“
Ralph wept for the end of innocence, the darkness of man's heart, and the fall through the air of the true, wise friend called Piggy.
”
”
William Golding (Lord of the Flies)
“
No. No, I don't believe you'd betray me with her. I don't believe you'd cheat on me. But I'm afraid, and I'm sick in my heart that you might look at her, then at me. And regret.
”
”
J.D. Robb (Innocent in Death (In Death, #24))
“
Where were you?” she asked.
“I was killing innocent maidens and kicking puppies.”
“Jacks, that’s not funny.
”
”
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
“
He stood at the window of the empty cafe and watched the activites in the square and he said that it was good that God kept the truths of life from the young as they were starting out or else they'd have no heart to start at all.
”
”
Cormac McCarthy (All the Pretty Horses (The Border Trilogy, #1))
“
You can call it innocence, or you can call it gullibility, but Celia made the most common mistake of the good-hearted: she assumed that everyone else was just like her.
”
”
Lionel Shriver (We Need to Talk About Kevin)
“
Beware the dark pool at the bottom of our hearts. In its icy, black depths dwell strange and twisted creatures it is best not to disturb.
”
”
Sue Grafton (I is for Innocent (Kinsey Millhone, #9))
“
I will love you as a thief loves a gallery and as a crow loves a murder, as a cloud loves bats and as a range loves braes. I will love you as misfortune loves orphans, as fire loves innocence and as justice loves to sit and watch while everything goes wrong. I will love you as a battlefield loves young men and as peppermints love your allergies, and I will love you as the banana peel loves the shoe of a man who was just struck by a shingle falling off a house. I will love you as a volunteer fire department loves rushing into burning buildings and as burning buildings love to chase them back out, and as a parachute loves to leave a blimp and as a blimp operator loves to chase after it.
I will love you as a dagger loves a certain person’s back, and as a certain person loves to wear dagger proof tunics, and as a dagger proof tunic loves to go to a certain dry cleaning facility, and how a certain employee of a dry cleaning facility loves to stay up late with a pair of binoculars, watching a dagger factory for hours in the hopes of catching a burglar, and as a burglar loves sneaking up behind people with binoculars, suddenly realizing that she has left her dagger at home. I will love you as a drawer loves a secret compartment, and as a secret compartment loves a secret, and as a secret loves to make a person gasp, and as a gasping person loves a glass of brandy to calm their nerves, and as a glass of brandy loves to shatter on the floor, and as the noise of glass shattering loves to make someone else gasp, and as someone else gasping loves a nearby desk to lean against, even if leaning against it presses a lever that loves to open a drawer and reveal a secret compartment. I will love you until all such compartments are discovered and opened, and until all the secrets have gone gasping into the world. I will love you until all the codes and hearts have been broken and until every anagram and egg has been unscrambled.
I will love you until every fire is extinguised and until every home is rebuilt from the handsomest and most susceptible of woods, and until every criminal is handcuffed by the laziest of policemen. I will love until M. hates snakes and J. hates grammar, and I will love you until C. realizes S. is not worthy of his love and N. realizes he is not worthy of the V. I will love you until the bird hates a nest and the worm hates an apple, and until the apple hates a tree and the tree hates a nest, and until a bird hates a tree and an apple hates a nest, although honestly I cannot imagine that last occurrence no matter how hard I try. I will love you as we grow older, which has just happened, and has happened again, and happened several days ago, continuously, and then several years before that, and will continue to happen as the spinning hands of every clock and the flipping pages of every calendar mark the passage of time, except for the clocks that people have forgotten to wind and the calendars that people have forgotten to place in a highly visible area. I will love you as we find ourselves farther and farther from one another, where we once we were so close that we could slip the curved straw, and the long, slender spoon, between our lips and fingers respectively.
I will love you until the chances of us running into one another slip from slim to zero, and until your face is fogged by distant memory, and your memory faced by distant fog, and your fog memorized by a distant face, and your distance distanced by the memorized memory of a foggy fog. I will love you no matter where you go and who you see, no matter where you avoid and who you don’t see, and no matter who sees you avoiding where you go. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this, and now matter how I am discovered after what happens to me as I am discovering this.
”
”
Lemony Snicket
“
I think anyone who opened their heart enough to love without restraint and subsequently were devastated by loss knows that in that moment you are forever changed; a apart of you is no longer whole. Some will never again love with that level of abandon where life is perceived as innocent and the threat of loss seems implausible. Love and loss, therefore, are linked.
”
”
Donna Lynn Hope
“
In the time of your life, live—so that in that good time there shall be no ugliness or death for yourself or for any life your life touches. Seek goodness everywhere, and when it is found, bring it out of its hiding place and let it be free and unashamed.
Place in matter and in flesh the least of the values, for these are the things that hold death and must pass away. Discover in all things that which shines and is beyond corruption. Encourage virtue in whatever heart it may have been driven into secrecy and sorrow by the shame and terror of the world. Ignore the obvious, for it is unworthy of the clear eye and the kindly heart.
Be the inferior of no man, or of any men be superior. Remember that every man is a variation of yourself. No man's guilt is not yours, nor is any man's innocence a thing apart. Despise evil and ungodliness, but not men of ungodliness or evil. These, understand. Have no shame in being kindly and gentle but if the time comes in the time of your life to kill, kill and have no regret.
In the time of your life, live—so that in that wondrous time you shall not add to the misery and sorrow of the world, but shall smile to the infinite delight and mystery of it.
”
”
William Saroyan (The time of your life (RSC playtext))
“
In fact no one recognizes the happiest moment of their lives as they are living it. It may well be that, in a moment of joy, one might sincerely believe that they are living that golden instant "now," even having lived such a moment before, but whatever they say, in one part of their hearts they still believe in the certainty of a happier moment to come. Because how could anyone, and particularly anyone who is still young, carry on with the belief that everything could only get worse: If a person is happy enough to think he has reached the happiest moment of his life, he will be hopeful enough to believe his future will be just as beautiful, more so.
”
”
Orhan Pamuk (The Museum of Innocence)
“
His voice rose under the black smoke before the burning wreckage of the island; and infected by that emotion, the other little boys began to shake and sob too. And in the middle of them, with filthy body, matted hair, and unwiped nose, Ralph wept for the end of innocence, the darkness of mans heart, and the fall through the air of the true, wise friend called Piggy.
”
”
William Golding (Lord of the Flies)
“
For Mercy has a human heart
Pity, a human face:
And Love, the human form divine,
And Peace, the human dress.
”
”
William Blake (Songs of Innocence and of Experience)
“
Trustful people are the pure at heart, as they are moved by the zeal of their own trustworthiness.
”
”
Criss Jami (Healology)
“
I can give her no greater power than she has already, said the woman; don't you see how strong that is? How men and animals are obliged to serve her, and how well she has got through the world, barefooted as she is. She cannot receive any power from me greater than she now has, which consists in her own purity and innocence of heart. If she cannot herself obtain access to the Snow Queen, and remove the glass fragments from little Kay, we can do nothing to help her.
”
”
Hans Christian Andersen (The Snow Queen (Everyman's Library Children's Classics Series))
“
I'm sorry, but I don't want to be an emperor. That's not my business. I don't want to rule or conquer anyone. I should like to help everyone if possible; Jew, Gentile, black man, white. We all want to help one another. Human beings are like that. We want to live by each other's happiness, not by each other's misery. We don't want to hate and despise one another. In this world there is room for everyone, and the good earth is rich and can provide for everyone. The way of life can be free and beautiful, but we have lost the way. Greed has poisoned men's souls, has barricaded the world with hate, has goose-stepped us into misery and bloodshed. We have developed speed, but we have shut ourselves in. Machinery that gives abundance has left us in want. Our knowledge has made us cynical; our cleverness, hard and unkind. We think too much and feel too little. More than machinery, we need humanity. More than cleverness, we need kindness and gentleness. Without these qualities, life will be violent and all will be lost. The airplane and the radio have brought us closer together. The very nature of these inventions cries out for the goodness in men; cries out for universal brotherhood; for the unity of us all. Even now my voice is reaching millions throughout the world, millions of despairing men, women, and little children, victims of a system that makes men torture and imprison innocent people. To those who can hear me, I say, do not despair. The misery that is now upon us is but the passing of greed, the bitterness of men who fear the way of human progress. The hate of men will pass, and dictators die, and the power they took from the people will return to the people. And so long as men die, liberty will never perish. Soldiers! Don't give yourselves to brutes, men who despise you, enslave you; who regiment your lives, tell you what to do, what to think and what to feel! Who drill you, diet you, treat you like cattle, use you as cannon fodder. Don't give yourselves to these unnatural men - machine men with machine minds and machine hearts! You are not machines, you are not cattle, you are men! You have the love of humanity in your hearts! You don't hate! Only the unloved hate; the unloved and the unnatural. Soldiers! Don't fight for slavery! Fight for liberty! In the seventeenth chapter of St. Luke, it is written that the kingdom of God is within man, not one man nor a group of men, but in all men! In you! You, the people, have the power, the power to create machines, the power to create happiness! You, the people, have the power to make this life free and beautiful, to make this life a wonderful adventure. Then in the name of democracy, let us use that power. Let us all unite. Let us fight for a new world, a decent world that will give men a chance to work, that will give youth a future and old age a security. By the promise of these things, brutes have risen to power. But they lie! They do not fulfill that promise. They never will! Dictators free themselves but they enslave the people. Now let us fight to fulfill that promise. Let us fight to free the world! To do away with national barriers! To do away with greed, with hate and intolerance! Let us fight for a world of reason, a world where science and progress will lead to all men's happiness. Soldiers, in the name of democracy, let us all unite!
