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Love is the one thing we’re capable of perceiving that transcends dimensions of time and space.
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Greg Keyes (Interstellar: The Official Movie Novelization)
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After you kids came along, your mom, she said something to me I never quite understood. She said, "Now, we're just here to be memories for our kids." I think now I understand what she meant. Once you're a parent, you're the ghost of your children's future.
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Cooper
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Don’t trust the right thing, done for the wrong reason. The ‘why’ of a thing—that’s the foundation.
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Greg Keyes (Interstellar: The Official Movie Novelization)
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you have to leave something behind to go forward
-Newton's Third Law of Motion
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Greg Keyes (Interstellar)
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Murphy’s Law doesn’t mean bad stuff will happen,” he explained gently, really wanting her to understand. “It means ‘whatever can happen… will happen.’ And that sounded just fine to us.
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Greg Keyes (Interstellar: The Official Movie Novelization)
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Love isn’t something that we invented. It’s observable. Powerful. It has to mean something. Maybe it means something more, something we can’t yet understand. Maybe it’s some evidence, some artifact of a higher dimension that we can’t consciously perceive.
Love is the one thing that we’re capable of perceiving that transcends dimensions of time and space.
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Brand
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Love, like gravity, which could move across time and dimensions.
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Greg Keyes (Interstellar: The Official Movie Novelization)
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Once you're a parent, you're the ghost of your children's future.
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Cooper
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This world’s a treasure, Donald. But she’s been telling us to leave for a while now. Mankind was born on Earth. It was never meant to die here.
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Greg Keyes (Interstellar: The Official Movie Novelization)
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thought he knew how to begin. “After you kids came along,” he told her, “your mother said something I didn’t really understand. She said, ‘I look at the babies and see myself as they’ll remember me.
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Greg Keyes (Interstellar: The Official Movie Novelization)
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Gravity crosses the dimensions, including time,” he said.
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Greg Keyes (Interstellar: The Official Movie Novelization)
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You say science is about admitting what we don’t know,” she said.
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Greg Keyes (Interstellar: The Official Movie Novelization)
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Do we have enough food to feed the people of the world as they become middle class consumers? The hundreds of millions of people in China and India who are now entering the middle class watch Western movies and want to emulate that lifestyle, with its wasteful use of resources, large consumption of meat, big houses, fixation on luxury goods, et cetera. He is concerned we may not have enough resources to feed the population as a whole, and certainly would have difficulty feeding those who want to consume a Western diet.
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Michio Kaku (The Future of Humanity: Terraforming Mars, Interstellar Travel, Immortality, and Our Destiny BeyondEarth)
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His physical body, this physical body was not—could not be—in the past. But gravity could. Like Tars said, gravity cut across and through all of the dimensions. When he punched at one of them, what he was really doing was sending a pulse through space-time, a gravitic surge that was responsible for moving the books.
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Greg Keyes (Interstellar: The Official Movie Novelization)
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The bathroom door opened and Griff emerged in a cloud of steam, the grand entrance of every B-movie alien I’d ever seen. Maybe this wasn’t Griff at all but some interstellar prankster setting me up. Forget about abductions, anal probes and secret alien cookbooks—the real fun was in poking at the Earthlings’ old heartaches.
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Ben Monopoli (The Cranberry Hush)
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The general public long ago stopped looking for beauty in high culture. But it still has TV and the movies....you are far more likely to find genuinely mesmerising images and real beauty in big-budget Hollywood movies -- think of, say, Christopher Nolan's Interstellar or his Dark Knight Trilogy -- than in any European art-house
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Sohrab Ahmari (The New Philistines (Provocations))
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Hanley said. “We’ve replaced them with corrected versions.” “Corrected?” Cooper asked. “Explaining how the Apollo missions were faked to bankrupt the Soviet Union.
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Greg Keyes (Interstellar: The Official Movie Novelization)
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Fine,” he said. “Murph, you wanna talk science, don’t just tell me you’re scared of some ghost. Record the facts, analyze—present your conclusions.
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Greg Keyes (Interstellar: The Official Movie Novelization)
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Earth’s atmosphere is 80 percent nitrogen,” he pointed out. “We don’t even breathe nitrogen.
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Greg Keyes (Interstellar: The Official Movie Novelization)
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In space, distance was time, and time was distance.
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Greg Keyes (Interstellar: The Official Movie Novelization)
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It's easy to imagine that, in the future, telepathy and telekinesis will be the norm; we will interact with machines by sheer thought. Our mind will be able to turn on the lights, activate the internet, dictate letters, play video games, communicate with friends, call for a car, purchase merchandise, conjure any movie-all just by thinking. Astronauts of the future may use the power of their minds to pilot their spaceships or explore distant planets. Cities may rise from the desert of Mars, all due to master builders who mentally control the work of robots.
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Michio Kaku (The Future of Humanity: Terraforming Mars, Interstellar Travel, Immortality and Our Destiny Beyond Earth)
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Hollywood movies, however, have brainwashed us into thinking that we can defeat the alien invaders if they are a few decades or centuries ahead of us in technology. Hollywood assumes that we can win by using some primitive, clever trick. In Independence Day, all we have to do is inject a simple computer virus into their operating system to bring them to their knees, as if the aliens use Microsoft Windows.
