Inspirational Figure Quotes

So, this is my life. And I want you to know that I am both happy and sad and I'm still trying to figure out how that could be.

I figured something out. The future is unpredictable.

For attractive lips, speak words of kindness. For lovely eyes, seek out the good in people. For a slim figure, share your food with the hungry. For beautiful hair, let a child run his fingers through it once a day. For poise, walk with the knowledge you’ll never walk alone. ... We leave you a tradition with a future. The tender loving care of human beings will never become obsolete. People even more than things have to be restored, renewed, revived, reclaimed and redeemed and redeemed and redeemed. Never throw out anybody. Remember, if you ever need a helping hand, you’ll find one at the end of your arm. As you grow older, you will discover that you have two hands: one for helping yourself, the other for helping others. Your “good old days” are still ahead of you, may you have many of them.

Be Brave and Take Risks: You need to have faith in yourself. Be brave and take risks. You don't have to have it all figured out to move forward.

Every woman that finally figured out her worth, has picked up her suitcases of pride and boarded a flight to freedom, which landed in the valley of change.

The day I understood everything, was the day I stopped trying to figure everything out. The day I knew peace was the day I let everything go.

I like to imagine that the world is one big machine. You know, machines never have any extra parts. They have the exact number and type of parts they need. So I figure if the entire world is a big machine, I have to be here for some reason. And that means you have to be here for some reason, too.

To each there comes in their lifetime a special moment when they are figuratively tapped on the shoulder and offered the chance to do a very special thing, unique to them and fitted to their talents. What a tragedy if that moment finds them unprepared or unqualified for that which could have been their finest hour.

Everything changed the day she figured out there was exactly enough time for the important things in her life.

Life has three rules: Paradox, Humor, and Change. - Paradox: Life is a mystery; don't waste your time trying to figure it out. - Humor: Keep a sense of humor, especially about yourself. It is a strength beyond all measure - Change: Know that nothing ever stays the same.

Jamie: You know what I figured out today? Landon: What? Jamie: Maybe God has a bigger plan for me than I had for myself. Like this journey never ends. Like you were sent to me because I'm sick. To help me through all this. You're my angel.

I am not a smart man, particularly, but one day, at long last, I stumbled from the dark woods of my own, and my family's, and my country's past, holding in my hands these truths: that love grows from the rich loam of forgiveness; that mongrels make good dogs; that the evidence of God exists in the roundness of things. This much, at least, I've figured out. I know this much is true.

You need to have faith in yourself. Be brave and take risks. You don't have to have it all figured out to move forward.

We’re on this planet for too short a time. And at the end of the day, what’s more important? Knowing that a few meaningless figures balanced—or knowing that you were the person you wanted to be?

I don't know exactly where ideas come from, but when I'm working well ideas just appear. I've heard other people say similar things - so it's one of the ways I know there's help and guidance out there. It's just a matter of our figuring out how to receive the ideas or information that are waiting to be heard.

Every great movement of God can be traced to a kneeling figure.

A dog has no use for fancy cars or big homes or designer clothes. Status symbol means nothing to him. A waterlogged stick will do just fine. A dog judges others not by their color or creed or class but by who they are inside. A dog doesn't care if you are rich or poor, educated or illiterate, clever or dull. Give him your heart and he will give you his. It was really quite simple, and yet we humans, so much wiser and more sophisticated, have always had trouble figuring out what really counts and what does not. As I wrote that farewell column to Marley, I realized it was all right there in front of us, if only we opened our eyes. Sometimes it took a dog with bad breath, worse manners, and pure intentions to help us see.

Relax. You will become an adult. You will figure out your career. You will find someone who loves you. You have a whole lifetime; time takes time. The only way to fail at life is to abstain.

Poetry is a sort of inspired mathematics, which gives us equations, not for abstract figures, triangles, squares, and the like, but for the human emotions. If one has a mind which inclines to magic rather than science, one will prefer to speak of these equations as spells or incantations; it sounds more arcane, mysterious, recondite.

I had always had a little problem looking out for myself in love. I was afraid people would leave me. So I sort of clung and did everything possible to keep someone around. I didn't have a hard talk with myself about who I was keeping around. Doesn't take a rocket scientist to figure that out. I clung to people like human life preservers. I thought i'd die if someone left me. Its ironic because now I'm the one who's leaving.

First you find out what you have , Dad would say. Then you figure out how to make it work for what you need, 'cause you don't get what you want. You get just what you have and no more.