”
”
Charlie Chaplin
“
If blue is dream
what then innocence?
What awaits the heart
if Love bears no arrows?
”
”
Federico García Lorca
“
If we give what we treasure most to a Being we love with all our hearts, if we can do that without expecting anything in return, then the world becomes a beautiful place.
”
”
Orhan Pamuk (The Museum of Innocence)
“
nothing proving or sick or partial. Nothing false,nothing difficult or easy or small or colossal. Nothing ordinary or extraordinary,nothing emptied or filled,real or unreal;nothing feeble and known or clumsy and guessed. Everywhere tints childrening, innocent spontaneous,true. Nowhere possibly what flesh and impossibly such a garden,but actually flowers which breasts are among the very mouths of light. Nothing believed or doubted; brain over heart, surface:nowhere hating or to fear;shadow, mind without soul. Only how measureless cool flames of making;only each other building always distinct selves of mutual entirely opening;only alive. Never the murdered finalities of wherewhen and yesno,impotent nongames of wrongright and rightwrong;never to gain or pause,never the soft adventure of undoom,greedy anguishes and cringing ecstasies of inexistence; never to rest and never to have:only to grow.
Always the beautiful answer who asks a more beautiful question.
”
”
E.E. Cummings
“
When the wicked want to bring down the innocent, they aim for a loving heart.
”
”
Cynthia Rylant (Walt Disney's Snow White and the Seven Dwarfs (Walt Disney's Classic Fairytale))
“
Either God can do nothing to stop catastrophes like this, or he doesn't care to, or he doesn’t exist. God is either impotent, evil, or imaginary. Take your pick, and choose wisely.
The only sense to make of tragedies like this is that terrible things can happen to perfectly innocent people. This understanding inspires compassion.
Religious faith, on the other hand, erodes compassion. Thoughts like, 'this might be all part of God’s plan,' or 'there are no accidents in life,' or 'everyone on some level gets what he or she deserves' - these ideas are not only stupid, they are extraordinarily callous. They are nothing more than a childish refusal to connect with the suffering of other human beings. It is time to grow up and let our hearts break at moments like this.
”
”
Sam Harris
“
Keep your innocence and ignorance aside, and expose yourself to dangerous situations, and understand the deeper secrets of life.
”
”
Michael Bassey Johnson
“
That's most interesting. But I was no more a mind-reader then than today. I
was weeping for an altogether different reason. When I watched you dancing that day, I saw something else. I saw a new world coming rapidly. More
scientific, efficient, yes. More cures for the old sicknesses. Very good. But a
harsh, cruel world. And I saw a little girl, her eyes tightly closed, holding to her breast the old kind world, one that she knew in her heart could not
remain, and she was holding it and pleading, never to let her go. That is what I saw. It wasn't really you, what you were doing, I know that. But I saw you and it broke my heart. And I've never forgotten.
”
”
Kazuo Ishiguro (Never Let Me Go)
“
An overhead light blinked and extinguished.
Armitage drew the pistol with his right hand. He swung and aimed, checking there were no innocent people obstructing the way. None. Fired a single shot. It sailed over a plant and table setting. The round hit an inch from the watcher's heart. On impact the brown-haired assailant tipped. Jake ducked. A table toppled. The watcher groaned as the force of the momentum pushed him toward the floor-to-ceiling glass wall.
A second table collapsed, plates thrown asunder. Jake stepped forward, arm stretched and gun straight. A waitress hugged herself, crying. Two more male patrons hit the floor and crawled between chairs.
”
”
Simon W. Clark (The Russian Ink (Jake Armitage Thriller Book #1))
“
As the wise men say, the key to happiness is to have a heart as pure as a child’s—a heart that sees the world as a child sees, a heart that smiles and cries like a child. For such a heart will also sleep like a child.
”
”
Merlin Franco (Saint Richard Parker)
“
In poetically well built museums, formed from the heart's compulsions, we are consoled not by finding in them old objects that we love, but by losing all sense of Time.
”
”
Orhan Pamuk (The Museum of Innocence)
“
There is nothing more pure and beautiful than a person who always speaks truthfully with a childlike heart.
”
”
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
“
The difference is that these young people take it for granted that they're going to get whatever they want, and that we almost always took it for granted that we shouldn't. Only, I wonder—the thing one's so certain of in advance: can it ever make one's heart beat as wildly?
”
”
Edith Wharton (The Age of Innocence)
“
She walks in beauty, like the night
Of cloudless climes and starry skies;
And all that’s best of dark and bright
Meet in her aspect and her eyes:
Thus mellow’d to that tender light
Which heaven to gaudy day denies.
One shade the more, one ray the less,
Had half impaired the nameless grace
Which waves in every raven tress,
Or softly lightens o’er her face;
Where thoughts serenely sweet express
How pure, how dear their dwelling-place.
And on that cheek, and o’er that brow,
So soft, so calm, yet eloquent,
The smiles that win, the tints that glow,
But tell of days in goodness spent,
A mind at peace with all
A heart whose love is innocent!
”
”
Lord Byron (Selected Poems of Lord Byron)
“
There's an openness to his face, an innocence—a certain kind of niceness. It's the niceness that touches my heart the most.
”
”
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
“
When two people love each other as we do, no one can come between them, no one," I said, amazed at the words I was uttering without preparation. "Lovers like us, because they know that nothing can destroy their love, even on the worst days, even when they are heedlessly hurting each other in the cruelest , most deceitful ways, still carry in their hearts a consolation that never abandons them." (p.191)
”
”
Orhan Pamuk (The Museum of Innocence)
“
Oh, Lord Montgomery, what do you mean to do with me in this bedroom when you have me all alone? An innocent maiden, and unprotected? Is my virtue safe?
'I, ah- what?'
'I know you are a dangerous man. Some call you a rake. Everybody knows you are a devil with the ladies with your poetically puffed shirt and irresistible pants. I pray you will consider my innocence. And my poor, vulnerable heart.'
Simon decided this was a lot like role-playing in D&D, but potentially more fun.
”
”
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
“
I understand that if you have never suffered a broken heart, then you have never really known what it is to truly be alive. And I understand that at that precise moment, when your heart breaks open, that all you want to do is lay down and die! Because you know that is the only way the pain is ever going to stop.
”
”
Patti Roberts (Progeny of Innocence (Paradox, #2))
“
But now it was spring again, and spring was almost unbearable for sensitive hearts. It drove creation to its utmost limits, it wafted its spice-laden breath even into the nostrils of the innocent.
”
”
Knut Hamsun (Dreamers)
“
I couldn't sleep," she confesses.
"Why not?" I ask.
She smiles at me. It's this sweet, innocent smile, and it makes my heart stammer.
"You didn't kiss me today," she says. "And I wanted you to.
”
”
Katie Kacvinsky (First Comes Love (First Comes Love, #1))
“
The problem, if anything, was precisely the opposite. I had too much to write:
too many fine and miserable buildings to construct and streets to name and clock towers to set chiming,
too many characters to raise up from the dirt like flowers whose petals I peeled down to the intricate frail organs within,
too many terrible genetic and fiduciary secrets to dig up and bury and dig up again,
too many divorces to grant,
heirs to disinherit,
trysts to arrange,
letters to misdirect into evil hands,
innocent children to slay with rheumatic fever,
women to leave unfulfilled and hopeless,
men to drive to adultery and theft,
fires to ignite at the hearts of ancient houses.
”
”
Michael Chabon (Wonder Boys)
“
Never judge someone's character based on the words of another. Instead, study the motives behind the words of the person casting the bad judgment. An honest woman can sell tangerines all day and remain a good person until she dies, but there will always be naysayers who will try to convince you otherwise. Perhaps this woman did not give them something for free, or at a discount. Perhaps too, that she refused to stand with them when they were wrong — or just stood up for something she felt was right. And also, it could be that some bitter women are envious of her, or that she rejected the advances of some very proud men. Always trust your heart. If the Creator stood before a million men with the light of a million lamps, only a few would truly see him because truth is already alive in their hearts. Truth can only be seen by those with truth in them. He who does not have Truth in his heart, will always be blind to her.
”
”
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
“
But there are some things, child, that you should steal. That you must steal, if you have enough love and courage in your heart. You must snatch freedom from the hands of the tyrant. You must spirit away innocent lives before they are destroyed. You must hide secret and sacred places.
”
”
Lian Tanner (Museum of Thieves (The Keepers, #1))
“
The opportunity to love a dog and to treat it with kindness is an opportunity for a lost and selfish heart to be redeemed. They are powerless and innocent, and it is how we treat the humblest among us that surely determines the fate of our souls
”
”
Dean Koontz (The Darkest Evening of the Year)
“
Is that why you insist on carrying about enormous tomes everywhere you go, that you might visit violence upon innocent persons? Done to death by my best friend - my heart's brother - my own dear parabatai-
”
”
Cassandra Clare (Cast Long Shadows (Ghosts of the Shadow Market, #2))
“
And in the middle of them, with filthy body, matted hair, and unwiped nose, Ralph wept for the end of innocence, the darkness of man's heart, and the fall through the air of the true, wise friend called Piggy.
