Inspirational Descendants Quotes

You cannot stay on the summit forever; you have to come down again. So why bother in the first place? Just this: What is above knows what is below, but what is below does not know what is above. One climbs, one sees. One descends, one sees no longer, but one has seen. There is an art of conducting oneself in the lower regions by the memory of what one saw higher up. When one can no longer see, one can at least still know.

It’s funny. I met a man once who did a lot of mountain climbing. I asked him which was harder, ascending or descending? He said without a doubt descending, because ascending you were so focused on reaching the top, you avoided mistakes. The backside of a mountain is a fight against human nature,” he said. “You have to care as much about yourself on the way down as you did on the way up.

Why are there trees I never walk under but large and melodious thoughts descend upon me?

There is a muse, but he’s not going to come fluttering down into your writing room and scatter creative fairy-dust all over your typewriter or computer. He lives in the ground. He’s a basement kind of guy. You have to descend to his level, and once you get down there you have to furnish an apartment for him to live in. You have to do all the grunt labor, in other words, while the muse sits and smokes cigars and admires his bowling trophies and pretends to ignore you. Do you think it’s fair? I think it’s fair. He may not be much to look at, that muse-guy, and he may not be much of a conversationalist, but he’s got inspiration. It’s right that you should do all the work and burn all the mid-night oil, because the guy with the cigar and the little wings has got a bag of magic. There’s stuff in there that can change your life. Believe me, I know.

A just society is that society in which ascending sense of reverence and descending sense of contempt is dissolved into the creation of a compassionate society

God descends to earth like fresh spring rain, and at every level his grace is received differently. For some it feels like love, for others like salvation. It feels like safety and warmth at one level, like coming home at another.

My soul is wrapped in harsh repose, Midnight descends in raven-colored clothes, But soft... behold! A sunlight beam Butting a swath of glimmering gleam. My heart expands, 'tis grown a bulge in it, Inspired by your beauty... Effulgent.

I look East, West, North, South, and I do not see Sauron; but I see that Saruman has many descendants. We Hobbits have against them no magic weapons. Yet, my gentlehobbits, I give you this toast: To the Hobbits. May they outlast the Sarumans and see spring again in the trees.

Quiet descended on her, calm, content, as her needle, drawing the silk smoothly to its gentle pause, collected the green folds together and attached them, very lightly, to the belt. So on a summer’s day waves collect, overbalance, and fall; collect and fall; and the whole world seems to be saying “that is all” more and more ponderously, until even the heart in the body which lies in the sun on the beach says too, That is all. Fear no more, says the heart. Fear no more, says the heart, committing its burden to some sea, which sighs collectively for all sorrows, and renews, begins, collects, lets fall. And the body alone listens to the passing bee; the wave breaking; the dog barking, far away barking and barking.

Sometimes, you may think you have fallen into an abyss...when in fact, you've just descended to the roots...of the tree of life! Somewhere along your climb, you got lost amongst the branches, and lost in the darkness of the branches, the only way to find the straight way up would be to return to the roots! And from there amongst the roots, you will be able to look straight up and see the top again! And begin your ascent!

Prayer is the key that opens heaven; the favors we ask descend upon us the very instant our prayers ascend to God.

Cycling is so hard, the suffering is so intense, that it’s absolutely cleansing. The pain is so deep and strong that a curtain descends over your brain….Once; someone asked me what pleasure I took in riding for so long. ‘PLEASURE???? I said.’ ‘I don’t understand the question.’ I didn’t do it for the pleasure; I did it for the pain.

She could not descend to an existence where her brain would explode under the pressure of forcing itself not to outdistance incompetence. She could not function to the rule of: Pipe down-keep down-slow down-don't do your best, it is not wanted!

When inspiration comes life is lived in the moment and peace descends. When inspiration leaves thoughts turn to violently killing time

Solitude, the safeguard of mediocrity, is to genius the stern friend, the cold, obscure shelter where moult the wings which will bear it farther than suns and stars. He who should inspire and lead his race must be defended from travelling with the souls of other men, from living, breathing, reading, and writing in the daily, time-worn yoke of their opinions. "In the morning, — solitude;" said Pythagoras; that Nature may speak to the imagination, as she does never in company, and that her favorite may make acquaintance with those divine strengths which disclose themselves to serious and abstracted thought. 'Tis very certain that Plato, Plotinus, Archimedes, Hermes, Newton, Milton, Wordsworth, did not live in a crowd, but descended into it from time to time as benefactors: and the wise instructor will press this point of securing to the young soul in the disposition of time and the arrangements of living, periods and habits of solitude.

There are many things for which I owe gratitude to my dad. Most of all, I am grateful to the only man who could love my mother more than me.

Finally, I would like to assure my many Buddhist, Christian, Hindu, Jewish, and Muslim friends that I am sincerely happy that the religion which Chance has given you has contributed to your peace of mind (and often, as Western medical science now reluctantly admits, to your physical well-being). Perhaps it is better to be un-sane and happy, than sane and un-happy. But it is the best of all to be sane and happy. Whether our descendants can achieve that goal will be the greatest challenge of the future. Indeed, it may well decide whether we have any future.

A good poem cannot be written with one's mind on the earth. Though one has to write poems about the earth and existence, one cannot write poems while staying grounded. To write an outstanding poem, a flight to the heights of transcendence is needed. However, a person cannot always remain in that elevated state. When one descends, they touch the earth and write ordinary stuff.

[Jürgen Habermas' obituary to friend and philosopher, Richard Rorty] One small autobiographical piece by Rorty bears the title 'Wild Orchids and Trotsky.' In it, Rorty describes how as a youth he ambled around the blooming hillside in north-west New Jersey, and breathed in the stunning odour of the orchids. Around the same time he discovered a fascinating book at the home of his leftist parents, defending Leon Trotsky against Stalin. This was the origin of the vision that the young Rorty took with him to college: philosophy is there to reconcile the celestial beauty of orchids with Trotsky's dream of justice on earth. Nothing is sacred to Rorty the ironist. Asked at the end of his life about the 'holy', the strict atheist answered with words reminiscent of the young Hegel: 'My sense of the holy is bound up with the hope that some day my remote descendants will live in a global civilization in which love is pretty much the only law.

If you’re alive, you’re a creative person. You and I and everyone you know are descended from tens of thousands of years of makers. Decorators, tinkerers, storytellers, dancers, explorers, fiddlers, drummers, builders, growers, problem-solvers, and embellishers—these are our common ancestors. The guardians of high culture will try to convince you that the arts belong only to a chosen few, but they are wrong and they are also annoying. We are all the chosen few. We are all makers by design. Even if you grew up watching cartoons in a sugar stupor from dawn to dusk, creativity still lurks within you. Your creativity is way older than you are, way older than any of us. Your very body and your very being are perfectly designed to live in collaboration with inspiration, and inspiration is still trying to find you—the same way it hunted down your ancestors.

A Rock, A River, A Tree Hosts to species long since departed, Mark the mastodon. The dinosaur, who left dry tokens Of their sojourn here On our planet floor, Any broad alarm of their of their hastening doom Is lost in the gloom of dust and ages. But today, the Rock cries out to us, clearly, forcefully, Come, you may stand upon my Back and face your distant destiny, But seek no haven in my shadow. I will give you no hiding place down here. You, created only a little lower than The angels, have crouched too long in The bruising darkness, Have lain too long Face down in ignorance. Your mouths spelling words Armed for slaughter. The rock cries out today, you may stand on me, But do not hide your face. Across the wall of the world, A river sings a beautiful song, Come rest here by my side. Each of you a bordered country, Delicate and strangely made proud, Yet thrusting perpetually under siege. Your armed struggles for profit Have left collars of waste upon My shore, currents of debris upon my breast. Yet, today I call you to my riverside, If you will study war no more. Come, clad in peace and I will sing the songs The Creator gave to me when I And the tree and stone were one. Before cynicism was a bloody sear across your brow And when you yet knew you still knew nothing. The river sings and sings on. There is a true yearning to respond to The singing river and the wise rock. So say the Asian, the Hispanic, the Jew, The African and Native American, the Sioux, The Catholic, the Muslim, the French, the Greek, The Irish, the Rabbi, the Priest, the Sheikh, The Gay, the Straight, the Preacher, The privileged, the homeless, the teacher. They hear. They all hear The speaking of the tree. Today, the first and last of every tree Speaks to humankind. Come to me, here beside the river. Plant yourself beside me, here beside the river. Each of you, descendant of some passed on Traveller, has been paid for. You, who gave me my first name, You Pawnee, Apache and Seneca, You Cherokee Nation, who rested with me, Then forced on bloody feet, Left me to the employment of other seekers-- Desperate for gain, starving for gold. You, the Turk, the Swede, the German, the Scot... You the Ashanti, the Yoruba, the Kru, Bought, sold, stolen, arriving on a nightmare Praying for a dream. Here, root yourselves beside me. I am the tree planted by the river, Which will not be moved. I, the rock, I the river, I the tree I am yours--your passages have been paid. Lift up your faces, you have a piercing need For this bright morning dawning for you. History, despite its wrenching pain, Cannot be unlived, and if faced with courage, Need not be lived again. Lift up your eyes upon The day breaking for you. Give birth again To the dream. Women, children, men, Take it into the palms of your hands. Mold it into the shape of your most Private need. Sculpt it into The image of your most public self. Lift up your hearts. Each new hour holds new chances For new beginnings. Do not be wedded forever To fear, yoked eternally To brutishness. The horizon leans forward, Offering you space to place new steps of change. Here, on the pulse of this fine day You may have the courage To look up and out upon me, The rock, the river, the tree, your country. No less to Midas than the mendicant. No less to you now than the mastodon then. Here on the pulse of this new day You may have the grace to look up and out And into your sister's eyes, Into your brother's face, your country And say simply Very simply With hope Good morning.