Once upon a time, there was a wise man who used to go to the ocean to do his writing. He had a habit of walking on the beach before he began his work. One day, as he was walking along the shore, he looked down the beach and saw a human figure moving like a dancer. He smiled to himself at the thought of someone who would dance to the day, and so, he walked faster to catch up. As he got closer, he noticed that the figure was that of a young man, and that what he was doing was not dancing at all. The young man was reaching down to the shore, picking up small objects, and throwing them into the ocean. He came closer still and called out "Good morning! May I ask what it is that you are doing?" The young man paused, looked up, and replied "Throwing starfish into the ocean." "I must ask, then, why are you throwing starfish into the ocean?" asked the somewhat startled wise man. To this, the young man replied, "The sun is up and the tide is going out. If I don't throw them in, they'll die." Upon hearing this, the wise man commented, "But, young man, do you not realize that there are miles and miles of beach and there are starfish all along every mile? You can't possibly make a difference!" At this, the young man bent down, picked up yet another starfish, and threw it into the ocean. As it met the water, he said, "It made a difference for that one.

Others inspire us, information feeds us, practice improves our performance, but we need quiet time to figure things out, to emerge with new discoveries, to unearth original answers.

I never had any doubts about my abilities. I knew I could write. I just had to figure out how to eat while doing this. [Cormac McCarthy's Venomous Fiction, New York Times, April 19, 1992]

When someone's wounded, the first order of business is to stop the bleeding. You can figure out later how best to help them heal.

I’m going to follow this invisible red thread until I find myself again… until I finally figure out… who I’m meant to be.

Just go with it', he thought. 'You won't figure out anything if you give in to fear'.

I believe that sanitizing this aspect of the modern and ancient world is at the root of our troubles as a culture now. We're bred to be smug about how peaceful we are, so we can watch television and feel safely distant from violence, when it is part of our makeup. That smugness means we don't feel we have to do anything about the violence we see, because it's obviously committed by people who aren't as educated or civilized as we are. By holding ourselves aloof from global and historical violence, we allow it to continue. If we are ever to survive as a species, we need to admit we are violent and find ways to ease the plight of the victims of violence worldwide. (No, invading a violent country and bombing it will not inspire its people to give violence up. Go figure.) We must face who we are and what creates violence: helplessness, envy, rage, even the drive to grab the good things of the world that are flaunted in the faces of the poor. We must take responsibility and protect each other from violence.

Music is always a healer. Music has never let me down. I know it’s my religion. There’s the idea that you can’t truly know happiness until you know sadness, so how can you heal yourself unless you’ve hurt yourself? I’m still figuring out who I am, but I know that I’m not who I was.

We all get lots of people. And maybe we don’t always get to have them the exact way we want them, but if we can figure out a way to compromise, you know, then we can keep them all.

taking a moment to figure out how you really feel instead of letting old patterns decide for you is one of the most authentic things you can do

Sometimes in life confusion tends to arise and only dialogue of dance seems to make sense.

As for my brothers,' Zeus said, 'we are thankful -' he cleared his throat, like the words were hard to get out - 'erm, thankful for the aid of Hades.' The Lord of the Dead nodded. He had a smug look on his face, but I figure he'd earned the right. He patted his son Nico on the shoulders, and Nico looked happier than I'd ever seen him.

I wanted to figure out why I was so busy, but I couldn't find the time to do it.

Dance less in motion and more in spirit; awaken the dreamer within.

He’d only ever seen a gun once, a smaller one on the hip of that old deputy, a gun he’d always figured was more for show. He stuffed a fistful of deadly rounds in his pocket, thinking how each one could end an individual life, and understanding why such things were forbidden. Killing a man should be harder than waving a length of pipe in their direction. It should take long enough for one’s conscience to get in the way.

maybe there is more to a person than a body and a mind. maybe something else figures into the mix— not a soul, exactly, but a spirit that hints you might one day be greater, stronger than you are now. a promise; a potential.

Maybe we all just exist, all versions of us exist at times, and we have to figure out a way to get to each of them, to find each one and tell that version that it's okay, that it's all justthe way it works, a concept too powerful to ignore but too complicated to explain.

Caution not spirit, let it roam wild; for in that natural state dance embraces divine frequency.

Be alone. Eat alone, take yourself on dates, sleep alone. In the midst of this you will learn about yourself. You will grow, you will figure out what inspires you, you will curate your own dreams, your own beliefs, your own stunning clarity, and when you do meet the person who makes your cells dance, you will be sure of it, because you are sure of yourself.

Dance as the narration of a magical story; that recites on lips, illuminates imaginations and embraces the most sacred depths of souls.

If movements were a spark every dancer would desire to light up in flames.

Once you figure out what you want in life—expect nothing less.

Because you don't walk away from someone when things get tough, you find a way to stick it out and figure out what's gone wrong. - Zac Greeley, The Boyfriend Thief

If spirit is the seed, dance is the water of its evolution.

Dance is the timeless interpretation of life.

I figure the faster I pedal, the faster I can retire.

If you opened the dictionary and searched for the meaning of a Goddess, you would find the reflection of a dancing lady.

Show me a person who found love in his life and did not celebrate it with a dance.

