Instagram Likes Quotes

She conquered her demons and wore her scars like wings. 

Behind him, he heard Ronan say, "I like the way you losers thought Instagram before first aid. Fuck off.

She wore the moonlight like lingerie. 

If you are on social media, and you are not learning, not laughing, not being inspired or not networking, then you are using it wrong.

A few drinks and the world was hers— she wore her whiskey like a loaded gun.

LIFE IS A JOURNEY TO FIND THE PEOPLE WEIRD LIKE YOU. —ATTICUS

Share, care, hug like a bear.

... and Lynn is dead inside, like a corpse. She Instagrams methodically, clinically, as if she's gathering evidence for defense, like her entire life is dedicated to proving that she has a life.

She wore his love like a loaded gun. 

On Instagram, I want to change my name to "Nobody" so when someone post something really stupid I can like there post and it will say... "Nobody likes this.

I do think the idea of living your life to the fullest is a little flawed. Like, why is jumping out of an airplane inherently better than reading a book? Or why is living a life that looks good on instagram inherently more meaningful than a life lived quietly? I just don't buy it.

Love drips like honey from the hive, constant, sweet, precious, into your heart each and every moment if you let it.

what you think pushes people away is what lets them in. And, God I sound like an inspirational Instagram post, but not letting people in is what pushes them away.

The more you give up who you are to be liked by other people, it’s a formula for chipping away at your soul. You become a product of what everyone else wants, and not who you’re supposed to be.

The power of love can spread magic to the world like nothing else.

Dance through life flinging kindness like shimmering rainbows. Find your bliss by sharing your heart.

In a situation where every waking moment has become the time in which we make our living, and when we submit even our leisure for numerical evaluation via likes on Facebook and Instagram, constantly checking on its performance like one checks a stock, monitoring the ongoing development of our personal brand, time becomes an economic resource that we can no longer justify spending on “nothing.

Business is not a popularity contest. Views and likes and follows are all important. But ultimately, your business is measured by what's on the P&L and whats on the Balance Sheet. Ultimately, businesses are measured in money.

Sharing your kindness sparks understanding all around. Then like fireflies in the night, twinkling love surrounds you.

Soulmates feel like a deep breath of forever

Talk to yourself like a cherished friend. Treat yourself with love and care. You are perfect, just as you are.

Gus hated feeling anxious. He also hated warm ketchup, loud people, sunburns, parallel parking, jams and jellies, Instagram, Sarah McLachlan’s SPCA commercials, rubber glue, Michael Bay’s DVD commentaries, Michael Bay’s films, Michael Bay, and that weird feeling that tattooed, bearded hipster caused in the pit of his stomach that felt like he had tripped down a flight of stairs into a frozen lake that got lit on fire.

Giving thanks fills you with light and joy so you can shine like the bright star you truly are.

A filter on Instagram was like if Twitter had a button to make you more clever.

I feel like girls who drink whisky tell good stories.

Pressure knocks at my door A clock ticks and demands its due The lava burns from the floor But not in a game like it used to. So little time to figure it all out So many distractions to prevent success I’m in a dark forest with no path or route But this internal fire knows no rest.

Not everyone lives in a trash can just because they have kids. My home is orderly and neat because I care. Shame on you.” Response: “Your home is orderly and neat because the only thing you love more than your kid are Instagram likes. Go eat a bag of dicks.

Life is like a collage. Its individual pieces are arranged to create harmony. Appreciate the artwork of your life.

She wore compliments like diamonds.

I keep having the same unkind thought: I am preparing for death and everyone else is on Instagram. I know it's not fair, that life is hard for everyone, but I sometimes feel like I'm the only one in the world who is dying. We're all sinking slowly but one day while everyone watches, I will run out of air, I am going to go under. Even explaining it, I feel more and more frantic. There will be a day when I can't take my next breath and I will drown.

Here’s a current example of the challenge we face. At the height of its power, the photography company Kodak employed more than 140,000 people and was worth $28 billion. They even invented the first digital camera. But today Kodak is bankrupt, and the new face of digital photography has become Instagram. When Instagram was sold to Facebook for a billion dollars in 2012, it employed only thirteen people. Where did all those jobs disappear to? And what happened to the wealth that those middle-class jobs created? This book is built to answer questions like these, which will only become more common as digital networking hollows out every industry, from media to medicine to manufacturing.

Ma’s Instagram profile is classic Ma. She heavily filters photos of meals and selfies. She’s a total abuser of hashtags. #It #Is #Really #Hard #To #Read #Entire #Captions #Like #This. She noticed when I stopped following her.

It all goes back to the red string of my imaginary kite—if you believe something, other people will believe it, too. You can’t convince someone else—whether it’s a potential employer, a loan officer at the car dealership, or someone you’ve been crushing on—that you’re amazing and terrific if you don’t actually think you are. This isn't the false confidence that comes from getting a bunch of "likes" on your Instagram selfies, but a deep-down, unshakeable self-confidence that persists even when things aren't going all that great.

So there are pics of Tucker’s mighty wang on the internet?” “I haven’t been tagged on Instagram yet, so I’m hopeful they aren’t out there. But thanks for calling my dick mighty. We appreciate that.” Amusement colors his words. “We? As in you and your penis?” “Yup,” he says cheerfully. I snuggle deeper under the covers. “You have a name for your penis?” “Doesn’t everyone? Guys put a name on everything that’s important to them—cars, dicks. One of my teammates in junior hockey named his stick, which was dumb because sticks break all the time. He’d gone through twelve of them by the end of the season.” “What were the names?” “That’s the thing. He just kept adding a number to the end, like iPhone 6, iPhone 7, except in his case it was Henrietta 1, Henrietta 2, et cetera.” I snicker. “He should’ve used the hurricane naming convention.” “Darlin’, he wasn’t smart enough to come up with two names, let alone twelve.