Mom could have shared her suffering with her children, but she didn't. She could have succumbed to a world of pain and sorrow, but she didn't. Instead she loved each of us deeper, and found even more reasons to celebrate our lives together.

Leadership never ascends from the pew to the pulpit, but invariably descends from the pulpit to the pew.

You have been called to a life of blessing, don`t descend to that of curses.

Many years from now, our descendants will look back on the use of animals for food—particularly the intense animal suffering in factory farms—as a moral atrocity.

Black people in America, the descendants of slaves-the despised, mistreated, and shunned-are the most resilient people in the United States. (from... How to Move Black America Forward)

Even a moment's reflection will help you see that the problem of using your time well is not a problem of the mind but of the heart. It will only yield to a change in the very way we feel about time. The value of time must change for us. And then the way we think about it will change, naturally and wisely. That change in feeling and in thinking is combined in the words of a prophet of God in this dispensation. It was Brigham Young, and the year was 1877, and he was speaking at April general conference. He wasn't talking about time or schedules or frustrations with too many demands upon us. Rather, he was trying to teach the members of the Church how to unite themselves in what was called the united order. The Saints were grappling with the question of how property should be distributed if they were to live the celestial law. In his usual direct style, he taught the people that they were having trouble finding solutions because they misunderstood the problem. Particularly, he told them they didn't understand either property or the distribution of wealth. Here is what he said: With regard to our property, as I have told you many times, the property which we inherit from our Heavenly Father is our time, and the power to choose in the disposition of the same. This is the real capital that is bequeathed unto us by our Heavenly Father; all the rest is what he may be pleased to add unto us. To direct, to counsel and to advise in the disposition of our time, pertains to our calling as God's servants, according to the wisdom which he has given and will continue to give unto us as we seek it. [JD 18:354] Time is the property we inherit from God, along with the power to choose what we will do with it. President Young calls the gift of life, which is time and the power to dispose of it, so great an inheritance that we should feel it is our capital. The early Yankee families in America taught their children and grandchildren some rules about an inheritance. They were always to invest the capital they inherited and live only on part of the earnings. One rule was "Never spend your capital." And those families had confidence the rule would be followed because of an attitude of responsibility toward those who would follow in later generations. It didn't always work, but the hope was that inherited wealth would be felt a trust so important that no descendent would put pleasure ahead of obligation to those who would follow. Now, I can see and hear Brigham Young, who was as flinty a New Englander as the Adams or the Cabots ever hoped to be, as if he were leaning over this pulpit tonight. He would say something like this, with a directness and power I wish I could approach: "Your inheritance is time. It is capital far more precious than any lands or stocks or houses you will ever get. Spend it foolishly, and you will bankrupt yourself and cheapen the inheritance of those that follow you. Invest it wisely, and you will bless generations to come. “A Child of Promise”, BYU Speeches, 4 May 1986

They said of him, about the city that night, that it was the peacefullest man's face ever beheld there. Many added that he looked sublime and prophetic. One of the most remarkable sufferers by the same axe---a woman---had asked at the foot of the same scaffold, not long before, to be allowed to write down the thoughts that were inspiring her. If he had given an utterance to his, and they were prophetic, they would have been these: "I see Barsad, and Cly, Defarge, The Vengeance, the Juryman, the Judge, long ranks of the new oppressors who have risen on the destruction of the old, perishing by this retributive instrument, before it shall cease out of its present use. I see a beautiful city and a brilliant people rising from this abyss, and, in their struggles to be truly free, in their triumphs and defeats, through long years to come, I see the evil of this time and of the previous time of which this is the natural birth, gradually making expiation for itself and wearing out. "I see the lives for which I lay down my life, peaceful, useful, prosperous and happy, in that England which I shall see no more. I see Her with a child upon her bosom, who bears my name. I see her father, aged and bent, but otherwise restored, and faithful to all men in his healing office, and at peace. I see the good old man, so long their friend, in ten years' time enriching them with all he has, and passing tranquilly to his reward. "I see that I hold a sanctuary in their hearts, and in the hearts of their descendants, generations hence. I see her, an old woman weeping for me on the anniversary of this day. I see her and her husband, their course done, lying side by side in their last earthly bed, and I know that each was not more honoured and held sacred in the other's soul, than I was in the souls of both. "I see that child who lay upon her bosom and who bore my name, a man winning his way up in that path of life which once was mine. I see him winning it so well, that my name is made illustrious there by the light of his. I see the blots I threw upon it, faded away. I see him, foremost of just judges and honoured men, brining a boy of my name, with a forehead that I know and golden hair, to this place---then fair to look upon, with not a trace of this day's disfigurement---and I hear him tell the child my story, with a tender and faltering voice. "It is a far, far better thing that I do, than I have ever done; it is a far, far better rest that I go to than I have ever known.

No matter who our ancestors are, our own personal and monumental task is to become the best person that we can possibly be - someone in whom our own descendants in times to come can take great pride and find inspiration.

I saw you there, In a dress of virgin white. Like an angel descended from heaven To be here amongst ordinary mortals. I saw you there, Your big, brown eyes. Like the moist soil after the rains Full of hope, courage & life. I saw you there Your dark hair, curly. Like the dark clouds trying vainly to mask The moons eternal beauty. I saw you there Inspiring hope and life. Like the rainbow that brings a smile after thunder Lighting and the dull grey sky. I saw you there and realised the purpose of this life. Like the firely loves the light, to love you for the rest of my life. I saw you there and met my true self. I never knew Love This was Love. Love at first sight.

Don`t descend to the lowest ebb.

History will be kind to me for I have written it. Winston Churchill

There's things that happen in a person's life that are so scorched in the memory and burned into the heart that there's no forgetting them. John Boyne April 28, 1789: The real-life mutiny that inspired John Boyne's novel, Mutiny on the Bounty, took place aboard the HMS Bounty 224 years ago today. Half the ship's crew, seduced by several months of good life on Tahiti, rose up against Captain William Bligh. Some of the mutineers' descendants still live on Pitcairn Island

If the people of Old Earth, our ancestors and their descendants today who remain, could keep building, could keep trying, how can we do less? We are their children, and while we bought to the stars with us all the faults and the problems and the flaws of the past, we also bought the good things, the determination, and the willingness to help others, and the imagination to build things greater then every shortcoming humanity has ever known.

With that in mind, I try to imagine the greatest gift I could've given my father. And as sleep descends on me, the answer seems strangely clear: my faith in his idols. That was what he wanted all along - to feel that we were united by something permanent, to know that as long as he and I believed in the same thing, we would never be apart.

Last night I danced. My body rose from its slump for the first time since the beginning of sorrows—my fingers beckoning to the stars at arm's length, back arching as tingles bubbled up my spine, hips caught in a silent tempo while on tiptoe I twirled in endless euphoric circles. It didn't matter that you loved me or that you didn't. For I was wanted by the gods last night, their seraphs and muses descending on moonbeams into my midst, caressing my face and gliding their spirited arms about my waist, lifting my toes from the soil that I might feel what it is to fly without heaviness of heart. I danced with them under the glow of a loyal moon. For one brief, visceral dance I joyed as Heaven joys—in endless bliss. And the universe cherished me.

Hope is my enemy. She is a sucuubus who descends upon sleeping humankind, whispering that there is a future. A broth future, as a matter of fact; as long as we persevere in extending our essences through the lives of our children, and through their children. She is a lost, a snakeoil salesman bartering chimira for generative fluid, which she sucks out of us before casting out withered husks onto the fire. And so we fall, row upon row like seasons of corn, but not until we relinquish our seed into her exploitive hands. For in the end, we all die, and only Hope lives on. And we for, sometimes mourned for a season, but presently forgotton. Ultimately, like it or not, we are the futures dirt. This is the state of affairs we choose to subject our children to

Could it possible for humans to breath under water? A fetus in its mother's womb is certainly alive in an aquatic environment. During the greatest holocaust the world has ever known, pregnant America-bound African slaves were thrown overboard by the thousands during labor for being sick and disruptive cargo. Is it possible that they could have given birth at sea to babies that never needed air. Are Drexians water-breathing, aquatically-mutated descendants of those unfortunate victims of human greed? Have they been spared by god to teach us or terrorize us? Their stories took one of the most gruesome details of the Atlantic slave trade and reframed it. The murder of enslaved women was reimagined as an escape from murderous oppression and the founding of a utopia civilization.