If you don't have a well-thought out dream, you can start by figuring out where you want to go. If you cannot see yourself fairly or accurately represented in the community you live (from restaurants to department stores to clothing choices to conversations at the dinner table) and nothing there makes you feel awake or alive, I suggest you start doing some research on some other communities.

Now," those Plumbago lips say, "You are going to tell me your story like you just did. Write it all down. Tell that story over and over. Tell me your sad-assed story all night." That Brandy queen points a long bony finger at me. "When you understand, " Brandy says, "that what you're telling is just a story. It isn't happening anymore. When you realize the story you're telling is just words, when you can crumble it up and throw your past in the trashcan," Brandy says,"then we'll figure out who you're going to be.

Don't breathe to survive; dance and feel alive.

We both have a lot of growing-up to do... A lot of the world to see & figure out on our own." -- Leo

I was suffering from a profound disease called culture shock and a severe case of homesickness. My brain was exhausted trying to figure out a lifestyle and living standards that everyone took for granted and few bothered to explain.

Life is an affair of mystery; shared with companions of music, dance and poetry.

Knowing you don't have much time left changes things. You get kind of philosophical. And you figure things out-more like, they figure themselves out-and everything gets real clear.

A library of mostly unread books is far more inspiring than a library of books already read. There’s nothing more exciting than finishing a book, and walking over to your shelves to figure out what you’re going to read next." [The Wonderful and Terrible Habit of Buying Too Many Books, PWxyz (news blog of Publishers Weekly), February 16th, 2012]

You can spend a lot of time trying to figure out how men think, and you'll always be wrong. That's because they're so much simpler than we are. They don't think half the time. They just want what they want and then go for it.

I think we have to own the fears that we have of each other, and then, in some practical way, some daily way, figure out how to see people differently than the way we were brought up to.

I'm trying to figure out if I love art enough to be poor.

Be brave and take risks… You don't have to have it all figured out to move forward.

Dance to inspire, dance to freedom, life is about experiences so dance and let yourself become free.

Music does not need language of words for it has movements of dance to do its translation.

Shining the spotlight on a sacred figure like Muhammad can seem intimidating. Examination might lead to the desecration of a venerated relic, and exploring the unknown might shatter established beliefs. Considering a fresh perspective might provoke harsh reactions.

Through synergy of intellect, artistry and grace came into existence the blessing of a dancer.

I'm marrying him because I admire his intelligence and his compassion. I'm marrying him because he's part of me already. Because he's the one person who has always known my heart. Because I could trust him to know what I needed if I couldn't figure it out by myself. Because he loves me, and I love him. And I need him.

Lizzie Bright Griffin, do you ever wish the world would just go ahead and swallow you whole?" "Sometimes I do," she said, and then smiled. "but sometimes I figure I should just go ahead and swallow it.

It is time to stop a young woman from being manipulated to break her ass and tear herself down to the core in order to build a man up. Once she builds him up, more than half the time he leaves her to figure out the million-piece puzzle of life. Wow! It never amazes me how men forget who was there for them when they didn’t have a damn thing to their name. It’s a timeout for that!

You take a deep breath and you walk through the doors. It's the morning of your very first day. You say hi to your friends you ain't seen in a while, try and stay out of everybody's way. It's your freshman year and your gonna be here for the next four years in this town. Hopin' one of those senior boys will wink at you and say, "You know I haven't seen you around before." 'Cause when you're fifteen and somebody tells you they love you, you're gonna believe them. And when you're fifteen, feelin' like there's nothin' to figure out, but, count to ten, take it in. This is life before you know who you're gonna be. Fifteen.

Because—how do you explain that it is never inspiration that drives you to tell a story, but rather a combination of anger and clarity? How do you say: No, we do not find inspiration here, but we find a country that is as beautiful as it is broken, and we are somehow now part of it, so we are also broken with it, and feel ashamed, confused, and sometimes hopeless, and are trying to figure out how to do something about all that.

It is simply a confession that with all that I've seen in the last few years, all the events I've been invited to, and all the people whom I've met, I am less and less impressed by "impressive" things or people who are presented as having things figured out. I am impressed by people who are honest and kind. I am inspired by moments of vulnerability, moments of confession and compassion, moments where someone makes it clear that they are a person in need of other people and someone else makes it clear that the first person is not alone.

Sometimes I think I live in a gap between two worlds, one world that I have to wake up to, be adherent of the rules and live in a place that is dictated by others. A place I sometimes feel the fear of aging and dying before I have figured out what it is I am here to do. That other world is sweet, fresh and misty, inviting adventure into the unknown, melding ancient wisdom with new discovery; the sunlight turning into moonlight and the spell of eternal life is never broken. Perhaps in that gap I should repair the forgotten bridge from one side to the other, but truth be told, I don't want to. I don't want to because I don't have the energy to fix what is broken within. I am a wild, wandering nomad, I belong everywhere and nowhere all at the same time, and in that gap between worlds, I am free.