I wish that future novelists would reject the pressure to write for the betterment of society. Art is not media. A novel is not an 'afternoon special' or fodder for the Twittersphere or material for the journalists to make neat generalizations about culture. A novel is not Buzzfeed or NPR or Instagram or even Hollywood. Let's get clear about that. A novel is a literary work of art meant to expand consciousness. We need novels that live in an amoral universe, past the political agenda described on social media. We have imaginations for a reason. Novels like American Psycho and Lolita did not poison culture. Murderous corporations and exploitative industries did. We need characters in novels to be free to range into the dark and wrong. How else will we understand ourselves?

For many years when I have heard nice people try to be respectful about describing undocumented people, I’ve heard them call us “undocumented workers” as a euphemism, as if there was something uncouth about being just an undocumented person standing with your hands clasped together or at your sides. I almost wish they’d called us something rude like “crazy fuckin’ Mexicans” because that’s acknowledging something about us beyond our usefulness—we’re crazy, we’re Mexican, we’re clearly unwanted!—but to describe all of us, men, women, children, locally Instagram-famous teens, queer puppeteers, all of us, as workers in order to make us palatable, my god. We were brown bodies made to labor, faces pixelated.

Online reward mechanisms beg to substitute for offline ones, and then overtake them. This is why everyone tries to look so hot and well-traveled on Instagram; this is why everyone seems so smug and triumphant on Facebook; this is why, on Twitter, making a righteous political statement has come to seem, for many people, like a political good in itself. This practice is often called “virtue signaling,

Like a well-oiled machine, we’ve all been connected since the beginning of time through a beautiful, mystical process of unity.

She is a fantasy Her soul roar like a lion Her mind blooms like a flower Her heart is fierce like a tiger She is a magic that happens in a cruel world.

Her love was like endless summer nights -unforgettable.

Come close - let our hearts beat like one, we'll be the two that became one. Love is the rhythm of our night.

Just like the most beautiful symphonies my words are my piano keys.

Forgetting someone you once loved: it’s like erasing something of yourself forever -freely; Being someone else for a second that will change a lifetime. You let go. You feel lost. You will live.

Do not be angry with the dormant friends you have on Facebook and on social media who do not LIKE or comment on your statuses and pictures, and do not congratulate you on your birthday. See them just as the regular passengers you meet every morning on the train and bus on your way to work, and with whom you do not exchange greetings ― the only thing you share being just passengers on board the same train and bus.

This book is about how to hold open that place in the sun. It is a field guide to doing nothing as an act of political resistance to the attention economy, with all the stubbornness of a Chinese “nail house” blocking a major highway. I want this not only for artists and writers, but for any person who perceives life to be more than an instrument and therefore something that cannot be optimized. A simple refusal motivates my argument: refusal to believe that the present time and place, and the people who are here with us, are somehow not enough. Platforms such as Facebook and Instagram act like dams that capitalize on our natural interest in others and an ageless need for community, hijacking and frustrating our most innate desires, and profiting from them. Solitude, observation, and simple conviviality should be recognized not only as ends in and of themselves, but inalienable rights belonging to anyone lucky enough to be alive. —

Instagram’s early popularity was less about the technology and more about the psychology—about how it made people feel. The filters made reality look like art. And then, in cataloging that art, people would start to think about their lives differently, and themselves differently, and their place in society differently.

keep having the same unkind thought—I am preparing for death and everyone else is on Instagram. I know that’s not fair—that life is hard for everyone—but I sometimes feel like I’m the only one in the world who is dying.

I saw the best minds of my generation destroyed by Facebook, starving hysterical naked, dragging themselves through photo slideshows at dawn looking for an angry fix, angelheaded hipsters burning for the ancient heavenly connections of their youth through the machinery of night, who clicking and poking and hollow-eyed and high sat up smoking in the supernatural brightness of tiny screens floating across the tops of cities contemplating likes, who bared their brains to the network and saw who got pregnant and who got fat and who’s living the life best lived by posting Instagrams of themselves staggering on tenement roofs illuminated, who passed through newly cropped profile pics with radiant cool eyes obsessing over whose ex’s new lover is the best looking ex-lover’s lover, who breaking their backs falling out of ergonomic chairs while shouting into the icy streets, Everybody look how clever I am, Look how much fun I am having, Look at this amazing party I went to, Look at how well-liked I am, Look at my effortless carefully constructed casual desperate thrown together fun, Everybody look, This is fun, Look, Look, I swear to God I am having so much fun.

Ethanol is a volatile, flammable, colourless liquid with a slight chemical odour. It is used as an antiseptic, a solvent, in medical wipes and antibacterial formulas because it kills organisms by denaturing their proteins. Ethanol is an important industrial ingredient. Ethanol is a good general purpose solvent and is found in paints, tinctures, markers and personal care products such as perfumes and deodorants. The largest single use of ethanol is as an engine fuel and fuel additive. In other words, we drink, for fun, the same thing we use to make rocket fuel, house paint, anti-septics, solvents, perfumes, and deodorants and to denature, i.e. to take away the natural properties of, or kill, living organisms. Which might make sense on some level if we weren’t a generation of green minded, organic, health-conscious, truth seeking individuals. But we are. We read labels, we shun gluten, dairy, processed foods, and refined sugars. We buy organic, we use natural sunscreen and beauty products. We worry about fluoride in our water, smog in our air, hydrogenated oils in our food, and we debate whether plastic bottles are safe to drink from. We replace toxic cleaning products with Mrs. Myers and homemade vinegar concoctions. We do yoga, we run, we SoulCycle and Fitbit, we go paleo and keto, we juice, we cleanse. We do coffee enemas and steam our yonis, and drink clay and charcoal, and shoot up vitamins, and sit in infrared foil boxes, and hire naturopaths, and shamans, and functional doctors, and we take nootropics and we stress about our telomeres. These are all real words. We are hyper-vigilant about everything we put into our body, everything we do to our body, and we are proud of this. We Instagram how proud we are of this, and we follow Goop and Well+Good, and we drop 40 bucks on an exercise class because there are healing crystals in the floor. The global wellness economy is estimated to be worth $4 trillion. $4 TRILLION DOLLARS. We are on an endless and expensive quest for wellness and vitality and youth. And we drink fucking rocket fuel.

