Inspirational Polish Quotes

If you are irritated by every rub, how will your mirror be polished?

First forget inspiration. Habit is more dependable. Habit will sustain you whether you're inspired or not. Habit will help you finish and polish your stories. Inspiration won't. Habit is persistence in practice.

When people hurt you over and over, think of them like sandpaper. They may scratch and hurt you a bit, but in the end you end up polished and they end up useless.

In the east," she says after a time, her gaze still downcast, "there is a tradition known as kintsukuroi. It is the practice of mending broken ceramic pottery using lacquer dusted with gold and silver and other precious metals. It is meant to symbolize that things can be more beautiful for having been broken." "Why are you telling me this?" I ask. At last she looks at me. Her irises are polished obsidian in the moonlight. "Because I want you to know," she says, "that there is life after survival.

I'll let you in on a secret, honey. The knight who has serious chinks in his armor but never falls is the true hero. That means he's won battles and doesn't waste time polishing his armor so he can look good while he rides in parades that are tributes to his glory. He just drags himself back on his steed and keeps right on battling. And if he's the right kind of knight, he never rides alone. The best heroes inspire loyalty. The best heroes keep fighting the good fight, tirelessly, quietly. The best heroes always have scars. If they didn't, the heroine would have nothing to do. It's her job to help the hero let all that stuff go in order that her man can be strong enough to fight on but when he's with her he's free to just 'breathe'.

All languages that derive from Latin form the word "compassion" by combining the prefix meaning "with" (com-) and the root meaning "suffering" (Late Latin, passio). In other languages, Czech, Polish, German, and Swedish, for instance - this word is translated by a noun formed of an equivalent prefix combined with the word that means "feeling". In languages that derive from Latin, "compassion" means: we cannot look on coolly as others suffer; or, we sympathize with those who suffer. Another word with approximately the same meaning, "pity", connotes a certain condescension towards the sufferer. "To take pity on a woman" means that we are better off than she, that we stoop to her level, lower ourselves. That is why the word "compassion" generally inspires suspicion; it designates what is considered an inferior, second-rate sentiment that has little to do with love. To love someone out of compassion means not really to love.

A wise person is like a smoothly polished rock: it takes time to become either.

First forget inspiration. Habit is more dependable. Habit will sustain you whether you’re inspired or not. Habit will help you finish and polish your stories. Inspiration won’t. Habit is persistence in practice. You don’t start out writing good stuff. You start out writing crap and thinking it’s good stuff, and then gradually you get better at it. That’s why I say one of the most valuable traits is persistence.

I'm in love with New York. It matches my mood. I'm not overwhelmed. It is the suitable scene for my ever ever heightened life. I love the proportions, the amplitude, the brilliance, the polish, the solidity. I look up at Radio City insolently and love it. It's all great, and Babylonian. Broadway at night. Cellophane. The newness. The vitality. True, it is only physical. But it's inspiring. Just bring your own contents, and you create a sparkle of the highest power. I'm not moved, not speechless. I stand straight, tough and I meet the impact. I feel the glow and the dancing in everything. The radio music in the taxis, scientific magic, which can all be used lyrically. That's my last word. Give New York to a poet. He can use it. It can be poetized. Or maybe that's mania of mine, to poetize. I live lightly, smoothly, actively, ears or eyes wide open, alert, oiled! I feel the glow and the dancing in every thing and the tempo is like that of my blood. I'm at once beyond, over and in New York, tasting it fully.

A sharp spear," runs the Kukuana saying, "needs no polish.

For all the care you put into artistry, visual polish frequently doesn’t matter if you are getting the story right.

The purpose of training is to tighten up the slack, toughen the body, and polish the spirit.

I didn't come looking for you the day you uninvitedly appeared on my doorstep How did we go from nonchalant conversation me waiting for you to turn me off with corny jokes and mind dumbing conversation to love To love and mind blowing chemistry that I've yet to make sense of What are you here to teach me?

You’ll be looking to make a niche for yourself in whatever dim, echoing caverns of academia may still exist by your time. I situate you at your desk, your hair tucked back behind your ears, your nail polish chipped—for nail polish will have returned, it always does. You’re frowning slightly, a habit that will increase as you age. I hover behind you, peering over your shoulder: your muse, your unseen inspiration, urging you on. You’ll labour over this manuscript of mine, reading and rereading, picking nits as you go, developing the fascinated but also bored hatred biographers so often come to feel for their subjects.

If you can't do what you long to do, go do something else. Go walk the dog, go pick up every bit of trash on the street outside your home, go walk the dog again, go bake a peach cobbler, go paint some pebbles with brightly colored nail polish and put them in a pile. You might think it's procrastiantion, but - with the right intention - it isn't; it's motion. And any motion whatsoever beats inertia, because inspiration will always be drawn to motion.

Sloppy language and sloppy ways go together. Those who are truly educated have learned more than the sciences, the humanities, law, engineering, and the arts. They carry with them a certain polish that marks them as loving the better qualities of life, a culture that adds luster to the mundane world of which they are apart, a patina that puts a quiet glow on what otherwise might be base metal.

People are so busy polishing their past, that they forget to paint their future.

Writing is like a lump of coal. Put it under enough pressure and polish it enough and you might just end up with a diamond. Otherwise, you can burn it to keep warm.

When people hurt you over and over, think of them like sandpaper. They may scratch and hurt you a bit, but in the end, you end up polished and they end up useless. -

A lot of aspiring writers are actually very talented and just have to continue polishing their craft till opportunity knocks. All writers have to persevere, have a story they want to share and push till it's in a form others can understand and appreciate. To my fans and readers, I love you all and say a great big THANK YOU!

I've been thinking a lot about the word "everything." Whenever something horrible happens, you hear people say they "lost everything." They lost their house or their car or their stuff or whatever, and to them it feels like everything. But they have no idea what it's like to lose everything. I thought I knew, but now I realize even I haven't lost everything, because I still have that polka-dot swimsuit in my memory. I still have those ice cream nights and the scorpion that scared Marin and the Barking Bulldogs sweatshirt and the robins-egg-blue nail polish. Somehow having those things makes the other things matter less. I'm wondering if it's even possible to lose "everything" or if you just have to keep redefining what "everything" is.