”
”
William Golding (Lord of the Flies)
“
Women could probably be trained quite easily to see men first as sexual things. If girls never experienced sexual violence; if a girl's only window on male sexuality were a stream of easily available, well-lit, cheap images of boys slightly older than herself, in their late teens, smiling encouragingly and revealing cuddly erect penises the color of roses or mocha, she might well look at, masturbate to, and, as an adult, "need" beauty pornography based on the bodies of men. And if those initiating penises were represented to the girl as pneumatically erectible, swerving neither left nor right, tasting of cinnamon or forest berries, innocent of random hairs, and ever ready; if they were presented alongside their measurements, length, and circumference to the quarter inch; if they seemed to be available to her with no troublesome personality attached; if her sweet pleasure seemed to be the only reason for them to exist--then a real young man would probably approach the young woman's bed with, to say the least, a failing heart.
”
”
Naomi Wolf (The Beauty Myth)
“
However passionate, sinning, and rebellious the heart hidden in the tomb, the flowers growing over it peep serenely at us with their innocent eyes; they tell us not of eternal peace alone, of that great peace of "indifferent" nature: they tell us, too, of eternal reconciliation and of life without end.
”
”
Ivan Turgenev
“
Innocent?” He was incensed at her suggestion he was somehow responsible for this mess. “I’ve done nothing wrong, I intend nothing wrong. I am innocent!”
“Half the evil in this world occurs while decent people stand by and do nothing wrong. It’s not enough to refrain from evil, Trell. People have to attempt to do right, even if they believe they cannot succeed.”
“Even when it’s stupid to try?” he asked with savage sarcasm.
“Especially then,” she replied sweetly. “That’s how it’s done, Trell. You break your heart against this stony world. You fling yourself at it, on the side of good, and you do not ask the cost. That’s how you do it.
”
”
Robin Hobb (The Mad Ship (Liveship Traders, #2))
“
To my son,
If you are reading this letter, then I am dead.
I expect to die, if not today, then soon. I expect that Valentine will kill me. For all his talk of loving me, for all his desire for a right-hand man, he knows that I have doubts. And he is a man who cannot abide doubt.
I do not know how you will be brought up. I do not know what they will tell you about me. I do not even know who will give you this letter. I entrust it to Amatis, but I cannot see what the future holds. All I know is that this is my chance to give you an accounting of a man you may well hate.
There are three things you must know about me. The first is that I have been a coward. Throughout my life I have made the wrong decisions, because they were easy, because they were self-serving, because I was afraid.
At first I believed in Valentine’s cause. I turned from my family and to the Circle because I fancied myself better than Downworlders and the Clave and my suffocating parents. My anger against them was a tool Valentine bent to his will as he bent and changed so many of us. When he drove Lucian away I did not question it but gladly took his place for my own. When he demanded I leave Amatis, the woman I love, and marry Celine, a girl I did not know, I did as he asked, to my everlasting shame.
I cannot imagine what you might be thinking now, knowing that the girl I speak of was your mother. The second thing you must know is this. Do not blame Celine for any of this, whatever you do. It was not her fault, but mine. Your mother was an innocent from a family that brutalized her. She wanted only kindess, to feel safe and loved. And though my heart had been given already, I loved her, in my fashion, just as in my heart, I was faithful to Amatis. Non sum qualis eram bonae sub regno Cynarae. I wonder if you love Latin as I do, and poetry. I wonder who has taught you.
The third and hardest thing you must know is that I was prepared to hate you. The son of myslef and the child-bride I barely knew, you seemed to be the culmination of all the wrong decisions I had made, all the small compromises that led to my dissolution. Yet as you grew inside my mind, as you grew in the world, a blameless innocent, I began to realize that I did not hate you. It is the nature of parents to see their own image in their children, and it was myself I hated, not you.
For there is only one thing I wan from you, my son — one thing from you, and of you. I want you to be a better man than I was. Let no one else tell you who you are or should be. Love where you wish to. Believe as you wish to. Take freedom as your right.
I don’t ask that you save the world, my boy, my child, the only child I will ever have. I ask only that you be happy.
Stephen
”
”
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
“
If a society permits one portion of its citizenry to be menaced or destroyed, then, very soon, no one in that society is safe. The forces thus released in the people can never be held in check, but run their devouring course, destroying the very foundations which it was imagined they would save.
But we are unbelievably ignorant concerning what goes on in our country--to say nothing of what goes on in the rest of the world--and appear to have become too timid to question what we are told. Our failure to trust one another deeply enough to be able to talk to one another has become so great that people with these questions in their hearts do not speak them; our opulence is so pervasive that people who are afraid to lose whatever they think they have persuade themselves of the truth of a lie, and help disseminate it; and God help the innocent here, that man or womn who simply wants to love, and be loved. Unless this would-be lover is able to replace his or her backbone with a steel rod, he or she is doomed. This is no place for love. I know that I am now expected to make a bow in the direction of those millions of unremarked, happy marriages all over America, but I am unable honestly to do so because I find nothing whatever in our moral and social climate--and I am now thinking particularly of the state of our children--to bear witness to their existence. I suspect that when we refer to these happy and so marvelously invisible people, we are simply being nostalgic concerning the happy, simple, God-fearing life which we imagine ourselves once to have lived. In any case, wherever love is found, it unfailingly makes itself felt in the individual, the personal authority of the individual. Judged by this standard, we are a loveless nation. The best that can be said is that some of us are struggling. And what we are struggling against is that death in the heart which leads not only to the shedding of blood, but which reduces human beings to corpses while they live.
”
”
James Baldwin (Nothing Personal)
“
It is a pure soul who can hold true the innocence and timelessness of passion in another soul. Each unveiling the greatest pieces of the other, locked together at the heart for eternity
”
”
Christine Zolendz (Saving Grace (Mad World, #2))
“
Be open in everything with your partner, because where there is secrecy, it can mistakenly come off as being sneaky; where you just may be innocently quiet.
”
”
Anthony Liccione
“
His touch both consoles and devastates me; I feel my heart pulse, then wither, naked as a stone on the roaring mattress while the lovely, moony night slides through the window to dapple the flanks of this innocent who makes cages to keep the sweet birds in. Eat me, drink me; thirsty, cankered, goblin-ridden, I go back and back to him to have his fingers strip the tattered skin away and clothe me in his dress of water, this garment that drenches me, its slithering odour, its capacity for drowning.
”
”
Angela Carter (The Bloody Chamber and Other Stories)
“
For Mercy has a human heart;
Pity, a human face;
And Love, the human form divine:
And Peace the human dress.
Songs of Innocence
Cruelty has a human heart
And jealousy a human face,
Terror the human form divine,
And secrecy the human dress.
The human dress is forged iron,
The human form a fiery forge,
The human face a furnace seal'd,
The human heart its hungry gorge.
”
”
William Blake
“
See the world through the eyes of your inner child.
The eyes that sparkle in awe and amazement as they see love, magic and mystery in the most ordinary things.
”
”
Henna Sohail
“
The news that they have nothing to fear is guaranteed to strike fear into the hearts of innocents everywhere.
”
”
Terry Pratchett (The Fifth Elephant (Discworld, #24; City Watch, #5))
“
The innocent are so few that two of them seldom meet-when they do meet, their victims lie strewn all round.
”
”
Elizabeth Bowen (The Death of the Heart)
“
To this point, he could not really have said that he loved William. Feel the terror of responsibility for him, yes. Carry thought of him like a gem in his pocket, certainly, reaching now and then to touch it, marveling. But now he felt the perfection of the tiny bones of William’s spine through his clothes, smooth as marbles under his fingers, smelled the scent of him, rich with the incense of innocence and the faint tang of shit and clean linen. And thought his heart would break with love.
”
”
Diana Gabaldon (The Scottish Prisoner (Lord John Grey, #3))
“
Who cares for his causes of complaint? Are you to break your heart to set his mind at ease? No man under heaven deserves these sacrifices from us women. Men! They are the enemies of our innocence and our peace - they drag us away from our parents' love and our sisters' friendship - they take us body and soul to themselves, and fasten our helpless lives to theirs as they chain up a dog to his kennel. And what does the best of them give us in return?
”
”
Wilkie Collins (The Woman in White)
“
The gentle reader will never, never know what a consummate ass he can become until he goes abroad. I speak now, of course, in the supposition that the gentle reader has not been abroad, and therefore is not already a consummate ass. If the case be otherwise, I beg his pardon and extend to him the cordial hand of fellowship and call him brother. I shall always delight to meet an ass after my own heart when I have finished my travels.
”
”
Mark Twain (The Innocents Abroad, Or, the New Pilgrims' Progress)
“
I KNOW THE WAY YOU CAN GET
I know the way you can get
When you have not had a drink of Love:
Your face hardens,
Your sweet muscles cramp.
Children become concerned
About a strange look that appears in your eyes
Which even begins to worry your own mirror
And nose.
Squirrels and birds sense your sadness
And call an important conference in a tall tree.
They decide which secret code to chant
To help your mind and soul.
Even angels fear that brand of madness
That arrays itself against the world
And throws sharp stones and spears into
The innocent
And into one's self.
O I know the way you can get
If you have not been drinking Love:
You might rip apart
Every sentence your friends and teachers say,
Looking for hidden clauses.
You might weigh every word on a scale
Like a dead fish.
You might pull out a ruler to measure
From every angle in your darkness
The beautiful dimensions of a heart you once
Trusted.
I know the way you can get
If you have not had a drink from Love's
Hands.
That is why all the Great Ones speak of
The vital need
To keep remembering God,
So you will come to know and see Him
As being so Playful
And Wanting,
Just Wanting to help.
