Inspirational Korean Quotes

Even in the far future, never forget the you of right now Wherever you are right now, you’re just taking a break

It amazed me how quickly a lie loses its power in the face of truth.

Novels are food for the leftover hours of life, the in-between times, the moments of waiting.

To you who eat a lot of rice because you’re lonely, To you who sleep a lot because you’re bored, To you who cry a lot because you are sad, I write this down. Chew on your feelings that are cornerned like you would chew on rice. Anyway, life is something that you need to digest.

Change is the very nature of Nature. if there's one thing that doesn't change, it is the fact that everything changes. In the Korean tradition of Tao, this is called impermanence. The teaching about impermanence can be summarized like this: Anything that has a beginning must have an end. Anything that is created will change. Impermanence is the very nature of things. Realizing that nothing is permanent is the true beginning of enlightenment. Suffering comes from attachment that wants to hold something permanently that is not permanent in its intrinsic nature. Awakening to the truth of impermanence frees you from attachment.

Why does nothing change, even when you set out for a faraway place?

Leaving North Korea is not like leaving any other country. It is more like leaving another universe. I will never truly be free of its gravity, no matter how far I journey.

The most difficult part ot traditional taekwondo is not learning the first kick or punch. It is not struggling to remember the motions of a poomsae or becoming aquainted with Korean culture. Rather, it is taking the first step across the threshold of the dojang door. This is where roads diverge, where choices are made that will resonate throughout a lifetime.

I could not feel, smell, see, hear, or taste the world around me. If I had allowed myself to experience these things in all their intensity, I might have lost my mind. If I had allowed myself to cry, I might never have been able to stop. So I survived, but I never felt joy, never felt safe.

Between old and young there should be consideration and respect.

When we finally let go... that's when the real fun begins." The Second Most Exotic Marigold Hotel

I wrote Dreams of My Mothers because it reveals deep insight into a topic - cross boarder, cross racial adoption - that rarely gets much attention from any quarter, because it represents such a niche subset of our society, but contains within it nearly all the most deeply felt – and held – human themes, passions, values, insecurities, and judgments. And loves.

What is enlightenment? In the Korean tradition of Tao, it is known a Mu-Ah (Mu means “No” or “Nothing” and Ah means “Me”). It is no-me-ness, or egoless-ness. It means realizing the true, unchanging nature of the person you happen to be.

Fry leftover rice in toasted sesame oil with an egg and kimchee for a Korean-inspired snack.

A military situation at its worst can inspire fighting men to perform at their best.

Ich hatte ja nicht geahnt, dass Wissen solche Glücksgefühle auslösen konnte. Als ich klein war, träumte ich davon einen ganzen Haufen Brot essen zu können. Jetzt waren meine Träumer größer geworden.

People say mountains change in about ten years. If something as stubborn and mammoth as a mountain can change in a decade, the hearts of ordinary North Koreans can change. I'm sure of it. I'm living proof." --Ha Young, a North Korean defector

