Ink Black Heart Quotes

Oh my God..." Xhex's heart stopped as she looked at him in the mirror. Across his upper back, in a glorious spread of black ink...in a declaration that didn't whisper but shouted...in a billboard-size front with flourishes... Her name in the Old Language.

Bright beads of red are rising through the ink, Hearts-blood bubbles smearing out into the black stream

Some thought magic came from the mind, others the soul, or the heart, or the will. But Kell knew it came from the blood. Blood was magic made manifest. There it thrived. And there it poisoned. Kell had seen what happened when power warred with the body, watched it darken in the veins of corrupted men, turning their blood from crimson to black. If red was the color of magic in balance—of harmony between power and humanity—then black was the color of magic without balance, without order, without restraint. As an Antari, Kell was made of both, balance and chaos; the blood in his veins, like the Isle of Red London, ran a shimmering, healthy crimson, while his right eye was the color of spilled ink, a glistening black.

February. Get ink, shed tears. Write of it, sob your heart out, sing, While torrential slush that roars Burns in the blackness of the spring. Go hire a buggy. For six grivnas, Race through the noice of bells and wheels To where the ink and all you grieving Are muffled when the rainshower falls. To where, like pears burnt black as charcoal, A myriad rooks, plucked from the trees, Fall down into the puddles, hurl Dry sadness deep into the eyes. Below, the wet black earth shows through, With sudden cries the wind is pitted, The more haphazard, the more true The poetry that sobs its heart out.

It's time, Old Captain, lift anchor, sink! The land rots; we shall sail into the night; if now the sky and sea are black as ink our hearts, as you must know, are filled with light. Only when we drink poison are we well — we want, this fire so burns our brain tissue, to drown in the abyss — heaven or hell, who cares? Through the unknown, we'll find the new. ("Le Voyage")

He experienced one of those moments of simultaneous confusion and clarity that belong to the drunk and the desperate.

claimed to be the man who wrote a certain book – what was its name again?" "Inkheart." Fenoglio rubbed his aching back. "Its title is Inkheart because it's about a man whose wicked heart is as black as ink, filled with darkness and evil. I still like the title.

Strike looked down at his own plate: where there should have been chips, there was only salad.

He was afraid that the secrets she'd kept would always be here, inside him, an ugly malignant thing lodged near enough to his heart to upset its rhythm, and though it could be removed, cut out, there would always be scars; bits and pieces of it would remain in his blood, making it wrong somehow, so that if he accidentally sliced his skin open, his blood would--for one heartbeat--flow as black as India ink before it remembered that it should be red.

There are only three kinds of ink that rulers use to write their stories. Sweat, blood, or tears. So choose your ink carefully, because one day Anubis will weigh your heart upon on a scale. If your heart is black and heavy with sin, it will go to the crocodiles in the hour of judgment. But if you’re faithful, Isis offers immortality.

RAINBOW VOICES I ask people of the world and children of light to start reflecting the stories of their souls to vibrate wisdom around the earth. Pick up a paintbrush or microphone. Press the inks of your pens to paper or tap words onto your screens, and start sharing what you know and have learned with the masses. Turn your personal painting into a piece of the earth's puzzle so that our unified assemblage of thoughts, experiences and lessons reveal common truths that cannot be denied. Imagine the changes that could happen if everyone suddenly stopped acting like someone else, became true to themselves, and celebrated the beauty of their uniqueness. Only after people have willingly removed their masks and costumes, and have begun pouring light from their hearts to reveal their vulnerability, dreams and pains, will we be able to see that beneath the surface we are all the same. After all, how can the world collectively fight for truth, if soldiers in its army are void of truth? We must first all be true by putting truth in our words and actions. And to do so, everyone must learn to think and react with their conscience. Imagine what Truth could do to neutralize the clutches of evil once this black and white world suddenly became embraced by a strong rainbow of loud powerful voices. We could put color back into every home, every school, every industry, every nation, and every garden on earth where flowers have been crushed by corruption.

My husband claims I have an unhealthy obsession with secondhand bookshops. That I spend too much time daydreaming altogether. But either you intrinsically understand the attraction of searching for hidden treasure amongst rows of dusty shelves or you don't; it's a passion, bordering on a spiritual illness, which cannot be explained to the unaffected. True, they're not for the faint of heart. Wild and chaotic, capricious and frustrating, there are certain physical laws that govern secondhand bookstores and like gravity, they're pretty much nonnegotiable. Paperback editions of D. H. Lawrence must constitute no less than 55 percent of all stock in any shop. Natural law also dictates that the remaining 45 percent consist of at least two shelves worth of literary criticism on Paradise Lost and there should always be an entire room in the basement devoted to military history which, by sheer coincidence, will be haunted by a man in his seventies. (Personal studies prove it's the same man. No matter how quickly you move from one bookshop to the next, he's always there. He's forgotten something about the war that no book can contain, but like a figure in Greek mythology, is doomed to spend his days wandering from basement room to basement room, searching through memoirs of the best/worst days of his life.) Modern booksellers can't really compare with these eccentric charms. They keep regular hours, have central heating, and are staffed by freshly scrubbed young people in black T-shirts. They're devoid of both basement rooms and fallen Greek heroes in smelly tweeds. You'll find no dogs or cats curled up next to ancient space heathers like familiars nor the intoxicating smell of mold and mildew that could emanate equally from the unevenly stacked volumes or from the owner himself. People visit Waterstone's and leave. But secondhand bookshops have pilgrims. The words out of print are a call to arms for those who seek a Holy Grail made of paper and ink.