I allowed the union between the earth and my body, I let go, and for the first time in my life I appreciated everything for what it was, observed the miracle of it. The earth for being the earth, my hands for being my hands, the plants for growing out of seeds, and the others around me, everyone, with their own rights and dreams and interior worlds.

There is this certain rawness of soul that puts the polished ones on edge. Some of us just step out and the sunlight illuminates our bones, nerves, veins, cells! And that's just it, we're just like that! Then the others are tinted, polished, honed and well-contemplated; when they see you walk in and they can see all of your bones, even the tiniest ones, illuminated and outlined by the sunlight, it makes them feel shaded-in, it makes them feel hidden, it makes them turn their faces away. The way you bleed yourself all over the lines just makes it too uncomfortable for them, I guess.

Romance… affection… these are what give our lives value. They justify all the suffering of life. My goal is to always reinvent heroic romances and present larger-than-life characters that will inspire readers to fall in love and expand their own lives.

I don't believe there's ever been a 'good' first draft, but there's a reason for that: they don’t have to be. First drafts are part of the process; they're the rough diamond on their way to being cut and polished. It takes a while to get them to shine.

Nie pytaj próżno, bo nikt się nie dowie. Jaki nam koniec gotują bogowie, I babilońskich nie pytaj wróżbiarzy. Lepiej tak przyjąć wszystko, jak się zdarzy. A czy z rozkazu Jowisza ta zima, Co teraz wichrem wełny morskie wzdyma, Będzie ostatnia, czy też nam przysporzy Lat jeszcze kilka tajny wyrok boży, Nie troszcz się o to i ... klaruj swe wina. Mknie rok za rokiem, jak jedna godzina. Wiec łap dzień każdy, a nie wierz ni trochę W złudnej przyszłości obietnice płoche. ~Horacy przeł.: Henryk Sienkiewicz

Novelty and Security: the security of novelty, the novelty of security. Always the full thing, the whole subject, the true subject, stood just behind the one you found yourself contemplating. The trick, but it wasn't a trick, was to take up at once the thing you saw and the reason you saw it as well; to always bite off more than you could chew, and then chew it. If it were self-indulgence for him to cut and polish his semiprecious memories, and yet seem like danger, like a struggle he was unfit for, then self-indulgence was a potent force, he must examine it, he must reckon with it.

I picture you as a young woman, bright, ambitious. You’ll be looking to make a niche for yourself in whatever dim, echoing caverns of academia may still exist by your time. I situate you at your desk, your hair tucked back behind your ears, your nail polish chipped—for nail polish will have returned, it always does. You’re frowning slightly, a habit that will increase as you age. I hover behind you, peering over your shoulder: your muse, your unseen inspiration, urging you on.

I sat down in the middle of the garden, where snakes could scarcely approach unseen, and leaned my back against a warm yellow pumpkin. There were some ground-cherry bushes growing along the furrows, full of fruit. I turned back the papery triangular sheaths that protected the berries and ate a few. All about me giant grasshoppers, twice as big as any I had ever seen, were doing acrobatic feats among the dried vines. The gophers scurried up and down the ploughed ground. There in the sheltered draw-bottom the wind did not blow very hard, but I could hear it singing its humming tune up on the level, and I could see the tall grasses wave. The earth was warm under me, and warm as I crumbled it through my fingers. Queer little red bugs came out and moved in slow squadrons around me. Their backs were polished vermilion, with black spots. I kept as still as I could. Nothing happened. I did not expect anything to happen. I was something that lay under the sun and felt it, like the pumpkins, and I did not want to be anything more. I was entirely happy. Perhaps we feel like that when we die and become a part of something entire, whether it is sun and air, or goodness and knowledge. At any rate, that is happiness; to be dissolved into something complete and great. When it comes to one, it comes as naturally as sleep.

After two or three stanzas and several images by which he was himself astonished, his work took possession of him and he experienced the approach of what is called inspiration. At such moments the correlation of the forces controlling the artist is, as it were, stood on its head. The ascendancy is no longer with the artist or the state of mind which he is trying to express, but with language, his instrument of expression. Language, the home and dwelling of beauty and meaning, itself begins to think and speak for man and turns wholly into music, not in the sense of outward, audible sounds but by virtue of the power and momentum of its inward flow. Then, like the current of a mighty river polishing stones and turning wheels by its very movement, the flow of speech creates in passing, by the force of its own laws, rhyme and rhythm and countless other forms and formations, still more important and until now undiscovered, unconsidered and unnamed. At such moments Yury felt that the main part of his work was not being done by him but by something which was above him and controlling him: the thought and poetry of the world as it was at that moment and as it would be in the future. He was controlled by the next step it was to take in the order of its historical development; and he felt himself to be only the pretext and the pivot setting it in motion. ... In deciphering these scribbles he went through the usual disappointments. Last night these rough passages had astonished him and moved him to tears by certain unexpectedly successful lines. Now, on re-reading these very lines, he was saddened to find that they were strained and glaringly far-fetched.

The practice of living in Spirit is like polishing a stone. No matter how rough the stone may have been, with perseverance and gentle care it will eventually shine, revealing the inner beauty and divine essence which was there all along. Within each of us lies a heavenly gem, waiting patiently for us beneath the surface of our conditioning. It is ready to be handled with our loving kindness that it may again shine radiantly and majestically, in harmony with all things in this grand and mysterious world.

Every challenge in life is an opportunity to polish your skills.

No, you just keep polishing your fangs or whatever you guys do in there.

