Inherit The Wind Quotes

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No kid in the world, no woman in the world should ever raise a hand against a no-good daddy. That's already been taken care of: A Man Who Destroys His Own Home Shall Inherit the Wind.
Dick Gregory
Picture yourself standing on a cliff overlooking the ocean. The wind is whipping your hair. The sun is setting. You long, body and soul, for one thing. One person. You hear footsteps behind you. You turn. Who's there? I remembered a voice. Jameson Winchester Hawthorne.
Jennifer Lynn Barnes (The Hawthorne Legacy (The Inheritance Games, #2))
All motion is relative. Maybe it's you who've moved away by standing still.
Jerome Lawrence (Inherit the Wind: The Powerful Courtroom Drama in which Two Men Wage the Legal War of the Century)
Wind howled throught the night, carrying the scent that would change the world.
Christopher Paolini (Eragon (The Inheritance Cycle, #1))
I don't swear just for the hell of it. Language is a poor enough means of communication. I think we should use all the words we've got. Besides, there are damn few words that anybody understands. Henry Drummond, a character in Inherit the Wind
Jerome Lawrence (Inherit the Wind: The Powerful Courtroom Drama in which Two Men Wage the Legal War of the Century)
An idea is a greater monument than a cathedral. And the advance of man's knowledge is a greater miracle than all the sticks turned to snakes or the parting of the waters.
Jerome Lawrence (Inherit the Wind: The Powerful Courtroom Drama in which Two Men Wage the Legal War of the Century)
Progress has never been a bargain. You have to pay for it. Sometimes I think there's a man who sits behind a counter and says, "All right, you can have a telephone but you lose privacy and the charm of distance. Madam, you may vote but at a price. You lose the right to retreat behind the powder puff or your petticoat. Mister, you may conquer the air but the birds will lose their wonder and the clouds will smell of gasoline. Henry Drummond, a character in Inherit the Wind
Jerome Lawrence (Inherit the Wind: The Powerful Courtroom Drama in which Two Men Wage the Legal War of the Century)
He who sows discord in his own house will inherit the wind. Proverbs 11:19
Anonymous (The Holy Bible: King James Version)
Sword, I name thee Brisingr! And with a sound of rushing wind the blade burst into flame, an envelope of sapphire-blue fire writhing about the razor-sharp steel.
Christopher Paolini (Brisingr (The Inheritance Cycle, #3))
All motion is relative. Perhaps it is you who have moved away-by standing still
Robert E. Lee (Inherit the Wind: The Powerful Courtroom Drama in which Two Men Wage the Legal War of the Century)
It's the loneliest feeling in the world-to find yourself standing up when everybody else is sitting down. To have everybody look at you and say, 'What's the matter with him?' I know. I know what it feels like. Walking down an empty street, listening to the sound of your own footsteps. Shutters closed, blinds drawn, doors locked against you. And you aren't sure whether you're walking toward something, or if you're just walking away.
Robert E. Lee (Inherit the Wind: The Powerful Courtroom Drama in which Two Men Wage the Legal War of the Century)
Can't you understand? That if you take a law like evolution and you make it a crime to teach it in the public schools, tomorrow you can make it a crime to teach it in the private schools? And tomorrow you may make it a crime to read about it. And soon you may ban books and newspapers. And then you may turn Catholic against Protestant, and Protestant against Protestant, and try to foist your own religion upon the mind of man. If you can do one, you can do the other. Because fanaticism and ignorance is forever busy, and needs feeding. And soon, your Honor, with banners flying and with drums beating we'll be marching backward, BACKWARD, through the glorious ages of that Sixteenth Century when bigots burned the man who dared bring enlightenment and intelligence to the human mind -Henry Drummond, a character in Inherit The Wind
Jerome Lawrence
When you lose the power to laugh, you lose your power to think straight.
Jerome Lawrence (Inherit the Wind: The Powerful Courtroom Drama in which Two Men Wage the Legal War of the Century)
The man who has everything figured out is probably a fool. College examinations notwithstanding, it takes a very smart fella to say "I don't know the answer!
Jerome Lawrence (Inherit the Wind: The Powerful Courtroom Drama in which Two Men Wage the Legal War of the Century)
Picture yourself standing on a cliff overlooking the ocean. The wind is whipping in your hair. The sun is setting. You long, body and soul, for one thing. One person. You hear footsteps behind you. You turn. Who’s there?
Jennifer Lynn Barnes (The Hawthorne Legacy (The Inheritance Games, #2))
Jessie had never heard you could inherit madness. She thought madness was something that just happened to people in Shakespeare when the wind got up.
Lynne Truss (Tennyson's Gift: Stories from the Lynne Truss Omnibus, Book 2)
... it takes a smart fella to say 'I don't know the answer!
Henry Drummond
The brain does much more than recollect. It compares, synthesizes, analyzes, generates abstractions. We must figure out much more than our genes can know. That is why the brain library is some ten thousand times larger than the gene library. Our passion for learning, evident in the behaviour of every toddler, is the tool for our survival. Emotions and ritualized behaviour patterns are built deeply into us. They are part of our humanity. But they are not characteristically human. Many other animals have feelings. What distinguishes our species is thought. The cerebral cortex is a liberation. We need no longer be trapped in the genetically inherited behaviour patterns of lizards and baboons. We are, each of us, largerly responsible for what gets put into our brains, for what, as adults, we wind up caring for and knowing about. No longer at the mercy of the reptile brain, we can change ourselves.
Carl Sagan (Cosmos)
Don't have any opinions. They're bad for business.
Jerome Lawrence (Inherit the Wind: The Powerful Courtroom Drama in which Two Men Wage the Legal War of the Century)
He that troubleth his own house...shall inherit the wind.
Jerome Lawrence (Inherit the Wind: The Powerful Courtroom Drama in which Two Men Wage the Legal War of the Century)
Displaced Person’s Song If you see a train this evening, Far away, against the sky, Lie down in your woolen blanket, Sleep and let the train go by. Trains have called us, every midnight, From a thousand miles away, Trains that pass through empty cities, Trains that have no place to stay. No one drives the locomotive, No one tends the staring light, Trains have never needed riders, Trains belong to bitter night. Railway stations stand deserted, Rights-of-way lie clear and cold, What we left them, trains inherit, Trains go on, and we grow old. Let them cry like cheated lovers, Let their cries find only wind, Trains are meant for night and ruin, And we are meant for song and sin.
Thomas Pynchon (Gravity’s Rainbow)
A giant once lived in that body. But Matt Brady got lost. Because he was looking for God too high up and too far away.
Jerome Lawrence (Inherit the Wind: The Powerful Courtroom Drama in which Two Men Wage the Legal War of the Century)
…I must say that "Right" has no meaning to me whatsoever! Truth has meaning - as a direction. But one of the peculiar imbecilities of our time is the grid of morality we have placed on human behavior: so that every act of man must be measured against an arbitrary latitude of right and longitude of wrong - in exact minutes, seconds, and degrees!... -Henry Drummond, a character in Inherit The Wind
Jerome Lawrence
Buy a Bible!Your guide to eternal life!
Jerome Lawrence (Inherit the Wind: The Powerful Courtroom Drama in which Two Men Wage the Legal War of the Century)
The man who has everything figured out is probably a fool.
Jerome Lawrence (Inherit the Wind: The Powerful Courtroom Drama in which Two Men Wage the Legal War of the Century)
When you loose your power to laugh, you loose your power to think straight.
Jerome Lawrence (Inherit the Wind: The Powerful Courtroom Drama in which Two Men Wage the Legal War of the Century)
Is it possible to be overzealous, to destroy that which you hope to save-so that nothing is left but emptiness.