Stab the body and it heals, but injure the heart and the wound lasts a lifetime – Mineko Iwasaki

What I will tell you, son of sons, is this: shortly, if not already, you will begin noticing the blackness inside us all. You will develop black secrets and commit black actions. You will be shocked at the insensitivities and transgressions you are capable of, yet you will be unable to stop them. And by the time you are thirty, your friends will all have black secrets, too, but it will be years before you learn exactly *what* their black secrets are. Life at that point will become like throwing a Frisbee in a graveyard; much of the pleasure of your dealings with your friends will stem from the contrast between your sparkling youth and the ink you now know lies at your feet. Later, as you get to be my age, you will see your friends begin to die, to lose their memories, to see their skins turn wrinkled and sick. You will see the effects of dark secrets making themslves know - via their minds and bodies and via the stories your friends - yes, Harmony, Gaia, Mei-lin, Davidson, and the rest - will begin telling you at three-thirty in the morning as you put iodine on their bruises, arrange for tetanus shots, dial 911, and listen to them cry. The only payback for all of this - for the conversion of their once-young hearts into tar - will be that you will love your friends more, even though they have made you see the universe as an emptier and scarier place - and they will love you more, too.

there’s nothing like Latin for slapping the fuck out of people who think they’re better than you. I’ve used it several times to good effect.

Not for the first time, he had cause to marvel at the fact that the woman who’d come to him as a temporary secretary had proven to be the agency’s biggest asset.

When you give someone your whole heart and he doesn’t want it, you cannot take it back. It’s gone forever – Sylvia Plath

February Boris Pasternak It's February. Get ink. Weep. Write the heart out about it, sing Another song of February While raucous slush burns black with spring. Six grivnas* for a buggy ride Past booming bells, on screaming gears, Out to a place where drizzles fall Louder than any ink or tears Where like a flock of charcoal pears, A thousand blackbirds, ripped awry From trees to puddles, knock dry grief Into the deep end of the eye. A thaw patch blackens underfoot. The wind is gutted with a scream. True verses are the most haphazard, Rhyming the heart out on a theme. *Grivna: a unit of currency.

If she could walk away, she would; her pride demanded at least that much from her. But Quincy knew that her heart beat with the rhythm of the presses in the back room, that her blood ran black with ink, and that her mind filled with reams of numbers and projections and plans. The Q was Quincy's only vital organ, so she would play the game.

He was starting to feel like a truffle pig trying to do its job in a room full of incense, dead fish and strong cheese.

in a prosperous country, in peacetime – notwithstanding those heavy blows of fate to which nobody was immune, and those strokes of unearned luck of which Inigo, the inheritor of wealth, had clearly benefited – character was the most powerful determinant of life’s course.

But as I’m not going around killing people I don’t like, I don’t think there’s much wrong with admitting some people contribute more to the world than others.’ ‘So you don’t subscribe to “any man’s death diminishes me”?’ said Robin. ‘I wouldn’t feel remotely diminished by the deaths of some of the bastards I’ve met.

The idea of suggesting that Strike stop lying to the women in his life occurred only to be dismissed, on the basis that the resolutions to stop smoking, lose weight and exercise were enough personal improvement to be getting on with.

I’m so in love with you, Eligius Dupré.” I kiss his nose. “It actually took a vampire to claim my icy heart.” “Your heart has never been icy,” he answers, and kisses me. He fingers the wings at my cheek. “It was just waiting on me.

I whispered, "Do you have a rubber?" He laughed, hushed, a laughing whisper, as though his parents were in the next room, and reached one arm past my head to a nightstand there. "A rubber chicken." He shook the dancing chicken in the air. "Will that do?" I laughed back, ran a finger along the bumps of the fake chicken skin. "Ribbed and beaked for her pleasure, even. Want me to leave you two alone?" He threw the chicken on the floor and bit my neck and I giggled and he said, "Never," and he was everywhere then. The couch was a sinking place and I disappeared into the orgy of costumes, the smell of nervous strangers, makeup and smoke, my naked body buried in the perfume of human need. I took the rubber chicken home. Plucky was my mascot, the souvenir of our date. Later, much later, there was the conception of our child. And now the miscarriage, unexpected, though I should've expected it because, why not? -- family slid through my fingers the same as the old silicone banana-peel trick. After the D&C, after the suctioning away of our tiny fetus, I drew the black heart on Plucky's rubber breast in the place where a chicken might have a heart, over the ridges of implied feathers. Indelible ink. Now she'd been nabbed by a kid too young to know what love means, what a chicken might mean. Too young to know that a rubber chicken can carry all of love in one indelible ink heart.

He is strangely attractive, isn’t he? Bit beaten-up-looking, but I’ve never minded that.

Black veins were filling the garden, spreading like escaped ink. Darkness, darkness everywhere. It was night, without any moons or stars.

Robin turned her iPad so that Strike could see it. He moved his chair in: Robin felt his knee bump hers.

I have forged me in sevenfold heats A shield from foes and lovers, And no one knows the heart that beats Beneath the shield that covers.