Bernice III was the first queen of Egypt to rule without a consort in over a millennium. Though her reign was brief, her example inspired her descendant Cleopatra to rule alone.

The depths to which you descend point to the heights to which you will rise.

For aeons past, there were many gods who descended to be humans, yet there were not many humans who ascended back to their divinity.

You can't have a conversation with your descendants when you are dead, but they can when they are alive; write a book!

perhaps, if we are descended from the rib cage of man, man should learn how to take care of his own body. show them what it looks like to be powerful. to know it.

The fools thought they could treat her like a flower-take away her sunlight and water so she would shrivel up and die. But she was more the stubborn plant, the kind that thrived anywhere if that's what it took to live. Their first mistake was in thinking obstacles gave them an upper hand. Little did they know, she would always find a way to grow through cracks in the stone.

What were they thinking?' we ask about our ancestors, but we know that, a century hence, our descendents will ask the same thing about us. Who knows what will strike them as strangest? The United States incarcerates 1 percent of its population and subjects many thousands of inmates to years of solitary confinement. In Saudi Arabia, women are forbidden to drive. There are countries today in which homosexuality is punishable by life in prison or by death. Then there's the sequestered reality of factory farming, in which hundreds of millions of mammals, and billions of birds, live a squalid brief existence. Or the toleration of extreme poverty, inside and outside the developed world. One day, people will find themselves thinking not just that an old practice was wrong and a new one right but that there was something shameful in the old ways. In the course of the transition, many will change what they do because they are shamed out of an old way of doing things. So it is perhaps not too much to hope that if we can find the proper place for honor now, we can make the world better.

It was Virgil's country and there was a wind that seemed to rise from the fields and descend upon us in a long Virgilian sigh, for the land that has inspired sentiment in the poet ultimately receives its sentiment from him.

Audience of angels descend in the ambiance reciting praises in your glory, when you wear your dance shoes, when you arrive at the stage and with every step you take beneath your feet heaven moves. That is the power of dance.

It is by descending into the depths of his own self that man wanders through all the dimensions of the world; He sees as being that which he sees, perceiving the seer to be the same as the seen. Heart is the giver of grace, the Guide.

Do I think it was inherent nobility that brought us out here?” He shook his head. “Maybe. I don’t call it nobility, though. I think it’s our innate human need to champion the underdog. We are constant optimists. We’re the emotional descendents of the caveman who stood defiant in the front of the wooly mammoth. We rebuild cities at the base of Vesuvius, get back on the bicycle when we fall off, whack that hornet’s nest every spring. Humans cheer for the couldn’t be, believe in the shouldn’t be. We love causes; the harder, the more lost they are, the more we love them. Is that nobility?Maybe. Maybe it’s a pernicious genetic defect that makes our species susceptible to shared delusion. Whatever it is, it keeps life interesting.

Wherever the poetry of myth is interpreted as biography, history, or science, it is killed. The living images become only remote facts of a distant time or sky. Furthermore, it is never difficult to demonstrate that as science and history mythology is absurd. When a civilization begins to reinterpret its mythology in this way, the life goes out of it, temples become museums, and the link between the two perspectives is dissolved. Such a blight has certainly descended on the Bible and on a great part of the Christian cult. To bring the images back to life, one has to seek, not interesting applications to modern affairs, but illuminating hints from the inspired past. When these are found, vast areas of half-dead iconography disclose again their permanently human meaning.

Silence descended again and I just thought to myself, There’s got to be more than this. When there’s no stimulus to be found on the outside, you have no option but to look inside yourself for inspiration, and when I did it set off a creativity that had always been inside me.

The part of the Lake District that Beatrix Potter chose as her own was not only physically beautiful, it was a place in which she felt emotionally rooted as a descendant of hard-working north-country folk. The predictable routines of farm life appealed to her. There was a realism in the countryside that nurtured a deep connection. The scale of the villages was manageable. Yet the vast desolateness of the surrounding fells was awe-inspiring. It was mysterious, but easily imbued with fantasy and tamed by imagination. The sheltered lakes and fertile valleys satisfied her love of the pastoral. The hill farms and the sheep on the high fells demanded accountability. There was a longing in Beatrix Potter for association with permanence: to find a place where time moved slowly, where places remained much as she remembered them from season to season and from year to year.

If the Wampanoags are as much our fellow Americans as the descendants of the Pilgrims, and if their history can be as instructional and inspirational as that of the English, then why continue to tell a Thanksgiving myth that focuses exclusively on the colonists’ struggles rather than theirs?

Our father came to sleep in our house that night. He carried a small suitcase with a black mourning suit and a pair of polished shoes. Corrigan stopped him as he made his way up the stairs. 'Where d'you think you're going?'Our father gripped the bannister. His hands were liverspotted and I could see him trembling in his pause. 'That's not your room,' sad Corrigan. Our father tottered on the stairs. He took another step up. 'Don't,' said my brother. His voice was clear, full, confidant. Our father stood stunned. He climbed one more step and then turned, descended, looked around, lost. 'My own sons,' he said. We made a bed for him on a sofa in the living room, but even then Corrigan refused to stay under the same roof; he went walking in the direction of the city center and I wondered what alley he might be found in later that night, what fist he might walk into, whose bottle he might climb down inside.

Thinking back, ladies, looking back, gentlemen, thinking and looking back on my European tour, I feel a heavy sadness descend upon me. Of course, it is partly nostalgia, looking back at that younger me, bustling around Europe, having adventures and overcoming obstacles that, at the time, seemed so overwhelming, but now seem like just the building blocks of a harmless story. But here is the truth of nostalgia: we don’t feel it for who we were, but who we weren’t. We feel it for all the possibilities that were open to us, but that we didn’t take. Time is like wax, dripping from a candle flame. In the moment, it is molten and falling, with the capability to transform into any shape. Then the moment passes, and the wax hits the table top and solidifies into the shape it will always be. It becomes the past, a solid single record of what happened, still holding in its wild curves and contours the potential of every shape it could have held. It is impossible - no matter how blessed you are by luck or the government or some remote, invisible deity gently steering your life with hands made of moonlight and wind - it is impossible not to feel a little sad, looking at that bit of wax. That bit of the past. It is impossible not to think of all the wild forms that wax now will never take. The village, glimpsed from a train window, beautiful and impossible and impossibly beautiful on a mountaintop, and you wonder what it would be if you stepped off the train and walked up the trail to its quiet streets and lived there for the rest of your life. The beautiful face of that young man from Luftknarp, with his gaping mouth and ashy skin, last seen already half-turned away as you boarded the bus, already turning towards a future without you in it, where this thing between you that seemed so possible now already and forever never was. All variety of lost opportunity spied from the windows of public transportation, really. It can be overwhelming, this splattered, inert wax recording every turn not taken. ‘What’s the point?’ you ask. ’Why bother?’ you say. ’Oh, Cecil,’ you cry. ’Oh, Cecil.’ But then you remember - I remember! - that we are even now in another bit of molten wax. We are in a moment that is still falling, still volatile, and we will never be anywhere else. We will always be in that most dangerous, most exciting, most possible time of all: the Now. Where we never can know what shape the next moment will take. Stay tuned next for, well, let’s just find out together, shall we?

I had entered the Green [of Glasgow] by the gate at the foot of Charlotte Street—had passed the old washing-house. I was thinking upon the engine at the time, and had gone as far as the herd's house, when the idea came into my mind that as steam was an elastic body it would rush into a vacuum, and if a communication were made between the cylinder and an exhausted vessel it would rush into it, and might be there condensed without cooling the cylinder. I then saw that I must get rid of the condensed steam and injection water if I used a jet, as in Newcomen's engine. Two ways of doing this occurred to me. First, the water might be run off by a descending pipe, if an outlet could be got at the depth of 35 or 36 feet, and any air might be extracted by a small pump. The second was to make the pump large enough to extract both water and air. ... I had not walked further than the Golf-house when the whole thing was arranged in my mind. {In Robert Hart's words, a recollection of the description of Watt's moment of inspiration, in May 1765, for improving Thomas Newcomen's steam engine.}

Why was it not good for man to be alone? If it were only man's loneliness with which God was concerned, he might have provided other companionship. But he provided woman, for she was to be man's helpmeet. She was to act in partnership with him. . . . The Lord God gave woman a different personality and temperament than man. . . . In the world today there are observed strenuous efforts to distort and desecrate this divine pattern. . . . The conventional wisdom of the day would have you be equal with men. We say, we would not have you descend to that level. More often than not the demand for equality means the destruction of the inspired arrangement that God has decreed for man, woman, and the family. Equality should not be confused with equivalence.

Because your rational mind knows that tunnels have two ends, your emotional mind can be kept in check when pitch blackness descends in the confusing middle. Instead of collapsing into a nervous mess, the director who has a clear internal model of what creativity is—and the discomfort it requires—finds it easier to trust that light will shine again. The key is to never stop moving forward.