Jerome Lawrence (Inherit the Wind: The Powerful Courtroom Drama in which Two Men Wage the Legal War of the Century)
Her death leaves me both depleted and emboldened. That's what tragedy does to you, I am learning. The sadness and wild freedom of it all impart a strange durability. I feel weathered and detached, tucking my head against the winds and trudging forward into life.
Claire Bidwell Smith (The Rules of Inheritance)
Hot dog? Bible? Now that poses a problem! Which is hungrier-my stomach or my soul?
Jerome Lawrence (Inherit the Wind: The Powerful Courtroom Drama in which Two Men Wage the Legal War of the Century)
Why? Because I refuse to erase a man's lifetime? I tell you Brady had the same right as Cates: the right to be wrong!
Jerome Lawrence (Inherit the Wind: The Powerful Courtroom Drama in which Two Men Wage the Legal War of the Century)
Life do your worst; we are plump of knee and mild of eye, we are douce, glib and blithe; we inherit the semi, while others inherit the wind.
Hilary Mantel
You don't suppose this kind of thing is ever finished, do you? Tomorrow it'll be something else-and another fella will have to stand up. And you've helped give him the guts to do it!
Jerome Lawrence (Inherit the Wind: The Powerful Courtroom Drama in which Two Men Wage the Legal War of the Century)
I used to think this city I am to inherit was descending into one ruled by hatred,” the girl says into the cold wind. “I used to think that it was our doing, that the blood feud ruined all that was good.” She looks at her cousin. “But it has been hateful for a long time.
Chloe Gong (Our Violent Ends)
May the wind rise under your wings, may the sun always be at your backs, and may you catch your prey napping. And, Wolf-Eyes, I hope that when you find the one who left your paws in his traps, you do not kill him too quickly. Both
Christopher Paolini (Brisingr (The Inheritance Cycle, #3))
إن الجهل نشيط دائما ويحتاج إلي وقود، وليس ثمة وقود أفضل من التعصب للرأي
Jerome Lawrence (Inherit the Wind: The Powerful Courtroom Drama in which Two Men Wage the Legal War of the Century)
الله خلق الإنسان على صورته. ولأن الإنسان كائن مهذب، فإنه فعل المعروف نفسه مع الله
Jerome Lawrence (Inherit the Wind: The Powerful Courtroom Drama in which Two Men Wage the Legal War of the Century)
I am A man, not a sponge! If god wished a sponge to think, A SPONGE WOULD THINK!
Robert E. Lee (Inherit the Wind: The Powerful Courtroom Drama in which Two Men Wage the Legal War of the Century)
We must look hopeful.
Jerome Lawrence (Inherit the Wind: The Powerful Courtroom Drama in which Two Men Wage the Legal War of the Century)
It frightens me to imagine the state of learning in this world if everyone had your driving curiosity.
Jerome Lawrence (Inherit the Wind: The Powerful Courtroom Drama in which Two Men Wage the Legal War of the Century)
لم أكن أفكر جيدا .. كنت أخاف مما يمكن أن أفكر به. ولذلك كان عدم التفكير أكثر أمانا. ولكن الآن بدأت أعرف أن الفكر مثل جنين داخل الجسد .. لابد أن يولد .. وإذا مات داخلك، فإن جزءا منك يموت أيضا
Jerome Lawrence (Inherit the Wind: The Powerful Courtroom Drama in which Two Men Wage the Legal War of the Century)
Cynical? Thats my fascination. I do hateful things, for which people love me, And lovable things for which they hate me. I am a friend of enemies, the enemy of friends; I am admired for my detestability. I am both Poles and the Equator, with no Temperate Zones between.
Jerome Lawrence (Inherit the Wind: The Powerful Courtroom Drama in which Two Men Wage the Legal War of the Century)
Neither a land nor a people ever starts over clean. Country is compact of all its past disasters and strokes of luck–of flood and drouth, of the caprices of glaciers and sea winds, of misuse and disuse and greed and ignorance and wisdom–and though you may doze away the cedar and coax back the bluestem and mesquite grass and side-oats grama, you're not going to manhandle it into anything entirely new. It's limited by what it has been, by what's happened to it. And a people, until that time when it's uprooted and scattered and so mixed with other peoples that it has in fact perished, is much the same in this as land. It inherits.
John Graves (Goodbye to a River: A Narrative)
The cerebral cortex is a liberation. We need no longer be trapped in the genetically inherited behavior patterns of lizards and baboons. We are, each of us, largely responsible for what gets put into our brains, for what, as adults, we wind up caring for and knowing about. No longer at the mercy of the reptile brain, we can change ourselves.
Carl Sagan (Cosmos)
If my own brother challenged the faith of millions, I would oppose him.
Jerome Lawrence (Inherit the Wind: The Powerful Courtroom Drama in which Two Men Wage the Legal War of the Century)
If the enemy sends it's Goliath into battle, it magnifies our cause.
Jerome Lawrence (Inherit the Wind: The Powerful Courtroom Drama in which Two Men Wage the Legal War of the Century)
Show me a shouter, and I'll show you an also-ran. A might-have-been, an almost-was.
Robert E. Lee (Inherit the Wind: The Powerful Courtroom Drama in which Two Men Wage the Legal War of the Century)
The turtle stands on a turtle, which stands on a turtle. That's the universe in whole, boy. It's turtles all the way down.
Bill Willingham (Fables, Vol. 17: Inherit the Wind)
That very afternoon the police arrived at Cho Oyu in a line of toad-colored jeeps that appeared through the moving static of a small anxious sleet. They left their opened umbrellas in a row on the veranda, but the wind undid them and they began to wheel about - mostly black ones that leaked a black dye, but also a pink, synthetic made-in-Taiwan one, abloom with flowers.
Kiran Desai (The Inheritance of Loss)
The approach to digital culture I abhor would indeed turn all the world's books into one book, just as Kevin (Kelly) suggested. It might start to happen in the next decade or so. Google and other companies are scanning library books into the cloud in a massive Manhattan Project of cultural digitization. What happens next is what's important. If the books in the cloud are accessed via user interfaces that encourage mashups of fragments that obscure the context and authorship of each fragment, there will be only one book. This is what happens today with a lot of content; often you don't know where a quoted fragment from a news story came from, who wrote a comment, or who shot a video. A continuation of the present trend will make us like various medieval religious empires, or like North Korea, a society with a single book. The Bible can serve as a prototypical example. Like Wikipedia, the Bible's authorship was shared, largely anonymous, and cumulative, and the obscurity of the individual authors served to create an oracle-like ambience for the document as "the literal word of God." If we take a non-metaphysical view of the Bible, it serves as a link to our ancestors, a window. The ethereal, digital replacement technology for the printing press happens to have come of age in a time when the unfortunate ideology I'm criticizing dominates technological culture. Authorship - the very idea of the individual point of view - is not a priority of the new ideology. The digital flattening of expression into a global mush is not presently enforced from the top down, as it is in the case of a North Korean printing press. Instead, the design of software builds the ideology into those actions that are the easiest to perform on the software designs that are becoming ubiquitous. It is true that by using these tools, individuals can author books or blogs or whatever, but people are encouraged by the economics of free content, crowd dynamics, and lord aggregators to serve up fragments instead of considered whole expressions or arguments. The efforts of authors are appreciated in a manner that erases the boundaries between them. The one collective book will absolutely not be the same thing as the library of books by individuals it is bankrupting. Some believe it will be better; others, including me, believe it will be disastrously worse. As the famous line goes from Inherit the Wind: 'The Bible is a book... but it is not the only book' Any singular, exclusive book, even the collective one accumulating in the cloud, will become a cruel book if it is the only one available.