Did I really like cooking, or did I just like the way my Instagram photos of home-cooked meals made me look like a balanced, well-adjusted adult? How many of my beliefs and preferences were actually mine, I wondered, and how many had been put there by machines?

When I’m done, I ceremonially delete the Instagram app and move my banking app to the exact spot where it used to sit. I get in bed and scroll through my account. The big deposit, the interest. It’s infinitely satisfying, and I wish there was a like button to press.

Jake still won’t talk to me, and I miss him so much, it’s like I’ve been hollowed out by a nuclear blast and there’s nothing left but ashes fluttering inside brittle bones. I’ve sent him dozens of texts that aren’t only unanswered; they’re unread. He unfriended me on Facebook and unfollowed me on Instagram and Snapchat. He’s pretending I don’t exist and I’m starting to think he’s right. If I’m not Jake’s girlfriend, who am I?

Yes, it stressed me out to be asked about my plans for my one (ONE) wild and precious life, but I will still like this phrase every time someone has turned it into art on Pinterest or Instagram. I will try not to let it stress me out. I will try to be better. I will try to bring more love to the world.

I haven’t a clue either. I’m just someone struggling to recognize their messy life in a world of perfect Instagram ones and feeling like a bit of a fuck-up. Even worse, a forty-something fuck-up. Someone who reads a life-affirming quote and feels exhausted, not inspired. Who isn’t trying to achieve new goals, or set more challenges, because life is enough of a challenge as it is. And who does not feel #blessed and #winningatlife but mostly #noideawhatthefuckIamdoing and #canIgoogleit?

Go on, right now, and look up the Instagram and Twitter profiles of all the men you know. How many of them list father or husband to @theirwife’sname in their bios? Not many, I’d guess, because men are raised to view themselves as multifaceted beings, with complexities and contradictions and prismatic identities. And when they only have a certain number of characters in which to describe themselves, when they reduce themselves to just one or two things, it is more likely their profession

I post Instagram photos that I think of as testaments to my beauty and then obsessively check the likes to see if the internet agrees. I collect this data more than I want to admit, trying to measure my allure as objectively and brutally as possible. I want to calculate my beauty to protect myself, to understand exactly how much power and lovability I have.

which everyone was a criminal. I tried to talk to Lindsay about all this. But though she was generally sympathetic to my concerns, she wasn’t so sympathetic that she was ready to go off the grid, or even off Facebook or Instagram. “If I did that,” she said, “I’d be giving up my art and abandoning my friends. You used to like being in touch with other people.

The ones I love must never take a back seat to those I “like.

Leave the grim, follow me.
 And take my hand; Let's make an eternal meme like a Murad Osman pic on Instagram.

Experience what it feels like to be fully present and grounded in the moment, in the now.

The imbalanced power relationship is in your face all the time. Don’t you feel humiliated using one of the Facebook brands, like Instagram or WhatsApp? Facebook is the first public company controlled by one person.32 I mean, I don’t personally have anything against Mark Zuckerberg. It isn’t about him. But why would you subordinate a big part of your life to any one stranger?

Sorry, the Sisterhood, but when it comes to online life, mothers just don’t respond well to other mothers’ success – if comparison is the thief of joy, Instagram is the cat burglar of contentment.

This woman controls my heartbeats. Every love lyric I sing each night is made for her. Every melody chases her heartbeat, and every chorus begs for her love. It has been brought to my attention that a few people on my management team have chosen to approach the love of my life and tell her that she wasn't good for my image. Due to her looks and the past she had no say in creating, they said she wasn't good enough. It's true, we grew up in the same town, but that didn't mean our home lives were built on the same steady foundation. I was blessed enough to never know struggle. This girl had to fight tooth and nail for everything she was given. She sacrificed her own youth, because she didn't want her little sister to go into the foster system. She gave up love, in order for me to go chase my dreams. She gives and gives in order to make others happy, because that's the person she is. She's the most beautiful human being alive, and for anyone--especially people who are supposed to be in my corner--to say differently disgusts me to my core. I am not a robot. I hurt, I ache, I love, and I cry. And it breaks me to live in a world where I have to be afraid of showing who I really am in order to gain followers. So if you don't like this fact--that I am not single and that I am hopelessly in love--then that's fine. If I lose fans over this, I'm okay with that. I will make every sacrifice in the world from this point on in order to give my love fully to the woman who has given more than she ever should've had to give. I love you, Haze. From the new moon to the fullest. From now until forever.

The world is getting noisier. We've gone from boomboxes to Walkmen to portable CD players to iPods to any song we want, whenever we want it. We've gone from the four television channels of my childhood to the seeming infinity of cable and streaming. As technology moves us faster and faster through time and space, it seems to feel like story is getting pushed out of the way, I mean, literally pushed out of the narrative. But even as our engagement with stories change, or the trappings around it morph from book to audio to Instagram to Snapchat, we must remember our finger beneath the words. Remember that story, regardless of the format, has always taken us to places we never thought we'd go, introduced us to people we never thought we'd meet and shown us worlds that we might have missed. So as technology keeps moving faster and faster, I am good with something slower. My finger beneath the words has led me to a life of writing books for people of all ages, books meant to be read slowly, to be savored.