I see the beauty All around me I see it The polished faces

You can't polish a turd

When people hurt you over and over, think of them like sandpaper. They may scratch and hurt you a bit, but in the end, you end up polished and they end up useless. - Chris Colfer

Time plays no role in the life of one man—the subtle consciousness of it floating past me is more than enough. Years, months, days, hours, minutes, seconds—what does it matter? Floating by, it rubs against my skin, face, and hair—wearing me down, yet polishing me all the while. Time is like fine grains of sand in a desert storm. At first, you don’t pay any attention to it, but the more it hits you in the face, the more aware of it you become, the more annoying it gets until, one day, you find yourself suffocating. The weight of it eventually bends your spine, until you are crawling on your hands and knees, unable to stand straight. Then comes the time to crawl back into the womb, crawl inside and wait for rebirth.

All languages that derive fromLatin form the word 'compassion' by combining the prefix meaning 'with' (com-) and the root meaning 'suffering' (Late Latin, passio). In other languages- Czech, Polish, German, and Swedish, for instance- this word is translated by a noun formed of an equivalent prefixcombined with the word that means 'feeling' (Czech, sou-cit; Polish, wsspół-czucie; German, Mit-gefühl; Swedish, medkänsla). In languages that derive from Latin, 'compassion' means: we cannot look on coolly as others suffer; or, we sympathize with those who suffer. Another word with approximately the same meaning, 'pity' (French, pitié; Italian, pietà; etc.), connotes a certain condescension towards the sufferer. 'To take pity on a woman' means that we are better off than she, that we stoop to her level, lower ourselves. That is why the word 'compassion' generally inspires suspicion; it designates what is considered an inferior, second-rate sentiment that has little to do with love. To love someone out of compassion means not really to love. In languages that form the word 'compassion' not from the root 'suffering' but from the root 'feeling', the word is used in approximately the same way, but to contend that it designates a bad or inferior sentiment is difficult. The secret strength of its etymology floods the word with another light and gives it a broader meaning: to have compassion (co-feeling) means not only to be able to live with the other's misfortune but also to feel with him any emotion- joy, anxiety, happiness, pain. This kind of compassion (in the sense of soucit, współczucie, Mitgefühl, medkänsla) therefore signifies the maximal capacity of affective imagination, the art of emotional telepathy. In the hierarchy of sentiments, then, it is supreme. By revealing to Tomas her dream about jabbing needles under her fingernails, Tereza unwittingly revealed that she had gone through his desk. If Tereza had been any other woman, Tomas would never have spoken to her again. Aware of that, Tereza said to him, 'Throw me out!' But instead of throwing her out, he seized her and kissed the tips of her fingers, because at that moment he himself felt the pain under her fingernails as surely as if the nerves of her fingers led straight to his own brain. Anyone who has failed to benefit from the the Devil's gift of compassion (co-feeling) will condemn Tereza coldly for her deed, because privacy is sacred and drawers containing intimate correspondence are not to be opened. But because compassion was Tomas's fate (or curse), he felt that he himself had knelt before the open desk drawer, unable to tear his eyes from Sabina's letter. He understood Tereza, and not only was he incapable of being angry with her, he loved her all the more.

Wood is an endlessly adaptive material. You can plane, chisel, saw, carve, sand, and bend it, and when the pieces are the shape you want you can use dovetail joints, tenpenny nails, pegs or glue; you can use lamination or inlay or marquetry; and then you can beautify it with French polish or plain linseed oil or subtle stains. And when you go to dinner at a friend's house, the candlelight will pick out the contours of grain and line, and when you take your seat you will be reminded that what you are sitting on grew from the dirt, stretched towards the sun, weathered rain and wind, and sheltered animals; it was not extruded by faceless machines lined on a cold cement floor and fed from metal vats. Wood reminds us where we come from.

Reality, at first glance, is a simple thing: the television speaking to you now is real. Your body sunk into that chair in the approach to midnight, a clock ticking at the threshold of awareness. All the endless detail of a solid and material world surrounding you. These things exist. They can be measured with a yardstick, a voltammeter, a weighing scale. These things are real. Then there’s the mind, half-focused on the TV, the settee, the clock. This ghostly knot of memory, idea and feeling that we call ourself also exists, though not within the measurable world our science may describe. Consciousness is unquantifiable, a ghost in the machine, barely considered real at all, though in a sense this flickering mosaic of awareness is the only true reality that we can ever know. The Here-and-Now demands attention, is more present to us. We dismiss the inner world of our ideas as less important, although most of our immediate physical reality originated only in the mind. The TV, sofa, clock and room, the whole civilisation that contains them once were nothing save ideas. Material existence is entirely founded on a phantom realm of mind, whose nature and geography are unexplored. Before the Age of Reason was announced, humanity had polished strategies for interacting with the world of the imaginary and invisible: complicated magic-systems; sprawling pantheons of gods and spirits, images and names with which we labelled powerful inner forces so that we might better understand them. Intellect, Emotion and Unconscious Thought were made divinities or demons so that we, like Faust, might better know them; deal with them; become them. Ancient cultures did not worship idols. Their god-statues represented ideal states which, when meditated constantly upon, one might aspire to. Science proves there never was a mermaid, blue-skinned Krishna or a virgin birth in physical reality. Yet thought is real, and the domain of thought is the one place where gods inarguably ezdst, wielding tremendous power. If Aphrodite were a myth and Love only a concept, then would that negate the crimes and kindnesses and songs done in Love’s name? If Christ were only ever fiction, a divine Idea, would this invalidate the social change inspired by that idea, make holy wars less terrible, or human betterment less real, less sacred? The world of ideas is in certain senses deeper, truer than reality; this solid television less significant than the Idea of television. Ideas, unlike solid structures, do not perish. They remain immortal, immaterial and everywhere, like all Divine things. Ideas are a golden, savage landscape that we wander unaware, without a map. Be careful: in the last analysis, reality may be exactly what we think it is.