I couldn’t talk about it, about them—not yet. So I breathed “Later” and hooked my feet around his legs, drawing him closer. I placed my hands on his chest, feeling the heart beating beneath. This—I needed this right now. It wouldn’t wash away what I’d done, but … I needed him near, needed to smell and taste him, remind myself that he was real—this was real. “Later,” he echoed, and leaned down to kiss me. It was soft, tentative—nothing like the wild, hard kisses we’d shared in the hall of throne room. He brushed his lips against mine again. I didn’t want apologies, didn’t want sympathy or coddling. I gripped the front of his tunic, tugging him closer as I opened my mouth to him. He let out a low growl, and the sound of it sent a wildfire blazing through me, pooling and burning in my core. I let it burn through that hole in my chest, my soul. Let it raze through the wave of black that was starting to press around me, let it consume the phantom blood I could still feel on my hands. I gave myself to that fire, to him, as his hands roved across me, unbuttoning as he went. I pulled back, breaking the kiss to look into his face. His eyes were bright—hungry—but his hands had stopped their exploring and rested firmly on my hips. With a predator’s stillness, he waited and watched as I traced the contours of his face, as I kissed every place I touched. His ragged breathing was the only sound—and his hands soon began roaming across my back and sides, caressing and teasing and baring me to him. When my traveling fingers reached his mouth, he bit down on one, sucking it into his mouth. It didn’t hurt, but the bite was hard enough for me to meet his eyes again. To realize that he was done waiting—and so was I. He eased me onto the bed, murmuring my name against my neck, the shell of my ear, the tips of my fingers. I urged him—faster, harder. His mouth explored the curve of my breast, the inside of my thigh. A kiss for each day we’d spent apart, a kiss for every wound and terror, a kiss for the ink etched into my flesh, and for all the days we would be together after this. Days, perhaps, that I no longer deserved. But I gave myself again to that fire, threw myself into it, into him, and let myself burn.

He ran his hand over his chest and stopped above his heart where a black tattoo of an ornate skeleton key was inked on his skin.She had its other half-a lock in the shape of a heart with a keyhole in the center-tattooed on her lower stomach beside her right hip bone. Laying on top of her, he'd slide down to kiss her breasts and their two tattoos would come together. Lock and key.

Even if Heather had barely known her, as seemed to be the case, her frank enjoyment of her fancy lunch and her persistent eyeing-up of Strike seemed both inappropriate and distasteful to Robin.

O Death, old captain, it is time! let us lift anchor. This land tires us, O Death. Let us be under way! If the sky and the sea are black as ink, Our hearts, those you know, have rays of light! Pour us your poison so that it comfort us! We wish, this fire burns our brain, so much, To plunge to the bottom of the gulf, Hell or Heaven, what does it matter?— To the bottom of the Unknown, to find Something New!

He stood looking down at me with a white towel wrapped around his waist. I always imagined what he might look like after seven years, but even my wildest dreams couldn’t have conjured up what I was actually met with. His messy black hair had now been replaced by longish sexy waves that curled around his ears. He was wearing glasses. He looked even sexier in glasses. Even from here, I could see the piercing gray of his eyes through them. His inked body was bigger, even more built than before. He lifted a cigarette to his mouth and even amidst the shock of seeing him, disappointment set in that he was smoking again. Elec blew out the smoke as his eyes stayed fixed on mine. He wasn’t smiling. He just looked at me intently. His powerful stare alone had put all of my senses on high alert, throwing my body out of whack. My head was pounding, my eyes were teary, my ears were beating, my mouth was watering, my nipples were hard, my hands were trembling, my knees were shaking and my heart…I couldn’t describe what was going on inside my chest. Before I could process any of this, a woman with blonde hair came up from behind him and wrapped her arms around his waist.

She’s not big on achievements either: she says so on her tumblr page. Feeling guilty about not achieving stuff is the result of internalised capitalism, apparently.’ ‘Seriously?’ ‘Oh yeah. You never been to a communist country? Everyone lies on sofas all day while trained poodles bring them cake.

He knew Kandinsky by heart: every trickle of red, slash of black ink, and hemorrhage of gold. Each dissonant note in its allegro, the harmony in its adagio, and its deep blue intermezzo, formed a symphony he had memorized in his body. He couldn’t say if Fragment 2 symbolized the Deluge, the Last Judgment, or the Resurrection. But it had become his religion, offering both redemption and pain..

But a niqab was different. It was not a "choice" in the manner of the consumer economy. A visual obliteration of the self, a plain black niqab was a refusal to engage in everyday modes of self-expression. The woman who wore it chose to wear it because it connected her to something bigger than the self. It could be God. It could be a Muslim identity. But it wasn't a simple case of a teenage fashion choice, that was certain.

I ask people of the world and children of light to start reflecting the stories of their souls to vibrate wisdom around the earth. Pick up a paintbrush or microphone. Press the inks of your pens to paper or tap words onto your screens, and start sharing what you know and have learned with the masses. Turn your personal painting into a piece of the earth's puzzle so that our unified assemblage of thoughts, experiences and lessons reveal common truths that cannot be denied. Imagine the changes that could happen if everyone suddenly stopped acting like someone else, became true to themselves, and celebrated the beauty of their uniqueness? Only after people have willingly removed their masks and costumes, and have begun pouring light from their hearts to reveal their vulnerability, dreams and pains, will we be able to see that beneath the surface we are all the same. After all, how can the world collectively fight for Truth, if soldiers in its army are void of truth? We must first all be true by putting truth in our words and actions. And to do so, everyone must learn to think and react with their conscience. Imagine what Truth could do to neutralize the clutches of evil once this black and white world suddenly became embraced by a strong rainbow of loud powerful voices. We could put color back into every home, every school, every industry, every nation, and every garden on earth where flowers have been crushed by corruption.