That is why Hafiz says:
Bring your cup near me.
For all I care about
Is quenching your thirst for freedom!
All a Sane man can ever care about
Is giving Love!
”
”
null
“
Don't tell me there's no place for innocent hearts in this world. Don't tell me I need to accept what I don't believe in. I respect it. Don't confuse my values for my stubbornness, although I am stubborn. Don't confuse my positive attitude for being naive. Allow me to wrap my heart around you for a moment. Listen to this. Innocent hearts may not belong anywhere in this world but they are big enough for any heart in this world. Innocent hearts belong in innocent hearts. Innocent hearts belong in the hearts of those who genuinely want happiness.
”
”
Najwa Zebian (Mind Platter)
“
Moisture and greeness have to do with innocence, love, heart, feelings and tears. All of the [fluids] in our body become moist when we are moved-we cry, we lubricate, we bleed, all of the numinous experiences of our bodies have to do with moisture. And it's moisture that brings life to this planet, that is the cure for the desert experience and the cure for aridness.
”
”
Jean Shinoda Bolen (Goddesses in Everywoman: A New Psychology of Women)
“
Don't be afraid to be weak
Don't be too proud to be strong
Just look into your heart my friend
That will be the return to yourself
The return to innocence
If you want, then start to laugh
If you must, then start to cry
Be yourself don't hide
Just believe in destiny
Don't care what people say
Just follow your own way
Don't give up and miss the chance
To return to innocence
That's not the beginning of the end
That's the return to yourself
The return to innocence
Don't care what people say
Just follow your own way
Don't give up and miss the chance
to return to innocence
”
”
Enigma
“
The others cast themselves down upon the fragrant grass, but Frodo stood awhile still lost in wonder. It seemed to him that he had stepped through a high window that looked on a vanished world. A light was upon it for which his language had no name. All that he saw was shapely, but the shapes seemed at once clear cut, as if they had been first conceived and drawn at the uncovering of his eyes, and ancient as if they had endured for ever. He saw no colour but those he knew, gold and white and blue and green, but they were fresh and poignant, as if he had at that moment first perceived them and made for them names new and wonderful. In winter here no heart could mourn for summer or for spring. No blemish or sickness or deformity could be seen in anything that grew upon the earth. On the land of Lórien, there was no stain.
”
”
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
“
There is within the human heart a tough fibrous root of fallen life whose nature is to possess, always to possess. It covets `things' with a deep and fierce passion. The pronouns `my' and `mine' look innocent enough in print, but their constant and universal use is significant. They express the real nature of the old Adamic man better than a thousand volumes of theology could do. They are verbal symptoms of our deep disease. The roots of our hearts have grown down into things, and we dare not pull up one rootlet lest we die. Things have become necessary to us, a development never originally intended. God's gifts now take the place of God, and the whole course of nature is upset by the monstrous substitution.
”
”
A.W. Tozer (The Pursuit of God: The Human Thirst for the Divine)
“
We have become a Nazi monster in the eyes of the whole world—a nation of bullies and bastards who would rather kill than live peacefully. We are not just Whores for power and oil, but killer whores with hate and fear in our hearts. We are human scum, and that is how history will judge us. . . . No redeeming social value. Just whores. Get out of our way, or we’ll kill you.
Well, shit on that dumbness. George W. Bush does not speak for me or my son or my mother or my friends or the people I respect in this world. We didn’t vote for these cheap, greedy little killers who speak for America today—and we will not vote for them again in 2002. Or 2004. Or ever.
Who does vote for these dishonest shitheads? Who among us can be happy and proud of having all this innocent blood on our hands? Who are these swine? These flag-sucking half-wits who get fleeced and fooled by stupid little rich kids like George Bush?
They are the same ones who wanted to have Muhammad Ali locked up for refusing to kill gooks. They speak for all that is cruel and stupid and vicious in the American character. They are the racists and hate mongers among us—they are the Ku Klux Klan. I piss down the throats of these Nazis.
And I am too old to worry about whether they like it or not. Fuck them.
”
”
Hunter S. Thompson (Kingdom of Fear: Loathsome Secrets of a Star-Crossed Child in the Final Days of the American Century)
“
Something in the heart of most human beings simply cannot abide pain inflicted on the innocent, especially children. Even broken men serving in the worst correctional facilities will often first take out their own rage on those who have caused suffering to children. Even in such a world of relative morality, causing harm to a child is still considered absolutely wrong. Period!
”
”
William Paul Young (The Shack)
“
All children grow up, all but one. His name is Peter and by now, all the civilized world has heard of him. He has captured the public imagination and become a legend, a subject for poets, philosophers and psychologists to write about, and for children to dream of. The children’s tales might be lacking in some details, but on the whole they are more accurate than most other accounts, for children will always understand Peter intuitively, as I did when I first met him.
"I shall endeavor to tell you the true story of my friend Peter, because he cannot tell it to you himself. Afterward I hope you will love him and defend him as I have for the remainder of your days. Pass on to others a true account of the wild boy who would not grow up, who danced with kings and won the hearts of princesses. He defied logic and reason, lived and loved with an innocent heart, and found peace in the midst of a turbulent world.
”
”
Christopher Daniel Mechling (Peter: The Untold True Story)
“
To value only what can be "sold" is to defile what is truly precious. The innocent joy of childhood, the devotedness of a wife, the self sacrificing service of a daughter--none of these have an earthly market. To reduce everything to the dirty scales of economic values is to forget that some gifts, like Mary's, are so precious that the heart that offers them will be praised as long as time endures.
”
”
Fulton J. Sheen
“
I didn’t know how much I could love until you were gone. Until your laughter no longer filled my home, your wicked high jinks no longer made me crazy. Until I stood in that damned club and knew, without you by side, my life was as empty as my bed was without you in it. I didn’t know what love was, until I saw my refusal to admit it drown all the sweet innocence in your eyes. I love you.
”
”
Lora Leigh (Shameless (Bound Hearts, #7))
“
And then, on September 11, the world fractured.
It's beyond my skill as a writer to capture that day and the days that would follow--the planes, like specters, vanishing into steel and glass; the slow-motion cascade of the towers crumbling into themselves; the ash-covered figures wandering the streets; the anguish and the fear. Nor do I pretend to understand the stark nihilism that drove the terrorists that day and that drives their brethren still. My powers of empathy, my ability to reach into another's heart, cannot penetrate the blank stares of those would murder innocents with abstract, serene satisfaction.
”
”
Barack Obama (Dreams from My Father: A Story of Race and Inheritance)
“
Dear Collector: We hate you. Sex loses all its power and magic when it becomes explicit, mechanical, overdone, when it
becomes a mechanistic obsession. It becomes a bore. You have taught us more than anyone I know how wrong it is not to mix it with emotion, hunger, desire, lust, whims, caprices, personal ties, deeper relationships that change its color, flavor, rhythms, intensities.
"You do not know what you are missing by your micro-scopic examination of sexual activity to the exclusion of aspects which are the fuel that ignites it. Intellectual, imaginative, romantic, emotional. This is what gives sex its surprising textures, its subtle transformations, its aphrodisiac elements. You are shrinking your world of sensations. You are withering it, starving it, draining its blood.
If you nourished your sexual life with all the excitements and adventures which love injects into sensuality, you would be the most potent man in the world. The source of sexual power is curiosity, passion. You are watching its little flame die of asphyxiation. Sex does not thrive on monotony. Without feeling, inventions, moods, no surprises in bed. Sex must be mixed with
tears, laughter, words, promises, scenes, jealousy, envy, all the spices of fear, foreign travel, new faces, novels, stories, dreams, fantasies, music, dancing, opium, wine. How much do you lose by this periscope at the tip of your sex, when you could enjoy a harem of distinct and never-repeated wonders? No two hairs alike, but you will not let us waste words on a description of hair; no two odors, but if we expand on this you cry Cut the poetry. No two skins with the same texture, and never the same light, temperature, shadows, never the same gesture; for a lover, when he is aroused by true love, can run the gamut of centuries of love lore. What a range,
what changes of age, what variations of maturity and innocence, perversity and art . . . We have sat around for hours and wondered how you look. If you have closed your senses upon silk, light, color, odor, character, temperament, you must be by now completely shriveled up. There are so many minor senses, all running like tributaries into the mainstream of sex, nourishing it. Only the united beat of sex and heart together can create ecstasy.
”
”
Anaïs Nin (Delta of Venus)
“
Westcliff thinks that St. Vincent is in love with you.”
Evie choked a little and didn’t dare look up from her tea. “Wh-why does he think that?”
“He’s known St. Vincent from childhood, and can read him fairly well. And Westcliff sees an odd sort of logic in why you would finally be the one to win St. Vincent’s heart. He says a girl like you would appeal to…hmm, how did he put it?…I can’t remember the exact words, but it was something like… you would appeal to St. Vincent’s deepest, most secret fantasy.”
Evie felt her cheeks flushing while a skirmish of pain and hope took place in the tired confines of her chest. She tried to respond sardonically. “I should think his fantasy is to consort with as many women as possible.”
A grin crossed Lillian’s lips. “Dear, that is not St. Vincent’s fantasy, it’s his reality. And you’re probably the first sweet, decent girl he’s ever had anything to do with.