Jaron Lanier (You Are Not a Gadget)
He weighs the volume in his hand; this one has been the center of the whirlwind. Then DRUMMOND notices the Bible on the JUDGE's bench. He picks up the Bible in his other hand; he looks from one volume to the other, balancing them thoughtfully, as if his hands were scales. He half-smiles, half-shrugs. Then DRUMMOND slaps the two books together and jams them in his brief case, side by side. Slowly, he climbs to the street level and crosses the empty square.
Jerome Lawrence (Inherit the Wind: The Powerful Courtroom Drama in which Two Men Wage the Legal War of the Century)
She’d just watched Tristan McLean, her cool suave movie star dad, reduced to near insanity. Leo could barely stand to watch that, but for Piper—Wow, Leo couldn’t even imagine. He figured that would make her insecure about herself, too. If weakness was inherited, she’d be wondering, could she break down the same way her dad did? “Hey, don’t worry,” Leo said. “Piper, you’re the strongest, most powerful beauty queen I’ve ever met. You can trust yourself. For what it’s worth, you can trust me too.” The helicopter dipped in a wind shear, and Leo almost jumped out of his skin. He cursed and righted the chopper. Piper laughed nervously. “Trust you, huh?” “Ah, shut up, already.” But he grinned at her, and for a second, it felt like he was just relaxing comfortably with a friend. Then they hit the storm clouds.
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
Mahmoud Darwish dice player Dice player Mahmoud Darwish Who am I to tell you What do I tell you? And I was not a stone polished by water He became a face Nor did the wind pierce him It became Naya ... I'm a dice player, We win and lose our time I am like you Or slightly less ... I was born beside the well And the three single trees as nuns She was born without a flap and without a midwife I was called by chance I belonged to a family coincidence , And inherited its features and qualities And diseases
Mahmoud Darwish
There were days when his adventurous streak got the better of him and made him throw caution to the wind and commit some ungentlemanly act or another. Then Alice Jane would reprimand him and call him to repentance, her sweet voice tinged with the suffering of a loving parent: "John Henry, dearest, I am so very disappointed.
Victoria Wilcox (Inheritance (Southern Son: The Saga of Doc Holliday, #1))
الشخص الذي يعتقد أنه يعرف جميع الإجابات هو شخص أحمق. الذكي هو من يستطيع أن يقول أحيانا لا أعرف الإجابة
Jerome Lawrence (Inherit the Wind: The Powerful Courtroom Drama in which Two Men Wage the Legal War of the Century)
Hope has power only when married to personal action.
Bill Willingham (Fables, Vol. 17: Inherit the Wind)
Acquiring true wisdom is always a greater burden than transient pain.
Bill Willingham (Fables, Vol. 17: Inherit the Wind)
All the dreams I'd allowed myself to imagine were nothing but pages swept away by the wind.
Freedom Matthews (Inherited (Curses of VIII, #1))
Sometimes...all you can do is recognize which way the wind is blowing and plot a course
Jennifer Lynn Barnes (The Hawthorne Legacy (The Inheritance Games, #2))
The eclipse of your faith, the darkness of your mind, the fainting of your hope, all these things are but parts of God's method of making you ripe for the great inheritance upon which you shall soon enter. These trials are for the testing and strengthening of your faith--they are waves that wash you further upon the rock--they are winds which waft your ship the more swiftly towards the desired haven.
Charles Haddon Spurgeon (Morning and Evening)
Picture yourself standing on a cliff overlooking the ocean. The wind is whipping your hair. The sun is setting. You long, body and soul, for one thing, on person. Your hear footsteps behind you. You turn. Who's there?
Jennifer Lynn Barnes (The Hawthorne Legacy (The Inheritance Games, #2))
Finally, we entered Chetaube County, my imaginary birthplace, where the names of the little winding roads and minuscule mountain communities never failed to inspire me: Yardscrabble, Big Log, Upper, Middle and Lower Pigsty, Chicken Scratch, Cooterville, Felchville, Dust Rag, Dough Bag, Uranus Ridge, Big Bottom, Hooter Holler, Quickskillet, Buck Wallow, Possum Strut ... We always say a picture speaks a thousand words, but isn’t the opposite equally true?
Sol Luckman (Beginner's Luke (Beginner's Luke, #1))
He closed his eyes and sank into the warm dusk that separates consciousness and sleep, where reality bends and sways to the wind of thought, and where creativity blossoms in its freedom from boundaries and all things are possible.
Christopher Paolini (Eragon, Eldest & Brisingr (Inheritance, #1-3))
But to paraphrase Henry Drummond in Inherit the Wind, ignorance and mediocrity are forever busy, and the forces of mediocrity aren't content with being mediocre; they'll do everything in their power to prevent even the humblest of teachers and children from accomplishing anything extraordinary. For good work shines a light on the failures of the mediocre, and that is a light which terrifies those who conspire to keep our nation's children, like themselves, ordinary.
Rafe Esquith (There Are No Shortcuts)
I was robbed, Errin.” He strokes my face with his thumb before turning it back to him. “Of my life. Of my inheritance. Snuffed out at barely twenty-two years old. I have spent five hundred years asleep. I woke to nothing. The legacy my family spent generations building is ash, scattered to the wind. I was promised a kingdom,” he snarls. “I was promised the greatest kingdom the world had ever known. And I will have one. If it means cobbling one together from the ruins of Lormere and Tregellan.
Melinda Salisbury (The Sleeping Prince (The Sin Eater’s Daughter, #2))
THE FORTRESS Under the pink quilted covers I hold the pulse that counts your blood. I think the woods outdoors are half asleep, left over from summer like a stack of books after a flood, left over like those promises I never keep. On the right, the scrub pine tree waits like a fruit store holding up bunches of tufted broccoli. We watch the wind from our square bed. I press down my index finger -- half in jest, half in dread -- on the brown mole under your left eye, inherited from my right cheek: a spot of danger where a bewitched worm ate its way through our soul in search of beauty. My child, since July the leaves have been fed secretly from a pool of beet-red dye. And sometimes they are battle green with trunks as wet as hunters' boots, smacked hard by the wind, clean as oilskins. No, the wind's not off the ocean. Yes, it cried in your room like a wolf and your pony tail hurt you. That was a long time ago. The wind rolled the tide like a dying woman. She wouldn't sleep, she rolled there all night, grunting and sighing. Darling, life is not in my hands; life with its terrible changes will take you, bombs or glands, your own child at your breast, your own house on your own land. Outside the bittersweet turns orange. Before she died, my mother and I picked those fat branches, finding orange nipples on the gray wire strands. We weeded the forest, curing trees like cripples. Your feet thump-thump against my back and you whisper to yourself. Child, what are you wishing? What pact are you making? What mouse runs between your eyes? What ark can I fill for you when the world goes wild? The woods are underwater, their weeds are shaking in the tide; birches like zebra fish flash by in a pack. Child, I cannot promise that you will get your wish. I cannot promise very much. I give you the images I know. Lie still with me and watch. A pheasant moves by like a seal, pulled through the mulch by his thick white collar. He's on show like a clown. He drags a beige feather that he removed, one time, from an old lady's hat. We laugh and we touch. I promise you love. Time will not take away that.
Anne Sexton (Selected Poems)
Wind howled through the night, carrying a scent that would change the world. A tall Shade lifted his head and sniffed the air. He looked human except for his crimson hair and maroon eyes. He blinked in surprise. The message had been correct; they were here. Or was it a trap?