The Woman Poet // Die Dichterin You hold me now completely in your hands. My heart beats like a frightened little bird's Against your palm. Take heed! You do not think A person lives within the page you thumb. To you this book is paper, cloth, and ink, Some binding thread and glue, and thus is dumb, And cannot touch you (though the gaze be great That seeks you from the printed marks inside), And is an object with an object's fate. And yet it has been veiled like a bride, Adorned with gems, made ready to be loved, Who asks you bashfully to change your mind, To wake yourself, and feel, and to be moved. But still she trembles, whispering to the wind: "This shall not be." And smiles as if she knew. Yet she must hope. A woman always tries, Her very life is but a single "You . . ." With her black flowers and her painted eyes, With silver chains and silks of spangled blue. She knew more beauty when a child and free, But now forgets the better words she knew. A man is so much cleverer than we, Conversing with himself of truth and lie, Of death and spring and iron-work and time. But I say "you" and always "you and I." This book is but a girl's dress in rhyme, Which can be rich and red, or poor and pale, Which may be wrinkled, but with gentle hands, And only may be torn by loving nails. So then, to tell my story, here I stand. The dress's tint, though bleached in bitter lye, Has not all washed away. It still is real. I call then with a thin, ethereal cry. You hear me speak. But do you hear me feel?

With those words, the busy night seemed to slow again around Cormoran Strike, and the constant growl of traffic seemed suddenly muted. This time he wasn’t staring down into Robin’s face, full of alcohol and desire: the seismic change had happened inside him because he felt something break and he knew, at last, that there was no putting it back together. It wasn’t that he saw the truth of Charlotte in that instant, because he’d come to believe that there was no single, static truth about any human being, but he understood, once and for all, that something he’d taken to be true wasn’t.

But this here, the valley of sweet Virginia, this is the blissful shore. There is no more to reach for. But, humming, he knows. He knows what he believes. He believes in the strength of muscle, the pleasures of the body, the goodness of the heart. He believes in goodness, and this is a new thing, a gift to him from the river and the land and the blue light now almost black, the ink of the sky pocked with stars. This is what the valley and its waters whisper into his ear, in this evening into night. He believes at this moment, and he will always believe it, that people are good, and that he is good among them.

I close my eyes and all I can think of is red. So I get a tube of watercolour, cadmium red dark, and I get a big mop of a brush, and I fill a jar with water, and I begin to cover the paper with red. It glistens. The paper is limp with moisture, and it darkens as it dries. I watch it drying. It smells of gum arabic. In the centre of the paper, very small, in black ink, I draw a heart, not a silly Valentine but an anatomically-correct heart, tiny, doll-like, and then veins, delicate road-map of veins, that reach all the way to the edges of the paper, that hold the small heart enmeshed like a fly in a spiderweb. See, there's his heartbeat.

VII" Oh you can make fun of the splendors of moonlight, But what would the human heart be if it wanted Only the dark, wanted nothing on earth But the sea’s ink or the rock’s black shade? On a summer night to launch yourself into the silver Emptiness of air and look over the pale fields At rest under the sullen stare of the moon, And to linger in the depths of your vision and wonder How in this whiteness what you love is past Grief, and how in the long valley of your looking Hope grows, and there, under the distant, Barely perceptible fire of all the stars, To feel yourself wake into change, as if your change Were immense and figured into the heavens’ longing. And yet all you want is to rise out of the shade Of yourself into the cooling blaze of a summer night When the moon shines and the earth itself Is covered and silent in the stoniness of its sleep.

She found another intriguing object, and she held it up to inspect it. A button. Her brow creased as she stared at the front of the button, which was engraved with a pattern of a windmill. The back of it contained a tiny lock of black hair behind a thin plate of glass, held in place with a copper rim. Swift blanched and reached for it, but Daisy snatched it back, her fingers closing around the button. Daisy's pulse began to race. "I've seen this before," she said. "It was a part of a set. My mother had a waistcoat made for Father with five buttons. One was engraved with a windmill, another with a tree, another with a bridge... she took a lock of hair from each of her children and put it inside a button. I remember the way she took a little snip from my hair at the back where it wouldn't show." Still not looking at her, Swift reached for the discarded contents of his pocket and methodically replaced them. As the silence drew out, Daisy waited in vain for an explanation. Finally she reached out and took hold of his sleeve. His arm stilled, and he stared at her fingers on his coat fabric. "How did you get it?" she whispered. Swift waited so long that she thought he might answer. Finally he spoke with a quiet surliness that wrenched her heart. "Your father wore the waistcoat to the company offices. It was much admired. But later that day he was in a temper and in the process of throwing an ink bottle he spilled some on himself. The waistcoat was ruined. Rather than face your mother with the news he gave the garment to me, buttons and all, and told me to dispose of it." "But you kept one button." Her lungs expanded until her chest felt tight on the inside and her heartbeat was frantic. "The windmill. Which was mine. Have you... have you carried a lock of my hair all these years?

