Inspiral Carpets Quotes

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Imagination is the true magic carpet.
Norman Vincent Peale (Norman Vincent Peale: Three Complete Books: The Power of Positive Thinking; The Positive Principle Today; Enthusiasm Makes the Difference)
Humble yourself, and you will find that Love is spreading a carpet of flowers beneath your feet.
Hannah Hurnard
Nothing like an orange and olive green-striped couch sitting on orange carpet and surrounded by dark wood paneling to get the inspiration rolling.
Erynn Mangum (Sketchy Behavior)
Once upon a time, began the story of you. Many perilous, wonderful, harrowing, brilliant, delightful, profound things happened. And yet—the most exciting twists and best turns are yet to come. And it absolutely does not matter how old or young you are. Like a bright carpet of wonders, enjoy the unrolling of your story.
Vera Nazarian (The Perpetual Calendar of Inspiration)
Having the rug pulled from under one, and flying magic carpets -- cousin events?
Leslie Miklosy (Which Is More Round, the World or Your Tummy?: Offbeat Reflections on Serious Living)
Books are like magic carpets, taking us to places real and imaginary that we never thought possible.
Bette A Stevens
Let's not push it under the rug, or push it to the side because, no matter what, it's going to keep coming up. You know, if you never deal with that dirt up under the carpet, it's going to get larger and larger, and it's going to keep coming up.
Herschel Walker
The whole island was exactly what a kid growing up in some trailer park--say some dump like Tecumseh Lake, Georgia--would dream about. This kid would turn out all the lights in the trailer while her mom was at work. She'd lie down flat on her back, on the matted-down orange shag carpet in the living room. The carpet smelling like somebody stepped in a dog pile. The orange melted black in spots from cigarette burns. The ceiling was water-stained. she'd fold her arms across her chest, and she could picture life in this kind of place. It would be that time--late at night--when your ears reach out for any sound. When you can see more with your eyes closed than open. The fish skeleton. From the first time she held a crayon, that's what she'd draw.
Chuck Palahniuk (Diary)
I believe that Gaston Cleric narrowly missed being a great poet, and I have sometimes thought that his outbursts of imaginative talk were fatal to his poetic gift. He squandered too much in the heat of personal communication. How often have I seen him draw his dark brows together, fix his eyes upon some object on the wall or a figure in the carpet, and then flash into the lamplight the very image that was in his brain.
Willa Cather (My Ántonia)
A feeling of calm always fell over her like a cloak of happiness settling on her shoulders when she entered her father’s woods. Tall trees welcomed her under their canopy, offering her protection, while a carpet of yellow lesser celandine, with their shiny star-like flowers and dark green heart-shaped leaves, tickled her ankles as she walked amongst them.
Ellen Read (The Treasure)
...so far, the sunflowers blended into one another, creating a solid carpet of golden yellow. Somewhere out there was my future. I couldn't see it. But I knew it was there. And for the first time ever, I was excited to go out and find it.
Tanya Guerrero (All You Knead Is Love)
The design is based on the old St. Stephen’s Chapel, where the earliest parliamentarians sat, like choirboys in facing pews, yet there is little that is angelic in the modern set-up. Members face each other in confrontation, as antagonists. They are separated by two red lines on the carpet, whose distance apart represents the distance of two sword lengths, yet this is misleading, for the most imminent danger is never more than a dagger’s distance away, on the benches behind.
Michael Dobbs (House of Cards: The dark political thriller that inspired the hit Netflix series)
When a fine old carpet is eaten by mice, the colors and patterns of what's left behind do not change,' wrote my neighbor and friend, the poet Jane Hirschfield, after she visited an old friend suffering from Alzheimer's disease in a nursing home. And so it was with my father. His mind did not melt evenly into undistinguishable lumps, like a dissolving sand castle. It was ravaged selectively, like Tintern Abbey, the Cistercian monastery in northern Wales suppressed in 1531 by King Henry VIII in his split with the Church of Rome. Tintern was turned over to a nobleman, its stained-glass windows smashed, its roof tiles taken up and relaid in village houses. Holy artifacts were sold to passing tourists. Religious statues turned up in nearby gardens. At least one interior wall was dismantled to build a pigsty. I've seen photographs of the remains that inspired Wordsworth: a Gothic skeleton, soaring and roofless, in a green hilly landscape. Grass grows in the transept. The vanished roof lets in light. The delicate stone tracery of its slim, arched quatrefoil windows opens onto green pastures where black-and-white cows graze. Its shape is beautiful, formal, and mysterious. After he developed dementia, my father was no longer useful to anybody. But in the shelter of his broken walls, my mother learned to balance her checkbook, and my heart melted and opened. Never would I wish upon my father the misery of his final years. But he was sacred in his ruin, and I took from it the shards that still sustain me.