So you didn’t have any reason to be so mad I wrecked the car,” I said, triumphantly. Samuel laughed out loud. “You still haven’t figured it out, have you, Mercy? He never was mad about the car. He was the first one at the scene of the accident. He thought you’d killed yourself. We all did. That was a pretty spectacular wreck.” I started to say something and found I couldn’t. The first thing I’d seen after hitting the tree was the Marrok’s snarling face. I’d never seen him that angry — and I’d done a lot, from time to time, to inspire his rage.

Zoe—" I said. "Stars," she whispered. "I can see the stars again, my lady." A tear trickled down Artemis's cheek. "Yes, my brave one. They are beautiful tonight." "Stars," Zoe repeated. Her eyes fixed on the night sky. And she did not move again. Thalia lowered her head. Annabeth gulped down a sob, and her father put his hands on her shoulders. I watched as Artemis cupped her hand above Zoe's mouth and spoke a few words in Ancient Greek. A silvery wisp of smoke exhaled from Zoe's lips and was caught in the hand of the goddess. Zoe's body shimmered and disappeared. Artemis stood, said a kind of blessing, breathed into her cupped hand and released the silver dust to the sky. It flew up, sparkling, and vanished. For a moment I didn't see anything different. Then Annabeth gasped. Looking up in the sky, I saw that the stars were brighter now. They made a pattern I had never noticed before—a gleaming constellation that looked a lot like a girl's figure—a girl with a bow, running across the sky. "Let the world honor you, my Huntress," Artemis said. "Live forever in the stars.

I've been lucky enough now in my life to meet all sorts of extraordinary and accomplished people - world leaders, inventors, musicians, astronauts, athletes, professors, entrepreneurs, artists and writers, pioneering doctors and researchers. Some (though not enough) of them are women. Some (though not enough) are black or of color. Some were born poor or have lives that to many of us would appear to have been unfairly heaped with adversity, and yet still they seem to operate as if they've had every advantage in the world. What I've learned is this: All of them have had doubters. Some continue to have roaring, stadium-sized collection of critics and naysayers who will shout I told you so at every little misstep or mistake. The noise doesn't go away, but the most successful people I know have figured out how to live with it, to lean on the people who believe in them, and to push onward with their goals.

Every atom you possess has almost certainly passed through several stars and been part of millions of organisms on its way to becoming you. We are each so atomically numerous and so vigorously recycled at death that a significant number of our atoms - up to a billion for each of us, it has been suggested - probably once belonged to Shakespeare. A billion more each came from Buddha and Genghis Khan and Beethoven, and any other historical figure you care to name. So we are all reincarnations - though short-lived ones. When we die, our atoms will disassemble and move off to find new uses elsewhere - as part of a leaf or other human being or drop of dew.

The Qur’an does not hesitate to retell biblical incidents with modifications—or to introduce entirely new vignettes around iconic biblical figures. As a book purposely not constructed around a formal narrative, the Qur’an leverages these allusions primarily to emphasize a moral value rather than re- veal an origin story. Every time the Qur’an presents a story, it always follows with terse analyses synthesizing key takeaways.

Look at the stars. It won't fix the economy. It won't stop wars. It won't give you flat abs, or better sex or even help you figure out your relationship and what you want to do with your life. But it's important. It helps you remember that you and your problems are both infinitesimally small and conversely, that you are a piece of an amazing and vast universe.

They rode out along the fenceline and across the open pastureland. The leather creaked in the morning cold. They pushed the horses into a lope. The lights fell away behind them. They rode out on the high prairie where they slowed the horses to a walk and the stars swarmed around them out of the blackness. They heard somewhere in that tenantless night a bell that tolled and ceased where no bell was and they rode out on the round dais of the earth which alone was dark and no light to it and which carried their figures and bore them up into the swarming stars so that they rode not under but among them and they rode at once jaunty and circumspect, like thieves newly loosed in that dark electric, like young thieves in a glowing orchard, loosely jacketed against the cold and ten thousand worlds for the choosing.

There is a kind of expressed love which is easy to subvert. When a figure is loved for their deeds, their conquests, their heroism, their goodness, their love of the people, these are easy enough to destroy... But there is a kind of love which is felt for apparently no reason... A love, inspired, it seems, by the gods, which it is impossible to fight, distort, destroy, or weaken. In fact, the attempts to destroy such loves only strengthen them. And to do nothing allows them to continue to grow at their natural pace, inexoribly, till this love becomes a wide and silent adoration.

What I've learned to do is be certain that I am uncertain. To revel in the fuzziness of my understanding of the world. And to look with great anticipation toward the next moment I'll figure out that I'm wrong about something. And that lets you get on this trajectory where you just become more and more and more open.

Tell you what." I closed the blade with a satisfying snick. "Remember that time you tried to kill me because I wouldn't open a gate to hell?" "The memory's a bit fuzzy..." I opened the knife again. "Yes, now that you mention it, I do recall something like that happening, although my motivation was certainly never to kill you. Can't you view it as me inspiring you to figure out how to use the Paths? I didn't actually want you to die.