The sin, both of men and of angels, was rendered possible by the fact that God gave them free will: thus surrendering a portion of His omnipotence (it is again a deathlike or descending movement) because He saw that from a world of free creatures, even though they fell, He could work out (and this is the reascent) a deeper happiness and a fuller splendour than any world of automata would admit. —from Miracles

When Elizabeth finally descended the stairs on her way to the dining room she was two hours late. Deliberately. “Good heavens, you’re tardy, my dear!” Sir Francis said, shoving back his chair and rushing to the doorway where Elizabeth had been standing, trying to gather her courage to do what needed to be done. “Come and meet my guests,” he said, drawing her forward after a swift, disappointed look at her drab attire and severe coiffure. “We did as you suggested in your note and went ahead with supper. What kept you abovestairs so long?” “I was at prayer,” Elizabeth said, managing to look him straight in the eye. Sir Francis recovered from his surprise in time to introduce her to the three other people at the table-two men who resembled him in age and features and two women of perhaps five and thirty who were both attired in the most shockingly revealing gowns Elizabeth had ever seen. Elizabeth accepted a helping of cold meat to silence her protesting stomach while both women studied her with unhidden scorn. “That is a most unusual ensemble you’re wearing, I must say,” remarked the woman named Eloise. “Is it the custom where you come from to dress so…simply?” Elizabeth took a dainty bite of meat. “Not really. I disapprove of too much personal adornment.” She turned to Sir Francis with an innocent stare. “Gowns are expensive. I consider them a great waste of money.” Sir Francis was suddenly inclined to agree, particularly since he intended to keep her naked as much as possible. “Quite right!” he beamed, eyeing the other ladies with pointed disapproval. “No sense in spending all that money on gowns. No point in spending money at all.” “My sentiments exactly,” Elizabeth said, nodding. “I prefer to give every shilling I can find to charity instead.” “Give it away?” he said in a muted roar, half rising out of his chair. Then he forced himself to sit back down and reconsider the wisdom of wedding her. She was lovely-her face more mature then he remembered it, but not even the black veil and scraped-back hair could detract from the beauty of her emerald-green eyes with their long, sooty lashes. Her eyes had dark circles beneath them-shadows he didn’t recall seeing there earlier in the day. He put the shadows down to her far-too-serious nature. Her dowry was creditable, and her body beneath that shapeless black gown…he wished he could see her shape. Perhaps it, too, had changed, and not for the better, in the past few years. “I had hoped, my dear,” Sir Francis said, covering her hand with his and squeezing it affectionately, “that you might wear something else down to supper, as I suggested you should.” Elizabeth gave him an innocent stare. “This is all I brought.” “All you brought?” he uttered. “B-But I definitely saw my footmen carrying several trunks upstairs.” “They belong to my aunt-only one of them is mine,” she fabricated hastily, already anticipating his next question and thinking madly for some satisfactory answer. “Really?” He continued to eye her gown with great dissatisfaction, and then he asked exactly the question she’d expected: “What, may I ask, does your one truck contain if not gowns?” Inspiration struck, and Elizabeth smiled radiantly. “Something of great value. Priceless value,” she confided. All faces at the table watched her with alert fascination-particularly the greedy Sir Francis. “Well, don’t keep us in suspense, love. What’s in it?” “The mortal remains of Saint Jacob.

Has any one at the end of the nineteenth century any distinct notion of what poets of a stronger age understood by the word inspiration? If not, I will describe it. If one had the smallest vestige of superstition left in one, it would hardly be possible completely to set aside the idea that one is the mere incarnation, mouthpiece, or medium of an almighty power. The idea of revelation, in the sense that something which profoundly convulses and upsets one becomes suddenly visible and audible with indescribable certainty and accuracy―describes the simple fact. One hears―one does not seek; one takes―one does not ask who gives. A thought suddenly flashes up like lightening; it comes with necessity, without faltering. I have never had any choice in the matter. There is an ecstasy so great that the immense strain of it is sometimes relaxed by a flood of tears, during which one's steps now involuntarily rush and anon involuntarily lag. There is the feeling that one is utterly out of hand, with the very distinct consciousness of an endless number of fine thrills and titillations descending to one's very toes. There is a depth of happiness in which the most painful and gloomy parts do not act as antitheses to the rest, but are produced and required as necessary shades of color in such an overflow of light. There is an instinct of rhythmic relations which embraces a whole world of forms (length, the need of a wide-embracing rhythm, is almost the measure of the force of an inspiration, a sort of counterpart to its pressure and tension). Everything happens quite involuntary, as if in a tempestuous outburst of freedom, of absoluteness, of power and divinity. The involuntary nature of the figures and similes is the most remarkable thing; everything seems to present itself as the readiest, the truest, and simplest means of expression. It actually seems, to use one of Zarathustra's own phrases, as if all things came to one, and offered themselves as similes. . . .

Walker-thinkers have found various ways to accommodate the gifts that their walking brings. Caught paperless on his walks in the Czech enclaves of Iowa, maestro Dvořák scribbles the string quartets that visited his brain on his starched white shirt cuffs (so the legend goes). More proactively, Thomas Hobbes fashioned a walking stick for himself with an inkwell attached, and modern poet Mary Oliver leaves pencils in the trees along her usual pathways, in case a poem descends during her rambles.

Tyson emails back: “I’m going to tell you the same thing that I told Henry Louis Gates” (Gates had asked Tyson to appear on his show Finding Your Roots): My philosophy of root-finding may be unorthodox. I just don’t care. And that’s not a passive, but active absence of caring. In the tree of life, any two people in the world share a common ancestor—depending only on how far back you look. So the line we draw to establish family and heritage is entirely arbitrary. When I wonder what I am capable of achieving, I don’t look to family lineage, I look to all human beings. That’s the genetic relationship that matters to me. The genius of Isaac Newton, the courage of Gandhi and MLK, the bravery of Joan of Arc, the athletic feats of Michael Jordan, the oratorical skills of Sir Winston Churchill, the compassion of Mother Teresa. I look to the entire human race for inspiration for what I can be—because I am human. Couldn’t care less if I were a descendant of kings or paupers, saints or sinners, the valorous or cowardly. My life is what I make of it.

That sacred army, that Christ espoused with his blood, displayed itself in the form of a white rose, but the Angel other, that sees and sings the glory, of him who inspires it with love, as it flies, and sings the excellence that has made it as it is, descended continually into the great flower, lovely with so many petals, and climbed again to where its love lives ever, like a swarm of bees, that now plunges into the flowers, and now returns, to where their labour is turned to sweetness. Their faces were all of living flame, their wings of gold, and the rest of them so white that snow never reached that limit. When they dropped into the flower, they offered, to tier on tier, the peace and ardour that they acquired with beating wings: and the presence of such a vast flying swarm between the flower and what was beyond it, did not dilute the vision or the splendour: because the Divine Light so penetrates the Universe, to the measure of its Value, that nothing has the power to prevent it. This kingdom, safe and happy, crowded with ancient peoples and the new, had sight and Love all turned towards one point.

We believe in America, where the most precious cultural enduring legacy is etched into the hearts of humble enlightened descendants of revolutionists, immigrants, people of an oppressed to fight for independence and destitute freedom lovers to come together under one elevated flag, one noble heart, one unified awe-inspiring voice and one majestic nation of the United States Of America in recognizing the humanity, freedom, liberty to reveal a sacred place where no dream is too big and no dreamer is too small, forevermore. God bless America, the miracle of fortitude and infinite hope.

Walking into a bookshop is a depressing thing. It’s not the pretentious twats, browsing books as part of their desirable lifestyle. It’s not the scrubby members of staff serving at the counter: the pseudo-hippies and fucking misfits. It’s not the stink of coffee wafting out from somewhere in the building, a concession to the cult of the coffee bean. No, it’s the books. I could ignore the other shit, decide that maybe it didn’t matter too much, that when consumerism meets culture, the result is always going to attract wankers and everything that goes with them. But the books, no, they’re what make your stomach sink and that feeling of dark syrup on the brain descend. Look around you, look at the shelves upon shelves of books – for years, the vessels of all knowledge. We’re part of the new world now, but books persist. Cheap biographies, pulp fiction; glossy covers hiding inadequate sentiments. Walk in and you’re surrounded by this shit – to every side a reminder that we don’t want stimulation anymore, we want sedation. Fight your way through the celebrity memoirs, pornographic cook books, and cheap thrills that satisfy most and you get to the second wave of vomit-inducing product: offerings for the inspired and arty. Matte poetry books, classics, the finest culture can provide packaged and wedged into trendy coverings, kidding you that you’re buying a fashion accessory, not a book. But hey, if you can stomach a trip further into the shop, you hit on the meatier stuff – history, science, economics – provided they can stick ‘pop.’ in front of it, they’ll stock it. Pop. psychology, pop. art, pop. life. It’s the new world – we don’t want serious anymore, we want nuggets of almost-useful information. Books are the past, they’re on the out. Information is digital now; bookshops, they’re somewhere between gallery and museum.