Katy Butler (Knocking on Heaven's Door: The Path to a Better Way of Death)
A late arrival had the impression of lots of loud people unnecessarily grouped within a smoke-blue space between two mirrors gorged with reflections. Because, I suppose, Cynthia wished to be the youngest in the room, the women she used to invite, married or single, were, at the best, in their precarious forties; some of them would bring from their homes, in dark taxis, intact vestiges of good looks, which, however, they lost as the party progressed. It has always amazed me - the capacity sociable weekend revelers have of finding almost at once, by a purely empiric but very precise method, a common denominator of drunkenness, to which everybody loyally sticks before descending, all together, to the next level. The rich friendliness of the matrons was marked by tomboyish overtones, while the fixed inward look of amiably tight men was like a sacrilegious parody of pregnancy. Although some of the guests were connected in one way or another with the arts, there was no inspired talk, no wreathed, elbow-propped heads, and of course no flute girls. From some vantage point where she had been sitting in a stranded mermaid pose on the pale carpet with one or two younger fellows, Cynthia, her face varnished with a film of beaming sweat, would creep up on her knees, a proffered plate of nuts in one hand, and crisply tap with the other the athletic leg of Cochran or Corcoran, an art dealer, ensconced, on a pearl-grey sofa, between two flushed, happily disintegrating ladies. At a further stage there would come spurts of more riotous gaiety. Corcoran or Coransky would grab Cynthia or some other wandering woman by the shoulder and lead her into a corner to confront her with a grinning imbroglio of private jokes and rumors, whereupon, with a laugh and a toss of her head, he would break away. And still later there would be flurries of intersexual chumminess, jocular reconciliations, a bare fleshy arm flung around another woman's husband (he standing very upright in the midst of a swaying room), or a sudden rush of flirtatious anger, of clumsy pursuit-and the quiet half smile of Bob Wheeler picking up glasses that grew like mushrooms in the shade of chairs. ("The Vane Sisters")
Vladimir Nabokov (American Fantastic Tales: Terror and the Uncanny from the 1940s to Now)
So Christiana went to speak to Dicky about taking us out and about, but when she found him in the office, the idiot was dead." Daniel bit his lip at her vexed tone. There was absolutely no grief in her voice at all, just irritation with the inconvenience of it all. But then George had never been one to inspire the finer feelings in those he encountered. Clearing his throat, he asked, "Did he fall and strike his head, or-" "No.He was simply sitting in his chair dead," she said with exasperation, and then added with disgust, "He was obviously a victim of his own excess. We suspected his heart gave out. Certainly the glass and decanter of whiskey next to him suggested he didn't take the best care of himself. I ask you,who drinks hard liquor first thing in the morning?" Daniel shook his head, finding it difficult to speak. She was just so annoyed as she spoke of the man's death, as if he'd deliberately done it to mess up her plans. After a moment, he asked, "Are you sure he is dead?" Suzette gave him another one of those adorable "Don't be ridiculous" looks. "Well, obviously he isn't. He is here now," she pointed out, and then shook her head and added almost under her breath, "Though I could have sworn...The man didn't even stir when he fell off the chair and slammed his head on the floor. Nor when I dropped him and his head crashed to the hardwood floor again, or when we rolled him in the carpet and dragged him upstairs, or when we dropped him in the hall and he rolled out of the carpet, or-" "Er," Daniel interrupted, and then coughed into his hand to hide a laugh, before asking, "Why exactly were you carting him about in a carpet?" "Well,don't be dense," she said with exasperation. "We couldn't let anyone know he was dead, could we?" "Couldn't you?" he asked uncertainly. Suzette clucked with irritation. "Of course not.We would have had to go into mourning then.How would I find a husband if we were forced to abstain from polite society to observe mourning?
Lynsay Sands (The Heiress (Madison Sisters, #2))
The Reward of Nature” If you’ll go with me to the mountains And sleep on the leaf carpeted floors And enjoy the bigness of nature And the beauty of all out-of-doors, You’ll find your troubles all fading
Ben Montgomery (Grandma Gatewood's Walk: The Inspiring Story of the Woman Who Saved the Appalachian Trail)
If you don't allow anyone to walk all over your expensive carpet, don't allow anyone to walk all over you.
