Integrating Poetry Quotes

Exercises are like prose, whereas yoga is the poetry of movements. Once you understand the grammar of yoga; you can write your poetry of movements.

Exercises are like prose, whereas yoga is the poetry of movements.

When she does not find love, she may find poetry. Because she does not act, she observes, she feels, she records; a color, a smile awakens profound echoes within her; her destiny is outside her, scattered in cities already built, on the faces of men already marked by life, she makes contact, she relishes with passion and yet in a manner more detached, more free, than that of a young man. Being poorly integrated in the universe of humanity and hardly able to adapt herself therein, she, like the child, is able to see it objectively; instead of being interested solely in her grasp on things, she looks for their significance; she catches their special outlines, their unexpected metamorphoses. She rarely feels a bold creativeness, and usually she lacks the technique of self-expression; but in her conversation, her letters, her literary essays, her sketches, she manifests an original sensitivity. The young girl throws herself into things with ardor, because she is not yet deprived of her transcendence; and the fact that she accomplishes nothing, that she is nothing, will make her impulses only the more passionate. Empty and unlimited, she seeks from within her nothingness to attain All.

Love as a concrete foundation for an authentically functional civilization requires the around-the-clock labors of forgiveness. Without it, Love fails, Friendship fails, Intelligence fails, Humanity: fails.

We are, all of us, exploring a world none of us understands...searching for a more immediate, ecstatic, and penetrating mode of living...for the integrity, the courage to be whole, living in relation to one another in the full poetry of existence. The struggle for an integrated life existing in an atmosphere of communal trust and respect is one with desperately important political and social consequences...Fear is always with us, but we just don't have time for it. -Commencement Speech, Wellesley 1969

The gross national product does not allow for the health of our children, the quality of their education, or the joy of their play. It does not include the beauty of our poetry or the strength of our marriages; the intelligence of our public debate or the integrity of our public officials. It measures neither our wit nor our courage; neither our wisdom nor our learning; neither our compassion nor our devotion to our country; it measures everything, in short, except that which makes life worthwhile.

Too much and too long, we seem to have surrendered community excellence and community values in the mere accumulation of material things. Our gross national product...if we should judge the United States of America by that - counts air pollution and cigarette advertising, and ambulances to clear our highways of carnage. It counts special locks for our doors and the jails for those who break them. It counts the destruction of our redwoods and the loss of our natural wonder in chaotic sprawl. It counts napalm and the cost of a nuclear warhead, and armored cars for police who fight riots in our streets. It counts Whitman's rifle and Speck's knife, and the television programs which glorify violence in order to sell toys to our children. Yet the gross national product does not allow for the health of our children, the quality of their education, or the joy of their play. It does not include the beauty of our poetry or the strength of our marriages; the intelligence of our public debate or the integrity of our public officials. It measures neither our wit nor our courage; neither our wisdom nor our learning; neither our compassion nor our devotion to our country; it measures everything, in short, except that which makes life worthwhile. And it tells us everything about America except why we are proud that we are Americans.

The pleasure we feel, reading a poem, is our assurance of its integrity.

You only have to do one good thing to be in somebody’s lifetime of prayers.

I’m a man of integrity. My heart is locked and I have given you the only key.

The struggle to find a poetry in which your survival rather than your defeat is celebrated, perhaps to find your own voice to insist upon that, or to at least find a way to survive amidst an ethos that relishes your erasures and failures is work that many and perhaps most young women have to do

You are not white, but a rainbow of colors. You are not black, but golden. You are not just a nationality, but a citizen of the world. You are not just for the right or left, but for what is right over the wrong. You are not just rich or poor, but always wealthy in the mind and heart. You are not perfect, but flawed. You are flawed, but you are just. You may just be conscious human, but you are also a magnificent reflection of God.

In the Light of your Wisdom, You Shine. In the Midst of your Truth, Your Faith is Evident. From inside your Spirit, You are Love.

Since art is a virtue of the intellect, it demands to communicate with the entire universe of the intellect. Hence it is that the normal climate of art is intelligence and knowledge: its normal soil, the civilized heritage of a consistent and integrated system of beliefs and values; its normal horizon , the infinity of human experience enlighted by the passionate insight of anguish or the intellectual virtues of a contemplative mind.

A poem is a heroic act of integration that binds into rough harmony the chorus of forces within and outside the soul. A poem struggles to orchestrate, prioritize, cohere, and coordinate these potentially shattering forces.

Folks from the backwoods were certain about two things: that every human soul needed to be free and that the responsibility of being free required one to be a person of integrity, a person who lived in such a way that there would always be congruency between what one thinks, says, and does.

Art gives its vision to beauty not always recognized. And it surrenders freely -- whatever power it possesses to every sincere soul that seeks it. But above all else--it presents us with the gift of ourselves.

The greater puzzle of universal wisdom and beauty that we have strived to honor through our work includes the profound legacies of world artistic and spiritual traditions, the innate integrity of human communities where people seek to live in social harmony, and that regenerative stream of life sustained upon the earth itself as it spins through the cosmos to the music of the spheres.

Silence Never Silence never healed the lonely. Silence never comforted the broken hearted. Silence never saved a life. Silence never won an argument with kindness. Silence never healed the poor. Silence never learned compassion. Silence never saw the pain in another. Silence never asked for forgiveness. Silence never felt remorse. Silence never felt empathy. Silence never grew up. Silence never listened to promptings. Silence never resolved a problem. Silence never had closure. Silence never had a conscience. Silence never developed integrity. Silence never knew manners. Silence never learned respect. Silence never matured. Silence never understood that the bible and its stories was God’s way of saying, “Stop being silent and start healing one another.” Silence never realized that Christ was an activist for communication.

Being an American in Australia isn't easy, but I'm trying to integrate, I'm trying to fit in.

Integrity is more than truth and honesty; integrity is an unshackled mind, a happy heart, and a light spirit. Integrity is inner peace with a clear, clean conscience. Integrity is self-respect, honor, and credibility. Integrity is healthy and unfettering, and it is worth defending.

Poetry is Life. We experience poetry from the time we awake each morning and inhale that fresh breath of air. You are living poetry. Poetry is not defined by the laws of man. Inspiration is the key.

Every story has a different genre, Just like sky changes it's colour.

Honesty is the beating heart in good people.

