Inspector Calls Quotes

We've searched our database for all the quotes and captions related to Inspector Calls. Here they are! All 100 of them:

We don't live alone. We are members of one body. We are responsible for each other. And I tell you that the time will soon come when if men will not learn that lesson, then they will be taught it in fire and blood and anguish. Good night.
J.B. Priestley (An Inspector Calls)
The man had a smooth voice, like velvet. “I’m Detective Inspector Me. Unusual name, I know. My family were incredibly narcissistic. I’m lucky I escaped with any degree of humility at all, to be honest, but then I’ve always managed to exceed expectations. You are Kenny Dunne, are you not?” “I am.” “Just a few questions for you, Mr Dunne. Or Kenny. Can I call you Kenny? I feel we’ve become friends these past few seconds. Can I call you Kenny?” “Sure,” Kenny said, slightly baffled. “Thank you. Thank you very much. It’s important you feel comfortable around me, Kenny. It’s important we build up a level of trust. That way I’ll catch you completely unprepared when I suddenly accuse you of murder.
Derek Landy (Death Bringer (Skulduggery Pleasant, #6))
Once upon a time, powerful wizard, who wanted to destroy an entire kingdom, placed a magic potion in the well from which the inhabitants drank. Whoever drank that water would go mad. The following morning, the whole population drank from the well and they all went mad, apart from the king and his family, who had a well set aside for them alone, which the magician had not managed to poison. The king was worried and tried to control the population by issuing a series of edicts governing security and public health. The policemen and the inspectors, however, had also drunk the poisoned water, and they thought the king’s decisions were absurd and resolved to take notice of them. When the inhabitants of the kingdom heard these decrees, they became convinced that the king had gone mad and was now giving nonsensical orders. The marched on the castle and called for his abdication. In despair the king prepared to step down from the throne, but the queen stopped him, saying: ‘Let us go and drink from the communal well. Then we will be the same as them.’ And that was what they did: The king and queen drank the water of madness and immediately began talking nonsense. Their subjects repented at once; now that the king was displaying such ‘wisdom’, why not allow him to rule the country? The country continued to live in peace, although its inhabitants behaved very differently from those of its neighbors. And the king was able to govern until the end of his days.
Paulo Coelho (Veronika Decides to Die)
Despite all claims to the contrary, we have not been called by God to be inspectors of others production or quality of 'fruit'.
R. Alan Woods (The Journey Is the Destination: A Book of Quotes With Commentaries)
The generals who had called Zia a mullah behind his back felt ashamed at having underestimated him: not only was he a mullah, he was a mullah whose understanding of religion didn't go beyond parroting what he had heard from the next mullah. A mullah without a beard, a mullah in a four-star general's uniform, a mullah with the instincts of a corrupt tax inspector.
Mohammed Hanif (A Case of Exploding Mangoes)
Wait, Armand, he heard behind him but kept walking, ignoring the calls. Then he remembered what Emile had meant to him and still did. Did this one bad thing wipe everything else out? That was the danger. Not that betrayals happened, not that cruel things happened, but that they could outweigh all the good. That we could forget the good and only remember the bad. But not today. Gamache stopped.
Louise Penny (Bury Your Dead (Chief Inspector Armand Gamache, #6))
Banks felt more alone and further away for having just talked to Sophia than he had before her call. But it was always like that - the telephone might bring you together for a few moments, but there's nothing like it for emphasising distance.
Peter Robinson (All the Colours of Darkness (Inspector Banks #18))
Beauvoir left their home wanting to call his wife and tell her how much he loved her, and then tell her what he believed in, and his fears and hopes and disappointments. To talk about something real and meaningful. He dialed his cell phone and got her. But the words got caught somewhere south of his throat. Instead he told her the weather had cleared, and she told him about the movie she'd rented. Then they both hung up.
Louise Penny (Still Life (Chief Inspector Armand Gamache, #1))
The little boy Hannibal died in 1945 out there in the snow trying to save his sister. His heart died with Mischa. What is he now? There's not a word for it yet. For lack of a better word, we'll call him a monster.
Inspector Popil
Normally death came at night, taking a person in their sleep, stopping their heart or tickling them awake, leading them to the bathroom with a splitting headache before pouncing and flooding their brain with blood. It waits in alleys and metro stops. After the sun goes down plugs are pulled by white-clad guardians and death is invited into an antiseptic room. But in the country death comes, uninvited, during the day. It takes fishermen in their longboats. It grabs children by the ankles as they swim. In winter it calls them down a slope too steep for their budding skills, and crosses their skies at the tips. It waits along the shore where snow met ice not long ago but now, unseen by sparkling eyes, a little water touches the shore, and the skater makes a circle slightly larger than intended. Death stands in the woods with a bow and arrow at dawn and dusk. And it tugs cars off the road in broad daylight, the tires spinning furiously on ice or snow, or bright autumn leaves.
Louise Penny (Still Life (Chief Inspector Armand Gamache, #1))
But you knew what would happen. Why would you choose to walk right into a situation where you know the person is going to be hurtful? It kills me to see you do that, and you do it all the time. It's like a form of insanity. - Peter Morrow You call it insanity, I call it optimism. - Clara Morrow
Louise Penny (Still Life (Chief Inspector Armand Gamache, #1))
I hardly think that any Socialist, nowadays, would seriously propose that an inspector should call every morning at each house to see that each citizen rose up and did manual labour for eight hours.
Oscar Wilde
To the person who has anything to conceal—to the person who wants to lose his identity as one leaf among the leaves of a forest—to the person who asks no more than to pass by and be forgotten, there is one name above others which promises a haven of safety and oblivion. London. Where no one knows his neighbour. Where shops do not know their customers. Where physicians are suddenly called to unknown patients whom they never see again. Where you may lie dead in your house for months together unmissed and unnoticed till the gas-inspector comes to look at the meter. Where strangers are friendly and friends are casual. London, whose rather untidy and grubby bosom is the repository of so many odd secrets. Discreet, incurious and all-enfolding London.
Dorothy L. Sayers (Unnatural Death (Lord Peter Wimsey, #3))
Inspector, there's no smoking allowed in here," said a uniformed officer who had been called to the scene. Cavuto waved to the drawers [at the morgue]. "Do you think they mind?" The officer shook his head. "No, sir." Cavuto blew a stream of smoke at Gilbert [a dead guy]. "And him, do you think he minds?" No, sir." And you, Patrolman Jeeter, you don't mind, do you?" Jeeter cleared his throat. "Uh...no, sir." Well, good," Cavuto said. "Look, on the side of the car, Jeeter. It says 'Protect and Serve' not 'Piss and Moan.'" Yes, sir.
Christopher Moore (Bloodsucking Fiends (A Love Story, #1))
Suppose a problem in psychology was set: What can be done to persuade the men of our time — Christians, humanitarians or, simply, kindhearted people — into committing the most abominable crimes with no feeling of guilt? There could be only one way: to do precisely what is being done now, namely, to make them governors, inspectors, officers, policemen, and so forth; which means, first, that they must be convinced of the existence of a kind of organization called ‘government service,’ allowing men to be treated like inanimate objects and banning thereby all human brotherly relations with them; and secondly, that the people entering this ‘government service’ must be so unified that the responsibility for their dealings with men would never fall on any one of them individually.
Leo Tolstoy
A few years I discovered this wonderful device which boosts my productivity enormously. Fortunately, it comes in handy pint-sized glasses and is called beer.” “I figured no one is going to be dumb enough to break into the house of the local police inspector.
Phil Hall (Murder O'clock (Inspector Bee Thrillers))
GOVERNOR. And then I must call your attention to the history teacher. He has a lot of learning in his head and a store of facts. That's evident. But he lectures with such ardor that he quite forgets himself. Once I listened to him. As long as he was talking about the Assyrians and Babylonians, it was not so bad. But when he reached Alexander of Macedon, I can't describe what came over him. Upon my word, I thought a fire had broken out. He jumped down from the platform, picked up a chair and dashed it to the floor. Alexander of Macedon was a hero, it is true. But that's no reason for breaking chairs. The state must bear the cost.