The flower-covered grave of the saint in the inner room could be seen dimly through the narrow doorway. In front of it was a wide vestibule where about two dozen people were seated in a circle. One of them was singing lustily some Persian verses, while others kept the time by clapping their hands; they joined in the refrain which was sung in chorus. Like rising tidal waves, the tempo of the singing was getting faster and faster, the clapping became more frantic and heads rolled from side to side, keeping time with the tempestuous melody. Eyes were closed and everyone was lost in the surging waves of emotion that seemed to flow out of the Sufistic poetry of the great Roomi. Then, to his amazement Anwar saw a man in the centre of the crowd open his eyes and stare vacantly. For a moment this man was silent, ominously silent and motionless in the midst of the emotional storm that raged around him. Then he was caught by a sudden frenzy, his whole body quivered and moved, beating time to the song which by now had reached a weird and frightening crescendo, faster and faster, louder and louder. The man's hands rose high in the air and as if clutching at an unseen rope, he raised himself and started to dance, wildly, ecstatically, tearing his clothes and pulling his hair, completely unselfconscious and unrestrained, oblivious of everything by some mysterious inner urge that demanded expression in this wild manner. And then the song died on the lips of the singer, the waves of emotion receded and in the ghostly silence that descended upon the assembly the standing figure of the man in the centre which looked inspired and hallowed a moment ago, suddenly appeared ridiculous and grotesque. For a few moments he stood as if poised for another outburst of frenzy. Then, deprived of the emotional support of the song, his knees sagged and he collapsed to the ground. For several minutes Anwar was speechless; so great had the effect of this spectacle been on him. His pulse beat faster, his mind was in a whirl and, as the song stopped, he felt a gnawing emptiness in his bowels. This then was Qawwali, the ecastatic ritual of the Persian Sufis.

A late arrival had the impression of lots of loud people unnecessarily grouped within a smoke-blue space between two mirrors gorged with reflections. Because, I suppose, Cynthia wished to be the youngest in the room, the women she used to invite, married or single, were, at the best, in their precarious forties; some of them would bring from their homes, in dark taxis, intact vestiges of good looks, which, however, they lost as the party progressed. It has always amazed me - the capacity sociable weekend revelers have of finding almost at once, by a purely empiric but very precise method, a common denominator of drunkenness, to which everybody loyally sticks before descending, all together, to the next level. The rich friendliness of the matrons was marked by tomboyish overtones, while the fixed inward look of amiably tight men was like a sacrilegious parody of pregnancy. Although some of the guests were connected in one way or another with the arts, there was no inspired talk, no wreathed, elbow-propped heads, and of course no flute girls. From some vantage point where she had been sitting in a stranded mermaid pose on the pale carpet with one or two younger fellows, Cynthia, her face varnished with a film of beaming sweat, would creep up on her knees, a proffered plate of nuts in one hand, and crisply tap with the other the athletic leg of Cochran or Corcoran, an art dealer, ensconced, on a pearl-grey sofa, between two flushed, happily disintegrating ladies. At a further stage there would come spurts of more riotous gaiety. Corcoran or Coransky would grab Cynthia or some other wandering woman by the shoulder and lead her into a corner to confront her with a grinning imbroglio of private jokes and rumors, whereupon, with a laugh and a toss of her head, he would break away. And still later there would be flurries of intersexual chumminess, jocular reconciliations, a bare fleshy arm flung around another woman's husband (he standing very upright in the midst of a swaying room), or a sudden rush of flirtatious anger, of clumsy pursuit-and the quiet half smile of Bob Wheeler picking up glasses that grew like mushrooms in the shade of chairs. ("The Vane Sisters")

I come back, always, to the metaphoric response of the Kabbalah—the mystical branch of Judaism that inspired Leonard Cohen’s broken “Hallelujah.” That, in the beginning, all of creation was a vessel filled with divine light. That it broke apart, and now the shards of holiness are strewn all around us. Sometimes it’s too dark to see them, sometimes we’re too distracted by pain or conflict. But our task is simple—to bend down, dig them out, pick them up. And in so doing, to perceive that light can emerge from darkness, death gives way to rebirth, the soul descends to this riven world for the sake of learning how to ascend. And to realize that we all notice different shards; I might see a lump of coal, but you spot the gold glimmering beneath.

What is the purpose of my writing about the various experiences of my life? It is not for publicity, but with the hope that the reader, especially my descendants, may plan a career to which they are naturally best adapted. Most children are born with a gift or talent which can be noticed in early childhood and should be encouraged and directed in the right way. Solomon said, 'Train up a child in the way he should go; and when he is old, he will not depart from it.' Train does not mean compel, or to compare him with other children, but to encourage him in that for which he has a natural tendency. The boy who will become proficient in a lawful trade or profession, other things being favorable, will be a value to society and remunerative to himself and others.

From that point of view he gazed at the Oriental beauty he had not seen before. It seemed strange to him that his long-felt wish, which had seemed unattainable, had at last been realized. In the clear morning light he gazed now at the city and now at the plan, considering its details, and the assurance of possessing it agitated and awed him. "But could it be otherwise?" he thought. "Here is this capital at my feet. Where is Alexander now, and of what is he thinking? A strange, beautiful, and majestic city; and a strange and majestic moment! In what light must I appear to them!" thought he, thinking of his troops. "Here she is, the reward for all those fainthearted men," he reflected, glancing at those near him and at the troops who were approaching and forming up. "One word from me, one movement of my hand, and that ancient capital of the Tsars would perish. But my clemency is always ready to descend upon the vanquished. I must be magnanimous and truly great. But no, it can't be true that I am in Moscow," he suddenly thought. "Yet here she is lying at my feet, with her golden domes and crosses scintillating and twinkling in the sunshine. But I shall spare her. On the ancient monuments of barbarism and despotism I will inscribe great words of justice and mercy… . It is just this which Alexander will feel most painfully, I know him." (It seemed to Napoleon that the chief import of what was taking place lay in the personal struggle between himself and Alexander.) "From the height of the Kremlin—yes, there is the Kremlin, yes—I will give them just laws; I will teach them the meaning of true civilization, I will make generations of boyars remember their conqueror with love. I will tell the deputation that I did not, and do not, desire war, that I have waged war only against the false policy of their court; that I love and respect Alexander and that in Moscow I will accept terms of peace worthy of myself and of my people. I do not wish to utilize the fortunes of war to humiliate an honored monarch. 'Boyars,' I will say to them, 'I do not desire war, I desire the peace and welfare of all my subjects.' However, I know their presence will inspire me, and I shall speak to them as I always do: clearly, impressively, and majestically. But can it be true that I am in Moscow? Yes, there she lies.

Construction work was the city’s new brutalist art form, erecting its installations wherever you looked. Tall buildings fell and construction sites rose. Pipes and cables rose from and descended into the hidden depths. Telephone landlines ceased to work and water and power and gas services were randomly suspended. Construction work was the art of making the city become aware of itself as a fragile organism at the mercy of forces against which there was no appeal. Construction work was the mighty metropolis being taught the lessons of vulnerability and helplessness. Construction workers were the grand conceptual artists of our time and their installations, their savage holes in the ground, inspired not only hatred—because most people disliked modern art—but also awe.

Through their wickedness we were divided amongst ourselves; and the better to keep their thrones and be at ease, they armed the Druze to fight the Arab, and stirred up the Shiite to attack the Sunnite, and encouraged the Kurdish to butcher the Bedouin, and cheered the Mohammedan to dispute with the Christian. Until when shall a brother continue killing his own brother upon his mother's bosom? Until when shall the Cross be kept apart from the Crescent before the eyes of God? Oh Liberty, hear us, and speak in behalf of but one individual, for a great fire is started with a small spark. Oh Liberty, awaken but one heart with the rustling of thy wings, for from one cloud alone comes the lightning which illuminates the pits of the valleys and the tops of the mountains. Disperse with thy power these black clouds and descend like thunder and destroy the thrones that were built upon the bones and skulls of our ancestors.

In Giorgi’s system, as with Pico, the system is not astrological in the sense of judicial astrology in which man is conditioned by his horoscope, some of the influences in which might be bad, for example a bad influence of Saturn. In this system, as with Lull and Pico, all the celestial influences are good, and it is only a bad reception of them which can make them bad or unfortunate. There is thus free-will in the system, free-will to make a good, not a bad, use of the stars. The planets are linked to the angelic hierarchies and the Sephiroth. Thus the planetary influences pour down on man purified by the Christian angels and the Cabalist Sephiroth. Though all are equally good they are placed in a descending order of importance matched to the order of the hierarchies.18 Thus there are no bad or unfortunate planets. On the contrary, Saturn, unfortunate and bad in normal astrological theory is placed highest in the list. Being the outermost or highest planet in the cosmic order, he is nearest to the divine source of being and therefore associated with the loftiest contemplations. ‘Saturnians’ are not those poor and unfortunate characters of traditional astrology but inspired students and contemplators of highest truths.