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
In the land of Gods and Monsters
I was an Angel
Living in the garden of evil
Screwed up, scared, doing anything that I needed
Shining like a fiery beacon
You got that medicine I need
Fame, Liquor, Love give it to me slowly
Put your hands on my waist, do it softly
Me and God, we don't get along so now I sing
No one's gonna take my soul away
I'm living like Jim Morrison
Headed towards a fucked up holiday
Motel sprees sprees and I'm singing
'Fuck yeah give it to me this is heaven, what I truly
Want'
It's innocence lost
Innocence lost
In the land of Gods and Monsters
I was an Angel
Looking to get fucked hard
Like a groupie incognito posing as a real singer
Life imitates art
You got that medicine I need
Dope, shoot it up, straight to the heart please
I don't really wanna know what's good for me
God's dead, I said 'baby that's alright with me'
No one's gonna take my soul away
I'm living like Jim Morrison
Headed towards a fucked up holiday
Motel sprees sprees and I'm singing
'Fuck yeah give it to me this is heaven, what I truly
Want'
It's innocence lost
Innocence lost
When you talk it's like a movie and you're making me
Crazy -
Cause life imitates art
If I get a little prettier can I be your baby?
You tell me, "life isn't that hard"
No one's gonna take my soul away
I'm living like Jim Morrison
Headed towards a fucked up holiday
Motel sprees sprees and I'm singing
'Fuck yeah give it to me this is heaven, what I truly
Want'
It's innocence lost
Innocence lost
”
”
Lana Del Rey
“
Grow up with me,Let’s run in fields and through the dark together,Fall off swings and burn special things,And both play outside in bad weather,Let’s eat badly,Let’s watch adults drink wine and laugh at their idiocy,Let’s sit in the back of the car making eye contact with strangers driving past,Making them uncomfortable,Not caring, not swearing, don’t look,Let’s both reclaim our superpowers, The ones we all have and lose with our milk teeth,The ability not to fear social awkwardness,The panic when locked in the cellar, still sure there’s something down there,And while picking through pillows each feather,Let’s both stay away from the edge of the bed,Forcing us closer together,Let’s sit in public, with ice-cream all over both our faces,Sticking our tongues out at passers-by,Let’s cry, let’s swim, let’s everything,Let’s not find it funny, lest someone falls over,Classical music is boring,Poetry baffles us both,There’s nothing that’s said is what’s meant,Plays are long, tiresome, sullen and filled With hours that could be spent rolling down hills and grazing our knees on cement,Let’s hear stories and both lose our innocence,Learn about parents and forgiveness,Death and morality,Kindness and heart,Thus losing both of our innocent hearts,But at least we wont do it apart,Grow up with me.
”
”
Keaton Henson
“
Each life is formed by its unique image, an image that is the essence of that life and calls it to a destiny. As the force of fate, this image acts as a personal daimon, an accompanying guide who remembers your calling.
The daimon motivates. It protects. It invents and persists with stubborn fidelity. It resists compromising reasonableness and often forces deviance and oddity upon its keeper, especially when neglected or opposed. It offers comfort and can pull you into its shell, but it cannot abide innocence. It can make the body ill. It is out of step with time, finding all sorts of faults, gaps, and knots in the flow of life - and it prefers them. It has affinities with myth, since it is itself a mythical being and thinks in mythical patterns.
It has much to do with feelings of uniqueness, of grandeur and with the restlessness of the heart, its impatience, its dissatisfaction, its yearning. It needs its share of beauty. It wants to be seen, witnessed, accorded recognition, particularly by the person who is its caretaker. Metaphoric images are its first unlearned language, which provides the poetic basis of mind, making possible communication between all people and all things by means of metaphors
”
”
James Hillman
“
I have murdered the lovely and the helpless; I have strangled the innocent as they slept, and grasped to death his throat who never injured me or any other living thing. I have devoted my creator, the select specimen of all that is worthy of love and admiration among men, to misery; I have pursued him even to that irremediable ruin. There he lies, white and cold in death. You hate me; but your abhorrence cannot equal that with which I regard myself. I look on the hands which executed the deed; I think on the heart in which the imagination of it was conceived, and long for the moment when these hands will meet my eyes, when that imagination will haunt my thoughts no more.
”
”
Mary Wollstonecraft Shelley (Frankenstein)
“
I turn away from the light to the holy, inexpressible, mysterious night. Far away lies the world − sunk into a
deep vault, its place waste and lonely. Across my heart strings a low melancholy plays. I will fall in drops of dew and merge with the ashes. Distant memories, the wishes of youth, the dreams of childhood, the brief joys and vain hopes of a long life – all arise dressed in grey, like evening mist after sunset. In other lands light has
pitched its merry tents. And if it never returned to its children, who would await its dawning with the innocence of faith?
”
”
Novalis (Hymns to the Night)
“
Tell me what it is that you are hiding behind your eyes.
Tell me of the pain, so I can make it go away.
Tell me what it is that you are missing in your life.
I want to be the angel who takes care of your soul.
Finally I’m alive in your love.
There is so much tenderness in your heart.
There is so much spirit in your smile.
But it is your innocence mixed with mischievousness that I love.
I am with you to protect you for the rest of my life.
Finally I’m alive in your love.
Do not let anything dilute your smile ever again.
To see you happy I would do anything, mi amor.
You are the woman that I dream of late into the night.
It is because of your smile that my life has meaning once again.
Finally I’m alive in your love.
And every day my love grows stronger for you.
And the sadness that I once carried is forever gone.
I thank destiny and God for putting you in my life.
Since you came into my world, my dreams have all woken up.
Finally I’m alive in your love.
”
”
José N. Harris (MI VIDA: A Story of Faith, Hope and Love)
“
For men, the softer emotions are always intertwined with power and pride. That was why Karna waited for me to plead with him though he could have stopped my suffering with a single world. That was why he turned on me when I refused to ask for his pity. That was why he incited Dussasan to an action that was against the code of honor by which he lived his life. He knew he would regret it—in his fierce smile there had already been a glint of pain.
But was a woman's heart any purer, in the end?
That was the final truth I learned. All this time I'd thought myself better than my father, better than all those men who inflicted harm on a thousand innocents in order to punish the one man who had wronged them. I'd thought myself above the cravings that drove him. But I, too, was tainted with them, vengeance encoded into my blood. When the moment came I couldn't resist it, no more than a dog can resist chewing a bone that, splintering, makes his mouth bleed.
Already I was storing these lessons inside me. I would use them over the long years of exile to gain what I wanted, no matter what its price.
But Krishna, the slippery one, the one who had offered me a different solace, Krishna with his disappointed eyes—what was the lesson he'd tried to teach?
”
”
Chitra Banerjee Divakaruni (The Palace of Illusions)
“
Mr. Reese had told him that life, at its core, was a cruel burden because we had the knowledge that we were born to die. We were born with innocent eyes and those eyes had to see pain and death and deceit and violence and heartache. If we were lucky we lived long enough to see most everything we love die. But, he said, being honorable and truthful took a little of the sting out of it. It made life bearable. Mr. Reese said liars and cowards were the worst people to know because they broke your heart in a world that is built to break your heart. They poured gas on an already cruel and barely controllable fire.
”
”
Willy Vlautin (Don't Skip Out on Me)
“
I had hated these ponies for the part they played in my father's death but now I realized the notion was fanciful, that it was wrong to charge blame to these pretty beasts who knew neither good nor evil but only innocence. I say that of these ponies. I have known some horses and a good many more pigs who I believe harbored evil intent in their hearts. I will go further and say all cats are wicked, though often useful. Who has not seen Satan in their sly faces? Some preachers will say, well, that is superstitious "claptrap." My answer is this: Preacher, go to your Bible and read Luke 8: 26-33
”
”
Charles Portis (True Grit)
“
Abandoned.
The word alone sends shudders down a sensitive spine, troubling the thoughts of pained souls as their hurt swells in ripples. It is a sentence of undesired solitude often pronounced on the innocent, the trusting—administered without warning or satisfactory cause.
One day the moon is yours, or so you believe. The next, his countenance transforms from Jekyll to Hyde with no intention of ever turning back, and you are left trampled upon in a deserted street, concealed by dirty fog that squelches all illumination or any hope for future rays of light.
It is the worst of mysteries why a beast considered noble would forsake his duty, exhibiting a heart of stone. And all who once looked on him, now turn down their eyes and suffer, beguiled.
Some poisons have no antidote, but are slow, silent, torturous ends that curl up the broken body swept into a cold, dark corner. There she is left to drown in her tears—a dying heart.
Abandoned.
”
”
Richelle E. Goodrich (Smile Anyway: Quotes, Verse, and Grumblings for Every Day of the Year)
“
I am a libertine, but I am not a criminal nor a murderer, and since I am compelled to set my apology alongside my vindication, I shall therefore say that it might well be possible that those who condemn me as unjustly as I have been might themselves be unable to offset the infamies by good works as clearly established as those I can contrast to my errors. And yet you who today tyrannize me so cruelly, you do not believe it either: your vengeance has beguiled your mind, you have proceeded blindly to tyrannize, but your heart knows mine, it judges it more fairly, and it knows full well it is innocent.
”
”
Marquis de Sade (Justine, or The Misfortunes of Virtue)
“
Anyone can practice some nonviolence, even soldiers. Some army generals, for example, conduct their operations in ways that avoid killing innocent people; this is a kind of nonviolence. To help soldiers move in the nonviolent direction, we have to be in touch with them. If we divide reality into two camps - the violent and the nonviolent - and stand in one camp while attacking the other, the world will never have peace. We will always blame and condemn those we feel are responsible for wars and social injustice, without recognizing the degree of violence in ourselves. We must work on ourselves and also with those we condemn if we want to have a real impact.