Why be honest when no one else is?” This seems to be the motto of all sinking ships.

Your failure or success is nothing compared to your integrity throughout the process.

I betrayed my body sleeping with you. I gave up my integrity, giving you pieces of me you did not deserve.

It isn’t the education, the job, the promotion, the salary, the material increase—none of that. The real gold is the integrity you gain or lose throughout the process. If you don’t want to cross a line, don’t approach it.

There have been times I cannot hide, There have been times when this was drear, When my sad soul forgot its pride And longed for one to love me here. But those were in the early glow Of feelings since subdued by care; And they have died so long ago, I hardly now believe they were. First melted off the hope of youth, Then fancy’s rainbow fast withdrew; And then experience told me truth In mortal bosoms never grew. ’Twas grief enough to think mankind All hollow, servile, insincere; But worse to trust to my own mind And find the same corruption there.

Until now, I've been writing about "now" as if it were literally an instant of time, but of course human faculties are not infinitely precise. It is simplistic to suppose that physical events and mental events march along exactly in step, with the stream of "actual moments" in the outside world and the stream of conscious awareness of them perfectly synchronized. The cinema industry depends on the phenomenon that what seems to us a movie is really a succession of still pictures, running at twenty-five [sic] frames per second. We don't notice the joins. Evidently the "now" of our conscious awareness stretches over at least 1/25 of a second. In fact, psychologists are convinced it can last a lot longer than that. Take he familiar "tick-tock" of the clock. Well, the clock doesn't go "tick-tock" at all; it goes "tick-tick," every tick producing the same sound. It's just that our consciousness runs two successive ticks into a singe "tick-tock" experience—but only if the duration between ticks is less than about three seconds. A really bug pendulum clock just goes "tock . . . tock . . . tock," whereas a bedside clock chatters away: "ticktockticktock..." Two to three seconds seems to be the duration over which our minds integrate sense data into a unitary experience, a fact reflected in the structure of human music and poetry.

My memory often seems like a city of exiled poets afire with the astonishment of language, each believing in the integrity of his own witness, each with a separate version of culture and history, and the divine essential fire that is poetry itself.

An honest man won’t stoop to swindle, thieve, or tell a lie. Despite his need, despite the greed, an honest man would rather die. An honest man will seek out better, higher roads to take. Integrity and loyalty, an honest man will ne’er forsake.

Art is the conscious making of numinous phenomena. Many objects are just objects - inert, merely utilitarian. Many events are inconsequential, too banal to add anything to our experience of life. This is unfortunate, as one cannot grow except by having one’s spirit greatly stirred; and the spirit cannot be greatly stirred by spiritless things. Much of our very life is dead. For primitive man, this was not so. He made his own possessions, and shaped and decorated them with the aim of making them not merely useful, but powerful. He tried to infuse his weapons with the nature of the tiger, his cooking pots with the life of growing things; and he succeeded. Appearance, material, history, context, rarity - perhaps rarity most of all - combine to create, magically, the quality of soul. But we modern demiurges are prolific copyists; we give few things souls of their own. Locomotives, with their close resemblance to beasts, may be the great exception; but in nearly all else with which today’s poor humans are filling the world, I see a quelling of the numinous, an ashening of the fire of life. We are making an inert world; we are building a cemetery. And on the tombs, to remind us of life, we lay wreaths of poetry and bouquets of painting. You expressed this very condition, when you said that art beautifies life. No longer integral, the numinous has become optional, a luxury - one of which you, my dear friend, are fond, however unconsciously. You adorn yourself with the same instincts as the primitive who puts a frightening mask of clay and feathers on his head, and you comport yourself in an uncommonly calculated way - as do I. We thus make numinous phenomena of ourselves. No mean trick - to make oneself a rarity, in this overpopulated age.

I will take you down my own avenue of remembrance, which winds among the hazards and shadows of my single year as a plebe. I cannot come to this story in full voice. I want to speak for the boys who were violated by this school, the ones who left ashamed and broken and dishonored, who departed from the Institute with wounds and bitter grievances. I want also to speak for the triumphant boys who took everything the system could throw at them, endured every torment and excess, and survived the ordeal of the freshman year with a feeling of transformation and achievement that they never had felt before and would never know again with such clarity and elation. I will speak from my memory- my memory- a memory that is all refracting light slanting through prisms and dreams, a shifting, troubled riot of electrons charged with pain and wonder. My memory often seems like a city of exiled poets afire with the astonishment of language, each believing in the integrity of his own witness, each with a separate version of culture and history, and the divine essentional fire that is poetry itself. But i will try to isolate that one lonely singer who gathered the fragments of my plebe year and set the screams to music. For many years, I have refused to listen as his obsessive voice narrated the malignant litany of crimes against my boyhood. We isolate those poets who cause us the greatest pain; we silence them in any way we can. I have never allowed this furious dissident the courtesy of my full attention. His poems are songs for the dead to me. Something dies in me every time I hear his low, courageous voice calling to me from the solitude of his exile. He has always known that someday I would have to listen to his story, that I would have to deal with the truth or falsity of his witness. He has always known that someday I must take full responsibility for his creation and that, in finally listening to him, I would be sounding the darkest fathoms of myself. I will write his stories now as he shouts them to me. I will listen to him and listen to myself. I will get it all down. Yet the laws of recall are subject to distortion and alienation. Memory is a trick, and I have lied so often to myself about my own role and the role of others that I am not sure I can recognize the truth about those days. But I have come to believe in the unconscious integrity of lies. I want to record even them. Somewhere in the immensity of the lie the truth gleams like the pure, light-glazed bones of an extinct angel. Hidden in the enormous falsity of my story is the truth for all of us who began at the Institute in 1963, and for all who survived to become her sons. I write my own truth, in my own time, in my own way, and take full responsibility for its mistakes and slanders. Even the lies are part of my truth. I return to the city of memory, to the city of exiled poets. I approach the one whose back is turned to me. He is frail and timorous and angry. His head is shaved and he fears the judgment of regiments. He will always be a victim, always a plebe. I tap him on the shoulder. "Begin," I command. "It was the beginning of 1963," he begins, and I know he will not stop until the story has ended.

The truth is that I need the stimulus of other people. Alone, over my dead fire, I tend to see the thin places in my own stories. The real novelist, the perfectly simple human being, could go on, indefinitely, imagining. He would not integrate, as I do. He would not have this devastating sense of grey ashes in a burnt-out grate.