There are certain prejudices attached to the human mind which it requires all our wisdom to keep from interfering with our happiness; certain set notions, acquired in infancy, and cherished involuntarily by age, which grow up and assume a gloss so plausible, that few minds, in what is called a civilized country, can afterwards overcome them. Truth is often perverted by education. While the refined Europeans boast a standard of honour, and a sublimity of virtue, which often leads them from pleasure to misery, and from nature to error, the simple, uninformed American follows the impulse of his heart, and obeys the inspiration of wisdom. Nature, uncontaminated by false refinement, every where acts alike in the great occurrences of life. The Indian discovers his friend to be perfidious, and he kills him; the wild Asiatic does the same; the Turk, when ambition fires, or revenge provokes, gratifies his passion at the expence of life, and does not call it murder. Even the polished Italian, distracted by jealousy, or tempted by a strong circumstance of advantage, draws his stiletto, and accomplishes his purpose. It is the first proof of a superior mind to liberate itself from the prejudices of country, or of education… Self-preservation is the great law of nature; when a reptile hurts us, or an animal of prey threatens us, we think no farther, but endeavour to annihilate it. When my life, or what may be essential to my life, requires the sacrifice of another, or even if some passion, wholly unconquerable, requires it, I should be a madman to hesitate.

All the others had the wrong smell – floor polish for the Low, somewhat suspicious incense for the High. Deep in the leather armchair of his soul, Mr. Young knew that God got embarrassed at that sort of thing. But he liked seeing nuns around, in the same way that he liked seeing the Salvation Army. It made you feel that it was all all right, that people somewhere were keeping the world on its axis.

BOOK BEAUTY Here's the end of that story about the old woman who wanted to lure a man with strange cosmetics. She made a paste of pages from the Qur'an to fill the deep creases on her face and neck with. This is not about an old woman, dear reader. It's about you, or anyone who tries to use books to make themselves attractive. There she is, sticking scripture, thick with saliva, on her face. Of course, the bits keep falling off. "The devil," she yells, and he appears! "This is a trick I've never seen. You don't need me. You are yourself a troop of demons!" So people steal inspired words to get compliments. Don't bother. Death comes and all talking, stolen or not, stops. Pity anyone unfamiliar with silence when that happens. Polish your heart with mediation and quietness. Let the inner life grow generous and handsome like Joseph. Zuleika did that and her "old woman's spring cold snap" turned to mid-July. Dry lips wet from within. Ink is not rouge. Let language lie bygone. Now is where love breathes.

I picture you as a young woman, bright, ambitious. You’ll be looking to make a niche for yourself in whatever dim, echoing caverns of academia may still exist by your time. I situate you at your desk, your hair tucked back behind your ears, your nail polish chipped—for nail polish will have returned, it always does. You’re frowning slightly, a habit that will increase as you age. I hover behind you, peering over your shoulder: your muse, your unseen inspiration, urging you on. You’ll labour over this manuscript of mine, reading and rereading, picking nits as you go, developing the fascinated but also bored hatred biographers so often come to feel for their subjects. How can I have behaved so badly, so cruelly, so stupidly? you will ask. You yourself would never have done such things! But you yourself will never have had to.

Now is the right time for you to become excellent. By taking action on your dreams of excellence, you start polishing the rough diamond you are. As you buff and shine yourself with practice, sparkling success becomes yours.

Humans are the same. Like polishing a jewel, difficulties polish a person's character. The trials we are given are proportional to our strength. Otherwise we wouldn't be using our true power. And then we wouldn't be able to grow stronger. If a trial is equal to your strength, then it's okay if you come to an impasse. If you do end up at an impasse, then it just means you're trying to move forward and you want to win. That's why you have to keep trying.

But in vain did he apostrophize the insect in this new language, born of sudden inspiration, as a cockroach's understanding is not equal to such a tirade: the insect continued on its journey to a corner of the room, with movements sanctified by an ageless ritual of the cockroach world.

Ileż to już razy widziałem, co robi z ludźmi pragnienie życia, a ciągle nie mogę przestać się dziwić. Zrezygnowanie z siebie, złożenie siebie w ofierze, męczeństwo - to się zdarza w żywotach świętych i bajkach dla dzieci. A w życiu bardzo rzadko, zazwyczaj w szale walki, w ataku wściekłości. Wtedy prosty żołnierz, który nie ma za sobą ani starożytnego rodu, ani szlachectwa, kładzie się piersią na kulomiot, torując drogę towarzyszom. Wtedy ludzie wbiegają do płonących budynków, skaczą w odmęty, z uśmiechem idą na szafot. Wsciekłość! Wsciekłość i nienawiść - tylko one tworzą prawdziwe męczeństwo.

Our father came to sleep in our house that night. He carried a small suitcase with a black mourning suit and a pair of polished shoes. Corrigan stopped him as he made his way up the stairs. 'Where d'you think you're going?'Our father gripped the bannister. His hands were liverspotted and I could see him trembling in his pause. 'That's not your room,' sad Corrigan. Our father tottered on the stairs. He took another step up. 'Don't,' said my brother. His voice was clear, full, confidant. Our father stood stunned. He climbed one more step and then turned, descended, looked around, lost. 'My own sons,' he said. We made a bed for him on a sofa in the living room, but even then Corrigan refused to stay under the same roof; he went walking in the direction of the city center and I wondered what alley he might be found in later that night, what fist he might walk into, whose bottle he might climb down inside.

Have you ever really had a teacher? One who saw you as a raw but precious thing, a jewel that, with wisdom, could be polished to a proud shine? If you are lucky enough to find your way to such teachers, you will always find your way back. Sometimes it is only in your head. Sometimes it is right alongside their beds.

You can't have a simple life with a heart like yours. The simple life is a mirage. It's like a perfectly clean and polished wine glass. But the second you want that pristine chalise, the second you reach out and pick it up, it's covered in your fingerprints. It's only clean until it's yours, then it's dirty. That's the simple life. It's simple until you show up and start using it.