I feel like being psychic might just be the natural result of what happens when you actually just listen to someone without being a distracted spaz plotting your next Instagram post during a conversation.

A fire burns in the evening sky Breaking like an egg in a pan A sea of yellowish orange spreads In accordance with divine plan.  Vibrant paint drips to the edge Of ashen clouds drifting past The sun is a messy painter Every brush stroke massive and vast. The clouds are like matches Starting as fiery flame Then fading to ashes  A burning passion, tamed.  The red, orange, yellow leaves On the ground in this season Reflect the colors of the sky, and The sunlight that used to feed them.  A September sunset beaming  Down as a sailor's last call A herald for the coming winter A message, enjoy the fleeting fall. 

If you're thinking of a social media spring clean, start with those who never comment on or like anything you post - they're just spying on you. Next, lose the ones who only contact when they have something to sell or promote - they're using you.

Then, on impulse, I scroll back through my previous Instagram posts, looking at the photos of London cafes, sights, drinks, and smiling faces (mostly strangers). The whole thing is like a feel-good movie, and what's wrong with that? Loads of people use colored filters or whatever on Instagram. Well, my filter is the “this is how I'd like it to be” filter. It's not that I lie. I was in those places, even if I couldn't afford a hot chocolate. It's just I don't dwell on any of the not-so-great stuff in my life, like the commute or the prices or having to keep all my stuff in a hammock. Let alone vanilla-whey-coated eggs and abnoxious lechy flatmates. And the point is, it's something to aspire to, something to hope for. One day my life will match my Instagram posts. One day.

After university, Annie [Smith Peck] was once again warned against the dangers of ~a lady~ moving around the country to different teaching jobs, let alone to Europe to carry on her studies, which she very much wanted to do. Her mother warned her what it might look like for a young woman to travel alone to Europe like a giant slut, but Annie replied: 'I have lived long enough to have got beyond trying to make all my actions satisfactory to my numerous friends and acquaintances.' Whack that over a sunset and put it on Instagram, friends.

Believing that God is not only watching you but has high expectations creates one kind of society. Believing that getting “likes” on Facebook, Twitter, Instagram, or Snapchat (or whatever comes next) undoubtedly creates another kind. The average iPhone user unlocks his or her phone at least eighty times per day, and that number is rising every year. 8 And yet, despite the fact each of us has access to more information in our pockets than any scholar in the world had twenty years ago, we don’t use it. We drown in information but we starve for knowledge.

When parents matter more than peers, they can teach right and wrong in a meaningful way. They can prioritize attachments within the family over attachments with same-age peers. They can foster better relationships between their child and other adults. They can help their child develop a more robust and more authentic sense of self, grounded not in how many “likes” a photo gets on Instagram or Facebook but in the child’s truest nature. They can educate desire, instilling a longing for higher and better things, in music, in the arts, and in one’s own character.

And yes, I like to crochet. Again, I’ll ask that you not fucking judge me, because it’s my birthday, because my charity, Hookers for the Homeless, has provided over two thousand caps, gloves, and scarves to people in need, and because my Instagram account—Hockey Hooker—has over a million followers.

In fact, a whole ex-girlfriend themed ghost train sounded genuinely terrifying. You'd get in and instead of a mummy mannequin covered in toilet roll popping out, it's her and you look down and you're wearing a baggy old jumper with a stain on the front. You turn the corner and you find yourself being forced to scroll through her Instagram and there are replies from a girl with tattoos and she looks exactly like the celebrity your ex fancies most. Right at the end, they play a video on a loop that's just screenshots of all the pathetic texts you sent when you were too heartbroken to have any dignity.

I had this dream about you last night. We were still married. I was giving you a haircut, like I always did, being careful to trim around the scar on the back of your head. I’m sorry I sometimes forgot it and left you with a bald spot. And, I’m sorry we didn’t work out. But you look pretty happy on Instagram.

Social networking technology allows us to spend our time engaged in a hypercompetitive struggle for attention, for victories in the currency of “likes.” People are given more occasions to be self-promoters, to embrace the characteristics of celebrity, to manage their own image, to Snapchat out their selfies in ways that they hope will impress and please the world. This technology creates a culture in which people turn into little brand managers, using Facebook, Twitter, text messages, and Instagram to create a falsely upbeat, slightly overexuberant, external self that can be famous first in a small sphere and then, with luck, in a large one. The manager of this self measures success by the flow of responses it gets. The social media maven spends his or her time creating a self-caricature, a much happier and more photogenic version of real life. People subtly start comparing themselves to other people’s highlight reels, and of course they feel inferior.

like to see more of Vivian and Luca and maybe other Italian bachelors follow in Rafe’s footsteps, too. ;) I’d love to write a new romantic adventure for Rafe and Ari, too (but is that allowed for Kindle Worlds? Mm..).   Oh, and you can also write to me directly. I love hearing from readers. You can reach me via my website, Facebook, Twitter, and Instagram, or you can also email me.   A list of my works (arranged according to reading order) can be found here and you can also visit my author page on Amazon for book links.   Lastly, for updates on my newest releases and exclusive excerpts for upcoming releases, please consider signing up for my newsletter.   Thank you!

I want this not only for artists and writers, but for any person who perceives life to be more than an instrument and therefore something that cannot be optimized. A simple refusal motivates my argument: refusal to believe that the present time and place, and the people who are here with us, are somehow not enough. Platforms such as Facebook and Instagram act like dams that capitalize on our natural interest in others and an ageless need for community, hijacking and frustrating our most innate desires, and profiting from them. Solitude, observation, and simple conviviality should be recognized not only as ends in and of themselves, but inalienable rights belonging to anyone lucky enough to be alive.