You have ten minutes,” he told me. “Ten minutes to think about what you did wrong and how bad you feel right now. Are you ready?” He’d actually clicked a button on his watch and timed me, and for those ten minutes I brooded and sulked and wallowed in humiliation. I remembered the errors I’d made on the field and corrected them in my head. I imagined punching every player on the opposing team square in the mouth. And then Dad told me my time was up. “There. It’s over now,” he said. “Now you look forward and figure out how you’re going to get better.

As far as I can tell, kids are called bossy when they behave in a dictatorial and domineering fashion. They’re called bossy when they try to order people around and refuse to listen to authority figures. Here’s a suggestion: instead of telling us not to refer to them as bossy, why don’t we teach them not to be bossy? We concentrate so much on eradicating negative words while forgetting to address the behavior that the words describe.

But sometimes you can't figure everything out because you can't ever really understand other people. You can't understand why they do what they do. You just have to accept a little mystery, Ben. People are mysterious, the world is mysterious. You can't know everything. You're not supposed to. This isn't a history book. It's just the world. It's a messy place.

Kevin," Neil said, and waited for Kevin to finally look at him. "Figure out what you want more than anything, what it would kill you to lose. That's what's at stake if you let Riko win. Calculate the cost of your fear. If it's too much, you need to fight. Wouldn't you rather die trying than never try at all?" "It's death either way," Kevin pointed out. "Die free or die a failure," Neil said. "The choice is yours

O for a Muse of fire, that would ascend The brightest heaven of invention, A kingdom for a stage, princes to act And monarchs to behold the swelling scene! Then should the warlike Harry, like himself, Assume the port of Mars; and at his heels, Leash'd in like hounds, should famine, sword and fire Crouch for employment. But pardon, and gentles all, The flat unraised spirits that have dared On this unworthy scaffold to bring forth So great an object: can this cockpit hold The vasty fields of France? or may we cram Within this wooden O the very casques That did affright the air at Agincourt? O, pardon! since a crooked figure may Attest in little place a million; And let us, ciphers to this great accompt, On your imaginary forces work. Suppose within the girdle of these walls Are now confined two mighty monarchies, Whose high upreared and abutting fronts The perilous narrow ocean parts asunder: Piece out our imperfections with your thoughts; Into a thousand parts divide on man, And make imaginary puissance; Think when we talk of horses, that you see them Printing their proud hoofs i' the receiving earth; For 'tis your thoughts that now must deck our kings, Carry them here and there; jumping o'er times, Turning the accomplishment of many years Into an hour-glass: for the which supply, Admit me Chorus to this history; Who prologue-like your humble patience pray, Gently to hear, kindly to judge, our play.

The great ones do not set up offices, charge fees, give lectures, or write books. Wisdom is silent, and the most effective propaganda for truth is the force of personal example. The great ones attract disciples, lesser figures whose mission is to preach and to teach. These are gospelers who, unequal to the highest task, spend their lives in converting others. The great ones are indifferent, in the profoundest sense. They don’t ask you to believe: they electrify you by their behavior. They are the awakeners. What you do with your petty life is of no concern to them. What you do with your life is only of concern to you, they seem to say. In short, their only purpose here on earth is to inspire. And what more can one ask of a human being than that?

In 1965, a psychologist named Martin Seligman started shocking dogs. He was trying to expand on the research of Pavlov--the guy who could make dogs salivate when they heard a bell ring. Seligman wanted to head in the other direction, and when he rang his bell, instead of providing food, he zapped the dogs with electricity. To keep them still, he restrained them in a harness during the experiment. After they were conditioned, he put these dogs in a big box with a little fence dividing it into two halves. He figured if the dog rang the bell, it would hop over the fence to escape, but it didn't. It just sat there and braced itself. They decided to try shocking the dog after the bell. The dog still just sat there and took it. When they put a dog in the box that had never been shocked before or had previously been allowed to escape and tried to zap it--it jumped the fence. You are just like these dogs. If, over the course of your life, you have experienced crushing defeat or pummeling abuse or loss of control, you convince yourself over time that there is no escape, and if escape is offered, you will not act--you become a nihilist who trusts futility above optimism. Studies of the clinically depressed show that they often give in to defeat and stop trying. . . Any extended period of negative emotions can lead to you giving in to despair and accepting your fate. If you remain alone for a long time, you will decide loneliness is a fact of life and pass up opportunities to hang out with people. The loss of control in any situation can lead to this state. . . Choices, even small ones, can hold back the crushing weight of helplessness, but you can't stop there. You must fight back your behavior and learn to fail with pride. Failing often is the only way to ever get the things you want out of life. Besides death, your destiny is not inescapable.