Dear Reader Once and its sequel Then are two parts of the same story, but they were written and published as two separate books. In this edition they are together for the first time. Felix and Zelda’s story came from my imagination, but it was inspired by a period of history that was all too real. My grandfather was a Jew from Krakow in Poland. He left there long before that time, but his extended family didn’t and most of them perished. Fifteen years ago I read a book about Janusz Korczak, a Polish Jewish doctor and children’s author who devoted his life to caring for young people. Over many years he helped run an orphanage for two hundred Jewish children. In 1942, when the Nazis murdered these orphans, Janusz Korczak was offered his freedom but chose to die

First forget inspiration. Habit is more dependable. Habit will sustain you whether you’re inspired or not. Habit will help you finish and polish your stories. Inspiration won’t. Habit is persistence in practice. Forget talent. If you have it, fine. Use it. If you don’t have it, it doesn’t matter. As habit is more dependable than inspiration, continued learning is more dependable than talent.

Unconscious of my destructive patterns, desperate to be loved, no matter what, and not standing up for myself when he had hurt me the first and second time, I had finally got a painful wake-up call. Shame it had taken me so long to realise I deserved more in life and I deserved to find true love, rather than keeping an unfulfilled and immature relationship, just because I was afraid to be alone. I had finally said ‘It’s over’ for which I had paid a high price with his vengeance, but I was proud to have faced my fears and moved on with life, no matter how painful it would be, fully respecting myself and trusting that one day I would find the right man to feel complete. Finding my other half and be happy. Yes, I was afraid that it could never happen, but I was now ready to face my fears of abandonment and go forward, single and alone, but independent and in charge of my destiny. – from ‘Polish Girl In Pursuit of the English Dream

The words of his various writing instructors and professional mentors over the years came back to him at times like these, and he found a new understanding in their advice: Writing is rewriting. The rough draft is just that. You can’t polish what you haven’t written. Things that made for a normal life—like a daily routine that followed the sun—took a back seat to times like these, and he exulted in that change because it served as proof that his writing was indeed the most important thing in his life. It wasn’t a conscious choice on his part, like deciding to repaint the bathroom or go buy the groceries, but an overarching reallocation of his existence that was as undeniable as breathing. Day turned into night, breakfast turned into dinner, and the laptop or the writing tablet beckoned even when he was asleep. He would often awake with a new idea—as if he’d merely been on a break and not unconscious—and he would see the empty seat before the desk not as his station in some pointless assembly line, but as the pilot’s seat in a ship that could go anywhere.

THE UKRAINIAN NATIONAL anthem begins with the words “Ukraine has not yet perished,” hardly an optimistic beginning for any kind of song. But this is not the only anthem whose words do not inspire optimism. The Polish national anthem starts with the familiar line “Poland has not yet perished.” The words of the Polish anthem were written in 1797 and those of the Ukrainian one were penned in 1862, so it is quite clear who influenced whom. But why such pessimism? In both cases, Polish and Ukrainian, the idea of the death of the nation stemmed from the experience of the late eighteenth century

But in hallowing King we have hollowed him. From Montgomery to Chicago, along those streets named Martin Luther King Jr. Drive and Martin Luther King Jr. Avenue and Martin Luther King Jr. Highway and Martin Luther King Jr. Boulevard, poverty and segregation rates remain much higher than the local and national averages, according to recent studies. In those schools named for King, and in almost every school in America, King's life and lessons and often smooth and polished beyond recognition. Young people hear his dream of brotherhood and his wish for children to be judged by the content of their character, but not his cry for an end to the triple evils of materialism, militarism, and racism. [...] Our simplified celebration of King comes at a cost. It saps the strength of his philosophical and intellectual contributions. It undercuts his power to inspire change.

The best antidote to the furtive poison of anger, fear, anxiety, or any of our destructive, unwieldy passions, is just gratitude. And not the grandiose, boisterous or especially obvious kind. It is not necessarily the verbose or expressive kind. It's often the full immersion, a kind of deep submersion even, into a pool of awareness. This penitent affect distills within us surreal realizations; it is a focus, tinged with layers of deep remorse and the profound beauty of newfound appreciation that washes over us about the simplest things we have slipped into, or suddenly become aware of our own complacency over. This cooling antidote instantly soothes any veins swollen with the heat of pride, or stopped up with pearls of finely polished self-pity. This all comes about with a balm of humility that is simultaneously soothing and jolting to all of our senses at the same time. It is a cocktail both sedative and stimulant in the same, finite instant. It often occurs as we are halted dead in our tracks by a thing so extraordinary and breathtakingly natural, even luscious in its simplicity and unusually ordinary existence; often something we have been blatantly negligent of noticing as we routinely trudge past it in our self-absorbed haze. These are akin to the emotions one might feel as they finally notice the well-established antique rose garden, in full bloom; the same one they have walked by for years on their way to somewhere - but never noticed before. This is the feeling we get when our aging parent suddenly, in one moment, is 87 in our mind's eye - and not the steady 57, or eternal 37 we have determinedly seen our so loved one to be, out of purely wishful thinking born of the denial that only the truest love and devotion can begin to nurture - for the better of many decades.

How I loved the municipal libraries of South Croydon. They were not child-friendly places; in fact, they were not friendly at all, to anyone. They were large, dark, wood-panelled rooms full of books, in which visitors were expected to be silent, and the only sound was the clicking of school shoes on polished parquet floor. The larger building in the town had its own children's library, accessible at one end of the hall via an imposing door, but what lay behind that door was not a children's library as we might understand it today, full of scatter cushions and toys and strategies of appeasement; it revealed simply a smaller, replica wood-panelled room full of books. And this - the shared expectation of respect, the solemnity, the shelves crammed end-to-end with books, no face-outs or yawning gaps - is what I loved about these places and what I found inspiring. The balance of power lay with the books, not the public. This would never be permitted today.

People are always asking me—and every other writer I know—where story ideas come from. Where do you get your ideas, they ask; how do you ever manage to think them up? It’s certainly the hardest question in the world to answer, since stories originate in everyday happenings and emotions, and any writer who tried to answer such a question would find himself telling over, in some detail, the story of his life. Fiction uses so many small items, so many little gestures and remembered incidents and unforgettable faces, that trying to isolate any one inspiration for any one story is incredibly difficult, but basically, of course, the genesis of any fictional work has to be human experience. This translation of experience into fiction is not a mystic one. It is, I think, part recognition and part analysis. A bald description of an incident is hardly fiction, but the same incident, carefully taken apart, examined as to emotional and balanced structure, and then as carefully reassembled in the most effective form, slanted and polished and weighed, may very well be a short story.