Toward an Organic Philosophy SPRING, COAST RANGE The glow of my campfire is dark red and flameless, The circle of white ash widens around it. I get up and walk off in the moonlight and each time I look back the red is deeper and the light smaller. Scorpio rises late with Mars caught in his claw; The moon has come before them, the light Like a choir of children in the young laurel trees. It is April; the shad, the hot headed fish, Climbs the rivers; there is trillium in the damp canyons; The foetid adder’s tongue lolls by the waterfall. There was a farm at this campsite once, it is almost gone now. There were sheep here after the farm, and fire Long ago burned the redwoods out of the gulch, The Douglas fir off the ridge; today the soil Is stony and incoherent, the small stones lie flat And plate the surface like scales. Twenty years ago the spreading gully Toppled the big oak over onto the house. Now there is nothing left but the foundations Hidden in poison oak, and above on the ridge, Six lonely, ominous fenceposts; The redwood beams of the barn make a footbridge Over the deep waterless creek bed; The hills are covered with wild oats Dry and white by midsummer. I walk in the random survivals of the orchard. In a patch of moonlight a mole Shakes his tunnel like an angry vein; Orion walks waist deep in the fog coming in from the ocean; Leo crouches under the zenith. There are tiny hard fruits already on the plum trees. The purity of the apple blossoms is incredible. As the wind dies down their fragrance Clusters around them like thick smoke. All the day they roared with bees, in the moonlight They are silent and immaculate. SPRING, SIERRA NEVADA Once more golden Scorpio glows over the col Above Deadman Canyon, orderly and brilliant, Like an inspiration in the brain of Archimedes. I have seen its light over the warm sea, Over the coconut beaches, phosphorescent and pulsing; And the living light in the water Shivering away from the swimming hand, Creeping against the lips, filling the floating hair. Here where the glaciers have been and the snow stays late, The stone is clean as light, the light steady as stone. The relationship of stone, ice and stars is systematic and enduring: Novelty emerges after centuries, a rock spalls from the cliffs, The glacier contracts and turns grayer, The stream cuts new sinuosities in the meadow, The sun moves through space and the earth with it, The stars change places. The snow has lasted longer this year, Than anyone can remember. The lowest meadow is a lake, The next two are snowfields, the pass is covered with snow, Only the steepest rocks are bare. Between the pass And the last meadow the snowfield gapes for a hundred feet, In a narrow blue chasm through which a waterfall drops, Spangled with sunset at the top, black and muscular Where it disappears again in the snow. The world is filled with hidden running water That pounds in the ears like ether; The granite needles rise from the snow, pale as steel; Above the copper mine the cliff is blood red, The white snow breaks at the edge of it; The sky comes close to my eyes like the blue eyes Of someone kissed in sleep. I descend to camp, To the young, sticky, wrinkled aspen leaves, To the first violets and wild cyclamen, And cook supper in the blue twilight. All night deer pass over the snow on sharp hooves, In the darkness their cold muzzles find the new grass At the edge of the snow.

I want to begin my fight for the future of our world with the sharing of a vision. Everyone has, or should have, a vision. This is mine. It is a simple vision, really. It begins with the creation of a single, sane, planetary civilization. That will have to be very much like a utopia. People will deny the possibility of such a dream. They will say that people have always been at each other's throats, that this is just human nature, the way of the world. That we can never change the world. But that is just silly. That is like saying that two battling brothers, children, will never grow up to be the best of friends who watch each other’s backs. Once, a long time ago, people lost their sons and daughters to the claws of big cats. In classic times, the Greeks and the Romans saw slavery as evil, but as a necessary evil that could never go away. Only seventy years ago, Germany and France came to death blows in the greatest war in history; now they share a common currency, open borders, and a stake in the future of Europe. The Scandinavians once terrorized the world as marauding Vikings gripping bloody axes and swords, while now their descendents refrain from spanking their children, and big blond–haired men turn their hands to the care of babies. We all have a sense of what this new civilization must look like: No war. No hunger. No want. No very wealthy using their money to manipulate laws and lawmakers so that they become ever more wealthy while they cast the poor into the gutters like garbage. The wasteland made green again. Oceans once more teeming with life. The human heart finally healed. A new story that we tell ourselves about ourselves and new songs that we sing to our children. The vast resources once mobilized for war and economic supremacy now poured into a true science of survival and technologies of the soul. I want this to be. But how can it be? How will we get from a world on the brink of destruction to this glorious, golden future? I do not know. It is not for any one person to know, for to create the earth anew we will need to call upon the collective genius and the good will of the entire human race. We will need all our knowledge of history, anthropology, religion, and science, and much else. We will need a deep, deep sympathy for human nature, in both its terrible and angelic aspects.

write animal stories. This one was called Dialogues Between a Cow and a Filly; a meditation on ethics, you might say; it had been inspired by a short business trip to Brittany. Here’s a key passage from it: ‘Let us first consider the Breton cow: all year round she thinks of nothing but grazing, her glossy muzzle ascends and descends with impressive regularity, and no shudder of anguish comes to trouble the wistful gaze of her light-brown eyes. All that is as it ought to be, and even appears to indicate a profound existential oneness, a decidedly enviable identity between her being-in-the-world and her being-in-itself. Alas, in this instance the philosopher is found wanting, and his conclusions, while based on a correct and profound intuition, will be rendered invalid if he has not previously taken the trouble of gathering documentary evidence from the naturalist. In fact the Breton cow’s nature is duplicitous. At certain times of the year (precisely determined by the inexorable functioning of genetic programming) an astonishing revolution takes place in her being. Her mooing becomes more strident, prolonged, its very harmonic texture modified to the point of recalling at times, and astonishingly so, certain groans which escape the sons of men. Her movements become more rapid, more nervous, from time to time she breaks into a trot. It is not simply her muzzle, though it seems, in its glossy regularity, conceived for reflecting the abiding presence of a mineral passivity, which contracts and twitches under the painful effect of an assuredly powerful desire. ‘The key to the riddle is extremely simple, and it is that what the Breton cow desires (thus demonstrating, and she must be given credit here, her life’s one desire) is, as the breeders say in their cynical parlance, “to get stuffed”. And stuff her they do, more or less directly; the artificial insemination syringe can in effect, whatever the cost in certain emotional complications, take the place of the bull’s penis in performing this function. In both cases the cow calms down and returns to her original state of earnest meditation, except that a few months later she will give birth to an adorable little calf. Which, let it be said in passing, means profit for the breeder.’ * The breeder, of course, symbolized God. Moved by an irrational sympathy for the filly, he promised her, starting from the next chapter, the everlasting delight of numerous stallions, while the cow, guilty of the sin of pride, was to be gradually condemned to the dismal pleasures of artificial fertilization. The pathetic mooing of the ruminant would prove incapable of swaying the judgment of the Great Architect. A delegation of sheep, formed in solidarity, had no better luck. The God presented in this short story was not, one observes, a merciful God.

But let us read the words of one, who was no mean scientist, the words of one whose wisdom was the wonder of his day in the whole world. A man to whom God Himself said, “Lo, I have given thee a wise and an understanding heart; so that there was none like thee before thee, neither after thee shall any arise like unto thee.” I Kings 3.12. A man of whom the inspired word of God says, “He was wiser than all men; and his fame was in all nations round about. And he spake three thousand proverbs: and his songs were a thousand and five. And he spake of threes, from the cedar tree that is in Lebanon even unto the hyssop that springeth out of the wall: he spake also of beasts, and of fowl, and of creeping things, and of fishes. And there came of all people to hear the Wisdom of Solomon, from all kings of the earth, which had heard of his wisdom.” I Kings 4.31-34 In His proverbs he speaks much of the wonderful works of God, and in one of them he refers directly to the work that was done on the second day of creation week, and connects it with the word of God by which it was accomplished. Thus, “Who hath ascended up into heaven or descended? Who hath fathered the wind in his fists? Who hath bound the waters in garment? Who hath established all the ends of the earth? What is His name, and what is His Son’s name, if thou canst tell? Every word of God is pure: He is a shield unto them that put their trust in him. Add thou not unto His word, lest He reprove thee, and thou be found a liar.” Proverbs 30.4-6 The rain which God has bound up in His thick clouds, and which His voice - the same voice that speaks peace and righteousness - causes to fall upon the earth, is a pledge to us of God’s willingness to forgive. Listen to the holy boldness of the prophet Jeremiah: “We acknowledge, O Lord, our wickedness, and the iniquity of our fathers: for we have sinned against Thee. Do not abhor us, for Thy name’s sake, do not disgrace the throne of Thy glory: remember; break not thy covenant with us. Are there any among the vanities of the Gentiles that can cause rain? Or can the heavens give showers? Art not Thou He, O Lord our God? Therefore we will wait upon Thee: for Thou hast made all these things.” Jeremiah 14.20-22. The Lord is the One who causes rain; therefore we will wait upon Him, in confidence that He will not abhor us, even though we have grievously sinned; but that He will, for the sake of His own word, pardon our iniquity.