Life is short, Assume less, ask more. Breath is short, Chase less, cherish more.

ReThink Real Success: Keeping your word to others and never lying to yourself

They secretly scoff as you slip, losing your dignity and integrity, and again as you stumble, you drop your degrees and pedigree!

I thought how the Church was meant to be a shrine of the decenies, of friendship, integrity, love of the poetry of conduct, of the flickering, guttering candles of conscience.

The gross national product does not allow for the health of our children, the quality of their education or the joy of their play. It does not include the beauty of our poetry or the strength of our marriages; the intelligence of our public debate or the integrity of our public officials...it measures everything, in short, except that which makes life worthwhile.

Tweets are not diseased rings of glitchy minds. They’re epigrams, aphorisms, maxims, dictums, taglines, captions, slogans, and adages. Some are art, some are commercial; these are forms with integrity.

Ripped Jeans & Twenty Dollar Shirt (The Sonnet) Ripped jeans and twenty dollar shirt, That's how we'll change the world. It is okay if your outside is dirty, Make sure your heart is without dirt. Too many people wear suits and boots, In order to cover up the filth within. Those who have their character intact, Care not whether their clothes are shinin'. The world needs purpose, integrity, honor, None of which is predicated on clothes. Those who think clothes make the person, Will never discover any of the civilized roads. Heart makes the person, heart makes the world. A world without dirt comes from a heart without dirt.

Even if we act to erase material poverty, there is another greater task, it is to confront the poverty of satisfaction - purpose and dignity - that afflicts us all. Too much and for too long, we seemed to have surrendered personal excellence and community values in the mere accumulation of material things. Our Gross National Product, now, is over $800 billion dollars a year, but that Gross National Product - if we judge the United States of America by that - that Gross National Product counts air pollution and cigarette advertising, and ambulances to clear our highways of carnage. It counts special locks for our doors and the jails for the people who break them. It counts the destruction of the redwood and the loss of our natural wonder in chaotic sprawl. It counts napalm and counts nuclear warheads and armored cars for the police to fight the riots in our cities. It counts Whitman's rifle and Speck's knife, and the television programs which glorify violence in order to sell toys to our children. Yet the gross national product does not allow for the health of our children, the quality of their education or the joy of their play. It does not include the beauty of our poetry or the strength of our marriages, the intelligence of our public debate or the integrity of our public officials. It measures neither our wit nor our courage, neither our wisdom nor our learning, neither our compassion nor our devotion to our country, it measures everything in short, except that which makes life worthwhile. And it can tell us everything about America except why we are proud that we are Americans. If this is true here at home, so it is true elsewhere in world.

What I crave now is that integration, some speech that is true to the transcendent nature of grace yet adequate to the hard reality in which daily faith operates. I crave, I suppose, the poetry and the prose of knowing.

There's a great feeling of relief and catharsis when you manage to get something that's been buried or hidden out onto the page. And such a process, whether or not it eventually results in a poem, helps to integrate that part of the self.

But narratives are not the only instruments within Scripture that can help us integrate our minds and lives. Poetry is another powerful literary tool. It has several distinct features:    By activating our sense of rhythm, poetry accesses our right-mode operations and systems.    Reading poetry has the effect of catching us off guard. Our imaginations are invigorated when our usual linear expectations of prose (that one word will follow obediently behind another on the way to a predictable end) don’t apply. This can stimulate buried emotional states and layers of memory.    Finally, poetry not only appeals to right-mode processing, but to left mode as well, given its use of language. This makes it a powerful integrative tool.

Masks are arrested expressions and admirable echoes of feeling, at once faithful, discrete, and superlative. Living things in contact with the air must acquire a cuticle, and it is not urged against cuticles that they are not hearts; yet some philosophers seem to be angry with images for not being things, and with words for not being feelings. Words and images are like shells, no less integral parts of nature than are the substances they cover, but better addressed to the eye and more open to observation. I would not say that substance exists for the sake of appearance, or faces for the sake of masks, or the passions for the sake of poetry and virtue. Nothing arises in nature for the sake of anything else; all these phases and products are involved equally in the round of existence.

air pollution and cigarette advertising, and ambulances to clear our highways of carnage. It counts special locks for our doors and the jails for the people who break them. It counts the destruction of the redwood and the loss of our natural wonder in chaotic sprawl. It counts napalm and counts nuclear warheads and armored cars for the police to fight the riots in our cities. It counts . . . the television programs which glorify violence in order to sell toys to our children. Yet the Gross National Product does not allow for the health of our children, the quality of their education or the joy of their play. It does not include the beauty of our poetry or the strength of our marriages, the intelligence of our public debate or the integrity of our public officials. It measures neither our wit nor our courage, neither our wisdom nor our learning, neither our compassion nor our devotion to our country. It measures everything, in short, except that which makes life worthwhile. And it can tell us everything about America except why we are proud to be Americans.40

The Gross National Product counts air pollution and cigarette advertising, and ambulances to clear our highways of carnage.… It counts the destruction of the redwood and the loss of our natural wonder in chaotic sprawl.… Yet the GNP does not allow for the health of our children, the quality of their education, or the joy of their play. It does not include the beauty of our poetry or… the intelligence of our public debate or the integrity of our public officials.… It measures everything, in short, except that which makes life worthwhile.

This gesture is one of the motifs of modernity's turn against the principle of imitating nature, that is to say, imitating predefined morphological expectations. It is still capable of perceiving message-totalities and autonomous thing-signals when no morphologically intact figures are left - indeed, precisely then. The sense for perfection withdraws from the forms of nature - probably because nature itself is in the process of losing its ontological authority. The popularization of photography also increasingly devalues the standard views of things. As the first edition of the visible, nature comes into discredit. It can no longer assert its authority as the sender of binding messages - for reasons that ultimately come from its disenchantment through being scientifically explored and technically outdone. After this shift, 'being perfect' takes on an altered meaning: it means having something to say that is more meaningful than the chatter of conventional totalities. Now the torsos and their ilk have their turn: the hour of those forms that do not remind us of anything has come. Fragments, cripples and hybrids formulate something that cannot be conveyed by the common whole forms and happy integrities; intensity beats standard perfection.