Its chief covering seemed to me to be composed of large wings folded over its breast and reaching to its knees; the rest of its attire was composed of an under tunic and leggings of some thin fibrous material. It wore on its head a kind of tiara that shone with jewels, and carried in its right hand a slender staff of bright metal like polished steel. But the face! it was that which inspired my awe and my terror. It was the face of man, but yet of a type of man distinct from our known extant races. The nearest approach to it in outline and expression is the face of the sculptured sphinx—so regular in its calm, intellectual, mysterious beauty. Its colour was peculiar, more like that of the red man than any other variety of our species, and yet different from it—a richer and a softer hue, with large black eyes, deep and brilliant, and brows arched as a semicircle. The face was beardless; but a nameless something in the aspect, tranquil though the expression, and beauteous though the features, roused that instinct of danger which the sight of a tiger or serpent arouses. I felt that this manlike image was endowed with forces inimical to man.

Our time together is drawing short, my reader. Possibly you will view these pages of mine as a fragile treasure box, to be opened with the utmost care. Possibly you will tear them apart, or burn them: that often happens to words. Perhaps you’ll be a student of history, in which case I hope you’ll make something useful of me: a warts-and-all portrait, a definitive account of my life and times, suitably footnoted; though if you don’t accuse me of bad faith I will be astonished. Or, in fact, not astonished: I will be dead, and the dead are hard to astonish. I picture you as a young woman, bright, ambitious. You’ll be looking to make a niche for yourself in whatever dim, echoing caverns of academia may still exist by your time. I situate you at your desk, your hair tucked back behind your ears, your nail polish chipped—for nail polish will have returned, it always does. You’re frowning slightly, a habit that will increase as you age. I hover behind you, peering over your shoulder: your muse, your unseen inspiration, urging you on. You’ll labour over this manuscript of mine, reading and rereading, picking nits as you go, developing the fascinated but also bored hatred biographers so often come to feel for their subjects. How can I have behaved so badly, so cruelly, so stupidly? you will ask. You yourself would never have done such things! But you yourself will never have had to.

Well before the end of the 20th century however print had lost its former dominance. This resulted in, among other things, a different kind of person getting elected as leader. One who can present himself and his programs in a polished way, as Lee Quan Yu you observed in 2000, adding, “Satellite television has allowed me to follow the American presidential campaign. I am amazed at the way media professionals can give a candidate a new image and transform him, at least superficially, into a different personality. Winning an election becomes, in large measure, a contest in packaging and advertising. Just as the benefits of the printed era were inextricable from its costs, so it is with the visual age. With screens in every home entertainment is omnipresent and boredom a rarity. More substantively, injustice visualized is more visceral than injustice described. Television played a crucial role in the American Civil rights movement, yet the costs of television are substantial, privileging emotional display over self-command, changing the kinds of people and arguments that are taken seriously in public life. The shift from print to visual culture continues with the contemporary entrenchment of the Internet and social media, which bring with them four biases that make it more difficult for leaders to develop their capabilities than in the age of print. These are immediacy, intensity, polarity, and conformity. Although the Internet makes news and data more immediately accessible than ever, this surfeit of information has hardly made us individually more knowledgeable, let alone wiser, as the cost of accessing information becomes negligible, as with the Internet, the incentives to remember it seem to weaken. While forgetting anyone fact may not matter, the systematic failure to internalize information brings about a change in perception, and a weakening of analytical ability. Facts are rarely self-explanatory; their significance and interpretation depend on context and relevance. For information to be transmuted into something approaching wisdom it must be placed within a broader context of history and experience. As a general rule, images speak at a more emotional register of intensity than do words. Television and social media rely on images that inflamed the passions, threatening to overwhelm leadership with the combination of personal and mass emotion. Social media, in particular, have encouraged users to become image conscious spin doctors. All this engenders a more populist politics that celebrates utterances perceived to be authentic over the polished sound bites of the television era, not to mention the more analytical output of print. The architects of the Internet thought of their invention as an ingenious means of connecting the world. In reality, it has also yielded a new way to divide humanity into warring tribes. Polarity and conformity rely upon, and reinforce, each other. One is shunted into a group, and then the group polices once thinking. Small wonder that on many contemporary social media platforms, users are divided into followers and influencers. There are no leaders. What are the consequences for leadership? In our present circumstances, Lee's gloomy assessment of visual media's effects is relevant. From such a process, I doubt if a Churchill or Roosevelt or a de Gaulle can emerge. It is not that changes in communications technology have made inspired leadership and deep thinking about world order impossible, but that in an age dominated by television and the Internet, thoughtful leaders must struggle against the tide.

Yes good one- hold on tight- to ideas. At times, since we are talking so much about birds and all things avian, these flighty things do have a tendency to spread their gossamer wings and take flight. So you haven’t even begun to see it and it disappears from your view. At times you don’t even know how many of these frisky things you thought of and they instantly frolicked their way into some wonderland. There they remain latent. Sometimes for mere moments, sometimes days, sometimes months and years. And then in a flash. They come back without warning, at times stealthily, in our most unguarded moments- in bed, polishing shoes, rolling out a roti, driving or pooping and you are not prepared. They settle tentatively on your sleepy eyes for a second and before you know it, fly past you in a flash again, good for you if you hold them then and there, for if you think you will sit yourself down one day with the wrong end of the pen in your mouth, or the laptop loaded with the works, or the dream paints on the palette, to capture what you saw in your mind’s stratosphere- you just blink and find it’s just a blankness you see, no matter how hard you try, a blankness that stares with a baffling obduracy. At times you even forget that you forgot. The thought had yet not entered your conscious mind- it was just hovering between the sleeping world and the awake, and just falls off the edge. Never makes it. Yes they are flighty things.” She rounded it with a peal of laughter, amused with the little story she had concocted.