It’s time to stop allowing people to blame the woman for everything. As women, we try to figure out what they need, what they want; and the entire time we’re stressing ourselves out and they don’t give a shit as long as it’s done. Hell, no. Timeout for that too! We do not give a rat’s ass anymore—they are quick to blame us for their mess-ups and think we are supposed to make magic happen. It is time to let them deal with it and figure out how they are going to mend their shit. If they want to blame us, let them, who cares? Their shit isn’t our problem. Go ahead, blame the women. We are holding up the peace sign, smiling and laughing, feeling good as we press forward! ​We are free and feel refreshed. It feels good to be the last ones standing. We look at life totally differently, and we now see that it’s okay to be a little rough around the edges.

We accumulate other’s people debts and make them our own. As we make them our own, their responsibilities fall solely on us. Now is the time to transfer their debt back into their account and let them figure out how they going to pay off their own debt. We, as women, need to realize we are not responsible for other people’s debts, only our own, and we will finally see the load will be a lot lighter. We have to stop making life easy for other people. We give them life, yet they take life from us. We want to live, and it starts with self-fulfillment!

When it rains, it pours but that isn’t a bad thing. Take advantage of the rain as it washes away all of the residues that the side effects left behind. As you confront your side effects, walk with pride, do not turn back, face them head-on. Nothing can faze you now because the rain is clearing your path. After the rain has washed away the side effects, their powers are watered down. Therefore, they can no longer interrupt your peace, kill your joy or steal your happiness. The side effects’ time has expired. It is time to put an end once and for all to carrying everyone’s dirty load. Leave them where they lie. Let them figure out their own messes and bad decisions. Take a breather and let it go. I bet the load is so much lighter!

I noticed that the [drawing] teacher didn't tell people much... Instead, he tried to inspire us to experiment with new approaches. I thought of how we teach physics: We have so many techniques - so many mathematical methods - that we never stop telling the students how to do things. On the other hand, the drawing teacher is afraid to tell you anything. If your lines are very heavy, the teacher can't say, "Your lines are too heavy." because *some* artist has figured out a way of making great pictures using heavy lines. The teacher doesn't want to push you in some particular direction. So the drawing teacher has this problem of communicating how to draw by osmosis and not by instruction, while the physics teacher has the problem of always teaching techniques, rather than the spirit, of how to go about solving physical problems.

A few years after I gave some lectures for the freshmen at Caltech (which were published as the Feynman Lectures on Physics), I received a long letter from a feminist group. I was accused of being anti-women because of two stories: the first was a discussion of the subtleties of velocity, and involved a woman driver being stopped by a cop. There's a discussion about how fast she was going, and I had her raise valid objections to the cop's definitions of velocity. The letter said I was making the women look stupid. The other story they objected to was told by the great astronomer Arthur Eddington, who had just figured out that the stars get their power from burning hydrogen in a nuclear reaction producing helium. He recounted how, on the night after his discovery, he was sitting on a bench with his girlfriend. She said, "Look how pretty the stars shine!" To which he replied, "Yes, and right now, I'm the only man in the world who knows how they shine." He was describing a kind of wonderful loneliness you have when you make a discovery. The letter claimed that I was saying a women is incapable of understanding nuclear reactions. I figured there was no point in trying to answer their accusations in detail, so I wrote a short letter back to them: "Don't bug me, Man!

Do you think about Everything you've been through You never thought you'd be so depressed Are you wondering Is it life or death Do you think that there's no one like you We are We are We are We are the ones We get knocked down We get back up and stand above the crowd We are one We are the ones We get knocked down We get back up and stand above the crowd We are one The life I think about Is so much better than this I never thought I'd be stuck in this mess I'm sick of wondering Is it life or death I need to figure out who's behind you We are We are We are We are the ones We get knocked down We get back up and stand above the crowd We are one We are the ones We get knocked down We get back up and stand above the crowd We are one The life I think about Is so much better than this I never thought I'd be stuck in this mess I'm sick of wondering Is it life or death? We are the ones We get knocked down We get back up and stand above the crowd We are one We are the ones We get knocked down We get back up and stand above the crowd We are one We stand above the crowd We stand above the crowd We stand above the crowd (Crowd) (We stand) We stand above the crowd We stand above the crowd (We Stand) We stand above the crowd (We are the ones) We stand above the crowd (We get knocked down get back up) We stand above the crowd (We are the ones) We stand above the crowd (We get knocked down get back up) We stand above the crowd We stand above the crowd We stand above the crowd We stand above the crowd