It never helps to draw a line and dismiss some people as enemies, even those who act violently. We have to approach them with love in our hearts and do our best to help them move in a direction of nonviolence. If we work for peace out of anger, we will never succeed. Peace is not an end. It can never come about through non-peaceful means.
”
”
Thich Nhat Hanh (Love In Action: Writings on Nonviolent Social Change)
“
You're safe with me, Mira. And I'm safe with you."
He kissed her again to prove it. And when the clock struck one - that lone, ominous tone hovering in the dark - they were still kissing. Her razor blade had snagged his shirt and nicked his chest, and they'd ended up lying in the grass, hidden inside a shadow, ignoring their names whenever someone called them. He traced her mouth again and again, like he still couldn't believe it was real.
There would always be a part of him she couldn't know. A secret place where his heartbreak was stored, where lost innocence and regret filled the air like smoke. She had no desire to open that door ... but she didn't know if that would change one day. If the key would tempt her, if a fairy would manipulate her or she would just be curious. But she had to believe she could be strong enough to resist. That what she wanted - what they both wanted - mattered more than the path that had been laid out for them.
She let her hand slip under his shirt to touch the heart mark on his back, and he brought her other hand to his lips, and kissed every finger he'd entrusted with the key. He was so much more than his curse, and she was so much more than the girl who could betray him.
Together ... they could be anything.
”
”
Sarah Cross (Kill Me Softly (Beau Rivage, #1))
“
When Aziza first spotted Mariam in the morning, her eyes always sprang open, and she began mewling and squirming in her mother's grip. She thrust her arms toward Mariam, demanding to be held, her tiny hands opening and closing urgently, on her face a look of both adoration and quivering anxiety...
"Why have you pinned your little heart to an old, ugly hag like me?" Mariam would murmur into Aziza's hair... "What have I got to give you?"
But Aziza only muttered contentedly and dug her face in deeper. And when she did that, Mariam swooned. Her eyes watered. Her heart took flight. And she marveled at how, after all these years of rattling loose, she had found in this little creature the first true connection in her life of false, failed connections.
”
”
Khaled Hosseini (A Thousand Splendid Suns)
“
I had never seen her naked, I was embarrassed. Today I can say that it was the embarrassment of gazing with pleasure at her body, of being the not impartial witness of her sixteen-year-old's beauty a few hours before Stefano touched her, penetrated her, disfigured her, perhaps, by making her pregnant. At the time it was just a tumultuous sensation of necessary awkwardness, a state in which you cannot avert the gaze or take away the hand without recognizing your own turmoil, without, by that retreat, declaring it, hence without coming into conflict with the undisturbed innocence of the one who is the cause of the turmoil, without expressing by that rejection the violent emotion that overwhelms you, so that it forces you to stay, to rest your gaze on the childish shoulders, on the breasts and stiffly cold nipples, on the narrow hips and the tense buttocks, on the black sex, on the long legs, on the tender knees, on the curved ankles, on the elegant feet; and to act as if it's nothing, when instead everything is there, present, in the poor dim room, amid the worn furniture, on the uneven, water-stained floor, and your heart is agitated, your veins inflamed.
”
”
Elena Ferrante (My Brilliant Friend (My Brilliant Friend, #1))
“
It occurred to me. . .that aberrance is a wholly human construct. There were no such things as monsters outside the human mind. We are vain and arrogant, evolution's highest achievement and most dismal failure, prisoners of our self-awareness and the illusion that we stand in the center, that there is us and then there is everything else but us. But we do not stand apart from or above or in the middle of anything. There is nothing apart, nothing above, and the middle is everywhere - and nowhere. We are no more beautiful and essential or magnificent than an earthworm. In fact - and dare we go there, you and I? - you could say the worm is more beautiful, because it is innocent and we are not. The worm has no motive but to survive long enough to make baby worms. There is no betrayal, no cruelty, no envy, no lust, and no hatred in the worm's heart, and so who are the monsters and which species shall we call aberrant?
”
”
Rick Yancey (The Final Descent (The Monstrumologist, #4))
“
Obedient to no man, dependent only on weather and season, without a goal before them or a roof above them, owning nothing, open to every whim of fate, the homeless wanderers lead their childlike, brave, shabby existence. They are the sons of Adam, who was driven out of Paradise; the brothers of the animals, of innocence. Out of heaven's hand they accept what is given them from moment to moment: sun, rain, fog, snow, warmth, cold, comfort, and hardship; time does not exist for them and neither does history, or ambition, or that bizarre idol called progress and evolution, in which houseowners believe so desperately. A wayfarer may be delicate or crude, artful or awkward, brave or cowardly—he is always a child at heart, living in the first day of creation, before the beginning of the history of the world, his life always guided by a few simple instincts and needs. He may be intelligent or stupid; he may be deeply aware of the fleeting fragility of all living things, of how pettily and fearfully each living creature carries its bit of warm blood through the glaciers of cosmic space, or he may merely follow the commands of his poor stomach with childlike greed—he is always the opponent, the deadly enemy of the established proprietor, who hates him, despises him, or fears him, because he does not wish to be reminded that all existence is transitory, that life is constantly wilting, that merciless icy death fills the cosmos all around.
”
”
Hermann Hesse (Narcissus and Goldmund)
“
Never mind that. What's going on with you and Heath?"
Annabelle pulled a little wide-eyed innocence out of her rusty bag of college acting skills.
"What do you mean? Business."
"Don't give me that. We've been friends too long."
She switched to a furrowed brow. "He's my most important client. You know how much this means to me."
Molly wasn't buying it. "I've seen the way you look at him. Like he was a slot machine with triple sevens tattooed on his forehead. If you fall in love with him, I swear I'll never speak to
you again."
Annabelle nearly choked. She'd known Molly would be suspicious, but she hadn't expected an outright confrontation. "Are you nuts? Setting aside the fact that he treats me like a flunky, I'd never fall for a workaholic after what I've had to go through with my family." Falling in lust, however, was an entirely different matter.
"He has a calculator for a heart," Molly said.
"I thought you liked him.
”
”
Susan Elizabeth Phillips (Match Me If You Can (Chicago Stars, #6))
“
I've confessed to everything and I'd like to be hanged. Now, if you please.
I don't mean to be difficult, but I can't bear to tell my story. I can't relive those memories—the touch of the Dead Hand, the smell of eel, the gulp and swallow of the swamp. How can you possibly think me innocent? Don't let my face fool you; it tells the worst lies. A girl can have the face of an angel but have a horrid sort of heart.
I know you believe you're giving me a chance—or, rather, it's the Chime Child giving me the chance. She's desperate, of course, not to hang an innocent girl again, but please believe me: Nothing in my story will absolve me of guilt. It will only prove what I've already told you, which is that I'm wicked. Can't the Chime Child take my word for it?
In any event, where does she expect me to begin? The story of a wicked girl has no true beginning. I'd have to begin with the day I was born.
If Eldric were to tell the story, he'd likely begin with himself, on the day he arrived in the Swampsea. That's where proper stories begin, don't they, when the handsome stranger arrives and everything goes wrong?
But this isn't a proper story, and I'm telling you, I ought to be hanged.
”
”
Franny Billingsley (Chime)
“
Sometimes an uncontrollable feeling of sadness grips us, he said. We recognize that the magic moment of the day has passed and that we’ve done nothing about it. Life begins to conceal its magic and its art.
We have to listen to the child we once were, the child who still exists inside us. That child understands magic moments. We can stifle its cries, but we cannot silence its voice.
The child we once were is still there. Blessed are the children, for theirs is the kingdom of heaven.
If we are not reborn – if we cannot learn to look at life with the innocence and the enthusiasm of childhood – it makes no sense to go on living.
There are many ways to commit suicide. hose who try to kill the body violate God's law. Those who try to kill the soul also violate God's law, even though their crime is less visible to others.
We have to pay attention to what the child in our heart tells us. We should not be embarrassed by this child. We must not allow this child to be scared because the child is alone and almost never heard.
We must allow the child to take the reins of our lives. The child knows that each day is different from every other day.
We have to allow it to feel loved again. We must please this child – even if this means that we act in ways we are not used to, in ways that may seem foolish to others.
Remember that human wisdom is madness in the eyes of God. But if we listen to the child who lives in our soul, our eyes will grow bright. If we do not lose contact with that child, we will not lose contact with life.
”
”
Paulo Coelho (By the River Piedra I Sat Down and Wept)
“
A dam inside my own heart opened up, and the feelings of heaviness and unease lifted like wind against the winter sky. I loved him. I loved his slow wit and his gruff demeanor and his tender disposition. I loved his endless empathy and his world-weary cynicism and his innocence. I loved that he was a walking, breathing paradox. I loved his lank hair and his iron earring and the tooth missing at the back of his mouth. I loved the way he laughed, music incomparable to any song, and the way he smiled, like you could see the child in him and the animal in him and the man in him all at once. I loved that he listened to crappy music, the kind that made me want to put my head through a wall, and I loved the charcoal stains on his knuckles and the pencils he tucked behind his ears. I loved that he told me to shut up as though I could actually say anything. I loved that he made me feel as though I could. I loved his short fingers and his rough palms and his long legs and his flat belly. I loved that he liked to read Kerouac but didn't know how to pronounce Kerouac. I loved his brown skin and his blue tattoos and his tempestuous blue eyes. I loved that he loved the land. I loved him. I loved him. Oh, God. I loved him.