Nikolai Gogol (The Inspector-General)
Should I anticipate all future conversations with you to take this bent?" Lynley enquired. "Frankly, I've always thought your appeal lay in your complete indifference to personal grooming." "Those days are past, sir. What c'n I do for you? I reckon this isn't a personal call, made to see if I'm keeping my legs shaved.
Elizabeth George (Believing the Lie (Inspector Lynley, #17))
On an impulse he picked up the phone and asked for the London number. "One hour delay. Call you back," said the triumphant voice at the other end. "Priority," said Grant. And gave his credentials. "Oh," said the voice, disappointed but game. "Oh well, I'll see what I can do." "On the contrary," Grant said, "I'll see what you can do," and hung up.
Josephine Tey (To Love and Be Wise (Inspector Alan Grant, #4))
There’s a thing called narcissistic personality disorder. People who have an inflated sense of their own importance, a lack of empathy for others. They’re vain, they crave the power over others they think they deserve. They can be arrogant and callous. They think they’re better than everybody else and they don’t care who they trample on in their desire to get what they want.’ ‘A bit like Donald Trump, then?
Val McDermid (Out of Bounds (Inspector Karen Pirie, #4))
But then why, when talking on the phone, did they quarrel, on average at least once every four sentences? Maybe, though the inspector, it was an effect of the distance between them becoming less and less tolerable with each passing day, since as we grow old - for every now and then one must, yes, look reality in the eye and call things by their proper names - we feel more keenly the need to have the person we love beside us.
Andrea Camilleri (The Smell of the Night (Inspector Montalbano, #6))
You revolutionists' the other continued, with leisurely self-confidence, 'are the slaves of the social convention, which is afraid of you; slaves of it as much as the very police that stands up in the defence of that convention. Clearly you are, since you want to revolutionize it. It governs your action, too, and thus neither your thought nor your action can ever be conclusive. (...) 'You are not a bit better than the forces arrayed against you -- than the police, for instance. The other day I came suddenly upon Chief Inspector Heat at the corner of Tottenham Court Road. He looked at me very steadily. But I did not look at him. Why should I give him more than a glance ? He was thinking of many things -- of his superiors, of his reputation, of the law courts, of his salary, of newspapers -- of a hundred things. But I was thinking of my perfect detonator only. He meant nothing to me. He was as insignificant as -- I can't call to mind anything insignificant enough to compare him with -- except Karl Yundt perhaps. Like to like. The terrorist and the policeman both come from the same basket. Revolutions, legality -- counter moves in the same game; forms of idleness at bottom identical. He plays his little game -- so do you propagandists.
Joseph Conrad (The Secret Agent)
Reason has an elder sister, never forget that. She’s called Intuition.
Håkan Nesser (The Inspector and Silence (Inspector Van Veeteren #5))
There have always been two standards,” Rutledge answered. “People called Fiona a whore, but there’s no name for a man who has an illegitimate child.
Charles Todd (Legacy Of The Dead (Inspector Ian Rutledge, #4))
in the snake pit. (Officially, it was called the counting room.) Lawyers for each side met with inspectors of elections,
Malcolm Gladwell (Outliers: The Story of Success)
If he does well, it will be called dedication. If he doesn’t it will be lunacy.
Wilkie Martin (Inspector Hobbes and the Bones (Unhuman, #4))
The Maze, that labyrinth of alleys called ginnels and snickets locally—tiny squares, courtyards, nooks and crannies and small warehouses that had remained unchanged since the eighteenth century.
Peter Robinson (Friend Of The Devil (Inspector Banks, #17))
When something baffled him he found that if he kept on worrying it, he got no further, and lost his sense of proportion in the process. So when he came to a dead stop he indulged in what he called “shutting his eyes” for a little, and when he “opened” them again he habitually found a new light on things that revealed unexpected angles and made the old problem a totally new proposition. There
Josephine Tey (The Man in the Queue (Inspector Alan Grant #1))
Middlemarch is a novel that is diminished by being put on the screen. It can't help but be, because so much of what we enjoy in Middlemarch is the interplay between what the characters do and what we know about them because of the telling voice. It's less of a problem for the cinema when it deals with novels that are purely concerned with action and what people do. I haven't thought this through, and I'm just trying it now to see what it sounds like. But maybe it would be less a problem with novels that are told in the first person. The interesting thing to me about Middlemarch, and Thackeray's Vanity Fair, and several other great novels, is precisely this omniscient, as we call it, third person, which naive readers mistake for the author. It isn't George Eliot who is saying this; it's a voice that George Eliot adopts to tell this story. There can be something very interesting in a novel like Bleak House, which was also done very well on the television by the same adapter, Andrew Davis. Now, Bleak House is told in two voices, as you remember. One is the somewhat trying Esther Summerson, who is a paradigm of every kind of virtue, and the other is a different sort of voice entirely, a voice that tells the story in the present tense, which was unusual for the time, a voice that doesn't seem to have a main character attached to it. But I think that Dickens is playing a very subtle game here. I've noticed a couple of things about that second narration that make me wonder whether it isn't Esther herself writing the other bits of it. For instance, at the very beginning, she says, "When I come to write my portion of these pages . . ." So she knows that there is another narrative going on, but nobody else does. Nobody else refers to it. The second thing is that she is the only character who never appears in those passages of present-tense narration. The other characters do. She doesn't. Why would that be? There's one point very near the end of the book where she almost does. Inspector Bucket is coming into the house to collect Esther to go and look for Lady Dedlock, who's run away, and we hear that Esther is just coming -- but no, she's turned back and brought her cloak, so we don't quite see her. It's as if she's teasing us and saying, "You're going to see me; no, you're not." Now, that's Dickens, at the height of his powers, playing around -- in ways that we would now call, I don't know, postmodern, ironic, self-referential, or something -- with the whole notion of narration, characterization, and so on. Yet, it doesn't matter. Those things are there for us to notice and to enjoy and to relish, if we have the taste for that sort of thing. But the events of Bleak House are so thrilling, so perplexing, so exciting that a mere recital of the events themselves is enough to carry a whole television adaptation, a whole play, a whole story. It's so much better with Dickens's narrative playfulness there, but it's pretty good without them.
Philip Pullman
I don’t know, Armand. It made me sick. And sad. And glad I live far—” “From the madding crowd?” Vincent Gilbert smiled and nodded. “Yes. I peek out every now and then, then scuttle back to my little cabin, where I hope so-called civilization won’t find me.
Louise Penny (The Madness of Crowds (Chief Inspector Armand Gamache, #17))
Churchill stayed at the White House, as did secretary Martin and several others, and got a close-up look at Roosevelt’s own secret circle. Roosevelt, in turn, got a close-up look at Churchill. The first night Churchill and members of his party spent in the White House, Inspector Thompson—also one of the houseguests—was with Churchill in his room, scouting various points of danger, when someone knocked at the door. At Churchill’s direction, Thompson answered and found the president outside in his wheelchair, alone in the hall. Thompson opened the door wide, then saw an odd expression come over the president’s face as he looked into the room behind the detective. “I turned,” Thompson wrote. “Winston Churchill was stark naked, a drink in one hand, a cigar in the other.” The president prepared to wheel himself out. “Come on in, Franklin,” Churchill said. “We’re quite alone.” The president offered what Thompson called an “odd shrug,” then wheeled himself in. “You see, Mr. President,” Churchill said, “I have nothing to hide.
Erik Larson (The Splendid and the Vile: A Saga of Churchill, Family, and Defiance During the Blitz)
Now, Ruth.” Gabri spoke with exaggerated patience. “We’ve been through this before. When we call for volunteers to sandbag, we don’t mean to hit each other over the head with sand-filled socks.” “Shit,” said Ruth. “No,” said Gabri. “Not shit either, as we learned last spring.