Most striking about the traditional societies of the Congo was their remarkable artwork: baskets, mats, pottery, copper and ironwork, and, above all, woodcarving. It would be two decades before Europeans really noticed this art. Its discovery then had a strong influence on Braque, Matisse, and Picasso -- who subsequently kept African art objects in his studio until his death. Cubism was new only for Europeans, for it was partly inspired by specific pieces of African art, some of them from the Pende and Songye peoples, who live in the basin of the Kasai River, one of the Congo's major tributaries. It was easy to see the distinctive brilliance that so entranced Picasso and his colleagues at their first encounter with this art at an exhibit in Paris in 1907. In these central African sculptures some body parts are exaggerated, some shrunken; eyes project, cheeks sink, mouths disappear, torsos become elongated; eye sockets expand to cover almost the entire face; the human face and figure are broken apart and formed again in new ways and proportions that had previously lain beyond sight of traditional European realism. The art sprang from cultures that had, among other things, a looser sense than Islam or Christianity of the boundaries between our world and the next, as well as those between the world of humans and the world of beasts. Among the Bolia people of the Congo, for example, a king was chosen by a council of elders; by ancestors, who appeared to him in a dream; and finally by wild animals, who signaled their assent by roaring during a night when the royal candidate was left at a particular spot in the rain forest. Perhaps it was the fluidity of these boundaries that granted central Africa's artists a freedom those in Europe had not yet discovered.

In 1924, Nikola Tesla was asked why he never married? His answer was this: "I had always thought of woman as possessing those delicate qualities of mind and soul that made her in her respects far superior to man. I had put her on a lofty pedestal, figuratively speaking, and ranked her in certain important attributes considerably higher than man. I worshipped at the feet of the creature I had raised to this height, and, like every true worshiper, I felt myself unworthy of the object of my worship. But all this was in the past. Now the soft voiced gentle woman of my reverent worship has all but vanished. In her place has come the woman who thinks that her chief success in life lies on making herself as much as possible like man - in dress, voice, and actions, in sports and achievements of every kind. The world has experience many tragedies, but to my mind the greatest tragedy of all is the present economic condition wherein women strive against men, and in many cases actually succeed in usurping their places in the professions and in industry. This growing tendency of women to overshadow the masculine is a sign of a deteriorating civilization. Practically all the great achievements of man until now have been inspired by his love and devotion to woman. Man has aspired to great things because some woman believed in him, because he wished to command her admiration and respect. For these reasons he has fought for her and risked his life and his all for her time and time again. Perhaps the male in society is useless. I am frank to admit that I don't know. If women are beginning to feel this way about it - and there is striking evidence at hand that they do - then we are entering upon the cruelest period of the world's history. Our civilization will sink to a state like that which is found among the bees, ants, and other insects - a state wherein the male is ruthlessly killed off. In this matriarchal empire which will be established, the female rules. As the female predominates, the males are at her mercy. The male is considered important only as a factor in the general scheme of the continuity of life. The tendency of women to push aside man, supplanting the old spirit of cooperation with him in all the affairs of life, is very disappointing to me." Galveston Daily News, Galveston, Texas, page 23. August 10, 1924.

I’ve been labeled before. I’m supposed to be a jock and then a brain and then one of those music/theater people. I guess I like to keep surprising people. But what kind of life can you live in a tiny square box? My personality is less narrow. I like a lot of different things. But still, people like to be able to put you in a category, to be able to place you in even rows and put a sign at the front. They think the best you can achieve is being at the front of your row…but why not form your own row? Isn’t that the definition of being a leader? Maybe taking charge means something different nowadays. How come lately people think you’re a leader just because you happen to be at the front of the line? A good leader need only point the way and watch as others follow a direction, not a figure. A great leader can lead without anyone ever knowing it. A spectacular leader can lead without ever knowing it themselves. The person at the front of the line is the puppet of someone that you couldn’t name because someone else pointed the way. I must have missed something. I thought being a follower was letting other people shape your life. I thought it meant letting other people decide who you were going to be. I won’t conform. I won’t let people class me. Because once you’re there you’re stuck. I will be whoever I want to be, and no one can stop me. I have something they don’t have, which is nothing to lose. I have my entire life to live and I intend to live it the way I would like to live. I will form my own row. I will point in a new direction. If that means going against other peoples’ opinion of normal, then so be it. Who says normal is right? Normal certainly strikes me as a boring way to live my life.