”
”
Rose Christo (Looks Over (Gives Light, #2))
“
We lead a difficult life, not always managing to fit our actions to the vision we have of the world. (And when I think I have caught a glimpse of the color of my fate, it flees from my gaze.) We struggle and suffer to reconquer our solitude. But a day comes when the earth has its simple and primitive smile. Then, it is as if the struggles and life within us were rubbed out. Millions of eyes have looked at this landscape, and for me it is like the first smile of the world. It takes me out of myself, in the deepest meaning of the expression. It assures me that nothing matters except my love, and that even this love has no value for me unless it remains innocent and free. It denies me a personality, and deprives my suffering of its echo. The world is beautiful, and this is everything. The great truth which it patiently teaches me is that neither the mind nor even the heart has any importance. And that the stone warmed by the stone or the cypress tree swelling against the empty sky set a boundary to the only world in which "to be right" has any meaning: nature without men. This world reduces me to nothing. It carries me to the very end. Without anger, it denies that I exist. And, agreeing to my defeat, I move toward a wisdom where everything has already been conquered -- except that tears come into my eyes, and this great sob of poetry which swells my heart makes me forget the truth of the world.
”
”
Albert Camus (Notebooks 1935-1942)
“
I release my parents from the feeling that they have already failed me.
I release my children from the need to bring pride to me; that they may write their own ways according to their hearts, that whisper all the time in their ears.
I release my partner from the obligation to complete myself. I do not lack anything, I learn with all beings all the time.
I thank my grandparents and forefathers who have gathered so that I can breathe life today. I release them from past failures and unfulfilled desires, aware that they have done their best to resolve their situations within the consciousness they had at that moment.
I honor you, I love you and I recognize you as innocent.
I am transparent before your eyes, so they know that I do not hide or owe anything other than being true to myself and to my very existence, that walking with the wisdom of the heart, I am aware that I fulfill my life project, free from invisible and visible family loyalties that might disturb my Peace and Happiness, which are my only responsibilities.
I renounce the role of savior, of being one who unites or fulfills the expectations of others.
Learning through, and only through, love, I bless my essence, my way of expressing, even though somebody may not understand me.
I understand myself, because I alone have lived and experienced my history; because I know myself, I know who I am, what I feel, what I do and why I do it.
I respect and approve myself.
I honor the Divinity in me and in you.
We are free.
”
”
Anonymous
“
Little girls are the nicest things that can happen to people. They are born with a bit of angel-shine about them, and though it wears thin sometimes, there is always enough left to lasso your heart—even when they are sitting in the mud, or crying temperamental tears, or parading up the street in Mother’s best clothes.
A little girl can be sweeter (and badder) oftener than anyone else in the world. She can jitter around, and stomp, and make funny noises that frazzle your nerves, yet just when you open your mouth, she stands there demure with that special look in her eyes. A girl is Innocence playing in the mud, Beauty standing on its head, and Motherhood dragging a doll by the foot.
God borrows from many creatures to make a little girl. He uses the song of a bird, the squeal of a pig, the stubbornness of a mule, the antics of a monkey, the spryness of a grasshopper, the curiosity of a cat, the speed of a gazelle, the slyness of a fox, the softness of a kitten, and to top it all off He adds the mysterious mind of a woman.
A little girl likes new shoes, party dresses, small animals, first grade, noisemakers, the girl next door, dolls, make-believe, dancing lessons, ice cream, kitchens, coloring books, make-up, cans of water, going visiting, tea parties, and one boy. She doesn’t care so much for visitors, boys in general, large dogs, hand-me-downs, straight chairs, vegetables, snowsuits, or staying in the front yard.
She is loudest when you are thinking, the prettiest when she has provoked you, the busiest at bedtime, the quietest when you want to show her off, and the most flirtatious when she absolutely must not get the best of you again. Who else can cause you more grief, joy, irritation, satisfaction, embarrassment, and genuine delight than this combination of Eve, Salome, and Florence Nightingale.
She can muss up your home, your hair, and your dignity—spend your money, your time, and your patience—and just when your temper is ready to crack, her sunshine peeks through and you’ve lost again. Yes, she is a nerve-wracking nuisance, just a noisy bundle of mischief. But when your dreams tumble down and the world is a mess—when it seems you are pretty much of a fool after all—she can make you a king when she climbs on your knee and whispers, "I love you best of all!
”
”
Alan Beck
“
My story starts at sea, a perilous voyage to an unknown land. A shipwreck. The wild waters roar and heave. The brave vessel is dashed all to pieces. And all the helpless souls within her drowned. All save one. A lady. Whose soul is greater than the ocean, and her spirit stronger than the sea's embrace. Not for her a watery end, but a new life beginning on a stranger shore. It will be a love story. For she will be my heroine for all time. And her name will be Viola."
"She was incomprehensible, for, in her, soul and spirit were one - the beauty of her body was the essence of her soul. She was that unity sought for by philosophers through many centuries. In this outdoor waiting room of winds and stars she had been sitting for a hundred years, at peace in the contemplation of herself."
"He knew that there was passion there, but there was no shadow of it in her eyes or on her mouth; there was a faint spray of champagne on her breath. She clung nearer desperately and once more he kissed her and was chilled by the innocence of her kiss, by the glance that at the moment of contact looked beyond him out into the darkness of the night, the darkness of the world."
"Her heart sank into her shoes as she realized at last how much she wanted him. No matter what his past was, no matter what he had done. Which was not to say that she would ever let him know, but only that he moved her chemically more than anyone she had ever met, that all other men seemed pale beside him."
"I used to build dreams about you."
"Then she kissed him until the sky seemed to fade out and all her smiles and tears to vanish in an ecstasy of eternal seconds.
”
”
F. Scott Fitzgerald
“
Another tidbit you might be interested in is when it comes to chicks and open mouths, guys -" Decebel leaned over and covered Jen's mouth with his hand and warned her with a glare to swallow her words.
"Thanks, Dec. That's usually my job,"
Sally told him. "But I was in such shock that I couldn't get my limbs to move."
Decebel inclined his head. "Is that why you always seem to stand so close to her?"
"It's of utmost importance that whoever is within her reach be ready at any and all moments to intercept what might come from that wicked tongue."
en was frantically trying to talk around Decebel's hand at Sally's comment. Decebel was quickly learning how Jennifer's brain worked, and could only imagine what she wanted to voice in regards to Sally's wicked tongue comment. He leaned forward to whisper in her ear. "I'm going to uncover your mouth. It would be wise of you to just let the wicked tongue comment slide."
Jen glared at him from the corner of her eye, and after a tense moment finally nodded once in submission. Decebel slowly uncovered her mouth, ready if need be to slap it right back over her lips.
The room began to get quiet and they all directed their attention to the front of the room. As Vasile welcomed everyone for coming and began to explain about the meeting he had with the other Alphas, Jen leaned over to Decebel. "You owe me. Sally walked right into it with that whole wicked tongue thing."
Decebel chuckled and whispered back,
"For some reason, ţinere de meu inimă (one who holds my heart), I have a feeling there will be plenty of opportunities for you to embarrass your friends for questionable comments they innocently walk into."
Jen shrugged. "True enough, but you still owe me. And what are you calling me when you speak Romanian? You've said the same phrase to me twice now."
Decebel patted her leg, causing all sorts of tingling sensations. "Dar tu romaneste, Micul meu lup. (but you speak Romanian, my little wolf)"
"I know what lup is and I am not a wolf.
Whatever else you said I'm sure is a load of crap as well.
”
”
Quinn Loftis (Just One Drop (The Grey Wolves, #3))
“
Folding her arms and closing her eyes, Hatsumi sank back into the corner of the seat. Her small gold earrings caught the light as the taxi swayed. Her midnight blue dress seemed to have been made to match the darkness of the cab. Every now and then her thinly daubed, beautifully formed lips would quiver slightly as if she had caught herself on the verge of talking to herself. Watching her, I could see why Nagasawa had chosen her as his special companion. There were any number of women more beautiful than Hatsumi, and Nagasawa could have made any of them his. But Hatsumi had some quality that could send a tremor through your heart. It was nothing forceful. The power she exerted was a subtle thing, but it called forth deep resonances. I watched her all the way to Shibuya, and wondered, without ever finding an answer, what this emotional reverberation that I was feeling could be.
It finally hit me some dozen or so years later. I had come to Santa Fe to interview a painter and was sitting in a local pizza parlor, drinking beer and eating pizza and watching a miraculously beautiful sunset. Everything was soaked in brilliant red—my hand, the plate, the table, the world—as if some special kind of fruit juice had splashed down on everything. In the midst of this overwhelming sunset, the image of Hatsumi flashed into my mind, and in that moment I understood what that tremor of the heart had been. It was a kind of childhood longing that had always remained—and would forever remain—unfulfilled. I had forgotten the existence of such innocent, all-but-seared-in longing: forgotten for years to remember what such feelings had ever existed inside of me. What Hatsumi had stirred in me was a part of my very self that had long lain dormant. And when the realization struck me, it aroused such sorrow I almost burst into tears. She had been an absolutely special woman. Someone should have done something—anything—to save her.
But neither Nagasawa nor I could have managed that. As so many of those I knew had done, Hatsumi reached a certain stage in her life and decided—almost on the spur of the moment—to end it. Two years after Nagasawa left for Germany, she married, and two years after that she slashed her wrists with a razor blade.
It was Nagasawa, of course, who told me what had happened. His letter from Bonn said this: “Hatsumi’s death has extinguished something. This is unbearably sad and painful, even to me.” I ripped his letter to shreds and threw it away. I never wrote to him again.
