Inspiring Microphone Quotes

In life, the microphone passes your lips but once... you had better be ready to sing.

This is the key to the entire universe. You know what this is? It's not a microphone, this right here is your voice. This physical thing just amplifies it. Don't be afraid of your voice. You have a voice without a microphone. Use it and don't let anybody snuff you out and tell you don't have one.

There are moments in every relationship that define when two people start to fall in love. A first glance A first smile A first kiss A first fall… (I remove the Darth Vader house shoes from my satchel and look down at them.) You were wearing these during one of those moments. One of the moments I first started to fall in love with you. The way you gave me butterflies that morning Had absolutely nothing to do with anyone else, and everything to do with you. I was falling in love with you that morning because of you. (I take the next item out of the satchel. When I pull it out and look up, she brings her hands to her mouth in shock.) This ugly little gnome With his smug little grin… He's the reason I had an excuse to invite you into my house. Into my life. You took a lot of aggression out on him over those next few months. I would watch from my window as you would kick him over every time you walked by him. Poor little guy. You were so tenacious. That feisty, aggressive, strong-willed side of you…. The side of you that refused to take crap from this concrete gnome? The side of you that refused to take crap from me? I fell in love with that side of you because of you. (I set the gnome down on the stage and grab the CD) This is your favorite CD ‘Layken’s shit.’ Although now I know you intended for shit to be possessive, rather than descriptive. The banjo started playing through the speakers of your car and I immediately recognized my favorite band. Then when I realized it was your favorite band, too? The fact that these same lyrics inspired both of us? I fell in love with that about you. That had absolutely nothing to do with anyone else. I fell in love with that about you because of you. (I take a slip of paper out of the satchel and hold it up. When I look at her, I see Eddie slide her a napkin. I can’t tell from up here, but that can only mean she’s crying.) This is a receipt I kept. Only because the item I purchased that night was on the verge of ridiculous. Chocolate milk on the rocks? Who orders that? You were different, and you didn’t care. You were being you. A piece of me fell in love with you at that moment, because of you. This? (I hold up another sheet of paper.) This I didn’t really like so much. It’s the poem you wrote about me. The one you titled 'mean?' I don’t think I ever told you… but you made a zero. And then I kept it to remind myself of all the things I never want to be to you. (I pull her shirt from my bag. When I hold it into the light, I sigh into the microphone.) This is that ugly shirt you wear. It doesn’t really have anything to do with why I fell in love with you. I just saw it at your house and thought I’d steal it.

You lied to us. You gave us false hope. You told us that the future was something to look forward to. And the saddest thing is that most children are not even aware of the fate that awaits us. We will not understand it until it’s too late. And yet we are the lucky ones. Those who will be affected the hardest are already suffering the consequences. But their voices are not heard. Is my microphone on? Can you hear me?

And the second [thing about the CBS EVENING NEWS that stands out in the mind of Michael J. Fox] was something Katie did later in the interview, as the drugs kicked in and the tremors segued into the jerkiness of dyskinesias. Somewhere in the contortions of making a point, my left arm detached the microphone clip from my jacket lapel. With no fuss and hardly a break in conversation or eye contact, she calmly leaned over and refastened it. Neither of us commented on it, but it was such an empathetic gesture, so far from anything patronizing or pitying, a simple kindness that allowed me the dignity to carry on making a point more important than the superficiality of my physical circumstance... ...One thing was abundantly clear though, whether or not she was able to forget how much she liked me: with that single act of consideration, she made it abundantly clear how much she loved her father.

When you hold the microphone , dont be shy , just burn it with ur words. . عندما تمسك الميكروفون لا تكن خجولا ، فقط ولعه بكلماتك

Thank you for inviting me here today " I said my voice sounding nothing like me. "I'm here to testify about things I've seen and experienced myself. I'm here because the human race has become more powerful than ever. We've gone to the moon. Our crops resist diseases and pests. We can stop and restart a human heart. And we've harvested vast amounts of energy for everything from night-lights to enormous super-jets. We've even created new kinds of people, like me. "But everything mankind" - I frowned - "personkind has accomplished has had a price. One that we're all gonna have to pay." I heard coughing and shifting in the audience. I looked down at my notes and all the little black words blurred together on the page. I just could not get through this. I put the speech down picked up the microphone and came out from behind the podium. "Look " I said. "There's a lot of official stuff I could quote and put up on the screen with PowerPoint. But what you need to know what the world needs to know is that we're really destroying the earth in a bigger and more catastrophic was than anyone has ever imagined. "I mean I've seen a lot of the world the only world we have. There are so many awesome beautiful tings in it. Waterfalls and mountains thermal pools surrounded by sand like white sugar. Field and field of wildflowers. Places where the ocean crashes up against a mountainside like it's done for hundreds of thousands of years. "I've also seen concrete cities with hardly any green. And rivers whose pretty rainbow surfaces came from an oil leak upstream. Animals are becoming extinct right now in my lifetime. Just recently I went through one of the worst hurricanes ever recorded. It was a whole lot worse because of huge worldwide climatic changes caused by... us. We the people." .... "A more perfect union While huge corporations do whatever they want to whoever they want and other people live in subway tunnels Where's the justice of that Kids right here in America go to be hungry every night while other people get four-hundred-dollar haircuts. Promote the general welfare Where's the General welfare in strip-mining toxic pesticides industrial solvents being dumped into rivers killing everything Domestic Tranquility Ever sleep in a forest that's being clear-cut You'd be hearing chain saws in your head for weeks. The blessings of liberty Yes. I'm using one of the blessings of liberty right now my freedom of speech to tell you guys who make the laws that the very ground you stand on the house you live in the children you tuck in at night are all in immediate catastrophic danger.