Have you ever wondered What happens to all the poems people write? The poems they never let anyone else read? Perhaps they are Too private and personal Perhaps they are just not good enough. Perhaps the prospect of such a heartfelt expression being seen as clumsy shallow silly pretentious saccharine unoriginal sentimental trite boring overwrought obscure stupid pointless or simply embarrassing is enough to give any aspiring poet good reason to hide their work from public view. forever. Naturally many poems are IMMEDIATELY DESTROYED. Burnt shredded flushed away Occasionally they are folded Into little squares And wedged under the corner of An unstable piece of furniture (So actually quite useful) Others are hidden behind a loose brick or drainpipe or sealed into the back of an old alarm clock or put between the pages of AN OBSCURE BOOK that is unlikely to ever be opened. someone might find them one day, BUT PROBABLY NOT The truth is that unread poetry Will almost always be just that. DOOMED to join a vast invisible river of waste that flows out of suburbia. well Almost always. On rare occasions, Some especially insistent pieces of writing will escape into a backyard or a laneway be blown along a roadside embankment and finally come to rest in a shopping center parking lot as so many things do It is here that something quite Remarkable takes place two or more pieces of poetry drift toward each other through a strange force of attraction unknown to science and ever so slowly cling together to form a tiny, shapeless ball. Left undisturbed, this ball gradually becomes larger and rounder as other free verses confessions secrets stray musings wishes and unsent love letters attach themselves one by one. Such a ball creeps through the streets Like a tumbleweed for months even years If it comes out only at night it has a good Chance of surviving traffic and children and through a slow rolling motion AVOIDS SNAILS (its number one predator) At a certain size, it instinctively shelters from bad weather, unnoticed but otherwise roams the streets searching for scraps of forgotten thought and feeling. Given time and luck the poetry ball becomes large HUGE ENORMOUS: A vast accumulation of papery bits That ultimately takes to the air, levitating by The sheer force of so much unspoken emotion. It floats gently above suburban rooftops when everybody is asleep inspiring lonely dogs to bark in the middle of the night. Sadly a big ball of paper no matter how large and buoyant, is still a fragile thing. Sooner or LATER it will be surprised by a sudden gust of wind Beaten by driving rain and REDUCED in a matter of minutes to a billion soggy shreds. One morning everyone will wake up to find a pulpy mess covering front lawns clogging up gutters and plastering car windscreens. Traffic will be delayed children delighted adults baffled unable to figure out where it all came from Stranger still Will be the Discovery that Every lump of Wet paper Contains various faded words pressed into accidental verse. Barely visible but undeniably present To each reader they will whisper something different something joyful something sad truthful absurd hilarious profound and perfect No one will be able to explain the Strange feeling of weightlessness or the private smile that remains Long after the street sweepers have come and gone.

The Loneliness of the Military Historian Confess: it's my profession that alarms you. This is why few people ask me to dinner, though Lord knows I don't go out of my way to be scary. I wear dresses of sensible cut and unalarming shades of beige, I smell of lavender and go to the hairdresser's: no prophetess mane of mine, complete with snakes, will frighten the youngsters. If I roll my eyes and mutter, if I clutch at my heart and scream in horror like a third-rate actress chewing up a mad scene, I do it in private and nobody sees but the bathroom mirror. In general I might agree with you: women should not contemplate war, should not weigh tactics impartially, or evade the word enemy, or view both sides and denounce nothing. Women should march for peace, or hand out white feathers to arouse bravery, spit themselves on bayonets to protect their babies, whose skulls will be split anyway, or,having been raped repeatedly, hang themselves with their own hair. There are the functions that inspire general comfort. That, and the knitting of socks for the troops and a sort of moral cheerleading. Also: mourning the dead. Sons,lovers and so forth. All the killed children. Instead of this, I tell what I hope will pass as truth. A blunt thing, not lovely. The truth is seldom welcome, especially at dinner, though I am good at what I do. My trade is courage and atrocities. I look at them and do not condemn. I write things down the way they happened, as near as can be remembered. I don't ask why, because it is mostly the same. Wars happen because the ones who start them think they can win. In my dreams there is glamour. The Vikings leave their fields each year for a few months of killing and plunder, much as the boys go hunting. In real life they were farmers. The come back loaded with splendour. The Arabs ride against Crusaders with scimitars that could sever silk in the air. A swift cut to the horse's neck and a hunk of armour crashes down like a tower. Fire against metal. A poet might say: romance against banality. When awake, I know better. Despite the propaganda, there are no monsters, or none that could be finally buried. Finish one off, and circumstances and the radio create another. Believe me: whole armies have prayed fervently to God all night and meant it, and been slaughtered anyway. Brutality wins frequently, and large outcomes have turned on the invention of a mechanical device, viz. radar. True, valour sometimes counts for something, as at Thermopylae. Sometimes being right - though ultimate virtue, by agreed tradition, is decided by the winner. Sometimes men throw themselves on grenades and burst like paper bags of guts to save their comrades. I can admire that. But rats and cholera have won many wars. Those, and potatoes, or the absence of them. It's no use pinning all those medals across the chests of the dead. Impressive, but I know too much. Grand exploits merely depress me. In the interests of research I have walked on many battlefields that once were liquid with pulped men's bodies and spangled with exploded shells and splayed bone. All of them have been green again by the time I got there. Each has inspired a few good quotes in its day. Sad marble angels brood like hens over the grassy nests where nothing hatches. (The angels could just as well be described as vulgar or pitiless, depending on camera angle.) The word glory figures a lot on gateways. Of course I pick a flower or two from each, and press it in the hotel Bible for a souvenir. I'm just as human as you. But it's no use asking me for a final statement. As I say, I deal in tactics. Also statistics: for every year of peace there have been four hundred years of war.