It was 1996, and the word “appropriation” never occurred to either of them. They were drawn to these references because they loved them, and they found them inspiring. They weren’t trying to steal from another culture, though that is probably what they did. Consider Mazer in a 2017 interview with Kotaku, celebrating the twentieth-anniversary Nintendo Switch port of the original Ichigo: kotaku: It is said that the original Ichigo is one of the most graphically beautiful low-budget games ever made, but its critics also accuse it of appropriation. How do you respond to that? mazer: I do not respond to that. kotaku: Okay…But would you make the same game if you were making it now? mazer: No, because I am a different person than I was then. kotaku: In terms of its obvious Japanese references, I mean. Ichigo looks like a character Yoshitomo Nara could have painted. The world design looks like Hokusai, except for the Undead level, which looks like Murakami. The soundtrack sounds like Toshiro Mayuzumi… mazer: I won’t apologize for the game Sadie and I made. [Long pause.] We had many references—Dickens, Shakespeare, Homer, the Bible, Philip Glass, Chuck Close, Escher. [Another long pause.] And what is the alternative to appropriation? kotaku: I don’t know. mazer: The alternative to appropriation is a world in which artists only reference their own cultures. kotaku: That’s an oversimplification of the issue. mazer: The alternative to appropriation is a world where white European people make art about white European people, with only white European references in it. Swap African or Asian or Latin or whatever culture you want for European. A world where everyone is blind and deaf to any culture or experience that is not their own. I hate that world, don’t you? I’m terrified of that world, and I don’t want to live in that world, and as a mixed-race person, I literally don’t exist in it. My dad, who I barely knew, was Jewish. My mom was an American-born Korean. I was raised by Korean immigrant grandparents in Koreatown, Los Angeles. And as any mixed-race person will tell you—to be half of two things is to be whole of nothing. And, by the way, I don’t own or have a particularly rich understanding of the references of Jewishness or Koreanness because I happen to be those things. But if Ichigo had been fucking Korean, it wouldn’t be a problem for you, I guess?

From the Author Matthew 16:25 says, “For whoever desires to save his life will lose it, but whoever loses his life for my sake will find it.”  This is a perfect picture of the life of Nate Saint; he gave up his life so God could reveal a greater glory in him and through him. I first heard the story of Operation Auca when I was eight years old, and ever since then I have been inspired by Nate’s commitment to the cause of Christ. He was determined to carry out God’s will for his life in spite of fears, failures, and physical challenges. For several years of my life, I lived and ministered with my parents who were missionaries on the island of Jamaica. My experiences during those years gave me a passion for sharing the stories of those who make great sacrifices to carry the gospel around the world. As I wrote this book, learning more about Nate Saint’s life—seeing his spirit and his struggles—was both enlightening and encouraging to me. It is my prayer that this book will provide a window into Nate Saint’s vision—his desires, dreams, and dedication. I pray his example will convince young people to step out of their comfort zones and wholeheartedly seek God’s will for their lives. That is Nate Saint’s legacy: changing the world for Christ, one person and one day at a time.   Nate Saint Timeline 1923 Nate Saint born. 1924 Stalin rises to power in Russia. 1930 Nate’s first flight, aged 7 with his brother, Sam. 1933 Nate’s second flight with his brother, Sam. 1936 Nate made his public profession of faith. 1937 Nate develops bone infection. 1939 World War II begins. 1940 Winston Churchill becomes British Prime Minister. 1941 Nate graduates from Wheaton College. Nate takes first flying lesson. Japan attacks Pearl Harbor, Hawaii. 1942 Nate’s induction into the Army Air Corps. 1943 Nate learns he is to be transferred to Indiana. 1945 Atomic bombs dropped on Hiroshima and Nagasaki, Japan by U.S. 1946 Nate discharged from the Army. 1947 Nate accepted for Wheaton College. 1948 Nate and Marj are married and begin work in Eduador. Nate crashes his plane in Quito. 1949 Nate’s first child, Kathy, is born. Germany divided into East and West. 1950 Korean War begins. 1951 Nate’s second child, Stephen, is born. 1952 The Saint family return home to the U.S. 1953 Nate comes down with pneumonia. Nate and Henry fly to Ecuador. 1954 The first nuclear-powered submarine is launched. Nate’s third child, Phillip, is born. 1955 Nate is joined by Jim Elliot, Ed McCully, Peter Fleming and Roger Youderian. Nate spots an Auca village for the first time. Operation Auca commences. 1956 The group sets up camp four miles from the Auca territory. Nate and the group are killed on “Palm Beach”.