Give me the microphone for Just 5 minute and i will burn it with my words and turn this world upside down , and make the crowd stand at their feet. . أعطني الميكروفون فقط لخمس دقائق وسوف أشعله بكلماتي وأقلب هذا العالم رأسا على عقب وأجعل الجماهير تقف على أرجلها

You may swallow a speaker You may swallow a microphone Your voice may be heard But if you have no love in you nothing will be learned.

The last thing DeMille added to his $13 million film before he delivered the final negative to Paramount was his introduction that ran before the opening credits, filmed with him standing behind a microphone in front of a blue-and-white curtain (the colors of the Israeli flag). His intention was to emphasize the “importance” of what the audience was about to see and how authentic the film really was, and to make the spiritual connection to the Holocaust. DeMille says, in part: “The theme of this picture is whether man ought to be ruled by God’s law, or whether they are to be ruled by the whims of a dictator like Rameses. Are men the property of the state or are they free souls under God? This same battle continues throughout the world today. Our intention was not to create a story, but to be worthy of the divinely inspired story, created three thousand years ago . . .” The introduction was almost always cut after the film’s initial run. That

Be the voice, that can be heard without a microphone.

Church services often include ritualized group processes that can induce trance states. Music, prayers, and a mesmerizing preaching style can create a state of relaxation and suggestibility. When a congregation proceeds to sing and pray aloud together with enthusiasm and speaking in tongues, an individual can easily conform. The aroused emotions and the group consensus about reality are convincing enough to inspire a response to get saved, “rededicated,” or “filled with the Spirit.” In the typical evangelical service, after a rousing sermon comes the “altar call.” This routine is strikingly similar to hypnotic induction methods in other contexts: The key is to get people to focus attention inward rather than outward, so that they see, hear, and feel internally rather than externally, through the five senses. At such times, you are much more susceptible to suggestions and less able to use your critical abilities. After an emotional sermon, which has likely already employed manipulative techniques such as fear and guilt, you are asked to bow your head and close your eyes. Soft music plays while everyone focuses inward. Quiet hymns repeat “Jesus is calling” or “Just as I am.” The minister then speaks softly into the microphone, suggesting that the Holy Spirit is present and moving in the congregation.

She was okay,” I say. Ryot roars. “You’re such a goddamn liar.” I shrug. “I mean, yeah, she had a nice eyeball.” Ryot throws a towel at me from his locker, still laughing. “Fuck you. A nice eyeball. Just one of her eyeballs is nice?” “If I hit the ball tonight, it’s because of her right eyeball. Really got my juices flowing,” I deadpan. “You’re such a shithead.” “Nah, if I hit the ball tonight, it’s for one reason and one reason alone—because I worked my ass off in the cages today.” Ryot rolls his eyes. “Always so fucking serious. Why don’t you romanticize your story a bit? Think about the media coverage you could get.” Ryot steals my bat, holds it up to his mouth like a microphone, and then clears his throat. “Walker Rockwell, you went three for four today with a homerun and three RBIs. What can you attribute to your success today?” He turns his hat around and scratches his jaw. Is that supposed to be me? “Her name is Kate, and her right eyeball enticed me so much, I found myself inspired to find my bat again. Shout-out to Kate Chapman and her spherical sense receptor for vision.” He winks and then shoots a gun at the “camera.” “Now that’s a story.” I stare at him blankly. Blink. Shake my head. “You need fucking help.” I turn toward my locker, where I start mentally preparing for the game.

But her experience on the European tour—the savage reviews she received for singing out of tune, and especially, the memory of the wag in Châteauvallon who, when Paul complained of a nonworking microphone, called out “give it to your missus”—inspired Paul to use the Mellotron as a fail-safe. “What he did was, he had a Mellotron with them with all their vocal harmony parts on it,” explained Brinsley Schwarz guitarist Ian Gomm. “So, you press a key and they go, ‘Ahh.’ On a bad night, he’d look at her and say, ‘Mellotron,’ and she’d mime to the recorded part. The other boys would be happy then, because she was in tune.