Christopher Paolini (Eragon (The Inheritance Cycle, #1))
To do that Cinnamon had to fill in those blank spots in the past that he could not reach with his own hands. By using those hands to make a story, he was trying to supply the missing links. From the stories he had heard repeatedly from his mother, he derived further stories in attempt to recreate the enigmatic figure of his grandfather in a new setting. He inherited from his mother's stories the fundamental style he used, unaltered, his own stories: namely, the assumption that fact may not be truth, and truth may not be factual. The question of which parts of story were factual and which parts were not was probably not a very important one for Cinnamon. The important question for Cinnamon was not what his grandfather did but what his grandfather might have done. He learned the answers to this question as soon as succeed in telling the story.
Haruki Murakami (The Wind-Up Bird Chronicle)
2 Here is your inheritance: to be a person and go on blushing, applauding, saying “pardon me” without understanding how it started, or stopping to ask; believing somebody else knows; not wanting to be alone. Esoteric burlesque blossoming in mirrors, paraphernalia, rainbows, dolorous sombreros, days. The same presence everywhere. Look for it, it eludes you. Not wanting to be the only one with a small black coffin in your heart, a small black coffin the size of a thumb with nothing in it but wind. For now, take this black rock and go on polishing it. A golden cricket lives in it, listen; a tiny blue loom.
Richard Cronshey (The Snow and the Snow)
Every generation of children instinctively nests itself in nature, no matter matter how tiny a scrap of it they can grasp. In a tale of one city child, the poet Audre Lord remembers picking tufts of grass which crept up through the paving stones in New York City and giving them as bouquets to her mother. It is a tale of two necessities. The grass must grow, no matter the concrete suppressing it. The child must find her way to the green, no matter the edifice which would crush it. "The Maori word for placenta is the same word for land, so at birth the placenta is buried, put back in the mothering earth. A Hindu baby may receive the sun-showing rite surya-darsana when, with conch shells ringing to the skies, the child is introduced to the sun. A newborn child of the Tonga people 'meets' the moon, dipped in the ocean of Kosi Bay in KwaZulu-Natal. Among some of the tribes of India, the qualities of different aspects of nature are invoked to bless the child, so he or she may have the characteristics of earth, sky and wind, of birds and animals, right down to the earthworm. Nothing is unbelonging to the child. "'My oldest memories have the flavor of earth,' wrote Frederico García Lorca. In the traditions of the Australian deserts, even from its time in the womb, the baby is catscradled in kinship with the world. Born into a sandy hollow, it is cleaned with sand and 'smoked' by fire, and everything -- insects, birds, plants, and animals -- is named to the child, who is told not only what everything is called but also the relationship between the child and each creature. Story and song weave the child into the subtle world of the Dreaming, the nested knowledge of how the child belongs. "The threads which tie the child to the land include its conception site and the significant places of the Dreaming inherited through its parents. Introduced to creatures and land features as to relations, the child is folded into the land, wrapped into country, and the stories press on the child's mind like the making of felt -- soft and often -- storytelling until the feeling of the story of the country is impressed into the landscape of the child's mind. "That the juggernaut of ants belongs to a child, belligerently following its own trail. That the twitch of an animal's tail is part of a child's own tale or storyline, once and now again. That on the papery bark of a tree may be written the songline of a child's name. That the prickles of a thornbush may have dynamic relevance to conscience. That a damp hollow by the riverbank is not an occasional place to visit but a permanent part of who you are. This is the beginning of belonging, the beginning of love. "In the art and myth of Indigenous Australia, the Ancestors seeded the country with its children, so the shimmering, pouring, circling, wheeling, spinning land is lit up with them, cartwheeling into life.... "The human heart's love for nature cannot ultimately be concreted over. Like Audre Lord's tufts of grass, will crack apart paving stones to grasp the sun. Children know they are made of the same stuff as the grass, as Walt Whitman describes nature creating the child who becomes what he sees: There was a child went forth every day And the first object he look'd upon, that object he became... The early lilacs became part of this child... And the song of the phoebe-bird... In Australia, people may talk of the child's conception site as the origin of their selfhood and their picture of themselves. As Whitman wrote of the child becoming aspects of the land, so in Northern Queensland a Kunjen elder describes the conception site as 'the home place for your image.' Land can make someone who they are, giving them fragments of themselves.
Jay Griffiths (A Country Called Childhood: Children and the Exuberant World)
And in the cool evenings after his mother had gone to bed, he learned to play a friendly game of cards, bluffing without blinking, and besting his father so many times that Henry said he was glad he hadn't taught the boy to wager so well. Those were happy times for John Henry, with his father's time and attention, the sun on his skin, the wind in his face, and a wild new world to explore.
Victoria Wilcox (Inheritance (Southern Son: The Saga of Doc Holliday, #1))
It occurred to him that perhaps this was how shooting stars were made: a bird or a dragon or some other earthly creature snatched upward by the inexorable wind and thrown skyward with such speed, they flamed like siege arrows. If so, then he guessed he, Saphira, and Glaedr would make the brightest, most spectacular shooting star in living memory, if anyone was close enough to see their demise so far out to sea.
Christopher Paolini (Inheritance (The Inheritance Cycle, #4))
The sequel [to The Silmarillion and The Hobbit], The Lord of the Rings, much the largest, and I hope also in proportion the best, of the entire cycle, concludes the whole business – an attempt is made to include in it, and wind up, all the elements and motives of what has preceded: elves, dwarves, the Kings of Men, heroic ‘Homeric’ horsemen, orcs and demons, the terrors of the Ring-servants and Necromancy, and the vast horror of the Dark Throne, even in style it is to include the colloquialism and vulgarity of Hobbits, poetry and the highest style of prose. We are to see the overthrow of the last incarnation of Evil, the unmaking of the Ring, the final departure of the Elves, and the return in majesty of the true King, to take over the Dominion of Men, inheriting all that can be transmitted of Elfdom in his high marriage with Arwen daughter of Elrond, as well as the lineal royalty of Númenor. But as the earliest Tales are seen through Elvish eyes, as it were, this last great Tale, coming down from myth and legend to the earth, is seen mainly though the eyes of Hobbits: it thus becomes in fact anthropocentric. But through Hobbits, not Men so-called, because the last Tale is to exemplify most clearly a recurrent theme: the place in ‘world politics’ of the unforeseen and unforeseeable acts of will, and deeds of virtue of the apparently small, ungreat, forgotten in the places of the Wise and Great (good as well as evil). A moral of the whole (after the primary symbolism of the Ring, as the will to mere power, seeking to make itself objective by physical force and mechanism, and so also inevitably by lies) is the obvious one that without the high and noble the simple and vulgar is utterly mean; and without the simple and ordinary the noble and heroic is meaningless.
J.R.R. Tolkien (The Letters of J.R.R. Tolkien)
O! The day is done; the stars are bright; The leaves are still; the moon is white! Laugh at woe and laugh at foe, Menoa’s scion now is safe this night! A forest child we lost to strife; A sylvan daughter caught by life! Freed of fear and freed of flame, She tore a Rider from the shadows rife! Again the dragons rise on wing, And we avenge their suffering! Strong of blade and strong of arm, The time is ripe for us to kill a king! O! The wind is soft; the river deep; The trees are tall; the birds do sleep! Laugh at woe and laugh at foe, The hour has arrived for joy to reap!
Christopher Paolini (Eldest (The Inheritance Cycle, #2))
I sware unto you my furtherance if I prevailed. But now is mine army passed away as wax wasteth before the fire, and I wait the dark ferryman who tarrieth for no man. Yet, since never have I wrote mine obligations in sandy but in marble memories, and since victory is mine, receive these gifts: and first thou, O Brandoch Daha, my sword, since before thou wast of years eighteen thou wast accounted the mightiest among men-at-arms. Mightily may it avail thee, as me in time gone by. And unto thee, O Spitfire, I give this cloak. Old it is, yet may it stand thee in good stead, since this virtue it hath that he who weareth it shall not fall alive into the hand of his enemies. Wear it for my sake. But unto thee, O Juss, give I no gift, for rich thou art of all good gifts: only my good will give I unto thee, ere earth gape for me." ... So they fared back to the spy-fortalice, and night came down on the hills. A great wind moaning out of the hueless west tore the clouds as a ragged garment, revealing the lonely moon that fled naked betwixt them. As the Demons looked backward in the moonlight to where Zeldornius stood gazing on the dead, a noise as of thunder made the firm land tremble and drowned the howling of the wind. And they beheld how earth gaped for Zeldornius.