Matshona Dhliwayo
Was it this novel that inspired Erma Bombeck to write a column entitled “If I Had My Life to Live Over Again”? In it, she wrote: I would have invited friends over to dinner even if the carpet was stained and the sofa faded. I would have sat on the lawn with my children and not worried about grass stains. I would never have bought anything just because it was practical, wouldn’t show soil or was guaranteed to last a lifetime. When my child kissed me impetuously, I would never have said, “Later. Now get washed up for dinner.” There would have been more I love yous, more I’m sorrys, but mostly, given another shot at life, I would seize every minute, look at it and really see it, live it, and never give it back.
Brennan Manning (The Ragamuffin Gospel: Good News for the Bedraggled, Beat-Up, and Burnt Out)
It is no wonder that most companies lack inspiration, when corporate America looks much like a sensory deprivation chamber: beige walls, faded carpet, high cubes, no windows, and bad lighting, and the only artistic stimulus to be found is the office equipment—your bathroom's shower stall is probably light-years ahead of your office environment when it comes to encouraging original thought.
Josh Linkner (Disciplined Dreaming: A Proven System to Drive Breakthrough Creativity)
Continuous Deficiency Syndrome. In short, we’re always aware that we could have more. This part curse, part blessing comes with the territory of being human and has inspired technological breakthroughs and other societal advances over the centuries. In a sense, our consumer society owes its very existence to its flair for fueling discontentment and an unquenchable appetite for more stuff. We are bombarded with thousands of marketing images every day reminding us that      We could be richer.      Our spouse could be even better.      We could be thinner.      Our breath could be fresher.      Our whites could be whiter.      Our carpets could be cleaner.      Our children could be smarter, more popular, or more athletic. CDS can dominate our attitudes unless we consciously counteract it with gratitude. The more we seek to become satisfied as consumers, the emptier we can become as human beings. That’s because ingratitude leaves us in a state of deprivation in which we are constantly pursuing something else. Gratitude, on the other hand, makes us feel that we have enough.
Tommy Newberry (40 Days to a Joy-Filled Life: Living the 4:8 Principle)
Look at what they do in a lifetime," she said. "These hands lit fires, cooked, wove a thousand blankets and carpets. They helped children into the world. When you are old," Hagar said, "look at your hands, Ish, and think of what they have done, good things and bad. Hands are like faces. Every scar a story
Jack Lasenby (Because We Were the Travellers)
Part 1. My Life Story. - If I can do it, so can you- I was born and lived in one of the most oldest and most beautiful cities in Albania. for 23 years I lived under the communist regime, where everyone was poor, there was no rich people beside the Elite group who dictate the country. Since I was little girl I dreamed of fairy tale life. But for some reason no one was supportive of my dreams. It looked like they were enjoying watching us living in poverty and keep our heads down, for instance I remember when I was in 5th grade I told my literature teacher "When I get older I want to be a beautician." With a smire on her face she said "You are going to be just like your mother, keep having kids in a row" At that time I did not understood what she meant, but I did not expected that answer from an "educated" person, especially your teacher. As I got older I started to isolate myself from all the negative people until one day I asked my uncle to help me to get in a beauty college, he knew people in town that's why, I did not wanted to believe he respond. Even today I can hear his words whisper in my ears, telling me "Beauty college is not for poor children, education is only for rich kids" But that did not stopped me either, I told myself "No one can tell me what I can and can't do" They just motivated me to prove them wrong. Poor children can go to college. So I decided to make a very big move my that would either end it my life or could change my life for ever. Sep 2, 1990 I had it enough of that hell place, communist regime and all the negative people.I decided to leave everyone behind me and move forward in life, I decided to escape the communist and followed my dreams. I was also escaped from army who was chasing to kill us, but mighty God was with us. We made the local news saying "Two young girls were killed today by army forces escaping the borders" but I made it alive to Yugoslavia, I spend almost seven months there in concentration camp. There I meet the love of my life also, we dated for five months, until his visa was approved to come in US, two months later I come to state on March of 1991. New place, new chapter in my life, two weeks later got united, neither of us spoke English, it was very hard to find jobs, we manage to get a job in a local restaurant as a dishwasher and me as a bustable, at that time I was very I found a happy, so I did it with smile on my face. We were living at my husband's cousins unfinished basement. Yes we were sharing a single / twin size bed, we had to saved money so we can get our own apartment, we had nothing insite site. I remember when the manager showed us the appartment, it was green shaggy carpet, I told my husband. "Honey the carpet is thick enough, we don't need mattress to sleep on it, we can sleep on the carpet" later on a co-worker give us some household stuff to start our life with. Later that year our 1st child /daughter was born, two months later we get married in a local Albania church. Life was getting way better than living under the communist regime, later on we have two more children. We decided to bring my parents here so they can help us, I can get back to work or go to school . On April 1, 1998 my father come, we picked him at airport, with tears on his eye he was looking the street lights outside of the car window and said, "America is beautiful country, is land of dreams,....when I die please bury me here and not in Albania" By that time have I learning enough English to continued my education. I went to beauty school. two years later I graduated and got the state license. Yahhhh my dreams start coming true, remember I told you I always wanted to be a beautician. I found a job in a local salon, couple months later I was promoted to a salon manager. I did it for me and not for them who did not believed on me, As I said " I never cared
Zybejta (Beta) Metani' Marashi
She is inimitably cute and charming. She studies sitting on the carpet lying on the floor in her room. While studying on table and chair, she falls asleep!