Self-taught fiction writer Octavia Butler once noted, “Forget inspiration. Habit is more dependable. Habit will sustain you whether you’re inspired or not. Habit will help you finish and polish your stories. Inspiration won’t. Habit is persistence in practice.” (Emphasis mine.) Yes, inspiration might contain the spark and life of your idea, but habit gets the writing done. Inspiration resides in your heart; habit resides in your fingers. Inspiration propels; habit completes. Art equals habit plus inspiration. It’s a simple equation.

I remember how surprised I was to discover that Isaiah Berlin's famous essay on the two concepts of liberty, which once inspired many Polish intellectuals, myself included, was nothing more than a collection of platitudes and falsehoods that further prevented rather than encouraged any serious reflection on freedom.

but i think i’m daydreaming too detailed at the moment what’s better is for me to think in the present &give you 100 francs of halwa when my bus casually halts where you are polishing your motorbike i want you to remember me no matter how much you try to forget

Mothers used to instruct their daughters, “This one has potential. If you work with this one, you’ll have a winner on your hands.” Well, that certainly doesn’t happen anymore! Women today want their men to arrive camera-ready! But who said you were perfect? Don’t think about changing or rearranging him. Concentrate on inspiring him and empowering him to rise up and be all that God has ordained him to be. Some women I know have initially passed right by their [future] husbands because he wasn’t perfectly polished. You don’t think all these successful men in the world started off that way, do you? Of course not! They climbed and climbed until they reached their goal. And most likely some woman was right there beside him all the way. Now those women get to reap the rewards. And that reward is so much greater if he’s a man of God.

All languages that derive from Latin form the word “compassion” by combining the prefix meaning “with” (com-) and the root meaning “suffering” (Late Latin, passio). In other languages—Czech, Polish, German, and Swedish, for instance—this word is translated by a noun formed of an equivalent prefix combined with the word that means “feeling” (Czech, sou-cit; Polish, współ-czucie; German, Mit-gefühl; Swedish, med-känsla). In languages that derive from Latin, “compassion” means: we cannot look on coolly as others suffer; or, we sympathize with those who suffer. Another word with approximately the same meaning, “pity” (French, pitié; Italian, pietà; etc.), connotes a certain condescension towards the sufferer. “To take pity on a woman” means that we are better off than she, that we stoop to her level, lower ourselves. That is why the word “compassion” generally inspires suspicion; it designates what is considered an inferior, second-rate sentiment that has little to do with love. To love someone out of compassion means not really to love. In languages that form the word “compassion” not from the root “suffering” but from the root “feeling,” the word is used in approximately the same way, but to contend that it designates a bad or inferior sentiment is difficult. The secret strength of its etymology floods the word with another light and gives it a broader meaning: to have compassion (co-feeling) means not only to be able to live with the other’s misfortune but also to feel with him any emotion—joy, anxiety, happiness, pain. This kind of compassion (in the sense of soucit, współczucie, Mitgefühl, medkänsla) therefore signifies the maximal capacity of affective imagination, the art of emotional telepathy. In the hierarchy of sentiments, then, it is supreme.

You are a diamond, a precious gem. You will be sought, found, cut, refined, and polished to perfection in due time. Step into the light and shine.

Again and again, mistakenly inspired by the military’s doped performance on the Polish campaign, he spoke of “miracles of courage of the German soldier.”33

In Spinoza: Practical Philosophy, Deleuze writes that “the purpose of demonstration functioning as the third eye is not to command or even to convince, but only to shape the glass or polish the lens for this inspired free vision” (SPP, 14). Deleuze then elaborates on Spinoza by way of Henry Miller, that great writer of life as adventure and ordeal, who wrote, “You see, to me it seems as though the artists, the scientists, the philosophers were grinding lenses. It's all a grand preparation for something that never comes off. Someday the lens is going to be perfect and then we're all going to see clearly, see

Starting today, declare your devotion to remembering the sublime soul, brave warrior and undefeatable creator that your natural wisdom is calling on you to be. The trials of your past have skillfully served to reinvent you into one who is tougher, more aware of the powers that make you special and more grateful for the basic blessings of a life beautifully lived—splendid health, a happy family, a job that fulfils and a hopeful heart. These apparent difficulties have actually been the stepping stones for your current and future victories. The former limits that have shackled you and the “failures” that have hurt you have been necessary for the realization of your mastery. All is unfolding for your benefit. You truly are favored. Oh yes, whether you accept this or not, you are a lion, not a sheep. A leader, never a victim. A person worthy of exceptional accomplishment, uplifting adventure, flawless contentment and the self-respect that, over time, rises steeply into a reservoir of self-love that no one and no thing can ever conquer. You are a mighty force of nature and a dynamic producer, not a slumbering casualty caught flat-footed in a world of degrading mediocrity, dehumanizing complaint, compliance and entitlement. And with steadfast commitment and regular effort, you will evolve into an idealist, an unusual artist and a potent exceptionalist. A genuine world-changer, in your own most honest and excellent way. So be not a cynic, critic and naysayer. For doubters are degenerated dreamers. And average is absolutely unworthy of you. Today, and for each day that follows of your uniquely glorious, brilliantly luminous and most-helpful-to-many life, stand fiercely in the limitless freedom to shape your future, materialize your ambitions and magnify your contributions in high esteem of your dreams, enthusiasms and dedications. Insulate your cheerfulness, polish your prowess and inspire all witnesses fortunate enough to watch your good example of how a great human being can behave. We will watch your growth, applaud your gifts, appreciate your valor and admire your eventual immortality. As you remain within the hearts of many.

First, forget inspiration. Habit is more dependable. Habit will sustain you, whether you are inspired or not. Habit will help you finish and polish your stories. Inspiration won’t. Habit is persistence in practice.