There are, of course, real pleasures to be found in self-improvement. 'That the beauty idea is pleasurable AND demanding, and often concurrently, is a key feature,' Widdows writes. The beauty ideal asks you to understand your physical body as a source of potential and control. It provides a tangible way to exert power, although this power has so far come at the expense of most others: porn and modeling and Instagram influencing are the only careers in which women regularly outearn men. But the pleasures of beauty work and the advent of mainstream feminism have both, in any case, mostly exacerbated the situation. If Wolf in 1990 criticized a paradigm where a woman was expected to look like her ideal self all the time, we have something deeper burrowing now—not a beauty myth but a lifestyle myth, a paradigm where a woman can muster all the technology, money, and politics available to her to actually try to BECOME that idealized self, and where she can understand relentless self-improvement as natural, mandatory, and feminist—or just, without a question, the best way to live.

What have you loved? What stands out in your mind as can’t miss Life Attractions?” “I’m not sure. When people make those bucket lists online, they focus on big, flashy things, like going to the top of the Eiffel Tower or swimming with dolphins or whatever. They’re doing those for Instagram, though, or because they think it’s what they’re supposed to want. I guess they do sound impressive when you say them out loud to other people. But everything I remember as being the best moments of my life has been so…small. Like…running through the sprinklers with my best friend on summer break, getting grass stuck all over my wet feet. The first time my baby sister smiled at a silly face I made. My first real Eureka moment in the biochem lab.

This is part of the reason why I feel weird about introducing pronouns when people meet each other in groups; it creates this expectation that each of our genders should be mapped and appropriately invoked at any time, that I'm safer if someone can say exactly what I am, and that I would be harmed if my gender ever confused anyone (or confused me). I'd rather be misgendered than be "accepted" by an establishment that's making some kind of ominous bio/political truth claim about what my transness is. I don't want a trans utopia where there's 200 genders on the census box. I don't want a trans utopia where instagram asks me my pronouns and my sex assigned at birth and then targets marketing at me. I don't want cis people to make money using images of bodies like mine.

Followers Everywhere To start with; Facebook : 10K followers !! Instagram : 710 followers !! Twitter : 20K followers !! Followers!! Followers!! And Followers!! Well, who are these followers? Just more than being a crowd of audience, who are they? Ever thought of? And for what purpose are they following you or someone else? Is it because you are a famous personality, a best friend, or you're someone who holds a high status in the society or just because you're simply rich enough to be followed ? Everyone live their life the way they want to. No one is bound to live under certain limitations or boundaries. Every individual have their own freedom in life. Each one of them is unique too. But what holds us different from others is the work we do for ourselves and for our society. Our behaviour, personality, nature, our attitude towards life and our talents hold us apart from others. Some people are really good and some are really worse than you ever thought of. What I'm trying to say is that some are 'legally' good and they may or may not hold a high position in the society and some are 'illegally' good and they may or may not hold a high position in the society. I just want to say that follow people for who they actually are, for the good work they do for themselves and for everyone. And respect them by being their true follower in a true sense. The person whom you follow doesn't need to be a rich or poor. A person should be rich by heart and poor by wealth! Even I'm not someone to be followed, yet I do have a few followers. It's not because I'm some great personality or a renowned writer, but might be because they like my work. And I feel happy for that. And I thank God for blessing me with this wonderful skill of writing. Even I follow many people including some really great personalities for their good work and for their kind way of serving the society and the poor. And I believe that, this is the true way to show respect for them.

And she figures it’s your fault that things have changed.” “That’s just idiotic!” Ximena said. “I know!” I said. “It’s like Savanna being mad at me for having been in a TV commercial once. It makes no sense.” “How do you know all this?” asked Ximena. “Did she tell you?” “No!” I said. “Did you know about the note beforehand?” “No!” I said. Summer rescued me. “So what did Ellie say when she read Maya’s note?” she asked Ximena. “Oh, she was so mad,” answered Ximena. “She and Savanna want to go all out on Maya, post something super-mean about her on Facebook or whatever. Then Miles drew this cartoon. They want to post it on Instagram.” She nodded for Summer to hand me a folded-up piece of loose-leaf paper, which I opened. On it was a crude drawing of a girl (who was obviously Maya) kissing a boy (who was obviously Auggie Pullman).

As digital technology reduces the need for labor in many industries, the proportion of the rewards returned to those who own the intelligent machines is growing. A venture capitalist in today’s economy can fund a company like Instagram, which was eventually sold for a billion dollars, while employing only thirteen people. When else in history could such a small amount of labor be involved in such a large amount of value?

That doesn’t explain this weird nudity thing.” “Well, it’s not like we change shapes fully clothed.” “That can get awkward,” Hayder added. “A lioness in a G-string is a dangerous sight to see.” “Dangerous how?” Kira dared asked. “Because the Instagram pic I took of it got me pounced on by a trio of them, and they waxed me from head to toe.” Hayder shook his head, in rueful remembrance. Kira snickered. “I would have used Nair. It lasts longer.

There were absolutely amazing photographs everywhere, on everyone's Facebook page and everyone's iPhone and Instagram, just floating around in cyberspace for eternity. People took hundreds and thousands of digital pictures; one or two, even twenty or a hundred, were bound to be great. All anyone had to do was click through them all and post the ones they liked, deleting the rest. But using film meant you never knew what was going to be a good picture, let alone a great one, until you were standing there looking at a contact sheet with a magnifying glass and deciding which to print. Maybe nobody cared anymore, but then again, writers probably felt the same way when word processors were invented. Anyone with a story and a keyboard could write their memoir now, write the great American novel, or tweet a 140-character trope that gets retweeted and it read by hundreds of people every hour of every day.