E.R. Eddison (The Worm Ouroboros)
Those who came before me did not take for granted the world in which they lived. They blessed the air with smoke and pollen. They touched the ground, the trees, the stones with respect and reverence. I believe that they imagined me before I was born, that they prepared the way for me, that they placed their faith and hope in me and in the generations that followed and will follow them. Will I give my children an inheritance of the earth? Or will I give them less than I was given? On one side of time there are herds of buffalo and antelope. Redbud trees and chokecherries splash color on the plain. The waters are clear, and there is a glitter on the early morning grass. You breathe in the fresh fragrances of rain and wind on which are borne silence and serenity. It is good to be alive in this world. But on the immediate side there is the exhaust of countless machines, toxic and unavoidable. The planet is warming, and the northern ice is melting. Fires and floods wreak irresistible havoc. The forests are diminished and waste piles upon us. Thousands of species have been destroyed. Our own is at imminent risk. The earth and its inhabitants are in crisis, and at the center it is a moral crisis. Man stands to repudiate his humanity. I make a prayer for words. Let me say my heart
N. Scott Momaday (Earth Keeper: Reflections on the American Land)
pity when we are at war with the most deadly enemy in our history—the same enemy who exterminated nearly every one of your kind, and who also killed your Rider. Glaedr’s fury was volcanic. Black and terrible, it battered against Eragon with such force, he felt as if the fabric of his being might split asunder, like a sail caught in the wind. On the other side of the field, he saw men drop their weapons and clutch at their heads, grimacing with pain. My self-pity? said Glaedr, forcing out each word, and each word sounding like a pronouncement of doom. In the recesses of the dragon’s mind, Eragon sensed something unpleasant taking shape that, if allowed to reach fruition, might be the cause of much
Christopher Paolini (Eragon / Eldest / Brisingr / Inheritance (The Inheritance Cycle #1-4))
You are made of life and beauty, and the dreams of my family for a hundred years. You are made of wind, water and wide blue days. My beauty, my pride, you must not die. If all else fails, if darkness devours all I was, you, at least, must go on. She opened both heart and mind to her ship, and flooded her with memories: her father’s deep booming laugh, and the proud moment when she had first taken the wheel into her own hands. A sun-swept vista from the crow’s nest, the horrific poetry of looking up at waves in a storm. You cannot end with me, Althea insisted fiercely. For if you do, all this does with you. All this beauty, all this life. How can you be made of death? It was not his death my father poured into you, but the summation of his life. How can you be made of death, when it was inheriting his life that quickened you?
Robin Hobb (Ship of Destiny (Liveship Traders, #3))
Living at the End of Time There is so much sweetness in children’s voices, And so much discontent at the end of day, And so much satisfaction when a train goes by. I don’t know why the rooster keeps crying, Nor why elephants keep raising their trunks, Nor why Hawthorne kept hearing trains at night. A handsome child is a gift from God, And a friend is a vein in the back of the hand, And a wound is an inheritance from the wind. Some say we are living at the end of time, But I believe a thousand pagan ministers Will arrive tomorrow to baptize the wind. There’s nothing we need to do about John. The Baptist Has been laying his hands on earth for so long That the well water is sweet for a hundred miles. It’s all right if we don’t know what the rooster Is saying in the middle of the night, nor why we feel So much satisfaction when a train goes by.
Robert Bly
Mr. President, Dr. Biden, Madam Vice President, Mr. Emhoff, Americans and the world, when day comes we ask ourselves where can we find light in this never-ending shade? The loss we carry asea we must wade. We’ve braved the belly of the beast. We’ve learned that quiet isn’t always peace. In the norms and notions of what just is isn’t always justice. And yet, the dawn is ours before we knew it. Somehow we do it. Somehow we’ve weathered and witnessed a nation that isn’t broken, but simply unfinished. We, the successors of a country and a time where a skinny black girl descended from slaves and raised by a single mother can dream of becoming president only to find herself reciting for one. And yes, we are far from polished, far from pristine, but that doesn’t mean we are striving to form a union that is perfect. We are striving to forge our union with purpose. To compose a country committed to all cultures, colors, characters, and conditions of man. And so we lift our gazes not to what stands between us, but what stands before us. We close the divide because we know to put our future first, we must first put our differences aside. We lay down our arms so we can reach out our arms to one another. We seek harm to none and harmony for all. Let the globe, if nothing else, say this is true. That even as we grieved, we grew. That even as we hurt, we hoped. That even as we tired, we tried that will forever be tied together victorious. Not because we will never again know defeat, but because we will never again sow division. Scripture tells us to envision that everyone shall sit under their own vine and fig tree and no one shall make them afraid. If we’re to live up to her own time, then victory won’t lie in the blade, but in all the bridges we’ve made. That is the promise to glade, the hill we climb if only we dare. It’s because being American is more than a pride we inherit. It’s the past we step into and how we repair it. We’ve seen a forest that would shatter our nation rather than share it. Would destroy our country if it meant delaying democracy. This effort very nearly succeeded. But while democracy can be periodically delayed, it can never be permanently defeated. In this truth, in this faith we trust for while we have our eyes on the future, history has its eyes on us. This is the era of just redemption. We feared it at its inception. We did not feel prepared to be the heirs of such a terrifying hour, but within it, we found the power to author a new chapter, to offer hope and laughter to ourselves so while once we asked, how could we possibly prevail over catastrophe? Now we assert, how could catastrophe possibly prevail over us? We will not march back to what was, but move to what shall be a country that is bruised, but whole, benevolent, but bold, fierce, and free. We will not be turned around or interrupted by intimidation because we know our inaction and inertia will be the inheritance of the next generation. Our blunders become their burdens. But one thing is certain, if we merge mercy with might and might with right, then love becomes our legacy and change our children’s birthright. So let us leave behind a country better than one we were left with. Every breath from my bronze-pounded chest we will raise this wounded world into a wondrous one. We will rise from the gold-limbed hills of the West. We will rise from the wind-swept Northeast where our forefathers first realized revolution. We will rise from the Lake Rim cities of the Midwestern states. We will rise from the sun-baked South. We will rebuild, reconcile and recover in every known nook of our nation, in every corner called our country our people diverse and beautiful will emerge battered and beautiful. When day comes, we step out of the shade aflame and unafraid. The new dawn blooms as we free it. For there is always light. If only we’re brave enough.