TAKING STOCK Imagine that you have been invited to prepare and deliver a speech describing your vision for your career a few years down the road. Don’t worry, I’m not going to ask you to step up to the microphone and inspire a roomful of strangers with a stirring presentation, but I do want you to take a sheet of paper or open up a fresh Word document and outline a ten-minute talk about how you see yourself working and living five years from now. Use the four essential ingredients—think long term, serve others, communicate your vision, and choose the right tools—as the major heading in the outline of your speech. Under each heading write at least three or four major points you would make as you present your speech. Under “Think Long Term,” you should list four or five specific objectives you wish to accomplish for your work and life (Carla might begin with “A business of my own that enables me to make a comfortable living using my artistic talent”). Do the same for “Serve Others” (Carla might include “Making people happier by brightening their homes and offices”). Keep going with “Communicate Your Vision” (Carla never stopped talking about her vision with the people she invited onto her virtual team) and “Choose the Right Tools” (Carla stayed abreast of the latest trends for consumer product goods entrepreneurs).

I don’t believe in lowering the pitch of a woman's voice so she can be heard on a microphone that was made for a man. I don't believe that the natural sound of a woman's voice makes her sound 'annoying' or 'unintelligent.' I do believe that all women are capable, by making small, specific changes, to speak in a way that both reflects who she is and commands a room.

Lately, I've used this technique with the hate that comes at me online. Most people in my position don't read negative comments or emails. The have someone else screen and then erase them. I see hate as just another fuel source. I see the beauty and power in it, and I never let it go to waste. When the negative comments come it, and they always do, I capture them in a screenshot and speak them into my microphone. In 2021, I posted an image of my swollen left knee, which inspired a flood of negative comments... They were trying to salt my wounds. They wanted me to feel the sting, which I did, and hoped it would bring me down even further. It didn't. I loved those comments. I loved them so much I made a mixtape. I printed them all out, recorded myself saying each one, and then I looped that bitch. Whenever I have a bad day, I listen to it. Sometimes I walk around the house savoring it in full stereo. p63

Lately, I've used this technique with the hate that comes at me online. Most people in my position don't read negative comments or emails. The have someone else screen and then erase them. I see hate as just another fuel source. I see the beauty and power in it, and I never let it go to waste. When the negative comments come in, and they always do, I capture them in a screenshot and speak them into my microphone. In 2021, I posted an image of my swollen left knee, which inspired a flood of negative comments... They were trying to salt my wounds. They wanted me to feel the sting, which I did, and hoped it would bring me down even further. It didn't. I loved those comments. I loved them so much I made a mixtape. I printed them all out, recorded myself saying each one, and then I looped that bitch. Whenever I have a bad day, I listen to it. Sometimes I walk around the house savoring it in full stereo. p63

The sweet spot is a term used by audiophiles and recording engineers to describe the focal point between two sources of sound, where an individual is fully capable of hearing the audio mix the way it was intended to be heard by the musicians. Different static methods exist to broaden the area of the sweet spot. Sound engineers also refer to the sweet spot of any sound-producing body that may be captured with a microphone. Every individual instrument and voice has its own sweet spot, the perfect location to place the microphone or microphones in order to obtain the best sound. In tennis, baseball, or cricket, a given swing will result in a more powerful impact if the ball strikes the racquet or bat on the sweet spot, where a combination of factors results in a maximum response for a given amount of effort. The actual sweet spot on a racquet or bat is a very small area, where dispersing vibrations and spin in multiple directions are canceled out, resulting in a perfect contact point between incoming and outgoing energies.

The dragon seemed to be struck with a sudden inspiration, “Do you know of children.” “Yes…” Smith said uncertainly, “I’ve heard of them.” “Do you have children?” he asked, voice flat. She shook her head slightly, “I never married.” “Married?” he asked. “Yes. I never met the right man.” “For what?” He asked, still no irony detectable. “To get married and have children.” “You get married to have children?” “Most people do.” Smith glanced sideways at Hawkins, he looked as dumbfounded as she was trying not to look. He muted the microphone, “You are not about to have a birds-and-bees talk with this dragon, are you?” He unmated the microphone. To the dragon, Smith said, “Yes. When a man and a woman love each other, they get married. They start a family, they make children.” “They make children?” the Dragon said, incredulous. “Sweet baby Jesus,” Hawkins muttered, “you are!

Dear listeners, this Wednesday we have with us Monseñor Romero. Today he’s going to answer our questions on the topic of the family . . .” the journalist of the day would begin. Then he would take the reins and never let go of them. Questions followed, then the answers. He always got inspired in front of the microphone. He was crazy about radio.