In talking to directors and writers, I’m constantly inspired by the models they keep in their heads—each a unique mechanism they use to keep moving forward, through adversity, in pursuit of their goals. Pete Docter compares directing to running through a long tunnel having no idea how long it will last but trusting that he will eventually come out, intact, at the other end. “There’s a really scary point in the middle where it’s just dark,” he says. “There’s no light from where you came in and there’s no light at the other end; all you can do is keep going. And then you start to see a little light and then a little more light and then, suddenly, you’re out in the bright sun.” For Pete, this metaphor is a way of making that moment—the one in which you can’t see your own hand in front of your face and you aren’t sure you’ll ever find your way out—a bit less frightening. Because your rational mind knows that tunnels have two ends, your emotional mind can be kept in check when pitch blackness descends in the confusing middle.

But Longinus and his intellectual descendants had been concerned with the Sublime as a literary effect: how language, not landscape, could be lofty, grand or inspiring.

The Binding of Isaac and the Binding of You and Me With Rosh Hashanah coming in a few weeks, it is a good time to think about some of its important lessons. The High Holy Days are a time to evaluate our relationship with important people in our lives. We ask their forgiveness, they ask ours, and if there is regret for past faults and insensitive acts (Tradition calls them “sins”), we lend forgiveness to others, and they to us. Rosh Hashanah is also a time to think about our relation with our Tradition, with Judaism. It is the Jewish New Year, and a time to reexamine where we stand with regard to the faith/culture/civilization we call Judaism. Those hearing these words have already taken significant steps toward solidifying their Jewish connections by joining a synagogue, coming to religious worship, and doing many other Jewish things in our lives. Take a few moments—even a few hours—to think about and discuss your Jewish values and priorities with your loved ones and intellectual sparring partners. How can you deepen and strengthen your Jewish ties and commitments in the coming year? Perhaps that is why we are bidden to hear the sound of the Shofar each morning for thirty days during the month of Elul, before Rosh Hashanah, as well as on the New Year itself. The Talmud, in tractate “Rosh Hashanah” (16a), tells us: “Rabbi Abahu said: Why do we use the horn of a ram on Rosh Hashanah? Because the Blessed Holy One is saying to us: If you blow a horn from a ram before Me on Rosh Hashanah, I will be reminded of the act of ultimate faith performed by Avraham when he was ready to carry out my demand, even though a ram was eventually sacrificed in place of Yitzhak. The merit of Avraham will reflect merit on you, his descendants. In fact, when you blow the Shofar, and I remember the Binding (Hebrew: Akedah) of Yitzhak I will attribute to you the merit of having bound (Hebrew: akad-tem) yourselves to me. As we begin to blow the Shofar each morning, from the first day of the Hebrew month of Elul, let’s begin to think about how we bind ourselves to God. About our Jewish boundaries, the ties that bind us to our Jewish past. Let’s think of how our ritual lives can be enriched and enhanced with more song, custom, prayer and ceremony. Let’s think of how we can give ourselves to more Jewish causes (Israel, Jewish education, the synagogue), and how being Jewish can help bind and tie us to the needs of humanity (the environment, the needs of our community, the eradication of poverty and injustice). Rabbi Dov Peretz Elkins

There are thousands today echoing the same rebellious complaint against God. They do not see that to deprive man of the freedom of choice would be to rob him of his prerogative as an intelligent being, and make him a mere automaton. It is not God’s purpose to coerce the will. Man was created a free moral [332] agent. Like the inhabitants of all other worlds, he must be subjected to the test of obedience; but he is never brought into such a position that yielding to evil becomes a matter of necessity. No temptation or trial is permitted to come to him which he is unable to resist. God made such ample provision that man need never have been defeated in the conflict with Satan. As men increased upon the earth, almost the whole world joined the ranks of rebellion. Once more Satan seemed to have gained the victory. But omnipotent power again cut short the working of iniquity, and the earth was cleansed by the Flood from its moral pollution. Says the prophet, “When Thy judgments are in the earth, the inhabitants of the world will learn righteousness. Let favor be showed to the wicked, yet will he not learn righteousness, ...and will not behold the majesty of Jehovah.” Isaiah 26:9, 10. Thus it was after the Flood. Released from his judgments, the inhabitants of the earth again rebelled against the Lord. Twice God’s covenant and his statutes had been rejected by the world. Both the people before the Flood and the descendants of Noah cast off the divine authority. Then God entered into covenant with Abraham, and took to himself a people to become the depositaries of his law. To seduce and destroy this people, Satan began at once to lay his snares. The children of Jacob were tempted to contract marriages with the heathen and to worship their idols. But Joseph was faithful to God, and his fidelity was a constant testimony to the true faith. It was to quench this light that Satan worked through the envy of Joseph’s brothers to cause him to be sold as a slave in a heathen land. God overruled events, however, so that the knowledge of himself should be given to the people of Egypt. Both in the house of Potiphar and in the prison Joseph received an education and training that, with the fear of God, prepared him for his high position as prime minister of the nation. From the palace of the Pharaohs his influence was felt throughout the land, and the knowledge of God spread far and wide. The Israelites in Egypt also became prosperous and wealthy, and such as were true to God exerted a widespread influence. The idolatrous priests were filled with alarm as they saw the new religion finding favor. Inspired by Satan with his own enmity toward the God of heaven, they set themselves to quench the light. To the priests was committed [333] the education of the heir to the throne, and it was this spirit of determined opposition to God and zeal for idolatry that molded the character of the future monarch, and led to cruelty and oppression toward the hebrews.

Shirt" The back, the yoke, the yardage. Lapped seams, The nearly invisible stitches along the collar Turned in a sweatshop by Koreans or Malaysians Gossiping over tea and noodles on their break Or talking money or politics while one fitted This armpiece with its overseam to the band Of cuff I button at my wrist. The presser, the cutter, The wringer, the mangle. The needle, the union, The treadle, the bobbin. The code. The infamous blaze At the Triangle Factory in nineteen-eleven. One hundred and forty-six died in the flames On the ninth floor, no hydrants, no fire escapes— The witness in a building across the street Who watched how a young man helped a girl to step Up to the windowsill, then held her out Away from the masonry wall and let her drop. And then another. As if he were helping them up To enter a streetcar, and not eternity. A third before he dropped her put her arms Around his neck and kissed him. Then he held Her into space, and dropped her. Almost at once He stepped to the sill himself, his jacket flared And fluttered up from his shirt as he came down, Air filling up the legs of his gray trousers— Like Hart Crane’s Bedlamite, “shrill shirt ballooning.” Wonderful how the pattern matches perfectly Across the placket and over the twin bar-tacked Corners of both pockets, like a strict rhyme Or a major chord. Prints, plaids, checks, Houndstooth, Tattersall, Madras. The clan tartans Invented by mill-owners inspired by the hoax of Ossian, To control their savage Scottish workers, tamed By a fabricated heraldry: MacGregor, Bailey, MacMartin. The kilt, devised for workers To wear among the dusty clattering looms. Weavers, carders, spinners. The loader, The docker, the navvy. The planter, the picker, the sorter Sweating at her machine in a litter of cotton As slaves in calico headrags sweated in fields: George Herbert, your descendant is a Black Lady in South Carolina, her name is Irma And she inspected my shirt. Its color and fit And feel and its clean smell have satisfied Both her and me. We have culled its cost and quality Down to the buttons of simulated bone, The buttonholes, the sizing, the facing, the characters Printed in black on neckband and tail. The shape, The label, the labor, the color, the shade. The shirt.

À trente ans, ce colosse au crâne rasé en a déjà passé dix en prison et, comme il le dit joliment, « vit entouré de crimes comme les habitants d’une forêt vivent entourés d’arbres ». Cela ne l’empêche pas d’être un homme paisible, d’humeur toujours joyeuse, en qui se mêlent les traits du fol en Christ russe et de l’ascète oriental. Été comme hiver, même quand le thermomètre dans la cellule descend au-dessous de zéro, il est en short et tongs, il ne mange pas de viande, il ne boit pas de thé mais de l’eau chaude et pratique d’impressionnants exercices de yoga. On l’ignore souvent, mais énormément de gens, en Russie, font du yoga : encore plus qu’en Californie, et cela dans tous les milieux. Pacha, très vite, repère en « Édouard Veniaminovitch » un homme sage. « Des gens comme vous, lui assure-t-il, on n’en fait plus, en tout cas je n’en ai pas rencontré. » Et il lui apprend à méditer. On s’en fait une montagne quand on n’a jamais essayé mais c’est extrêmement simple, en fait, et peut s’enseigner en cinq minutes. On s’assied en tailleur, on se tient le plus droit possible, on étire la colonne vertébrale du coccyx jusqu’à l’occiput, on ferme les yeux et on se concentre sur sa respiration. Inspiration, expiration. C’est tout. La difficulté est justement que ce soit tout. La difficulté est de s’en tenir à cela. Quand on débute, on fait du zèle, on essaie de chasser les pensées. On s’aperçoit vite qu’on ne les chasse pas comme ça mais on regarde leur manège tourner et, petit à petit, on est un peu moins emporté par le manège. Le souffle, petit à petit, ralentit. L’idée est de l’observer sans le modifier et c’est, là aussi, extrêmement difficile, presque impossible, mais en pratiquant on progresse un peu, et un peu, c’est énorme. On entrevoit une zone de calme. Si, pour une raison ou pour une autre, on n’est pas calme, si on a l’esprit agité, ce n’est pas grave : on observe son agitation, ou son ennui, ou son envie de bouger, et en les observant on les met à distance, on en est un peu moins prisonnier. Pour ma part, je pratique cet exercice depuis des années. J’évite d’en parler parce que je suis mal à l’aise avec le côté new age, soyez zen, toute cette soupe, mais c’est si efficace, si bienfaisant, que j’ai du mal à comprendre que tout le monde ne le fasse pas. Un ami plaisantait récemment, devant moi, au sujet de David Lynch, le cinéaste, en disant qu’il était devenu complètement zinzin parce qu’il ne parlait plus que de la méditation et voulait persuader les gouvernements de la mettre au programme dès l’école primaire. Je n’ai rien dit mais il me semblait évident que le zinzin, là-dedans, c’était mon ami, et que Lynch avait totalement raison.