Many of us draw lines which we intend never to cross. But life tests our resolve, mercilessly at times, and a foot budges, nudged past that thinly-drawn line. So we draw another, resolving never to cross this one. Days grow dark and fog creeps in to blind our view, clouding the reason for the line’s existence from our minds. We draw another mark, ashamed that the last was crossed with less coaxing than we imagined it would require. Shadows and doubts give further need to draw a new line, and then another and another. Lines, I think, are too slim and obscure to be dependable deterrents for behavior. Too often, too easily, people stumble into places they later regret entering. What, then, keeps some individuals from crossing those narrow lines? It is the power of values. For if a person possessing values were to step one foot outside their line, they would be forced to release hands with those inflexible values and consciously abandon them. But their values are persuasive, keeping a tight grip, warding off the luring temptations beckoning one to test the line. Thus values maintained keep a person safely away from areas they dare not travel, steering a life between the lines, enhancing willpower and shaping mighty strength of character.

Every year there was an important poetry contest at the fair of ‘Ukaz, just outside Mecca, and the winning poems were embroidered in gold on fine black cloth and hung on the walls of the Kabah. Muhammad’s followers would, therefore, have been able to pick up verbal signals in the text that are lost in translation. They found that themes, words, phrases, and sound patterns recurred again and again—like the variations in a piece of music, which subtly amplify the original melody, and add layer upon layer of complexity. The Qur’an was deliberately repetitive; its ideas, images, and stories were bound together by these internal echoes, which reinforced its central teaching with instructive shifts of emphasis. They linked passages that initially seemed separate, and integrated the different strands of the text, as one verse delicately qualified and supplemented others. The Qur’an was not imparting factual information that could be conveyed instantaneously. Like Muhammad, listeners had to absorb its teachings slowly; their understanding would grow more profound and mature over time, and the rich, allusive language and rhythms of the Qur’an helped them to slow down their mental processes and enter a different mode of consciousness.

Medicine Means (The Sonnet) MEDICINE means Mercy, MEDICINE means Empathy, MEDICINE means Dare, MEDICINE means Integrity, MEDICINE means Care, MEDICINE means Ingenuity, MEDICINE means Nobility, MEDICINE means Ethicality. Medicine is not a profession, Medicine is but a sacred calling. An average doctor saves a body, A good doctor saves a being. Pathogens exist to cash in on sickness. A doctor exists to be lost among patients.

According to one mode of regarding those two classes of mental action, which are called reason and imagination, the former may be considered as mind contemplating the relations borne by one thought to another, however produced; and the latter, as mind acting upon those thoughts so as to colour them with its own light, and composing from them, as from elements, other thoughts, each containing within itself the principle of its own integrity.

Sonnet of Languages Turkish is the language of love, Spanish is the language of revolution. Swedish is the language of resilience, English is the language of translation. Portuguese is the language of adventure, German is the language of discipline. French is the language of passion, Italian is the language of cuisine. With over 7000 languages in the world, Handful of tongues fall short in a sonnet. But you can rest assured of one thing, Every language does something the very best. Each language is profoundly unique in its own way. When they come together, they light the human way.

Yet if the gross national product measures all of this, there is much that it does not include. It measures neither the health of our children, the quality of their education, nor the joy of their play. It measures neither the beauty of our poetry, nor the strength of our marriages. It pays no heed to the intelligence of our public debate, nor the integrity of our public officials. It measures neither our wisdom nor our learning, neither our wit nor our courage, neither our compassion nor our devotion to our country. It measures everything, in short, except that which makes life worth living, and it can tell us everything about our country except those things that make us proud to be a part of it. ROBERT F. KENNEDY, KANSAS CITY, 1968

Outside The Museum (The Sonnet) Enough with, patria o muerte*! Enough with, god save the queen! Enough with, heil hitler! Enough with, o say can you see! Bronze age beings yell about national glory, Stone age beings yell about religious glory. Electric beings got no time for such make-believe, On their shoulders walks the present of humanity. There is no earth till all roots combine, Till we crave for each other all roots are chains. Museums add perspective on the direction of life, But to spend a life in museum is life lost in vain. Enough with vande mataram**, it's time for vasudhaiva kutumbakam***. To hell with nation, culture and tradition, civilization awaits outside the museum. (*homeland or death, *hail the motherland, ***world is family)

Honor He Wrote Sonnet 22 You don't know love, till you've known heartbreak, You won't know sight, till you've known blindness. You don't know courage, till you've felt helpless, You won't know light, till you've been in darkness. Darkest clouds herald the brightest sunshine, Direst circumstances make the bravest of character. Heavier the rainfall, more breathtaking the rainbow, Steeper the hill to climb, sweeter the summit vista. Once your back is against the wall, only way is through, You won't know integrity, till you are left in pieces. Lose all identity, only then you'll know to be human, You won't know wholeness, till you've felt nothingness. More ominous the night, more spectacular the daybreak. Till we're wiped out for a purpose, there’s no upliftment.

The problem for him in high school was that debate made you a nerd and poetry made you a pussy – even if both could help you get to the vaguely imagines East Coast city from which your experiences in Topeka would be recounted with great irony. The key was to narrate participation in debate as a form of linguistic combat; the key was to be a bully, quick and vicious and ready to spread an interlocutor with insults at the at the smallest provocation. Poetry could be excused if it upped your game, became cipher and flow, if it was part of why Amber was fucking you and not Reynolds et al. If linguistic prowess could do damage and get you laid, then it could be integrated into the adolescent social realm without entirely departing from the household values of intellect and expression. It was not a reconciliation, but a workable tension. His disastrous tonsorial compromise. The migraines. Fortunately for Adam, this shifting of aggression to the domain of language was sanctioned by one of the practices the types had appropriated: after several hours of drinking, if no fight or noise complain had broken up the party, you were likely to encounter freestyling. In many ways, this was the most shameful of all the poses, the clearest manifestation of a crisis in white masculinity and its representational regimes, a small group of privileged crackers often arrhythmically recycling the genre’s dominant and to them totally inapplicable clichés. But it was socially essential for him: the rap battle transmuted his prowess as a public speaker and aspiring poet into something cool. His luck was dizzying: that there was a rapid, ritualized poetic insult exchange bridging the gap between his Saturday afternoons in abandoned high schools and his Saturday nights in unsupervised houses, allowing him to transition from one contest to the other.