I know if you are going to be for me or against me at first glance. I can read you just like an open book. I know that all book covers are misleading. It is a must to read between the lines of the individual characters, and that is when it is acknowledged with me what to think. I can figure out what anyone’s interpretations are, and if I want to be a part of their story or not. Just because one is well cultured, and observes the world that is before them does not make them strange. Each one of us has our unique way of expression- like me. Besides, sometimes, an expression can conflict, yet not meaning to; just move on, do not fear rejection. ‘Do not let the fear of the black ink spilling all over your drawing stop you from creating a masterpiece.’ The laughter is seen in my conscience, yet it plays out silently in my mind. My entire secret admirer base is left to admire, they have to close the door from the heart, and they are shut down if they desire, Because of the control of the tower, she holds the master keys. The tower and her clans can turn their backs at any time or face me, yet, there are cowards and fearless at the same time.

Female sensibility is layers, words, membranes, cotton, cloth, rope, repetition, bodies, wet, opening, closing repetition, lists, lifestories, grids, destroying grids, houses, intimacy, doorways, breasts, vaginas, flow, strong, building, putting together many disparaging elements, repetition, red, ink, black, earth feel colors, the sun, the moon, roots skins, walls, yellow, flowers, streams, puzzles, questions, stuffing, sewing, fluffing, satin, hearts, tearing, tearing, tearing, tying, decorating, baking, feeding, holding, listening, seeing thru the layers, oil, varnish, shellac, jell, paste, glue, seeds, thread, more, not less, repetition, women critics, women, writers, women artists, either nourishing us or eating us up alive, tokenism, curators, universities, tokenism, fear of other women to acknowledge female sensibility, hostile boy artists, accepting men artists, separating the men from the boys, dividing women, piece of pie-ism, money, art, sex, beasts, layers, symphonies, multi-roled, multi-part, stories, narrative, paint/flesh, serious, overwhelming, soft, hard, women working, working women, hanging, dangling, breaking, being fruity, angry, naïve, born again and trying to describe hot white flesh ties.

He said bleed on the page my son. So my heart spilled with ink and that is when I realized my soul is as black as these words.

The Sword’s Quill Society The words which have been written, from the depths of one’s heart, have given stain to the poet’s parchment. The power of the quill giving freedom to one’s words said or written, in black, outlast blood’s ink tip of sword wielded upon fresh marked was written. So said and then written, with sword’s quill it has been stricken, the war does not give token, blood spilled for now all has been written. © 2014 By: H. Dirk Macgrieve

Reaching the brow of a stunted hill, Amelia paused in bewilderment at the sight of a towering contraption made of metal. It appeared to be a chute propped up on legs, tilted at a steep angle. Her attention was caught by a minor commotion farther afield … two men emerging from behind a small wooden shelter … they were shouting and waving their arms at her. Amelia instantly realized she had stumbled into danger, even before she saw the smoldering trail of sparks move, snakelike, along the ground toward the metal chute. A fuse? Although she didn’t know much about explosive devices, she was aware that once a fuse had been lit, nothing could be done to stop it. Dropping to the sun-warmed grass, Amelia covered her head with her arms, having every expectation of being blown to bits. A few heartbeats passed, and she let out a startled cry as she felt a large, heavy body fall on hers … no, not fall, pounce. He covered her completely, his knees digging into the ground on either side of her as he made a shelter of his body. At the same moment, a deafening explosion pierced the air, and there was a violent whoosh over their heads, and a shock went through the ground beneath them. Too stunned to move, Amelia tried to gather her wits. Her ears were filled with a high-pitched buzz. Her companion remained motionless over her, breathing heavily in her hair. The air was sharp with smoke, but even so, Amelia was aware of a pleasant masculine scent, skin-salt and soap and an intimate spice she couldn’t quite identify. The noise in her ears faded. Raising up on her elbows, feeling the solid wall of his chest against her back, she saw shirtsleeves rolled up over forearms cabled with muscle … and there was something else … Her eyes widened at the sight of a small, stylized design inked on his arm. A tattoo of a black winged horse with eyes the color of brimstone. It was an Irish design, of a nightmare horse called a pooka: a malevolent mythical creature that spoke in a human voice and carried people away at midnight. Her heart stopped as she saw the heavy rounded band of a thumb ring. Wriggling beneath him, Amelia tried to turn over. The strong hand curved around her shoulder, helping her. His voice was low and familiar. “Are you hurt? I’m sorry. You were in the way of—” He stopped as Amelia rolled to her back. The front of her hair had come loose, pulled free of a strategically anchored pin. The lock fanned over her face, obscuring her vision. Before she could reach up to push it away, he did it for her, and the brush of his fingertips sent ripples of liquid fire along intimate pathways of her body. “You,” he said softly. Cam Rohan.