Louise Penny (A Better Man (Chief Inspector Armand Gamache, #15))
I once saw a woman wearing a low-cut dress; she had a glazed look in her eyes, and she was walking the streets of Ljubljana when it was five degrees below zero. I thought she must be drunk, and I went to help her, but she refused my offer to lend her my jacket. Perhaps in her world it was summer and her body was warmed by the desire of the person waiting for her. Even if that person only existed in her delirium, she had the right to live and die as she wanted, don’t you think?” Veronika didn’t know what to say, but the madwoman’s words made sense to her. Who knows; perhaps she was the woman who had been seen half-naked walking the streets of Ljubljana? “I’m going to tell you a story,” said Zedka. “A powerful wizard, who wanted to destroy an entire kingdom, placed a magic potion in the well from which all the inhabitants drank. Whoever drank that water would go mad. “The following morning, the whole population drank from the well and they all went mad, apart from the king and his family, who had a well set aside for them alone, which the magician had not managed to poison. The king was worried and tried to control the population by issuing a series of edicts governing security and public health. The policemen and the inspectors, however, had also drunk the poisoned water, and they thought the king’s decisions were absurd and resolved to take no notice of them. “When the inhabitants of the kingdom heard these decrees, they became convinced that the king had gone mad and was now giving nonsensical orders. They marched on the castle and called for his abdication. “In despair the king prepared to step down from the throne, but the queen stopped him, saying: ‘Let us go and drink from the communal well. Then we will be the same as them.’ “And that was what they did: The king and the queen drank the water of madness and immediately began talking nonsense. Their subjects repented at once; now that the king was displaying such wisdom, why not allow him to continue ruling the country? “The country continued to live in peace, although its inhabitants behaved very differently from those of its neighbors. And the king was able to govern until the end of his days.” Veronika laughed. “You don’t seem crazy at all,” she said. “But I am, although I’m undergoing treatment since my problem is that I lack a particular chemical. While I hope that the chemical gets rid of my chronic depression, I want to continue being crazy, living my life the way I dream it, and not the way other people want it to be. Do you know what exists out there, beyond the walls of Villete?” “People who have all drunk from the same well.” “Exactly,” said Zedka. “They think they’re normal, because they all do the same thing. Well, I’m going to pretend that I have drunk from the same well as them.
Paulo Coelho (Veronika Decides to Die)
As a matter of fact I don’t care two pins about accuracy. Who is accurate? Nobody nowadays. If a reporter writes that a beautiful girl of twenty-two dies by turning on the gas after looking out over the sea and kissing her favourite Labrador, Bob, goodbye, does anybody make a fuss because the girl was twenty-six, the room faced inland, and the dog was a Sealyham terrier called Bonnie? If a journalist can do that sort of thing I don’t see that it matters if I mix up police ranks and say a revolver when I mean an automatic and a dictograph when I mean a phonograph, and use a poison that just allows you to gasp one dying sentence and no more. What really matters is plenty of bodies! If the thing’s getting a little dull, some more blood cheers it up. Somebody is going to tell something – and then they’re killed first! That always goes down well. It comes in all my books – camouflaged different ways of course. And people like untraceable poisons, and idiotic police inspectors and girls tied up in cellars with sewer gas or water pouring in (such a troublesome way of killing anyone really) and a hero who can dispose of anything from three to seven villains singlehanded.
Agatha Christie (Cards on the Table (Hercule Poirot, #15))
Let's not malign the restaurants," said Des Hermies. "They afford a very special delight to the person who has the instinct of the inspector. I had an opportunity to gratify this instinct just the other night. I was returning from a call on a patient, and I dropped into one of these establishments where for the sum of three francs you are entitled to soup, two selected dishes, a salad, and a dessert.
Joris-Karl Huysmans (Là-Bas (Down There))
Call the police! “I’ll do it,” I said. “I know Inspector Hewitt’s number off by heart.” “Very good,” Dogger said. “But before you do, let’s have a quick dekko at the place. This lady isn’t going anywhere.” It was a moment right out of Philip Odell, the famous wireless detective, and I’m afraid I clasped my hands together under my chin. Such moments of bliss were few in my life and I needed to savor them the moment they occurred.
Alan Bradley (The Golden Tresses of the Dead (Flavia de Luce, #10))
Who were you fighting when I called you?” “Ryodan.” “Why?” “For talking to about me to people he shouldn’t be talking to.” “Who’s Ryodan?” “The man I was fighting.” I took a detour around the dead end. “Did you kill the inspector?” “If I were the type of person to kill O’Duffy, I would also be the type of person to lie about it.” “So, did you, or didn’t you?” “The answer would be ‘no’ in either in either case. You ask absurd questions. Listen to your gut, Ms. Lane. It may save your life one day.” “I heard there are no male sidhe-seers.” “Where did you hear that?” “Around.” “And which one of those are you in doubt about, Ms. Lane?” “Which one of what?” “Whether I see the Fae, or whether I’m a man. I believe I’ve laid your mind to rest on the former; shall I relieve it on the latter?” He reached for his belt. “Oh, please.” I rolled my eyes. “You’re a leftie, Barrons.” “Touche, Ms. Lane,” he murmured.
Karen Marie Moning (Bloodfever (Fever, #2))
Madness? Categories such as that do not exist – as far as I'm concerned, everything is healthy, except for fruit and vegetables. In art, too, madness comes in handy, in the art of the insane, and soon there will no doubt be artists who inflict wounds upon themselves, they will be the most modern of all modern artists. For example, you’re injured and you go for a walk along the street and display your injury to a police inspector, calling it a work of art, he does not understand this, and the gulf between him and the artist (who is at one and the same time his own work of art) becomes immeasurable, never to be crossed. Submission to something you didn't preach yourself is no good, I quote. Because Man must burst his ridiculous bonds, which consist of what is supposedly current reality with a prospect of a future reality of scarcely any greater value. Quote: Each and every full minute bears within it the negation of centuries of lame, broken history. End of quote.
Elfriede Jelinek (Wonderful, Wonderful Times)
One of us, thought Gamache. Three short words, but potent. They more than anything had launched a thousand ships, a thousand attacks. One of us. A circle drawn. And closed. A boundary marked. Those inside and those not. Families, clubs, gangs, cities, states, countries. A village. What had Myrna called it? Beyond the pale. But it went beyond simple belonging. The reason 'belonging' was so potent, so attractive, so much a part of the human yearning, was that it also meant safety, and loyalty. If you were 'one of us' you were protected.
Louise Penny (The Brutal Telling (Chief Inspector Armand Gamache, #5))
While he talked, however, he was criticising her, comparing the laziness of her attitude with the brisk and respectful alertness of other women when he talked. He knew that these other women belonged to a different class; his wife, the parson’s wife, the wives of the inspectors on other estates, these were not, of course, in the same sphere as the new mistress of Kleinwalde; but she was only a woman, and dress up a woman as you will, call her by what name you will, she is nothing but a woman, born to help and serve, never by any possibility even equal to a clever man like himself.
Elizabeth von Arnim (Delphi Collected Works of Elizabeth von Arnim (Illustrated))
But above all--and this was why these disadvantages became a political danger--the people never felt closer to those who paid the penalty than in those rituals intended to show the horror of the crime and the invincibility of power; never did the people feel more threatened, like them, by a legal violence exercised without moderation or restraint. The solidarity of a whole section of the population with those we would call petty offenders -- vagrants, false beggars, the indigent poor, pick pockets, receivers and dealers in stolen goods -- was constantly expressed: resistance to police searches, the pursuit of informers, attacks on the watch or inspectors provide abundant evidence of this.
Michel Foucault (Discipline and Punish: The Birth of the Prison)
Guess what?” she said to us. “Someone chopped down a tree in Mrs. Spencer’s garden last night.” I stared at her incredulously for a moment. Not a much-loved family member, then, not a nuclear power plant. My eyes went to Florence’s face, which was wet with tears. Was she really crying over Mr. Snuggles? Unobtrusively, I slipped past Lottie and over to the coffee machine, put the biggest cup I could find under it, and pressed the cappuccino button. Twice. “A tree? But why?” asked Mia with a perfectly judged mixture of curiosity and mild surprise. “No one knows,” said Lottie. “But Mrs. Spencer has already called in Scotland Yard. It was a very valuable tree.” I almost laughed out loud. Yes, sure. I bet they had a special gardening squad to investigate such cases. Scotland Front Yard. Good day, my name is Inspector Griffin and I’m looking into the murder of Mr. Snuggles.