At one point in 2015, a few Instagrammers in Barnieh's crowd in Hong Kong took the game to another level: they made a habit of hanging off the side of buildings and the tops of bridges. In one shot by Lucian Yock Lam, @yock7, a man is holding another man's arm while he dangles from the side of a skyscraper at night, hovering above a busy street. The caption is a simple hashtag: #followmebro. It got 2,550 likes, a fleeting reward for putting one's life at risk.

But once a website starts to make decisions about what it’s going to allow and not allow on its platform, it goes from a “platform” to a “publisher,” at least in the eyes of the law. Once Twitter, Facebook, and Instagram start to ban people or remove content, they’re no longer just interested observers of content who sit back and let their users run the show. They’re publishers just like the New York Times or the Washington Post. Clearly, this is what they’re doing. They’ve admitted it themselves.

He looked like the wrathful Old Testament God getting ready to throw down some well-deserved punishment on the earth. “This might be hard to understand, lady. But in war, you do the right thing, whatever it takes, and if you come out alive, you know how easy you could have screwed up, so bragging on it is dead-solid wrong. Only assholes do that. I don’t Facebook. Don’t tweet. Don’t Instagram. I don’t talk about the past, and it pisses me off that you remembered that old DDT thing and were able to find that newspaper photo.

Everyone at the company had access to the whole Facebook code base and was allowed to make changes to the product without much oversight. All they needed to prove was that their edit caused a boost, however small, for some important metric, like time spent on the app. That allowed engineers and designers to work a lot faster, because there was less arguing about why or whether they should build something. Everyone knew that their next raise would hinge on whether they affected growth and sharing. They weren’t held accountable for much else.

So, fast-forward to the Smollett post. After I reposted it, and called them out for taking it down, I received an outpouring of thousands of comments and DMs, some even showing videos, of how Instagram was interfering with my following. Some weren’t allowed to like my posts or my father’s. The little heart would light up, and then it would flash back off. Some commented, “Hey Don, I had to follow you three times this week and I never unfollowed you.” With others, it was, “Don, I was blocked out of my account for twenty-four hours for liking one of your feeds.

C. S. Lewis once wrote, “There is no neutral ground in the universe: every square inch, every split second, is claimed by God and counterclaimed by Satan.” Our good God wants to use social media for our good and His glory, but Satan is hell-bent on owning that territory and using it for our distracted demise. This is true in everything. God wants us focused; Satan loves us frazzled. God wants us devoted; Satan loves it when we’re distracted. God wants us content; Satan loves us discontent—dissatisfied, depressed, and dejected. God wants us to know His incomparable love, while the devil wants us comparing our lives with others as we search for a di erent sort of love—a love that looks more like “likes.

I go to one of my favorite Instagram profiles, the.korean.vegan, and I watch her last video, in which she makes peach-topped tteok. The Korean vegan, Joanne, cooks while talking about various things in her life. As she splits open a peach, she explains why she gave up meat. As she adds lemon juice, brown sugar, nutmeg, a pinch of salt, cinnamon, almond extract, maple syrup, then vegan butter and vegan milk and sifted almond and rice flour, she talks about how she worried about whitewashing her diet, about denying herself a fundamental part of her culture, and then about how others don't see her as authentically Korean since she is a vegan. I watch other videos by Joanne, soothed by her voice into feeling human myself, and into craving the experiences of love she talks of and the food she cooks as she does. I go to another profile, and watch a person's hands delicately handle little knots of shirataki noodles and wash them in cold water, before placing them in a clear oden soup that is already filled with stock-boiled eggs, daikon, and pure white triangles of hanpen. Next, they place a cube of rice cake in a little deep-fried tofu pouch, and seal the pouch with a toothpick so it looks like a tiny drawstring bag; they place the bag in with the other ingredients. "Every winter my mum made this dish for me," a voice says over the video, "just like how every winter my grandma made it for my mum when she was a child." The person in the video is half Japanese like me, and her name is Mei; she appears on the screen, rosy cheeked, chopsticks in her hand, and sits down with her dish and eats it, facing the camera. Food means so much in Japan. Soya beans thrown out of temples in February to tempt out demons before the coming of spring bring the eater prosperity and luck; sushi rolls eaten facing a specific direction decided each year bring luck and fortune to the eater; soba noodles consumed at New Year help time progress, connecting one year to the next; when the noodles snap, the eater can move on from bad events from the last year. In China too, long noodles consumed at New Year grant the eater a long life. In Korea, when rice-cake soup is eaten at New Year, every Korean ages a year, together, in unison. All these things feel crucial to East Asian identity, no matter which country you are from.

On the third day after all hell broke loose, I come upstairs to the apartment, finished with my shift and so looking forward to a hot shower. Well, lukewarm—but I’ll pretend it’s hot. But when I pass Ellie’s room, I hear cursing—Linda Blair-Exorcist-head-spinning-around kind of cursing. I push open her door and spot my sister at her little desk, yelling at her laptop. Even Bosco barks from the bed. “What’s going on?” I ask. “I just came up but Marty’s down there on his own—he won’t last longer than ten minutes.” “I know, I know.” She waves her hand. “I’m in a flame war with a toxic bitch on Twitter. Let me just huff and puff and burn her motherfucking house down…and then I’ll go sell some coffee.” “What happened?” I ask sarcastically. “Did she insult your makeup video?” Ellie sighs, long and tortured. “That’s Instagram, Liv—I seriously think you were born in the wrong century. And anyway, she didn’t insult me—she insulted you.” Her words pour over me like the ice-bucket challenge. “Me? I have like two followers on Twitter.” Ellie finishes typing. “Boo-ya. Take that, skank-a-licious!” Then she turns slowly my way. “You haven’t been online lately, have you?” This isn’t going to end well, I know it. My stomach knows it too—it whines and grumbles. “Ah, no?” Ellie nods and stands, gesturing to her computer. “You might want to check it out. Or not—ignorance is bliss, after all. If you do decide to take a peek, you might want to have some grain alcohol nearby.” Then she pats my shoulder and heads downstairs, her blond ponytail swaying behind her. I glance at the screen and my breath comes in quick, semi-panicked bursts and my blood rushes like a runaway train in my veins. I’ve never been in a fight, not in my whole life. The closest I came was sophomore year in high school, when Kimberly Willis told everyone she was going to kick the crap out of me. So I told my gym teacher, Coach Brewster—a giant lumberjack of a man—that I got my period unexpectedly and had to go home. He spent the rest of the school year avoiding eye contact with me. But it worked—by the next day, Kimberly found out Tara Hoffman was the one talking shit about her and kicked the crap out of her instead