Well, I learnt from the nuns in the convent,’ said my mother. ‘Sister Ursula hated the Jewish girls, but after we’d all made signs of the cross on our foreheads and hearts, we would rub them away and quickly draw a Magen David when her back was turned.’ I was aware that, in spite of my mother’s feverish attempts to erase the sign of the cross from her forehead and breastbone, the nuns had succeeded in infiltrating the very fabric of her ethos, and there remained with her a niggling and persistent conviction, stubborn as the ink stains on the breast pockets of my father’s shirts, which no amount of scrubbing or soak after lengthy soak in bleach could eliminate, that bad children go to hell. Whenever I stepped out of line, she had wasted no time in tallying up my current score in the underworld. ‘That’s ten black marks in your book in hell,’ she’d say. And, if I had really incurred her wrath, she’d add, ‘dripping with pus and blood’. Sister Ursula would have been proud. My Hebrew teachers had never threatened me with an eternity at the pleasure of Beelzebub – detention was generally deemed sufficient. Excerpt from The Trouble With My Aunt by Hedi Lampert

Sometimes, abandon the moving crowd and try to be a care-free sage. Rather than a roaring, or a drizzling black cloud, try to become a rainbow adding all hues to the end of the sky. Sometimes, rescue the soul from the captivity of your body, your soul also owns some desires, listen to the anxious heart and free the soul. Don’t aim to be the loftiest mountain talking to clouds, sometimes attempt to become a valley befriending every passer-by. Sometimes, cease the war ongoing between the four walls of the self, and surrender the swords and endeavour to live yourself. Sometimes, withdraw the yearning to compete with the sun, why not just be the tiny ray peeping out from the vent. Sometimes, resurrection would happen; this life, this dilemma, every bit is perishable. Before it befalls, try to offer the entire life’s namaaz in a single prostration. Sometimes, hang the restrictions on a nail, free the wings burdened under it, take its support and fly in the sky of dreams. Sometimes, instead of hiding the words behind the veil of ink, or hiding it on the paper, try to unveil it with your tongue.

I had the dream again. I was leaning in the back corner of the elevator in my building looking down at the bundle of keys in my hand. Below my hand were the blurred outlines of my black leather lace-up boots and my frayed black jeans. There was ink all over my legs from the screen-printers in my shop. There was ink on the skin beneath the rips at my knee and my thigh where the rough edge of my work table had worn through... The detail was vivid, but there was an ethereal sparkle to everything around the edges. The periphery washed out of focus as if I was looking through a narrow lens... Then the elevator stopped and the door opened. A woman climbed on board. Her face was concealed behind large sunglasses. The realism of the dream became unsteady and I lost grip. The images became fleeting close-ups, stills, and sensations. She was looking at me and my heart began to race... A part of me worried that I was drunk and about to make an embarrassing pass at some poor woman from my building. But when I reached for her, she reached for me too... She pulled my hand down and then the elevator began to plummet. I realized I didn’t have much time. I was surrounded by her scent and warmth... I was so overwhelmed with the sensuality of everything that I lost myself in her... Then I watched her eyes fade into the blackness of my apartment as I woke up.

Superstar” by Broods “Letters From The Sky” by Civil Twilight “’Till I Collapse” by Eminem “Jet Black Heart” by 5 Seconds of Summer “Phenomenal” by Eminem “i hate u, i love u” by gnash, Olivia O’Brien “Never Forget You” by Zara Larsson, MNEK “Clarity” by Andy Lange, Andrew Garcia “Evergreen” by Broods “Hate Me” by Blue October

Many red devils ran from my heart And out upon the page, They were so tiny The pen could mash them. And many struggled in the ink. It was strange To write in this red muck Of things from my heart.

Elizabeth comes up behind Talis. If Talis is unGoth, then Elizabeth is Ballerina Goth. She likes hearts and skulls and black pen-ink tattoos, pink tulle, and Hello Kitty. When the woman who invented Hello Kitty was asked why Hello Kitty was so popular, she said, “Because she has no mouth.” Elizabeth’s mouth is small. Her lips are chapped.

But Quincy knew that her heart beat with the rhythm of the presses in the back room, that her blood ran black with ink, and that her mind filled with reams of numbers and projections and plans. The Q was Quincy's only vital organ.

Somebody had piled blankets over my shoulders. That was my first hazy thought as I awoke. Heavy, warm blankets. Something tickled my neck and I twitched. The blankets twitched back. My eyes snapped open. In one moment I realized that what tickled my neck was a tuft of black hair, the blankets were a warm body, and the Gentle Lord was draped over me like a lazy cat, his head resting on my shoulder. He raised his face and smiled. The stories were right that called him "the sweet-faced calamity," for he had one of the most beautiful faces I had ever seen: sharp nose and high cheekbones framed with tousled, ink-black hair and stamped all over with the arrogant softness of a man just out of boyhood who had never been defied. He wore a long dark coat with an immaculate white cravat tied at his neck and white lace foaming at his cuffs. If he had been human, I might have taken him for a gentleman. But his eyes had crimson irises with cat-slit pupils. My heart was trying to pound its way out of my chest. I'd spent my whole life preparing for this moment, and I couldn't speak or even move. "Good afternoon," he said. His voice was like cream, light but rich. I pushed myself off the ground and sat up. He sat up too, with languid grace. "What," I managed to choke out. "You were asleep," he said. "I got so bored waiting that I fell asleep too. And now here you are." He tilted his head. "You were a good pillow but I think I prefer you awake. What's your name, lovely wife?

Can hearts recover when their chimeras fall? @reenadossauthor

Rising chimeras are nothing more than candles melting fearful hearts. @reenadossauthor

Cousin Murphy was responsible for Blanche’s becoming Night Girl, when Cousin Murphy found eight-year-old Blanche crying because some kids had teased her about being so black. “Course they tease you!” Cousin Murphy had told Blanche. She’d leaned over the crouching child as she spoke. Blanche could still smell her Midnight Blue perfume and see her breasts hanging long and lean from her tall, thin frame. “Them kids is just as jealous of you as they can be! That’s why they tease you,” Cousin Murphy had told her. “They jealous ’cause you got the night in you. Some people got night in ’em, some got morning, others, like me and your mama, got dusk. But it’s only them that’s got night can become invisible. People what got night in ’em can step into the dark and poof—disappear! Go any old where they want. Do anything. Ride them stars up there, like as not. Shoot, girl, no wonder them kids teasing you. I’m a grown woman and I’m jealous, too!” Cousin Murphy’s explanation hadn’t stopped kids from calling her Ink Spot and Tar Baby. But Cousin Murphy and Night Girl gave Blanche a sense of herself as special, as wondrous, and as powerful, all because of the part of her so many people despised, a part of her that she’d always known was directly connected to the heart of who she was.