Noting that material poverty in the US was matched by an even greater “poverty of satisfaction, purpose, and dignity,” Kennedy decried GDP as a poor measure of the state of the nation. “Too much and for too long, we seemed to have surrendered personal excellence and community values in the mere accumulation of material things,” he said. The GDP was buoyed, he noted, by cigarette advertising, ambulances, home security, jails, the destruction of redwood forests, urban sprawl, napalm, nuclear warheads and the armoured vehicles used by police against riots in American cities. “It does not include the beauty of our poetry or the strength of our marriages, the intelligence of our public debate or the integrity of our public officials. It measures neither our wit nor our courage, neither our wisdom nor our learning, neither our compassion nor our devotion to our country. It measures everything, in short, except that which makes life worthwhile,” Kennedy said.

Creed by Abigail Carroll, p.196-197 I believe in the life of the word, the diplomacy of food. I believe in salt-thick ancient seas and the absoluteness of blue. A poem is an ark, a suitcase in which to pack the universe—I believe in the universality of art, of human thirst for a place. I believe in Adam's work of naming breath and weather—all manner of wind and stillness, humidity and heat. I believe in the audacity of light, the patience of cedars, the innocence of weeds. I believe in apologies, soliloquies, speaking in tongues; the underwater operas of whales, the secret prayer rituals of bees. As for miracles— the perfection of cells, the integrity of wings—I believe. Bones know the dust from which they come; all music spins through space on just a breath. I believe in that grand economy of love that counts the tiny death of every fern and white-tailed fox. I believe in the healing ministry of phlox, the holy brokenness of saints, the fortuity of faults—of making and then redeeming mistakes. Who dares brush off the auguries of a storm, disdain the lilting eulogies of the moon? To dance is nothing less than an act of faith in what the prophets sang. I believe in the genius of children and the goodness of sleep, the eternal impulse to create. For love of God and the human race, I believe in the elegance of insects, the imminence of winter, the free enterprise of grace.

Even if we act to erase material poverty, there is another greater task; it is to confront the poverty of satisfaction – purpose and dignity – that afflicts us all. Too much and for too long, we seemed to have surrendered personal excellence and community values in the mere accumulation of material things. Our Gross National Product, now, is over $800 billion a year, but that Gross National Product … counts air pollution and cigarette advertising, and ambulances to clear our highways of carnage. It counts special locks for our doors and the jails for the people who break them. It counts the destruction of the redwood and the loss of our natural wonder in chaotic sprawl. It counts napalm and counts nuclear warheads and armored cars for the police to fight the riots in our cities. It counts Whitman's rifle and Speck's knife, and the television programs which glorify violence in order to sell toys to our children. Yet the Gross National Product does not allow for the health of our children, the quality of their education or the joy of their play. It does not include the beauty of our poetry or the strength of our marriages, the intelligence of our public debate or the integrity of our public officials. It measures neither our wit nor our courage, neither our wisdom nor our learning, neither our compassion nor our devotion to our country. It measures everything in short, except that which makes life worthwhile.

This is why so many of us are resistant to taking our medication. Because deep underneath, we believe that we are actually the sane ones. We mentally ill are the only “sick” people who believe our magic is inside our disease. I did. I still do. When people said “Get better,” I heard: Get the same as everyone else. I knew I was supposed to hang my head and declare that my way of being was dangerous and wrong and everyone else’s way was better and right. I was supposed to get fixed, join the troops, and fall into line. Sometimes I desperately wanted that, because living my way was so hard. Sometimes I could make myself accept that my inability to live lightly and pleasantly in the world I’d been born into was chemical and that I needed help integrating like everybody else does. I needed to say “Uncle” and admit: It’s not you, world—it’s me. I’ll get help. I need to get better. I need your science. But other times—when I turn on the news or watch closely how people treat each other—I raise my eyebrows and think: Actually, maybe it’s not me. “Maybe it’s you, world. Maybe my inability to adapt to the world is not because I’m crazy but because I’m paying attention. Maybe it’s not insane to reject the world as it is. Maybe the real insanity is surrendering to the world as it is. Maybe pretending that things around here are just fine is no badge of honor I want to wear. Maybe it’s exactly right to be a little crazy. Maybe the truth is: World, you need my poetry.

How I Got That Name Marilyn Chin an essay on assimilation I am Marilyn Mei Ling Chin Oh, how I love the resoluteness of that first person singular followed by that stalwart indicative of “be," without the uncertain i-n-g of “becoming.” Of course, the name had been changed somewhere between Angel Island and the sea, when my father the paperson in the late 1950s obsessed with a bombshell blond transliterated “Mei Ling” to “Marilyn.” And nobody dared question his initial impulse—for we all know lust drove men to greatness, not goodness, not decency. And there I was, a wayward pink baby, named after some tragic white woman swollen with gin and Nembutal. My mother couldn’t pronounce the “r.” She dubbed me “Numba one female offshoot” for brevity: henceforth, she will live and die in sublime ignorance, flanked by loving children and the “kitchen deity.” While my father dithers, a tomcat in Hong Kong trash— a gambler, a petty thug, who bought a chain of chopsuey joints in Piss River, Oregon, with bootlegged Gucci cash. Nobody dared question his integrity given his nice, devout daughters and his bright, industrious sons as if filial piety were the standard by which all earthly men are measured. * Oh, how trustworthy our daughters, how thrifty our sons! How we’ve managed to fool the experts in education, statistic and demography— We’re not very creative but not adverse to rote-learning. Indeed, they can use us. But the “Model Minority” is a tease. We know you are watching now, so we refuse to give you any! Oh, bamboo shoots, bamboo shoots! The further west we go, we’ll hit east; the deeper down we dig, we’ll find China. History has turned its stomach on a black polluted beach— where life doesn’t hinge on that red, red wheelbarrow, but whether or not our new lover in the final episode of “Santa Barbara” will lean over a scented candle and call us a “bitch.” Oh God, where have we gone wrong? We have no inner resources! * Then, one redolent spring morning the Great Patriarch Chin peered down from his kiosk in heaven and saw that his descendants were ugly. One had a squarish head and a nose without a bridge Another’s profile—long and knobbed as a gourd. A third, the sad, brutish one may never, never marry. And I, his least favorite— “not quite boiled, not quite cooked," a plump pomfret simmering in my juices— too listless to fight for my people’s destiny. “To kill without resistance is not slaughter” says the proverb. So, I wait for imminent death. The fact that this death is also metaphorical is testament to my lethargy. * So here lies Marilyn Mei Ling Chin, married once, twice to so-and-so, a Lee and a Wong, granddaughter of Jack “the patriarch” and the brooding Suilin Fong, daughter of the virtuous Yuet Kuen Wong and G.G. Chin the infamous, sister of a dozen, cousin of a million, survived by everbody and forgotten by all. She was neither black nor white, neither cherished nor vanquished, just another squatter in her own bamboo grove minding her poetry— when one day heaven was unmerciful, and a chasm opened where she stood. Like the jowls of a mighty white whale, or the jaws of a metaphysical Godzilla, it swallowed her whole. She did not flinch nor writhe, nor fret about the afterlife, but stayed! Solid as wood, happily a little gnawed, tattered, mesmerized by all that was lavished upon her and all that was taken away!