Kerstin Gier
Everything about this project was dark alley, cloak and dagger. Even the way they financed the operation was highly unconventional: using secret contingency funds, they back-doored payment to Lockheed by writing personal checks to Kelly for more than a million bucks as start-up costs. The checks arrived by regular mail at his Encino home, which had to be the wildest government payout in history. Johnson could have absconded with the dough and taken off on a one-way ticket to Tahiti. He banked the funds through a phony company called “C & J Engineering,” the “C & J” standing for Clarence Johnson. Even our drawings bore the logo “C & J”—the word “Lockheed” never appeared. We used a mail drop out at Sunland, a remote locale in the San Fernando Valley, for suppliers to send us parts. The local postmaster got curious about all the crates and boxes piling up in his bins and looked up “C & J” in the phone book and, of course, found nothing. So he decided to have one of his inspectors follow our unmarked van as it traveled back to Burbank. Our security people nabbed him just outside the plant and had him signing national security secrecy forms until he pleaded writer’s cramp.
Ben R. Rich (Skunk Works: A Personal Memoir of My Years of Lockheed)
The first night Churchill and members of his party spent in the White House, Inspector Thompson—also one of the houseguests—was with Churchill in his room, scouting various points of danger, when someone knocked at the door. At Churchill’s direction, Thompson answered and found the president outside in his wheelchair, alone in the hall. Thompson opened the door wide, then saw an odd expression come over the president’s face as he looked into the room behind the detective. “I turned,” Thompson wrote. “Winston Churchill was stark naked, a drink in one hand, a cigar in the other.” The president prepared to wheel himself out. “Come on in, Franklin,” Churchill said. “We’re quite alone.” The president offered what Thompson called an “odd shrug,” then wheeled himself in. “You see, Mr. President,” Churchill said, “I have nothing to hide.” Churchill proceeded to sling a towel over his shoulder and for the next hour conversed with Roosevelt while walking around the room naked, sipping his drink, and now and then refilling the president’s glass. “He might have been a Roman at the baths, relaxing after a successful debate in the Senate,” Inspector Thompson wrote. “I don’t believe Mr. Churchill would have blinked an eye if Mrs. Roosevelt had walked in too.” —
Erik Larson (The Splendid and the Vile: A Saga of Churchill, Family, and Defiance During the Blitz)
One of my students told the class that he worked in a bank in which everybody made note of every action—a telephone call, a calculation, use of a computer, waiting on a customer, etc. There was a standard time for every act, and everybody was rated every day. Some days this man would make a score of 50, next day 260, etc. Everybody was ranked on his score, the lower the score, the higher the rank. Morale was understandably low. “My rate is 155 pieces per day. I can’t come near this figure—and we all have the problem—without turning out a lot of defective items.” She must bury her pride of workmanship to make her quota, or lose pay and maybe also her job. It could well be that with intelligent supervision and help, and with no inherited defects, this operator could produce in a day and with less effort many more good items than her stated rate. Some people in management claim that they have a better plan: dock her for a defective item. This sounds great. Make it clear that this is not the place for mistakes and defective items. Actually, this may be cruel supervision. Who declares an item to be defective? Is it clear to the worker and to the inspector—both of them—what constitutes a defective item? Would it have been declared defective yesterday? Who made the defective item? The worker, or the system? Where is the evidence?
W. Edwards Deming (Out of the Crises)
Like Felicity they methodically checked the house office, safe and family bank account details and financial affairs. Angelina then had Inspector Mick bug the boys’ homes, cars and offices and with the information she acquired came knowledge and contacts. She wrote a programme called listen, it saved all conversations digitally and converted it to text into a computer file in a remote location not traceable to her or anybody at 3WW but it recorded all his illicit dealings and it gave her valuable information. She hacked into their individual MIS computer systems and sent spyware via e-mail called virus protection free download and once opened it went through their c drive, all files on their computers, and copied all files to a ip address of a remote computer of Angelina’s request, in a phantom company named Borrow. All data was heavily encrypted and deleted after access and storage was onto an external hard drive storage box, deleting the electronic footpath. The spyware recorded their strokes on the keyboard and Angelina was able to secure even their banking pins and passwords and all their computer passwords. She had a brilliant computer mind, wasted in librarianship
Annette J. Dunlea
waited on my call, nor does any
Louise Penny (The Cruelest Month (Chief Inspector Armand Gamache, #3))
Several hours later, 125 miles from Lille, Martin Leclerc, head of the Violent Crimes unit, pondered a three-dimensional representation of a human head on the screen of a Mac. You could clearly see the brain and several salient parts of the face: tip of the nose, outer surface of the right eye, left tragus…Then he pointed to a green area, located in the left superior temporal gyrus. “So that lights up every time I say something?” Half reclining on a hydraulic chair, head squeezed under a hood containing 128 electrodes, Chief Inspector Franck Sharko stared at the ceiling without moving a muscle. “It’s called Wernicke’s area, linked to hearing speech. For you and me both, blood rushes there the moment you hear a voice. Hence the coloration.” “Impressive.” “Not half as much as seeing you here.” Sharko spoke softly beneath the bonnet. “I don’t know if you recall, Martin, but the invitation was for a drink at my place. The only thing you’ll get here is watery coffee.” “Your shrink didn’t have any problems with me sitting in on a session. And you’d suggested it yourself—or am I not the only one having memory lapses?
Franck Thilliez (Syndrome E)
While Diana and her mother started planning guest lists, wardrobe requirements and the other details for the wedding of the year, the media vainly attempted to discover her hiding-place. The one man who did know was the Prince of Wales. As the days passed, Diana pined for her Prince and yet he never telephoned. She excused his silence as due to the pressure of his royal duties. Finally she called him only to find that he was not in his apartment at Buckingham Palace. It was only after she called him that he telephoned her. Soothed by that solitary telephone call, Diana’s ruffled pride was momentarily mollified when she returned to Coleherne Court. There was a knock on the door and a member of the Prince’s staff appeared with a large bouquet of flowers. However there was no note from her future husband and she concluded sadly that it was simply a tactful gesture by his office. These concerns were forgotten a few days later when Diana rose at dawn and travelled to the Lambourn home of Nick Gaselee, Charles’s trainer, to watch him ride his horse, Allibar. As she and his detective observed the Prince put the horse through its paces on the gallops Diana was seized by another premonition of disaster. She said that Allibar was going to have a heart attack and die. Within seconds of her uttering those words, 11-year-old Allibar reared its head back and collapsed to the ground with a massive coronary. Diana leapt out of the Land Rover and raced to Charles’s side. There was nothing anyone could do. The couple stayed with the horse until a vet officially certified its death and then, to avoid waiting photographers, Diana left the Gaselees in the back of the Land Rover with a coat over her head. It was a miserable moment but there was little time to reflect on the tragedy. The inexorable demands of royal duty took Prince Charles on to wales, leaving Diana to sympathize with his loss by telephone. Soon they would be together forever, the subterfuge and deceit ended. It was nearly time to let the world into their secret. The night before the engagement announcement, which took place on February 24, 1981, she packed a bag, hugged her loyal friends and left Coleherne Court forever. She had an armed Scotland Yard bodyguard for company, Chief Inspector Paul Officer, a philosophical policeman who is fascinated by runes, mysticism and the after-world. As she prepared to say goodbye to her private life, he told her: “I just want you to know that this is the last night of freedom in your life so make the most of it.” Those words stopped her in her tracks. “They felt like a sword through my heart.
Andrew Morton (Diana: Her True Story in Her Own Words)
patrons. Courage must always be rewarded. The other thing Jacques remembered was looking down the long corridor as Monsieur Horowitz paused at the mosaic in the tile floor by the entrance to the Hôtel Lutetia. It was the symbol of the hotel, and also the ancient symbol of Paris. The city had originally been called Lutetia. And her emblem was a ship in peril on a stormy sea. That symbol was imbedded in the hotel floor.