The thing he'd been trying for years not to look at, and not to name, had stepped out of the dark corner where he'd attempted to keep it, and Strike knew there was no longer any way of denying its existence.

His own habits of self-discipline, and his preference for cleanliness and order over squalor and chaos, had been forged largely in reaction to his mother’s lifestyle. Strike had spent too many hours of his youth enduring the tedium of the perennially stoned to find either pleasure or excitement in the haze of drink, drugs and rock music that had been Leda’s natural habitat.

When Heather pulled her chair in, one of the bright overhead lights illuminated her breasts so that they looked like twin moons; the waiter who’d arrived to hand out menus stared for a few seconds as though dazed.

Sweet is the swamp with its secrets, Until we meet a snake… Emily Dickinson XIX: A Snake

beginning

Life in squats with my mother hadn't really prepared me for what to expect from the aristocracy. On balance, I'd have to say people were a lot better behaved in the squats.

The mighty are brought low by many a thing Too small to name… Helen Murphy Hunt Danger

If Jonny Rokeby turned up here, yes, the press would be fighting tooth and nail to get a shot of him. For fuck’s sake. You’re not that famous. Get the fuck over yourself.

We subscribe to the Viking ideals of strength, solidarity and brotherhood. We live by the laws and maxims laid down in the Hávamál. We believe that feminism and the legalisation of homosexuality have disastrously undermined both the traditional family and wider society. We believe that multiculturalism has failed.

Katya had given Mr Blay to understand that he could turn up at any hour of the day or night and he took full and regular advantage of the offer.

So Ledwell doesn’t like our game because ‘the game’s really more of a metaphor’. We literally based it on your own rules, u pretentious cow.

Edie was a friend of mine and Mariam’s,’ said Preston Pierce in a low growl. ‘Her murder isn’t exciting fucking goss to us. Why don’t you stop pretending you wanna learn drawing and go sniff around in the cemetery? Might still be a bit of Edie’s blood on the grass. You could frame it. Sell it on eBay.

Very good-looking, if you like them coke-thin.

Robin’s personal experience of the wilder shores of sexual adventurousness was non-existent. She’d only ever had one sexual partner and had reasons beyond the usual for wishing to trust the person with whom she went to bed.

He might have derived a much needed ego-boost from her unabashed pursuit of him, were it not for the fact that he found her combination of entitlement and neediness thoroughly unattractive.

I was out all day making money to pay the bills, and she was at home pissing around online. I ended it when I found her dating profile on Zoosk.

Was she to spend every holiday, for the rest of her life, wondering whether she was in love with Cormoran Strike?

The game can’t have been created as a means of driving Ledwell to suicide, because – well, why would it? The game was surely done out of love for the cartoon.

That suggests people with a lot of time on their hands and no great need for money. Are they being supported by someone else? Parents? Taxpayers?

His father’s a raging alcoholic and his friends – well, people of that age, they’re all scared of what’s happened, I think. Anyway, the doctors want him kept quiet just now.

He’s got a tame psychiatrist ready to say I’m crazy and unstable, and he’s hoping to get me certified drug-addled and promiscuous to boot. Ruining you will just be an extra bit of fun.’ ‘You told me you couldn’t wait to leave your fucking kids while you were pregnant with them.

Anomie has to be someone there, with the quote on the window and the stolen drawing and everything. But you never wanted to believe me, that that place was bad news, because of her.

When Ed found out I was seein’ Kea again, everyfing turned to shit between us. We couldn’ talk wivvout tellin’ each other ’ow much of a fuckin’ bastard we fort the ovver one was…

If you need a reason to keep going right now, you should hold onto the fact that you’re going to be the star witness at this fucker’s trial, and if you need a reason to live beyond that, you ought to remember that you were the one Edie called when she believed she was facing death, because she still trusted you with the thing that mattered to her more than anything else.

E’s always wanted to live the way ’e does – do art, live in a commune, polyamorous…’e an’ Mariam ’ave got an open relationship. Nils sleeps with Freyja, anuvver woman at Norf Grove, sometimes. ’Er partner seems OK with it…

The drugged, drunk, long-haired and beautiful Josh Blay would have been precisely the kind of young man Leda found most attractive; another reason for Strike’s usual antipathy for the type.

But I can guarantee you this: he’ll get more revenue than us over my dead body. If you knew what I know, you’d agree it’s bloody disgusting that Blay’s trying to use Edie as a bargaining tool.

becos he fucks with people’s heads. He’s a control freak. he doesn’t like anyone having relationships that don’t involve him. Either you’re a suck up like Hartella or you end up getting kicked out. Ive only lasted this long because he needs me

purely to get to you, do you?’ said Strike. ‘Your fucking ego… The only negative thing about her I could see was that she knew your fucking stepbrother.