STAY AN ORIGINAL WORK OF ART In this short lifetime, Why not be -- True to your own voice, Your own story, Your own truths, Your own style, Beat and drum -- Instead of reflect the words, Songs and march of another? Why not use your soul's own Unique language, Instead of constantly try to toot something Not true, suitable or intended For your own instrument, Painting, Song, Or story? Why create an image you cannot produce? And if you can create a brilliant mask, How long will you really be able to hide your true soul Behind it Until its colors and plastic Begin to fade and melt with Time? Do not speak about truth when there is no truth in you. Do not speak about being yourself when you are trying hard to be someone else. Do not keep crying about your pain when you you have no shame creating pain in others. Do not step on truth, or someone else's truth, or someone who fights for truth -- And think there will be no repercussions; For there is more danger in silence, And for every action there will always be a reaction Of opposite or equal measure. Treasure integrity, Treasure your own story and truths. How will people remember you when you want to be an imitation? How will people remember your voice when you want to sound like another? Be so different that everybody will remember you. Be yourself because an original is worth more than a copy. Be true to yourself or your heart will never forgive you; For once you silence the music from your own instrument, Your true purpose and intended path will begin to fade. There is no greater crime Than ignoring your conscience And the truths intended For you to live, learn, And share. So Stay TRUE to YOU In everything You do. That itself is the purest And truest Art.

MY FATHER If I have to write a poem about my father it has to be about integrity and kindness — the selfless kind of kindness that is so very rare I am sure there will be many people living somewhere who must be as kind as him but what I mean to say is I have not met one yet and when it comes to helping others he always helps too much and as the saying goes — help someone, you earn a friend. help someone too much, you make an enemy. — so you know the gist of what I’m trying to say here anyways I was talking about the poem about my father it has to be about passion and hard work because you see you cannot separate these things from him they are part of him as his two eyes and two hands and his heart and his soul and his whole being and you cannot separate wind and waves or living and the universe or earth and heavens and although he never got any award from bureaucracy the students he taught ages ago still touch his feet and some of them are the people you have to make an appointment to meet even if it is for two minutes of their time and that’s a reward for him bigger than any other that some of his colleagues got for their flattery and also I have to write about reliability as well because you see as the sun always rises and the snowflakes are always six-folds and the spring always comes and the petals of a sunflower and every flower follows the golden ratio of symmetry my father never fails to keep his promise I have to mention the rage as well that he always carries inside him like a burning fire for wrongdoings for injustice and now he carries a bitterness too for people who used him good and discarded as it always happens with every good man in our world of humans and you must be thinking he has learned his lessons well you go to him — it does not matter who you are if he knows you or you are a stranger from other side of the world — and ask for his help he will be happy to do so as you must know people never change not their soul in any case.

Between concentric pavement ripples glide errant echoes originating from beyond the Puddled Metropolis. Windowless blocks and pickle-shaped monuments demarcate the boundaries of patternistic cycles from those wilds kissed neither by starlight nor moonlight. Lethal underbrush of razor-like excrescence pierces at the skins of night, crawls with hyperactive sprouts and verminous vines that howl with contempt for the wicked fortunes of Marshland Organizers armed with scythes and hoes and flaming torches who have only succeeded in crafting their own folly where once stood something of glorious and generous integrity. There are familiar whispers under leaves perched upon by flapping moths. They implore the spirit again to heed the warnings of the vines and to not be swayed by the hubris of these organizing opportunists. One is to stop moving at frantic zigzags through gridlocked streets, stop climbing ladders altogether, stop relying on drainage pipes where floods should prevail, stop tapping one’s feet in waiting rooms expecting to be seen and examined and acknowledged. Rather, one is to eschew unseemly fabrications and conceal oneself beneath the surface of leaves—perhaps even inside the droplets of dew—one is, after all, to feel shameful of the form, of all forms, and seek instead to merge with whispers which do not shun or excoriate, for they are otherwise occupied in the act of designating meaning. Yet, what meaning stands beyond the rectitude of angles and symmetry, but rather in wilds among agitated insects and resplendent bogs and malicious spiders and rippling mosses pronouncing doom upon their surroundings? One is said to find only the same degree of opportunism, and nothing greatly edifying that could serve to extend beyond the banalities of self-preservation. But no, surely there is something more than this—there absolutely must be something more, and it is to be found! Forget what is said about ‘opportunism’—this is just a word and, thusly, a distraction. The key issue is that there are many such campaigns of contrivance mounted by the taxonomic self-interest of categories and frameworks ‘who’ only seek primacy and authority over their consumers. The ascription of ‘this’ may thusly be ascribed also with that of ‘this other’ and so it cannot be ‘that precisely’ because ‘this’ contradicts another ‘that other’ with which ‘this other’ surely claims affiliation. Certainly, in view of such limiting factors, there is a frustration that one is bound to feel that the answers available are constrained and formulaic and insufficient and that one is simply to accept the way of things as though they are defined by the highest of mathematics and do not beget anything higher. One is, thusly, to cease in one’s quest for unexplored possibility. The lines have been drawn, the contradictions defined and so one cannot expect to go very far with these mathematical rules and boundaries in place. There are ways out: one might assume the value of an imaginary unit and bounce out of any restrictive quadrant as with the errant echoes against the rippling pavement of this Puddled Metropolis. One will then experience something akin to a bounding and rebounding leap—iterative, but with all subleaps constituting a more sweeping trajectory—outward to other landscapes and null landscapes, inward through corridors and toward the centroid of circumcentric chamber clusters, into crevices and trenches between paradigms and over those mountain peaks of abstruse calculation.