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Michio Kaku (The Future of Humanity: Terraforming Mars, Interstellar Travel, Immortality and Our Destiny Beyond Earth)
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One of the things that sets Interstellar apart from other sci-fi movies is its lineup of executive producers. There’s Jordan Goldberg (Batman, Inception), Jake Myers (The Revenant), and Thomas Tull (Jurassic World). And then there’s Kip Thorne, emeritus Feynman Professor of Theoretical Physics at the California Institute of Technology in Pasadena. Not many theoretical physicists moonlight as film producers.
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Govert Schilling (Ripples in Spacetime: Einstein, Gravitational Waves, and the Future of Astronomy)
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It’s easy to imagine that, in the future, telepathy and telekinesis will be the norm; we will interact with machines by sheer thought. Our mind will be able to turn on the lights, activate the internet, dictate letters, play video games, communicate with friends, call for a car, purchase merchandise, conjure any movie—all just by thinking. Astronauts of the future may use the power of their minds to pilot their spaceships or explore distant planets. Cities may rise from the deserts of Mars, all due to master builders who mentally control the
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Michio Kaku (The Future of Humanity: Terraforming Mars, Interstellar Travel, Immortality, and Our Destiny BeyondEarth)
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Things can explode in space. Explosions in space are possible but it is not as visually impressive as you would imagine. What do explosions need? Oxygen. Does space have any? Nope. What do explosions do? Make a deafening sound. The tagline for the movie Alien is, “In space, no one can hear you scream.” You can’t hear in space because sound cannot exist in a vacuum. Space ships in Star Trek and Star Wars wouldn’t make any noise in space. Movies like Interstellar and Gravity and tv shows like Firefly portray silence in space during an explosion accurately.
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James Egan (The Mega Misconception Book (Things People Believe That Aren't True 5))
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how important you were,” the man added quickly. That brought up a question Cooper had
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Greg Keyes (Interstellar: The Official Movie Novelization)
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I do this in two ways: First, I explain what is known today about phenomena seen in the movie (black holes, wormholes, singularities, the fifth dimension, and the like), and I explain how we learned what we know, and how we hope to master the unknown. Second, I interpret, from a scientist’s viewpoint, what we see in Interstellar, much as an art critic or ordinary viewer interprets a Picasso painting.
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Anonymous
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I’d have a nuclear-powered interstellar spacecraft constructed in Earth’s orbit,” I said. “I’d stock it with a lifetime supply of food and water, a self-sustaining biosphere, and a supercomputer loaded with every movie, book, song, videogame, and piece of artwork that human civilization has ever created, along with a stand-alone copy of the OASIS. Then I’d invite a few of my closest friends to come aboard, along with a team of doctors and scientists, and we’d all get the hell out of Dodge. Leave the solar system and start looking for an extrasolar Earthlike planet.
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Anonymous
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Evolution has yet to transcend that simple barrier—we can care deeply, selflessly for people we know, but our empathy rarely extends beyond our line of sight.
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Greg Keyes (Interstellar: The Official Movie Novelization)
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One of those useless machines they used to make,” he finally began, “was called an MRI.
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Greg Keyes (Interstellar: The Official Movie Novelization)
Greg Keyes (Interstellar: The Official Movie Novelization)
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Look at that,’ I say, ‘Cowhouse: The Mooo-vie! Now do you believe me?’ ‘Shh!’ says Terry. ‘The mooo-vie’s about to start.’ ‘Hey,’ says Terry. ‘Those cows look just like us.’ ‘Yeah,’ I say. ‘Except they’re cows!’ ‘Shh!’ says Jill. ‘Hey,’ says Terry, ‘that’s just like when my pants were on fire.’ ‘I know,’ I say. ‘That’s where they got the idea!’ ‘Shh,’ says Jill. ‘Hey,’ says Jill, ‘that’s just like what happened to Silky.’ ‘No, it’s not,’ says Terry. ‘She turned into a catnary, not an udderfly.’ ‘Shh!’ I say. ‘Hey,’ says Terry, ‘that’s just like my Ninja Snails.’ ‘I know,’ I say. ‘Those cows have stolen all our stories.’ ‘Shh!’ says Jill. ‘Hey,’ says Terry, ‘that’s just like when the shark ate my underpants.’ ‘Duh!’ I say, jumping up in front of him. ‘Don’t you get it yet?’ ‘Sit down, Andy,’ says Jill. ‘I can’t see the mooo-vie.’ ‘Cows are funny,’ says Terry. ‘They’re also thieves,’ I say. ‘They stole that idea from Barky the Barking Dog.’ ‘Shh,’ says Jill. ‘I can’t hear what Mooey is saying.’ ‘Remember when we had an epic interstellar space battle, Andy?’ says Terry. ‘I sure do,’ I say. ‘And it looks like the cows do too. They are such copycats.’ ‘I think you mean copycows,’ says Jill. ‘Oh, that’s so sweet,’ says Jill. ‘But it’s OUR story,’ I say. ‘No, it’s not,’ says Terry. ‘We’re best friends not barn buddies.’ ‘Hey!’ says Terry. ‘That’s
exactly how our story ends … Wait a minute … WAIT a minute … Hang on … Just one more minute … ‘THOSE THIEVING COWS STOLE OUR MOVIE!
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Andy Griffiths (The 78-Storey Treehouse (The Treehouse Series Book 6))