”
”
Haruki Murakami (Norwegian Wood)
“
Cauldron save me," she began whispering, her voice lovely and even-like music. "Mother hold me," she went on, reciting a prayer similar to one I'd heard once before, when Tamlin eased the passing of that lesser faerie who'd died in the foyer. Another of Amarantha's victims. "Guide me to you." I was unable to raise my dagger, unable to take the step that would close the distance between us. "Let me pass through the gates; let me smell that immortal land of milk and honey."
Silent tears slide down my face and neck, where they dampened the filthy collar of my tunic. As she spoke, I knew I would be forever barred from that immortal land. I knew that whatever Mother she meant would never embrace me. In saving Tamlin, I was to damn myself.
I couldn't do this-couldn't lift that dagger again.
"Let me fear no evil," she breathed, staring at me-into me, into the soul that was cleaving itself apart."Let me feel no pain."
A sob broke from my lips. "I'm sorry," I moaned.
"Let me enter eternity," She breathed.
I wept as I understood. Kill me now, she was saying. Do it fast. Don't make it hurt. Kill me now. Her bronze eyes were steady, if not sorrowful. Infinitely, infinitely worse than the pleading of the dead faerie beside her.
I couldn't do it.
But she held my gaze-held my gaze and nodded.
As I lifted the ash dagger, something inside me fractured so completely that there would be no hope of ever repairing it. No matter how many years passed, no matter how many times I might try to paint her face.” As I lifted the ash dagger, something inside me fractured so completely that there would be no hope of ever repairing it. No matter how many years passed, no matter how many times I might try to paint her face.
More faeries wailed now-her kinsmen and friends. The dagger was a weight in my hand-my hand, shining and coated with the blood of the first faerie.
It would be more honorable to refuse-to die, rather than murder innocents. But... but...
"Let me enter eternity," she repeated, lifting her chin. "Fear no evil," she whispered-just for me. "Feel no pain."
I gripped her delicate, bony shoulder and drove the dagger into her heart.
She gasped, and blood spilled onto the ground like a splattering of rain. Her eyes were closed when I looked at her face again. She slumped to the floor and didn't move.
I went somewhere far, far away from myself.
”
”
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
“
I thank you, Wilhelm, for your heartfelt sympathy, for your well-intentioned advice, but beg you to be quiet. Let me stick it out. Blessedly exhausted as I am, I have strength enough to carry through. I honor religion, you know that, I feel it is a staff for many weary souls, refreshment for many a one who is pining away. But--can it be, must it be, the same thing for everyone? If you look at the great world, you see thousands for whom it wasn't, thousands for whom it will not be the same, preached or unpreached, and must it then be the same for me? Does not the son of God Himself say that those would be around Him whom the Father had given Him? But if I am not given? If the Father wants to keep me for Himself, as my heart tells me?--I beg you, do not misinterpret this, do not see mockery in these innocent words. What I am laying before you is my whole soul; otherwise I would rather have kept silent, as I do not like to lose words over things that everyone knows as little about as I do. What else is it but human destiny to suffer out one's measure, drink up one's cup?--And if the chalice was too bitter for the God from heaven on His human lips, why should I boast and pretend that it tastes sweet to me? And why should I be ashamed in the terrible moment when my entire being trembles between being and nothingness, since the past flashes like lightning above the dark abyss of the future and everything around me is swallowed up, and the world perishes with me?--Is that not the voice of the creature thrown back on itself, failing, trapped, lost, and inexorably tumbling downward, the voice groaning in the inner depths of its vainly upwards-struggling energies: My God! My God! Why hast thou forsaken me? And if I should be ashamed of the expression, should I be afraid when facing that moment, since it did not escape Him who rolls up heaven like a carpet?
”
”
Johann Wolfgang von Goethe (The Sorrows of Young Werther)
“
A change in direction was required. The story you finished was perhaps never the one you began. Yes! He would take charge of his life anew, binding his breaking selves together. Those changes in himself that he sought, he himself would initiate and make them. No more of this miasmic, absent drift. How had he ever persuaded himself that his money-mad burg would rescue him all by itself, this Gotham in which Jokers and Penguins were running riot with no Batman (or even Robin) to frustrate their schemes, this Metropolis built of Kryptonite in
which no Superman dared set foot, where wealth was mistaken for riches and the joy of possession for happiness, where people lived such polished lives that the great rough truths of raw existence had been rubbed and buffed away, and in which human souls had wandered so separately for so long that they barely remembered how to touch; this city whose fabled electricity powered the electric fences that were being erected between men and men, and men and women, too? Rome did not fall because her armies weakened but because Romans forgot what
being Roman meant. Might this new Rome actually be more provincial than its provinces; might these new Romans have forgotten what and how to value, or had they never known? Were all empires so undeserving, or was this one particularly crass? Was nobody in all this bustling endeavor and material plenitude engaged, any longer, on the deep quarry-work of the mind and heart? O Dream-America, was civilization's
quest to end in obesity and trivia, at Roy Rogers and Planet Hollywood, in USA Today and on E!; or in million-dollar-game-show greed or fly-on-the-wall voyeurism; or in the eternal confessional booth of Ricki and Oprah and Jerry, whose guests murdered each other after the show; or in a spurt of gross-out dumb-and-dumber comedies
designed for young people who sat in darkness howling their ignorance at the silver screen; or even at the unattainable tables of Jean-Georges Vongerichten and Alain Ducasse? What of the search for the hidden keys that unlock the doors of exaltation? Who demolished the City on the Hill and put in its place a row of electric chairs,
those dealers in death's democracy, where everyone, the innocent, the mentally deficient, the guilty, could come to die side by side? Who paved Paradise and put up a parking lot? Who settled for George W. Gush's boredom and Al Bore's gush? Who let Charlton Heston out of his cage and then asked why children were getting shot? What, America, of the Grail? O ye Yankee Galahads, ye Hoosier Lancelots, O Parsifals of the stockyards, what of the Table Round? He felt a flood bursting in him and did not hold back. Yes, it had seduced him, America; yes, its brilliance aroused him, and its vast potency too, and he was compromised by this seduction. What he opposed in it he must also attack in himself. It made him want what it promised and eternally withheld. Everyone was an American now, or at least Americanized: Indians, Uzbeks, Japanese, Lilliputians, all. America was the world's playing field, its rule book, umpire, and ball. Even anti-Americanism was Americanism in disguise, conceding, as it did, that America was the only game in town and the matter of America the only business at hand; and so, like everyone, Malik Solanka now walked its high corridors cap in hand, a supplicant at its feast; but that did not mean he could not look it in the eye. Arthur had fallen, Excalibur was lost and dark Mordred was king. Beside him on the throne of Camelot sat the queen, his sister, the witch Morgan le Fay.
”
”
Salman Rushdie (Fury)
“
Yes, yes, it ended in my corrupting them all! How it could come to pass I do not know, but I remember it clearly. The dream embraced thousands of years and left in me only a sense of the whole. I only know that I was the cause of their sin and downfall. Like a vile trichina, like a germ of the plague infecting whole kingdoms, so I contaminated all this earth, so happy and sinless before my coming. They learnt to lie, grew fond of lying, and discovered the charm of falsehood. Oh, at first perhaps it began innocently, with a jest, coquetry, with amorous play, perhaps indeed with a germ, but that germ of falsity made its way into their hearts and pleased them. Then sensuality was soon begotten, sensuality begot jealousy, jealousy—cruelty . . . Oh, I don't know, I don't remember; but soon, very soon the first blood was shed. They marvelled and were horrified, and began to be split up and divided. They formed into unions, but it was against one another. Reproaches, upbraidings followed. They came to know shame, and shame brought them to virtue. The conception of honour sprang up, and every union began waving its flags. They began torturing animals, and the animals withdrew from them into the forests and became hostile to them. They began to struggle for separation, for isolation, for individuality, for mine and thine. They began to talk in different languages. They became acquainted with sorrow and loved sorrow; they thirsted for suffering, and said that truth could only be attained through suffering. Then science appeared. As they became wicked they began talking of brotherhood and humanitarianism, and understood those ideas. As they became criminal, they invented justice and drew up whole legal codes in order to observe it, and to ensure their being kept, set up a guillotine. They hardly remembered what they had lost, in fact refused to believe that they had ever been happy and innocent. They even laughed at the possibility o this happiness in the past, and called it a dream. They could not even imagine it in definite form and shape, but, strange and wonderful to relate, though they lost all faith in their past happiness and called it a legend, they so longed to be happy and innocent once more that they succumbed to this desire like children, made an idol of it, set up temples and worshipped their own idea, their own desire; though at the same time they fully believed that it was unattainable and could not be realised, yet they bowed down to it and adored it with tears! Nevertheless, if it could have happened that they had returned to the innocent and happy condition which they had lost, and if someone had shown it to them again and had asked them whether they wanted to go back to it, they would certainly have refused. They answered me:
"We may be deceitful, wicked and unjust, we know it and weep over it, we grieve over it; we torment and punish ourselves more perhaps than that merciful Judge Who will judge us and whose Name we know not. But we have science, and by the means of it we shall find the truth and we shall arrive at it consciously. Knowledge is higher than feeling, the consciousness of life is higher than life. Science will give us wisdom, wisdom will reveal the laws, and the knowledge of the laws of happiness is higher than happiness.
”
”
Fyodor Dostoevsky (The Dream of a Ridiculous Man, and the Little Orphan)