In Korean Zen, the belief that it is good to branch out beyond what we already know is expressed in a phrase that means, literally, “not know mind.” To have a “not know mind” is a goal of creative people. It means you are open to the new, just as children are. Similarly, in Japanese Zen, that idea of not being constrained by what we already know is called “beginner’s mind.” And people practice for years to recapture and keep ahold of it. When a new company is formed, its founders must have a startup mentality—a beginner’s mind, open to everything because, well, what do they have to lose? (This is often something they later look back upon wistfully.) But when that company becomes successful, its leaders often cast off that startup mentality because, they tell themselves, they have figured out what to do. They don’t want to be beginners anymore. That may be human nature, but I believe it is a part of our nature that should be resisted. By resisting the beginner’s mind, you make yourself more prone to repeat yourself than to create something new. The attempt to avoid failure, in other words, makes failure more likely.

If fear hinders us even in grade school, no wonder it takes such discipline—some people even call it a practice—to turn off that inner critic in adulthood and return to a place of openness. In Korean Zen, the belief that it is good to branch out beyond what we already know is expressed in a phrase that means, literally, “not know mind.” To have a “not know mind” is a goal of creative people. It means you are open to the new, just as children are. Similarly, in Japanese Zen, that idea of not being constrained by what we already know is called “beginner’s mind.” And people practice for years to recapture and keep ahold of it.

Shirt" The back, the yoke, the yardage. Lapped seams, The nearly invisible stitches along the collar Turned in a sweatshop by Koreans or Malaysians Gossiping over tea and noodles on their break Or talking money or politics while one fitted This armpiece with its overseam to the band Of cuff I button at my wrist. The presser, the cutter, The wringer, the mangle. The needle, the union, The treadle, the bobbin. The code. The infamous blaze At the Triangle Factory in nineteen-eleven. One hundred and forty-six died in the flames On the ninth floor, no hydrants, no fire escapes— The witness in a building across the street Who watched how a young man helped a girl to step Up to the windowsill, then held her out Away from the masonry wall and let her drop. And then another. As if he were helping them up To enter a streetcar, and not eternity. A third before he dropped her put her arms Around his neck and kissed him. Then he held Her into space, and dropped her. Almost at once He stepped to the sill himself, his jacket flared And fluttered up from his shirt as he came down, Air filling up the legs of his gray trousers— Like Hart Crane’s Bedlamite, “shrill shirt ballooning.” Wonderful how the pattern matches perfectly Across the placket and over the twin bar-tacked Corners of both pockets, like a strict rhyme Or a major chord. Prints, plaids, checks, Houndstooth, Tattersall, Madras. The clan tartans Invented by mill-owners inspired by the hoax of Ossian, To control their savage Scottish workers, tamed By a fabricated heraldry: MacGregor, Bailey, MacMartin. The kilt, devised for workers To wear among the dusty clattering looms. Weavers, carders, spinners. The loader, The docker, the navvy. The planter, the picker, the sorter Sweating at her machine in a litter of cotton As slaves in calico headrags sweated in fields: George Herbert, your descendant is a Black Lady in South Carolina, her name is Irma And she inspected my shirt. Its color and fit And feel and its clean smell have satisfied Both her and me. We have culled its cost and quality Down to the buttons of simulated bone, The buttonholes, the sizing, the facing, the characters Printed in black on neckband and tail. The shape, The label, the labor, the color, the shade. The shirt.

VHALAN approaches the good DOCTOR with a furtive approach. VHALAN Bro, are you North Korean? NIGELLIC CROUCH turns around with the look of a confused sheep on his face.

The Global Plan’s most impressive feature was its incredible adaptability – successive US administrations amended it every time bits of it came unstuck. Their policies toward Japan are an excellent example: after Mao’s unexpected victory, and the demise of the original plan to turn the Chinese mainland into a huge market for Japanese industrial output, US policy makers responded with a variety of inspired responses. First, they utilized the Korean War, turning it into an excellent opportunity to inject demand into the Japanese industrial sector. Secondly, they used their influence over America’s allies to allow Japanese imports freely into their markets. Thirdly, and most surprisingly, Washington decided to turn America’s own market into Japan’s vital space. Indeed, the penetration of Japanese imports (cars, electronic goods, even services) into the US market would have been impossible without a nod and a wink from Washington’s policy makers. Fourthly, the successor to the Korean War, the war in Vietnam, was also enlisted to boost Japanese industry further. A useful by-product of that murderous escapade was the industrialization of South East Asia, which further strengthened Japan by providing it, at long last, with the missing link – a commercial vital zone in close proximity.