Gross National Product counts air pollution and cigarette advertising, and ambulances to clear our highways of carnage. It counts special locks for our doors and the jails for the people who break them. It counts the destruction of the redwood and the loss of our natural wonder in chaotic sprawl,” he said. “Yet the gross national product does not allow for the health of our children, the quality of their education or the joy of their play. It does not include the beauty of our poetry or the strength of our marriages, the intelligence of our public debate or the integrity of our public officials. It measures neither our wit nor our courage, neither our wisdom nor our learning, neither our compassion nor our devotion to our country, it measures everything in short, except that which makes life worthwhile.

active imagination,” which allowed him—and countless others—to express unconscious shadow material as a painted image or as various other creative products (sculpture, dance, poetry, music, etc.), so that it could be effectively dealt with psychologically.

Poetic speech is always innovative. This is not without personal benefit, of course, but it cannot integrate, cannot govern. For the sake of generating discussion by making an outrageous statement, I would suggest that when theology becomes religious studies, it transforms itself, in Plato's scheme of things, from philosophy to poetry.

the Gross National Product does not allow for the health of our children, the quality of their education, or the joy of their play. It does not include the beauty of our poetry or the strength of our marriages, the intelligence of our public debate or the integrity of our public officials. It measures neither our wit nor our courage, neither our wisdom nor our learning, neither our compassion nor our devotion to our country. It measures everything, in short, except that which makes life worthwhile. And it can tell us everything about America except why we are proud that we are Americans.

Humanity A to Z (The Poem) A for assimilation is the way, B for bigotry must be thrown away. C for conscience when at play, D for delusions all run away. E for equality once brought to life, F for fears can no longer survive. G for greed when let not to thrive, H for humility won't be caught in strife. I for integrity mustn't be compromised, J for justice will then prevail alright. K for kindness must never run tight, L for life can then be lived upright. M for mercy can never be forgotten, N for naivety keeps you from being rotten. O for oppression when is begotten, P for patience must be overridden. Q for questions when let fly, R for rigidity will weaken and die. S for serenity will go awry, T for tradition if obeyed dry. U for unity is our supreme mission, V for vanity leads only to destruction. W for wholeness is our salvation, X for xenophobia is no civilization. Y for yield we must never to separation, Z for zeal we mustn't lose for ascension.

classical thought is more robust (in its respect for the unknown, the epistemic humility) than the modern post-Enlightenment naïve pseudoscientific autism. Thus my classical values make me advocate the triplet of erudition, elegance, and courage; against modernity’s phoniness, nerdiness, and philistinism.*4 Art is robust; science, not always (to put it mildly). Some Procrustean beds make life worth living: art and, the most potent of all, the poetic aphorism. — Aphorisms, maxims, proverbs, short sayings, even, to some extent, epigrams are the earliest literary form—often integrated into what we now call poetry. They carry the cognitive compactness of the sound bite (though both more potent and more elegant than today’s down-market version),*5 with some show of bravado in the ability of the author to compress powerful ideas in a handful of words—particularly in an oral format.

One has to find the integrity and develop moral responsibility to build Mother Nature back to its roots.

I refuse to be your battery You don't get to drain me anymore You don't get to charge me anytime for anything anymore You don't get to judge me- to think I'm used up and be indecisive daily whether you'd like to get a new one You don't get to connect to me or keep testing me You haven't saved up enough integrity to afford this high quality battery The only thing I will allow is for you to replace me- Good luck.

The universal reason is love, The universal faith is love. All else is but a faint echo, Driving us away from love. Taking the echo for the source, the living heart turns bitter stone. The sky above knows no east and west, only the bugs beneath insist on separation.

Let no ancestor bind your identity behind borders, let no heritage be a hindrance to your humanity. If a language or culture makes you squeamish or afraid, it means you gotta wash your heart with soap and sanity.

I thought of the dress that she wore last time When we stood 'neath the cypress-trees together In that lost land, in that soft clime In the crimson evening weather

I thought of the dress that she wore last time When we stood 'neath the cypress-trees together In that lost land, in that soft clime In the crimson evening weather

Real Human (The Sonnet) You are either pro-guns, or pro-human, you cannot be both. You are either against abortion, or pro-life, you cannot be both. You are either intolerant, or religious, you cannot be both. You are either anti-semite, or sapiens, you cannot be both. You are either homophobic, or human, you cannot be both. You are either islamophobic, or civilized, you cannot be both. Tolerating intolerance is sign of an animal. Integration is what makes humanity human.

AI Con (The Sonnet) Everybody is concerned about psychics conning people, How 'bout the billionaires who con people using science! Con artists come in all shapes and sizes, Some use barnum statements, others artificial intelligence. Most scientists speak up against only the little frauds, But not the big frauds who support their livelihood. Am I not afraid to be blacklisted by the big algorithms! Is the sun afraid, its light will offend some puny hoods! I come from the soil, I'll die struggling in the soil. My needs are less, hence my integrity is dangerous. I am here to show this infantile species how to grow up. I can't be bothered by the fragility of a few spoiled brats. Reason and fiction both are fundamental to build a civilization. Neither is the problem, the problem is greed and self-absorption.

Neighborhood Humanitarian (The Sonnet) They ask me, why do I never run out of ideas! It is because I never dwell in one culture. Sometimes I'm North American, sometimes Latino, Sometimes I'm South Indian, sometimes I am Turk. When I run low on charge, I listen to Español, When my sight gets foggy, I watch Cary Grant. Whenever I feel homesick, I listen to some Telugu, Whenever my heart bleeds, I run straight to Turkey. It is sort of a perpetual motion engine, I empower the cultures, the cultures empower me. If I am the world's not-so-secret hometown human, The world is my secret to my infinite electricity. How, do you think, I became the neighborhood humanitarian to every single person on earth! It's because I never glorified one culture over another.

Where there is heart, there is hayat, Heartless hayat is no hayat. Call it hayat, life, or call it vida, All of it begins across divisive dirt.

One heart joins another, Thus the world comes to life. Heart is a miracle, not merchandise, Place the heart above all else in life.

Sign of life is evolution, Sign of death is rigidity. Sign of human is integration, Sign of animal is exclusivity.