Avijeet Das
What was she - a fool?! It was obvious that men like Maxim Korshun would always be separated from girls like Arina with a silk ribbon. Their place was on the red carpet. Arina's place was at her vet clinic, with her cats.
Tatiana Vedenska (Two Months and Three Days (Sinister Romance, #1))
Life had taught me that it is possible that things, ideas, concepts, and feelings can mean the opposite of what might seem apparent. It was possible for people to be the opposite of what they claimed. It was possible for 'home' to signify 'exile' and vice versa. Laughter may be tears in disguise. Revolutions could be about oppressive powers pulling the carpet from under the feet of other oppressors. Climbing to the top might not really mean 'going up,' it could in fact be a harsh form of falling; reaching the pinnacle of fame, surrounded by camera flashes has led to the demise of countless souls on this planet. In brief, it was possible that everything we are told and taught is the opposite of what we think, or that it might be outright false.
Louis Yako (Bullets in Envelopes: Iraqi Academics in Exile)
At the time your book was written, the full story of the monarch migration was unknown to humanity." "When did they find it out?" Preston asked. The answer, to Dellarobia's astonishment, was within Ovid's lifetime. He had been just a bit older than Preston when the discovery was announced in the National Geographic, in 1976. A Canadian scientist chased the mystery his whole life, devising a tag that would stick to butterfly wings, recruiting volunteers to help track them, losing the trail many times. And then one winter's day, as an old man on shaky legs, he climbed a mountain in Michoacan to see what must have looked like his dream of heaven... Ovid could still quote passages of the article from memory: They carpeted the ground in their tremulous legions. He said he remembered exactly where he was when he read that article, and how he felt. "Where were you?" "Outside the post office, sitting on a lobster crate. I spent a lot of Saturdays there. My mother let me read the magazines before they went to their subscribers. I was so excited by the photos in that article, I ran all the way down Crown Street, all the way to West End and out a sandy road called Fortuna to the sea. I must have picked up a stick somewhere, because I remember jumping up and whacking every branch I passed, leaving a trail of flying leaves. When I got to the sea I didn't know what to do, so I threw the stick in Perseverance Bay and ran back. It was the happiest day of my life." Dellarobia wanted, of course, to know why. "Why," he repeated, thinking about it. "It was just like any schoolboy. I thought everything in the world was already discovered. Already in my books. A lot of dead stuff that put me to sleep. That was the day I understood the world is still living.
Barbara Kingsolver (Flight Behavior)
Founded in the mid-1890s, it was the most celebrated dressmaking establishment in London. Its proprietress, Lady Duff Gordon, was a brilliantly talented designer, whose vision and drive had enabled her to rise to the uppermost tier of a notoriously fickle and cut-throat industry. Drawing inspiration from the eighteenth-century portraits of Boucher, Fragonard and Vigée Le Brun, the Lucile look was a significant departure from the whaleboned richness of the late Victorian era. Ethereal colours, delicate lace, lavish applications of sequins and hand-stitched flowers conspired to create an impression of swooning femininity in elegant salons carpeted in soothing grey and garlanded with innumerable pink silk roses.
Martin Williams (The King is Dead, Long Live the King!: Majesty, Mourning and Modernity in Edwardian Britain)