Inside an H Mart complex, there will be some kind of food court, an appliance shop, and a pharmacy. Usually, there's a beauty counter where you can buy Korean makeup and skin-care products with snail mucin or caviar oil, or a face mask that vaguely boasts "placenta." (Whose placenta? Who knows?) There will usually be a pseudo-French bakery with weak coffee, bubble tea, and an array of glowing pastries that always look much better than they taste. My local H Mart these days is in Elkins Park, a town northeast of Philadelphia. My routine is to drive in for lunch on the weekends, stock up on groceries for the week, and cook something for dinner with whatever fresh bounty inspires me. The H Mart in Elkins Park has two stories; the grocery is on the first floor and the food court is above it. Upstairs, there is an array of stalls serving different kinds of food. One is dedicated to sushi, one is strictly Chinese. Another is for traditional Korean jjigaes, bubbling soups served in traditional earthenware pots called ttukbaegis, which act as mini cauldrons to ensure that your soup is still bubbling a good ten minutes past arrival. There's a stall for Korean street food that serves up Korean ramen (basically just Shin Cup noodles with an egg cracked in); giant steamed dumplings full of pork and glass noodles housed in a thick, cakelike dough; and tteokbokki, chewy, bite-sized cylindrical rice cakes boiled in a stock with fish cakes, red pepper, and gochujang, a sweet-and-spicy paste that's one of the three mother sauces used in pretty much all Korean dishes. Last, there's my personal favorite: Korean-Chinese fusion, which serves tangsuyuk---a glossy, sweet-and-sour orange pork---seafood noodle soup, fried rice, and black bean noodles.

Chimac | No-1 Korean - American Chicken Restaurant in Houston Chimac is a Korean - American restaurant bringing you a variety of American food inspired by Korean cuisine. Come and join us today!

The Interview is a 2014 American action comedy film co-produced and directed by Seth Rogen and Evan Goldberg in their second directorial work, following This Is the End (2013). The screenplay was written by Dan Sterling, based on a story he co-wrote with Rogen and Goldberg. The film stars Rogen and James Franco as journalists who set up an interview with North Korean leader Kim Jong-un (Randall Park), and are then recruited by the CIA to assassinate him. The film is heavily inspired by a 2012 Vice documentary.In June 2014, The Guardian reported that the film had "touched a nerve" within the North Korean government, as they are "notoriously paranoid about perceived threats to their safety.” The Korean Central News Agency (KCNA), the state news agency of North Korea, reported that their government promised "stern" and "merciless" retaliation if the film was released. KCNA said that the release of a film portraying the assassination of the North Korean leader would not be allowed and it would be considered the "most blatant act of terrorism and war. Wikipedia

Dave? this is John. Your pimp says bring the heroin shipment tonight, or he'll be forced to stick you. Meet him where we buried the Korean whore. The one without the gatee." that was code. it meant "Come to my place as soon as you can, it's important." Code, you know, in case the phone was ugged.

Dave? this is John. Your pimp says bring the heroin shipment tonight, or he'll be forced to stick you. Meet him where we buried the Korean whore. The one without the goatee." That was code, it meant "Come to my place as soon as you can, it's important." Code, you know, in case the phone was bugged.

One industrious Korean can inspire ten thousand to reject their lazy nature!

It took a Polish author to inspire this American Jew, who named his daughter for a Greek Titan before being killed by a Vietnamese mine in an effort to please his Marine father, who was once a sniper in Korea—and was undoubtedly still being pursued by the North Koreans across the wilderness of Scandinavia.