Louise Penny (All the Devils Are Here (Chief Inspector Armand Gamache, #16))
To neither of his two commissariats did he give the sustained and imaginative direction that agencies so innovative in design especially called for. The notion of the worker-peasant inspectorate as essentially a public force against “bureaucratism” came from Lenin, and Stalin never seems to have felt at home with
Robert C. Tucker (Stalin as Revolutionary: A Study in History and Personality, 1879-1929)
Heathrow was referred to as an air port. Troy presumed that this fiction was in some way meant to distinguish it from such places as Croydon which had always been called an aerodrome or Brize Norton which remained an air field. It was a linguistic elevation, a sleight of tongue. What it amounted to on the physical plane was a shanty town of shacks and bulldozers, mountains of frozen mud, on the very fringe of London — so far out as to seem like another country. In this weather, Troy thought, it might as well be the North Pole.
John Lawton (Black Out (Inspector Troy, #1))
The famous younger generation who know it all
J.B Priestley
When the librarian went over to talk with another girl, Samantha took out the book she wanted and gave her ticket to the old lady librarian with the dyed hair, whom the children called Mrs Slocum.
Ian Rankin (Knots and Crosses (Inspector Rebus, #1))
He had never heard of a composer called Tippett but he knew it meant a tuneless evening of scraping catgut.
John Lawton (Black Out (Inspector Troy, #1))
Why, he wondered, does a phone call to a distant loved one only intensify the emptiness and loneliness you were feeling before you called?
Peter Robinson (A Necessary End (Inspector Banks, #3))
There was so much to think about and so much to do with all this activity and responsibility that he hardly had time to really consider how he missed London, the hum of it, the Brixton roar and the beloved river, the West Indian take aways, the glittering of the tower blocks at night, the mobile phone shacks, the Africans in Peckham, the common proximity of plantain, the stern beauty of church women on Sunday mornings, the West End, the art in the air, the music in the air, the sense of possibility. He missed the tube, the telephone boxes. He even missed, deep down, the wicked parking inspectors and the heartless bus drivers who flew past queues of freezing pedestrians out of spite. He missed riding from Loughborough to Surrey Quays on his bike with the plane trees whizzing by, the sight of some long-weaved woman walking along in tight jeans and a studded belt and look-at-me boots and maybe a little boy holding her hand. The skylines, the alleyways, and yes, the sirens and helicopters and the hit of life, all these things he knew so well. And the fact, most of all, that he belonged there in a way that he would never, could never, belong in Dorking. He was outside, displaced. He was off the A-Z. He felt, in a very fundamental way, that he was living outside of his life, outside of himself. And the problem was, if indeed it was a problem – how could you call something like this a problem when there were bills to pay and children to feed and a house to maintain? – the problem was that he did not know what to do about it, how to get rid of this feeling, how to get to a place where he felt that he was in the right place. And this not being such a serious problem, not really a problem at all, he had suppressed it and accepted things as they were.
Diana Evans (Ordinary People)
Why was it always like that? he wondered. You call someone you love on the phone, and when you’ve finished talking, all you feel is the bloody distance between you.
Peter Robinson (Wednesday's Child (Inspector Banks, #6))
Thus she found herself in an office the size of a cupboard sitting opposite Detective-inspector Robinson. He looked quite pleased to see her—‘Call me Jack, Miss Fisher, everyone does’—and offered her a cup of tea. Phryne had tasted police-station tea before, but accepted it anyway.
Kerry Greenwood (Flying Too High (Miss Fisher's Murder Mysteries #2))
We don’t live alone. We are members of one body. We are responsible for each other. And I tell you that the time will soon come when, if men will not learn that lesson, then they will be taught it in fire and blood and anguish.
J.B. Priestley (An Inspector Calls)
Havoc!” his mother cried, letting the dogs slip out as she called into the woods.
Louise Penny (The Brutal Telling (Chief Inspector Armand Gamache #5))
Ken Wharfe In 1987, Ken Wharfe was appointed a personal protection officer to Diana. In charge of the Princess’s around-the-clock security at home and abroad, in public and in private, Ken Wharfe became a close friend and loyal confidant who shared her most private moments. After Diana’s death, Inspector Wharfe was honored by Her Majesty Queen Elizabeth II at Buckingham Palace and made a Member of the Victorian Order, a personal gift of the sovereign for his loyal service to her family. His book, Diana: Closely Guarded Secret, is a Sunday Times and New York Times bestseller. He is a regular contributor with the BBC, ITN, Sky News, NBC, CBS, and CNN, participating in numerous outside broadcasts and documentaries for BBC--Newsnight, Channel 4 News, Channel 5 News, News 24, and GMTV. My memory of Diana is not her at an official function, dazzling with her looks and clothes and the warmth of her manner, or even of her offering comfort among the sick, the poor, and the dispossessed. What I remember best is a young woman taking a walk in a beautiful place, unrecognized, carefree, and happy. Diana increasingly craved privacy, a chance “to be normal,” to have the opportunity to do what, in her words, “ordinary people” do every day of their lives--go shopping, see friends, go on holiday, and so on--away from the formality and rituals of royal life. As someone responsible for her security, yet understanding her frustration, I was sympathetic. So when in the spring of the year in which she would finally be separated from her husband, Prince Charles, she yet again raised the suggestion of being able to take a walk by herself, I agreed that such a simple idea could be realized. Much of my childhood had been spent on the Isle of Purbeck in Dorset, a county in southern England approximately 120 miles from London; I remembered the wonderful sandy beaches of Studland Bay, on the approach to Poole Harbour. The idea of walking alone on miles of almost deserted sandy beach was something Diana had not even dared dream about. At this time she was receiving full twenty-four-hour protection, and it was at my discretion how many officers should be assigned to her protection. “How will you manage it, Ken? What about the backup?” she asked. I explained that this venture would require us to trust each other, and she looked at me for a moment and nodded her agreement. And so, early one morning less than a week later, we left Kensington Palace and drove to the Sandbanks ferry at Poole in an ordinary saloon car. As we gazed at the coastline from the shabby viewing deck of the vintage chain ferry, Diana’s excitement was obvious, yet not one of the other passengers recognized her. But then, no one would have expected the most photographed woman in the world to be aboard the Studland chain ferry on a sunny spring morning in May. As the ferry docked after its short journey, we climbed back into the car and then, once the ramp had been lowered, drove off in a line of cars and service trucks heading for Studland and Swanage. Diana was driving, and I asked her to stop in a sand-covered area about half a mile from the ferry landing point. We left the car and walked a short distance across a wooded bridge that spanned a reed bed to the deserted beach of Shell Bay. Her simple pleasure at being somewhere with no one, apart from me, knowing her whereabouts was touching to see. Diana looked out toward the Isle of Wight, anxious by now to set off on her walk to the Old Harry Rocks at the western extremity of Studland Bay. I gave her a personal two-way radio and a sketch map of the shoreline she could expect to see, indicating a landmark near some beach huts at the far end of the bay, a tavern or pub, called the Bankes Arms, where I would meet her.
