A word of caution, though… Some use the term “distributed ledger” when they truly mean blockchain. While definitions and levels of understanding certainly vary, it is my intention to provide you with clear guidance here… While a blockchain is a distributed ledger, a distributed ledger is not a blockchain.
Jonathan Morley (That Book on Blockchain: A One-Hour Intro)