Feeling guilty about not achieving stuff is the result of internalised capitalism, apparently.’ ‘Seriously?’ ‘Oh yeah. You never been to a communist country? Everyone lies on sofas all day while trained poodles bring them cake.

We had a row about it, actually. She claimed Drek had nothing to do with Jewish people, that he was a kind of chaotic demon and she’d been inspired by a plague doctor’s mask, but I mean, we all need to examine our unconscious biases, right?

young Icelandic woman had tweeted at a member of the Brotherhood, pleading with him not to appropriate a symbol that had nothing whatsoever to do with white supremacy. His response had been to call her a n*****-loving cunt.

Strike had come to know well: a preoccupation with immigrants overbreeding, white men being marginalised, the policing of thought and speech, and the narcissism, greed and vapidity of women.

Fuck, you’d be fantastic. What a fucking ad that would be: I could put you in a tiara. No, but it’s funny you should say that, because… Look, it was already in the pipeline, but I’m worried how you’re going to take it… It’s Charlotte Campbell.

I’m fine, for God’s sake,’ said Robin, now slightly exasperated. ‘If I keeled over every time someone got stabbed in London I’d spend half my life unconscious.

If he were honest with himself, he’d rather still be at the office, speculating about the stabbings with Robin over a Chinese takeaway than heading towards Madeline’s. Best, then, not

He supposed you didn’t remain as slim as Madeline without eating sparingly, but a starvation diet wasn’t really his style, even if he could stand to lose a bit of weight.

What was there in that peculiar little cartoon that could so offend and enrage that the creators would be deemed worthy of assassination?

The ability of the murderer to know exactly where Edie was, the phone being used only where it would be most difficult to pinpoint who’d used it, which implied knowledge of police methods, and the extraordinarily detailed knowledge about the two new characters for the film that Yasmin had said Ormond had. Murphy was now asking her about her own holiday plans. Robin pulled herself together enough to describe learning to ski, back at New Year. The conversation was only lightly personal, but it was pleasant and easy. Murphy made Robin laugh with a description of a friend’s accident on a dry ski slope, where he’d taken a date he was keen to impress. At no time did he mention his previous invitation for a drink, nor did he make her feel uncomfortable in this small space, and she was grateful for both these things. They were approaching Blackhorse Road when Robin suddenly said, astounded by her own bravery, ‘Listen – that time you called me about a drink – the reason I was so – I’m not used to people asking me out.’ ‘How’s that possible?’ said Murphy, keeping his eyes on the road. ‘I’ve just got divorced – well, a year ago now – from someone I was with since we were seventeen,’ said Robin. ‘So – anyway, I was in work mode when you called, and that’s why I was a bit – you know – clueless.’ ‘Ah,’ said Murphy. ‘I got divorced three years ago.’ Robin wondered how old he was. She’d have guessed a couple of years older than her. ‘Have you got kids?’ she asked. ‘No. My ex didn’t want them.’ ‘Oh,’ said Robin. ‘You?’ ‘No.’ They’d pulled up outside her flat before either spoke again. As she picked up her bag and put her hand on the door handle, Murphy said, ‘So… if, after I get back from holiday, I called you again and asked you out…?’ It’s only a drink, said Ilsa’s voice in Robin’s head. Nobody’s saying you’ve got to jump into bed with him. An image of Madeline Courson-Miles flickered before Robin’s eyes. ‘Er –’ said Robin, whose heart was hammering. ‘Yes, OK. That’d be great.’ She thought he’d look pleased at that, but instead he seemed tense. ‘OK.’ He rubbed his nose, then said, ‘There’s something I should tell you first, though. It’s what you say, isn’t it, “come out for a drink”? But, ah – I’m an alcoholic.’ ‘Oh,’ said Robin again. ‘Been sober two years, nine months,’ said Murphy. ‘I’ve got no problem with people drinking around me. Just need to put that out there. It’s what you’re supposed to do. AA rules.’ ‘Well, that doesn’t make any – I mean, thanks for saying,’ said Robin. ‘I’d still like to go out some time. And thanks for the lift, I really appreciate it.’ He looked cheerful now. ‘Pleasure. Better get back to my packing.’ ‘Yes – have fun in Spain!’ Robin got out of the car. As the blue Avensis pulled away, Murphy raised a hand in farewell, and Robin reciprocated, still amazed at herself. It had been quite some morning. She’d just unlocked her front door when her mobile rang. ‘Hi,’ said Strike. ‘Is that offer of the sofa-bed still open?’ ‘Yes, of course,’ said Robin, both confused and pleased, entering her flat and pushing the door shut with her foot. ‘How’s Pat?’ ‘Bloody grumpy. I got her home all right. Told her to get an emergency appointment with her doctor. Half the door flew off and hit her in the back. I can tell she’s sore: she could’ve cracked something. She told me to piss off, though not in those exact words. Probably thinks I’m accusing her of being too old to survive a door hitting her.’ ‘Strike,’ said Robin, ‘I’ve just found something out. They’re about to arrest Phillip Ormond for murder.’ Silence followed these words. Robin walked into her kitchen and set her handbag down on the counter. ‘Ormond?’ repeated Strike.

We lack, yet cannot fix upon the lack: Not this, nor that; yet somewhat, certainly. We see the things we do not yearn to see Around us: and what see we glancing back? Christina Rossetti Later Life: A Double Sonnet of Sonnets