Amanda Gorman
Thou grievest where no grief should be! thou speak'st Words lacking wisdom! for the wise in heart Mourn not for those that live, nor those that die. Nor I, nor thou, nor any one of these, Ever was not, nor ever will not be, For ever and for ever afterwards. All, that doth live, lives always! To man's frame As there come infancy and youth and age, So come there raisings-up and layings-down Of other and of other life-abodes, Which the wise know, and fear not. This that irks—Thy sense-life, thrilling to the elements—Bringing thee heat and cold, sorrows and joys, 'Tis brief and mutable! Bear with it, Prince! As the wise bear. The soul which is not moved, The soul that with a strong and constant calm Takes sorrow and takes joy indifferently, Lives in the life undying! That which is Can never cease to be; that which is not Will not exist. To see this truth of both Is theirs who part essence from accident, Substance from shadow. Indestructible, Learn thou! the Life is, spreading life through all; It cannot anywhere, by any means, Be anywise diminished, stayed, or changed. But for these fleeting frames which it informs With spirit deathless, endless, infinite, They perish. Let them perish, Prince! and fight! He who shall say, "Lo! I have slain a man!" He who shall think, "Lo! I am slain!" those both Know naught! Life cannot slay. Life is not slain! Never the spirit was born; the spirit shall cease to be never; Never was time it was not; End and Beginning are dreams! Birthless and deathless and changeless remaineth the spirit for ever; Death hath not touched it at all, dead though the house of it seems! Who knoweth it exhaustless, self-sustained, Immortal, indestructible,—shall such Say, "I have killed a man, or caused to kill?" Nay, but as when one layeth His worn-out robes away, And taking new ones, sayeth, "These will I wear to-day!" So putteth by the spirit Lightly its garb of flesh, And passeth to inherit A residence afresh. I say to thee weapons reach not the Life; Flame burns it not, waters cannot o'erwhelm, Nor dry winds wither it. Impenetrable, Unentered, unassailed, unharmed, untouched, Immortal, all-arriving, stable, sure, Invisible, ineffable, by word And thought uncompassed, ever all itself, Thus is the Soul declared! How wilt thou, then,—Knowing it so,—grieve when thou shouldst not grieve? How, if thou hearest that the man new-dead Is, like the man new-born, still living man—One same, existent Spirit—wilt thou weep? The end of birth is death; the end of death Is birth: this is ordained! and mournest thou, Chief of the stalwart arm! for what befalls Which could not otherwise befall? The birth Of living things comes unperceived; the death Comes unperceived; between them, beings perceive: What is there sorrowful herein, dear Prince?
Krishna-Dwaipayana Vyasa (The Song celestial; or, Bhagabad-gîtâ (from the Mahâbhârata) being a discourse between Arjuna, prince of India, and the Supreme Being under the form of Krishna)
Seven Versions" 1. The Kiss Massive languor, languor hammered; Sentient languor, languor dissected; Languor deserted, reignite your sidereal fires; Holier languor, arise from love. The wood’s owl has come home. 2. Beyond Sunlight I can’t shakle one of your ankles as if you were a falcon, but nothing can prevent me from following, no matter how far, even beyond sunlight where Jesus becomes visible: I’ll follow, I will wait, I will never give up until I understand why you are going away from me. 3. A Man Wound His Watch In the darkness the man wound his watch before secreting it under his pillow. Then he went to sleep. Outside, the wind was blowing. You who comprehend the repercussions of the faintest gesture—you will understand. A man, his watch, the wind. What else is there? 4. For Which There Is No Name Let me have what the tree has and what it can never lose, let me have it and lose it again, blurred lines the wind draws with the darkness it gets from summer nights, formless indescribable darkness. Either give me back my gladness, or the courage to think about how it was lost to me. Give me back, not what I see, but my sight. Let me meet you again owning nothing but what is in the past. Let me inherit the very thing I am forbidden. And let me continue to seek, though I know it is futile, the only heaven that I could endure: unhurting you. 5. The Composer People said he was overly fond of the good life and ate like a pig. Yet the servant who brought him his chocolate in bed would sometimes find him weeping quietly, both plump pink hands raised slightly and conducting, evidently, in small brief genuflective feints. He experienced the reality of death as music. 6. Detoxification And I refuse to repent of my drug use. It gave me my finest and happiest hours. And I have been wondering: will I use drugs again? I will if my work wants me to. And if drugs want me to. 7. And Suddenlty It’s Night You stand there alone, like everyone else, the center of the world’s attention, a ray of sunlight passing through you. And suddenly it’s night. Franz Wright, iO: A Journal of New American Poetry, Vol I Issue I . (May 15th, 2011) The individual sections of “Seven Versions” ia based, loosely—some very loosely—on poems by Rene Char, Rumi, Yannis Ritsos, Natan Zach, Günther Eich, Jean Cocteau, and Salvatore Quasimodo.
Franz Wright
After the Grand Perhaps” After vespers, after the first snow has fallen to its squalls, after New Wave, after the anorexics have curled into their geometric forms, after the man with the apparition in his one bad eye has done red things behind the curtain of the lid & sleeps, after the fallout shelter in the elementary school has been packed with tins & other tangibles, after the barn boys have woken, startled by foxes & fire, warm in their hay, every part of them blithe & smooth & touchable, after the little vandals have tilted toward the impossible seduction to smash glass in the dark, getting away with the most lethal pieces, leaving the shards which travel most easily through flesh as message on the bathroom floor, the parking lots, the irresistible debris of the neighbor’s yard where he’s been constructing all winter long. After the pain has become an old known friend, repeating itself, you can hold on to it. The power of fright, I think, is as much as magnetic heat or gravity. After what is boundless: wind chimes, fertile patches of the land, the ochre symmetry of fields in fall, the end of breath, the beginning of shadow, the shadow of heat as it moves the way the night heads west, I take this road to arrive at its end where the toll taker passes the night, reading. I feel the cupped heat of his left hand as he inherits change; on the road that is not his road anymore I belong to whatever it is which will happen to me. When I left this city I gave back the metallic waking in the night, the signals of barges moving coal up a slow river north, the movement of trains, each whistle like a woodwind song of another age passing, each ambulance would split a night in two, lying in bed as a little girl, a fear of being taken with the sirens as they lit the neighborhood in neon, quick as the fire as it takes fire & our house goes up in night. After what is arbitrary: the hand grazing something too sharp or fine, the word spoken out of sleep, the buckling of the knees to cold, the melting of the parts to want, the design of the moon to cast unfriendly light, the dazed shadow of the self as it follows the self, the toll taker’s sorrow that we couldn’t have been more intimate. Which leads me back to the land, the old wolves which used to roam on it, the one light left on the small far hill where someone must be living still. After life there must be life.
Lucie Brock-Broido (A Hunger)
Call it archaic, but I think confession is liberation. It is easy to think that in injustice only the oppressed have their freedom to gain. In truth, the liberation of the oppressor is also at stake. Whether it’s the privilege we’ve inherited or space we’ve stolen, what began as guilt will mutate into shame, which is much more sinister and decidedly heavier on the soul. It doesn’t just weigh on the heart; it slithers into the gap of every joint, making everything swollen and tender. We learn to walk differently in order to carry the shame, but then we become prone to manipulate things like nearness and connection just to relieve our own swelling. When wounders, finally becoming exhausted of their dominion, dismantle their delusion of heroism or victimhood and begin to tell the truth of their offense, a sacred rest becomes available to them. You are no longer fighting to suspend the delusion of self. You can just lie down and be in your own flawed skin. And as you rest, the conscience you were born with slowly begins to regenerate, and your mobility changes. You walk past the shattered porch light without your nose to the ground. You can look your father in the eyes. You realize there are other ways to move in the world. It’s not only relief, it’s freedom. Truth-telling is critical to repair. But confession alone—which tends to serve the confessor more than the oppressed—will never be enough. Reparations are required. To expect repair without some kind of remittance would be injustice doubled. What has been stolen must be returned. This is not vengeance, it’s restoration. Maybe you know the verse that says if someone slaps you on the right cheek, turn and bare your left cheek to them too. But before all that, Exodus says eye for eye, tooth for tooth, burn for burn. Payment, consequence. Any injustice demands something of us. But the only thing more healing than forcing someone to pay is when a person chooses to pay by their own conviction. I have always wondered why Christ had to die. If we needed saving, if wrath was to be had, couldn’t God just snap his fingers or send a great wind or blink and have everything wrong made right again? Why is it nothing but the blood? Nothing else? This will always be strange to me. But if it’s true, the law is cosmic and eternal. Maybe it’s written into everything, and even God themself is not too bold to undo the way things were meant to be. Maybe they needed to show us what the most tragic and noble reparation could look like, the sacrifice of life itself, so we might learn the courage to choose to make repairs when our moments come. But some will die in their cowardice.