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
Ken Wharfe In 1987, Ken Wharfe was appointed a personal protection officer to Diana. In charge of the Princess’s around-the-clock security at home and abroad, in public and in private, Ken Wharfe became a close friend and loyal confidant who shared her most private moments. After Diana’s death, Inspector Wharfe was honored by Her Majesty Queen Elizabeth II at Buckingham Palace and made a Member of the Victorian Order, a personal gift of the sovereign for his loyal service to her family. His book, Diana: Closely Guarded Secret, is a Sunday Times and New York Times bestseller. He is a regular contributor with the BBC, ITN, Sky News, NBC, CBS, and CNN, participating in numerous outside broadcasts and documentaries for BBC--Newsnight, Channel 4 News, Channel 5 News, News 24, and GMTV. And so, early one morning less than a week later, we left Kensington Palace and drove to the Sandbanks ferry at Poole in an ordinary saloon car. As we gazed at the coastline from the shabby viewing deck of the vintage chain ferry, Diana’s excitement was obvious, yet not one of the other passengers recognized her. But then, no one would have expected the most photographed woman in the world to be aboard the Studland chain ferry on a sunny spring morning in May. As the ferry docked after its short journey, we climbed back into the car and then, once the ramp had been lowered, drove off in a line of cars and service trucks heading for Studland and Swanage. Diana was driving, and I asked her to stop in a sand-covered area about half a mile from the ferry landing point. We left the car and walked a short distance across a wooded bridge that spanned a reed bed to the deserted beach of Shell Bay. Her simple pleasure at being somewhere with no one, apart from me, knowing her whereabouts was touching to see. Diana looked out toward the Isle of Wight, anxious by now to set off on her walk to the Old Harry Rocks at the western extremity of Studland Bay. I gave her a personal two-way radio and a sketch map of the shoreline she could expect to see, indicating a landmark near some beach huts at the far end of the bay, a tavern or pub, called the Bankes Arms, where I would meet her. She set off at once, a tall figure clad in a pair of blue denim jeans, a dark-blue suede jacket, and a soft scarf wrapped loosely around her face to protect her from the chilling, easterly spring wind. I stood and watched as she slowly dwindled in the distance, her head held high, alone apart from busy oyster catchers that followed her along the water’s edge. It was a strange sensation watching her walking away by herself, with no bodyguards following at a discreet distance. What were my responsibilities here? I kept thinking. Yet I knew this area well, and not once did I feel uneasy. I had made this decision--not one of my colleagues knew. Senior officers at Scotland Yard would most certainly have boycotted the idea had I been foolish enough to give them advance notice of what the Princess and I were up to.
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
Ken Wharfe In 1987, Ken Wharfe was appointed a personal protection officer to Diana. In charge of the Princess’s around-the-clock security at home and abroad, in public and in private, Ken Wharfe became a close friend and loyal confidant who shared her most private moments. After Diana’s death, Inspector Wharfe was honored by Her Majesty Queen Elizabeth II at Buckingham Palace and made a Member of the Victorian Order, a personal gift of the sovereign for his loyal service to her family. His book, Diana: Closely Guarded Secret, is a Sunday Times and New York Times bestseller. He is a regular contributor with the BBC, ITN, Sky News, NBC, CBS, and CNN, participating in numerous outside broadcasts and documentaries for BBC--Newsnight, Channel 4 News, Channel 5 News, News 24, and GMTV. Diana looked out toward the Isle of Wight, anxious by now to set off on her walk to the Old Harry Rocks at the western extremity of Studland Bay. I gave her a personal two-way radio and a sketch map of the shoreline she could expect to see, indicating a landmark near some beach huts at the far end of the bay, a tavern or pub, called the Bankes Arms, where I would meet her. She set off at once, a tall figure clad in a pair of blue denim jeans, a dark-blue suede jacket, and a soft scarf wrapped loosely around her face to protect her from the chilling, easterly spring wind. I stood and watched as she slowly dwindled in the distance, her head held high, alone apart from busy oyster catchers that followed her along the water’s edge.
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
Ken Wharfe In 1987, Ken Wharfe was appointed a personal protection officer to Diana. In charge of the Princess’s around-the-clock security at home and abroad, in public and in private, Ken Wharfe became a close friend and loyal confidant who shared her most private moments. After Diana’s death, Inspector Wharfe was honored by Her Majesty Queen Elizabeth II at Buckingham Palace and made a Member of the Victorian Order, a personal gift of the sovereign for his loyal service to her family. His book, Diana: Closely Guarded Secret, is a Sunday Times and New York Times bestseller. He is a regular contributor with the BBC, ITN, Sky News, NBC, CBS, and CNN, participating in numerous outside broadcasts and documentaries for BBC--Newsnight, Channel 4 News, Channel 5 News, News 24, and GMTV. It was a strange sensation watching her walking away by herself, with no bodyguards following at a discreet distance. What were my responsibilities here? I kept thinking. Yet I knew this area well, and not once did I feel uneasy. I had made this decision--not one of my colleagues knew. Senior officers at Scotland Yard would most certainly have boycotted the idea had I been foolish enough to give them advance notice of what the Princess and I were up to. Before Diana disappeared from sight, I called her on the radio. Her voice was bright and lively, and I knew instinctively that she was happy, and safe. I walked back to the car and drove slowly along the only road that runs adjacent to the bay, with heath land and then the sea to my left and the waters of Poole Harbour running up toward Wareham, a small market town, to my right. Within a matter of minutes, I was turning into the car park of the Bankes Arms, a fine old pub that overlooks the bay. I left the car and strolled down to the beach, where I sat on an old wall in the bright sunshine. The beach huts were locked, and there was no sign of life. To my right I could see the Old Harry Rocks--three tall pinnacles of chalk standing in the sea, all that remains, at the landward end, of a ridge that once ran due east to the Isle of Wight. Like the Princess, I, too, just wanted to carry on walking. Suddenly, my radio crackled into life: “Ken, it’s me--can you hear me?” I fumbled in the large pockets of my old jacket, grabbed the radio, and said, “Yes. How is it going?” “Ken, this is amazing, I can’t believe it,” she said, sounding truly happy. Genuinely pleased for her, I hesitated before replying, but before I could speak she called again, this time with that characteristic mischievous giggle in her voice. “You never told me about the nudist colony!” she yelled, and laughed raucously over the radio. I laughed, too--although what I actually thought was “Uh-oh!” But judging from her remarks, whatever she had seen had made her laugh. At this point, I decided to walk toward her, after a few minutes seeing her distinctive figure walking along the water’s edge toward me. Two dogs had joined her and she was throwing sticks into the sea for them to retrieve; there were no crowd barriers, no servants, no police, apart from me, and no overattentive officials. Not a single person had recognized her. For once, everything for the Princess was “normal.” During the seven years I had worked for her, this was an extraordinary moment, one I shall never forget.
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
The man called Gareth was laughing into his mobile phone as the door opened. There were gold rings on each of his fingers, chains dangling from his neck and wrists. He wasn’t tall but he was wide. Rebus got the impression much of it was fat. A gut hung over his waistband. He was balding badly, and had allowed what hair he had to grow uncut, so that it hung down to the back of his collar and beyond. He wore a black leather trenchcoat and black T-shirt, with baggy denims and scuffed trainers. He already had his free hand out for the cash, wasn’t expecting another hand to grab it and haul him inside the flat. He dropped the phone, swearing and finally taking note of Rebus.
Ian Rankin (Fleshmarket Close (Inspector Rebus, #15))
And they have the gall to call it a law for public safety! We’ve got no cars, no gasoline, no guns, no men . . . It’s clear they’re determined to promote criminality. Enough. What can we do?” “If
Andrea Camilleri (Angelica's Smile (Inspector Montalbano #17))
But in the country death comes, uninvited, during the day. It takes fishermen in their longboats. It grabs children by the ankles as they swim. In winter it calls them down a slope too steep for their budding skills, and crosses their skies at the tips. It waits along the shore where snow met ice not long ago but now, unseen by sparkling eyes, a little water touches the shore, and the skater makes a circle slightly larger than intended. Death stands in the woods with a bow and arrow at dawn and dusk. And it tugs cars off the road in broad daylight, the tires spinning furiously on ice or snow, or bright autumn leaves.
Louise Penny (Still Life (Chief Inspector Armand Gamache, #1))
Possibly, Andy. It’s all down to results. If he does well, it will be called dedication. If he doesn’t it will be lunacy.