Birth and death are faced alone, reaped alone are good and bad deeds, to hell descends one alone, alone one ascends to the highest heaven.

I am writing in another age of violence when, again beyond my understanding, gunmen have killed children in their schools and we continue to kill children in war. I can only ask the obvious question: How and how soon, from the high threshold of violence established by the Civil War in the seceded states and Kentucky, might a people be expected to descend to a level even of approximate peace? Or: How might they prevent the militarily acceptable violence of any war from inspiring and excusing unacceptable violence during and after the war?

To perish in the destiny is the story of fateFate descends upon those who blame for luck

To perish in the destiny is the story of fate. Fate descends upon those who blame for luck

In countries descending into authoritarianism, one of the first things to go is the right to assemble. Why? Because of what can happen when people come together, exchange information, inspire one another, test out new ways of being together.

Most times the poetic in life is found in many things around us. You would find it in the deft play of a football player on a soccer pitch. An orange sky with the descending sun at twilight. The laughter of a toddler playing with dirt. Or the feel of the wind caressing your face. Poetry most times is found in the profound.

That which allows the flow of winds, to its rhythm descends the rain, starts yet lasts beyond melodies play. It is a dance of heartbeats, it is a dance of countless journeys. It is a dance of life's spiritual escape.

[Dream that lead to real-life invention] A man was in a jungle surrounded by saages. They were coming menacingly close to him, their spears rising, then descending. Each spear had a hole in the tip. When he awoke he saw this dream as the answer to a problem that had him stymied: how to design a sewing machine. He could make the needle rise and descend, but not sew - until his dream told him to put the hole at the tip. The man was Elias Howe, who invented the first practical sewing machine.

Enchanté, il traversa de nouveau la salle à manger et regagna son fauteuil, s’y cala de façon à pouvoir appuyer son livre sur un des bras, et se mit à le feuilleter, sans y chercher quelque chose en particulier. Matière, matériel, matérialisme, ah, ah ! Le bourgeois philistin comprend par matérialisme la saoulerie, l’ivresse, le voyeurisme, les plaisirs du corps et l’arrogance, la chasse au profit et les escroqueries en bourse, en un mot, tous les vices dégoûtants qu’il pratique, lui-même, en cachette. Le colonel posa les yeux, sans le vouloir, sur le bibelot au radeau sur la rivière de bois, et se souvint du repas pris dans le domaine forestier d’Argeş, le lendemain de son avancement ; il rougit, énervé, et revint quelques pages en arrière. La dialectique inspire colère et horreur aux bourgeois et à leurs idéologues doctrinaires, parce que, dans la compréhension positive de la réalité existante, réside également la compréhension de la négation de cette réalité, de sa perte nécessaire. Ça, oui, sourit Chiriţă, qu’elle crève et que sa descendance crève aussi ! La dialectique est la science des lois générales du mouvement, tant dans le monde extérieur, page 409, que dans la réflexion humaine. 410 pages. Ce qu’ils écrivent, ceux-là, ce n’est pas de la blague. Satisfait, il referma le livre d’où s’élevèrent, dans un rai de lumière, quelques volutes de poussière. Chiriţă, quoiqu’il passât dans son travail pour un homme très instruit et méticuleux – méticulosité qui résidait dans le fait de lire en détail tous les rapports, comptes-rendus et informations, sans en sauter une ligne, sans en perdre le moindre mot – avait un défaut : il ne pouvait lire de livres. Il est difficile de savoir si lui-même avait conscience de n’avoir jamais lu de sa vie un volume d’un bout à l’autre ; le fait est que toutes ses lectures se résumaient à quelques lignes sur lesquelles il avait jeté les yeux, pendant qu’il survolait les livres qui lui passaient entre les mains. (p. 75-76)

Jesus is from the seed of a woman and He will one day crush Satan. (Genesis 3:15) He is from the line of Seth (Genesis 4:25) A descendent of Shem (Genesis 9:26) Jesus appears in the Old Testament as the “Angel of the LORD” in Gen 16:7-13 The offspring of Abraham (Genesis 12:3) From the tribe of Judah (Genesis 49:10) The son of David (Jeremiah 23:5-6) Conceived of a virgin (Isaiah 7:14) He is born in Bethlehem (Micah 5:2) Jesus appears in the Old Testament to Abraham and is called Lord in Gen 18: 1-14 He is Heralded as the Messiah (Isaiah 40:3) He is the coming King (Zechariah 9:9) The sacrificial offering for our sins (Isaiah 53) He was pierced in His side at the cross (Zechariah 12:10) And He was resurrected from the dead (Psalm 2; 16) Jesus is testified to by ‘the Law and the Prophets in Romans 3:21 Jesus, as the pre-incarnate LORD, calling fire from the LORD the eternal Father in heaven Gen 19:24

Tempest by Maisie Aletha Smikle Night has come The day is done It's time to go to sleep And rest in peace so sweet Then arise at daybreak with a praise For with sweet slumber you were graced It's the break of dawn And all is blessedly calm Some are waking up from their peaceful slumber While others hasten home to get their daily slumber Birds happily chirp hello And roosters crow how do you do Angels descend to take their earthly morning stroll And take a roll Of when to sack the bad And when to reward the good Like an eye at the middle of a storm So was the calm at dawn Then…Swoosh...Swoosh A mighty wind blew Birds stop sipping dew and flew Windows flew wide open Curtains leapt then went airborne floating in the air Empty teapots flew off stove tops Banging on adjacent doors Before landing on the kitchen floors Utensils cups and saucers clatter Forks dance with spoons to the rhythm of the wind Animals huddle tight In awe and fright In treetops they huddle In holes they shudder For out of their holes they will flood like grains of sand And the winds from the treetops they can't withstand Swoosh… Swoosh the mighty winds blew Sweeping like an enormous broom The winds swept What was unswept And that which was unkept And without a trace the winds left The sun peeked from behind the clouds Checking to see if the tempest had really left Then gracefully the sun arises To mop that which wasn't swept by the bristles of the tempest

Later, when I thought about this story, it occurred to me that almost all long-distance races take place outdoors. Other than the occasional fundraiser, people don’t run ultramarathons on a treadmill. They roam wild terrain, follow the path of rivers, climb mountains, and descend through canyons. What separates even the most punishing ultra-endurance events from masochism is context. The events are not about suffering for suffering’s sake, but suffering in a natural environment that invites, almost guarantees, moments of self-transcendence. If endurance training is in part about learning how to suffer well, it helps to put yourself in surroundings that inspire awe or gratitude. Outdoors, you can be stunned by a sudden change in landscape or enthralled by the appearance of wildlife. You can find yourself entranced by the stars at night or heartened by the first light of dawn. These transcendent emotions put personal pain and fatigue in a different context. It is impossible to understand what ultra-endurance athletes are doing without taking this into account. Experiencing a state of elevation during a moment of deep exhaustion provides a reminder that flashes of pure happiness can take you by surprise even when things seem the most bleak. Knowing this is possible is how we survive our worst pain. Finding a way for suffering and joy to coexist—that is how humans endure the seemingly unendurable.

Not only did you overcome the greatest of odds to be born alive, You are also a descendent of a long line of people... A long line of people who lived, laughed, dreamt, overcame, and loved. A descendent of a great line of kings, queens, heroes, heroines, warriors, and conquerors. You are a product of a long tale of love stories that bore fruit. A result of love stories that had to birth specific people at specific times since the beginning of time... You, my friend, are the ultimate testimony and proof that love lives. Love qualified you to be here.

O Dear God by Maisie Aletha Smikle Thank God He covers With His glory From up above Bestowing His grace On nations of race Shunned scorned and battered Four hundred years The tears they shed in pain Could flood the widest plains The prayers they prayed Could cover the largest ocean bed Justice refuted and rebutted Their spirits churn Perplexed they wondered If their excruciating pains Were in dire vain Their descendants Got no gain from their great grandparents pain and shame Descendants seek no justice For their great grand parents pains Instead descendants wrap their arms In acceptance that their great grandparents pains Were in grave vain Justice! Justice! If not for you But for your poor great grandparents Who knew only woe and sorrow and a life full of horror

Do not hesitate while climbing or descending the ladder of life, because the mysterious entity we call life loves a determined person!

Her family created her, but her love defines her.