Cole Arthur Riley (This Here Flesh: Spirituality, Liberation, and the Stories That Make Us)
there is some evidence that governments are getting even more sluggish. It took America four years to build the Golden Gate Bridge, starting in 1933, and fifteen years to build the bulk of the Interstate Highway System, starting in 1956. As Philip Howard points out, a project to build a wind farm near Cape Cod has already been under scrutiny for a decade while seventeen agencies studied it, and it could well be under scrutiny for another decade, while eighteen lawsuits wind their way through the courts.12 Governments are devoting ever more resources to fulfilling inherited obligations rather than investing in the future.
John Micklethwait (The Fourth Revolution: The Global Race to Reinvent the State)
In Ephesians 1, Paul named specific blessings that can come through prayer. He prayed that his spiritual offspring would receive “the Spirit of wisdom and revelation, so that you may know him better” (v. 17). He asked God to open the eyes of their hearts so they could “know the hope to which he has called you, the riches of his glorious inheritance in the saints, and his incomparably great power for us who believe” (vv. 18–19). The better we know God (v. 17), the more we trust Him. The more we trust Him, the more we sense His peace when the wintry winds blow against us.
Beth Moore (Breaking Free: Discover the Victory of Total Surrender)
Pak Suleh recalled the atmosphere on his island of Pulau Sebidang, which had been ruled by his ancestors for more than a hundred years. Now it had been passed to foreign hands—whichever nation from whatever foreign world which had been claiming the island was theirs—such that he and his ancestors who had lived on that island for generation after generation had been chased away to live in these birdhouses. They had now inherited these congested breathing diseases. Why was it that he could no longer enjoy the wind which blows from the sea, which is very much one of God’s incomparable benevolences? He could no longer savour the swaying coconut trees, ketapang trees, beringin trees and other trees which whistled and murmured when caressed by the winds as their dried leaves fell onto the sand, mixed with red and white flowers scattered all over the pristine white beach, resembling the moving clouds on a wide piece of white paper. I have lost everything, thought Pak Suleh deep in his heart.
Suratman Markasan (Penghulu)
What’s going on?” he said. The wind breathed a cool breath across her skin, making her shiver. “What do you mean?” “Come on, Meridith—that kiss . . .” “It was just a kiss,” she said feebly, but her mind replayed the embrace, refuting her words. “You won’t even look at me.” His voice was strained. “Maybe we need to turn out the lights.” Her face burned. Even the wind couldn’t cool it. The grass at Jake’s feet shimmied and bowed over his scarred tennis shoes. “I don’t know what to say. I—I just can’t do this.” She wrapped her arms around her middle. “Why?” She searched the ground for answers like she’d find it among the blades of grass, pull it up by the roots, and hand it over. If only it were so easy. When nothing materialized, she chose the only answer that sounded logical. “I just broke my engagement a month ago. You can’t expect—” “This isn’t about him, and you know it.” An ache started behind her eyes. “I don’t know what it is.” “Then there’s nothing to stop us, is there? Unless you don’t feel anything for me . . .” Self-doubt crept into his tone. She let the sentence hang, unable to deny it. She prayed somehow he wouldn’t remember her response to the kiss or at least not remember it the way she did. She took three cleansing breaths. Four. The briny air failed to calm her. “No, it’s there, isn’t it.” It wasn’t even a question. There was no point denying it. “All right, I won’t deny an attraction. But that’s all, that’s all there can be.” “Why?” She threw her hands up. “I’m leaving soon, moving hundreds of miles away, I’ve just inherited three kids, my engagement’s broken, my future’s uncertain . . .” Surely there was more, but her mind ran out of steam. “Those are all things people work around.” He took a step toward her, then another. “There’s something else.” A memory flashed in her mind. Her mother, in manic mode coming toward her, slowly, just like this. She’d been no more than nine years old, had been wrapped in her mom’s arms only an hour earlier, but an hour made all the difference. Now her mom’s face was red and mottled, and she was yelling. Meridith had covered her ears with her hands. Jake’s movement snagged her attention. He was getting close. She stepped back. 974 . . . 948 . . . 922 . . . “Why are you running?” She knew he wasn’t talking about the step. It hadn’t put nearly enough distance between them. He was there, right in front of her. 896 . . . 8 . . . “Meridith.” He took her by the shoulders. The motion drew her eyes to his, and she knew it with certainty: she was too far gone. As far gone as he, maybe more. What had she done? How was she going to escape with her heart intact? There weren’t enough calming breaths to fix this. She could count backward from a million and still be where she was now. Hopelessly in love with the man who made her feel too many things. “You’re afraid.
Denise Hunter (Driftwood Lane (Nantucket, #4))
Jamie got back to her apartment in nineteen minutes and forty-nine seconds.  It wasn’t a personal best for a five-kilometre run, but it was still fast.  She showered and dressed, pulled on her boots, and was out the door in seventeen minutes flat. Which probably was close to a personal best.  She was wearing jeans she picked up from a supermarket. She liked them because they had a three percent lycra content woven into the denim, which stretched a little and meant that she could more easily crouch, walk, and kick someone in the side of the head if the situation called for it. It hadn’t yet, but she had a long career ahead of herself, she hoped.  She jumped into her car — a small and economical hybrid hatchback which squeezed around the city easily — and headed north towards the Lea.  It took nearly forty minutes to get there in rush hour traffic, and by the time she pulled up, Roper was leaning against the bonnet of his ten-year-old Volvo saloon, smoking a cigarette. He was tall with thinning, short hair, and a face that looked like he was always squinting into a stiff wind.  His long black coat was pinned to his right leg in the breeze and his shirt looked like it’d been pulled out of the laundry hamper rather than a clean drawer. He was perpetually single, and it showed. There was no one to hold him accountable when he decided it was okay to skip a morning shower for an extra ten minutes sleeping off his hangover. What she hated most about him, beyond the cigarette stink and the pissed-at-life attitude, was that she always had to look twice to make sure he wasn’t her father.  Her mother had dragged her away from him in Sweden, and now, she’d been thrown together with a guy who seemingly had inherited all his bad habits. Her mum said it was because all detectives were like it if they did the job long enough. They saw too much and didn’t talk about it enough. Which led inevitably to drink, and drugs, and other women. She’d spoken from experience of course. And Jamie knew she hadn’t exaggerated.  Though moving them both to Britain seemed like a bit of a dramatic reaction. But then again, her father had given her mother gonorrhoea and couldn’t say which woman he’d gotten it from. So Jamie figured it was reasonable.  He would have turned sixty-one this year. Roper pushed off the Volvo and ground out his cigarette under the heel of his battered Chelsea boot. Jamie looked at it, stopping short of his odour-radius. ‘You gonna just leave that there?’ He looked between his feet, rolling onto the outsides of them as he inspected the flattened butt. ‘It’ll wash away in the rain.’ ‘Into the ocean, yeah, where some poor fish is going to eat it,’ Jamie growled, coming to a stop in front of him.