Wilkie Martin (Inspector Hobbes and the Bones (Unhuman, #4))
What offer could I possibly refuse from a kidnapper and a murderer?’ ‘Ah, sarcasm, the easiest form of humor and the trait of an ordinary mind. Your predictability never ceases to amuse me, Dulac. Classifications aside, I’ve arranged for us to meet in Belize City, tomorrow evening. I’ve reserved a ticket in your name for the morning flight to New York. The connecting flight to Belize City gets in at 4 p.m.’ ‘Why in hell’s name would I go anywhere to meet you?’ ‘Because I have something here that you want.’ ‘If you’re talking about the diary—’ ‘Dulac, trust me. I guarantee you will accept my offer. Oh, and don’t bother calling Roquebrun. I’m told he’s enjoying the Vatican’s money in a five star brothel in Kuala Lumpur.’ ‘Bastard. Out of curiosity, who ratted? Garcia?’ ‘Must be, although that’s also irrelevant now.’ ‘Not to me. If you didn’t, Garcia must have ordered the contract to whack me.’ ‘Why don’t you ask him? By the way, I booked your room at the Hotel Mirador and I’ve deposited $10,000 USD in your Paris bank account, for incidentals. You’re probably thinking you’ll need company. Shall we meet in the hotel restaurant, say at 7 p.m.? Oh, and Dulac, time is pressing. Don’t disappoint me.’ The line went dead. ‘Go for it,’ said Karen over the phone. ‘What have you got to lose?’ ‘Try two miserable days flying half way round the planet on a quack call from a murdering psychopath.’ ‘Like it or not, in one way or another, he’s always kept his promise.’ ‘That’s a strange way of looking at it,’ said Dulac. ‘At first, I thought he wanted to sell me the diary, but why go through all that trouble? He can send it directly to the Vatican. There’s something else, but why me?’ ‘Bizarre as it may seem, you’re probably the only one he can trust.’ ‘I’ve checked the reservations and they’re confirmed and paid for. And I received ten grand in my account. I suppose if he wanted me dead, he would just hire another hit man.’ Dulac took a drag from his Gitane. First, I’ve got to call Gina again. Then I have some unfinished business in Belize.’ ‘If you don’t mind, this time I won’t go with you. But do be careful, Thierry.’ ‘Don’t worry, I’ll have professional backup.’ Chapter
André K. Baby (The Chimera Sanction (Inspector Thierry Dulac #2))
The book was called How to Lie with Statistics.
Louise Penny (The Madness of Crowds (Chief Inspector Armand Gamache, #17))
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Oh, I have slipped the surly bonds of earth, And danced the skies on laughter silvered wings; Sunward I’ve climbed . . . and done a hundred things You have not dreamed of.” Beauvoir looked over and saw the chief, his eyes closed and his head tilted back, but his lips moving, repeating a phrase. “Up, up the long delirious burning blue, I’ve topped the wind-swept heights . . . Where never lark, or even eagle flew.” “Where’s that from?” asked Beauvoir. “A poem called ‘High Flight’ by a young Canadian aviator in the Second World War.” “Really? He must’ve loved flying. Bees love flying. Can cover long distances for food, if they have to, but they stay close to the hive if they can.” “He died,” said Gamache. “Pardon?” “Says here the poet was killed. Shot down. The poem was quoted by President Reagan after the Challenger disaster.” But he’d lost Beauvoir to the bees again.
Louise Penny (The Chief Inspector Armand Gamache Series, Books 4-6)
What about Bernie?’ Claire had said, but when they asked Mr Howe he said a sandwich would do for him and continued to practise his magic tricks. So Ramsay called in an eager young constable to stay in the house and they drove away from the Headland, Sal Wedderburn in the driving seat and Marilyn and Claire silently in the back. He was surprised there were no reporters waiting for them in the street. Only the slight movement of upstairs net curtains marked their going
Ann Cleeves (The Baby-Snatcher (Inspector Ramsay, #6))
They were reorganizing, as they called it. In the silence of their offices, well-educated, well-brought-up young men from the best families in the country were examining all sides of the matter in a quest for greater efficiency. What emerged from their learned cogitations were hare-brained schemes that found expression every week in new rules.
Georges Simenon (Maigret and the Lazy Burglar: Inspector Maigret #57)
Everyone, it seemed to him, lived their lives out of little boxes, opening different ones for different occasions. Nobody ever gave their whole self away. Cops were like that, each box a safety mechanism. Most people you met in the course of your life, you never even learned their names. Everybody was boxed off from everybody else. It was called society.
Ian Rankin (The Hanging Garden (Inspector Rebus #9))
Ruth’s last book of poetry was called I’m FINE. Which sounded good until you realized, often too late, that “F.I.N.E.” stood for “Fucked-Up, Insecure, Neurotic, and Egotistical.
Louise Penny (Kingdom of the Blind (Chief Inspector Armand Gamache, #14))
Ducks mate for life, Clara knew. That’s why duck hunting season was particularly cruel. Every now and then in the fall you’d see a lone duck, quacking. Calling. Waiting for its spouse. And for the rest of its life it would wait.
Louise Penny (The Cruelest Month (Chief Inspector Armand Gamache, #3))
We look to the so-called important figures. We value the papers left behind by Premiers, Prime Ministers, Presidents—by the most prominent witnesses to history—and forget there are other witnesses. The people who actually lived it. The First Nations. The farmers. The cooks and cleaners and salespeople. The laborers. The immigrants, the minorities.
Louise Penny (A World of Curiosities (Chief Inspector Armand Gamache, #18))
Reminds me of the story of the oilman who went to Heaven,” said Claude. “He shows up at the Pearly Gates and Saint Peter says, ‘I have some good news and some bad news. The good news is, you’ve got into Heaven.’ “‘Fantastic,’ says the oilman. ‘But what’s the bad news?’ “‘I’m afraid the part of Heaven reserved for oilmen is full.’ “‘Well, I know how to solve that,’ says the oilman. ‘Take me to them.’ “When Saint Peter does, the oilman calls for their attention and announces, ‘Exciting news. They’ve struck oil in Hell.’ “And with that, the place empties out. “Saint Peter turns to the oilman and says, ‘That was amazing. You can go in now.’ “‘Are you kidding?’ says the oilman. ‘I’m going to Hell. I hear they’ve struck oil there.
Louise Penny (All the Devils Are Here (Chief Inspector Armand Gamache, #16))
Dad’s problem was that he couldn’t understand why everyone else wasn’t as diligent about their duties as he was with his. He was intolerant of other people’s mistakes. As a city building inspector, he was a major pain in the ass to every Promise Falls contractor and developer. Behind his back they called him Don Hardass. When he got wind of that, he had some business cards made up with his new nickname.
Linwood Barclay (Never Look Away)
And none of those present, from the inspector down to Máslova, seemed conscious of the fact that this Jesus, whose name the priest repeated such a great number of times, and whom he praised with all these curious expressions, had forbidden the very things that were being done there; that He had prohibited not only this meaningless much-speaking and the blasphemous incantation over the bread and wine, but had also, in the clearest words, forbidden men to call other men their master, and to pray in temples; and had ordered that every one should pray in solitude, had forbidden to erect temples, saying that He had come to destroy them, and that one should worship, not in a temple, but in spirit and in truth; and, above all, that He had forbidden not only to judge, to imprison, to torment, to execute men, as was being done here, but had prohibited any kind of violence, saying that He had come to give freedom to the captives.
Leo Tolstoy (Resurrection)
high-church atheist” (as I called him), yet with a deep love for the Methodist Hymnal, the King James’ Bible, the church music of Byrd, Tallis, Purcell, etc, the sight of candles, and the smell of incense.
Colin Dexter (Inspector Morse: A Mysterious Profile (Mysterious Profiles))
If men will not learn that lesson, then they will be taught it in fire and blood and anguish.
J.B. Priestley ([An Inspector Calls: A Play] (By: J. B. Priestley) [published: December, 1948])
want to call a lawyer.” “You know the drill,” Han says. Lu does. Under Chinese law, a suspect can be detained for several days before the police are obligated to file an arrest request with the procuratorate. Once the procurator has approved it, a suspect may be held for as long as 13.5 months while a thorough investigation is carried out. Suspects do not have the right to have a lawyer until after the initial interrogation, and in some cases not even until the case goes to trial.