Systrom and Krieger didn’t want any of this to be on Instagram and knew, as the site got bigger, that they wouldn’t be able to comb through everything to delete the worst stuff manually. After just nine months, the app already hosted 150 million photos, with users posting 15 photos per second. So they brainstormed a way to automatically detect the worst content and prevent it from going up, to preserve Instagram’s fledgling brand. “Don’t do that!” Zollman said. “If we start proactively reviewing content, we are legally liable for all of it. If anyone found out, we’d have to personally review every piece of content before it goes up, which is impossible.” She was right. According to Section 230 of the Communications Decency Act, nobody who provided an “interactive computer service” was considered the “publisher or speaker” of the information, legally speaking, unless they exerted editorial control before that content was posted. The 1996 law was Congress’s attempt to regulate pornographic material on the Internet, but was also crucial to protecting internet companies from legal liability for things like defamation.

And here's a fantastic thing that would happen: this person that you had maybe seen at the gym for months, or weeks, or just today. And now he's writing his phone number down on a ripped off piece of paper (the front desks always had pens and paper for just such moments), and you fold it up and put it in your gym shorts. And later you take it out and unfold it and it is like he is there again. The slip of paper with the number on it has now been replaced with grindr and scruff and instagram but nothing - nothing, can be as exciting as walking back to your apartment and climbing the stairs and unlocking the door and reaching into your pocket and pulling out that tiny slip of paper and looking at his handwriting. How he writes his 7's, 4's, his 8's. And a little bit of him is there with you, and it's thrilling because this paper is a contract that tells you something happened. A moment, a brief moment recognising that you have been seen and this paper could hold your future. This could be the piece of paper you keep for 50 years, the paper you will show him when you're old and the excitement of that moment is long gone but something better is left in its place; a lifetime. 

her room now?” They were led down the hall by Beth. Before she turned away she took a last drag on her smoke and said, “However this comes out, there is no way my baby would have had anything to do with something like this, drawing of this asshole or not. No way. Do you hear me? Both of you?” “Loud and clear,” said Decker. But he thought if Debbie were involved she had already paid the ultimate price anyway. The state couldn’t exactly kill her again. Beth casually flicked the cigarette down the hall, where it sparked and then died out on the faded runner. Then she walked off. They opened the door and went into Debbie’s room. Decker stood in the middle of the tiny space and looked around. Lancaster said, “We’ll have the tech guys go through her online stuff. Photos on her phone, her laptop over there, the cloud, whatever. Instagram. Twitter. Facebook. Tumblr. Wherever else the kids do their electronic preening. Keeps changing. But our guys will know where to look.” Decker didn’t answer her. He just kept looking around, taking the room in, fitting things in little niches in his memory and then pulling them back out if something didn’t seem right as weighed against something else. “I just see a typical teenage girl’s room. But what do you see?” asked Lancaster finally. He didn’t look at her but said, “Same things you’re seeing. Give me a minute.” Decker walked around the small space, looked under piles of papers, in the young woman’s closet, knelt down to see under her bed, scrutinized the wall art that hung everywhere, including a whole section of People magazine covers. She also had chalkboard squares affixed to one wall. On them was a musical score and short snatches of poetry and personal messages to herself: Deb, Wake up each day with something to prove. “Pretty busy room,” noted Lancaster, who had perched on the edge of the girl’s desk. “We’ll have forensics come and bag it all.” She looked at Decker, obviously waiting for him to react to this, but instead he walked out of the room. “Decker!” “I’ll be back,” he called over his shoulder. She watched him go and then muttered, “Of all the partners I could have had, I got Rain Man, only giant size.” She pulled a stick of gum out of her bag, unwrapped it, and popped it into her mouth. Over the next several minutes she strolled the room and then came to the mirror on the back of the closet door. She appraised her appearance and ended it with the resigned sigh of a person who knows their best days physically are well in the past. She automatically reached for her smokes but then decided against it. Debbie’s room could be part of a criminal investigation. Her ash and smoke could only taint that investigation.

It was a wake-up call to me to learn that Airbnb was by no means unique: Instagram started as a location-based social network called Burbn (which had an optional photo feature). It attracted a core group of users and more than $500,000 in funding. And yet the founders realized that its users were flocking to only one part of the app—the photos and filters. They had a meeting, which one of the founders recounts like this: “We sat down and said, ‘What are we going to work on next? How are we going to evolve this product into something millions of people will want to use? What is the one thing that makes this product unique and interesting?’”7 The service soon retooled to become Instagram as we know it: a mobile app for posting photos with filters. The result? One hundred thousand users within a week of relaunching. Within eighteen months, the founders sold Instagram to Facebook for $1 billion. I know that seems simple, that the marketing lesson from Instragram is that they made a product that was just awesome. But that’s good news for you—it means there’s no secret sauce, and the second your product gets to be that awesome, you can see similar results. Just look at Snapchat, which essentially followed the same playbook by innovating in the mobile photo app space, blew up with young people, and skyrocketed to a $3.5-billion-dollar valuation with next-to-no marketing.