Morgan Greene (Bare Skin (DS Jamie Johansson #1))
A human life, like any mountain trail, winds and twists through a very complicated, ever-changing landscape, taking unexpected turns and ending up in unexpected places. The lay of the land, the physical or natural environment, has some influence over the path one chooses to take -- going around rather than over boulders, say, or along the banks of a stream rather than through a tangled wood. Likewise in the course of an individual life, nature helps give shape to the direction a man or woman takes and determines how his or her life unfolds. So also does one's inner self, the drives and emotions that one inherits from ancestors far back in evolutionary time, determine the route. But the trail of any one's life is also shaped by the ideas floating around in the cultural air one breathes. All those influences make it impossible to explain easily why a person's life follows this path rather than another.
Donald Worster (A Passion for Nature: The Life of John Muir)
Hello, Devil. Welcome to Hell.
Jerome Lawrence (Inherit the Wind: Jerome Lawrence, Robert E. Lee (SparkNotes Literature Guide))
29 He that troubleth his own house, shall inherit the wind, and the fool shall be servant to the wise in heart. 30 The fruit of the righteous is as a tree of life, and he that winneth souls, is wise. 31 Behold, the righteous shall be recompensed in the earth: how much more the wicked and the sinner?
Proverbs
Having this, then, we must inherit that; destroying this, then that is ended too; no birth, old age, disease, or death; no earth, or water, fire, or wind. No beginning, end, or middle; and no deceptive systems of philosophy; this is the standpoint of wise men and sages; the certain and exhausted termination, complete Nirvâna. Such
Epiphanius Wilson (Sacred Books of the East)
Face like the moon, pale and somehow wavering. I could get the gist of his features, but none of it stuck in my mind beyond an impression of astonishing beauty. His long, long hair wafted around him like black smoke, its tendrils curling and moving of their own volition. His cloak — or perhaps that was his hair too — shifted as if in an unfelt wind. I could not recall him wearing a cloak before, on the balcony. The madness still lurked in his face, but it was a quieter madness now, not the rabid-animal savagery of before. Something else — I could not bring myself to call it humanity — stirred underneath the gleam.
N.K. Jemisin (The Hundred Thousand Kingdoms (Inheritance, #1))
If you see a train this evening, Far away against the sky, Lie down in your wooden blanket, Sleep, and let the train go by. Trains have called us, every midnight, From a thousand miles away, Trains that pass through empty cities, Trains that have no place to stay. No one drives the locomotive, No one tends the staring light, Trains have never needed riders, Trains belong to bitter night. Railway stations stand deserted, Rights-of-way lie clear and cold: What we left them, trains inherit, Trains go on, and we grow old. Let them cry like cheated lovers, Let their cries find only wind. Trains are meant for night and ruin. We are meant for song, and sin.
Thomas Pynchon
Prior to the days of the Soviets, a woman could be repudiated for any reason. Her jewels, inherited from her mother, were therefore her only worldly possessions and her sole safety net and source of independence, should she need it. So she always kept them on her person. Although repudiation is now a thing of the past, brides continue the tradition by donning all their jewelry for the wedding.
Bernard Ollivier (Winds of the Steppe: Walking the Great Silk Road from Central Asia to China)
Why do we as animals often struggle to cope with suffering and devastation that occurs because we are so far removed from our dear loved ones who have departed from us forever in the heavenly realms or when we encounter a challenge in our own life situations that may take us down a downward path of emotional disempowerment?" The Rabbit remarked. The eagle responded, "to achieve an environment of lasting peace, we need adversity and the harrowing experience of living through tragic events. No matter how hard we may strive, it is inevitable that we will all have to endure hardship at some period of time in our journey through our lives. Every animal inherits the same inherent defect, just like the wind will carry us away into the infinite abyss at the very moment of death. While you may decide to pursue happiness, you may also have the choice to suffer grieving as well, and it is up to you, as all of us will always have the gift of guilt which is keeping us in the present circumstances that we find ourselves in.
D.L. Lewis
America’s environmentally oriented social scientists did not need the mailed fist of a Stalin to triumph over their opponents. With such forceful intellects as [Franz] Boas, [A. L.] Kroeber, [Margaret] Mead, [Ruth] Benedict, [John B.] Watson, and [B. F.] Skinner fighting their cause, they sailed to victory, greatly aided by the political winds at their rear. Heady with success, they made ever wilder claims for the environment’s molding power over humans—and made ever more disdainful dismissals of genetic contributions. As with many who announce new concepts about human behavior, the innovators, emboldened by the cordial reception their insights received, leap from moderate positions of partial environmental influence to sweeping pronouncements of total governance. And if the founders themselves didn’t raise the stakes in this way, their disciples were sure to do it for them. This dynamic held true for the theories of Freud, Boas, and Watson. In the latter case, Watson did the escalating himself. While Watson’s writings continued to acknowledge inherited traits, his euphoria at having unlocked the secrets of human behavior moved him to make the now famous statement: “Give me a dozen healthy infants, well-formed, and my own specified world to bring them up in and I’ll guarantee to take any one at random and train him to become any type of specialist I might select—doctor, lawyer, artist, merchant-chief and, yes, even beggar-man and thief, regardless of his talents, penchants, tendencies, abilities, vocation, and race of his ancestors.
William Wright (Born That Way: Genes, Behavior, Personality)
How many of these do you suppose will be alive at this time to-morrow?" asked Sir Henry. I shook my head and looked again at the sleeping men, and to my tired and yet excited imagination it seemed as though Death had already touched them. My mind's eye singled out those who were sealed to slaughter, and there rushed in upon my heart a great sense of the mystery of human life, and an overwhelming sorrow at its futility and sadness. To-night these thousands slept their healthy sleep, to-morrow they, and many others with them, ourselves perhaps among them, would be stiffening in the cold; their wives would be widows, their children fatherless, and their place know them no more for ever. Only the old moon would shine on serenely, the night wind would stir the grasses, and the wide earth would take its rest, even as it did æons before we were, and will do æons after we have been forgotten. Yet man dies not whilst the world, at once his mother and his monument, remains. His name is lost, indeed, but the breath he breathed still stirs the pine-tops on the mountains, the sound of the words he spoke yet echoes on through space; the thoughts his brain gave birth to we have inherited to-day; his passions are our cause of life; the joys and sorrows that he knew are our familiar friends—the end from which he fled aghast will surely overtake us also! Truly the universe is full of ghosts, not sheeted churchyard spectres, but the inextinguishable elements of individual life, which having once been, can never die, though they blend and change, and change again for ever.
H. Rider Haggard (King Solomon's Mines (Allan Quatermain, #1))
Lady, when you lose your power to laugh, you lose your power to think straight.
Jerome Lawrence and Robert E. Lee
May I not hoard wealth, nor be foolish in my use of it. A meaningless life is a grievous evil because it is separation from You who are goodness itself. Let my words to You be few and sincere – for the more the words, the less the meaning. Father, every day with You is a better day. May You grant me the inheritance, shelter and life of Your wisdom. All I do is in Your hands. Perhaps it is making a difference or perhaps I am chasing the wind. You alone know. So, whatever I do, I will do to the best of my abilities. Let me not be dismayed about whether my efforts are recognised on this earth, for You see all that I do. I pray and hope that my wisdom will not be spoilt by folly and experimentation. Thank You, Holy Spirit, for giving me calmness and self-control. Let me not dig myself a pit with my own actions and words. I cannot understand Your work and Your ways, O God, maker of all things. But I understand that I can trust You and that You delight in walking alongside me. So I will not watch my circumstances, but will draw near to listen to You. I sowed my seed at work and at home, not knowing if I would succeed, but knowing You are there for me. Prepare me for days of darkness, for there is no dark that You do not give light to, no matter how dim the light seems. Let the days of my life honour You; let me fear You and keep Your commandments; let me enter into the joy of Your grace; let me do Your will; until my spirit returns to You who gave it. Amen
Mandla Moyo (Conquer Your Mountains: Your 52-week Biblical journey to unlock your full potential for life)