Sonnet 1008 Helping a human is worth a hundred pilgrimages, Conquer the heart, you'll conquer the world. More glorious than trekking a thousand mountains, Is to trudge the distance from heart to heart. You don't conquer heart by acting on assumption, You don't conquer division by acting on ideology. You don't conquer hate by means of intellectualism, You don't conquer war by deploying more military. Peace doesn't happen by conference of ideology, Peace happens through the confluence of sentience. Integration doesn't happen by boasting your culture, But when you overlook yours to learn another's ways. Bury the dead along with all their artifacts of living. Better a traitor to the dead than a traitor to the living.

I became a polyglot by accident, I became a poet by accident, I became a scientist by accident, but one thing I didn't become by accident, is the bridge between cultures.

The sky above knows no east and west, only the bugs beneath insist on separation.

The Immeasurable Dimension (Sonnet 1014) During my bouts of nirvikalpa samadhi or trance, I have no perception, which language I'm writing in. When the trance breaks and normal awareness returns, It looks less like literature 'n more like exotic cuisine. It is not only difficult but plain impossible to adapt the immeasurable to the measures of a prison camp. So I rewrite the original light simplified by love, Hoping it may reach the heart across cultural handicap. Handicap of culture is a choice, it's not your destiny, Only you can sign the release orders from your imprisonment. We cover our eyes from the evil outside and its cure inside, Then we run here and there chasing fictional treatment. There is a dimension immeasurable intrinsic to every human mind. Be immersed within, and you shall rise with an immeasurable light.

If America fails in advancement, so will the world, If South America fails in liberty, so will the world. If Mexico fails in passion, so will the world, If India fails in diversity, so will the world.

If I must die as a writer, I will die as the first multi-cultural writer in history.

Tapwater and Natural Spring (The Sonnet) I am sorry if big bard becomes bleak, In front of the vast spirit of oneness. I am sorry if baron byron turns barren, In front of the sense of collectiveness. With their native tongue given at birth, The fancy figures did what they could. It ain't their fault that it takes an outsider, To bring out a tongue's rightful good. Some figures are tapwater, While others are natural spring. Some are just good writers, While others are Maya, Martí and King. Anybody can write mushy words, that's no biggie. Genius is one who lives as they speak, with integrity.

The Strugglers" He was born on a Friday. And it was raining that day. He still does not know whether the Gods were happy or sad at his arriving on earth. He saw the world. He saw sadness. He saw misery. He saw the struggle of his dad and mom. They both struggled to give a good life to their children. He started becoming serious in life. He started winning awards in academics and in quiz competitions to begin with. Then he tried essay competitions and debates. His sole aim was to win awards to make his parents feel proud of him. He wanted to become an IAS officer to make his family (uncles, aunts, cousins) feel proud of him. He came to Delhi to prepare for the Civil Services. He thought he will do a job and not be dependent on his parents, and still clear the Civil Services. It did not happen. He lost out on becoming a Civil Servant of the people. He tried a few odds jobs. He eventually became a Teacher, Poet, and Writer. His inspirations to writing - his Mom who manages to writer Poetry even now along with her struggles of life, Sylvia Plath, Maya Angelou, Franz Kafka, Roald Dahl, Jack Kerouac, Charles Bukowski, Ernest Hemingway, and all the other poets, artists, writers, and strugglers in Life.

I mean the poetry of differential calculus. Calculating points in time and place. The infinite movement we make in time, moving forward, but never eating zero. Integral caucus, where we don't head to zero -- we head to fucking infinity, man. Get as close as we can. But again we never get there. Because in nature we never get an absolute. Absolutes are bullshit.

Salvation ends everything; and ends us. Who, once saved, dares still call himself alive? We really live only by the refusal to be delivered from suffering and by a kind of religious temptation of irreligiosity. Salvation haunts only assassins and saints, those who have killed or transcended the creature; the rest wallow—dead drunk—in imperfection. . . . The mistake of every doctrine of deliverance is to suppress poetry, climate of the incomplete. The poet would betray himself if he aspired to be saved: salvation is the death of song, the negation of art and of the mind. How to feel integral with a conclusion? We can refine, we can farm our sufferings, but by what means can we free ourselves from them without suspending ourselves?

Wake Up From Death (The Sonnet) Wake up from death and return to life, For as living dead we’ve been crawling for long. Wake up from sanity and return to insanity, For we've been insane in sanity for long. Wake up from possibility, return to impossibility, For we've been slave to the possible for long. Wake up from reality and return to absurdity, Habits of past have kept us hypnotized for long. Wake up form truth and return to love, For we’ve always confused assumptions with truth. Wake up form ideology and return to the soil, Integration means inclusion, not ideological coup. Enough with nonchalance in the name of practicality! Let us now rise as tornado and wipe out all apathy.

Do you see my diamond-studded smile and passion-filled eyes? It’s because I’m in that stage of my life where I have nothing to prove to anyone. There is no elaborate pretence and no lavish ostentations. Genuineness smoulders in yellow gold, and I carry integrity on my eyelids. I stitch virtue, ornately and intricately, in every feather of my powder silver wings, which thrusts me past the iridescent rainbow where my ambitions soar high amid the dappled blanket of the sky. This is I; the stronger me, the happier me and the empowered me.

Apocalyptic Negroes in a stream Of moving torches, marching from the slums, Beating a band of garbage pails for drums, Marching, with school-age children in their arms, Advancing on the suburbs and the farms, To integrate the schools and burn the houses...

Handcrafted Humanity Sonnet 7 Give, give and give again, To give without reserve is living. Fall, fall and fall again, To fall without stopping is rising. Break, break and break again, To break without bending is integrity. Lose, lose and lose again, To lose without submitting is victory. Love, love and love again, To love despite being fooled is sanity. Help, help and help again, To help despite being deceived is humanity. To give is to live, that is the civilized normal. Kindness alone sets the human apart from animal.

In Work Be Restless (The Sonnet) In work, be restless, In love, be limitless, In care, be oceandeep, In service, be selfless. In virtue, be skywide, In justice, be incorruptible, In integrity, be unbending, In honor, be uncompromisable. In culture, be without walls, In courage, be endless, In compassion, be senseless, In character, be borderless. Life's too grand to be wasted in gutter. Expand your heart and you'll rise higher.