Brian Klingborg (The Magistrate (Inspector Lu Fei #3))
deal in mumbo-jumbo. Why, I felt your aura the moment you stepped through the front door.’ ‘And do you know why we’ve come calling then?’ It was MacBride who asked the question, but only because he beat McLean to it. ‘Of course, of course. You want to know about ritual killing. Nasty business. Never works, at least not in my experience, but it’s worse than alcohol for bringing out the devil in people, if you know what I mean.’ ‘How did you … ?’ MacBride’s mouth hung open as the words escaped. Madame Rose let out a snort of most unlady-like laughter. ‘The spirit world talks to me, detective sergeant. And Jayne McIntyre from time to time.’ ‘I don’t have a lot of time, and even less patience.’ McLean shoved his warrant card back in his pocket. ‘I was led to believe you knew
James Oswald (Natural Causes (Inspector McLean, #1))
The girl downstairs at Thirteenth Street? Her momma done called the building inspector….Her mother was outside talking shit!” Quentin listened to the story and said, “Put her out.” Sherrena thought about it for a moment, then agreed. She reached in a drawer and began filling out a five-day eviction notice. The law forbade landlords from retaliating against tenants who contacted DNS. But landlords could at any time evict tenants for being behind on rent or for other violations.
Matthew Desmond (Evicted: Poverty and Profit in the American City)
Even if he had not been accustomed to operating perfectly well in a cloud of grit, he would not have noticed it while he laboured in the garden. This was his haven, a place of creative ecstasy in which convenience and cleanliness were not required. Mere discomfort meant nothing to Kevin once he gave himself over to the call of his art.
Elizabeth George (Well-Schooled in Murder (Inspector Lynley, #3))
1714.» La rabia le hizo endurecerse. Rebelarse ante la depresión. No quería morir solo, en la calle, para que luego su cuerpo fuera dejado a un lado un día, dos, tres, pudriéndose, olfateado por los perros hambrientos antes de que pudieran llevárselo. No quería escapar con tanta facilidad, dejando a Quimeta a su suerte. Se enderezó al sentirse mejor y se apartó de su vómito. Tenía los zapatos y la parte más baja de los pantalones manchados de papilla. No se limpió. No valía la pena. Reanudó su paso, de manera más vacilante, y se abrigó un poco más, porque ahora se sentía empapado de sudor. Cubrió la distancia final con el hospital apartando cualquiera de sus pensamientos negativos, hasta lograr concentrarse en lo que iba a hacer. Si el cadáver de que le había hablado Bartomeu era el de Mercedes Expósito… ¿Qué? Dentro del Hospital Clínic el ambiente no era muy distinto
Jordi Sierra i Fabra (Cuatro días de enero (Inspector Mascarell, #1))
need say was I need some time off. But she couldn’t do it. “The St. James house at half-past seven,” she repeated. “Got it, sir.” He rang off. Barbara hung up. She tried to plumb the depths of her feelings, to put a name to what was slowly washing through her veins. She wanted to call it shame. She knew it was liberation. She went to tell her father that they would need to reschedule his doctor’s appointment for another day. Kevin Whateley had not gone to the Royal Plantagenet, which was the pub next door to his cottage. Rather, he had walked along the embankment, past the triangular green where he and Matthew had once learned to operate their pair of remote-control planes, and had instead entered an older pub that stood on a spit of land reaching like a curled finger into the Thames. He’d chosen the Blue Dove deliberately. In the Royal Plantagenet—despite its proximity to his house—he might have forgotten for five minutes or so. But the Blue Dove would not allow him to do so. He sat at a table that overlooked the water. In spite of the night’s falling temperature, someone was out, night fishing from a boat, and lights bobbed periodically with the river’s movement. Kevin watched this, allowing his memory to fill with the image of Matthew running along that same dock, falling, damaging a knee, righting himself but not crying at all, even when the blood began to seep from the cut, even when the stitches were later put in. He was a brave little bloke, always had been. Kevin forced his eyes from the dock and fastened them on the mahogany table. Beer mats covered it, advertising Watney’s, Guinness, and Smith’s. Carefully, Kevin stacked them, restacked them, spread them out like cards, restacked them again. He felt how shallow his breathing was and knew that he needed to take in more air. But to breathe deeply was to lose his grip for an instant. He wouldn’t do that. For if he lost control, he didn’t know how he would get it back. So he did without air. He waited. He didn’t know if the man he sought would come into the pub this late on a Sunday night, mere minutes before closing. In fact, he didn’t even know if the man came here at all any longer. But years ago he’d been a regular customer, when Patsy worked long hours behind the bar, before she’d got her job in a South Kensington hotel. For Matthew’s sake, she had said when she’d taken on the
Elizabeth George (Well-Schooled in Murder (Inspector Lynley, #3))
they pushed back from the table and Thomas joined Gamache, who was looking at the other paintings in the room. “That’s a Brigite Normandin, isn’t it?” Thomas asked. “It is. Fantastic. Very bold, very modern. Compliments the Molinari and the Riopelle. And yet they all work with the traditional Krieghoff.” “You know your art,” said Thomas, slightly surprised. “I love Quebec history,” said Gamache, nodding to the old scene. “But that doesn’t explain the others, does it?” “Are you testing me, monsieur?” Gamache decided to push a little. “Perhaps,” Thomas admitted. “It’s rare to find an autodidact.” “In captivity, anyway,” said Gamache and Thomas laughed. The painting they were staring at was muted, with lines of delicately shaded beiges. “Feels like a desert,” said Gamache. “Desolate.” “Ah, but that’s a misconception,” said Thomas. “Here he goes,” said Marianna. “Not that plant story,” said Julia, turning to Sandra. “Is he still telling that?” “Once a day, like Old Faithful. Stand back.” “Well, time for bed,” said Madame Finney. Her husband unfolded himself from the sofa and the elderly couple left. “Things aren’t as they seem,” said Thomas, and Gamache looked at him, surprised. “In the desert, I mean. It looks desolate but it’s actually teeming with life. You just don’t see it. It hides, for fear of being eaten. There’s one plant in the South African desert called a stone plant. Can you guess how it survives?” “Let’s
Louise Penny (A Rule Against Murder (Chief Inspector Armand Gamache, #4))
When the grim reaper comes calling; run like hell.
Louie Dylan (Death on the Dig: Inspector Jack Maguire)
But after all it's better to ask for the earth than to take it.
J.B. Priestley ([(An Inspector Calls)] [Author: J. B. Priestley] published on (March, 2009))
Hugh?" Logan said, tearing his eyes away from the scene in front of them. Chief Inspector Pickering turned, a half-smile playing across his face. "Yes?" "Gonnae shut the fuck up?" "I'm sorry?" "Seriously. If you are not muttering to yourself, you're making clicking noises with your tongue, or tapping your teeth, or some other bloody thing. Even your breathing is annoying me. I'm trying to concentrate here, and all I'm getting is-" Logan inhaled and exhaled deeply like he was trying to stop himself from hyperventilating. "It's like getting a dirty phone call from Darth Vader.
J.D. Kirk (Blood and Treachery (DCI Logan Crime Thrillers, #4))
Rebus nodded his understanding. The Murder Room was quiet when he reached it. Roy Frazer was reading a paper. “Finished with this?” Rebus asked, picking up another. Frazer nodded. “Chicken phal,” Rebus explained, rubbing his stomach. “Hold all my calls and let everyone know the shunkie’s off-limits.” Frazer nodded and smiled. Saturday morning on the bog with the paper: everyone had done it at one time.
Ian Rankin (Set in Darkness (Inspector Rebus, #11))
Sky glowing dull pink. Simmer dim, as the Shetlanders called
Ian Rankin (Black and Blue (Inspector Rebus, #8))
Invite them back if you’d like,” she called after him. “There’s plenty.” She was four courses upset and considering an amuse-bouche.
Louise Penny (The Nature of the Beast (Chief Inspector Armand Gamache #11))
will to create. Yes”—as if she expected disagreement—“the will, because it is an act of will. It’s more than being called upon by some convenient artistic muse. It’s making a decision to offer up a bit of one’s essence to the judgement of others.
Elizabeth George (For the Sake of Elena (Inspector Lynley, #5))
Have the police come yet?” The inspector called down. “It’s Inspector
Paul Moxham (The Mystery of the Missing Money (The Mystery Series, Short Story, #1))
The simple fact of the matter is that the Home Secretary has asked us to investigate what our Quaker friend chooses to call—for some strange reason of his own—“child prostitution”. And whatever our personal feelings, it certainly won’t damage our prospects of promotion if we come up with the result he desires.
Sally Spencer (Blackstone and the Heart of Darkness (Inspector Sam Blackstone #6))