국제적 사천출장안마( Ymz44.COM )양산섹파매칭으로는 인도네시아 국립도서관(2012.5.28)을 포함하여 프랑스, 영국, 러시아, 체코 등 세계 16개국 17개 기관과 양해각서를 체결하여 꾸준히 교류협력을 확대하고 있다. 국립중앙도서관은 2012년 5월 28일~29일 인도네시아 발리에서 인도네시아국립도서관 주관 제20회 아시아·오세아니아 국립도서관장회의와 2012년 8월11일~17일 핀란드 헬싱키에서 열린 제78회 세계도서관정보대회(WLIC, 주제 ‘도서관은 지금! : 영감, 경이로움, 역량강화(Libarry Now!-Inspiring, Surprising, Empowering))'에 참석하였다. 특히, 도서관인회의(Korean Caucus)에서는 한국관련 사서들의 단합과 한국 참가자들의 국제 활동을 독려하였고 국립중앙도서관 주관 IFLA 국가도서관정보정책 특별관심그룹(NILP SIG) 사천출장안마( Ymz44.COM )양산섹파매칭회의를 개최하였다. 제39회 세계국립도서관장회의(CDNL)에서는 각 나라의 법, 제도, 문화 등의 국립도서관에 대한 가이드라인의 필요성 등이 논의되었다. 한편 1963년 외국 국립도서관과의 교류를 시작으로 현재 각국 주요 국립·공공도서관, 대학도서관, 전문도서관 등 93개국 280개 기관으로 정비하여 자료교류를 하고 있으며, 또한 연속간행물의 현지 활용여부 확인을 위해 총 5회에 걸쳐 “국제자료교류용 구입 연속간행물의 현지 수요 조사”('12.6~11월)를 실시하여 수요조사 결과를 반영하여 사천출장안마( Ymz44.COM )양산섹파매칭자료를 발송하였다

Paranoid nationalism may well be an intellectual void, and appeal to the lowest instincts—there is nothing in North Korean ideology that a child of twelve cannot grasp at once—but for that very reason it has proven itself capable of uniting citizens of all classes, and inspiring them through bad times as well as good ones.

Being a writer, then, is as much about observation as it is imagination. I try to let new experiences inspire me. I’ve been lucky enough in this field that I am able to travel frequently. When I visit a new country, I try to let the culture, people, and experiences there shape themselves into a story. Once when I visited Taiwan, I was fortunate enough to visit the National Palace Museum, with my editor Sherry Wang and translator Lucie Tuan along to play tour guides. A person can’t take in thousands of years of Chinese history in a matter of a few hours, but we did our best. Fortunately, I had some grounding in Asian history and lore already. (I lived for two years in Korea as an LDS missionary, and I then minored in Korean during my university days.)

People say mountains change in about ten years. If something as stubborn and mammoth as a mountain can change in a decade, the hearts of ordinary North Koreans can change. I'm sure of it. I'm living proof." --Ha Young, a North Korean defector interviewed in Jieun Baek's book "North Korea's Hidden Revolution: How the Information Underground is Transforming a Closed Society

There is very little that is not wasteful and dismal about war. The only clear, deep, good is the special kind of bond welded between people who, having mutually shared a crisis, whether it be a shelling or a machine-gun attack, emerge knowing that those involved behaved well. There is much pretence in our everyday life, and, with a skilful manner, much can be concealed. But with a shell whistling at you there is not much time to pretend and a person’s qualities are starkly revealed. You believe that you can trust what you have seen. It is a feeling that makes old soldiers, old sailors, old airmen, and even old war correspondents, humanly close in a way shut off to people who have not shared the same thing. I think that correspondents, because they are rarely in a spot where their personal strength or cowardice can affect the life of another, probably feel only an approximation of this bond. So far as I am concerned, even this approximation is one of the few emotions about which I would say: It’s as close to being absolutely good as anything I know.