They kept in touch for years and years. Momma believed in the goodness of people and she believed in the prayer of protection, that wherever she was, God was, too. Mom had a way of taking people under her wing and making you feel special when you were talking to her. Your story mattered. And whenever she thought I was getting a little too full of myself, she’d remind me: “Robin, your story is no more important than anybody else’s story. When you strut, you stumble.” Meaning: When you think that you’re all that and a bag of chips, you’re gonna fall flat on your face. Thank you, Momma, for that invaluable lesson. We were overwhelmed with the outpouring of love for our mother. President and Michelle Obama sent a beautiful flower arrangement to our house. It was the first time I had seen Mom’s grandchildren smile in days. It was a proud moment for them. The president of the United States. They asked if they could take pictures of the flowers and Instagram them to their friends. It was painful to make the final arrangements for Mom. The owners of the Bradford-O’Keefe Funeral Home were incredibly kind and gentle. Our families have known each other for decades, and they also handled my father’s homegoing service. Mom had always said she wanted to be laid to rest in a simple pine box. We were discussing what to put on her tombstone. I had been quiet up to that point, just numb. Mom and Dad were both gone. I was left with such an empty feeling. Grandma Sally had passed when Mom was in her seventies, and I remember Mom saying she now felt like an orphan. I thought that was strange. But now I knew exactly what Mom meant. There was a lot of chatter about what words to use on Mom’s tombstone. I whispered it should simply read: A CHILD OF GOD. Everyone agreed.

Patrick Vlaskovits, who was part of the initial conversation that the term “growth hacker” came out of, put it well: “The more innovative your product is, the more likely you will have to find new and novel ways to get at your customers.”12 For example: 1. You can create the aura of exclusivity with an invite-only feature (as Mailbox did). 2. You can create hundreds of fake profiles to make your service look more popular and active than it actually is—nothing draws a crowd like a crowd (as reddit did in its early days). 3. You can target a single service or platform and cater to it exclusively—essentially piggybacking off or even stealing someone else’s growth (as PayPal did with eBay). 4. You can launch for just a small group of people, own that market, and then move from host to host until your product spreads like a virus (which is what Facebook did by starting in colleges—first at Harvard—before taking on the rest of the population). 5. You can host cool events and drive your first users through the system manually (as Myspace, Yelp, and Udemy all did). 6. You can absolutely dominate the App Store because your product provides totally new features that everyone is dying for (which is what Instagram did—twenty-five thousand downloads on its first day—and later Snapchat). 7. You can bring on influential advisors and investors for their valuable audience and fame rather than their money (as About.me and Trippy did—a move that many start-ups have emulated). 8. You can set up a special sub-domain on your e-commerce site where a percentage of every purchase users make goes to a charity of their choice (which is what Amazon did with Smile.Amazon.com this year to great success, proving that even a successful company can find little growth hacks). 9. You can try to name a Planned Parenthood clinic after your client or pay D-list celebrities to say offensive things about themselves to get all sorts of publicity that promotes your book (OK, those stunts were mine).

22. Giving up Distraction Week #4 Saturday Scripture Verses •Hebrews 12:1–2 •Mark 1:35 •John 1:14–18 Questions to Consider •What distracts you from being present with other people around you? •What distracts you from living out God’s agenda for your life? •What helps you to focus and be the most productive? •How does Jesus help us focus on what is most important in any given moment? Plan of Action •At your next lunch, have everyone set their phone facing down at the middle of the table. The first person who picks up their phone pays for the meal. •Challenge yourself that the first thing you watch, read, or listen to in the morning when you wake up is God’s Word (not email or Facebook). •Do a digital detox. Turn off everything with a screen for 24 hours. Tomorrow would be a great day to do it, since there is no “40 Things Devotion” on Sunday. Reflection We live in an ever connected world. With smart phones at the tip of our fingers, we can instantly communicate with people on the other side of the world. It is an amazing time to live in. I love the possibilities and the opportunities. With the rise of social media, we not only connect with our current circle of friends and family, but we are also able to connect with circles from the past. We can build new communities in the virtual world to find like-minded people we cannot find in our physical world. Services like Facebook, Twitter, YouTube, and Instagram all have tremendous power. They have a way of connecting us with others to shine the light of Jesus. While all of these wonderful things open up incredible possibilities, there are also many dangers that lurk. One of the biggest dangers is distraction. They keep us from living in the moment and they keep us from enjoying the people sitting right across the room from us. We’ve all seen that picture where the family is texting one another from across the table. They are not looking at each other. They are looking at the tablet or the phone in front of them. They are distracted in the moment. Today we are giving up distraction and we are going to live in the moment. Distraction doesn’t just come from modern technology. We are distracted by our work. We are distracted by hobbies. We are distracted by entertainment. We are distracted by busyness. The opposite of distraction is focus. It is setting our hearts and our minds on Jesus. It’s not just putting him first. It’s about him being a part of everything. It is about making our choices to be God’s choices. It is about letting him determine how we use our time and focus our attention. He is the one setting our agenda. I saw a statistic that 80% of smartphone users will check their phone within the first 15 minutes of waking up. Many of those are checking their phones before they even get out of bed. What are they checking? Social media? Email? The news of the day? Think about that for a moment. My personal challenge is the first thing I open up every day is God’s word. I might open up the Bible on my phone, but I want to make sure the first thing I am looking at is God’s agenda. When I open up my email, my mind is quickly set to the tasks those emails generate rather than the tasks God would put before me. Who do I want to set my agenda? For me personally, I know that if God is going to set the agenda, I need to hear from him before I hear from anyone else. There is a myth called multitasking. We talk about doing it, but it is something impossible to do. We are very good at switching back and forth from different tasks very quickly, but we are never truly doing two things at once. So the challenge is to be present where God has planted you. In any given moment, know what is the one most important thing. Be present in that one thing. Be present here and now.