The soul, since by its nature, what it is, and is related to the higher kind of reality in the realm of being, when it sees something akin to it or a trace of its kindred reality is delighted and thrilled and returns to itself and remembers itself and it’s own possessions… Being in the presence of such beauty doesn’t just reverberate with the inner me, but also makes me want to pull that best part up and out of me, to strip off all that is superfluous and useless, and be the purest, cleanest version of me. By seeing beauty, I want to be beauty. When I see beauty, I have the sense that everything can change. I can start over. I can liberate the inner me. Plotinus then, imagines a kind of dialectic in which I am shocked by beauty, inspired by it, reverberate with it interiorly, and then resolve to impose more unity on my life, become less disordered, so that I slowly become like what I admire. Plotinus calls this working on your inner statue. Over the course of time, as I polish the statue and reduce the difference between me and the external experience of beauty, a kind of inner light pools up within me, an intellectual generosity, a spiritual magnanimity. At this point, says Plotinus, I am ready for the deep dive within.

Refine your aspirations, letting each setback polish your resolve and every achievement illuminate the path ahead.

If you wait for inspiration, chances are you'll never finish. Do it now so you can come back later and polish it into perfection.

Hope is armor against despair, and as her uncle taught her, patience is a polish that keeps that armor bright. We can’t know the ultimate why of anything, although if we train ourselves to read the intricate fabric that time weaves, we see a pattern certain to console and inspire.

First, forget inspiration. Habit is more dependable. Habit will sustain you whether you're inspired or not. Habit will help you finish and polish your stories. Inspiration won't. Habit is persistence in practice.

Wishes are seeds of hope. Some take root in the fertile soil of reality while others continue as memories of lost desires. Wishes have inspired great successes, filled fountains and lip-polished a stone in Ireland. Wishes are the visions we create in relation to our talents, needs or simple wants. We have decorated all we wish for with the spirit of mere possibility. Someone has to win the lottery, why not me? Some wishes are greater than possibility. Some defy a greater design. All are dreams of achieving something we cannot do alone, not without the luxury of chance.

Churn up the past and polish your today with it's butter to protect your future from the flame of criticism ... Yogendra Verma

People are afraid of change. Change is inevitable to life. Change actually has the mask of pushing us out of comfort zone. Every time we learn, go through life experiences our perception/Emotional chemistry is changing. Embrace change because we are becoming a more polished version of ourselves.

In a group presentation, the person with the best “command presence” is usually the leader. He or she understands the material best, shows it, and has the confidence to take charge. They are typically dressed a little better than everyone else. Their shoes are polished and their clothes pressed. They make stronger eye contact and have a firm handshake. They speak concisely and precisely. They don’t get flustered. They remain calm. They use “open” gestures, palms up or open and hands apart. Their voices project because they’re speaking from their diaphragms. They walk, talk, and look like inspiring leaders.

A rough diamond is still worth more than a polished pebble.

I looked evil in the eye and smiled at it with such power that I felt a little dizzy. Jade Gentry (Polishing Jade)

It took a Polish author to inspire this American Jew, who named his daughter for a Greek Titan before being killed by a Vietnamese mine in an effort to please his Marine father, who was once a sniper in Korea—and was undoubtedly still being pursued by the North Koreans across the wilderness of Scandinavia.

Before

The Calderans valued inspiration and creation above all else, and it showed in everything they did. Elegant columns and intricate statuary adorned even modest homes. The streetlights were cast and polished with the same care as a set of fine silverware and gleamed in the sun.

For all the care you put into artistry, visual polish frequently doesn’t matter if you are getting the story right. I

A poet is an unpaid laborer of a mine where he digs into the mountain to find rough diamonds. He then polishes them with his imagination and emotion to share with everyone.

I'll let you in on a secret, honey. The knight who has serious chinks in his armor but never falls is the true hero. That means he's won battles and doesn't waste time polishing his armor so he can look good while he rides in parades that are tributes to his glory. He just drags himself back on his steed and keeps right on battling. And if he's the right kind of knight, he never rides alone. The best heroes inspire loyalty. The best heroes keep fighting the good fight, tirelessly, quietly. The best heroes always have scars. If they didn't, the heroine would have nothing to do. It's her job to help the hero let all that stuff go in order that her man can be strong enough to fight on but when he's with her he's free to just 'breathe'.

Life is a grindstone, and whether it grinds you down or polishes you up is for you and you alone to decide. - Cavett Robert     The

Accept that you will not always deal with situations with polished sophistication but trust that you have the power and exercise the will to improve how you cope.

Comfortable (favorable) circumstance ‘polishes’ one and uncomfortable (unfavorable) circumstances ‘moulds’ one. What problem do we have with either of the two?

and what is success? Success is setting goals, making a definite plan and setting out on the journey to accomplish that plan without allowing anything to stop you. Success is finding every facet of yourself and polishing it till it shines

As much as I admire the efficiency of the caterpillar in its cocoon, I do not believe that creative products should be developed in a vacuum (arguably, that was one of the mistakes we made on the film about blue-footed newts). I know some people who like to keep their gem completely to themselves while they polish it. But allowing this kind of behavior isn’t protection. In fact, it can be the opposite: a failure to protect your employees from themselves. Because if history is any guide, some are diligently trying to polish a brick.

Jesus had much to say to the Pharisees of His day. They had a polished performance, kept the laws, followed all the rules and regulations, and were proud of it. They also had a judgmental attitude toward others, did not walk in love, and showed no mercy. Jesus called them whitewashed tombs full of dead men’s bones (Matthew 23:27).

When people hurt you over and over, think of them like sandpaper. They may scratch and hurt you a bit, but in the end, you end up polished and they end up useless.

When people hurt you over and over, think of them like sandpaper. They may scratch and hurt you a bit, but in the end, you end up polished and they end up useless. - Chris Colfer     Talent

Kresy-Siberia Foundation? Its purpose was “to inspire, promote and support the worldwide research, remembrance and recognition of Polish citizens’ struggles under occupation and in exile in connection with the Second World War and in doing so to … record the experiences of Polish citizens living in Poland before and during the Second World War and their life in exile during and after the war,